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Table Of Contents

1. Introduction
1.1. Aims of this dissertation
1.2. The Problem
1.3. Method
1.3.1. Instruments
1.3.2. Corpus
2. Definitions and Categories
2.1. Electronic Literature
2.2. Definitions of Text
2.3. ‘Konzeptionelle Hypertextualit¨at’
2.4. Genres
2.4.1. Genre Expectations
2.4.2. Hypertext as a New Genre?
2.4.3. Related Electronic Texts
3. Characteristics of Hypertext
3.1. Linearity
3.2. Links
3.2.1. Navigation
3.2.2. Link vs. “Verweis”
3.2.3. Link as Theme/Rheme-Relationship
3.2.4. Classification of Links
3.3. Interactivity
3.4. Cross-/Intermediality
3.4.1. Image-Text Relationships
3.4.2. Sound-Text Relationships
3.4.3. Film
3.5. Intertextuality
3.6. Open vs. Closed Texts
3.6.1. Text Boundaries
3.7. Authorship vs. Readership
3.7.1. Producing Hypertexts
3.7.2. Reading Hypertexts
3.8. Models
3.8.1. Model I: Suter
3.8.2. Model II: Aarseth
4. Technology
4.1. The Interface
4.2. Platforms
4.3. The Icon
4.4. The Code
5. Hypertext and Narrative
5.1. Story
5.1.1. Events
5.1.2. Existents
5.2. Discourse
5.2.1. Order
5.2.2. Duration
5.2.3. Frequency
5.2.4. Narrative Situation & Focalisation
5.2.5. Mode
5.2.6. Style
6. Analysis
6.1. The Model
6.2. The Unknown
6.3. These Waves of Girls
6.4. My Boyfriend came back from the War
6.5. kokura
6.6. ***[four stars]
6.7. *water always writes in *plural
6.8. IN MEMORY DO WE TRUST?
”IN MEMORY DO WE TRUST?”
6.9. Grammatron
7. Summary and Outlook
A. Appendix: Sources and References
A.1. Research and General Information
A.2. Primary Texts
A.3. Typology according to the ELD
A.4. Structural Typology according to Suter
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Hypertextual Fiction on the internet

Hypertextual Fiction on the internet

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Published by bonnieblackcat
Roman Zenner
Roman Zenner

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Categories:Types, Research
Published by: bonnieblackcat on May 24, 2013
Copyright:Attribution Non-commercial

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