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The Grand Union Canal had a local and national impact essentially on an economiclevel - making manufactured goods cheaper, travel much faster and trade moreprofitable. There was also much evidence of social and cultural transformation onand around the Grand Union. As canal towns appeared, their names too took onlocal significance such as Smethwick. One of the more fleeting cultural contributionsmade by canal communities was their own language. Many of them saw themselvesas seamen and even though their waterway was an inland one, they very much feltthemselves to be part of the maritime brotherhood, this gave their speech and clothinga nautical feel. Parts of their music and folklore treats the 'raging canal' as if it was theocean and many tunes and terms were borrowed from life at sea.Canal folk characters were divided into three categories: the labourers themselveswho lived and worked along it, 'marginal' folk who had some connection to the canal(or perhaps lived in a town nearby) and folk heroes and celebrities who migrated tothe water, borrowed from other, more established traditions (for example the TiptonSlasher, William Perry and Joseph Darby ‘Spring Heel Jack’) See website www.harrypalmer.co.uk
LIFE ON THE RAGING CANAL
William Perry (right) also known as the ‘Tipton Slasher’ with family
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