• Embed Doc
  • Readcast
  • Collections
  • CommentGo Back
Download
 
Christopher PikeThe Last Vampire II1I walk the dark and dangerous streets of L.A. gangland. A seemingly helplessyoung woman with silky blond hair and magnetic blue eyes. Moving down filth-strewn alleys and streets where power is measured in drops of blood spilledby bullets sprayed from adolescent males who haven't learned to drive yet. Iam near the housing projects, those archaic hotels of hostility where thecheckout fee is always higher than the price of admission. Because of mysupernormal senses, I know I am surrounded by people who would slit my throatas soon as ask the time of day or night. But I am not helpless or afraid,especially in the dark at night, for I am not human. I, Alisa Perne of thetwentieth century, Sita of the ancient past. I am five thousand years old,one of the last of two vampires.But are there only two of us left? I ask myself.Something is terribly wrong in gangland L.A., and it makes me wonder. In thelast month the Los Angeles Times has reported a string of brutal murders thatleads me to believe Ray and I are not the only ones with the special bloodthat makes us impervious to aging and most other human ailments. The victimsof these murders have been ripped open, decapitated, and, in some cases, thearticles say, drained of blood. It is this last fact that has brought me toLos Angeles. I myself like blood, but I am not eager to find more vampires. Iknow what our kind can do, and I know how fast we can multiply once thesecret of procreation is known. Any vampire I may find this evening will notlive to see the light of dawn, or perhaps I should say the setting of themoon. I am not crazy about the sun, although I can bear it if I must.A full moon rides high above me as I step onto Exposition Avenue and headnorth, not far from where the last murder occurred-a sixteen-year-old girlfound yesterday in the bushes with both her arms torn off. It is late, aftermidnight, and even though it is mid-December, the temperature is in themidsixties. Winter in Los Angeles is like a moon made of green cheese, ajoke. I wear black leather pants, a short-sleeved black top that shows mysleek midsection. My black boots barely sound as I prowl the unevensidewalks. I wear my hair pinned up beneath a black cap. I love the colorblack as much as the color red. I know I look gorgeous. Cool stainless steeltouches my right calf where I have hidden a six-inch blade, but otherwise Iam unarmed. There are many police cars out this fine winter night. One passesme on the left as I lower my head and try to look like I belong. Because Ifear being stopped and searched, I do not carry a gun. But it is only for thelives of the police that I fear, and not for my own. A whole S.W.A.T. teamcouldn't stop me. Certainly, I decide, a young vampire will be no match forme. And he or she must be young to be killing so recklessly.But who is this youngster? And who made him or her?
 
Disturbing questions.Three young males wait for me a hundred yards down the street. I cross to theother side, but they move to intercept me. One is tall and slim, the othersquat as an old stump. The third has the face of a dark angel brought up onthe wrong side of the pearly gates. He is clearly the leader. He smiles as hesees me trying to get away from him and his buddies, flexing his powerfulbiceps as if they were laws unto themselves. I see he carries a gun under hisdirty green coat. The others are unarmed. The three jog toward me as I pauseto consider what to do. Of course, I could turn and flee. Even if they werein training for the Olympics, they couldn't catch me. But I don't like to runfrom a fight, and I am suddenly thirsty. The smile of the leader will fade, Iknow, as he feels the blood drain from his body into my mouth. I decide towait for them. I don't have long to wait."Hey, babe," the leader says as they surround me in a fidgety semicircle."What you doin' here by your lonesome? Lost?"I appear at ease. "No. I'm just out for a walk. What are you guys up to?"They exchange smirks. They are up to no good. "What's your name?" the leaderasks."Alisa. What's yours?"He grins like the young god he thinks he is. "Paul. Hey, you's one beautifulwoman, Alisa, you know that? And I appreciate beauty when I see it.""I bet you do, Paul. Do you appreciate danger when you see it, too?"They cackle. I am funny, they think. Paul slaps his leg as he laughs. "Areyou saying you're dangerous, Alisa?" he asks. "You look like a party babe tome. Me and my stooges, we're going to a party right now. You want to come?It's goin' to be hot."I consider. "Are you three the only ones going to this party?"Paul likes it that I'm sharp. "Maybe. But maybe that's all you need." Hetakes a step closer. There is alcohol on his breath-a Coors beer-Marlborocigarettes in his coat pocket close to his gun. A brave boy, he puts hisright hand on my left shoulder, and his grin is now more of a leer. He adds,"Or maybe all you need is me, babe. What do you say? Want to party?"I look him in the eye. "No."He blinks suddenly. My gaze has been known to burn mortal pupils when I giveit free rein. But I have held something in check for Paul, and so he isintrigued, not scared. He continues to hold on to my shoulder."You don't want to go sayin' no to me, honey. I don't like that word.""Really."He glances back at his friends and then nods gravely in my direction. "Youdon't look like you's from around here. But around here, there's two ways toparty. You either do it with a smile on your face or you do it screaming. Youknow what I mean, Alisa?"I smile, finally. "Are you going to rape me, Paul?"He shrugs. "It's up to you, honeysuckle." He draws his piece from his coat, aSmith & Wesson .45 revolver that he probably got for his last birthday. Hepresses the muzzle beneath my chin. "And it's up to Colleen.""You call your gun Colleen?"He nods seriously. "She's a lady. Never lets me down."My smile grows. "Paul, you are such a simpleton. You can't rape me. Put itout of your mind if you want to be alive come Christmas Day. It's just notgoing to happen."My boldness surprises him, angers him. But he quickly grins because hisfriends are watching and he has to be cool and in control. He presses the gundeeper into my neck, trying to force my head back. But, of course, I don'tmove an inch, and this confuses him as much as my casual tone."You tell me why I can't just have you right now?" he asks. "You tell me,Alisa. Huh? Before I blow your goddamn head off."
 
"Because I'm armed as well, Paul."He blinks-my gaze is beginning to fry his brain. "What you got?""A knife. A very sharp knife. Do you want to see it?"He takes a step back, letting go of me, and levels the gun at my belly. "Showit to me," he orders.I raise my right leg in front of him. My balance is as solid as that of amarble statue. "It's under my pant leg. Take it out and maybe we can have alittle duel."Acting like a stud, throwing his pals a lecherous glance, Paul cautiouslyreaches up inside my pant leg. Throughout the act, he doesn't realize howclose he is to having his head removed by my right foot. But I havecompassion, and I don't like to drink from a gusher-it might stain myclothes. Paul's eyes widen as he feels the knife and quickly pulls it freefrom the leather strap. He handles it lovingly, showing his friends. I wait,acting impatient."I want it back," I say finally. "We cannot duel if you hold both weapons."Paul can't believe me. He is tired of my insolent manner. I begin to tire ofhim as well. "You's a smart-mouthed bitch. Why should I give you this knife?You might stick it in me while I'm lovin' you."I nod. "Oh, I'm going to stick it in you, be sure of that. I don't mind thatyou and your buddies prowl these streets like hungry panthers. This is ajungle and only the strong survive. I understand that, better than you canimagine. But even the jungle has rules. Don't take what you don't need, andif you do, be a sportsman about it. But you're not a sportsman, Paul. Youhave taken my knife and I want it back. Give it to me right now or you willsuffer unpleasantly." I stick out my hand and add in a voice as dark as mylong life, "Very unpleasantly."His anger shows; his cheeks darken with blood. He is not a true animal of thejungle, or he would recognize a poisonous snake when he saw it. He is acoward. Rather than hand over my knife, he tries to slash my open palm withit. Of course he misses because my hand is no longer where it was an instantbefore. I have withdrawn it to my side, at the same time launching my leftfoot at his gun. I hit only the revolver, not his hand, and see what theother three don't-the weapon landing on the roof of a three-story apartmentcomplex off to one side. Paul's buddies back up, but he continues looking forhis gun. His mouth works, but words are slow to form."Huh?" he finally says.I reach out and grab him by the hair, pulling him close, my left hand closingon his hand that holds my knife. Now he feels my gaze as beamed through amagnifying glass set in the hot sun. He trembles in my grip, and for thefirst time he must realize how many different kinds of animals are in thejungle. I lean close to his ear and speak softly."I see that you have killed before, Paul. That's OK-I have killed, too, manytimes. I am much older than I look, and as you now know, I am also muchstronger. I am going to kill you, but before I do I want to know if you haveany final requests. Tell me quick, I'm in a hurry."He turns his head away, but his eyes cannot escape mine. He tries to pullaway and finds we are momentarily welded together. Sweat drips from his facelike the river of tears the families of his victims have shed. His partnersback farther away. Paul's lower lip trembles."Who are you?" he gasps.I smile. "I'm a party girl, like you said." I lose my smile. "No finalrequests? Too bad. Say goodbye to mortality. Say hello to the devil for me.Tell him I'll be there soon, to join you."My words, a poor joke to torment a victim I care nothing for. Yet there is agrain of truth in them. I feel a wave of pain in my chest as I pull Paulcloser. It is from the wound when a stake impaled me the night Yaksha
of 00

Leave a Comment

You must be to leave a comment.
Submit
Characters: ...
You must be to leave a comment.
Submit
Characters: ...