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Table Of Contents

The Classical Concept ofMimesis
Medieval Art Theory
Neoplatonist Aesthetics
Renaissance Art Theories
Touch, Tactility, and the Reception ofSculpture in Early Modern Italy
The Spiritual Exercises of Leonardo da Vinci
Academic Theory 1550–1800
Rhetorical Categories in the Academy
The Picturesque and its Development
The Aesthetics ofKant and Hegel
E. H. Gombrich and the Tradition ofHegel
German Romanticism and French Aesthetic Theory
Expression: Natural, Personal, Pictorial
Reading Artists’ Words
Nietzsche and the Artist
Wittgenstein, Description, and Adrian Stokes (on Cézanne)1
Modernism and the Idea of the Avant-Garde
On the Intention ofModern(ist) Art
Anti-Art and the Concept ofArt
Marcel Duchamp’s Readymades and Anti-Aesthetic Reflex
Marxism and Critical Art History
Walter Benjamin and Art Theory
Bakhtin and the Visual Arts1
Peirce’s Visuality and the Semiotics ofArt
Conceptual Art
Barthes on Art
Foucault and Art
Derrida and the Parergon
What Consciousness Forgets: Lyotard’s Concept ofthe Sublime
Deleuze on Francis Bacon
Feminisms and Art Theory
Psycho-Phallus (Qu’est-ce que c’est?)
The Rules ofRepresentation
Gombrich and Psychology
Hermeneutics and Art Theory
Reciprocity and Reception Theory
The Paradox ofCreative Interpretation in Art
Interdisciplinarity and Visual Culture
Against Curatorial Imperialism: Merleau-Ponty and the Historicity ofArt
The Institutional Theory ofArt: Theory and Antitheory
P. 1
A Companion to Art Theory

A Companion to Art Theory

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Published by Wiley
The Companion provides an accessible critical survey of Western visual art theory from sources in Classical, Medieval and Renaissance thought through to contemporary writings.
The Companion provides an accessible critical survey of Western visual art theory from sources in Classical, Medieval and Renaissance thought through to contemporary writings.

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Publish date: Apr 15, 2008
Added to Scribd: Jun 06, 2013
Copyright:Traditional Copyright: All rights reservedISBN:9780470998427
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