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Mithraic Mysteries

Mithraic Mysteries

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Published by: thesoulphysician on Jun 14, 2013
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Mithraic mysteries1
Mithraic mysteries
Double-faced Mithraic relief. Rome, 2nd to 3rdcentury AD (Louvre Museum)
Mithraic Mysteries
were a mystery religion practised in theRoman Empire from about the 1st to 4th centuries AD. The name of the Persian god Mithra, adapted into Greek as
, was linked to anew and distinctive imagery. Writers of the Roman Empire periodreferred to this mystery religion by phrases which can be anglicized as
Mysteries of Mithras
Mysteries of the Persians
modernhistorians refer to it as
or sometimes
The mysteries were popular in the Roman military.
Worshippers of Mithras had a complex system of seven grades of initiation, with ritual meals. Initiates called themselves
, those"united by the handshake".
They met in underground temples (calledmithraea), which survive in large numbers. The cult appears to havehad its centre in Rome.
Numerous archeological finds, including meeting places, monuments,and artifacts, have contributed to modern knowledge about Mithraismthroughout the Roman Empire.
The iconic scenes of Mithras showhim being born from a rock, slaughtering a bull, and sharing a banquetwith the god Sol (the Sun). About 420 sites have yielded materialsrelated to the cult. Among the items found are about 1000 inscriptions,700 examples of the bull-killing scene (tauroctony), and about 400other monuments.
It has been estimated that there would have beenat least 680-690 Mithraea in Rome.
No written narratives ortheology from the religion survive, with limited information to bederived from the inscriptions, and only brief or passing references in Greek and Latin literature. Interpretation of thephysical evidence remains problematic and contested.
The Romans themselves regarded the mysteries as having Persian or Zoroastrian sources. Since the early 1970s,however, the dominant scholarship has noted dissimilarities between Persian Mithra-worship and the RomanMithraic mysteries, and the mysteries of Mithras are now generally seen as a distinct product of the Roman Imperialreligious world.
In this context, Mithraism has sometimes been viewed as a rival of early Christianity.
Mithraic mysteries2
The name Mithras
Bas-relief of the tauroctony of the Mithraicmysteries, Metz, France.
The name Mithras (Latin, equivalent to Greek "Μίθρας",
) is a formof Mithra, the name of an Old Persian god.
(This point has beenunderstood by Mithras scholars since the days of Franz Cumont.
)An early example of the Greek form of the name is in a 4th century BCwork by Xenophon, the Cyropaedia, which is a biography of thePersian king Cyrus the Great.
The exact form of a Latin or classical Greek word varies due to thegrammatical process of declension. There is archeological evidencethat in Latin worshippers wrote the nominative form of the god's nameas "Mithras". However, in Porphyry's Greek text
 De Abstinentia
(«Περὶἀποχῆς ἐμψύχων»), there is a reference to the now-lost histories of theMithraic mysteries by Euboulus and Pallas, the wording of whichsuggests that these authors treated the name "Mithra" as anindeclinable foreign word.
Related deity-names in other languages includeSanskrit Mitra (
 मित् रः
), found in the Rig Veda.
In Sanskrit, "mitra" means "friend" or "friendship".
the form
, found in an inscribed peace treaty between the Hittites and the kingdom of Mitanni, from about1400 BC.
Iranian "Mithra" and Sanskrit "Mitra" are believed to come from an Indo-Iranian word mitra meaning "contract,agreement, covenant".
Modern historians have different conceptions about whether these names refer to the same god or not. John R.Hinnells has written of Mitra/Mithra/Mithras as a single deity worshipped in several different religions.
On theother hand, David Ulansey considers the bull-slaying Mithras to be a new god who began to be worshipped in the 1stcentury BC, and to whom an old name was applied.
Mary Boyce, a researcher of ancient Iranian religions, writes that even though Roman Empire Mithraism seems tohave had less Iranian content than historians used to think, still "as the name Mithras alone shows, this content wasof some importance."
Mithraic mysteries3
Relief of Mithras as bull-slayer from Neuenheim near Heidelberg, framedby scenes from Mithras' life
Much about the cult of Mithras is only known fromreliefs and sculptures. There have been manyattempts to interpret this material.Mithras-worship in the Roman Empire wascharacterized by images of the god slaughtering abull. Other images of Mithras are found in theRoman temples, for instance Mithras banquetingwith Sol, and depictions of the birth of Mithrasfrom a rock. But the image of bull-slaying(tauroctony) is always in the central niche.
Textual sources for a reconstruction of thetheology behind this iconography are very rare.
(See section Interpretations of the bull-slayingscene below.)The practice of depicting the god slaying a bullseems to be specific to Roman Mithraism.According to David Ulansey, this is "perhaps the most important example" of evident difference between Iranian andRoman traditions: "... there is no evidence that the Iranian god Mithra ever had anything to do with killing a bull."
The bull-slaying scene
In every Mithraeum the centrepiece was a representation of Mithras killing a sacred bull; the so-called tauroctony.
The image maybe a relief, or free-standing, and side details may bepresent or omitted. The centre-piece is Mithrasclothed in Anatolian costume and wearing a Phrygian cap; who is kneeling on the exhausted
bull, holding it bythe nostrils
with his left hand, and stabbing it with his right. As he does so, he looks over his shoulder towards thefigure of Sol. A dog and a snake reach up towards the blood. A scorpion seizes the bull's genitals. A raven is flyingaround or is sitting on the bull. Three corns of wheat are seen coming out from the bull's tail, sometimes from thewound. The bull was often white. The god is sitting on the bull in an unnatural way with his right leg constrainingthe bull's hoof and the left leg is bent and resting on the bull's back or flank.
The two torch-bearers are on eitherside, dressed like Mithras, Cautes with his torch pointing up and Cautopates with his torch pointing down.
Sometimes Cautes and Cautopates carry shepherds' crooks instead of torches.
[36]Tauroctony from the Kunsthistorisches Museum
The event takes place in a cavern, into which Mithras hascarried the bull, after having hunted it, ridden it andoverwhelmed its strength.
Sometimes the cavern issurrounded by a circle, on which the twelve signs of thezodiac appear. Outside the cavern, top left, is Sol the sun,with his flaming crown, often driving a quadriga. A ray of light often reaches down to touch Mithras. Top right isLuna, with her crescent moon, who may be depicteddriving a biga.
In some depictions, the central tauroctony is framed by aseries of subsidiary scenes to the left, top and right,illustrating events in the Mithras narrative; Mithras being

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