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Table Of Contents

K. 449 as a hybrid of Mozart’s 1782–83 and spring 1784 concertos
The stylistic implications of confrontation in K. 449
Grandeur, brilliance and intimacy in Mozart’s piano concertos
Mozart’s piano concertos, K. 450–503 (1784–86)
K. 449 re-visited
K. 491 and K. 503
Stylistic experimentation in the first movements of K. 537 and 595
Mozart’s stylistic experimentation in context
K. 491 re-visited
K. 465/i and the ‘Haydn’ set
K. 465’s slow introduction as peroration
Musical contrast in the ‘Prussian’ quartets
K. 465 re-visited
The ‘Prussian’ quartets in musical and aesthetic context
The ‘Jupiter’ finale: reception and context
Dramatic dialogue and the late eighteenth-century symphony
Dramatic dialogue in the ‘Jupiter’ finale
The stylistic significance of the ‘Jupiter’ finale in Mozart’s oeuvre
Mozart’s Stylistic Re-Invention in Musical Context
The Quintet for Piano and Winds, K. 452
The piano quartets
The piano trios, ‘Kegelstatt’ trio and string trio
The piano sonatas and violin sonatas
Conclusion: the process of re-invention
Bibliography
Index of Mozart’s Works by Köchel Number
Index of Mozart’s Works by Genre
General Index
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Keefe - Mozart's Viennese Instrumental Music..a Study of Stylistic Re-Invention

Keefe - Mozart's Viennese Instrumental Music..a Study of Stylistic Re-Invention

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Published by rovers16475
Mozart
Mozart

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Categories:Topics, Art & Design
Published by: rovers16475 on Jun 26, 2013
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07/28/2013

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