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A List of Lectures - 2009
Architectural Paint and Colour
How do we Know what Colours were used in the Past?
A Brief Introduction to Early House-paints and their Pigments
Paint in a Nutshell: An Overview of Traditional Paints
Paint Finishes to Historic Plasterwork 
Painting on Wood: the Methods and Materials of the Housepainter 1700-1850
Colour on Ornamental and Architectural Ironwork 
Practical Issues in the Repainting of Eighteenth Century Interiors
A Review of Colours used on Windows, Doors and Ironwork 
Historic Paintwork and the Selection of New Paint
The Painted Room at Spencer House
The Basic Methods of Paint Analysis
The Analysis and Conservation of Decorated Surfaces
Commissioning Paint Analysis
Paint Analysis at the George Frideric Handel House
Paint Analysis at the Benjamin Franklin House
Paint Analysis at Newhailes - Interior and Exterior Surfaces
Paint Analysis in the Picture Gallery at Temple Newsam
Paint Issues and the Restoration of the Hampton Court Privy Garden
Colour in the bourgeois London Town House 1700 - 1820
A Brief Introduction to the Pigments in use by Robert Adam's Painters
The Late Georgian Interior: Paint Colours of the Regency
A Brief Overview on the use of Paint Colour in the Nineteenth Century
Paint in the Victorian House: Traditions and Materials
The Use of the Spectrophotometer in the Conservation of Historic Interiors
Paint in the Bennehan House, North Carolina
Eltham Palace: Early Twentieth Century Paints
John Fowler: Inspired by the Past?
Neoclassical Paint Colour in Nineteenth Century
Historical Colour - Myths and Misconceptions
Drawing Inspiration from the Past: Historical Paint Colours and their Relevance Today
Traditional Paints: a Specialist Paint Merchant's View
From Pig's Blood to Microscopes - Paint at Uppark 
Unravelling "Greek" Thomson's Original Polychromatic Schemes at Holmwood
The Paint Detective
The Colourful Past of the Royal Festival Hall
The King's Beasts
: The Heraldic Beasts of King Henry VIII
The Decoration of Listed Buildings
Patrick Baty
Architectural Paint and Colour
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