Professional Documents
Culture Documents
Remember
By the rivers of Babylon, there we sat down, And there we wept when we remembered Zion.
Psalms 137:1
From a tourist poster, Synagogues of Europe, outside a store in the Ghetto Vecchia, Venice
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Summary
Who was the Last Bar Mitzvah of Dubrovnik? When did he do his first aliot and reading from the Torah? What does a Bar Mitzvah mean to the vitality of a Jewish Community, and, a Shul specifically? Jews have been in Dubrovnik since Roman times when it was a Greek City known as Ragusa. Now the Synagogue stands empty of prayer for most of the year. At the High Holidays, the rabbi comes from Zagreb to conduct services for the remaining 45 pensioners who make up the Last Jews of Dubrovnik. Their pages in the Book of Life are nearly completed and turned. This is a proposal to bear witness to their lives and those of their forbearers. It is important to hear their personal stories. They must be remembered.
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A Sephardic Shul is different from an Ashkenazi one in that the cantor does not chant from next to the Torah, but facing it from his own dais. The congregation surrounds him much like a circus maximus.
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During services, the groups of shiva bochers pray in waves that circulate the Cantors Dais as the head Rabbi performs the rites at the opening of the Altar curtain and the removing of the Torah for reading. Having experience a the Bar Mitzvah of a friends son at a Sephardic Shul in the Upper East Side of NYC in 1990, I can say it is truly spiritually resonant to hear the deep tones of the Cantor and the responsive prayers that undulate around him. It was a bit reformed in that we sat in pews around the Cantor. But there were many praying standing for the entire ceremony of two-three hours. In Dubrovnik, there are benches for the infirmed since the service is conducted with the congregation standing in front of the Altar and around the Cantor.
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Greek Orthodox services follow this tradition as well, ex. Greek Orthodox services follow this tradition as well.t there is no Cantor and, thus, no Dais. Services are vested totally in the Priest.
View of ceiling ornaments, Cantors Dais and benches from the Altar
The Synagogue of Dubrovnik has a quiet beauty in its renaissance ornament and architecture, the three arches in the rear a quite Palladium. The chandeliers and lamps are classic Renaissance. The muted light glow at Kol Nidra and the blowing of the Shofur must be quite ethereal. What is it that has brought such a beautiful and spiritual place to abandonment? We can only weep tears of sorrow for those who were here and might be forgotten.
I have deferred all my other film projects to pursue this project. It feels like an important thing to do. It is my hope that such a documentary film might inspire some to emigrate to Dubrovnik and re-enliven this Shul. This Shul and the accompanying museum (no pictures please) has a captivating display of three Torahs and accoutrements, as well, a s testimony to all the Jews who were killed in the earthquakes of 1663 and 1979 and the Holocaust of WW II. Let it not become Just Another Tourist Attraction. This project is seen as a one-year, $60,000 effort to produce a 60 minute documentarya third of the usual cost/minute of $3,000. More in the Next Steps section below on use of Croatian Film students.
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Location
Croatia (Hratskova) is located on the Adriatic Sea across from Italy. Dubrovnik is Point A below in a Google Earth view of the area:
And then zooming in we get the Old City (Stari Grad) View:
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The Last Bar Mitzvah in Dubrovnik Going one more click on the zoom sllder:
Just up from the corner of the Placa Ulica, two streets before the Placa coming in from the West Gate, there is a street sign on the left side about 3 meters above:
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The Last Bar Mitzvah in Dubrovnik Looking up the street we see this
But that Google Street View is a day when the Synagogue and Museum are not open. When we were there on May 19, 2013, what we saw was the invitational image on the easel between under the window on the front right just after the doorway in the picture above.
In the picture above, the Push Pin on the map is here you stand to see up udioska Ulica, Street of the Jews.
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We took this invitation at 25 Kuna (~$4.25 each) and toured the Museum and then the Synagogue where the caretaker graciously allowed pictures in the Shul because there are no services held there (except on the High Holidays) unlike masses in all the churches we visited.
It would be three days later in Venice that I would wonder Who is this artist who combines the motif of Marc Chagal with the color sense of early Vasily Kandinsky? (And, by the way, some of the rare Chagall Synagogues are up for auction.) Is he the same one from the Synagogues of Europe poster in the Ghetto Vecchia in Venice? These questions would be answered in the Documentary Film we are proposing here, The Last Bar Mitzvah in Dubrovnik.
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Basic Approach
A Web/Social Media/TV Series for On the Edge will be developed using local Croatian talent. From a recent tour, I met several charismatic individuals who could host the Series. One in particular is Matija Radic, who led the 10-day tour through The Dalmatian Coast and the coast of lower Montenegro:
Matija knows the film people at The University of Dubrovnik where he went to school for his degree in history and tourism. He has indicated an interest in making the connections for this film.
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A second person is Leia, the Tour guide in Korula, ran for City Council on a Pluralism, Do Public Good platform:
She is articulate and quite charming in her presentation where she claimed to be the girlfriend of Marco Polo in a past life. Apparently, Korula claims Marco Polo as a native son, despite Venetian assertions otherwise. These two would make perfect co-hosts for the Croatian Edition of On the Edge Programming.
Step 1: Year
As a first step, this idea is being distributed to a small group of interested friends of mine whom I believe have a deep seated desire to see this story told. I am currently writing the script. I will then put a trailer together to promote a crowd funding Indiegogo campaign. At the same time, I will pursue full private funding among my friends and family to make the trailer. The the $60K Indiegogo campaign will be mounted as a follow-on.
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