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e\ue007\ue00c\ue00a\ue002 \ue008\ue00b g\ue00a\ue00d\ue009\ue008\ue00b \ue006\ue008c\ue000\ue005\ue00b c\ue006\ue000\ue00b\ue00b\ue005fc\ue000\ue001\ue008\ue00b \ue009\ue000\ue00a\ue000 \ue008 26\ue008 F\ue002\ue00b\ue00c\ue005\ue00e\ue000\ue006 \ue001\ue002 d\ue000\ue007- \ue011\ue000, \ue008 \ue001\ue002\ue00b\ue00c\ue000q\ue00d\ue002 \u00e9 \ue009\ue000\ue00a\ue000 F\ue002\ue00a\ue007\ue000\ue007\ue001\ue008 l\ue005m\ue000, \u00fa\ue007\ue005c\ue008 \ue000 c\ue006\ue000\ue00b\ue00b\ue005fc\ue000\ue00a \ue00c\ue00a\u00ea\ue00b \ue00c\ue00a\ue000b\ue000\ue006\ue004\ue008\ue00b \ue007\ue000 c\ue000\ue00c\ue002g\ue008\ue00a\ue005\ue000 \ue000\ue00e\ue000\ue007\ue011\ue000\ue001\ue000, \ue007\ue000\ue00b m\ue008\ue001\ue000\ue006\ue005\ue001\ue000\ue001\ue002\ue00b j\ue000zz c\ue008\ue007j\ue00d\ue007\ue00c\ue008, c\ue008m \u201ci\ue007\ue00c\ue008 \ue00c\ue004\ue002 l\ue005g\ue004\ue00c\u201d; \ue001\ue000\ue007\ue011\ue000 c\ue008\ue007\ue00c\ue002m\ue009\ue008\ue00a\u00e2\ue007\ue002\ue000 (\ue00b\ue008\ue006\ue008 \ue003\ue002m\ue005\ue007\ue005\ue007\ue008), c\ue008m \u201cC\ue005\ue001\ue000\ue001\u00e3\ue008 \ue001\ue002 \ue009\ue000\ue009\ue002\ue006\u201d; \ue002 \ue001\ue000\ue007\ue011\ue000 c\ue008\ue007\ue00c\ue002m\ue009\ue008\ue00a\u00e2\ue007\ue002\ue000 (\ue00c\ue00a\ue005\ue008), c\ue008m \u201cum\ue000 m\ue002\ue00b\ue000 \ue009\ue000\ue00a\ue000 \ue00c\ue00a\u00ea\ue00b\u201d. t\ue000mb\u00e9m \ue00a\ue002\ue009\ue00a\ue002\ue00b\ue002\ue007\ue00c\ue000m \ue000 c\ue005\ue001\ue000\ue001\ue002-\ue00b\ue002\ue001\ue002 \ue001\ue008 \ue003\ue002\ue00b\ue00c\ue005\ue00e\ue000\ue006, \ue008 g\ue00a\ue00d\ue009\ue008 \ue001\ue002 \ue001\ue000\ue007\ue011\ue000 \ue001\ue000 e\ue00bc\ue008\ue006\ue000 M\ue00d- \ue007\ue005c\ue005\ue009\ue000\ue006 l\ue000\ue00d\ue00a\ue008 C\ue000\ue00a\ue007\ue002\ue005\ue00a\ue008 \ue001\ue002 l\ue008y\ue008\ue006\ue000; \ue008 g\ue00a\ue00d\ue009\ue008 \ue001\ue000 ac\ue000\ue001\ue002m\ue005\ue000 C\ue008\ue00a\ue009\ue008 l\ue005\ue00e\ue00a\ue002; \ue000 \ue002\ue00bc\ue008\ue006\ue000 M\ue00d\ue007\ue005c\ue005\ue009\ue000\ue006 \ue001\ue002 B\ue000\ue006\ue006\ue002\ue00c \ue001\ue000 C\ue000\ue00b\ue000 \ue001\ue000 C\ue00d\ue006\ue00c\ue00d\ue00a\ue000; \ue008 J\ue008\ue005\ue007 d\ue000\ue007c\ue002 \ue002 \ue008 \ue00c\ue00a\ue005c\ue000m- \ue009\ue002\u00e3\ue008 \ue001\ue002 \ue001\ue000\ue007\ue011\ue000 \ue001\ue002 \ue00a\ue00d\ue000 c\ue008\ue007j\ue00d\ue007\ue00c\ue008 \ue000\ue00e\ue000\ue007\ue011\ue000\ue001\ue008, F\u00fa\ue00a\ue005\ue000 \ue001\ue000\ue00b r\ue00d\ue000\ue00b.

Ruas,
tricampe\u00e3o
em dan\u00e7a
de rua, se
apresenta
no \u00faltimo
dia da
mostra

pra\u00e7a Nereu Ram ontem ao meio-d \ue000oi surpreendido p

dos comerciantes do centro da ci de e o sol radiante em pleno inver fzeram com que as 150 cadeiras

pl\u00e1stico dispon\u00edveis n\u00e3o \ue000ossem su cientes para que o p\u00fablico sentas e acompanhasse as coreografas d grupos. Muita gente fcou de p\u00e9, atr das cadeiras, sem a cobertura

E essa \u00e9 a novidade para palcos abertos deste ano. Sylvio Le gruber, core\u00f3gra\ue000o do quadro tele

Anna Maria Lebsa n\u00e3o resistiu e acabou \u201cnos bra\u00e7os\u201d do core\u00f3gra\ue000o

De simples espectadores, aqueles que
\ue000oram ver a dan\u00e7a na Nereu Ramos
aproveitaram e experimentaram a
emo\u00e7\u00e3o de estar no palco

Torel, 5 anos, estava curioso com a aula de dan\u00e7a no pal- co da Nereu Ramos. Ele sentou na rampa, observou, deitou, brincou e depois \ue000oi buscar a m\u00e3e no palco. A dona-de-casa Elisabeth Sales, 41 anos, trouxe o flho para acompanhar a irm\u00e3 que se apresentou com a coreografa de dan\u00e7a russa, do Ballet Elisa, de S\u00e3o Bernardo do Campo. Do lado dele, se divertindo com o espa\u00e7o da rampa, estava a pequena baila- rina Luma Corral, 6 anos. Ela tamb\u00e9m veio assistir as apre- senta\u00e7\u00f5es da irm\u00e3 e conhecer Joinville.

Artur Garcez, r \u00e9 um estudioso parou uma cor Neste s\u00e1bado o coreografa \u201cNa do Nordeste. \u201c

H ut\ue002pia Cia. d\ue000 Dan\ue007a (PR) \u2013 R\ue000d HAn\u00edbal Danc\ue000 (SC) \u2013 Fr\ue000\ue000 F\ue003si\ue002n Hest\u00edm\ue003l\ue002 C\ue000ntr\ue002 d\ue000 Art\ue000 \ue000

CoNTEMPoR\u00e2NEa
onde: T\ue000atr\ue002 J\ue003ar\ue000\ue005 Machad\ue002
H\ue001r\u00e1ri\ue001:22h

exp\ue002c\ue000ntr\ue002 edm\ue003nd\ue002 D\ue002wbra\ue004a
- 11 \u00e0s 12h; 13 \u00e0s 13h30; 14 \u00e0s
15h30; 16 \u00e0s 17h30

Quando a Mostra de Dan\u00e7a Contempor\u00e2nea \ue000oi criada, o objetivo era apresentar, em um palco alter- nativo, o que de vanguarda havia na cria\u00e7\u00e3o em dan\u00e7a no Pa\u00eds, em lingua- gens e id\u00e9ias inovadoras, rompendo os limites t\u00e9cnicos e est\u00e9ticos desta arte. Sete anos depois, consolidada como uma das grandes atra\u00e7\u00f5es do evento, essa vanguarda chega aonde a dan\u00e7a se transmuta pelo espa\u00e7o que ocupa, apagando a linha ora t\u00eanue, ora quilom\u00e9trica, que separa

O car\u00e1ter n\u00e3o-competitivo ressalta o seu objetivo maior, de valo- rizar novas re\ue000er\u00eancias conceituais de espet\u00e1culo, al\u00e9m de contribuir para a \ue000orma\u00e7\u00e3o de uma plat\u00e9ia di\ue000eren- ciada para a dan\u00e7a contempor\u00e2nea no Brasil. Nesse sentido, o Festival de Dan\u00e7a traz, este ano, seis grupos que apontam para novos caminhos para a dan\u00e7a contempor\u00e2nea no Brasil.

e segue para espa\u00e7os alternativos. Para o palco do Juarez Machado v\u00eam as companhias Luis Arrieta (SP), Riscas Cia. de Dan\u00e7a de Ribei- r\u00e3o Preto (SP), MEIO Artistas Asso- ciados, de Belo Horizonte (MG) e Cia. Borelli (SP). J\u00e1 a Ney Moraes Grupo de Dan\u00e7a, de Caxias do Sul (RS), ter\u00e1 como palco a Cidadela Cultural Antarctica, e a Gaia-Dan- \u00e7a Contempor\u00e2nea, de Porto Alegre (RS), apresenta-se na casa noturna Moom Art n\u00b4Music.

Gaia-Dan\u00e7a
Contempor\u00e2nea ter\u00e1
palco em casa noturna

O Encontro das Ruas, even- to voltado \u00e0 cultura Hip Hop e que ressalta a arte urbana, ocorre neste fm de semana, das 11 \u00e0s 18 horas, na escola Germano Tim, ao lado do Centreventos, com programa\u00e7\u00e3o que inclui \u201cbatalhas\u201d entre dan\u00e7ari- nos, em cinco estilos \u2013 B. boys e B. girls, \ue000ree style dance,lock i ng,pop -

Tamb\u00e9m \ue000azem parte da programa- \u00e7\u00e3o, as batalhas de MCs, mostra de grafte e workshops.

O Encontro das Ruas \ue000oi um espa\u00e7o dignamente conquistado pelo Hip Hop e suas variantes, que hoje comp\u00f5em o universo que tam- b\u00e9m \u00e9 um estilo de vida. O evento \u00e9 um espa\u00e7o para essa vertente, que se desdobra em tend\u00eancias e estilos. Na parte de grafte, grafteiros de Rio a S\u00e3o Paulo v\u00eam mostrar a sua arte.

O Encontro das Ruas \ue000oi cria- do nos moldes de um evento similar, cuja primeira edi\u00e7\u00e3o \ue000oi promovida por integrantes do movimento Hip Hop de Joinville, h\u00e1 cinco anos, mas

hoje \u00e9 organizado pelo dan\u00e7arino Ice Man, do grupo F\u00faria das Ruas de Joinville, mas morando em Curitiba, e pelo B-Boy Tiago, do Super Star B- Boy, tamb\u00e9m de Curitiba.

Dan\u00e7arino exibe
habilidades em
uma batalha

s, a, la

sivo Dan\u00e7a dos Famosos, e os pro\ue000es- sores e alunos da academia Andan\u00e7a Fitness chamaram todo mundo para dan\u00e7ar passos mais simples e de sam- ba de gafeira no palco. Isso acontece- r\u00e1 nos palcos abertos de toda a cidade durante os pr\u00f3ximos dias.

O espa\u00e7o da pra\u00e7a \ue000oi toma- do por dan\u00e7arinos de todas as ida- des, incluindo aqueles de primeira viagem. A aposentada Anna Maria Lebsa, 59 anos, fcou com receio de participar, mas n\u00e3o resistiu ao con- vite do core\u00f3gra\ue000o. \u201cFoi maravilhoso, principalmente pela mensagem que ele passou\u201d, contou.

Sylvio prop\u00f4s que o p\u00fablico n\u00e3o se preocupasse com a opini\u00e3o alheia e dan\u00e7asse livremente. \u201cEu estava com aquela barreira sobre o que os outros iriam pensar, mas quis

provar para mim mesma que podia\u201d, comemorou Anna. Ap\u00f3s a aula, um grupo de sapateado do Ballet Elisa, de S\u00e3o Bernardo do Campo, apre- sentou uma coreografa a car\u00e1ter de dan\u00e7a russa. At\u00e9 o fm da tarde, 49 coreografas passaram pela pra\u00e7a.

Os palcos alternativos da Ne- reu Ramos, dos shoppings, hospitais e \ue000\u00e1bricas s\u00e3o uma oportunidade para quem n\u00e3o conseguiu comprar os ingressos para as apresenta\u00e7\u00f5es do Centreventos Cau Hansen. No s\u00e1- bado (19), o espet\u00e1culo Dom Qui- xote, apresentado pela Companhia Brasileira de Ballet do Rio de Janeiro, deve lotar novamente a pra\u00e7a cen- tral. A primeira exibi\u00e7\u00e3o ocorre ao meio-dia. Para quem n\u00e3o puder comparecer, haver\u00e1 uma segunda sess\u00e3o, \u00e0s 17 horas.

brasileiro estar\u00e1 presente na apresenta\u00e7\u00e3o do s populares do Col\u00e9gio Marista de Natal (RN). spons\u00e1vel pelos 15 bailarinos da companhia, da cultura nortista e conta que o grupo pre- eografa especial para esta di\u00e7\u00e3o do \ue000estival. grupo participa da mostra competitiva com a batida do Ganz\u00e1\u201d e retrata todo o regionalismo amos retratar a cultura brasileira\u201d, ressalta. A s bailarinos do Col\u00e9gio Marista \u00e9 uma releitura b\u00ea\u201d. (Cleiton Bernardes)

Core\u00f3grafo Sylvio
Lemgruber orientou quem
se aventurou na dan\u00e7a