• Embed Doc
  • Readcast
  • Collections
  • CommentGo Back
Download
Kevin: On the Transfer of Emotions
Vincent Crapanzano
American Anthropologist, New Series, Vol. 96, No. 4. (Dec., 1994), pp. 866-885.
Stable URL:
http://links.jstor.org/sici?sici=0002-7294%28199412%292%3A96%3A4%3C866%3AKOTTOE%3E2.0.CO%3B2-9
American Anthropologistis currently published by American Anthropological Association.
Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at
http://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained
prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in
the JSTOR archive only for your personal, non-commercial use.
Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at
http://www.jstor.org/journals/anthro.html.
Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed
page of such transmission.

The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academic
journals and scholarly literature from around the world. The Archive is supported by libraries, scholarly societies, publishers,
and foundations. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community take
advantage of advances in technology. For more information regarding JSTOR, please contact support@jstor.org.

http://www.jstor.org
Tue Dec 18 17:29:44 2007
V IN C E N T
C R A P A N Z A N O
C ity U niversity$N ew
Yo& ,G r a d u a t eC en ter
K evin: O n the Transfer of Em otions
U n la n g a g e ig n o r a n t la p e r te q u i le fa it S tr e e t l'a n im e , u n la n g a g e c o n v a in c u
d 9 6 n o n c e rlem ine renverrait en fait qu'&lui-m em e.'
-J-B .
P o n ta lis ,M ila n c o lied u la n g a g e
I
'V E
B E E N D Y IN GT OT E L L Y O U o n e sto ry th a t h a p p e n e d w h e n I w as in th e a rm y , a n d I

m ust tell it to you before you go," K evin said at our fourth and w hatwas to have been o u r la st m e e tin g . " F o r m e it sy m b o liz e s G o d 's in v o lv e m e n t in th e w h o le a ffa ir. I t w a s ju s t to o m u ch of a c ~ in c id e n c e ." ~

H e w ent o n , "I rem em ber how we used to pray fo r G od to protect the farm ers. I know , b e c a u s e th e p a re n ts o f th e g irlfrie n d I h a d w h e n I w as in th e a rm y h a d b e e n k ille d b y terro rists. T h e farm ers w ere having-I

th in k it w as a w e d d in g re c e p tio n . T h e r e w e re
a b o u t th irty o f th e m

a n d th e ir w iv es in th is h o u s e , a n d th e y w e re h a v in g d rin k s a n d s ta n d in g a r o u n d in th e lo u n g e . T h e te rro ris ts h a d d e c id e d to h it th e fa rm h o u s e a n d h a d c u t a h o le in th e se c u rity fe n c e . T h e y c ra w le d th r o u g h in to th e g a rd e n , a n d o n e g u y fire d a ro c k e t. I t w as s u p p o s e d to e x p lo d e o n im p a c t w ith a h o llo w c h a r g e a n dc a n y the whole blast forward.It should have blown a hole through the wall and filled the w h o le r o o m w ith s h r a p n e l a n d k ille d ju s t a b o u t e v e r y o n e.. ..B u t it d id n 't g o o ff. T h e ro c k e t w e n t th ro u g h th e ro o m

a t a b o u t c h e s t le v e l w ith o u t h ittin g a n y o f th e p e o p le th e re a n d o u t th ro u g h th e o th e r w all in to th e g a rd e n w h e re it e x p lo d e d . N ow a fte r th e y had fired the rocket, the terrorists ran out of the garden an d w aited in the bush to see w h a t d a m a g e th e y h a d c a u s e d . T h e y c a m e to th e re a liz a tio n th a t s o m e th in g h a d g o n e w ro n g... .S o th is te rro ris t d e c id e d to fire a n o th e r ro c k e t. H e p ro m p tly fix e d a n o th e r o n e [ o n to th e la u n c h e r] a n d fire d it, fo rg e ttin g h e w as s ta n d in g in fro n t o f th e se c u rity fe n c e . H ittin g th e fe n c e th e ro c k e t im m e d ia te ly e x p lo d e d , k illin g h is th r e e b u d d ie s . H e w as b a d ly w o u n d e d , b u rn t. W e f o u n d h im

there the next day.So,as a result, none of the farm ers w ere killed an d all of the terrorists w ere accounted for. I suppose w ith all th e a d re n a lin a n d th e h e a t o f th e m o m e n t, h e h a d fo rg o t h e w as s ta n d in g in f r o n t o f th e fe n c e . F o r m e th is w as a te s tim o n y o f G o d 's p ro te c tio n o f th e fa rm e rs... .T here are s o m a n y o f th o s e s to rie s I c o u ld k e e p o n te llin g y o u ," K ev in c o n c lu d e d . " I'v e e v e n th o u g h t o f w ritin g a b o o k ."

Kevin is a white Rhodesian w ho wasw o rk in g in S o u th A fric a a s a p r e a c h e r in a
fu n d a m e n ta lis t P ro te s ta n t c h u r c h w h e n I in te rv ie w e d h im

d u r in g m y s tu d y o f w h ite S o u th A fric a n s in th e e a rly 1 9 8 0 s. H e , h is w ife B a rb a ra , a n d th e ir tw o c h ild r e n liv e in a little r a n c h h o u s e in a v illa g e n e a r C a p e T o w n . K e v in d o e s n o t c a ll h im s e lf a Z im b a b w e a n because he left Rhodesia before it becam e Zim babw e.Ab o y is h -lo o k in g m a n o f 2 4 , h e is o f m id d lin g in te llig e n c e a n d s e e m in g ly little d e p th . H e is ta ll, h e a v y se t, d o e s n o t s e e m to b e a b le to s it s till. H e c o n tro ls a te n d e n c y to p u t o n w e ig h t by b o d y b u ild in g . H e h a s tu r n e d h is g a ra g e in to a g y m n a s iu m a n d c o v e re d its w a lls w ith p h o to g r a p h s o f w e ig h t- lifters. "Y ou can never beat the iron," h e says. "Y ou're alw ays aw are of your w eakness. You can always add another w eight.There's no sense of pride am ong bodybuilders. T h e y 'r e

v ery g e n tle , h u m b le , frie n d ly g u y s, a n d e v e n th o u g h m o st o f th e m
a re n o t
A m e r ic a n A n th r o p o lo g is t9 6 (4 ):8 6 6 -8 8 5 .C o p y r ig h tO1 9 9 4 , A m e r ic a n A n th r o p o lo g ic a l A s s o c ia tio n .
8 6 6
8 6 7
C rapanzano]
K E V i N
C h ris tia n s [th a t is, b o rn -a g a in C h ris tia n s ], m a n y o f th e m

le a d a l i e a k in to th a t o f C h ris tia n ity ." K ev in s e e s n o c o n tra d ic tio n b e tw e e n b o d y b u ild in g a n d b e in g a p re a c h e r. H e has even thought of opening a com m ercial gym nasium .D espite the rules his church im poses-no

s m o k in g , n o d rin k in g , n o p re m a rita l sex-he

a p p e a r s a t e a s e w ith life a n d w ith th e fo ib le s o f o r d in a r y p e o p le lik e h im s e lf a n d th o s e in h is c o n g re g a tio n . W ith respect to his parishioners' guilt over prem arital sex-'T hey

feel G od hasn't blessed
their m arriage
b e c a u s e o f itn -K e v in
says he
c a n 't b e lie v e
G o d w o u ld
cany out a
" v e n d e tta n a g a in s t th e m .

K e v in d o e s n o t lik e p a s to ra l c o u n s e lin g , th o u g h h e tra v e ls m o r e th a n 5 ,0 0 0 k ilo m e te rs a m o n th v is itin g p a ris h io n e rs a n d p ro s e ly tiz in g . H e lik e n s h is itin e r a n t m in is try to P a u l's . H e him self prefers preaching. H e spends hours each day praying,w aiting to receive the w ord of G od, an d though he is as capable of quoting scripture as any preacher in his c h u rc h , h e p re fe rs to p re p a re h is se rm o n s th ro u g h m e d ita tio n a n d in sp ira tio n ra th e r th a n th r o u g h s tu d y . H e is , in fa c t, a n ti-in te lle c tu a l a n d c ritic iz e s h is b r o th e r , a u n iv e rs ity g r a d u a te w ith w h o m h e c o m p e te s , fo r b e in gb o o k is h .

K e v in 's f a th e r is a n A n g lic a n p rie s t, a n A frik a n e r w h o , h a v in g le ft th e D u tc h R e fo rm e d C hurch,was ostracized by his fam ily.H e m oved to R hodesia an d never bothered to teach h is s o n s A frik a a n s . H e is a p ra c tic a l, d o w n -to -e a rth

m an

w ho does not com m and a u th o rity b u t is lik a b le . K e v in 's m o th e r h a d b e e n a d a n c e r b e fo re s h e " to o k to h e r b e d " w hen

Kevin was still a baby. She drank, took drugs throughout m ost of her sons'
c h ild h o o d , h a d
"nervous breakdow ns," and was often
h o s p ita liz e d . S h e h a d
a very

u n h a p p y c h ild h o o d . H e r m o th e r w as a c ru e l d is c ip lin a ria n , b e a tin g h e r u n til s h e b le d . " O n c e s h e tie d h e r u p a n d lo w e re d h e r in to a w e ll." H e r f a th e r w as a p p a re n tly a r a th e r in e ffe c tu a l m a n .

K evin was raised by A frican servants.Ihave seen his photograph at four years old, s u r r o u n d e d by a b o u t th irty b la c k c h ild re n . H e is v e ry m u c h th e m a s te r. H is fa m ily m o v e d around a lot,and Kevin w ent to 13schools.H e never graduated from secondary school. D u rin g a d o le s c e n c e h e liv e d in a v illa g e in " te rro ris t" te m to r y . O f th e 1 2 w h ite te e n a g e rs th ere, K evin tells m e w ith little em otion, 4 of th e 5 boys w ere killed by terrorists an d 1 of th e7g irls h a d h e r le g s b lo w n o ff. K ev in n e v e r tra in e d fo r th e m in is try in a n y fo rm a l w ay. H e sees him self as a m an of action, an d despite the "passivenway h e prepares his s e rm o n s , p re a c h in g is a m a tte r o f a c tio n fo r h im . H e g e ts c a m e d aw ay by it. H e is in fa c t "a bundle of energy" an d just as his overly developed body seem s to burst out of his clothes, so his "spirit" seem s to burst o u t of his body. H e know s his charm an d has lived by it. H is s to rie s a r e p a r t o f th a t c h a r m , a n d h e lik e s to te ll th e m .

I n
T h eR e la tio nof

the Poetl o Daydream ing, Freud distinguishes "poets w ho, like the bygone creators of epics and tragedies, take over their m aterial ready-m ade,and those w h o s e e m to c re a te th e ir m a te ria l s p o n ta n e o u s ly n (1 9 6 3 b 3 3 9 ).T h e la tte r, m o re th a n th e f o r m e r , w h o s e " in d e p e n d e n c e " is lim ite d to " th e c h o ic e o f m a te ria l," re s p o n d to a s tro n g e x p e rie n c e

that stirs u p
a
m e m o ry o f a n e a rlie r e x p e rie n c e
(u s u a lly b e lo n g in g
t o

c h ild h o o d ) a n d a w ish th a t is fu lfille d in th e c re a tiv e w o rk (F re u d 1 9 6 3 b :4 1 ).T h e re s u lt h a s e le m e n ts o f b o th th e p ro v o k in g o c c a s io n a n d th e m e m o rie s p ro v o k e d . H e re , a s e ls e w h e re in h is tr e a tm e n t o f lite ra tu re , a n d , I w o u ld stre ss, th e c o n fid e n c e s th a t o c c u r in th e p s y c h o a n a ly tic h o u r-th e

recounting of dream s,m em ories, an d fantasies-Freud

ig n o re s g e n r e a n d o th e r lite ra ry a n d c o m m u n ic a tio n a l c o n v e n tio n s . T h e d is tin c tio n b e tw e e n o rig in a l, s p o n ta n e o u s w rite rs a n d th o s e w h o m a k e u s e o f re a d y -m a d e m a te ria l is s im p lis tic , f o r e v e n th o s e w rite rs w h o a p p e a r to b e m o s t o rig in a l a r e in fa c t c o n s tra in e d by la n g u a g e , e x p re s s iv e c o n v e n tio n s , a n d lite ra ry h e rita g e . T h e s e c o n s tra in ts a re s tru c - tu ra l, p ra g m a tic , a n d a x io lo g ic a l. E v en th e m o s t a v a n t-g a rd e w rite r is c a u g h t, w h e th e r b y

a c c e p ta n c e o r re je c tio n , in
th e g ra m m a r a n d
rh e to ric
o f h is la n g u a g e , in
th e
c o m m u n ic a tio n a l c o n v e n tio n s o f h is s o c ie ty , a n d in th e lite ra ry a n d a rtis tic h e rita g e o f
h is c u ltu re . H is a c c e p ta n c e o r re je c tio n
o f th e s e
lin g u is tic , c o m m u n ic a tio n a l, a n d
lite ra ry c o n v e n tio n s is d e te rm in e d in p a rt a t le a s t by th e a ttitu d e s h is s o c ie ty ta k e s to w a rd
of 00

Leave a Comment

You must be to leave a comment.
Submit
Characters: ...
You must be to leave a comment.
Submit
Characters: ...