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The Best Screenplay and WritingAcademy Awards
The Category of Screenplay and Writing Awards:
 
See this site's
 One indicator of the types of screenplays that are nominated for awards is within the BestPicture category. Through the 79th Academy Awards ceremony (through 2007), the vastmajority of films that have won the top prize have been adapted from other sources, whileabout a fourth have been original screenplays:
43 of 80 Best Picture-winning films: adapted from novels, stories or short stories, or remakes of other films (i.e.,
, 
 
, 
The Departed (2006), No Country for Old Men (2007)
)
 
12 of 80 Best Picture-winning films: adapted from stage plays or stage musicals (i.e.,
 You Can't Take It With You (1938)
,
Hamlet (1948)
,
 
, 
)
 
1 of 80 Best Picture-winning films: adapted from an article (
)
 
1 of 80 Best Picture-winning films: adapted from a TV show (
)
 
1 of 80 Best Picture-winning films: adapted from various writings (
)
 
22 of 80 Best Picture-winning films: original screenplays (i.e.,
Going My Way (1944)
,
,
,
,
Crash (2005)
)
 
There have been many writers who have
unofficially 
worked on various nominated (andwinning) screenplays who are not included or credited for the screenplay. [Uncredited buttalented screenwriters include neophytes, called screenplay polishers, who make minor rewrites to improve the dialogue or scene directions.] The Academy Awards include onlythose who are officially nominated.
History of Changes in the Award:
See an entire detailed listing of 
on this site.This awards category has varied considerably over the first 30 years of the awards ceremony,but solidified itself by about 1970:
in the first year of the Academy Awards, 1927/1928, there were only two writingcategories:
Best Writing, Adaptation
and
Best Original Story;
there was also a short-lived category termed
Best Title Writing 
, discontinued after this year at the end of thesilent era
in the second and third years of the Academy Awards (1928/29 and 1929/30), therewas only a single writing award:
Writing Achievement 
, with no distinction betweenoriginal works and adaptations. Only the titles of the nominated films wereannounced. Writers were nominated for all of their work that year, rather than
 
nominating the writer for a specific film
in the next four ceremonies (1930/31, 1931/32, 1932/33, and 1934), the distinctionbetween original works and adaptations was resumed with two categories:
Best Writing, Adaptation
and
Best Original Story 
beginning in 1935, the term screenplay was first used as a nomination category(replacing
Best Writing, Adaptation
- it was used to indicate an adaptation rather thanan original story), so now there were two categories:
Best Original Story 
and
Best Screenplay 
(adaptation)(Because of these rules,
The Story of Louis Pasteur (1936)
remains the only film towin its two writing nominations in one ceremony for the same screenwriters (PierreCollings and Sheridan Gibney), for both
Best Original Story 
and
Best Screenplay 
(adaptation). Collings and Gibney are the only screenwriters to win two Oscars eachfor their work on a single film.)
in 1940, the Academy started a new category -
Best Original Screenplay 
, in additionto the other two categories:
Best Original Story 
and
Best Screenplay 
(adaptation).
Best Original Story 
was intended to give credit to the authors of performance works(not novels) that films were based on. Therefore, oftentimes, the source and itsadaptation would earn nominations - and Oscars.(Besides
The Story of Louis Pasteur (1936)
with more than one writing Oscar,
HereComes Mr. Jordan (1941)
was the first to win
two
writing Oscars, followed by
GoingMy Way (1944)
and
Miracle on 34th Street (1947)
. But in these other three cases,the script authors were
different 
people from the writers credited with the screenplay.)
in 1942, the titles for the three awards were:
Best Screenplay 
(adaptation),
Best Original Screenplay 
, and
Best Original Motion Picture Story 
in 1948, the award went back to only two awards:
Best Motion Picture Story 
(originalscreenplay) and
Best Screenplay 
(adaptation); the
Best Original Screenplay 
categorywas dropped
in 1949, the award was expanded back to three nebulous categories:
Best MotionPicture Story 
,
Best Screenplay 
(adaptation) and
Best Story and Screenplay ( 
the newname for the
Best Original Screenplay 
category
 )
in 1956, there were again three nominees, retaining
Best Motion Picture Story 
andtwo other renamed categories:
Best Adapted Screenplay 
and
Best Original Screenplay 
in 1957, the modern division of the award into "original" and "adapted" screenplayswas finally implemented - with only two renamed categories:
Best Screenplay -Based on Material From Another Medium
(Adapted Screenplay) and
Best Story and Screenplay Written Directly for the Screen
(Original Screenplay); the category of 
Best Motion Picture Story 
was discarded by being merged into the other categories
 
in 1969, the category of 
Best Story and Screenplay Written Directly for the Screen
was renamed:
Best Story and Screenplay - Based on Factual Material or Material Not Previously Published or Produced 
 
since then, the category names for the writing awards have been simplified to
 
 Adapted Screenplay 
and
Original Screenplay 
 
Currently, there are two basic categories of writing awards:
Writing, Adapted Screenplay
: awarded to the writer of a screenplay adapted fromanother source (novel or play usually)
 
Writing, Original Screenplay
: awarded to the writer of a script not based onpreviously published material
 
Top Academy Award Screenwriting Nominations and Winners:
Woody Allen (13) and Billy Wilder (12) have been nominated the most for any screenwritingcategory. Four individuals have been awarded with three (3) screenwriting Oscars: BillyWilder, Charles Brackett, Francis Ford Coppola, and Paddy Chayefsky.
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