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Table Of Contents

introduction
notAtion And textuAl criticism: notes on methodology
eArly VerbAl cAnons in music theory
Appendix 1.1. Verbal Canons that Treat Coloration1
Appendix 1.2. Canons that Defne Mensuration Signs and Other Figures
homogrAphism From motet to mAss cycle
being cAreFul with words
rhythm And tAleAe
competing notAtionAl Aesthetics
the homogrAphic motet AFter 1400
homogrAphism Across genres
the sAme but diFFerent: on notAtionAl consistency
CAntus plAnus, vel figurAtus
VisuAl citAtion
notAtionAl reFerence in the Armed mAn mAsses
notAtionAl consistency in ockeghem’s MissA l’hoMMe ArMé
obrecht’s AdAptAtions
A pArAgon oF VisuAl integrity
Appendix 4.1. The Transmission of Verbal Canons in the L’homme armé Masses
reAlizing cAnons: on the perFormAnce oF cAnonic notAtion
Were canonic parts sung or played?
What text did tenors sing?
For whom did the composers write?
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Zazulia Dissertation

Zazulia Dissertation

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Published by Lucas Mattioni

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Published by: Lucas Mattioni on Aug 18, 2013
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10/28/2013

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