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Sator Square -- Bag Et Al

Sator Square -- Bag Et Al

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Published by Dew Nada
dewnada, sator square
dewnada, sator square

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Published by: Dew Nada on Aug 27, 2013
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BAG et al on sator squarein dialogue with DEWnada
Here is all the information I could coax out of Bhakti Ananda Goswamiaka Br David Sherman concerning the topic of the Sator Square: He wroteHere is some basic information to consider in the meantime. The earliestexample of the Sator Square was found in the ruins of Pompei, which wasinstantly destroyed by a volcanic eruption. A very important painting of Helios Kouros and Rhoda (Krishna and Radha) was found in Pompei. 'TheNymph Rhoda' is depicted kneeling and o
ering a garland to HeliosKouros. The painting was reproduced as a small copy in black-and-whitein the old multivolume academic work "Rhodes, Life and Myth", which Iread many years ago. It was on-loan from the Oregon Inter Library LoanSystem, but I have never been able to locate this important work since.Obviously the Cultus of Helios Kouros and Rhoda of Rhodes was presentin the art of Pompei at the time of the eruption. This adds to the possiblemeanings of the Sator Square.http://en.wikipedia.org/wiki/Sator_SquareSator Square - Wikipedia, the free encyclopediaPlease note the Emanations from N/M in the Center of the Square.Ancient Sanctuaries and SacredGardens that were modeled on theEmanations from Godhead in Paradise were MANDALAS or LABYRINTHSthat were traveled inwards to return to God, and outwards from God asemanating from Him, to return to the World. The N/M zig-zag 'wave'HIERO-glyph was universally used in the ancient World for water and theDeity Name NARAYANA, NAZAREAN / NAHARAIM / MZRYM (NILUS 'NILE')or MARIMUS at Rome. M=N=M in sound shifting, so that the Roman LatinMAR and the Semitic NHR and Sanskrit NAR for water, sea or river arecognate. The M and N Roman Latin sound-letter characters (phonymglyphs) for the N / M Sound(s) are remnants of these earlier water-waveor rivulet symbols. As a Mandala with HERU-HAP (SERAPIS, Jewish ELI-HABHA) NILUS or MARIMUS in the center, the Sator Square can thereforebe 'read' like a MANDALA around the outside either direction toward thecenter, or diagonally in and out as well. From N/M NARAYANA / NILUSthe Original Father God of HERU-HAP worshiping Egypt, the Sacred Citiesof PER-AUSU Emanate. The plural NETeru are the 'GODS', the Multi-Formsof YAHU the PURUSHA / POLIEUS / PER-AUSU. PER in Egyptian is POL inGreek and PUR in Sanskrit. The NET Cross of the Heliopolitan and ThebanNETERU relates to the NOUTI of the Copts and the NATHA of the
Vaishnavasin India. The correspondances revealing the unity of theseAfro-Heleno-Semitic Traditions are numerous in the Sator Square. If these are a co-incidence, they are certainly mathematically improbable, if not impossible.Dear Friends, Have Holy fun with it, but I do not have the time to spendmore on it right now. It is certainly useful as a Mandala tool for DivineContemplation. Divine Peace and Love to You All!Your Aspiring Servant, Bhakti Ananda Goswami July 15 at 7:49pm
 Saint Francis of Assisi Ecumenical Retreat I did not make clear that theRoman MAR for water or sea and Deity Name MARIMUS (MASCULINE) andMARINA (FEMININE) are cognate with Sanskrit Nar, NARAYANA andNARAYANI. Afro-Egyptian MZR as in MZRYIM (Egypt) and NHL / NILE,as inGreek NILUS and the MER-Man God NEREUS (El-Dagon ie MATSYA orHELIOS-DELPHINOS) are cognate with the Semitic NHR / NZRYNNAZAREAN, The NHRYM / NAHARAIM 'DESCENDER' RIVER BAPTISMTRADITION, and the Vaishnava, Pure Land Buddhist and Sattvic ShaiviteSanskrit Traditions of NAR, NARAYANA and NARAYANI (FEM.).
DEW wrote on Facebook
I am putting together some meditations on the Sator Square and seekinginput. Can Bhakti Ananda or anyone here provide some insight into thespiritual significance of palindromes in general within ancient spiritualtraditions? obviously the PL/PR name appears in the term palindromeitself and the etymological dictionary connects palindromes to cycles:palindrome (n.)"line that reads the same backward and forward," 1620s, from Gk.palindromos "a recurrence," lit. "a running back," from palin "again,back" (from PIE root *kwel- "move round," with notion of "revolving; seecycle (n.)) + dromos "a running" (see dromedary).Many thanks as always for all the wisdom o
ered on this site!
David Ernest Wachter
Also, any insight into the significance of vowels vs
consonants, when contemplating divine names would be great to heartoo. There seems to be important energetic di
erences between vowelsand consonants and the ancients seemed to play with changing vowelsounds a lot. Where else can such questions be asked and answered buthere, LOL. A Plethora of Thanks!!!! July 20 at 11:40pm 
Saint Francis of Assisi Ecumenical Retreat
Often apparent 'ancient'changing of vowel sounds has nothing to do with any real change thatoccurred, but is due to the fact that the writing or pictographic systemused to communicate the Holy Name used NO VOWEL ANNOTATIONS ORSYMBOLS AT ALL, and thus all later speculations about the LOCATION of vowels, and particular vowel sounds in any name, were / are just that,more-or-less educated guesses. For example, the primal HR / HL HolyName was once commonly written as HOR by Egyptologists. Now manyexperts render this same Name as HERU. However, if they would admitthe obvious historical and theological connections of this Deity to GreekHELI-OS, Semitic ELI-YAHU, and to Vaishnava Indic HARI, like some otherearlier Egyptologists who rendered this Name HERI, they would simplychoose the 'ee' sound, as in 'HAREE' for the second vowel sound in thisHoly Name.
Some ancient writing systems had no vowel annotation. This may be whyimportant words and Holy Names are expanded or contracted as to thenumber of sylables and their locations. For example consider the manyforms of the Holy Name NARAYANA. The ancient Biblical Name forMesopotamia, the Land of the Two Rivers, the Tigris and the Euphrates,was NHRYM, which Hebrew scholars render as NHR for River or FreshWater, plus the Semitic Su
x YM / YN for 'of, from or related-to'something or someone. Please note that this YM/N su
x is identical tothat of the Sanskrit YN, JN, GN as in NARA-YANA, HARI-JANA or SURA-GANA. In English we have similar related-to word-endings like AryAN,EuropEAN, NazarEAN, MongolIAN, PhliadelphiAN, sacristAN, citizEN,partisAN, musiciAN, museUM, see also endings like -cian, -sian, -tionetc.
So, the usual Semiticist's or Hebraist's translation of the Name / wordNHRYM is 'of the Rivers' ie the Land OF THE Tigris and Euphrates. Of course, Sanskritists have two Traditional Vaishnava ways of interpretingand/or translating Hari's (Vishnu's) Holy Name NARA-YANA. These twoways are due to theSanskrit NR NARA pun, in which NR means both(young) Man and WATER. Thus traditionally Sanskrit NARA-YANA maymean either 'Of Man' or 'Of Water'. The first interpretation identifiesNARAYANA as BORN of MAN. He is the God Who INCARNATES! This isidentical to the Judeo-cCatholic concept of the Messiah, Who is the 'SONOF MAN'. Thus NARA-YANA is the Deity Who IS the 'Son of Man'.

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