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By Siranuysh Gevorgyan
YEREVAN (ArmeniaNow) — When ArgamBabayan and Nelly Movsisyan walk the street together, many passers-by turn around tocheck them out. The teenagers dressed inblack and pink attract attention with theirhaircuts with a front fringe closing one of theireyes and eyes heavily painted in black.Babayan and Movsisyan, both 18, are repre-sentatives of emo (short for “emotional”) cul-ture — a popular youth movement mainly inthe United States and Europe, with a wideInternet community.“Emos,” as some refer to themselves, initiallyused to be defined as fans of emo rock, but theterm has been adapted to a wider culturallifestyle. Emos are usually 12-18-year-olds; theywear either black or pink clothes, tight jeans, fin-gernails painted in black and listen to groupssuch as Tokyo Hotel, AFI and Avril Lavine. Emobegan to take hold in Yerevan in 2007.“The real emo must have a very expressiveappearance and only a few would dare to dressemo style here,” Babayan explained.Babayan, 18, is believed to be the only “emoboy” in Yerevan. He does not contend that there aren’t other emo boys in the city, too,but he has yet to see one because he says oth-ers are afraid to go out dressed in emo fashion.“I am not afraid; I dress like this all the time,and I do not want to change myself,” Babayansaid. “However, when I walk in the street folkscan insult me any time. They point at me, theysay that I am a girl, or they ask whether I ama boy or if I am gay.”Emo teenagers say that there are about 20-25 emos in Yerevan; however only five of thempresent themselves as such in public.Besides emos, there are small groups of goths, punks, Satanists and other youth move-ments in Yerevan.Those opposed to the lifestyle claim emoteenagers believe they must commit suicideonce they are 18-years old. There have been nosuch deaths reported in Armenia.“Sometimes we are simply very, very sad,and then we may become unruly,” said NellyMovsisyan, who adopted the culture at 16, but whose family disapproves.Babayan, who has problems especiallywith his father, once took an overdose of aspirin after fighting with him, but wokeup the next morning healthy.“I do not understand why my father doesnot accept me the way I am,” he said. “I do not do anything wrong, I do not smoke, I do not drink alcohol, I do not take narcotics.”“Now he does not live with us, he lives withhis second wife in Echmiadzin after my moth-er’s death. But when he comes to Yerevan, healways provokes (fights) with me. And then Iwant to leave home,” he added.Now Babayan lives with his two sisters. Heworks nightshift at a plastic bottle productionplant. Babayan said he got the job with great difficulty.“I worked in a supermarket, and one day myboss came and told me to cut my hair the next day and only then come to work. And without saying anything I simply quit the job,”Babayan said.Movsisyan’s father is more tolerant. Shesays her father works in Russia and some of his friend’s kids are also emos.The two meet often, going for walks indowntown Yerevan.“When nobody understands you, you tryto find someone who would entirely under-stand you,” Babayan said. “I am very happythat we met.”
Argam Babayan and Nelly Movsisyan are happy to find “somebody who understands.”
‘Emo’ Yerevan Teens Challenge Society
By Tom Vartabedian
GUMRI, Armenia — The sound of music is alive and well insidethe Tigranyan Institute.Talented children are playing their instruments behind closeddoors while parents gather, wait, listen and hope.Inside the main auditorium, a young diva is exercising hervoice before an audience that includes Sebouh Apkarian, artisticdirector and conductor of the famed KOHAR SymphonyOrchestra and Choir.He’s there like he always is, scouting new talent and lendingencouragement. You can’t miss him. He’s the gentleman in the front row with snow-white hair listening attentively and taking notes.Obviously, he likes what he sees in this young nightingale.“He’s very supportive to the youngsters who know that beingin a program with KOHAR and traveling around the world toperform would be the ultimate,” said Kayane Manougian. “Theyall want to make a big impression.”Twenty-one years ago, a devastating earthquake sent tremorsand shock waves through Gumri and Spitak, claiming some58,000 lives.The children here are too young to remember but continu-ously hear the stories, not like Manougian who experienced thetragedy first-hand and lived to tell about it.“I was at home with a newborn child when the earthquakestruck,” she recalls. “I ran out into the street and saw buildingstoppling over. Two minutes can lead to a lifetime of tragedy andhardship. Many of my closest friends were lost. Every time Ithink about it, I’m devastated.”Like so many others, Manougian pitched in, helping those inneed and rebuilding her city in the aftermath.The 80-year-old Tigranyan Institute was among the casualties,left in ruins. Life was uncertain and recovery slow. But they weredetermined. Trailers served as temporary classrooms amid therubble along Abovian Street.“For six years, we worked out of a fallout shelter, then movedinto a building with no heat,” Manougian traced back. “Winterswere severe. For 15 years, the school operated like that. Peoplewere poor. Homes were devastated. The ultimate sacrifice wasalways being made.”Today, the institute boasts some 390 students between theages of 7-15 and 75 instructors, housed in an adjacent buildingthat once served as a factory. The lyrical sounds of youngsoloists are mingled with instruments that conserve theArmenian heritage and sustain its national character.Not all are traditional pieces. A certain emphasis is placed onsuch Armenian instruments as the kanoun, duduk and tar.Choreography is another staple.As concertmaster and first violinist of the KOHAR Orchestra,the 49-year-old Manougian also serves as a role model for thesestudents. It’s more than music here but a way of life. Throughperformance, careers are established and money is earned —resources that are currently scarce in Armenia.A nominal tuition is assessed for those who can afford it.Assistance is also met through government circles. The faculty ispaid, however slight. Instruments are provided.Students attend normal school elsewhere, then matriculate herefor further education. It makes for a long, but productive day.Among the notable groups is YerezArt, a troupe of youngsingers who have visited the US and will do so again this fall.“We prepare them for the conservatory,” said Manougian.“Many have succeeded and carried the name of Gumri to promi-nence. That we like to see. My students mean the world to me.Without them, I am very lonely.”
N. Tigranyan Music Institute is enjoying a renaissance after beingdestroyed by an earthquake 21 years ago in Gumri.
Gumri Music School Recovers after Earthquake
Principal Kayane Manougian takes charge of 390 students and75 instructors in addition to being concertmaster with the KOHARSymphony Orchestra.
TOM VARTABEDIAN PHOTOTOM VARTABEDIAN PHOTO
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