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f ir s t
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c o n trib u tio n
t o
w o rld
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'p o w er.
A
M ir r o r
o f
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th e
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to o ,
a re
th e
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o f
th e
p r e c e d i n g
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t
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people truly
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t f i \u00a2
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w ith
th e
r e s u l t
re fle c ts
a ll
th e ir
t r i a l s
a n <ttrtb u h v
\u00a1C h ristian
i n
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a n d
c o n te n t
b u t
p o rtu h ity .
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w ell as
th e ir
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a g a i n s t
th e
a c u te
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p a s s e d
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p a g a n
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s t o r e
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w ith
th e
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th e
P o \u00ab s h
sociologist, Prof.
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i n
b y
th e
in tro \ue000
d u c tio n
o f th e
p rin tin g
p r e s s ; th e * R e \ue000
fo rm a tio n ,
a n d
th e
re lig io u s
u n io n
o f
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w ith
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U k ra in ia n
p e o p le .
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F
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T H
L .* \u00ba* * * '" J *^ j^ s tiv itie s
o n
th e
v illa g e
g r e e n ,
h a p s
th e
m ost
v o lu m in o u s
c l a s s
o f
t u r e s q u e
a n d
g a y
E aster
H o lid a y , w ro te
th a t
th e
" f o l k
c u ltu re
o f
th e
U k ra in ia n s
i s
a t
p r e s e n t
ric h e r
a n d
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th e
new spapers
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F
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fam ily
l i f e
encom pass
a ll
i t s
w arfare
o n
a ll
th e
U k ra in ia n
te r
rtto rie s
fro m
C a rp a th ia n
U k ra in e
t o
th e
K uban
re g io n .
T he
U k ra in ia n s
a re
fig h tin g
n o w
i n
th e
r a n k s
o f
th e
p h a s e s .
T he
ty p ic a l
C rad le
s o n g s
u s u a lly
e x p r e s s
th e
g r e a t
lo v e
th e
m o th e r
b e a r s
fo r
h e r
c h ild
a n d
th e
w o rry
sh e
u :a ii
tte r
b e tte r
c ry s ta liz e d
th a n
th e
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fo lk -c u Itu re ,
b
am i
th a t
th is
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w
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s
m
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r
k
e
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W
tb k
d e fin ite
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lo n ty
i s
m anifest
m
th e
liv e ly
fo lk
^
n a tio n a lis tic
tre n d s
in to
i t .
1
T he
s o n g s ,
i n
w h ic h
r e s p e c t
th e
U k ra in \u00b7;^ te rs
w ere
n o
lo n g e r
m ain ly
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ia n s
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a to n g ^ w ith
th e
S erbs,
th e
f
o
r
e
i
g
n
b
u
t
n
a
t
i
v
e
e x tra c tio n ,
w h ilo
b e s t
endow ed
o f
th e
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r a c e s .
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arm y
fo r
th e
p rin c ip le s
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f a t e
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w
h
e
n
r t
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P \u00b7
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th e ir
w o rk s
b e g a n
t o
ta k e
o n
m ore
S o n g s
H
f
e
a
n
d
^ S o r
th a n
p re v io u s ly ,
o n e \u00bb
c l o s e r
t o
th e
d a ily
e x is te n c e
o f
th e
'
A s\u00b7 com pared
"w \u00ab\u00be
th o s e
o f
R
m
> \u00a6p ^ ^
T
h
e
s p e e c h ,
to o ,
s i a
th e
U k ra in ia n
fp lk s
a re
su p e rio r\u00a1 p a rtly
b y
i t s
ow n
v ig o r
a n d
p a rtly
I t
i s
e n o u \u00bf li
t o
m e n tio n
th a t
M ar-!
F uneral
songs, drawn
m ain ly
fro m
a l s o .
I h
h iS
w o rk ,
* U k ra in e ,
t h e\u00a1 b e c a u s e
of^^^t\u00be e R e f o r m a U o r i * i n i l u e n c e s ;
s h a l s
fim oshenko
a n d
B udenny
a re
Im y th o lo g ic a l
a n d
C h risU ari
s o u r c e s ,
i* n d
a n d
i t s
P e o p le ,
. S te p h e n
R u d -,8
\u0406
\u0435
\u0430
< \u0428
\u0443
p r o g r e s s e d
a s
th e
ttte ra ry ;
U k ra in ia n s .
T hen
w e
h a v e
G en.
H o -|a
r
e
n o t
v e r y
p le n tifu l
am ong
U k-
n its k y
w ro te:
\u00b7 \u0422\u00be \u0435
R u ssian
fo lk
m
e
d h im
o f
th e
U k ra in ia n
p e o p le .
,
l
0
v k o \u2014 in
c h a r g e
o f
th e
ta n k
c o r p s ,
ra in ia n s ,
but are
v e r y
m o v in g
i n
to n e ,
s o n g s
a re
s m a lle r
\u0448
num ber
* a n d ,
?
\u0448
r e n a i s s a n c e
c e n t e r e d
fo r
\u2014
-
-
-
\u00b7
\u00b7
\u2014
,
;
'
\u00b7
\u00b7
\u00b7
~
*
^
\u00b7 \u00b7
'
*
^
\u00b7
v
*
r
u
_
v
\u00bb \u043e \u00bb \u00b7\u0442
a n d
c o n te n t.
Svm \u00ab\u00a1
a
w
h
J
j
e
\u0430\u0433 \u043e \u0438 \u043f \u0434 \u0413 th e
V o lh y n ia n to w n
o f
O strih ,
w hose
re ig n in g
P rin c e
C on\u00bb
s ta n tin e
e s ta b lis h e d
th e
f ir s t
U k ra in \u00b7\u00ad
ia n
C lassical
A cadem y
a n d
th e .
f ir s t
C hurch
S la v o n ic p rin tin g
s h o p
i n
U k\u00ad
ra in e .;
P ro m
th e
fo rm er
em erged|
som e
o f
th e
le a d in g
lite ra ry ,
e c c le s i\u00b7
G\u00a1 n
K \u00a1richenk^ W lte^
\u0413 \u041e
\u0413 \u0419
\u0430 \u041f
< !
^ *
6 11
^
S y m
d a k ,'
G en.
Y arem enko-the
d e f e n d e r
1
su n
o r
m oon,
a n d
d e a th
t o
a
s e ttin g
P *
t
h
f
t
\u00be
C
T
1
f^ ^ ff
t
f
^] \u00a3 ^ J t
o f
S talingrad, G en. b\u00a3aU novsky~ com - sun
b e h in d
th e
h ills
or to
a
r a v e n ,
\u00be
\u0414
\u00be
J \u00a1 \u00be \u00a3 \u00bf\u00be
w i< in H p r
n f
th *
R/w rtn v fro n t
G en
R o-
w itc h ,o r e v e n
a
s n a * \u00ab e .
1
0
s u p e r n a t u r a l
n e ig n is
o r
\u0432 \u0448
\u043a \u0437
r o
\u0428
\u00be
\u0419
\u0406 ^ \u043e
\u0456\u00be
\u0419
\u0413
\u00b7^ \u0433
1
M
s trik in g
c o n t r a s t
to
th e
m eager-
\u00a6 \u00a6 p
\u00ab
^
*
\u00be
J
\u00be
^
h a ttW
M af
G en
M oskalenko\u2014 the'ness
o f
th e
f u n e r a l
s o n s
i f
th e
m ul-
a n d
th e
s p i r i t
o f
d e s tru c tio n
a re
S n to r o f^
O p
P
ahasenko--com m 'ander
o f
a
l i
S ib \u00b7;U k ra in e ,
w h ic h
fro m
th e
^ e w p p in t|S h ip .
T
h
e
J
M
^
S rm n
forces\u2014 those
a re
ju s t'th e
to p
o f
H chnesS
in '
m usical
s t y l e
a n d |s u a l, th e
je s tin g
a n d
rio a ra
S o n g s d tt-
w
b
i
l
e
f
r
o
m
th e
la tte r
w as
p r o d u c e d
nam es
o f
th e
le a d in g
U k ra in ia n
o f-
v a rie ty
re ig h
suprem e.
^ w \u00b7^ lv
\u043a
\u043c
\u044c ^\u201e
*
\u043b
th ^
U k
* * *
f
a
m
o
u
8
^ \u00ba ^ .\u00be
6
(
?\u00be ^\u00be
i e
t e
tw r*
w hnR e
b rillia n t
s tra te \u00a2 v
o r e \u00b7
^
H isto ry
h a s
b e e n
c r u e l
to
th e
U k\u00b7
g
e
n
e r a l
e x c e lle n c e
c a u s e d
th e
M us-
v e n S d
\u00bf\u0413
(\u00be
\u0433 \u0442
1 ^ f\u00af fh \u00bd X \u00a6
.
K
S
\u00b7ra in i\u00b7a n s ,
c r n s h i n g
o u t
th e ir
a n c ie n t\u00a1 *
o
v
i
a
n
8
t
o
re p rin t
it
( 1 6 6 3 )
fo r
th e ir
th e ir
o b je c tiv e s ,
to g e th e r
w ith
th e
l \u00b7
b y ric a l
s o n g s ;
m \u00a2 lu d in g
th o s e
o f
i
^
\u00a6
^
^
IT V r\u00bfm ia n
o f f i c e r s
a n d
so ld ie rs
t h e s e! b v e ,
a re
n o t
O nly
th e
t n o s t
num er\u00b7
e n iin e n t
C a n a d ia n
s c h o l a r
a n d
p o e t,J
o f
a ll
U k ra in ia n
fo lk
s o n g s
b u t; P ro fe sso r
W atson
K ir\u00be c o n n e ll,
\u00ab b u t
E ffect
o f C h u rc* h
P o le m ic s
\u00be ne
a
e r e a t
\u00bf e a l
to
th e
a llie d
vic-'also the
m o s t b e a u tifu l,
b e in g
re p le te
th e
p e n t-u p
e m o tio n s
o f
a
t h o u s a n d
W
i
t
h
th e
d e a th
o f
C o n s ta n tin e
t e
*
5
^
w ith
a n a c re o n tic
g r a c e ,
b e a u ty
o f\u00a1 y
e a
r s ,
th e
p a s s i o n
o f
freedom ,
th ej( \u0406 6 0 8 ) ,
how ever,
L v iw
in
th e ~
W
e s t
2 _ .
t
.
T
T
t
, _ ,
.
_
\u043b
_
f i
. . .
.
-
\u201e
d ic tio n ,
p re tty
l i t t l e
fi* g u re s
d f
s p e e c h
*\u0440 \u043e \u0456\u0419 *\u043f \u0430 \u043f \u0431 \u0443o fb r o k e n
h e a r ts,th e
te a rs
a
n
d
K
i
e
v
i
n
t
n
e
E ast
becam e
th e
c e n -
. \u0456\u00be
*
^
\u0406
^
^
^
\u044c
S
^
^
N
\u00be
i
fin e
p h r a s e s
c o n c e r n i n g
th e
tru e
o f
jO y
a t
th e
b e a u ty
o fs i > r in g
a n d
t er s
o f
th is
U k ra in ia n
l i t e r a r y
a n d
th e ir
f r e e d o m
to o .
B o th
in
th e
P a s t
|
a
n
d
,
o
v
i
n
^
h
e
a
r
t
T
h
e
r
e
i
s
n
o
t
r
a
c e
\u00bbove and
a t
th e
n ig h tin g a le 's
v o ic e ~
\u00a1c
u
l
t
u
r
a
l
r e n a i s s a n c e .
F ro m
th e m ,
a s
a n d
in
th e
p r e s e n t
conm ct
tn e
p jk>
^
j^ \u00bf s ||#
w ith in
th e m :
fo r
n o t
t h e s e
h a v e
g u s h e d
fo rth
in
s o n g
th a t|
w
e
l
l
a
S
fro m
O strih ,
th e re
c o n tin u e d
ra in ia n s
show ed
th a t
th e y
d o
n jt
s
p
h
v
s
i
c
a
,
b u t
s p iritu a l
b e a u ty
o f
a
is
w o rth y
o f
liv in g
fo re v e r."
\u00a1t
o
e m a n a te
aflo o do f po lem ic w ritin g s,
c a r e
to
h a v e
a n y
a g g r e s s o r
o n
th e irW
V
\u00ab
5
'
t e
\u0448
^
\u0449
t
h
e
m
>
M
o
8
t
.
. . .A nd,
h e
m ig h t
h a v e
a d d e d ,
a L\u00b7 result
o f th e
re lig io u s
s tru g g le th e \u00ab
n e c k .
T hey
w ill
c \u00b7o n tin u e
t o
n g a tj^
t
h
e
m
.
t
f c
w
Q
r
t
h
n
o
t
{
n
g
w
e
r
e
s o n g
th a t
h a s
g re a tly ^ h e lp e d
to ^
p r e-|b e tw e e n
th e
C a th o lic
a n d
O rth o d o x
C hurches,
a
s tru g g le
w h ic h
h e lp e d
to >
im p ro v e
th e
m oral
c o n d itio n s
o f
th e
c h u r c h
a r i d
b rin g
a b o u t
th e
in te lle c \u00ad
tu a l"
a w a k e n in g
o f
th e
p e o p le .
I* rk
1 6 1 9
\u0456
,
M eietiy
g m o trits k y
p ro \u00ad
d u c e d
th e
b e s t
u p
t o
th a t
tim e
o f
th e
C hurch
Slavonic gram m ars,
w h ic h
fo r
\u00be\u0406\u044f \u0413
\u044f ^ \\u0413
\u00ab\u00be
th e\u00b7^ m p T sed
S yw om en
w h ile
th e ir
m en
\u0456s e r v e
th e
U k ra in ia n
h e rita g e
a n d
t r a
\u00a3
'
w
\u0423
*
t
h
C
\u00a1 * e r e
aw ay
a t
W ars,
w h ic h
f a c t
m a y \u00a6d itio n s
w hen
th e
U k ra in ia n
l i t e r a t u r e
v * e rm
s
,
\u00a1a c c o u n t
fo r
th e
s t r a i n
o f
s a d n e s s
1
h
\u00be
d
w ell
n ig h
p e r i s h e d
fro m
th e
F ree
U k ra in e
V ital
t o
P e a c e
|w h ic h
ru n s
th ro u g h
s o
m any
o fl
e
a
r t h
b e fo re
th e
b lu e d g e o n in g s
o f
, \u201e
,
. ,
,
1
th e m
fo re ig n
r e p r e s s i o n
a n d
p e r s e c u t i o n .
U k ra in e
is a
v e r y
r i c h
c o u n try
and j
,
. . .
U k ra in ia n
n e ig h b o rs
a re
u s i n g
a l l \u00a1 .
a
W R IT T E N
L IT E B A T U E K
th e
p re te x ts
t o
g r a b
th is
"prom ised\u00a6
T he
m o ra l-re lig io u s
s o n g s
o r
c a n \u00b7\u00a6
la n d ."
M any
claim s
a re
b ro u g h t
t o
tid e s
a re
u s u a lly
s u n g
b y
itin e ra n t:
T he
ttk ra in ia n
w ritte n
H te fa tu re \u00a6o v e r
tw o
c e n tu rie s
w as
c o n s i d e r e d
a s
ju s tify
th e
c o n q u e s t s .
A s
lo n g
as \u00a6lyrists
t o
th e
accom panim ent
o f
th e 'h a s
i t s
ro o ts
i n
th e
O fficial
ih tro d u c \u00b7! a u th o rita tiv e
n o t
o n ly
i n
U k ra in e
b u t
U k ra in e
s e r v e s
a s
a
b o n e
o f
c o n te n \u00b7 \u00b7'* lira " -
a
g u ita r-lik e
in s tru m e n t,
p ro \u00b7 \u00a6tio n
o f
C h ristian ity
in to
U k rain e \u00a1in
M uscovy
a s
w e ll.
I h
1 6 2 7 ,
Pam va
tio n
am ong
h e r
n e ig h b o r s ,
th e re
w ilh d u c in g
a
ty p e
o f
h u rd y -g u rd y
\u0442 \u0438 \u0437 \u0456\u0441 '\u0457\u0434 \u0432\u00a3 ),
a lth o u g h
a
p rim itiv e
fo rm
o f
B e rin d a ,
th e
m o n k -p h ilo s o p h e r
o f
b e
n o
p e a c e
o r
ju s tic e
i n
E u r o p e ,
'b y
tu rn in g
a
h a n d le ,
a n d
th e ir
b a s i s
w ritin g
d id
e x i s t
b e fo re
th a t
tim e ,\u00a6P e c h e rs k a -L \u00b7a v r\u00be
M onastery,
p r o d u c e d
A ll
th e
fa c ts
p o in t
o u t
th a t
th e
re -
1
r e s t s
u s u a lly
on the lives of the saints,
su ~ ch
a S
th e
v a rio u s
com m ercial
tre a \u00b7\u0456
n
i
s
" le x ic o n
o f
th e
S la v -R U S
L* n -
estaW ishm ent
o f
a
f r e e
a n d
in d e \u00b7
o n
th e
b e g in n in g
a n d
e n d
o f
the |ties
w ith
th e
G reeks.
|g u a g e ,"
w h ic h
w as
o fte n
re p rin te d
p e n d e n t
U k ra in ia n
D e m o c ra tic
R e . w orld,
a n d
i n
g e n e r a l
re iig io U s
a n d
T he
A n c ie n t
P e rio d
p r o d u c e d
a
lib |and
h a s
a * h is to ric
v a lu e
a s
th e
fir s t
p u b lie
i n
a n
a llia n c e
w ith
th e
U n ite d
m oral
i s s u e s .
'e ra tu re
m a in ly
o t
a h
e c c le s ia s tic a l\u00a1 a tte m p t
a t
a
d ic tio n a ry
i n
th e
U k-
S ta te s
a n d
o th e r
U n ited
N a tio n s
is !
v\u00b7
\u00bb \u00ab \u00bf\u044c
i w
n a tu re * |
s u c h
a s
th a t
o f
Z o lo tb u s t,]ra in ia n
la n g u a g e ,
o is
a
param ount
im p o rta n c e
fo r
th e
*A O ***
\u043e
\u00b7\u0442 \u0443
\u00a6 \u041f
\u0430 \u0433 \u0456\u043e \u043d ," * S m o ly a tic h ,
a n d
T urtw sky;
M o W la * e
G reat
S e r v l o s s
ju s t
a n d
perm anent
p e a c e
i n
th e
com \u00b7
O f
th e* h is to ric a l
s o n g s
th e
m ost
w ith
b u t
a
s c a tte rin g
o f
w o rk s
O f
\u0430
% __\u0456__________ ^
\u00b1 \u043c
la g
N ew
W o rld .
c o lo rfu l
a re
th e
" \u00b7d u m y ."
D ealing'secular
c h a r a c t e r .
A ll
o f
i t
w as
A n o th e r o u ts ta n d in g
p e rs o n a lity
q f
(* * T lie
U k a d e t" )
m a in ly
w ith
th e
K ozak
w ars
fo r
U k -fw ritten
i n
th e
s o - c a l l e d
C hurch
S la v \u00b7
(C o s ttn a e d ' o a
p a g e
4 )
\u00a1
W
-
_
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