Professional Documents
Culture Documents
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2012
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Kerameos Paides:
Studies Offered to Professor Michalis Tiverios by his Students
Edited by Eurydice Kefalidou & Despoina Tsiafaki, Thessaloniki 2012
1. 2. 3.
4. 5.
1. Greek Pottery 2. Iconography 3. Vase-painting
4. Local pottery of Macedonia 5. Trade-amphorae
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. , , . 30877
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ISBN 978-960-89087-2-7
: 20, 11474
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Contents
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155-156 [. ], 208-214 [. -].
2009.
3. 3 . . , . [ ]. : 2009,
178-180 . 12.6 ( ). &
2009, 352-353.
4. <,> . /
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, 668.13-14 [eineke].
5. ,
. , , ,
. . : 1920.
1986. Trail 1986, 135. 2009, 608-611.
: 2003-09, 143-145.
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102
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. . 10,8 . . . ( ) 15,3 . .
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: Schreiber 1999, 117-123.
, , : Tzachou-Alexandri 2002, 305-306. Sutton 2004, 344. Sowder 2009, 398-409.
102
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, Stissi 2002, 279, . 1317. : Reeder 1995, 219-221. Sabetai 2004, 27-29. Oakley 2004, 47-50.
Sabetai
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Sabetai 1997. Sabetai 2004. CVA
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12.
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Mason 2006, 29-30. 2011, 74 . 7, 76 . 13.
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. , 13, . 14,
. 15,
13. , , . : BAPD
29760. 1992-93.
14. , ntikenmuseum und Sammlung Ludwig, . -346
(ARV 1040/25. BAPD 213523. CVA Basel, Antikenmuseum und
Sammlung Ludwig 3, . 20.1-2, 21.1-3.5 [V. Slehoferova]. Matheson
1995, 441 PE29). .
15. . : Ferrara, Museo Nazionale di Spina, .
T350 BVP (ARV 1147/64. BAPD 215204. Matheson 1995, 420 KL71).
. : : Leiden, Rijksmuseum van
Oudheden, . I 1956/6,7 (BAPD 8097. CVA Leiden Rijksmuseum
van Oudheden 3, . 143.1-6 [M. F. Vos]. Vos a
touch of the Kleophon Painter. . : , , . 1481 (ARV
1149/15. BAPD 215226. Matheson 1995, 425, KLM23). Laon, Muse Archologique Municipal, . 37.1065 (ARV 1149, 16. BAPD
215227. Matheson 1995, 426, KLM24). . : , (ARV 1150. BAPD 215246.
Matheson 1995, 428, KLM35. Minerva, International Review of Ancient Art and Archaeology 19.5 [September-October 2008] 64).
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104
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. 16 . 17, . 440-430 ..
420-410 .. .
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Leiden, Rijksmuseum van Oudheden, . I
1956/6,718, 15,3 ., .
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Leiden 35 .,
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33 . 35 ., (. . 13-17).
19.
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alter ego , . 20,
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,
.
, Muses Royaux du Cinquantenaire, . R 23921,
, , . 1719822,
16. , Museum of Fine Arts 68.18 (BAPD 5858, Vermeule: ). . : http://
www.mfa.org/collections/object/water-jar-kalpis-hydria-depictingdanae-receiving-zeus-153637) [ 29-4-2012].
17. (ARV 1158/1bis. BAPD 215334).
Knigsberg (Kaliningrad), . 70 (ARV 1158/2. BAPD
215335). . . ,
. .
18. . . 13-17.
19. : Matheson 1995, 184. 1992-93, 245.
Tzachou-Alexandri 2002, 297. ,
, . ,
,
, , . Leiden, . I 1956/6,7 (. . 15).
20. , . Korshak
1980 Matheson 1995, 97-105 108-115, .
21. ARV 1036/9. BAPD 213480. Matheson 1995, 402, H8.
22. ARV 1040/19. BAPD 213517 Matheson 1995, 440, PE23.
104
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.
. ,
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. 23. ,
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-, , . Braunschweig,
,
, , . 677
732 Montreal, Museum of Fine Arts, .
66.27724.
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.25
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.
23. , Antikensammlungen, . 2415 [J. 382] (ARV 1143/2.
BAPD 215142. Matheson 1995, 406, KL2). . , State
Hermitage Museum, . 1148 (ARV 1143/3. BAPD 215143. Matheson 1995, 406, KL3).
24. Braunschweig, Herzog Anton-Ulrich-Museum, . AT 556
(ARV 1145/32. BAPD 215172. Matheson 1995, 413, KL37 , , ). , , . 677 . 732 (: ARV
1147/59 ARV 1147/60. BAPD 215199 215200. Matheson
1995, 419, KL66-67). . 732
,
. Montreal, . 66.277 (Oakley 2004, 47-50, . 3.11-12, . . 72)
Beazley.
25. CVA Berlin, Antikensammlung 9, 91-92 [E. Bhr]. . , , ,
, - (.
, Muse du Petit Palais, . 308 (ARV
1040/22. BAPD 213520. Matheson 1995, 441, PE 26).
,
. : Oakley 2004, 50.
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, . . 26,
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27 . 28.
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29.
Beazley,
. 183 , 28 30.
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, . 440-430 ..31
26. . , . 677 (. . 24), , Museo di
Capodimonte, . 955 (ARV 1147/58. BAPD 215198. Matheson
1995, 419, KL65), , Museo Archeologico Regionale Paolo Orsi, . 23794 (ARV
1144/18. BAPD 215158. Matheson 1995, 410, KL21). O McPhee
(1976, 30) , ,
.
27. , , . (. . 13)
28. , Muse du Petit Palais, . 308 (. .
25) , , . 12883 (ARV
1040/21. BAPD 213519. Matheson 1995, 440, PE25) 17918 (ARV
1040/19. BAPD 213517. Matheson 1995, 440, PE23).
29. . : ARV
1143-1151. McPhee 1976, 27-29. Matheson 1995, 81-82, 135-147 (136137: . ). CVA Athens Museum
of Cycladic Art, 1 . 62 [K. Kathariou] ( ).
30. http://www.beazley.ox.ac.uk. N Montreal, . 66.277
(. . 24 [http://cmll.concordia.ca/diniacopoulos/catalogue/
resultsLong.php?searchType=&search=kleophon&order=longtitle&i
d=375&scroll_=1&filter=&prev=329&next=0&resultId=1]
29-4-2012). , ,
, Museo Archeologico Regionale Paolo Orsi, .
36330 (ARV 1062/2. BAPD 213801. Matheson 1995, 480, PGU170),
, .
31. . . 23. . (440420/410 ..): Isler-Kernyi 1973, 29-30. Matheson 1995, 135-145
( 136-137 ).
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32. : Tzachou-Alexandri 2002, 303.
33. . , , , . 677 (. .
24) ().
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, ).
.
: Matheson 288-290. Tzachou-Alexandri 2002, 304.
: Tzachou-Alexandri 2002, 303.
34. : 2011, 74 . 7 ( ).
35. 2007, 138-139.
36.
: Oakley & Sinos 1993, 16-17.
37. 450 .. , : Tzachou-Alexandri 2002, 305.
: Msch-Klingele 2010, 29-32.
38. : : ARV 890/172. BAPD 211735. Sutton
1997-98, 31-32, . 6. : BAPD 206114. Vrilhac & Vial 1998,
318, 338.
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106
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40. ,
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,
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42.
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5 . ..43,
39. : 2007, 135,
. 907. : McNeil
2005. Gherchanoc 2009.
40. Reeder 1995, 123-124.
( :
Cairns 1993, 305-342, 312-313 332-333. Cairns 2002. Konstan 2003.
41. : , : Tzachou-Alexandri 2002, 305. :
Reeder 1995, 127. Oakley & Sinos 1993.
: Oakley & Sinos 1993, 16-21. Llewellyn-Jones 2003,
219-227. -: 2011, 88, . 62.
42. , . : Sutton 1981, 297-299 369-379. Sutton 2004,
345-346. CVA Benaki Museum 3, . 31-32 [V. Sabetai].
43. : LIMC 4 (1988) . Harmonia, 412-414 [Paribeni]. , ,
: Shapiro 1993, 95-109.
Oakley & Sinos 1993, 41. Smith 2005, 18-21. Smith 2011, 60-62, 68,
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, 45
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46.
, ,
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47,
48.
, . . .
44. Sutton 1997-98, 32-40. Oakley & Sinos 1993, 17. 450 ..: Sabetai
2011, 142.
45. Munsell 5YR 6/3-6/4-chroma 4 (light reddish brown).
46. Arafat & Morgan 1989, 329-330, 334,
,
, .. , , .
, , .
47. - . . 238. . , . 764 . 763 (
).
48. . . . , , ,
, ,
. Richter (1923, 40 . 2, . Stissi 2002, 45, . 159), 1920
,
20 :
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49, , , ,
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, .
,
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. 50.
, ,
: The clay
sent is that used by the Athenian potters today. It is a mixed clay,
composed of red earth from Chalandri and white earth from Koukouvaones.
49.
(
),
,
, , , : Stissi 2002, 162-164. Papadopoulos 2003, 20. Ldorf 2010, 157.
(. ): Arafat & Morgan 1989, 315-316.
( -): Aloupi-Siotis 2008. Aloupi-Siotis
,
, , . : Mirti 2006. Maniatis 2009,
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, . : . Suessula, 5 . .. : Arafat & Morgan 1989, 325.
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: Morgan 2004, 227228. :
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107
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52. ,
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53.
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55. .,
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56. 5 . .., ,
51. Stissi 2002, 48-49. ( ) ( , ),
: Descoeudres 2008, 333-334. Jubier-Galinier,
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: Arafat & Morgan 1989. 1997,
85-87. Stissi 2002, 95, 123-144. Ldorf 2010, 152-155.
52. Arafat & Morgan 1989. Monaco 2000, 40-43. Stissi 2002, 7073. Jubier-Galinier, Laurens & Tsingarida 2003, 38. Ldorf 2010, 152.
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53.
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54. Ldorf 2010, 152 ( ).
55. Oliver 2006, 296.
56. : Ldorf 2010, 157-159.
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108
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57. , , , ,
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58.
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60.
57.
( 4-2 . ..),
, ,
: Monaco 2000, 238240. Ldorf 2010, 152-159, . 39.2.
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: Stissi 2002, 43-47.
59. Stissi (2002, 45)
( ), .
60. 440-430 ..
.
( ), ,
430 .., ,
431 .., .
( ,
, .)
: Arafat & Morgan 1989, 328.
, , (Stissi 2002, 52),
.
George G. Kavvadias
From Phlya?
Some Thoughts on an
Attic Red-figured Hydria
from Ancient Phlya
108
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SUMMARY. The Attic red-figured hydria in the Archaeological Collection of Kephissia (inv. no. K 772)
published here for the first time, was found during the excavation conducted by the 2nd Ephorate
of Antiquities (M. Pologiorgi) at the Cholargos Station of the Athens Metropolitan Railway. The
findspot is within the southern limits of the ancient demos of Phlya, which roughly corresponds to
the modern Athenian suburb of Chalandri.
nly the upper part of the vase is preserved, mended from numerous fragments found scattered
in the excavation field, where a part of a roadside cemetery was explored. The hydria is an early
work of the Kleophon Painter (ca. 440-430 BC) and represents the wedding preparation of a young
woman, who stands, covered by her wedding dress, in the center of the scene. She is attended by
a nymphokomos, about to present her the hormos (the nuptial necklace) and a nympheutria, who
raises a mirror.
The vase seems to have been made of local clay from Phlya, and not of the downtown Athenian Kerameikos clay. The clay of Phlya is hard, reddish to brown and differs from the normal Attic
clay with the warm orange color. This kind of clay, which was still in use by local potters, even in the
early twenties of the 20th century, can be observed in other vases found in Phlya and its vicinity,
from the Geometric to the Classical periods. If this hypothesis is correct, then an explanation as to
why the Kleophon Painter decorated a vase made of local clay from Phlya must be given. Did he use
clay from Phlya while working in his downtown Athenian Kerameikos workshop, or did he make,
as a wandering artisan, a working trip to a local workshop at Phlya to carry out an order?
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