ISLAM,ICONOCLASM,ANDTHEDECLARATIONOFDOCTRINE
By
G. R.D.
KING
Theattitude of theearlyIslamic statetowardsfigurativerepresentationsisoftencited as a sourcecontributingto the establishmentofofficially-supportediconoclasmwithin theByzantine Empirein A.D.726.1Islamhasgenerallyadoptedapositionopposedto therepresentationalin secularart,andtheexclusion of allfigurativemotifs fromIslamicreligiousartis clear fromthefirst,yetthisattitudeisnotnecessarilytoberegardedasintrinsicallyicono-clastic in the truesense of theword; indeed,outside Arabiaitself,theonlyevidence oficonoclasm until thefallof theUmayyad Caliphatein132/750isconfined to the well-knownattackonimagesand statuescarried out ontheordersof Yazid II.b.'Abdal-Malik(101-105/720-724).Thismuchdiscussedoutbreak oficonoclasmiswell documentedbyIslamic and Christiansources,2buttheveryfact thatitissospecificallyassociatedwithYazid'sCaliphatesuggeststhatitwasconsideredunusual at the time.AlthoughChristiansourcescarefullyrecordthe difficulties of their communitiesunder theUmayyads,theabsenceofreferences toimage-breakingunderCaliphsbefore Yazidimpliesthathisaction wasararityworthyof comment: under normalcircumstances,itwouldseemthe Muslims left the Christians to use iconsandrepresentationsornot,astheywished.Theconnexion betweenIslamandByzantineiconoclasm,andspecificallybetweenYazid and LeoIII,theinstigatorofimperialiconoclasm,wasallegedveryearlyon in theByzantinesources.Duringthe Second Council of NicaeainA.D.787,assembledtocondemniconoclasmand tosupportthenewlyre-estab-lished iconodule rule in theEmpire,itwas stated that Leo IIIhad introducediconoclast doctrine intoByzantineterritoryinimitationof Yazid II'sactionsinside theCaliphate.3Thechargewasrepeatedby Theophanesin theearlyninthcentury4andbythe Patriarch ofConstantinople, Nicephorus
1In anextensivebibliographyonIconoclasmthefollowingtouchparticularlyon theIslamicattitudetoimages:H.Lammens,'L'attitude del'Islamprimitifen face desartsfigures',JournalAsiatique,IImeserie, vI,1915,239-79.T.W.Arnold,Paintingin Islam(NewYork,1965),1-40. G.Ostrogorsky,'Lesdebutsdelaquerelledesimages',MelangesCharlesDiehl(Paris,1930)I,235-55. G.Mar9ais,'Laquestiondesimagesdansl'art musulman',Byzantion,vii,1932,161-83. K. A.C.Creswell,'The lawfulness ofpaintinginearlyIslam',ArsIslamica,xi-xII, 1946,159-66.Idem,EarlyMuslimarchitecture,2nded.Oxford,1969),I/i,409-14. BishrFares,'PhilosophieetjurisprudenceillustreesparlesArabes. LaquerelledesimagesenIslam',Me'langesLouisMassignon (Damascus, 1957),
II,
77-109. A. A.Vasiliev,'TheIconoclastic edictoftheCaliphYazidII,A.D. 721',Dumbarton OaksPapers (hereafterDOP),9, 10,1956,25-47.A.Grabar,L'iconoclasmebyzantine(Paris,1957).R.Paret,'Textbelegezumislamischen Bilder-verbot',DasWerkdesKinstlers.StudienzurIkonographieundFormgeschichteHubert Schradezum60.GeburtstagStuttgart,1960,36-48.G.E. vonGrunebaum,'Byzantineiconoclasm andtheinfluenceofthe Islamicenvironment',Historyofreligions[Chicago]
II,
1,1962,1-10(reprintedforprivatecirculation,UniversityofChicago).O.Grabar,'Islamic art andByzantium', DOP,18,1964,69-88.Idem,TheformationofIslamicart,New Haven andLondon,1973),75-103.Idem,'Islam andIconoclasm',Iconoclasm :Papersgivenat the ninthSpringSymposiumofByzantineStudies,UniversityofBirmingham,March1975,ed.A.BryerandJ.Herrin(Birming-ham,1977),45-52(hereafterIconoclasm).S.Gero,'Notes onByzantineIconoclasm in theeighthcentury', Byzantion,
XLIV,
1974,23-42. L.W.Barnard,TheGraeco-Romanand OrientalbackgroundftheIconoclasticcontroversyLeiden,1974)10-33. P.Crone,'Islam,Judeo-Christian-ityandByzantineIconoclasm'JerusalemStudiesinArabicandIslam,1980,
II,
59-95.
2
Vasiliev,loc.cit.A.Grabar,op.cit.,93-112.
3
J. D.Mansi,SacrorumConciliorumNova,etAmplissimaCollectio(Florence,1757),xii,cols.197,200[Greek];198-99[Latin].4Theophanes, Chronographia,ed.C.deBoor(Leipzig, 1883)
I,
401-2.
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