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Islam, Iconoclasm, and the Declaration of DoctrineAuthor(s): G. R. D. KingSource:
Bulletin of the School of Oriental and African Studies, University of London,
Vol. 48,No. 2 (1985), pp. 267-277Published by: Cambridge University Press on behalf of School of Oriental and African StudiesStable URL:
Accessed: 22/06/2009 06:03
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ISLAM,ICONOCLASM,ANDTHEDECLARATIONOFDOCTRINE
By
G. R.D.
KING
Theattitude of theearlyIslamic statetowardsfigurativerepresentationsisoftencited as a sourcecontributingto the establishmentofofficially-supportediconoclasmwithin theByzantine Empirein A.D.726.1Islamhasgenerallyadoptedapositionopposedto therepresentationalin secularart,andtheexclusion of allfigurativemotifs fromIslamicreligiousartis clear fromthefirst,yetthisattitudeisnotnecessarilytoberegardedasintrinsicallyicono-clastic in the truesense of theword; indeed,outside Arabiaitself,theonlyevidence oficonoclasm until thefallof theUmayyad Caliphatein132/750isconfined to the well-knownattackonimagesand statuescarried out ontheordersof Yazid II.b.'Abdal-Malik(101-105/720-724).Thismuchdiscussedoutbreak oficonoclasmiswell documentedbyIslamic and Christiansources,2buttheveryfact thatitissospecificallyassociatedwithYazid'sCaliphatesuggeststhatitwasconsideredunusual at the time.AlthoughChristiansourcescarefullyrecordthe difficulties of their communitiesunder theUmayyads,theabsenceofreferences toimage-breakingunderCaliphsbefore Yazidimpliesthathisaction wasararityworthyof comment: under normalcircumstances,itwouldseemthe Muslims left the Christians to use iconsandrepresentationsornot,astheywished.Theconnexion betweenIslamandByzantineiconoclasm,andspecificallybetweenYazid and LeoIII,theinstigatorofimperialiconoclasm,wasallegedveryearlyon in theByzantinesources.Duringthe Second Council of NicaeainA.D.787,assembledtocondemniconoclasmand tosupportthenewlyre-estab-lished iconodule rule in theEmpire,itwas stated that Leo IIIhad introducediconoclast doctrine intoByzantineterritoryinimitationof Yazid II'sactionsinside theCaliphate.3Thechargewasrepeatedby Theophanesin theearlyninthcentury4andbythe Patriarch ofConstantinople, Nicephorus
1In anextensivebibliographyonIconoclasmthefollowingtouchparticularlyon theIslamicattitudetoimages:H.Lammens,'L'attitude del'Islamprimitifen face desartsfigures',JournalAsiatique,IImeserie, vI,1915,239-79.T.W.Arnold,Paintingin Islam(NewYork,1965),1-40. G.Ostrogorsky,'Lesdebutsdelaquerelledesimages',MelangesCharlesDiehl(Paris,1930)I,235-55. G.Mar9ais,'Laquestiondesimagesdansl'art musulman',Byzantion,vii,1932,161-83. K. A.C.Creswell,'The lawfulness ofpaintinginearlyIslam',ArsIslamica,xi-xII, 1946,159-66.Idem,EarlyMuslimarchitecture,2nded.Oxford,1969),I/i,409-14. BishrFares,'PhilosophieetjurisprudenceillustreesparlesArabes. LaquerelledesimagesenIslam',Me'langesLouisMassignon (Damascus, 1957),
II,
77-109. A. A.Vasiliev,'TheIconoclastic edictoftheCaliphYazidII,A.D. 721',Dumbarton OaksPapers (hereafterDOP),9, 10,1956,25-47.A.Grabar,L'iconoclasmebyzantine(Paris,1957).R.Paret,'Textbelegezumislamischen Bilder-verbot',DasWerkdesKinstlers.StudienzurIkonographieundFormgeschichteHubert Schradezum60.GeburtstagStuttgart,1960,36-48.G.E. vonGrunebaum,'Byzantineiconoclasm andtheinfluenceofthe Islamicenvironment',Historyofreligions[Chicago]
II,
1,1962,1-10(reprintedforprivatecirculation,UniversityofChicago).O.Grabar,'Islamic art andByzantium', DOP,18,1964,69-88.Idem,TheformationofIslamicart,New Haven andLondon,1973),75-103.Idem,'Islam andIconoclasm',Iconoclasm :Papersgivenat the ninthSpringSymposiumofByzantineStudies,UniversityofBirmingham,March1975,ed.A.BryerandJ.Herrin(Birming-ham,1977),45-52(hereafterIconoclasm).S.Gero,'Notes onByzantineIconoclasm in theeighthcentury', Byzantion,
XLIV,
1974,23-42. L.W.Barnard,TheGraeco-Romanand OrientalbackgroundftheIconoclasticcontroversyLeiden,1974)10-33. P.Crone,'Islam,Judeo-Christian-ityandByzantineIconoclasm'JerusalemStudiesinArabicandIslam,1980,
II,
59-95.
2
Vasiliev,loc.cit.A.Grabar,op.cit.,93-112.
3
J. D.Mansi,SacrorumConciliorumNova,etAmplissimaCollectio(Florence,1757),xii,cols.197,200[Greek];198-99[Latin].4Theophanes, Chronographia,ed.C.deBoor(Leipzig, 1883)
I,
401-2.
 
(d.
A.D.
828).5Vasilievevensuggests
6
that theindividualwhopersuadedYazid toadopticonoclasm was the samepersonwhoappearedshortlyafter-wards in theEmpireadvisingLeoto move inthe samedirection. Itispossiblethat theIconoclastpartywithinByzantine territorywasencouragedtoimitateYazid'sactivities,but intermsofdoctrineandiconography,iconoclasm haddeeperroots withinChristianityitself.It did not need Islam to invent Christianoppositiontoimages;theextensive useoficons in the Christianworld wassufficienttostimulate aprofoundobjectionto themamongthose Christianswho feltthatalien,pagan-likepracticeshad intruded into theirreligion.As tochargesmade within theChristianworld that iconoclasm wasthe creation of theMuslimsor thatLeoIIIand hissupporterswere'Saracen-minded,these weremoreinthe nature ofinsults thanprecisereferencesto atheological position.Epithetscastat oneanotherbydisputingChristians donotnecessarilysignifyadeepunderstandingofIslamic attitudesinaperiodwhenByzantine knowledgeofIslamwaslimited.TheMuslims themselvesgaveonlyoccasional indicationsof serious concernwiththeprincipleofChristianworshipthroughicons in theUmayyad period;apartfrom Yazid'scurious and short-livedattack,the Muslims seemsimplynottohavecaredgreatlyabout the matter.Theytook an interestinthecontentofChristianrepresentationsfromtime totime,when thesubject-matteroffendedorcontradictedIslamicbeliefs. But itwasthe issue ofdoctrine,itsstatementandcounter-statement,that was of fargreaterinteresttothe Islamicworld,whether indisputingChristianpracticesorexpoundingthebeliefs of theMuslims. The matter ofrepresentationsof God hadalreadybeen settledinIslam inthe lifetimeoftheProphet:the inconceivablewasbeyond encompas-singbyanyartisticrepertoire;andmeanwhileidolatrywassuppressedandthepre-Islamicreligious imageswere overthrown insideArabia itself. Thepaganidols ofMekkaweredestroyed bytheMuslims in8/630,andalthoughtheProphet mayhavesparedapictureofMaryand Jesusin theKa'ba,henever-thelessdestroyedthe restofthe numerousimageswhich it hadhoused beforehisentryto Mekka. Thegreatnumberof idolsinthehousesoftheQurayshwere likewiseremoved,while missions weresenttodestroyotherpaganidolselsewhere inArabia.Somesitesassociated withtheJahiliyyaseem to havebeenavoidedever after.7However,withpaganismandidolatry suppressed,theMuslimsdo notappeartohave extended theirdestructionofimagesthereaftertotheChristian communitiestheyencountered;theymaywellhavedisap-provedofthewidespreaduseoficons inworshipbymanyin the NearEast,buttheyseem to have leftthese Christians topursuetheirowncustoms.Thesilenceofthe Christian andIslamicsourcessuggeststhatnolong-sustainedandtotalrepressionof Christianimagesevertookplacein theearlyIslamicperiodto matchin effectivenessthesuppressionofpaganidols inArabia carriedoutby
5Nicephorus,'Antirrheticus tertius Adv. ConstantinumCopr.', PatrologiaeGraecae,c,cols.528,529,532,533[Greek];cols.527,530, 531,534[Latin].
6
Vasiliev,loc.cit.,p.28,n.12;p.30.
7
F. V.Winnettand W.L.Reed,AncientrecordsromNorthArabia,(Toronto,1970),34.Forstudiesofpre-Islamic idolatryand thereligiousenvironment at thetime of theProphet,see H.Lammens,'Les sanctuairespreislamitesdansl'Arabieoccidentale',Melangesde laFaculteOrientale,UniversiteSaint-Joseph(1926)xi,fasc.2, 39-173; idem,L'Arabieoccidentaleavantl'Hegire(Beirut,1928);TouficFahd,Le Pantheondel'Arabie centraledlaveilledel'Hegire(Paris1968).Fahd(249 ff.) suggeststhatArabianpre-Islamic religionhadbeenheavilyinfluencedbytheHellenistic traditionofrepresentingdeitiesofvarioustypesinpaintingandsculpture,atendencywhich hadgreatlyincreasedpriorto Islam.Thevarious statuettesandwall-paintingsexcavated at al-Faw in south-west SaudiArabiasubstantiatethispoint,at leastas farasstressingthedegreeofHellenisticinfluenceonpre-IslamicArabian art(seeA.R.al-Ansary,Qaryatal-Fau(Riyad,1981)).
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