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Table Of Contents

Introduction
Challenge singing and the Atlantic cultural triangle
The African presence in Brazil
The African cultural heritage in Brazil
‘Neo-African’ music in Brazil
Acculturated music in Brazil
The sources of Brazil’s ‘neo-African’ music
The Heritage of Nigeria and Benin: Music for Worship
African-derived religions in Brazil
African-Brazilian religious music
Candomblé and carnival
The Angolan Heritage: Capoeira and Berimbau
Training for resistance
African prototypes of the berimbau
The berimbau in Brazil
The ‘Angola Warble’: Street Cries and Worksongs
The cities
The countryside
The songs of the miners
Brazil’s Dramatic Dances
Lay brotherhoods and danced processions
Coronation ceremonies
Palmares and the Quilombo
The Cucumbi
Bumba-meu-boi and the power of satire
Cambinda: a festival of liberation
Three Vanished Instruments
The lamellophone (marimba)
The pluriarc (compound bow-lute)
The xylophone (marimba)
The African Dance Heritage
African dance in Brazil
Batuque andrural samba
Samba: the word
Jongoand caxambu
The coco
The calango
The Atlantic dance tradition
The lundu:Brazil’s first national dance
The fadoin Brazil
The Emergence of Brazilian Popular Music
Brazil’s slave orchestras
How Brazilian popular music arose
The modinha and the sunglundu
The African heritage in Brazilian popular music
Maxixe and Modern Samba
The Brazilian Musical Heritage in Nigeria and Benin
Discography
Notes
Index
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African Musical Heritage in Brazil

African Musical Heritage in Brazil

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Published by Felipe Aranda

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Published by: Felipe Aranda on Sep 20, 2013
Copyright:Attribution Non-commercial

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12/16/2013

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