10
TraCie PeTerson
And so she rocked.
I’m only twenty-eight
, she reasoned. Twenty-eight years old,
and nearly hal o those years had been spent in an abusive mar-riage to a man who treated his horses better than he’d treated hiswie. His
second
wie.Lydia glanced up at the portrait o the children’s mother. The
oil painting had been commissioned at Charlotte Gray’s request or
her husband’s Christmas git in 1858. Ater presenting it to him in
the morning, Charlotte promptly excused hersel rom her amily’s
revelry and leaped to her death rom the widow’s walk. She hadbeen thirty-seven years old and had let behind two grown sons, atwelve-year-old daughter, Jeannette, and our-year-old Eve.
The sorrowul gaze o the blond-haired Charlotte stared down
rom the wall. Her lonely expression had haunted Lydia since
she’d rst come to this house—it bore a look o pain that Lydiaunderstood rsthand. It was almost as i the two shared a bondthat crossed between the living and the dead. Many had beenthe time Lydia had come to this room just to rock and stare at
the painting.“The will can be read immediately, and once we see what thathas to say,” Marston, Mitchell’s twin, announced, “we can be rido her. I can’t imagine that Father would have let her anything.I believe we should give her until the end o the month to settleher aairs and leave. It’s not like she has much to concern hersel with. Father never gave her anything o her own. It all belonged toMother. The jewelry, urnishings, and servants will stay here.”
“Then why give her until the end o the month?” JeannetteGray Stone questioned. Jeannette had resented the intrusion o
her ather’s second marriage. It wasn’t that she missed her motherall that much, but she didn’t like her position as lady o the housebeing usurped by a stepmother—especially one only a ew yearsolder than Jeannette hersel.
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