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Joan Bonmatí Fernández
 Audiodescripció del documental“Reanimadors d’objectes”
 Treball acadèmic de 4t curs
Facultat de Traducció i InterpretacióUniversitat Pompeu FabraTutor: Eduard Bartoll i Teixidor 29 de juny del 2009
 
 
Agraïments:Al responsables del projecte MUSAI per donar-me l’oportunitat d’utilitzar el programa ACCEque m’ha servit de base per fer l’audiodescripció; al taller Estampa per facilitar-me el vídeo i ladocumentació associada i respondre a les meves preguntes; al Ricard per les revisions i lesopinions sempre encertades; a tots els qui de manera directa o indirecta han participat en totaquest procés i, sobretot, a la Noemí, per la locució del treball i per audioguiar-me iaudioaguantar-me sempre.
 
ÍNDEX
1. Introducció ·································································································································· 12. Situació, marc teòric i recursos ··································································································· 22.1. Situació. “On” i “què” ···································································································· 42.2. Normativa i marc teòric. “Qui” ······················································································ 62.3. Recursos per a l’audiodescripció. “Com” ······································································ 83. Audiodescripció: El procés ······································································································· 123.1. Anàlisi prèvia de l’obra ······························································································· 123.2. Confecció del guió ······································································································· 143.2.1. Imatges ············································································································ 143.2.2. Música ·············································································································· 183.2.3. Rètols ··············································································································· 193.3. Revisió i correcció del guió ························································································· 203.4. Locució ························································································································ 213.5. Muntatge en el suport elegit ························································································ 223.6. Revisió final del producte ····························································································· 244. Conclusions ······························································································································· 255. Bibliografia ······························································································································· 276. Annexes····································································································································· 306.1. Annex 1. Audiovisuals ································································································ 306.2. Annex 2. Transcripció del guió d’AD ·········································································· 31
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