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FOREU/ORD
Myobjectivein writingthiscollectionofstudiesstooutlinesomechordaltechniqueshathavepracticalapplicationincontemporarystylesofguitarplaying,valuen fingerboardexplorationandthedevelopmentof asenseof musicalcoher-ence.Ihavechosentodothisthroughexampleratherthana discussionfharmonicheorywithaviewthata lotis tobe earnedsimplybyproducingthesoundsunderourfingersandn ourears.Manyguitaristsaccumulatea largerepertoireof"guitarchords"which,inthemselves,arepleasantsoundingand,perhaps,wellsuitedtorhythmplayingandvariousaccompaniments.utarepertoireof"isolated"chordsmayremainntheplayersmindasdisconnectedhunksofharmony,not easilyappliedtochordmelodyplaying.Themainacademicpointofthisbookisthe resolutionof thisproblem.Oneimproveshismusicalandinstrumentaltechniquesbyacceptinghechallengefmoreandmoredifficultmaterial.Therefore,heexamplesnthisbookhavebeendeveloped,not fortheirsimplicity,but fortheirdirectusefulnessncon-temporarymusictherebyrepresentingomeofthefacetsof advancedtritarplaying.nviewof this,Ibelievethereaderisembarkingon anadventurebothmusicallyandpersonallyewarding.Mythankso MikeAnthonyforhiscontribu-tionof Example38.
 
CONTEI\TS
FINGERINGSCHORDMELODYDEVICES
,1
5
Example
I
3
At.
6
1
t.
8
0
CloseBlock VoicingsOpen VoicingsParallelMotionContraryMotion.CounterLinesCommorrTonesBlockChordsSustainedChordBackgroundShortChord Punctuations
.).6.6,l
-7
.8.8.9.l0
CHORDMELODYSTUDIESExample
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8,20,22
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33
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38
PROJECTTUDIESExample39,40,41. Instruction42.43.44. Proiects45.46.47,48,49.50,5152,53, 4.55,56,57,5859,0,61,62,63,6465
SolutionProjectsSolutionsProjectsSolutions
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'tl
+(r
CHORDMELODYSOLO
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