Professional Documents
Culture Documents
October
October, 2003
Ida Fasel Felicia Mitchell John Grey Geoff Stevens Joan Payne Kincaid
Jon Petruschke Joanne Seltzer Joy Hewitt Mann Joan Seifert Herman Slotkin
c o n t e n t s
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Waterways is published 11 times a year. Subscriptions -- $33 for 11 issues. Sample issues $3.50 (includes postage). Submissions will be returned only if accompanied by a stamped, self addressed envelope. Waterways, 393 St. Pauls Avenue, Staten Island, New York 10304-2127 2004, Ten Penny Players Inc. (This magazine is published 8/04) http://www.tenpennyplayers.org
But what if the room takes on water, flips, drifts out? No one with me to call 911, no one daily checking by phone. Greensleeves of my green chair soft elbow rest.
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Drown out there, someone swims to tell. A boy looking for clams looks up. Coast Guard helicopter police boats swarm. Divers leap. Coffee and blankets appear.
Green sea of silence privileged in time minute to minute this strange sense of peace outward bound.
A neighbor checking her thermometer will notice a different quiet about the house. A policeman breaking in will trace me southeast, between windows, and not know from the light on the scribble in my lap how close I was to the right word.
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Red on white is like blood shed on soil: Over whos right, or over oil. I dont doubt your interpretation. Your dove is pink.
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But how much can art do at all? While your postcard flew through the mail, Bush wasnt fooling with a crayon. He was counting soldiers, one by one. His hawk is as gray as deaths bird call. Your dove is pink.
At those times, neck puffed up, face spotted, Id be as helpless as her, aching flesh, burning throat, clutching the tide of bright bed sheets for support just as her frail body grasped the white apron tied around her frail waist as if that was the veil between her and death. But she always found the strength to bring me more books, those thick tomes like childs kites for me to fly. Though her narrow, red eyes could no longer unravel the print herself, she knew their value, bony fingers rubbing the binding as if each was a Bible of a sort with a plethora of gods inside to be worshiped like sun through skylight.
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Even now, when I prop myself up in bed, break open a case of Steinbeck or Thackeray, I easily forget that the novel came from the bookshelf in my study. For isnt that a door closing at the edge of my reading lamps soft shadow. Arent those creaking footsteps retreating down the corridor.
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Sadly, good art often runs parallel to art, whereas bad art collides with it.
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Good art turns on life and devours it with new ideas, like bacteria breaking down a tissue of illusions, or a guard dog savaging an intruder.
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ensnares them you will see the poor increase becoming a slave class again you will see the wild go extinct for lack of stewardship you will see farmland turned into developments and subsequent food shortages you will see the oceans become empty you will see humanity poised on its own destruction as new forms of death are invented for the military~ you really should take a look.
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My work tests me daily to give up my weapons, not fight back, but share whats there to be said. Its like meditation, clearing my mind again and again, until theres room for my heart.
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Touch is the last of the senses to fade into that long shadow bodies enter all too soon, always too soon.
I rub my nightly shroud as if I were a tailor among the yard goods at my grandfathers store.
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our lives a never ending quest to pattern strengths on the strongest that came before and yet add something to the weave a new thread, a brighter colour, on and on and on.
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It is always unfinished, a family quilt added to year by year, generations following each other through the cloth,
Changing the pattern, but always keeping it the same; wishing for an Eastern Star and making Crazy Quilts.
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He built a strong, warm house. A steadfast man, he strove with ordinary tools, hammer, plane, and saw. They say hed lift each plank and timber, and with help, hold it straight out, close one eye, peer down its length, and at the slightest bend or warp, reject it. He chose each board that way.
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Years later, almost a century, now, other owners went to every indoor corner with a lit candle, searching for some give, or weakness that had worked its way into the structure. Outside, wailing winds might find a crevice where the corners joined, blow in, and shift the candles flame.
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He built a strong, warm house and raised a family there. And people of the town saw aptness.
There was no flickering, no surrender of the light, no sound, but silence. The blustering storm, almost a hurricane, turned back on its own ferocity; all held firm.
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Born again!
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In spite of its age, its a noble watch, he told me, and with cylinder loupe stuck in one eye, turned the stem five times which produced a minute of ticking. He explained how the rate of going that is, timekeeping, is controlled by a hairspring attached to the balance wheel, like a tiny pendulum.
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I asked where he learned his trade. The forties in Manzanar interment camp. He quickly added, It was like studying in a watchmakers school for three years. Not bad at all; saved my parents a bundle. Besides, that school closed down for good a long time ago. He made a few adjustments, snapped the back cover
into its case, then said, My son too works with timepieces, designing them for NASA. He also learned his trade in California, in a different time, in a different school. Stanford.
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You know everything, says my replacement at Madame Montaiguts, when we stop for a drink after seeing the Louvre free on first Sundays of month, as today is.
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But I who know all of why we should not got to war and much of my own countrys darkness know so little, otherwise: only that you, who in one way did not come with me to learn some French, who thought English should be enough for anyone,
are even so here, beside me, learning seeing love, seeing light, but saying Poetry, Sylvie. Nous sommes dans une ville de posie.
First appeared in Fire 21, September 2003, Oxfordshire, England
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