July 7, 2009: The MetaConstruct
These are scans, in no particular order, of an installation proposal
packet ignored by galleries all over the world (but mostly in Canada.)
Twenty-five years later, there is still no support for this work. In
fact, it's been clearly denied and suppressed. Given a choice between
another installation and seeing art-institutions burn to the ground
along with all their attendant curatorial neophytes -- it wouldn't take
more than two seconds to decide. To hell with government arts-funding!
http://bbrace.net/Metaconstruct.html
http://bbrace.laughingsquid.net/Metaconstruct.html
http://www.bbrace.net/M-scans/M-scans.html
July 7, 2009: The MetaConstruct
These are scans, in no particular order, of an installation proposal
packet ignored by galleries all over the world (but mostly in Canada.)
Twenty-five years later, there is still no support for this work. In
fact, it's been clearly denied and suppressed. Given a choice between
another installation and seeing art-institutions burn to the ground
along with all their attendant curatorial neophytes -- it wouldn't take
more than two seconds to decide. To hell with government arts-funding!
http://bbrace.net/Metaconstruct.html
http://bbrace.laughingsquid.net/Metaconstruct.html
http://www.bbrace.net/M-scans/M-scans.html
July 7, 2009: The MetaConstruct
These are scans, in no particular order, of an installation proposal
packet ignored by galleries all over the world (but mostly in Canada.)
Twenty-five years later, there is still no support for this work. In
fact, it's been clearly denied and suppressed. Given a choice between
another installation and seeing art-institutions burn to the ground
along with all their attendant curatorial neophytes -- it wouldn't take
more than two seconds to decide. To hell with government arts-funding!
http://bbrace.net/Metaconstruct.html
http://bbrace.laughingsquid.net/Metaconstruct.html
http://www.bbrace.net/M-scans/M-scans.html
These are scans, in no particular order, of an installation proposal
packet ignored by galleries all over the world (but mostly in Canada.) Twenty-five years later, there is still no support for this work. In fact, it's been clearly denied and suppressed. Given a choice between another installation and seeing art-institutions burn to the ground along with all their attendant curatorial neophytes -- it wouldn't take more than two seconds to decide. To hell with government arts-funding!