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Table Of Contents

INT. BEDROOM - SAME TIME
INT. KYLE’S CAR - CONTINUOUS
INT. COFFEE SHOP - LATER
EXT. STREET - MOMENTS LATER
They walk up the front steps of SEATTLE PUBLIC RADIO
INT. SEATTLE PUBLIC RADIO - DAY
INT. ADAM’S CUBICLE - LATER
EXT. PACIFIC GENERAL HOSPITAL - LATER
INT. DR. ROSS’ OFFICE - LATER
Dr. Ross continues to talk as Adam looks out of the window
INT. ADAM’S OFFICE - DUSK
CLOSE ON a computer screen:
INT. BUS - NIGHT
INT. ADAM’S HOUSE. LIVING ROOM - EVENING
EXT. COFFEE SHOP - MORNING
EXT. ADAM’S HOUSE - DAY
INSIDE
INT. ADAM’S HOUSE. DINING ROOM - EVENING
KITCHEN
INT. HOSPITAL CORRIDOR - DAY
THE ATTENDANT silently points to an office a few doors down
INT. HOSPITAL OFFICE - CONTINUOUS
KATHERINE (CONT'D)
INT. ADAM'S HOUSE - NIGHT
INT. SEATTLE PUBLIC RADIO - NIGHT
INT. RACHAEL’S CAR - DAY
INT. HOSPITAL - DAY
INT. ELEVATOR - CONTINUOUS
INT. CANCER WARD - CONTINUOUS
George leads Adam into a Chemotherapy Treatment room
INT. HOSPITAL. CHEMOTHERAPY ROOM - LATER
INT. HOSPITAL CORRIDOR - LATER
--a SICK MAN on a gurney
--an OLD LADY wheezing
--a BODY BAG being carted on a gurney
--a FAMILY crying
INT. ADAM’S BEDROOM - NIGHT
INT. HOSPITAL OFFICE - NEXT DAY
INT. ADAM’S BATHROOM - DAY
INT. HOSPITAL. CHEMOTHERAPY ROOM - DAY
INT. BOOKSTORE. SELF HELP SECTION - DAY
INT/EXT. BOOKSTORE - LATER
CONTINUED: (2)
INT. ADAM’S LIVING ROOM - NIGHT
INT. ART GALLERY - NIGHT
INT. ADAM’S LIVING ROOM - LATER
EXT. STREET - NEXT DAY
INT. BAR - NIGHT
ATTRACTIVE WOMAN #2
INT. BAR - LATER THAT NIGHT
EXT. HOT DOG STAND - NIGHT
INT. ADAM’S BEDROOM. NIGHT
INT. ADAM’S KITCHEN- DAWN
INT. ADAM’S LIVING ROOM - CONTINUOUS
MONTAGE VARIOUS DOCTOR’S APPOINTMENT
--CU of a doctor’s hands pressed against Adam’s lymph nodes
--CU of a tongue depressor probing Adam’s mouth
--CU of blood being drawn from Adam’s forearm
EXT. HOSPITAL PARKING LOT - DAY
INT. KATHERINE’S CAR - MOMENTS LATER (DAY)
KATHERINE (CONT’D) It’s fine. I ended it
CONTINUED: (3)
EXT. ADAM'S HOUSE - DUSK
INT. ADAM'S HOUSE. LIVING ROOM - DAY
EXT. ADAM'S PORCH - MOMENTS LATER
EXT. ADAM’S BACKYARD - DAY
TIGHT ON: Rachael’s Painting
EXT. MITCH’S HOUSE - BACK PORCH - DAY
INT. KATHERINE’S OFFICE - CONTINUOUS
KATHERINE (CONT’D)
INT. HOSPITAL. CHEMOTHERAPY TREATMENT ROOM - MORNING
EXT. LINDEN CEMETERY - DAY
Kyle’s car drives up the cemetery’s long driveway
EXT. MITCH’S FUNERAL - DAY
INT. ADAM’S LIVING ROOM - DAY
INT. HOSPITAL. KATHERINE’S OFFICE - DAY
INT. ADAM’S HOUSE - DAY
INT. DR ROSS’ OFFICE - DAY
EXT. PARK - LATER THAT NIGHT
INT. BEDROOM - SAME TIME (INTERCUT)
EXT. KYLE’S APARTMENT - LATER THAT NIGHT
INT. KYLE’S APARTMENT - CONTINUOUS
INT. KYLE’S BATHROOM - CONTINUOUS
EXT. SEATTLE STREET - LATER THAT NIGHT
EXT. STREET - DAWN
INT. ADAM’S HOUSE - DAWN
Adam packs a small DUFFEL BAG
INT. ADAM’S KITCHEN - LATER
EXT. ADAM’S HOUSE - MOMENTS LATER
I/E. KYLE’S CAR - MOMENTS LATER
INT. KYLE’S CAR - LATER
INT. HOSPITAL PRE-OP ROOM - EARLY MORNING
INT. HOSPITAL SURGICAL AMPHITHEATER - CONTINUOUS
MONTAGE
INT. HOSPITAL WAITING ROOM - LATER
INT. HOSPITAL POST-OP RECOVERY - DAY
INT. HOSPITAL ROOM - NIGHT
I/E. ADAM’S HOUSE - LIVING ROOM - EVENING
CLOSE-UP ON: WOUND
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P. 1
50-50 Shooting Draft

50-50 Shooting Draft

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Published by Moses Hershberger
50-50_Shooting_Draft.pdf
50-50_Shooting_Draft.pdf

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Published by: Moses Hershberger on Oct 07, 2013
Copyright:Attribution Non-commercial

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11/23/2013

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