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    Lot No. 249 (Fantasy and Horror Classics)
    Lot No. 249 (Fantasy and Horror Classics)
    Lot No. 249 (Fantasy and Horror Classics)
    Ebook51 pages56 minutes

    Lot No. 249 (Fantasy and Horror Classics)

    By Sir Arthur Conan Doyle

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    About this ebook

    Sir Arthur Conan Doyle, the creator of detective Sherlock Holmes, is the father of crime fiction. First published in 1892 in Harpers, the story tells of an Oxford college student who, through the use of Egyptian magic, manages to reanimate an ancient Egyptian mummy. Many of the horror stories of monsters and ghouls, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
    LanguageEnglish
    PublisherRead Books Ltd.
    Release dateDec 3, 2014
    ISBN9781447480174
    Lot No. 249 (Fantasy and Horror Classics)
    Author

    Sir Arthur Conan Doyle

    Sir Arthur Conan Doyle (1859–1930) was a Scottish writer and physician, most famous for his stories about the detective Sherlock Holmes and long-suffering sidekick Dr Watson. Conan Doyle was a prolific writer whose other works include fantasy and science fiction stories, plays, romances, poetry, non-fiction and historical novels.

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    Reviews for Lot No. 249 (Fantasy and Horror Classics)

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    • 5/5
      An interesting and creepy supernatural short story even by today`s standards from the creator of Sherlock Holmes. Allegedly the first appearance of a vengeful undead mummy in literature.
    • 3/5
      A fairly creepy mummy tale, though how creepy can it get at Oxford? Still, it's a cool departure from the Sherlock Holmes character, and shows Doyle had some range. And probably pretty scary, for 1892.

    Book preview

    Lot No. 249 (Fantasy and Horror Classics) - Sir Arthur Conan Doyle

    SIR ARTHUR CONAN DOYLE

    Arthur Conan Doyle was born in Edinburgh, Scotland, in 1859. It was between 1876 and 1881, while studying medicine at the University of Edinburgh, that he began writing short stories, and his first piece was published in Chambers’s Edinburgh Journal before he was 20. In 1882, Conan Doyle opened an independent medical practice in Southsea, near Portsmouth. It was here, while waiting for patients, that he turned to writing fiction again, composing his first novel, The Narrative of John Smith.

    In 1887, Conan Doyle’s first significant work, A Study in Scarlet, appeared in Beeton’s Christmas Annual. It featured the first appearance of detective Sherlock Holmes, the protagonist who was to eventually make Conan Doyle’s reputation. A prolific writer, Conan Doyle continued to produce a range of fictional works over the following years. In 1893, feeling that the character of Sherlock Holmes was distracting him from his historical novels, he had Holmes apparently plunge to his death in the short story ‘The Final Problem’. However, eight years later, following a public outcry from his readers, Conan Doyle ‘resurrected’ the detective in what is now widely regarded as his magnum opus, The Hound of the Baskervilles.

    Sherlock Holmes went on to feature in fifty-six short stories and four novels, cementing Conan Doyle’s reputation as probably the most famous crime writer of all time. Aside from his fiction, Conan Doyle was also a passionate political campaigner – a pamphlet he published in 1902, defending the United Kingdom’s much-criticised role in the Boer War, is seen as a major contributor to his receiving of a knighthood in that same year.

    In his later years, following the death of his son in World War I, Conan Doyle became deeply interested in spiritualism and psychic phenomena, producing several works on the subjects and engaging in a very public friendship and falling out with the American magician Harry Houdini. He died of a heart attack while living in East Sussex in 1930, aged 71.

    LOT No. 249

    by Sir Arthur Conan Doyle

    Of the dealings of Edward Bellingham with William Monkhouse Lee, and of the cause of the great terror of Abercrombie Smith, it may be that no absolute and final judgement will ever be delivered. It is true that we have the full and clear narrative of Smith himself, and such corroboration as he could look for from Thomas Styles the servant, from the Reverend Plumptree Peterson, Fellow of Old’s, and from such other people as chanced to gain some passing glance at this or that incident in a singular chain of events. Yet, in the main, the story must rest upon Smith alone, and the most will think that it is more likely that one brain, however outwardly sane, has some subtle warp in its texture, some strange flaw in its workings, than that the path of Nature has been overstepped in open day in so famed a centre of learning and light as the University of Oxford. Yet when we think how narrow and how devious this path of Nature is, how dimly we can trace it, for all our lamps of science, and how from the darkness which girds it round great and terrible possibilities loom every shadowly upwards, it is a bold and confident man who will put a limit to the strange by-paths into which the human spirit may wander.

    In a certain wing of what we will call Old College in Oxford there is a corner turret of an exceeding great age. The heavy arch which spans the open door has bent downwards in the centre under the weight of its years, and the grey, lichen-blotched blocks of stone are bound and knitted together with withes and strands of ivy, as though the old mother had set herself to brace them up against wind and weather. From the door a stone stair curves upward spirally, passing two landings, and terminating in a third one, its steps all shapeless and hollowed by the tread of so many generations of the

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