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Table Of Contents

2.2 Dance space
2.3 Lights
2.5 Time
2.6 Popularity
2.7 Special activities
2.8 Dancers & visitors
2.9.1 Case 1: Salsa versus tango?
2.9.2 Case 2: Chairs, chairs and … more chairs!
2.9.3 Case 3: A restless DJ
2.9.4 Case 4: A milonga with many interruptions
2.9.5 Case 5: a frustrating workshop
3.1 Introduction
3.2 Instrumental & vocal
3.3 Rhythmical & lyrical
3.4 Energetic & melancholy
3.5 Slow & fast
3.6 Regular/simple & irregular/complex
3.7 Old & modern
3.8.1 Intermezzo
3.8.2 Introvert & extravert
3.8.3 Consonant & dissonant music
3.8.4 Diegetic versus mimesic music
3.9.1 Knowledge is everything
3.9.2 Music shops
3.9.3 Music lovers
3.9.4 Being a DJ helps
3.9.5 Accidental encounters
3.9.6 DJ Discussion forums
3.10 Music labels
3.11 Music terms
3.12 Clustering tango music
4.1 Introduction
4.2 Tanda & tandacycle
4.3 Cortina
4.4 Specials
4.5 Bridge songs
4.6 Musical arc
4.7 An annotated playlist
4.8 DJ-ing for tango teachers
4.9 Conclusion
5.1 Introduction
5.2 Don't loose your concentration
5.3 Try to ‘read’ your audience
5.4 Know your music
5.5 Know your audience
5.6 Know yourself
5.7 Perform in a dynamic way
5.8 Look for the ‘common denominator’
5.9 Do not play too loud
5.10 Don't try to attract (too much) attention
5.11 Requests
5.12 Exchange experiences with other DJ’s
5.13 Be your self
5.14 DJ’s life cycle
5.15 DJ intervision
6.1 Introduction
6.2 The audio chain
6.3 The mixing console40
6.4 What to bring
6.5 Where to connect
6.6 Getting sound
6.7 ¡Caution!
6.8 Fine adjustments
6.9 Placing the speakers48
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Dj Manual 2012

Dj Manual 2012

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Published by EuZen Iskander
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manual

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Published by: EuZen Iskander on Oct 13, 2013
Copyright:Attribution Non-commercial

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12/21/2013

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