Liederbuch Version04

DES MEGADING
STAND APRIL 2004

1000 UND 1 NACHT................................. ..........604 a 176
20th Century boy.............................................. ...426 A horse with no name...........................................10
Ab Auf Die Piste.................................... ..............601 Can't Help Falling In Love Elvis Presley..........132
Aber bitte mit Sahne...........................................583 Caravan Of Love - Housemartins........................392
ABER BITTE MIT SAHNE................................ ...673 Carbonara............................................... ............616
Addictet to love...................................................357 CECILIA................................................... ...........385
Aeroplane............................................................ 320 Change the World\..............................................143
After Dark...................................................... ......202 CHARLY BROWN.................................... .............94
Ain't No Sunshine Bill Withers.........................64 CHILD IN TIME................................... ................108
Ain't Nobody................................................... .....462 Chords.......................................... ......................758
ALICE...................................... ...........................393 COCAINE........................................................... .138
Alkohol................................................ ................607 COME AS YOU ARE NIRVANA..................300
All along the watchtower.........................................6 Come Together................................................. .....11
ALL MY LOVING ( Beatles )................26 Come Undone.............................................. .......333
ALL RIGHT NOW....................................... .........425 Connected.......................................................... .345
All shook up................................ ........................127 COULD YOU BE LOVED....................................511
Alle Jahre wieder................................................737 COULD YOU BE LOVED BOB MARLEY.....510
ALWAYS LOOK ON THE BRIGHT SIDE OF LIFE Couldn't get it right..............................................442
........................................................................ 278 Country Roads....................................... .............194
Always on the run.......................................237, 528 Cover Of The Rolling Stone................................120
Am Weihnachtsbaum die Lichter brennen..........737 Crazy......................................... ...........................58
AMERICAN PIE..................................................196 Crazy Little Thing Called Love............................310
American Woman...............................................530 Crosstown Traffic}.............................. .................183
amore mio............................................... ............574 Dancing In The Moonlight...................................301
Angel.............................................................. .....335 DÄNEN LÜGEN NICHT, Otto..............................729
Angie.............................................................. .....365 Das hama uns verdient.......................................698
Aniitta........................................................ ..........734 Das kann doch einen Seemann nicht erschüttern
Anita................................................................ ....572 ........................................................................ 716
Ankomme Freitag dem 13...................................675 Davey's on the road again..................................260
Another brick int the wall.....................................294 DAY TRIPPER......................................................16
Another Saturday Night - Cat Stevens..................78 Dead or alive.................................................. .......92
Anton aus Tiroll................................ ...................735 Deeply Dippy}.....................................................156
Are You Gonna Go My Way?..............................240 DELILAH.................................................. ...........410
ARE YOU LONESOME..................................... ..129 Der Berg.............................................................. 659
Auf 'ner einsamen Insel.................................... ...619 Der Mörder ist immer der Gärtner.......................683
Auf der Reeperbahn nachts um halb eins...........586 Der Quintenzierkel..............................................757
AZURRO....................................................... ......645 Der Rattenfänger Hannes Wader........................565
Bacardi Rum..................................... ..................589 Der Teufel hat den Schnaps gemacht.................717
BACK FOR GOOD.......................................... ....399 DICKE...................................................... ...........621
BAD MOON RISING.............................................62 Die alten Rittersleut......................................... ....732
BAILA ME........................................................... .228 Die Ballade vom Pfeifer......................................678
Bamboleo - Gipsy Kings.....................................227 DIE BIENE MAJA Karel Gott...............................707
BANKS OF OHIO............................................... ...93 Die Hände Zum Himmel................................. .....719
Because I got high..............................................214 Die heiße Schlacht am kalten Buffet...................680
Beds Are Burning.................................. ..............269 Dock of the bay..................................... ..............286
Behind Blue Eyes............................................. ...327 Don't Cry Guns'N Roses.................................174
Beinah, beinah....................................... .............702 Don't Let Me Be Misunderstood..........................449
BIKO (PETER GABRIEL).........................291 DOWN ON THE CORNER................................. ...95
Bilder von dir.......................................... .............615 DREADLOCK HOLIDAY.....................................521
BLACK MAGIC WOMAN....................................380 DREAM A LITTLE DREAM.................................288
BLACK OR WHITE, 1.........................................177 DREAM A LITTLE DREAM OF ME.....................255
Blinded by the Light............................................262 Dreamer....................................................... ...........7
Blowing in the wind...............................................70 DREAMER................................................ ............90
BLUE SUEDE SHOES................................... .....131 DRIVE...................................................... ...........416
BOBBY BROWN, Frank Zappa...........................198 Dschingis Khan..................................... ..............596
Bohemian Like You.............................................212 Du willst immer nur f......,..................................... 670
Bolle.......................................................... ..........718 DUST IN THE WIND...........................................203
Bolle reiste jüngst zu Pfingsten...........................721 Easy.......................................................... ..........161
Born to be wild................................. ...................466 Ein Bett im Kornfled Jürgen Drews.....................689
Breakfast in America.............................................88 Ein bisschen Spass muß sein.............................652
BREAKING THE GIRL........................................322 Ein Loch in der Tasche................................. .......627
Bridge Over Troubled Water...............................383 Ein Prosit............................................................. 724
BRING ME SOME WATER.................................275 Eine neue Liebe ist wie ein neues Leben............599
BROTHERS IN ARMS........................................424 EISGEKÜHLTER BOMMERLUNDER.................654
Brown sugar................................................. .......367 El Condor pasa................................ ...................387
BUONA SERA................................................... ..208 ENGLISHMAN IN NEW YORK STING.........302
BURNING DOWN THE HOUSE.........................408 Er gehört zu mir..................................................696
By the Way..................................................... .....315 Es ist ein Ros' entsprungen................................737
California dreaming.................................... .........252 Es lebe der Zentralfriedhof..................................660
Version 04 /1.01 April 2004 2
Es war Sommer..................................................605 Hurricaine.............................................................. 71
Es wird Nacht Senorita.......................................598 HUSH...................................................... ............110
EVERY BREATH YOU TAKE, Police..................304 I Am The Walrus................................................. ...46
Every rose has its thorn......................................474 I don´t wanna dance...........................................513
EVERYBODY HURTS........................................210 I Hear You Knocking...........................................492
Everybody Needs Somebody To Love................439 I shot the sheriff..................................................507
Eyes Without A Fac................................... ..........419 I STILL HAVEN´T FOUND WHAT I´M LOOKING
FATHER AND SON, Cat Stevens.........................79 FOR................................................... .............430
Feel................................................. ............330, 495 I Wanna Be Like You................................... ........105
Fever - Elvis Presley...........................................133 I Want To Hold Your Hand The Beatles..............34
FIESTA MEXICANA............................................578 I'm on Fire............................................ ...............346
First Cut is The Deepest\....................................364 ICH BRECH DIE HERZEN (HEINZ RÜHMANN
Flieger, grüß mir die Sonne.................................649 ........................................................................ 614
Flugzeuge im Bauch...........................................606 Ich hab meinen Spaß................................ ..........623
Fly away - Lenny Kravitz.....................................236 Ich liebe dich.......................................... .............686
Fly Like An Eagle................................................271 Ich weiss, es wird einmal ein Wunder gescheh'n 591
FOREVER YOUNG DYLAN, BOB......................69 Ich wollt' ich wär ein Huhn............................... ....585
Fragile...................................................... ...........297 if I had a Hammer...............................................293
FREE FALLING................................................ ...429 If You Want to Sing Out, Sing Out - Cat Stevens. .81
Freedom ............................................................. 206 IHR KINDERLEIN KOMMET...............................739
Für immer jung............................................ ........657 Im Wagen vor mir......................................... .......581
Für mich solls rote Rosen regnen.......................632 IMAGINE......................................................... ......14
FÜRSTENFELD.......................................... ........602 In einen Harung..................................................714
Geiler is' schon...................................................623 IN THE SUMMERTIME.............................. .........447
Get Back The Beatles.........................................27 In the year 2525.................................... ..............558
Get this party started....................................... ....444 IS THIS LOVE........................................... ..........504
Gimme hope Jo'anna..........................................519 It ain`t over `til it`s over.......................................531
GIMME SOME LOVIN........................................441 It never rains in Southern California....................256
GIRL ( Beatles...................................... ....30 It's not unusual................................. ...................411
GIVE A LITTLE BIT................................ ...............89 Ja 569
Gone Till November............................................218 JACK AND DIANE (JOHN COUGAR
Griechischer Wein.......................................... .....580 MELLENCAMP)........................................ ......200
Grund zumFeiern.................................. ..............642 JAILHOUSE ROCK......................................... ....135
Guantanamara....................................... .............289 Jealous guy....................................................... ......9
Gute Nacht, Freunde..........................................685 Jesus just left Chicago........................................219
GUTEN ABEND, GUTE NACHT.........................751 Jetzt trink'n ma noch a Flascherl Wein................728
HANG ON SLOOPY...........................................390 Jingle Bells.................................................... ......752
HARD TO HANDLE............................................438 Johnny B. Goode Chuck Berry...........................96
HARDROCK CAFE...................................... .........63 Johnny Walker....................................................625
Hass mich oder lieb mich....................................624 Josephine............................................................ 448
HEAVEN HELP................................... ................244 Jumpin' Jack Flash............................................. .370
HEDONISM........................................................ .463 Junimond Echt...........................................637
Hello, goodbye......................................... .............45 Just A Gigolo David Lee Roth..........................107
HELP......................................... ...........................53 Kaileigh............................................... ................267
Here Comes the Sun............................................17 Kann denn Liebe Sünde sein ?...........................590
Heroes\......................................... ......................453 Karl der Käfer............................................... .......662
Heut Nacht.............................................. ............618 Kaspar..................................... ...........................681
Heute blau, morgen blau................................ .....722 KEEP YOUR HANDS TO YOUR SELF...............150
Heute hier, morgen dort Hannes Wader Kein Schwein ruft mich an.................................. .692
........................................................................ 567 Killer Queen...................................... ..................305
Hey hey Wickie................................ ...................695 KILLING ME SOFTLY.........................................360
Hey Joe.......................................................... .....182 KISS PRINCE................................................299
Hey Jude (The Beatles)........................................32 Kling, Glöckchen, klingelingeling.........................740
Hey Sexy Lady............................................ ........514 Knocking on heavens door................................. .164
Highway to hell.................................................. ..539 KOKAIN (HANNES WADER).......................570
Hit the road,................................ ........................313 Kommet, ihr Hirten............................... ...............741
HOLE HEARTED................................ ................153 KOMMET, IHR HIRTEN......................................754
Honky tonk woman.............................................369 Kornblumenblau.......................................... ........722
Hoochi Coochi man........................................ ....220 Kreuzberger Nächte.................................. ..........730
Hot In The City..................................... ...............417 La Bamba............................................................ 247
Hot Stuff................................................. .............526 Lady D'Arbanville Cat Stevens..........................82
Hotel California...................................................124 Lady Madonna The Beatles.............................35
Hound dog................................... .......................134 Lady Marmalade.............................. ...................477
How bizarre.................................................. .......329 Laßt uns froh und munter sein............................742
How deep is your love.................................... .....401 LAßT UNS FROH UND MUNTER SEIN.............755
Humba Tätärä...................................... ...............722 LAYLA Eric....................................... ...............139
Hurra, Hurra, die Schule brennt - Extrabreit........647 Leise rieselT der Schnee....................................743
LET LOVE RULE................................................533 One in a Million................................ ...................168
LET ME ENTERTAIN YOU.................................349 ONE LOVE......................................................... .508
Let's spend the Night togheter............................371 Over my Shoulder................................ ...............276
Light my fire...................................................... ...118 Over the Rainbow...............................................303
LIKE A ROLLING STONE Bob Dylan....................77 Paint it black....................................................... .373
Like the way i do.................................................273 Papa Was a Rolling Stone..................................502
Little Miss Can't be Wrong..................................494 PATIENCE............................... ...........................166
Little Wing Jimi Hendrix.....................................187 People in da Middle............................................266
LIVIN' LA VIDA LOCA.........................................225 PIANO MAN................................................. .......323
Lola Kinks.................................... .......................204 Pinball Wizard........................................ .............549
Losing my religion................................. ..............209 Power of love................................... ...................282
Love and marriage............................... ...............485 Prince of Peace................................................ ...157
Love is all around....................................... .........431 Probiers mal mit Gemütlichkeit...........................588
Love is da Shit....................................................265 PROUD MARY................................................ ....488
Love me Tender..................................................137 PUFF, THE MAGIC DRAGON.....................117, 292
Lustig ist das Zigeunerleben...............................713 Purple haze.................................................. .......192
Mackie Messer............................................ ........636 Purple Rain - Prince.................................. ..........471
Mad World........................................................ ...285 Put your lights on................................................149
Maggie May................................ ........................250 Quando Quando Caterina Valente & Silvio
MAGIC BUS................................................. .......542 Francesco.............................................. .........644
Major Tom........................................ ...................456 Rebel Yell................................................. ...........422
Mama Told Me Not To Come -............................412 Redemption Song...............................................505
MAMBO, Herbert Groenemeyer..........................612 RESPECT............................................... ............523
Mamy Blue.............................................. ............639 Riders on the storm......................................... ....496
Männer - Herbert Grönemeyer............................608 RING OF FIRE.................................... ................119
Marina...................................................... ...........652 River deep, mountain high..................................407
Marmor, Stein und Eisen bricht...........................693 Rivers Of Babylon - Sublime...............................486
ME AND BOBBY MCGEE (JANIS JOPLIN)...178 Rock DJ........................................ ......................351
Mei Alde Is' Im Playboy Drin...............................690 Rock This Town............................................. ......231
Mein kleiner grüner Kaktus - Comedian Harmonists Roxanne.............................................................. 296
........................................................................ 674 Sabinchen war ein Frauenzimmer......................710
Mein Vater war ein Wandersmann......................712 SAILING........................................................ ......362
Mer losse d'r Dom in Kölle..................................723 Satisfaction.................................. .......................374
MERCEDES BENZ.............................................181 Save Tonight - Eagle-Eye Cherry........................123
Message in a bottle.................................... .........298 Say it aint so............................... ........................280
MfG...................................................... ...............697 Scarborough Fair................................................391
Mir geht es wie dem Jesus................................. .655 SCHIFOAN (WOLFGANG AMBROS)..........661
Mit 18.................................................. ................628 Schnaps, das war seIN letztes Wort...................725
mit Pfefferminz bin ich dein Prinz........................628 Schneeflöckchen, Weißröckchen........................747
Monday, Monday............................................ .....257 Seemann, deine Heimat ist das Meer.................592
Money for Nothing............................................ ...427 Sex Machine..................................... ..................181
Moonshadow Cat Stevens...................................84 SEXBOMB........................................ ..................413
MORE THAN WORDS Extreme.........................151 Sexy.......................................................... ..........630
MORGEN, KINDER, WIRD’S WAS GEBEN......744 Shame, shame, shame.......................................359
MORNING HAS BROKEN, Cat Stevens...............86 She bangs..................................................... ......223
MOTHERLESS CHILD.......................................140 She´s The One...................................... ......338, 353
Moviestar..................................... .......................575 Shiny happy people....................................... ......211
Mr. Cab Driver............................................. ........529 SHOUT......................................... ......................246
MR. TAMBOURINE MAN......................................74 SKANDAL IM SPERRBEZIRK............................610
Mrs. Robbinson........................................... ........389 SLOOP JOHN B BEACH BOYS......................307
Music was my first love.......................................281 Smoke on the Water Deep Purple.......................109
Muß i denn zum Städtele hinaus.........................710 So ein Tag so wunderschön wie heute................725
Mustang Sally (The Commitments).....................106 Something....................................................... ......29
MY GENERATION..............................................545 Something Stupid............................................. ...325
Nadine Chuck Berry................................. ..........102 Spiel nicht mit den Schmuddelkindern................672
NEEDLES AND PINS.........................................394 Spuck den Schnuller aus....................................687
NELLIE THE ELEPHANT............................... ...397 STAIRWAY TO HEAVEN............................... ......234
No Particular Place To Go...................................103 sTAND BY ME....................................................... 75
NO WOMAN, NO CRY....................................... .509 STAND BY ME........................................ ............437
Not That Kind......................................... ...............61 Stayn' alive...................................................... ....489
NOTHING ELSE MATTERS...............................450 Still got the blues.............................................. ...162
November Rain..................................... ..............170 Stille Nacht, heilige Nacht...................................748
Nutbush City Limits.............................................405 Stop,hey whats the sound...................................126
O Tannenbaum..................................................746 Stormy weather........................................... ........436
O du fröhliche.................................................... ..745 Strawberry Fields Forever............................... ......38
Ode an die Freude............................... ...............709 Strawberry Fields Forever The Beatles..........36
Oh, Pretty Woman..............................................560 Stray Cats Strut................................................ ...233
STREETS OF LONDON.....................................112 Walk On The Wild Side\......................................248
Strength Of A Woman.........................................516 WALKING BY MYSELF......................................548
Stuck in the middle of you...................................347 Walking in Memphis - Marc Cohn.........................76
Summer in the City.............................................252 WANDERSMAN,.......................................... .......654
Summer of 69.....................................................159 Wann wird`s mal wieder richtig Sommer.............594
Summertime....................................................... .179 Wannabe......................................................... ....562
Sunday Bloody Sunday.................................. .....479 Was soll das................................................... .....613
SUNNY.............................................................. ..114 Was sollen wir trinken.........................................666
Supergirl.............................................................. 221 We are the Champions.......................................308
Supreme....................................... ......................355 We Can Work It Out The Beatles...................47
Süßer die Glocken nie klingen............................749 We shall overcome.............................................289
Sweet child o` mine......................................... ....312 We Will Rock You........................................... .....309
Sweet dreams........................................ .............261 WEATHER WITH YOU.......................................435
SWEET HOME ALABAMA..................................251 Wenn das so weitergeht.................................... ..726
SWEET HOME CHICAGO..................................440 Wenn wir erklimmen............................................ 704
Sympathie for the devil.......................................375 Wer soll das bezahlen.................................. .......726
Sympathie für den Teufel....................................635 Westerland.................................................. ........603
T.N.T.............................................. .....................538 What a Wonderful World.....................................458
Tag Am Meer................................................ .......700 What I am........................................................... .460
Tainted Love....................................................... .263 What I Got.................................................... .......468
Take A Message.......................................... ........400 What is And What Should Never Be...................497
TAKE GOOD CARE OF MY BABY.....................483 WHAT S UP, 4 non blondes.............................56
TANGO KORRUPTI – Austria3...........................650 When I'm Sixty-Four............................................ ..25
Tanze Samba mit mir..................................576, 600 When You're In Love With A Beautiful Woman....122
TEARS IN HEAVEN................................ ............141 Where the Streets Have No Name......................534
Tequilla........................................................... .....522 While My Guitar Gently Weeps (George Harrison)
THE BALLAD OF CHASEY LAIN.........................68 ........................................................................ 164
THE BOXER,................................... ...................381 WHIRLPOOL................................ ........................60
The Great Pretender..............................(Buck Ram) Whish you where here........................................295
................................................................ ........311 WHISKEY IN THE JAR.......................................403
THE JOKER................................................. .......395 White Wedding................................................ ....421
The Lion Sleeps Tonight.................................... ..476 WHOLE LOTTA LOVE........................................539
The Logical Song.................................... ..............91 Whole lotta Rosie....................................... .........541
THE PASSENGER........................................ ......473 Why did you do it................................................245
the roof is on fire............................... ....................66 Wild Horses........................................................ .377
THOSE WERE THE DAYS.................................236 WILD WORLD Cat Stevens................................87
Three little birds..................................................506 Winter Wonderland.............................................756
Time Warp........................................................ ...362 Wir kommen alle in den Himmel.........................727
To be a lover............................... ........................423 Wir lagen vor Madagaskar..................................704
To be with you........................................ .............445 Wir lieben die Stürme...................................... ....703
Turn on, tune in, cop out.....................................501 Wir versaufen unser Oma ihr klein Häuschen.....728
Turn the page................................................ ......490 With a little help from my friends.........................193
TWIST AND SHOUT................................. ............52 With or without you.............................................481
Two princess.......................................... .............493 Wochenend und Sonnenschein..........................720
Über den Wolken................................................641 Wochenend undSonnenschein...........................593
Über den Wolken Dieter Thomas Kuhn...........643 Wonderful Tonight Eric Clapton..........................147
Über sieben Brücken mußt du gehen.................577 WONDERWALL.................................... ..............432
Unchain My Hear................................................415 Word up...................................... ........................339
Under The Bridge........................................... .....318 Yellow Submarine The Beatles......................49
Universal Soldier.................................................111 YESTERDAY.............................. ..........................13
Use Me................................... ............................556 Yesterday The Beatles......................................54
VERDAMP LANG HER.......................................667 YMCA –.......................................................... .....451
Viva Las Vegas...................................................128 YOU ARE THE SUNSHINE OF MY LIFE............113
Volare............................................................. .....230 You Can Leave Your Hat On (Joe Cocker)..........254
VOLLMOND......................................... ...............611 You Can't Always Get What You Want................379
Vom Himmel hoch, da komm ich her..................750 You get what you give.........................................216
Von den blauen Bergen......................................706 You really got me................................................536
VOODOO CHILD.................................. ..............184 You sexy thing Hot Chocolate............................175
Voulez Vous...................................... ..................669 You shook me all night long................................537
Wahnsinn (................................................ ..........597 YOU'VE GOT TO HIDE YOUR LOVE AWAY........51
Waldfest............................................... ...............663 ZWEI KLEINE ITALIENER..................................694

ALL ALONG THE WATCHTOWER
Am G F -G
1. There must be some kind of way out of here,
Am G F - G
said the joker to the thief
Am G - F–G Am G F -G
There's too much confusion, I can't get no relief.
Am G F - G Am G - F-G
Business men, they drink my wine, plowmen dig my earth.
Am G F - G Am G F -G
None of them will ever own my mind, know what any of it is worth
Am G F G Am G F G Am G F G Am G F G
Am G F - G Am G -F-G
2. No reason to get excited, the thief, he kindly spoke.
There are many here among us, who feel that life is but a joke.
But you and I we've been through that, and this is not our place.
So let us stop talking falsely now, the hour's getting late.
Am G F G Am G F G Am G F G Am G F G
3. All along the watchtower, princes kept the view.
While all the women came and went, barefoot servants too.
Outside in the cold distance , a wild cat did growl.
Am G - F -G Am G -F-G
Two riders were approaching, and the wind began to howl.
Am G F - G
All along the watchtower...... (rep. and fade)
(capo 3rd)
(Jimi Hendrix)

DREAMER
Ozzy Osbourne
KAPO: 1. Bund
Intro: (piano) C
C Am
Gazing through the window at the world outside
C Am
Wondering will mother earth survive
F Dm G C G
Hoping that mankind will stop abusing her sometime
C Am
After all there's only just the two of us
C Am
And here we are still fighting for our lives
F Dm
Watching all of history repeat itself
G C G
Time after time
C
I'm just a dreamer
Am Em G
I dream my life away
C
I'm just a dreamer
Am Em G
Who dreams of better days
C Am
I watch the sun go down like everyone of us
C Am
I'm hoping that the dawn will bring a sign
F Dm
A better place for those Who will come after us ...
G C G
This time
Your higher power may be God or Jesus Christ
Dm G

It doesn't really matter much to me
Dm G
Without each others help there ain't no hope for us
Dm G
I'm living in a dream of fantasy
C
Oh yeah, yeah, yeah

JEALOUS GUY
G Em D Em
1. I was dreaming of the past, and my heart was beating fast,
D Em C
I began to lose control, I began to lose control.
G F C G F A#
I didn't mean to hurt you, I'm sorry that I made you cry.
G D Em C G
I didn't mean to hurt you, I'm just a jealous guy.
G Em D Em
2. I was feeling insecure, you might not love me any more.
D Em C
I was shivering inside, I was shivering inside.
G F C G F A#
G D Em C G
G Em D
3. I was trying to catch your eyes ,
Em
thought that you were trying to hide
D Em C
I was swallowing my pain, I was swallowing my pain.
G F C G F A#
G D Em C G
G – Em – D – Em D – Em – C G – F – C – G – F – A# .....
(whistling)
(Roxy Music)

A HORSE WITH NO NAME / KANSAS
Intro:Em D6l9
D6l9 Em
Em D6l9 Em D6l9
On the first part of the journey I was looking at all the life,
Em D6l9
there were plants and birds and rocks and things,
Em D6l9
there were sand and hill and rings.
Em D6l9
The first thing I met was a fly with a buzz and the sky with no
Em D6l9
clouds,
Em D6l9 Em
the heat was hot and the ground was dry but the air was full of
D6l9
sound
Em9 D7+|9
Refr. I've been thru the desert on a horse with no name,
Em9 D7+|9
it felt good to be out of the rain,
Em9 D7+|9
in the desert you can remember your name
Em9 D7+|9
'cause there ain't no one for to give you no pain.
Em9 D7+|9 Em9 D7+|9
La la la la la la la la la la la la.
After two days in the desert sun, my skin began to turn red,
after three days in the desert sun,
I was looking at a river bed.
And the story it told of a river that flowed made me sad to
think it was dead.
Refr. I've been thru the desert on a horse with no name...
After nine days I let the horse run free 'cause the desert had
turned to sea.
There were plants and birds and rocks and things,
there were sand and hills and rings.
The ocean is a desert with it's life underground and the
perfect disguise above.
Under the cities lies a heart made of ground, but the humans
will give no love.
Refr. I've been thru the desert on a horse with no name...
-0-0-0-0-0-0--0-0-0-0-0-0- -2-2-2-2-2-2--0-0-0-0-0-0-
-0-0-0-0-0-0--0-0-0-0-0-0- -0-0-0-0-0-0--2-2-2-2-2-2-
-0-0-0-0-0-0--2-2-2-2-2-2- -0-0-0-0-0-0--2-2-2-2-2-2-
-2-2-2-2-2-2--0-0-0-0-0-0- -0-0-0-0-0-0--0-0-0-0-0-0-
-2-2-2-2-2-2--0-0-0-0-0-0- -2-2-2-2-2-2--0-0-0-0-0-0-
-0-0-0-0-0-0--2-2-2-2-2-2- REPEAT -0-0-0-0-0-0--0-0-0-0-0-0- REPEAT

COME TOGETHER (THE BEATLES)
RIFF:

Dm 1
H
Here come old flat top, He come grooving up slowly,
3
Dm 0
He got Joo Joo eyeball, He one holy roller 2
A7 0
He got Hair down to his knee; 0

G7

Got to be a joker, he just do what he please.

**Riff
Dm
He wear no shoe shine, he got toe jam football
Dm
He got monkey finger, he shoot coca cola
A7
He say, "I know you, you know me."
G7
One thing I can tell you is you got to be free
Bm G
Come Together, Right now, over me
**Riff
Dm
He bag production, He got walrus gumboot
Dm
He got Ono sideboard, He one spinal cracker
A7
He got feet down below his knee
G7
Hold you in his armchair, you can feel his disease
Bm G
Come together, right now, over me
**Riff
Dm
He roller coaster, he got early warning
Dm
He got muddy water, He one Mojo filter
A7
He say, " One and one and one is three."
G7
Got to be good looking 'cause he so hard to see
Bm
Come together, Right now, over me

YESTERDAY (BEATLES)
C E Am G
Yesterday, all my troubles seemed so far away!
F G C
Now it looks as though they're here to stay,
G Am D F C
oh I believe in yesterday!
C E Am G
Suddenly, I'm not half the man I used to be!
F G C
There's a shadow hanging over me,
G Am D F C
oh yesterday came suddenly!
E E7 Am G F Am G C
Why she had to go? I don't know, she wouldn't say!
E E7 Am G F Am G C
I said something wrong, now I long for yesterday!
C E Am G
Yesterday, love was such an easy game to play!
F G C
Now I need a place to hide away,
G Am D F C
E E7 Am G F Am G C
Why she had to go? I don't know, she wouldn't say!
E E7 Am G F Am G C
I said something wrong, now I long for yesterday!
C E Am G
Yesterday, love was such an easy game to play!
F G C
G Am D F C
Am D F C
Hmmmmmmmmmmm

IMAGINE ( John Lennon )
G C G C
Imagine there's no heaven. It's easy if you try.
G C G C
No hell below us. Above us only sky.
C A D D7
Imagine all the people living for today.
D C D G
Aha, you may say I'm a dreamer,
C D7 G H7
but I'm not the only one
C D G H7
I hope some day you'll join us.
C D7 G
And the world will be as one.
G C G C
Imagine there's no countries, it isn't hard to do.
G C G C
Nothing to kill and die for, and no religion too.
C Em A D D7
Imagine all the people, living life in peace.
D C D G
C D7 G H7
C D G H7
C D7 G
G C G C
Imagine no prossessions, I wonder if you can.
G C G C
No need for greed or hunger, a brotherhood of man.
C Em A D D7
Imagine all the people, sharing all the world.
D C D G
C D7 G H7
C D G H7
C D7 G

DAY TRIPPER
BEATLES

riff 1: riff 2:
||
||
||20402
|20402|222
|222|034
|034|

play riff 1 2x, then riff 1 once, then riff 2 once

E7
Got a good reason, for taking the easy way out
A7 E7
Got a good reason, for taking the easy way out
F#
She was a day____ tripper, one way ticket yeah
A7 G#7 C# B
It took me so____ long to find out, and I found out

She's a big teaser, she took me half the way there
She's a big teaser, she took me half the way there
She's a day tripper, one way ticket, yeah
It took me so long to find out, and I found out

Tried to please her, but she only played one night stands
Tried to please her, but she only played one night stands
She was a day tripper, Sunday driver, yeah
It took me so long to find out, and I found out


HERE COMES THE SUN G. HARRISON
A
E||979|
B||1010101010|
G||99|
D||77|
A|||
E|||
D
97|7|
107|1010|
97|7|
777|7777|
79|999|
710||
E7 E7SUS4 E7 A
7|979|
9791099|1010101010|
77777|99|
9999|77|
777||
||
D E7
97|97|
1010107|109|
997|7|
77|9|
79|977|
710|1077|
A
|979|
|10101010|
|99|
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D
979|979|
101010107|77710|

97|7|
7|7|
|97|
|107|
B7 A
|97|
|101010|
88888|99/|
99999|77|
99999||
7777||
N.C.
77|
101010|
1197|
|
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A
77|979|
1010P9|1010101010|
911P9|99|
|7|
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D
97|7|
1010107|10107|
997|777|
7|777|
|9999|
|10|
E7 E7SUS4E7 A
7|979|
9791099|1010101010|
7777|99|
99|7|
77||
||

D E7
97|97|
1010107|77109|
997|7777|
7|79|
|97|
||
E7SUS4 A
|979|
791010|10101010|
777777|999|
999|7|
777||
||
D
979|979|
101010107|77710|
97|7|
7|7|
|97|
|107|
B7 A
|97|
|101010|
88888|99H|
99999|77|
99999||
7777||
N.C.
77|
101010|
1197|
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A
77|979|
1010P9|101010107|
911P9|997|
|7|
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E7 E7SUS4E7 A
7|979|
979109|1010101010|
7777|99|
99|7|
77||
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D
97|7|
1010107|10107|
997|777|
7|777|
|9999|
|10|
E7 E7SUS4E7 A
7|979|
9791099|1010101010|
7777|99|
99|7|
77||
||
D E7
97|97|
1010107|109|
997|7|
7|9|
|9977|
|101077|
E7SUS4 A
|979|
91010|10101010|
77777|999|
9999|7|
7777||
||
D
979|979|
101010107|77710|
97|7|
7|7|
|97|
|107|
B7 A
|97|

|101010|
88888|99H|
99999|77|
99999||
7777||
N.C.
77|
101010|
1197|
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A
77|979|
1010P9|101010107|
911P9|9997|
|77|
||
||
E7 (G)
7||
9|8|
7|97|
99|109|
7711|10|
||
(D/F#) (D) A
|9|
|10|
7||
7|7|
99||
10||
E7 (G)
||
99|8|
77|97|
999|109|
77711|10|
||
(D/F#) (D) A

|999|
|1010107|
7|9997|
7|777|
99|7|
10||
E7 (G)
|||
99||8|
77||*97|
999||*109|
77711||10|
|||
(D/F#) (D) A E7
|979|
|101010109|
7|97|
7|79|
99||
10||
(G)
|||
79||8|
77*||*97|
99*||*109|
711||10|
|||
A E7
|979|
|101010109|
7|97|
7|79|
99||
10||
(G)
|||
79||8|
77*||*97|
99*||*109|
711||10|
|||
A E7
|979|
|101010109|
7|97|
7|79|

99||
10||
E7SUS
|||
79||99997910|
77*||777777|
99*||9999|
711||777|
|||
E7
7|710|
109109|99109|
7777|7777|
999|9|
|77|
||
A
10101010109|979|
99999|10101010|
77777|9H|
99999|7|
77777||
||

77|
101010|
1197|
|
|
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(A7) (G)
77||
1010P9|8|
911P9|97|
|79|
|10|
||
(D/F#) (D) A
|9~||
|10~||
7|9~||
7|7~||
99|7~||
10|||

HERE COMES THE SUN
The Beatles
1. Strophe:
A D
Here comes the sun, here comes the sun, (and I say)
A D A A E
"It's allright."
A D E
Little darling, it's been a long cold lonely winter.
A D E
Little darling, it feels like years since it's been here.
Refrain:
A D A D A A E
Here comes the sun, here comes the sun, (and I say) "It's allright."
C G D A
Sun, sun, sun, here it comes.
A D A D A A E
Here comes the sun, here comes the sun, (and I say) "It's allright."
2. Strophe:
"It's allright."
Little darling, the smiles returning to their faces.
Little darling, it seems like years since it's been here.
Refrain:
3. Strophe:
"It's allright."
Little darling, I feel that ice is slowly melting.
Little darling, it seems like years since it's been clear.
Refrain:

WHEN I'M SIXTY-FOUR
The Beatles
G D7
When I get older, losing my hair, many years from now,
D7 G
Will you still be sending me a Valentine, birthday greetings, bottle of
wine?
G7 C
If I'd been out 'till quarter to three, would you lock the door?
Eb7 G E7
Will you still need me, will you still feed me,
A7 D7 G
When I'm sixty-four?
Chorus:
Em D Em
Hmm------mmm------mmmh.
Em B7
You'll be older, too.
Em Am
Aaah, and if you say the word,
C D7 G
I could stay with you.
G D7
I could be handy, mending a fuse, when your lights have gone.
D7 G
You can knit a sweater by the fireside, sunday mornings, go for a ride.
G7 C
Doing the garden, digging the weeds, who could ask for more?
Eb7 G E7
A7 D7 G
When I'm sixty four?
Chorus:
Em D Em B7
Every summer we can rent a cottage in the Isle of Wight if it's not to
dear.
Em Am C D7 G
We shall scrimp and save. Ah, grandchildren on your knee, Vera, Chuck, and
Dave.
G D7
Send me a postcard, drop me a line stating point of view.
D7 G
Indicate precisely what you mean to say, yours sincerely wasting away.
G7 C
Give me your answer, fill in a form, mine forever more.
Eb7 G E7
A7 D7 G
When I'm sixty four?

ALL MY LOVING ( BEATLES )
Em A
Close your eyes and I'll kiss you
D Hm
tomorrow I'll miss you
G Em C
remember I'll always be true
Em A
And then while I'm away
D Hm
I'll write home every day
G A D
and I'll send all my loving to you.
Hm F#m D
All my loving I will send to you.
Hm F#m D
Em A
I'll pretend that I'm kissing
D Hm
the lips I am missing
G Em C
and hope thet my dreams will come true.
Em A
And then while I'm away
D Hm
I'll write home every day
G A D
and I'll send all my loving to you.
Hm F#m D
Hm F#m D

GET BACK THE BEATLES
A A7
Jojo was a man who thought he was a loner,
D A G D
But he knew it couldn't last.
A A7
Jojo left his home in Tuscon, Arizona
D A G D
For some California grass
Chorus:
A (A7) A (A7)
Get back, get back
D A G D
Get back to where you once belonged
Get back, get back
Back to where you once belonged - Get back Jojo!
Chorus
Sweet Loretta Martin thought she was a woman,

But she was another man.
All the girls around her said she's got it comin',
But she gets it while she can.
Chorus
Spoken:
C
Get back Loretta
F
Your mommy is waiting for you
C
Wearin' her high heel shoes and her low neck sweater
F
Get back home Loretta

**Chorus
**Chorus

SOMETHING
Beatles
(Abbey Road 1969)
C Cmaj7
Something in the way she moves
C7 F
Attracts me like no other lover
D G
Something in the way she woos me
Am
I don't want to leave her now
C D F D# G C
You know I believe in how (sig riff)
C Cmaj7
Somewhere in her smile she knows
C7 F
That I don't need no other lover
D G
Something in her style that shows me
Am
C D F D# G A
You know I believe in how
A C#m F#m
( You're asking me will my love grow
A/E D G A G# G F# F E
I don't know I don't know
A C#m F#m
You stick around and it may show
A/E D G C
I don't know I don't know )
C Cmaj7
Something in the way she knows
C7 F
And all I have to do is think of her
D G
Something in the things she shows me
Am
C D F D# G C
You know I believe in how
Cmaj7 032000
D# 000343

GIRL ( BEATLES )
Am E7 Am
Is there anybody going to listen to my story
Dm C E7
all about the girl who came to stay.
Am E7 Am
She's the kind of girl you want so much it makes you sorry
Dm Am E
still you don't regret a single day.
C Em Dm G7 C Em Dm7 G7
Ah, girl girl
Am E7 Am
When I think of all the times I tried so hard to leave her
Dm C E7
she will turn to me and start to cry.
Am E7 Am
And she promised the earth to me and I believe her
Dm Am E
after all this time I don't know why.
Ah, girl girl
Dm A
She's the kind of girl who puts you down when friends are there
Dm7 A
you feel a fool.
Dm7 A
When you say she's looking god she acts as if it's understood
Dm7 F
she's cool ooh ooh ooh
Ah, girl girl
Am E7 Am
Was she told when she was young that pain would lead to pleasure
Dm C E7
did she understand it when they said,
Am E7 Am
that a man must break his back to earn his days of leasure,
Dm Am E
will she still believe it when he's dead.
Ah, girl girl
Dm A
She's the kind of girl who puts you down when friends are there
Dm7 A
you feel a fool.
Dm7 A
When you say she's looking god she acts as if it's understood
Dm7 F
she's cool ooh ooh ooh
Ah, girl girl

HEY JUDE (THE BEATLES)

F C C7sus4 C7 F
Hey Jude don't make it bad take a sad song and make it better
Bb F C7 F
Remember to let her into your heart and then you can start to make it
better

F C C7 C7sus4 C7 F
Hey Jude don't be afraid you were made to go out and get her
Bb F C7 F
The minute you let her under your skin then you begin to make it better
F7 Bb Gm7
And anytime you feel the pain hey jude refrain
C7 F
Don't carry the world upon your shoulders
F7 Bb
For now you know that its a fool who plays it cool
Gm7 C7 F
By making his world a little colder
F7 C7
Da da da da Da da da da Da
F C C7 C7sus4 C7 F
Hey Jude don't let me down you have found her now go and get her
Bb F C7 F
Remember to let her into you heart then you can start to make it better
F7 Bb Gm7
So let it out and let it in Hey Jude begin
C7 F
Your waiting for someone to perform with
F7 Bb
And dont you know that its just you Hey jude you'll do
Gm7 C7 F
The movement you need is on your shoulders
F7 C7
Da da da da Da da da da Da
F C C7sus4 C7 F
Hey Jude don't make it bad take a sad song and make it better
Bb F C7 F
Remember to let her into your heart and then you can start to make it
better

F
Better, better, better, better, Ahhhhh

I WANT TO HOLD YOUR HAND THE BEATLES
C G Am Em
Oh, yeah, I'll tell you something, I think you'll understand,
C G Am E
Then I say that something: I want to hold your hand!
F G7 C Am F G7 C
I want to hold your hand! I want to hold your hand!
C G Am Em
Oh, please, say to me, you'll let me be your man,
C G Am E
And please, say to me, you'll let me hold your hand.
F G7 C Am F G7 C
Now let me hold your hand, I want to hold your hand!
Dm C F Dm
And when I touch you I feel happy inside,
Dm C F G
It's such a feeling that my love I can't hide,
F G F G
I can't hide, I can't hide.

C G Am Em
Yeah you, got that something, I think you'll understand.
C G Am E
When I feel that something, I want to hold your hand!
F G7 C Am F G7 C
I want to hold your hand! I want to hold your hand!

LADY MADONNA THE BEATLES
E A E A
Lady Madonna, children at your feet.
E A E C D E
Wonder how you manage to make ends meet.
A E A
Who finds the money when you pay the rent.
E A E C D E
Did you think that money was heaven sent?
Am D
Friday night arrives without a suitcase.
G Em
Sunday morning creeping like a nun.
Am D7
Monday's child has learned to tie his bootlace.
G Am6 B7
See how they'll run.
E A E A
Lady Madonna, baby at your breast.
E A E C D E
Wonder how you manage to feet the rest.
A E A
Lady Madonna, lying in your bed.
E A E C D E
Listen to the music playing in your head.
Am D
Tuesday afternoon is never ending,
G Em
Wednesday morning papers didn't come.
Am D7
Thursday night your stockings needed mending.
G Am6 B7
See how they'll run.
E A E A
Lady Madonna, children at your feet.
E A E C D E
Wonder how you manage to make ends meet.

STRAWBERRY FIELDS FOREVER THE BEATLES
Let me take you down, cos I'm going to Strawberry Fields
Nothing is real, and nothing to get hung about
Strawberry Fields forever
Living is easy with eyes closed, misunderstanding all you see
It's getting hard to be someone but it all works out
It doesn't matter much to me
Chorus:
Let me take you down, cos I'm going to Strawberry Fields
Nothing is real, and nothing to get hung about
Riff 2
No one I think is in my tree, I mean it must be high or low
That is, you can't you know tune in but it's all right
That is, I think it's not too bad ...
**Chorus
Always know, sometimes think it's me
But you know I know when it's a dream
I think a "no" will be a "yes", but it's all wrong
That is, I think I disagree ...

**Chorus (Without Riff 1)

STRAWBERRY FIELDS FOREVER
Intro :
---------
G Gmaj7 G7 Am G F C
D
A3333331010
F444444212020
C54332032
G3
D
Chorus :

C Gm7
D
A333
F0333
C233
G353h5
D3
Let me take you down cos' I'm going to Strawberry fields
A7
D000
A22222
F000
C0h2
G0
D
Nothing is real

F A7
D10
A1122
F200
C30h2
G30
D1
And nothing to get hung about
F C
D
A111
F220
C332
G333
D11
Strawberry fields forever
Verse 1:

G Gmaj7 G7
D
A33333310
F44444421
C543
G
D
Living is easy with eyes closed
Am Am/G F
D0011
A11111
F2222
C223
G003
D30h1
Misunderstanding all you see
F G C G/B Am Am/G
D130
A131
F24002
C35202
G3320
D0h11/33
It's getting hard to be someone but it all works out
F G F C
D131
A133110h1
F244220
C353
G
D0h11/30h1
It doesn't matter much to me
Chorus :

C Gm (no chord )

D3
A3
F3
C250
G351111
D331

(no chord)
D
A
F
C
G77
D00
Nothing is real
F G A7
D130
A132
F240
C352
G350
D13
F C
D
A111
F220
C332
G333
D11
Linking phrase :

This is the little downwards scale played on a harplike instrument.
Leave all strings to sustain as much as possible.
D1p0
A1

F3p0
C3p2
G3
D
Verse 2:

G Gmaj7 G7
D
A33310
F44421
C54333
G
D
Noone I think is in my tree
Am Am7 F
D
A111
F202
C223
G0
D3
I mean it must be high or low
F G C Am Am/G
D
A1311
F2402
C3522
G3530
D133
That is you can't you know tune in but it's alright
F G F C
D00
A111133331111
F222244442200
C3333555533222
G3333555530303
D111133331
That is I think it's not too bad

Chorus :

C Gm
D66
A33
F333
C25
G35
D3
Let me take you down cos I'm going to
Gm/E
D6633333
A88
F300000
C5
G51
D3100
Strawberry fields Nothing is real
F G A
D135
A135
F246
C357
G357
D135
F C
D
A111
F220
C332
G333
D11
Linking phrase :

D1p0
A1
F3p0
C3p2
G3
D

Verse 3:

G Gmaj7 G7
D
A33333310
F44444421
C55443333
G
D
Always, no, sometimes think it's me
Am Am7 F
D
A11111
F22002
C22223
G0
D3
But you know I know when it's a dream
F G C Am Am/G
D
A
F
C
G00230
D133303
I think a no I mean a yes but it's all wrong
F G7 F C
D
A11113333
F222244440
C33333333323p2p0
G33335555303033
D111133331
That is I think I disagree
Chorus :
C Gm Gm7
D3
A1333
F03333
C25533
G35
D3

A7/E
D000000
A222222
F000000
C2
G0
D0
Nothing is real
F G A7
D130
A132
F240
C352
G350
D13
F C Am7 F C
D
A1111111
F2200220
C3322332
G3330333
D1111
Strawberry fields forever Strawberry fields forever
F G F
D1315r310h1p0h1p0
A13133
F242
C353
G353
D131
Fade out over a chord of C
(cellos) (elec. gtr)
D10h1p0h1p0h1p0h1p0
A
F52
C353235
G3/13533
D
(harpthing)
D121312121513
A131111131111
F1012121212
C
G
D

HELLO, GOODBYE
F6 C G Am G Am
You say yes, I say no, you say stop, I say go, go, go
G F/G C C/B Am7 C/G
Oh no. You say goodbye and I say hello, hello, hello
F Fm C C/B Am7 C/G
I don't know why you say goodbye, I say hello, hello, hello
F Fm C
I don't know why you say goodbye, I say hello
I say high, you say low, you say why, and I say I don't know
Why, why, why, why, why, why, do you say goodbye, goodbye, bye, bye
You say yes, I say no, you say stop, I say go, go, go.
Oh, oh no. You say goodbye and I say hello, hello, hello
I don't know why you say good]bye, I say hello, hello, hello
I say hello, hello, hello
)

I AM THE WALRUS
THE BEATLES
Intro: B A G F E E7 D D7
A A/G (3x222x) C D E A A/G

I am he as you are he as you are me and we are all together
C D
See how they run like pigs from a gun see how they fly
A
I'm crying
A A/G (3x222x) C D E A A/G

Expert texpert choking smokers don't you think the joker laughs at you?
C D
See how they smile like pigs in a sty, see how they snied
A
I'm crying
A A/G D/F# (2x023x) Fmaj7 G A A/G

Sitting on a cornflake waiting for the van to come
F
Corporation tee shirt stupid bloody Tuesday man
B
You've been a naughty boy you let your face grow long

Yellow matter custard dripping from a dead dog's eye
F
Crab a locker fishwife pornographic priestess
B
Boy you been a naughty girl you let your knickers down

Semolina pilchards climbing up the Eiffel Tower
F
Element'ry penguin singing Hare Krishna.
B
Man you should have seen them kicking Edgar Allan Poe
Chorus:
C D E
I am the eggman, they are the eggmen, I am the Walrus Goo goo g' joob
A A/G C D E A A/G
Mister city p'liceman sitting pretty little p'lice men in a row
C D
See how they fly like Lucy in the Sky see how they run
A Dsus4 A E D D7
I'm crying I'm cry ing I'm crying I'm cry ing
Bridge: E B A G F E
B A G F E
Sitting in an English garden waiting for the sun.
F B7
If the sun don't come you get a tan from standing in the English rain
C
I am the eggman...
Chorus:
C D E
I am the eggman, they are the eggmen, I am the Walrus Goo goo g' joob

WE CAN WORK IT OUT THE BEATLES
G C G
Try to see it my way.
G C F G
Do I have to keep on talking till I can't go on
G C G
While you see it your way
G C F G
Run the risk of knowing that our love may soon be gone
C G C D
We can work it out, we can work it out
G C G
Think of what you're saying
G C F G
You can get it wrong and still you think that it's all right
G C G
Think of what I'm saying
G C F G
We can work it out and get it straight or say goodnight
C G C D
Chorus:
Em Am B
Life is very short and there's no time
B Em D C D
For fussing and fighting my friend
Em Am B
I have always thought that it's a crime
B Em D C D
So I will ask you once again
G C G
Try to see it my way
G C F G
Only time will tell if I am right or I am wrong
G C G
G C F G
There's a chance that we might fall apart before too long
C G C D
**Chorus
G C G
Try to see it my way.
G C F G
Do I have to keep on talking till I can't go on
G C G
G C F G
Run the risk of knowing that our love may soon be gone
C G C D G

YELLOW SUBMARINE THE BEATLES
G D C G
In the town where I was born
Em Am C G
Lived a man who sailed to sea
G D C G
And he told us of his life
Em Am C D
In the land of submarines
G D C G
So we sailed up to the sun
Em Am C G
Till we found the sea of green
G D C G
And we lived beneath the waves
Em Am C D
In our yellow submarine
Chorus:
G D
We all live in a yellow submarine
G
Yellow submarine, yellow submarine
G D
We all live in a yellow submarine
G
Yellow submarine, yellow submarine
G D C G
And our friends are all on board
Em Am C G
Many more of them live next door
G D C G
And the band begins to play
**Chorus
G D C G
As we live a life of ease
Em Am C G
Everyone of us has all we need
G D C G
Sky of blue and sea of green

Em Am C D
In our yellow submarine
**Chorus Twice

YOU'VE GOT TO HIDE YOUR LOVE AWAY
BEATLES
/D /A /C /D
1. Here I stand with head in hand
/G /C /G
Turn my face to the wall
/D /A /C /D
If she's gone I can't go on
/G /C /G
Feeling two feet small
2. Everywhere the people stare

Each and every day
I can see them laugh at me
And I hear them say /A7
/D /G /A7
Ref.: Hey ! You've got to hide your love away
/D /G /A7
Hey ! You've got to hide your love away
3. How can I even try

I can never win
Hearing them, seeing them
In the state I'm in
4. How could she say to me

"Love will find a way"
Gather around all you clowns
Let me hear you say
Ref.: Hey ! You've got ...

TWIST AND SHOUT
Beatles)
C F G F C F G F
Well shake it up baby now, twist and shout
Come on come on come on come on baby , now work it on out
Well work it on out , you know you look so good
You know you got me goin' now , just like you knew you would
(break) ||: C F G F :|| x4
G
Ahh Ahh Ahh Ahh Ahh
You know you twist it little girl , you know you twist so
fine
Come on and twist a little closer now, and let me know that you're
mine
(break)
You know you twist it little girl , you know you twist so
fine
Come on and twist a little closer now, and let me know that you're
mine
(break)
Well shake it shake it shake it baby now

HELP (Beatles)
G Hm
When I was younger, so much younger than today,
Em C F G
I never needed anybody's help in any way.
G Hm
But now these days are gone, I`m not so self assured.
Em C F
G
Now I find I've changed my mind, I`ve opened up the doors.
Am
Help me if you can, I`m feeling down.
F
And I do appreciate you being 'round.
D7
Help me get my feet back on the ground.
G
Won't you please, please, help me
G Hm
And now my life has changed in, oh, so many ways,
Em C F G
my independence seems to vanish in the haze.
G Hm
But ev'ry now and than I feel so insecure,
Em C F G
I know that I just need you like I`ve never done before.
Am
F
D7
G
Won't you please, please, help me
G Hm
When I was younger, so much younger than today,
Em C F G
I never needed anybody's help in any way.
G Hm
But now these days are gone, I`m not so self assured.
Em C F G
Now I find I've changed my mind, I`ve opened up the doors.
Am
F
D7
G Em G
Won't you please, please, help me, Help me! Help me! oh.
YESTERDAY THE BEATLES
C E7 Am
Yesterday, All my troubles seemed so far away,
F G7 C
Now it seems as though they're here to stay,
Am F C
Oh, I believe in yesterday.
C E7 Am
Suddenly, I'm not half the man I used to be,
F G7 C
There's a shadow hanging over me,
Am F C
Oh, yesterday came suddenly.
E7 Am G7 F
Why she had to go,
G7 C
I don't know, she wouldn't say.
Am E7 Am E7 F
I said something wrong,
G7 C
Now I long for yesterday.
C E7 Am
Yesterday, Love was such an easy game to play,
F G7 C
Am F C
E7 Am G7 F
Why she had to go,
G7 C
I don't know, she wouldn't say.
Am E7 Am E7 F
I said something wrong,
G7 C
Now I long for yesterday.
C E7 Am
Yesterday, Love was such an easy game to play,
F G7 C
Am F C

WHAT S UP, 4 NON BLONDES 1992
AhDA
A
1. Twenty five years of my life and still
h D
I'm trying to get up that great big hill of hope
A
for a destination
A
I realized quickly, as I knew I should,
h D
that this world was made up of this brotherhood of man,
A
for whatever that means.
A
Pre: And so I cry sometims when I'm lying in bed
h
just to get it all out, what's in my head,
D A
and I ... I'm feeling a little peculiar.
A
And so I wake every morning and I step outside
h
just to take a deep breath and I get real high
D A
and I scream from the top of my lungs "what's goin' on?"
A h D A
Ref: And I say heyeyeyeyey heyeyeyey I said hey! What's goin' on? (2x)
A h
2. And I try, oh my God do I try
D A
I try all the time in this institution
A h
and I pray, oh my God do I pray
D A
I pray every single day for a revolution.
PRE
REF
(leise)
A
3. Twenty five years of my life and still
h D

I'm trying to get up that great big hill of hope
A
for a destination

CRAZY
eGA/2X
e G
A man decides after seventy years,
A
That what he goes there for, is to unlock the door.
e G A
While those around him criticize and sleep.
e G
And through a fractal on a breaking wall,
A
I see you my friend, and touch your face again.
e G
Miracles will happen as we trip.
C G D
But we're never gonna survive, unless.
A
We get a little crazy
C G D
No we're never gonna survive, unless
We are a little.
A
Cray...cray...cray
Crazy yellow people walking through my head.
One of them's got a gun, to shoot the other one.
And yet together they were friends at school
Ohh, get it, get it, get it, get it no no!
If all were there when we first took the pill,
Then maybe, then maybe, then maybe, then maybe.
Miracles will happen as we speak.
But we're never gonna survive unless.

We get a little crazy.
No we're never gonna survive unless.
We are a little.
Crazy.
No no, never survive, unless we get a little... bit.
Oh, a little bit. Oh darlin.
Solo
C G D
In a sky full of people, only some want to fly, Isn't that crazy?
C G D
In a world full of people, only some want to fly, Isn't that crazy?
Crazy...
C G D
In a heaven of people there's only some want to fly, Ain't that crazy?
C G D
In a world full of people there's only some want to fly, Isn't that crazy?
Isn't that crazy... crazy... crazy.

Ohh...Love ..love, love
But we're never gonna survive unless, we get a little crazy.. crazy
No we're never gonna to survive unless we are a little... crazy
But we're never gonna survive unless, we get a little crazy.. crazy
No we're never gonna to survive unless, we are a little.. crazy
No no, never survive unless, we get a little bit.
And then you see things
The size
Of which you've never known before
They'll break it
Someday.
Only child know.
Them things
The size
Of which you've never known before
Someday 7 X

WHIRLPOOL -- By Sealhenri Samuel
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
INTRO
Em D A Asus4
Em D A Asus4
.... (waterchild)
E-groove thing (I'll call it E(g))
make a Em chord and hammer-on a G-note (6th string, third fret) with the
rhythm. This is the only wierd part to the song.
E(g)
E G
I wake out of a whirlpool
D
and welocome to another day and then I feel better
E(g)
E
Because you came and stayed I
G
almost threw my life away
D E(g)
thinking of what might be if I knew my destiny
A7 F#7
wanna feel better...
G, G# A
whoa oh I - If I showed I love you angel... D Cmaj7 E (repeat)
Cmaj7
(X32000)e------------------------------------------------------------
---|

NOT THAT KIND
Anastacia
Chords: F# E
F# F#
All the time that we spend together 'Cause I'm not that kind of girl
I won't fuss (Not that kind)
E (Not that kind of girl)
I won't fight tryin to make you mine And it's not my kind of world
F# (Not that kind)
You know I'm not that kind (Not that kind of girl)
E
F# No it's not for me
I said I'll love you 'til the 12th of (Not that kind)
never F#
But I won't run far ahead So live and set you free
E Yeah
Leaving you behind
F# Now what I say to you
You know I'm not that kind I would say to no other
I've got my friends
F# E
'Cause I'm not that kind of girl I won't look foranother in you, yeah
(Not that kind) So what you gonna do?
(Not that kind of girl) F#
And it's not my kind of world Yeah yeah yeah
(Not that kind) 'Cause if you swing with me
(Not that kind of girl) You soon wil discover
E I give you tenderness
No it's not for me E
(Not that kind) Unlike any other can do
F# Oah
Not where I wanna be F#
(Uh, uh) And what I saiy is true
(Not that kind of girl) Yeah yeah yeah
F# F#
Help me out 'Cause I'm not that kind of girl
Tell mw what you're thinkin (Not that kind)
If I rush, slow me down (Not that kind of girl)
E And it's not my kind of world
You can take your time E
F# No it's not for me, not for me
You know I'm not that kind F#
(Not that kind) I said no where I wanna be
Yeah Said not where I wanna be, yeah
(No I'm not thay kind of girl) It's not my kinda thing
Woooh It's not the way, way we wanna swing
E
F# It's not for you, it's not for me
If you leave, I believe life will go on I said my baby
The wind will blow, water flow I'm not that kind
E F#
And the sun will shine, yeah it will I'm not that kind, yeah
F# No (not that kind)
You know I'm not that kind Not that kind of girl
Yeah

BAD MOON RISING
CREEDANCE CLEARWATER REVIVAL
Intro: G D C G (2x)
G D C G
1. I see a bad moon rising
G D C G
I see troubles on the way
G D C G
I see earthquakes and lightning
G D C G
I see bad times today
C
Ref.: Don't go 'round tonight
G
'Cos it's bound to take your life
D C G
There's a bad moon on the rise
Intro: G D C G (2x)
G D C G
2. I hear the hurricanes a-blowing
G D C G
I know the end is coming soon
G D C G
I fear the rivers overflowing
G D C G
I hear the voice of rage and ruin
Ref.: Don't go 'round ...
Intro: G D C G (2x)
G D C G
3. Hope you got your things together
G D C G
Hope you are quite prepared to die
G D C G
Looks like we're in for nasty weather
G D C G
One eye is taken for an eye
Ref.: Don't go 'round ... (2x)
Intro: G D C G (2x)

HARDROCK CAFE
KING, CAROL
Intro: /G /C /F /G /F /C /F /G /F
/C /F /G /F/C /F /G /F
1. Downtown anywhere in the USA
/C /F /G /F /C /F /G /F
You can find yourself a Hard Rock Cafe
/C /F /G /F /C /F /G /F
Put your money on a number anyone can play
/Am /C /F /G
Come on and tell us all about what happened to you today
/C /F /G
Ref.: At the Hard Rock Cafe
/F /C /F /G /F
Come to the Hard Rock Cafe
/C /F /G
I hope you can find your way
/F /C /F /G /F
To the Hard Rock Cafe
2. After a hard day's work I guarantee

There just isn't anywhere better to be
If you're unable to find good company
You can always sit down and watch the color TV

The regulars can't keep away
From the Hard Rock Cafe
/C /F /G /F /C /F /G /F (4x)
Intro: (Instrumental)
/Am /C
Intro: And if you feeling just a little bit lonely
/Am /D
Don't sit at home just hoping
/F /C
Come on down to where the spirit flows so free
/Am /D /G
You know that door is always open

They will help keep your blues at day
At the Hard Rock Café
AIN'T NO SUNSHINE BILL WITHERS
Am Em
Ain't no sunshine when she's gone
Am Em
Only darkness every day
Dm
F
And this house just ain't no home,
Am
Anytime she goes away.
Am Em
Wonder this time where she's gone
Am Em
Wonder if she's gone to stay
Dm
F
And this house just ain't no home,
Am
Anytime she goes away.
a /// E7 ///D7
a / e / G
Gm Am Gm Am
And I know I know I know I know I know I know I know I I know...
Dm
Baby you're leaving me far behind

Am
There ain't sunshine when she's gone
**Repeat 1st

THE ROOF IS ON FIRE BLOODHOUNDGANG
G Em G Em
G Em
|: The roof the roof the roof is on fire :| 3x
D C
We don't need no water let the motherfucker burn
Burn motherfucker burn
G Hm Em D G Hm Em D G Hm Em D G Hm Em
G Em
Hello my name is Jimmy Pop and I'm a dumb white guy
G Em
I'm not old or new but middle school fifth grade like junior high I
G Em
don't know mofo if y'all peeps buggin' give me props to my ho cause she fly But I
can
A C A H F#
take the heat cause I'm the other white meat known as 'Kid Funky Fried' Yea
G Em
I'm hung like planet Pluto hard to see with the naked eye But if I
G Em
crashed into Uranus I would stick it where the sun don't shine
G Em
Cause I'm kind of like Han Solo always stroking my own wookie
A C A H
I'm the root of all that's evil yea but you can call me cookie
F# G Em
D C
G Hm Em D G Hm Em D G Hm Em D G
Hm Em
Burn motherfucker burn
G Em
Yo yo this hardcore ghetto gangster image takes a lot of practice
G Em
I'm not black like Barry White no I am white like Frank Black is So if
G Em
man is five and the devil is six than you must make me seven
G Em
This honkey's gone to heaven But if
G Em
I go to hell yeah then I hope I burn well I'll spend my
G Em
days with J.F.K., Marvin Gaye, Martha Raye, and Lawrence Welk And Kurt
G Em
Cobain, Kojak, Mark Twain and Jimi Hendrix's poltergeist And
A C A H
Webster yea Emmanuel Lewis cause he's the antichrist
F# G Em
D C
G Hm Em D G Hm Em D G Hm Em D G
Hm Em D

Burn motherfucker burn Everybody here we go
G Hm Em D
Ohh Ohh C'mon party people Ohh Ohh Throw your hands in the air

THE BALLAD OF CHASEY LAIN
Am - C - F - E Am - C - F - E
- - - - - - - - - Am C F -E
1.Dear Chasey Lain, I wrote to explain, I'm your biggest fan,
Am C
I just wanted to ask, could I eat your ass?
F -E
Write back as soon as you can !
Am C
You've had a lotta dick, had a lotta dick,
Dm E
I've had a lotta time, had a lotta time.
Am -E - - - - - - - - - - - - Am -E
You've had a lotta dick, Chasey, but you ain't had mine.
- - - - - - - - - Am C F -E
2. Dear Chasey Lain, I wrote to complain, ya never wrote me back,
Am C
how could I ever eat your ass when ya treat
F -E
your biggest fan like that? + REFRAIN + E
- - - - - - - - - Am C F -E
3. Dear Chasey Lain, I wrote to constrain, this letter is my last.
Am C
As your biggest fan, I must demand,
F -E
you let me eat your ass + CHORUS + E
--- G Am
P.S. Mom and Dad this is Chasey, Chasey this is my mom and dad,
--------------C G -d
now show ‘em them titties, now show ‘em them titties ! (2 x)
-------------------- Am - C - F - E Am - C - F - E
Would you fuck me for blue?
(capo 4th)
(Bloodhound Gang)

FOREVER YOUNG DYLAN, BOB
/D
1. May god blessing keep you always
/Fism
May your wishes all come true
/Em
May you always do for others
/G /D
And let others do for you
/D
May you build a ladder to the stars
/Fism
To climb on every run
/G /A
And may you stay
/D
Forever young
/A /Hm
Ref.: Forever young, forever young
/D /A /D
May you stay, forever young

2. May you grow up to be righteous
May you grow up to be true
May you always know the truth
And see the lights surrounding you
May you always be couragous
Stand up right and be strong
And may you stay
Forever young
Ref.: Forever young ...

3. May your hands always be busy
May your feet always be swift
May you have a strong foundation
When the winds of changes shift
May your heart always be joyful
May your song always be sung
And may you stay
Forever young
Ref.: Forever young ...
Ref.: (Instrumental) (3x)

BLOWING IN THE WIND BOB DYLAN
C F C C/H Am
How many roads must a man walk down,
C F G7
before you call him a man, Yes
C F C C/H Am
how many seas must a white dove sail,
C F G7
before she sleeps in the sand, Yes
C F C C/H Am
how many times must a cannon ball fly,
C F G7
before they forever banned ?
F G7 C C/H Am
R: The answer my friend, is blowing in the wind,
F G7 C
The answer is blowing in the wind.
C F C C/H Am
How many times must a man look up,
C F G7
before he can see the sky ? Yes
C F C C/H Am
how many ears must one man have,
C F G7
before he can hear the people cry ? Yes
C F C C/H Am
how many death will it take, till he knows,
C F G7
that too many peoples have died ?
R:
C F C C/H Am
How many years can a mountain exist,
C F G7
before it is washed to the sea ? Yes
C F C C/H Am
how many years can some people exist,
C F G7
before they're allowed to be free ? Yes
C F C C/H Am
how many times can a man turn his head,
C F G7
pretending he just didn't see ?

HURRICAINE
Intro: Am F Am F
Am F
Pistol shots ring out in the bar room night
Am F
Enter Patty Valentine from the upper hall
Am F
She sees the bartender in a pool of blood
Am F
Cries out "My God they killed them all!"
C F
Here comes the story of the Hurricane,
C F
The man the authorities came to blame
Dm C
For something that he never done
Dm C
Put in a prison cell but one time
Em Am F C G Am F Am F
He could have been the champion of the world
Am F
Three bodied lying there does Patty see
Am F
And another man named Bello moving mysteriously
Am F
"I didn't do it" he says, and he throws up his hands
Am F
"I was only robbin' the register, I hope you understand
C F
I saw them leavin'," he says and he stops
C F
One of us had better call the cops
Dm C
So Patty calls the cops
Dm C
And they arrive on the scene with their red lights flashin'
In the hot New Jersey night
Am F
Meanwhile somewhere in another part of town
Am F
Rubin Carter and a couple of friends are driving around
Am F
Number one contender for the middleweight crown
Am F
Had no idea what kind of shit was about to go down
C F
When a cop pulled him over on the side of the road
C F
Just like the time before and the time before that
Dm C
In Paterson that just the ways things go
Dm C
If you black you might as well not show up on the streets
Less you wanna draw the heat

Am F
Alfred Bello had a partner and he had a rap for the cops
Am F
Him and Arthur Dexter Bradley were just out prowlin' around
Am F
He said "I saw two men runnin out, they looked like middle-weights
Am F
They jumped into a white car with out of state plates"
C F
And Miss Patty Valentine just nodded her head
C F
Cop said "Wait a minute boys, this one's not dead"
Dm C
So they took him to the infirmary
Dm C
And although this man could hardly see
They told him that he could identify the guilty men
Am F
Four in the morning and they haul Rubin in
Am F
Take him to the hospital and bring him upstairs
Am F
The wounded man looks up though his one dying eye
Am F
Says "why'd you bring him here for? He ain't the guy!"
C F
Yes, here the story of the Hurricane
C F
The man the authorities came to blame
Dm C
For something that he never done
Dm C
Put in a prison cell but one time he could've been
The champion of the world
Am F
Four months later the ghetto's in flame
Am F
Rubin's in South America fightin' for his name
Am F
While Arthur Dexter Bradley's still in the robbery game
Am F
And the cops are puttin' the screw to him looking for somebody to blame
C F
"Remember that murder that happened in a bar?"
C F
"Remember you said you saw the getaway car?"
Dm C
"You think you'd like to play ball with the law?"
Dm C
"Think it might have been that fighter that you saw running that night?"
"Don't forget that you are white"
Am F
Arthur Dexter Bradley said "I'm really not sure"
Am F
Cops said "A poor boy like you could really use a break
Am F
We got you for the motel job and were talking to your friend Bello
Am F
Now you don't want to have to go back to jail, be a nice fellow
C F
You'll be doin' society a favor
C F
That son of a bitch is brave and getting braver
Dm C
We want to put his ass in the stir
Dm C
We want to pin this trip murder on him
He ain't no Gentleman Jim"
Am F
Rubin could take a man out with just one punch
Am F
He never did like to talk about it all that much
Am F
It's my work he'd say, I do it for pay
Am F
And when it's over I'd just as soon go on my way
C F
Up to some paradise
C F
Where the trout streams flow and the air is nice
Dm C
And ride a horse along a trail
Dm C
But then they took him to the jail house
Where they try to make a man into a mouse
Am F
All of Rubin's card were marked in advance
Am F
The trial was a pig-circus, he never had a chance
Am F
The judge made Rubin's witnesses drunkards from the slums
Am F
To the white folks who watched he was a revolutionary bum
C F
but to the black folks he was a crazy nigger
C F
No one doubted that he pulled the trigger
Dm C
And though they could not produce the gun
Dm C
The D.A. said he was the one who did the deed
And the all-white jury agreed
Am F
Rubin Carter was falsely tried
Am F
The crime was murder "one", guess who testified?
Am F
Bello and Bradley and the both badly lied
Am F
And the newspapers all went along for the ride
C F
How can the life of such a man
C F
Be in the palm of some fool's hand?
Dm C
To see him obviously framed
Dm C
Couldn't help but be ashamed to live in a land
Where justice is a game
Am F
Now all the criminal in their coats and their ties
Am F
Are free to drink martinis and watch the sun rise
Am F
While Rubin sits like Buddha in a ten foot cell
Am F
And innocent man in a living hell
C F
That's the story of the Hurricane
C F
But it won't be over till they clear him name
Dm C
And give him back the time he's done
Dm C
Put in a prison cell but one time he could've been
The champion of the world

MR. TAMBOURINE MAN (BOB DYLAN)
F G C F
Hey, Mr. Tambourine Man, play a song for me,
F C F G
I'm not sleepy and there is no place I'm going to.
F G C F
Hey, Mr. Tambourine Man, play a song for me,
C F G C
In the jingle jangle morning I'll come following you.
F G C F
Though I know that evenings empire has returned into sand,
C F
Vanished from my hand,
C F G
Left me blindly here to stand but still not sleeping.
F G C F
My weariness amazes me. I'm branded on my feet,
C F
I have no one to meet,
C F G
And the ancient empty street's too dead for dreaming.
Take me on a trip upon your magic swirling ship.

My senses have been stripped,
My hands can't feel to grip,
My toes too numb to step,
Wait only for my bootheels to be wandering.
I'm ready to go anywhere. I'm ready for to fade,
Into my own parade.
Cast your dancing spell my way, I promise to go under it.
Though you might hear laughing, spinning,

swinging madly across the sun,
It's not aimed at anyone,
It's just escaping on the run,
And but for the sky there are no fences facing.
And if you hear vague traces of skipping reels of rhyme,
To your tambourine in time.
It's just a ragged clown behind,
I wouldn't pay it any mind,
It's just a shadow you're seeing that he's chasing.
Take me disappearing through the smoke rings of my mind.

Down the foggy ruins of time,
far past the frozen leaves,
The haunted frightened trees,
Out to the windy bench,
Far from the twisted reach of crazy sorrow.
Yes to dance beneath the diamond sky with one hand waving free,
Silhouetted by the sea,
Circled deep beneath the waves,
Let me forget about today until tomorrow.

STAND BY ME
MINK DE VILLE
{c: Intro, played by bass and the crrrrrrch}

[G]/++++/++++[Em]/++++/++++[C]/++++[D]/++++[G]/++++/++++
[G] When the night has come

[Em] And the land is dark
And the [C]moon is the [D]only light we'll [G]see
No, I won't be afraid,

No, I won't be afraid
Just as long, Just as long as you stand by me.
{c: + drum with rim shot and muted guitar, on ...sky}
If the sky that we look upon

Should tumble and fall
And the mountains should crumble to the sea,
I won't cry, I won't cry,

No, I won't shed a tear
Just as long, Just as long as you stand by me.
{soc:}
{c: 2nd guitar played chords, drum plays snare on every 2nd}
So, darling, darling, stand by me,

Oh! stand, oh darling won't you stand now
Stand by me.
{eoc:}
{c: Repeat Verse 1 and 2, drum plays the snare on every 4th}
{c: Repeadt Verse 2 and 3, drum plays rim shot}
{c: CHORUS}
{c: Full instrumentation, as in Chorus + Hammond organ}
When all your friends they have gone

You just stand by me
Oh darling, won't you stand now, stand by me.
{c: Don't forget to stay on G, Markus!}

[G]When ever you're in trouble
You just stand, ohh stand.
Won't you stand, won't you stand, won't you stand....

WALKING IN MEMPHIS - MARC COHN
F G C Am F G C Am
Put on my blue suede shoes and I boarded the plane
F G C Am F G
Touched down in the land of the Delta Blues, in the middle of the pouring
C Am
rain
W.C. Handy, won't you look down over me?
Yeah, I got a first class ticket but I'm as blue as a boy can be...
Am F G C
Then I'm walking in Memphis,
Am F G C
I was walking with my feet ten feet off Beale,
Am F G C
Walking in Memphis,
Am F G Gsus C/G
But do I really feel the way I feel?
Saw the ghost of Elvis on Union avenue, followed him up to the gates of
Graceland
Then I watched him walk right through. Now, security they did not see him.
They just hovered around his tomb.
But there's a pretty little thing waiting for the King down in the jungle
room
Chorus
Bridge [Csus] [C] [Csus] [C]

Csus C Csus C
They've got gospel in the air

E7 F
And Reverend Green be glad to see you
F#dim G7 C/G C
When you haven't got a prayer
F G C Am
But boy you got a prayer in Memphis...
Now, Muriel plays piano every friday at the Hollywood

And they brought me down to see her and they asked me if I would
Do a little number and I sang with all my might
She said "Tell me, are you a Christian, child?" And I said "Ma'am, I am
tonight."
Chorus
Put on my blue suede shoes and I boarded the plane

Touched down in the land of the Delta Blues in the middle of the pouring
rain
Touched down in the land of the Delta Blues in the middle of the pouring
rain

LIKE A ROLLING STONE BOB DYLAN
1. Strophe:
C Dm
Once upon a time you dressed so fine,
C F G7
You threw the bums a dime in your prime, didn't you?
C Dm
People'd call, say "beware doll
C F G7
You're bound to fall," you thought they were all, kiddin' you?
F G
You used to laugh about,
F G
Ev'rybody that was hangin' out',
F C Dm C
Now you don't talk so loud,
F C Dm C
Now you don't seem so proud.
F G
About having to be scrounging for your next meal.
Refrain:
4. Strophe:
G C F G Princess on the steeple
How does it feel, And all the pretty people're drinkin', thinkin' that they got it made.
Exchanging all kinds of precious gifts and things
F C F G But you'd better lift your diamond ring, you'd better pawn it babe,
How does it feel, You used to be amused
At Napoleon in rags and the language that he used
F C F G Go to him now, he calls you, you can't refuse
To be without home, When you got nothing, you got nothing to lose,
You're invisible now, you got no secrets to conceal.
F C F G Refrain:
Like a complete unknown,
F C F G
Like a Rolling Stone?
2. Strophe:
You've gone to the finest school all right Miss Lonely,
But you know you only used to get, juiced in it.
And nobody's ever taught you how to live on the street
And now you're gonna have to get, used to it.
You said you'd never, compromise
With the mystery tramp, but now you realize
He's not selling any alibis
As you stare into the vacuum of his eyes
And ask him do want to make a deal?
Refrain:
. Strophe:
You never turned around to see the frowns on the Jugglers and the clowns,
When they all come down, and did tricks for you.
You never understood that it ain't no good
You shouldn't let other people,get your kicks for you.
You used ride on the chrome horse with your diplomat
Who carried on his shoulder a Siamese cat,
Ain't it hard when you discovered that
He really wasn't where it's at
After he took from you everything he could steal.
Refrain:

ANOTHER SATURDAY NIGHT - CAT STEVENS
CHORUS
F Bb
Another Saturday night and I ain't got nobody,
F C
I got some money cause I just got paid,
F Bb
Oh, how I wish I had someone to talk to,
F C F
I'm in an awful way.
F C7
1. I got in town a month ago,
F7 Bb
And I seen a lot 'o girls since then,
F F7
If I could meet 'em, I could get 'em,
Bb
But as yet I haven't met 'em,
F C F C7
That's how I'm in the state I'm in.

CHORUS
2. Another fella told me,
He had a sister who looked just fine,
Instead of bein' my deliverance,
She had a strange resemblance,
To a cat name of Frankenstein, Oh Nooh!
INSTRUMENTAL (Based on CHORUS)
3. It's hard on a fella,
When he don't know his way around,
If I don't find me a honey,
To help me spend my money,
I'm gonna have to blow this town.

CHORUS (repeat) fade


FATHER AND SON, CAT STEVENS
G D C Am7
It's not time to make a change, just relax and take it easy
G Em
You're still young that's your fault,
Am D
there's so much you have to know
G D C Am7
Find a girl, settle down, if you want to, you can marry
G Em Am D
Look at me, I am old, but I'm happy
G Bm7 C Am7
I was once like you are now, and I know that its not easy
G Em Am D
to be calm, when you've found something going on.
G Bm7 C Am7
But take your time, think a lot, think of everything you've got
G Em D G
For you will still be here tomorrow, but your dreams may not
GC GC
Chorus:
G Bm C Am7
How can I try to explain? when I do he turns away again
G Em Am D
it's always been the same, same old story
G Bm C Am7
From the moment I could talk I was ordered to listen
G Em D G
now there's a way and I know I have to go away
D C G GC GC
and I know I have to go
[Break. Unsure of which chord of D, Bm7, or Bm is played.]
Verse:
(away) (away)
It's not time to make a change, just sit down and take it slowly
(I) (know) (I have)
You're still young, that's your fault, there's so much you have
(to make this)
to go through
(decision) (alone)
Find a girl, settle down, if you want to you can marry
(know) [no?]
Look at me, I am old, but I'm happy
(stay) (stay, stay)
All the times that I cried, keeping all the things I knew inside
(why?) (must) (you go and make this de
It's hard, but it's harder to ignore it.
cision) (alone?)
If they were right, I'd agree, but it's them they know, not me

IF YOU WANT TO SING OUT, SING OUT - CAT STEVENS

intro: C G6 Fmaj7 (G6) C G6 Fmaj7 (G6)
(G) C G F(addG) (G) C G Am
Well if you want to sing out, sing out. And if you want to be free,
be free.
Dm Am G C G
Cause there's a million things to be. You know that there are.
C G F(addG) (G) C G Am
And if you want to live high, live high. And if you want to live low,
live low.
Dm Am G C G
Cause there's a million ways to go. You know that there are.

Chorus:
C F(addG) G C
You can do what you want The opportunity's on.
And if you find a new way You can do it today.
You can make it all true And you can make it undo
Am Em Am Em Am Em G
you see Ahhh it's easy, AAhhhh, you only need to know.

Well if you want to say yes, say yes. And if you want to say no, say
no.
Dm Am G C G
Cause there's a million ways to go. You know that there are.
C G F(addG) (G) C G Am
And if you want to be me, be me. And if you want to be you, be you.
Dm Am G C G
Cause there's a million things to do. You know that there are.
(repeat chorus)
Well if you want to sing out, sing out. And if you want to be free,
be free.
Dm Am G C G
Cause there's a million things to be . You know that there are.
C G C G C G
You know that there are.You know that there are.
C G C G F(addG) G C G F(addG)
You know that there are ahahah.... You know that there are ahaha...

LADY D'ARBANVILLE CAT STEVENS
Em(XII) 4x
RIFF 1
My Lady D'Arbanville
RIFF 2 RIFF 1
Why do you sleep so still? I'll wake you tomorrow
Bm Em
And you will be my fill, yes you will be my fill
Em D
D Em Em D
Why does it grieve me so But your heart seems so silent
Bm Em
Why do you breathe so low, why do you breathe so low
Em D
D Em Em D
Why do you sleep so still I'll wake you tomorrow
Bm RIFF 3 Four Times
**RIFF 2
RIFF 1
RIFF 2 RIFF 1
You look so cold tonight, your lips feel like winter
Bm Em
Your skin has turned to white, your skin has turned to white
Em D
D Em Em D
Why do you sleep so still? I'll wake you tomorrow
Bm Em
Em D
La la la la la la
D Em Em D
La la la la la la, la la la la la la
La la la la la la, la la la la la la
Em D
D Em Em D
Why do you grieve me so, but your heart seems so silent
Bm Em
Why do you breathe so low, why do you breathe so low
Em D
I loved you my lady
D Em Em D
Though in your grave you lie, I'll always be with you
Bm Em
This rose will never die, this rose will never die
Em D
I loved you my lady
D Em Em D
Though in your grave you lie, I'll always be with you
This rose will never die, this rose will never die
RIFF 1: RIFF 2: RIFF 3:
E
B 121210810 101012108
G 0
D 121210910 101012109 0H22002
A 0H220H22
E

MOONSHADOW CAT STEVENS
Refrain:
D A7 D G A7
Oh, I'm bein' followed by a moonshadow, moon shadow, moonshadow
D A7 D G A7 D
Leapin and hoppin' on a moonshadow, moonshadow, moonshadow
Verse 1:
G D G D G D Em A7
And if I ever lose my hands, lose my plough, lose my land,
G D G D Em A7 D F#m Bm Em A
D
Oh if I ever lose my hands, Oh if I won't have to work
no more.
Verse 2 (use same chords as Verse 1 for all verses):
And if I ever lose my eyes, if my colours all run dry,
Yes if I ever lose my eyes, Oh if I won't have to cry no
more.
Refain
Verse 3:
And if I ever lose my legs, I won't moan, and I won't beg,
Yes if I ever lose my legs, Oh if I won't have to walk
no more.
Verse 4:
And if I ever lose my mouth, all my teeth, north and south,
Yes if I ever lose my mouth, Oh if I won't have to
talk...
Verse 5:
E7 A E A
Did it take long to find me? I asked the faithful light.
E A E7 A
Did it take long to find me? And are you gonna stay the night?

Refrain
G A7 D G A7 D
moonshadow, moonshadow, moonshadow, moonshadow.

MORNING HAS BROKEN, CAT STEVENS
C d G F C
1. Morning has broken like the first morning,
e a D G
blackbird has spoken like the first bird.
C F C a D
Praise for them singing, praise for the morning,
G C F G C
praise for them springing fresh from the world.
2. Sweet the rains new fall, sunlight from
heaven,
like the first dewfall on the first grass.
Praise for the sweetness of the wet garden
sprung in completeness where his feet pass.
3. Mine is the sunlight, mine is the morning,
born of the one light Eden saw play.
Praise with elation, praise every morning,
gods recreation of the new day.
4. Morning has broken like the first morning,
blackbird has spoken like the first bird.
Praise for them singing, praise for the morning,
praise for them springing fresh from the world.

WILD WORLD CAT STEVENS
Vor- und Zwischenspiel:

Am D7 G Cmaj7 F Dm E Am D7 G Cmaj7 F Dm E
La la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la
1. Strophe:
Am D7 G
Now that I've lost everything to you
Cmaj7 F
You say you wanna start something new
Dm E
And it's breaking my heart you're leaving. Baby I'm grievin'!
Am D7 G
But if you want to leave take good care,
Cmaj7 F
Hope you have a lot of nice things to wear
Dm E G7
But then a lot of nice things turn bad out there.
Refrain:
C G F
Oh, baby, baby it's a wild world.
G F C
It's hard to get by just upon a smile.
C G F
Oh, baby, baby it's a wild world.
G F C Dm E
I'll always remember you like a child, girl.
2. Strophe:
You know I've seen a lot of what the world can do,
And it's breaking my heart in two,
Because I never want to see you sad girl. Don't be a bad girl.
Hope you make a lot of nice friends out there.
But just remember there's a lot of bad and beware.
Refrain:
3. Strophe:
Am D7 G Cmaj7 F Dm E
Instrumental:
E
Baby I love you,
Am D7 G
Cmaj7 F
Hope you make a lot of nice friends out there.
Dm E G7
But just remember there's a lot of bad and beware.
Refrain:

BREAKFAST IN AMERICA
Supertramp
am em F
Take a look at my girlfriend, she's the only one I got
am em F
Not much of a girlfriend, I never seem to get a lot
E am
Take a jumbo 'cross the water, like to see America
E dm G
See the girls in California, I'm hoping it's going to come true
dm G
But there's not a lot I can do
am em F
Could we have kippers for breakfast, mummy dear, mummy dear
am em F
They got to have them in Texas, 'cause everyone's a millionaire
E am
I'm a winner, I'm a sinner, do you want my autograph
E dm G
I'm a looser, what a joker. I'm playing my jokes upon you
dm G
While there's nothing better to do
E am
Babadadow babadow babadow didow didow
E am F dm G
Babadadow babadow babadow didow didow nanana nanana nanana
am em F
Don't you look at my girlfriend, she's the only one I got
am em F
Not much of a girlfriend, I never seem to get a lot
E am
Take a jumbo 'cross the water, like to see America
E dm G
See the girls in California, I'm hoping it's going to come true
dm G
But there's not a lot I can do
E am
Babadadow babadow babadow didow didow
E am F dm G
Babadadow babadow babadow didow didow nanana nanana nanana

GIVE A LITTLE BIT
(SUPERTRAMP)
Intro A D-A D-G A-G A-G D
D A D G A G A
1) give a little bit - give a little bit of your love to me.
G D A D G A G A
give a little bit - I'll give a little bit of my love to you.
G Bm E4 E G A4
There's so much that we need to share so send a smile and show
A D
you care
D A D G A G A
2)I'II give a little bit-I'll give a little bit of my life for you
G D A D G A G A
so give a little bit - give a little bit of your time to me.
G Bm E4 E G
See the man with the lonely eyes, oh take his hands, you'll be
A4 A
surprised
D A D G A G A
give a little bit - give a little bit of your love to me.
G D A D G A G A
give a little bit - I'll give a little bit of my life for you
G Bm E4 E G C
Now's the time that we need to share so find yourself we're on
G A Bm7
our way back home
A A7 D G A-G D
don't you need to feel at home - oh yeah, we gotta sing.

DREAMER
Supertramp
1. Strophe:
D A7sus4 D A7sus4
Dreamer, you know you are a dreamer.
C Fmaj7 G
Well, you can put your hands in your head, oh no.
D A7sus4 D A7sus4
I said dreamer, you’re nothing but a dreamer.
C Fmaj7 G Fmaj7 G
Well, you can put your hands in your head, oh no.
Refrain:
Ab B Gm C
I said far out, what a day, a year, a life it is.
Ab B Gm C
You know, well you know, you had it coming to you.
G Gm C
Now, there’s not a lot I can do.
2. Strophe:
Dreamer, you stupid little dreamer.
So now you put your head in your hands, oh no.
I said dreamer, you’re nothing but a dreamer.
So now you put your head in your hands, oh no.
Refrain:
I said far out, what a day, a year, a life it is.
You know, well you know, you had it coming to you.
We’ll work it out someday.

THE LOGICAL SONG
Supertramp
(F#dim x 0 1 2 1 2)
(C6 0 3 2 2 1 0)
Am F E
When I was young, it seemed that lilfe was so wonderful
G F F#dim
a miracle, oh it was beautiful, magical.
Am F E
And all the birds in the trees, well they'd be singing so happily,
G F F#dim
oh, joyfully, oh, playfully, watching me.
But then they sent me away, to teach me how to be sensible,

logicalm oh, responsible practical.
And they showed me a world where I could be so dependable,
oh, clinical, oh, intellectual, cynical.
C C6
There are times when all the world's asleep,
F Bb Dm Gm Dm
the questions run too deep for such a simple man
C C6
Won't you please, please tell me what we've learned
F Bb Dm Gm Dm
I know it sounds absurd. Please tell me who I am.
I said, now watch what you say or they'll be calling you a radical,
a liberal, oh fanatical, criminal.
Oh, won't you sign up your name, we'd like to feel you're
acceptable,
respectable, oh, presentable, a vegetable!
C C6
At night, when all the world's asleep...
F Bb Dm Gm Dm
the questions run too deep for such a simple man
C C6
Won't you please, please tell me what we've learned
F Bb Dm Gm Dm
I know it sounds absurd. Please tell me who I am.
Outro:
F Bb Dm Gm Dm Bb Dm Gm Dm
Please tell me who I am, who I am,
Bb Dm Gm Dm Bb Dm Gm Dm
who I am, who I am,
A7 - - Dm - C6 - A7 - - Dm - C6 - F}
DEAD OR ALIVE
D C G
1. It's all the same, only the names will change.
C -G F C D
every day it seems we're wasting away.
C G
Another place, where the faces are so cold.
C G F C D
I'd drive all night, just to get back home.
C -G F D
I'm a cowboy, on a steel horse I ride.
C -G F D C -G F D
I'm wanted, dead or alive, wanted, dead or alive.
D C G
2. Sometimes I sleep, sometimes it's not for days,
C -G F C D
and the people I meet, always go their separate ways.
C G
Sometimes you tell the day, by the bottle that you drink,
C G F C D
and times when you're alone and all you do is think.
+ CHORUS instrumental = verse 2 + CHORUS
D C G
3. I walk these streets, a loaded six string on my back,
C -G F C D
I play for keeps, 'cause I might not make it back.
C G
I been everywhere, still I'm standing tall,
C G F C D
I've seen a million faces, and I've rocked them all.
C -G F D
I'm a cowboy, on a steel horse I ride.
C -G F D
I'm wanted, dead or alive.
C - G F D
I'm a cowboy, I got the night on my side,
C -G F D C -G F D
I'm wanted, dead or alive, wanted, dead or alive…
(Jon Bon Jovi)

BANKS OF OHIO
JOAN BAEZ
G D
1. I asked my love to take a walk,
Am D7 G
To take a walk, just a little walk
G7 C
Down beside where the waters flow,
G D G
Down by the banks of the Ohio.
G D
Ref.: Then only say that you'll be mine,
Am D7 G
In no other's arms entwined,
G7 C
G D G
G D
2. I held a knife against her breast
Am D7 G
As into my arms she pressed.
G7 C
She cried, "My Love, don't murder me !
G D G
I'm not prepared for eternity."
G D
Ref.: Then only say that you'll be mine,
Am D7 G
In no other's arms entwined,
G7 C
G D G
G D
3. I started home 'tween twelve and one.
Am D7 G
I cried, "My God, what have I done ?
G7 C
I Killed the only woman I loved
G D G
Because she would not be my bride.
Refrain
CHARLY BROWN
COASTERS
D
1. Fi, fi, fy, fy, fo, fo, fumm
D
I smell smoke in the auditorium
G
Ref.: Charly Brown, Charly Brown
D G D
He's a clown, that Charly Brown
A G
He's gonna get caught, just you wait and see
D
Why is everybody always picking on me
D
2. That's him on his knees, I know that's him
D
Yeah, and seven comes eleven down in the boy's gym
Ref.: Charly Brown ...
G
Intro: Who's always writing on the wall
F
Who's always grooving in the hall
G
Who always throw a speed ball
A
Guess who - Who, me - Yeah, you
D
3. Who walks in the classroom cool and slow
D
Who calls the english-teacher "Daddy-O"
Ref.: Charly Brown ...
Intro: Who's always ...
3. Who walks in ...
Ref.: Charly Brown ... (2x)

DOWN ON THE CORNER
CREEDANCE CLEARWATER REVIVAL BAND
G D G
Early in the evening, just about suppertime
D G
Over by the courthouse they're starting to unwind
C G
Four kids on the corner trying to bring you up
D G
Willy picks a tune out and he blows it on the harp
C G D G
ef.:Down on the corner, out in the street
C G
Willy and the poor boys are playing
D G
Bring a nickel, tap your feet
G D G
Rooster hits the washboard and people just got to smile
G D G
Blinky thumps the gutbass and solos for a while
C G
Poorboy twangs the rhythm out on his kalamazoo
G D G
Willy goes into a dance and doubles on kazoo
C G D G
Down on the corner, out in the street
C G
D G
G D G
You don't need a penny just to hang around
G D G
But if you got a nickel won't you lay your money down
C G
Over on the corner there's a happy noise
G D G
People come from all around to see us magic boys
C G D G
Down on the corner, out in the street
C G
D G
JOHNNY B. GOODE CHUCK BERRY
A
Deep down in Louisiana, close to New Orleans,
A
Way back up in the woods among the evergreens,
D
There stood a log cabin made of earth and wood
A
Where lived a country boy named Johnny B. Goode
E
Who never ever learned to read or write so well,
A
But he could play the guitar just like a ringin' a bell.
Chorus:
A
Go! Go! Go, Johnny, go! Go!
D
Go, Johnny, go! Go!
A
Go, Johnny, go! Go!
A E
Go, Johnny, go! Go! Johnny B. Goode
A
He used to carry his guitar in a gunny sack,
A
Go sit beneath the tree by the railroad track.
D
Old engineers would see him sittin' in the shade,
A
Strummin' with the rhythm that the drivers made.
E
When people passed him by they would stop and say,
A
'Oh, my but that little country boy could play'
**Chorus
A
His mother told him, 'someday you will be a man,
A
You will be the leader of a big ol' band.
D
Many people comin' from miles around
A
Will hear you play your music when the sun go down.

E
Maybe someday your name'll be in lights,
A
Sayin' 'Johnny B. Goode tonight''
**Chorus

Marty McFly & The Starlighters - Johnny B Goode
--------------------------------------------------------------------
--------------
Chords Used
--------------
Bb Eb F
e|---------------------
B|---------------------
G|---------------------
D|------8---10---------
A|--8---6---8----------
E|--6------------------
(All chords should be played in a blues shuffle)
---------
Intro
---------
NC Bb
e|----------5/6-6-6-5/6-6-6-6-6-6------------------------------------
B|-------6--5/6-6-6-5/6-6-6-6-6-6-9-8-6-6----------------------------
G|---6h7--------------------------------6h7--------------------------
D|-8----------------------------------------8-6--8-8-8-8-8-8-8-8-----
A|-----------------------------------------------8-8-8-8-8-8-8-8-----
E|-------------------------------------------------------------------
Eb
e|--------------------------------6----------------------------------
B|-6-----6----------------6-------6-------6-------6-------6----------
G|-6-7-8-6h7----8b9--8b10---8b10----8b10----8b10-----8b10------------
D|------------8------------------------------------------------------
A|-------------------------------------------------------------------
E|-------------------------------------------------------------------
Bb F Eb
e|-------------------------------------------6---9-8-6------------------------
B|------6-------6------6------6------6---------6-------9-8-6-6---8---6--------
G|-8b10---8b10----8b10---8b10---8b10---8b10------------------6h7-8---6h7-7----
D|-----------------------------------------------------------------8-----8----
A|----------------------------------------------------------------------------
E|----------------------------------------------------------------------------
Bb F
e|------------------------------------
B|---6---8-6--------------------------
G|---6h7-8-6h7-7/---------------------
D|-8-----------8/---10-10-10-10-10----
A|------------------8--8--8--8--8-----
E|------------------------------------
---------
Verse 1
---------

Bb
Way down in Louisiana down to New Orleans
Way back up in the woods among the evergreens

Eb
There stood a log cabin made of earth and wood
Bb
Where lived a country boy named Johnny B. Goode
F
Who never ever learned to read or write so well
Bb
But he could play a guitar just like he's ringin' a bell
---------
Chorus
---------
Bb [Riff1]
Go Go
[Riff1]
Go Johnny Go Go
Eb [Riff1]
Go Johnny Go Go Go
Bb [Riff1]
Go Johnny Go Go
F [Riff1]
Go Johnny Go Go Go
Bb
Johnny B. Goode
(Riff1)
e|---------------------
B|-/9--9--9--11~\------
G|-/10-10-10-10~\------
D|---------------------
A|---------------------
E|---------------------
Verse 2
(Play Like Verse 1)
He used to carry his guitar in a gunny sack

And sit beneath the trees by the railroad track
The engineers would see him sittin' in the shade
Strummin' to the rhythm that the driver made
When people passed him by they would stop and say
Oh my that little country boy sure can play
---------
Chorus
---------
Bb [Riff1]
Go Go
[Riff1]
Go Johnny Go Go
Eb [Riff1]
Go Johnny Go Go Go
Bb [Riff1]
Go Johnny Go Go
F [Riff1]
Go Johnny Go Go Go
Bb
Johnny B. Goode

---------
Solo
---------
Bb
e|-----------------------------------------------------------6~~---
B|-/9--9--9--11---6----------6------------8-------------6-8--6~~---
G|-/10-10-10-10---8b10r8p6h8---6-----6----8-8-6h7---6h7------------
D|-------------------------------8-6---8----------8----------------
A|-----------------------------------------------------------------
E|-----------------------------------------------------------------
Bb Eb
e|-8b9--8p6-----6--------------------------------------------------
B|----------8-6---8b9-8-6--------------------8-8-----8-8-----------
G|------------------------8p6-----------6----8-8-6---8-8-6---------
D|----------------------------8-8~~---8---8--------8-------8-------
A|-----------------------------------------------------------------
E|-----------------------------------------------------------------
Eb Bb
e|-----------------------6-------10-------13~~--15-13-15b17r15p13-15-13~--
B|--8---8-8b9r8---------------------12/14---------------------------------
G|--8-6-8-8b9r8-6---6-6/8---8/10------------------------------------------
D|----------------8-------------------------------------------------------
A|------------------------------------------------------------------------
E|------------------------------------------------------------------------
F Bb
e|-15----13-12-
11-------------------------------------------------------------------
B|----15----------13b15r13p11--------11-------11-------9------6------
6--------------
G|-----------------------------13b15----13b15----10b12----8b10---8b10---
6-----------
D|------------------------------------------------------------------------8-6-
8~~---
A|--------------------------------------------------------------------------------
--
E|--------------------------------------------------------------------------------
--
Bb
e|---------------6--------------------------------------------------------------
B|---------------6----8-6----8-6-----8-6---------8-8-----8-8---------8-6--------
G|-x-x-x-----6h7------8-6h7--8-6h7---8-6h7~~\----8-8-6---8-8-6h7-----8-6-7-7~---
D|-x-x-x-8-8--------8--------------8-------------------8---------8-8-------8~---
A|------------------------------------------------------------------------------
E|------------------------------------------------------------------------------
Eb Bb
e|-------------------------------------------------------------------
B|-----6------6---6---6-------6------6---6---6---6-------------------
G|---6-8b10~~~b10-b10-b10r8-6-8b10~~~b10-b10-b10-10r8p6--------------
D|-8----------------------------------------------------8p6-8~~~-----
A|-------------------------------------------------------------------
E|-------------------------------------------------------------------
F Bb
e|-------------------------------------------------------------------
B|-------------------------------------------------------------------
G|----------------------------5-5-5----------------------------------
D|-15\\\\\\\\\\\\\\\\\\\\\\\\-3-3-3-11\\\\\\\\\\\\\\\\\\\\\\\\\\-----
A|-------------------------------------------------------------------
E|-------------------------------------------------------------------
(Gradually slide down, picking palm muted)
Version 04 /1.01 April 2004 100

---------
Chorus
---------
Bb [Riff1]
Go Go
[Riff1]
Go Johnny Go Go
Eb [Riff1]
Go Johnny Go Go Go
Bb [Riff1]
Go Johnny Go Go
F [Riff1]
Go Johnny Go Go Go
Bb
Johnny B. Goode
---------
Verse 3
---------
(Play Like Verse 1)
Well his mama told him one day you will be a man
You will be the leader of a big old band
People gonna come from miles around
To listen to your playin' till the sun goes down
And one day maybe your name gonna be in lights
Sayin' Johnny B Goode tonight
---------
Chorus
---------
Bb [Riff1]
Go Go
[Riff1]
Go Johnny Go Go
Eb [Riff1]
Go Johnny Go Go Go
Bb [Riff1]
Go Johnny Go Go
F [Riff1]
Go Johnny Go Go Go
Bb
Johnny B. Goode
(Repeat & Fade Out)
Version 04 /1.01 April 2004 101

NADINE CHUCK BERRY
A
I got on a city bus and found a vacant seat,
A
Thought I saw my future bride walking up the street,
B9
I shouted to the driver h ey conductor, you must slow down.
A
I think I see her please let me off this bus
Chorus:
A A B9 A E7
Nadine, honey is that you. Oh, Nadine. Honey, is that you? Seems like
every
A
time I see you Darling you got something else to do
**Chorus
A
Downtown searching for her, looking all around. Saw her getting in a yellow
B9
cab heading up town. I caught a loaded taxi, paid up everybody's tab. With
a
A
twenty dollar bill, told him 'catch that yellow cab.'
**Chorus
A
She move around like a wave of summer breeze, go, driver, go, go, catch her
B9
balmy breeze. Moving thru the traffic like a mounted cavalier. Leaning out
A
the taxi window trying to make her hear.
**Chorus
Version 04 /1.01 April 2004 102

NO PARTICULAR PLACE TO GO CHUCK BERRY
Intro: D+
G
Riding along in my automobile
G
My baby beside me at the wheel
C
I stole a kiss at the turn of a mile
G
My curiosity running wild
D
Cruisin' and playin' the radio
G
With no particular place to go
G
Riding along in my automobile
G
I's anxious to tell her the way I feel
C
So I told her softly and sincere
G
And she leaned and whispered in my ear
D
Cuddlin' more and drivin' slow
G
With no particular place to go
Guitar Solo: G, C, G, D, C, G ( 12 Bars)
G
No particular place to go
G
So we parked way out on kokomo
C
The night was young and the moon was gold
G
So we both decided to take a stroll
D
Can you image the way I felt
G
I couldn't unfasten her safety belt
G
Riding along in my calaboose
G
Still trying to get her belt aloose
C
All the way home I held a grudge
G
Version 04 /1.01 April 2004 103
For the safety belt that wouldn't budge
D
Cruisin' and playing the radio
G
With no particular place to go GUITAR SOLO: (12 BARS) G
Version 04 /1.01 April 2004 104

I WANNA BE LIKE YOU
Jungle Book
Am E7
Now I'm the king of the swingers, the jungle V. I. P.
Am
I've reached the top and had to stop and that's what's botherin' me
E7
I wanna be a man, man-cub, and stroll right into town
Am G7
And be just like the other men, I'm tired of monkeyin' 'round, oh
CHORUS:
C A7
Ooh, ooh, ooh, I wanna be like you ooh ooh
D7 G7 C A7
Dm7
I wanna walk like you, talk like you too, ooh, ooh
G7 C A7
You'll see it's true ooh, ooh, an ape like me, ee, ee
D7 G7 C A7
D7 G7
Can learn to be hu-ooh-ooh-man too, ooh, ooh
Don't try to kid me man-cub and don't get in a stew

What I desire is man's red fire so I can be like you
Give me the secret man-cub, just clue me what to do
Give me the pow'r of man's red flow'r and make my dreams come true
CHORUS
I like your mannerisms, we'll be a set of twins

No one will know where man-cub ends and orangutan begins
And when I eat bananas, I won't peel them with my feet
'Cause I'll become a man-cub and learn some etti - keet.
Version 04 /1.01 April 2004 105

MUSTANG SALLY (THE COMMITMENTS)
C
1. Mustang Sally, think you better slow your mustang down.
F C
Mustang Sally, think you better slow your mustang down.
G G Fis F (Break)
You been running all over the town now.
C
Oh! I guess I'll have to put your flat feet on the ground.
C
Ref.: All you want to do is ride around Sally, ride, Sally, ride.
All you want to do is ride around Sally, ride, Sally, ride.
F
C
G G Fis F C
One of these early mornings, oh, you gonna be wiping your weeping
eyes.
2. I bought you a brand new mustang 'bout nineteen sixty six.
Now you come around signifying a woman, you don't wanna let me ride.
Mustang Sally, think you better slow your mustang down.
You been running all over the town now.
Oh! I guess I'll have to put your flat feet on the ground.
Ref.: All you want to do is ride around Sally,...
Version 04 /1.01 April 2004 106

JUST A GIGOLO DAVID LEE ROTH
G Gmaj7 G7 G6 D7
Just a gigolo Everywhere I go People know the part I'm playing
D7 C G
Paid for every dance Selling each romance Every night some heart betraying
G Dm7 E7 Amin
There will come a day Youth will pass away Then what will they say About me
Amin Cm6 G D7 G
When the end comes I know They'll say Just a gigolo as Life goes on without
me

(repeat)
G F# F E E C G D7
'Cause I Aint Got Nobody Nobody Nobody cares for me
G F# F E E E
I'm So Sad And Lonely Sad and lonely Sad and lonely
A7 D7 D7 Db7 D7
Won't some sweet mama come and take a chance with me Cause I aint so bad
G
Get along with me babe, been singin love songs
C
All off the time
E
Even only be, honey only, only be
A7 D7
Bop bozadee bozadee bop zitty bop

I ain't got nobody 'cept love songs in love
NC
Hummala bebhuhla zeebuhla boobuhla hummala bebhuhla zeebuhla bop

I ain't got nobody, nobody, nobody cares for me
Nobody , nobody
I'm so sad and lonely, sad and lonely, sad and lonely,
Won't some sweet mama come and take a chance with me cause I aint so bad

Get along with me babe, been singin love songs
All off the time
Even only be, honey only, only be
CHORDS USED:
~~~~~~~~~~~~
G Gmaj7 G7 G6 D7 C Dmin7 E7 Amin Cm6 F# F E A7 Db7
3X3300500321000
333531601121022
444450512232104
543342702143223
5x5553520X43204
3333X0500X210XX
Version 04 /1.01 April 2004 107

[hornzlick] I tried to figure out the hornz, this is as far as I got:
G C E A7 D7
33|3030|00|00
353353|1111|030030|13
44|0000|11|05
55|22| 22|14
55|3333|22|05
33||00|X
CHILD IN TIME
GGa GGa FFG GGa (3x)
GGa GGa FFG
1. Sweet child in time, you'll see the line,
GGa
the line that's drawn between good and the bad.
GGa GGa FFG
See the blind man, shooting at the world,
GGa
bullets flying, oh, taking toll.
GGa GGa FFG
2. If you've been bad, Lord I bet you have,
GGa
and you've not been hit by flying lead.
GGa GGa FFG
You'd better close your eyes, ah,
GGa
and bow your head, wait for the ricochet.

GGa GGa FFG GGa GGa GGa FFG Gga
3. Hu....................... Hu...................
GGa GGa FFG GGa GGa
Ah................ don`t wanna leave you, Baby,
GGa FFG GGa GGa GGa FFG GGa
Ah................ Ah.................
repeat 1. 2.
GGa GGa FFG GGa GGa GGa FFG GGa
4. Hu................. Hu................
GGa GGa FFG GGa GGa
Ah.............. I gotta hear you, Baby,
GGa FFG GGa GGa GGa FFG GGa
Ah.............. Ah...............
(Deep Purple)
Version 04 /1.01 April 2004 108

Smoke on the Water Deep Purple
Intro: E G A E G B A E G A G E E
1. Strophe:
Gm F Gm
We All come out to Montreux, on the lake Geneva shoreline.
Gm F
Gm
To make records with the mobile, we didn't have much time.
Gm F
Gm
Frank Zappa and the mothers were at the best place around.
Gm F Gm
But some stupid with a flare gun burned the place to the ground.
Refrain:
C Ab Gm
Smoke on the water, fire in the sky.
C Ab
Smoke on the water,
C Ab Gm
Smoke on the water, fire in the sky.
2. Strophe:
They burned the gambling house, it died with an awful sound.

Funky Claude was running in and out, pulling kids out to the ground.
When it all was over, we had to find another place.
But Swiss time was running out, it seemed that we would loose the race.
Refrain:
3. Strophe:
We ended up at the Grand Hotel, it was empty, cold and bare,

but the Rolling Truck Stones just outside. makin' our music there
With a few red light, and afew old beds we made a place to sweet,
No matter what we get out of this, I know we'll never forget.
Version 04 /1.01 April 2004 109

HUSH
Kula Shaker
(chords)
Ab - 466544
Bb - 113331
F - 133211
Eb - 668886
C - 335553
C7#9 - x3234x
B* - 15 15 17 x x x
B*
Huh two three ha...
Ab Eb Bb F C
Na na na na na na na na na (2x)
C
Well, got a silly little girl, she's on my mind
No doubt about it, she looks so fine
She's the best girl that I ever had
Except that she's gonna make me feel so sad
Ab Eb Bb F C
(chorus)
C F Bb
Hush, hush, I thought I heard you calling my name now
Hush, hush, You broke my heart but that was a dream now
Hush, hush, I thought I heard you call my name now
Hush, hush, you broke my heart but that was a dream now.
C7#9
Early in the morning,
Late in the evening
Oh, you gotta believe me, honey
I never was a-dreaming
(chorus)
C7#9
Early in the morning
and late in the evening
Narayan
Version 04 /1.01 April 2004 110

UNIVERSAL SOLDIER
DONOVAN
1. Strophe:
C F G7 C Am
He's five foot two and he's six feet four
F G7 C
He fights with missiles and with spears.
F G7 C Am
He's all of thirty one and he's only seventeen
F G7
Been a soldier for a thousand years.
2. Strophe:
He's a catholic, a hindu, an atheist, a jain,
A buddhist and a baptist and a jew,
And he knows he shouldn't kill and he knows he always will
Kill you for me my friend and me for you.
3. Strophe:
And he's fighting for Canada, he's fighting for France,
He's fighting for the USA
And he's fighting for the Russians, and he's fighting for Japan,
And he thinks we'll put an end to war this way.
4. Strophe:
And he's fighting for democracy, he's fighting for the reds,
He says it's for the peace of all,
He's the one who must decide who's to live and who's to die,
And he never sees the writing on the wall.
5. Strophe:
But without him how would Hitler have condemned him at Dachau?
Without him Cesar would have stood alone.
He's the one who gives his body as a weapon of the war,
And without him all killing can't go on.
6. Strophe:
He's the universal soldier and he really is to blame
His orders come from far away no more,
They come from here and there, and you and me, and brothers, can't you see,
This is not the way to put the end to war.
Version 04 /1.01 April 2004 111

STREETS OF LONDON
RALPH MCTELL
C G Am Em
1. Have you seen the old man in the closed down market,
F C Dm7 G G7
Kicking in the papers with his worn out shoes ?
C G
In his eyes you see no pride,
Am Em
Hand held loosely by his side
F C G G7 C
Yesterday's paper, telling yesterday's news.
F Em G G7 C
Ref.: So, how can you tell me, you're lonely,
Dm D7 G G7
And say for you that sun don't shine ?
C G
Let me take you by the hand,
Am Em
And lead you thru the streets of London.
F C G G7 C
I'll show you something, to make you change your mind.
C G Am Em
2. Have you seen the old girl, who walks the streets of London,
F C Dm7 G G7
Dirt in her hair, and her clothes in rags ?
C G
She's no time for talking,
Am Em
She just keeps right on walking,
F C G G7 C
Carrying her home in two carrier bags.
Ref.: So, how can you tell ...
C G Am Em
4. In the all-night cafe, at quarter past eleven,
F C Dm7 G G7
Same old men are sitting there on his own.
C G Am Em
Looking at the world over the rim of his tea-cup.
F C G G7 C
Each tea lasts an hour, and he wanders home alone.
C G Am Em
5. Have you seen the old man outside the seaman's mission,
F C Dm7 G G7
Memory fading with the medal ribbons that he wears ?
C G Am Em
In our winter city, the rain cries a little pity
F C G G7 C
For one more forgotten hero, and a world that doesn't care.
Version 04 /1.01 April 2004 112

YOU ARE THE SUNSHINE OF MY LIFE
WONDER, STEVIE
Intro: /Cmaj7 /Gm7 /Cmaj7 /Gm7
/C /Dm7 /Em7 /A13

Ref.: You are the sunshine of my life
/Dm7 /G7 /C /Dm7 /G7
That's why I'll always be around
/C /Dm7 /Em7 /A13
You are the apple of my eye
/Dm7 /G7 /C /Dm7 /G7
Forever you'll stay in my heart
/C /Dm7 /F /Cmaj7 /F
1. I feel like this is the beginning
/Cmaj7 /F /E7 /Em /E+ /E
Though I've loved you for a million years
/A /D /E /Am
And if I thought our love was ending
/D7 /G7
I'd find myself drowning in my own tears
Ref.: You are the sunshine ...
2. You must have known that I was lonely,

Because you came to my rescue.
And I know that this must be heaven.
How could so much love be inside of you.
3. (Instrumental) /Gis7
/Cis /Dism7 /Fm7 /B13

Ref.: You are the sunshine of my life
/Dism7 /Gis7 /Cis /Dism7/Gis7
That's why I'll always be around
/Cis /Dism7 /Fm7 /B13
You are the apple of my eye
/Dism7 /Gis7 /Cis /Dism7/Gis7
Forever you'll stay in my heart
Version 04 /1.01 April 2004 113

SUNNY
HEBB, BOBBY
Cism E7
1. Sunny,
A Gis7
Yesterday my life was filled with rain
Cism E7
Sunny,
A Gis7
You smiled at me and really eased the pain
Cism Cism7
Oh, the dark days are gone and the bright days are there
A Am
My sunny one shines so sincere
Fism Gis7
Oh, Sunny one so true
Cism
I love you
2. Sunny,
Thank you for the sunshine bouquet
Sunny,
Thank you for the love you've brought my way
You gave to me your all and all
Now I feel ten feet tall
I love you
3. (Instrumental)
4. Sunny,
Thank you for the truth you've let me see
Sunny,
Thank you for the facts from A to Z
My life was torn like a windblown sand
The a rock was formed when we held hands
I love you
5. Sunny,
Thank you for the smile upon your face
Sunny,
Thank you for the gleam that flows with grace
You're my spark of nature's fire
You're my sweet complete desire
I love you
Version 04 /1.01 April 2004 114

Am C F E
Sunny, yesterday my life was filled with rain,
Am C F E
Sunny, you smiled at me and really eased the pain.
Am C
Now the dark days are done and the bright days are here,
F Dm
my sunny one shines so sincere,
E E7 Am -F-E
Sunny, one so true, I love you.
Am C F E
Sunny, thank you for the sunshine bouquet,
Am C F E
Sunny, thank you for the love you brought my way.
Am C
You gave to me your one and all,
F Dm
and now I feel ten feet tall.
E E7 Am -F-E
Am C F E
Sunny, thank you for the truth you let me see,
Am C F E
Sunny, thank you for the facts from A to Z.
Am C
My life was torn like-a windblown sand, then
F Dm
a rock was formed when we held hands.
E E7 Am -F-E
Am C F E
Sunny, thank you for that smile upon your face,
Am C F E
Sunny, thank you for that gleam that flows from grace.
Am C
You're my spark of nature's fire,
F Dm
you're my sweet complete desire,
E E7 Am -F-E
Am C F E
Sunny, yesterday my life was filled with rain,
Am C F E
Sunny, you smiled at me and really eased the pain.
Am C
Now the dark days are done and the bright days are here,
F Dm
my sunny one shines so sincere,
E E7 Am -F
E Am -F- E Am F –E -Am
Version 04 /1.01 April 2004 115

I love you, I love you
Version 04 /1.01 April 2004 116

PUFF, THE MAGIC DRAGON
PETER, PAUL AND MARY
/A /Cism /D /A
1. Puff, the magic dragon, lived by the sea,
/D /A /Fism
And frolicked in the autumn mist,
/H /H7 /E /E7
In a land called Honah Lee.
/A /Cism /D /A
Little Jackie Paper loved the rascal Puff,
/D /A /Fism
And brought him strings and sealing wax
/H7 /E7 /A /E7
And other fancy stuff.
Ref.: Puff, the magic dragon, lived by the sea,

And frolicked in the autumn mist,
In a land called Honah Lee. (2x)
2. Together, they would travel

On a boat with billowed sail.
Jacky kept a lookout, pearched
On Puff's gigantic tail.
Noble kings and princes
Would bow whenever they came.
Pirate ships would low'r their flag,
When Puff roared out his name.
Ref.: Puff, the magic dragon ...
3. A dragon lives forever,

But not so little boys.
Painted wings and giant strings
Make way for other toys.
One grey night it happened,
Jacky Paper came no more,
And Puff that mighty dragon,
He ceased his fearless roar.
4. His head was bent in sorrow,

Green scales fell like rain.
Puff no longer went to play
Along the cherry lane.
Without his lifelong friend,
Puff could not be brave,
So Puff that mighty dragon
Sadly slipped intohis cave.
Version 04 /1.01 April 2004 117

LIGHT MY FIRE
Am G F#m
1. You know that it would be untrue,
Am G F#m
you know that it would be a lie,
Am G F#m
if I was to say to you :
Am G F#m
Girl we couldn't get much higher.
G A D - Bm
Come on baby light my fire,
G A D - Bm
Come on baby light my fire,
G D E
Try to set the night on fire.
Am G F#m
2. The time to hesitate is through,
Am G F#m
no time to wallow in the mire.
Am G F#m
Try now, we can only loose,
Am G F#m
and our love become a funeral pyre.
+ CHORUS
3. = 1. +
G A D - Bm
Try to set the night on fire,
G A D - Bm
try to set the night on fire ... (rep. and fade)
(The Doors)
Version 04 /1.01 April 2004 118

RING OF FIRE
CASH, JOHNNY
/G /C /G
1. Love is burning thing
/C /G
It makes a firey ring
/C /G
Bound by a wild desire
/D /G
I fell into a ring of fire
/D /C /G
Ref.: I fell into a burning ring of fire
/D /C /G
I went down, down, down and the flames went higher
/G
And it burns, burns, burns
/C /G /D /G
The ring of fire, the ring of fire
Ref.: I fell into ...
2. (Instrumental)
Ref.: I fell into ... (2x)
3. The taste of love is sweet

When hearts like ours meet
I fell for you just like a little child
Oh, but the fire went wild
Ref.: I fell into ... (2x)
Version 04 /1.01 April 2004 119

COVER OF THE ROLLING STONE DR. HOOK
A
Well we are big rock singers
A
We've got golden fingers
E
And we're loved everywhere we go,
E
We sing about beauty and we sing about thruth
E7 A
At ten thousand dollars a show;
A
We take all kind of pills
A
To give us all kind of thrills,
D
But the thrill we've never known,
E
Is the thrill that'll get you
E
When you get your picture
A
On the cover of the Rolling Stone

Chorus:

A E
Rolling Stone
E
Wanna see my picture on the cover
A
Wanna buy five copies for my mother
E
Wanna see my smilin' face
D A
On the cover of the Rolling Stone
A A
I've got a freaky old lady On the cover of the Rolling Stone
A **Chorus
Called my Cocain Katy A
E We got a lot of
Who embroiders on my jeans, A
E Little teenage, blueeyed groupies
I've got my poor old grayhaired Daddy, E
E7 A Who do anything we say,
Drivin' my limousine E
A We got a genuine Indian guru,
Now it's all designed E7 A
A Who's teachin' us a better way,
To blow our minds A
D We got all the friends
But our minds won't really be blown, A
E That money can buy,
Like the blow that'll get you D
E So we never have to be alone,
When you get your picture E
Version 04 /1.01 April 2004 120
And we keep gettin' richer A
E On the cover of the Rolling Stone
But we can't get our picture
**CHORUS 2X
Version 04 /1.01 April 2004 121

WHEN YOU'RE IN LOVE WITH A BEAUTIFUL WOMAN
( Dr Hook )
C G
When you're in love with a beautiful woman it's hard
When you're in love with a beautiful woman you know it's
hard
Everybody wants her, everybody loves her
Everybody wants to take your baby home
When you're in love with a beautiful woman you watch your

friends
When you're in love with a beautiful woman it never ends
You know that it's crazy, you want to trust her
And then somebody hangs up when you answer the phone
When you're in love with a beautiful woman you go it alone
Maybe it's just an ego problem

Problem is, I've been fooled before
By fair weathered friends and faint hearted lovers
And everytime it happens
It just convinces me more
When you're in love with a beautiful woman you watch her

eyes
When you're in love with a beautiful woman you look for
lies
Everybody tempts her, everybody tells her
That she's the most beautiful woman they know
When you're in love with a beautiful woman you go it alone
[break]
Everybody tempts her, everybody tells her

That she's the most beautiful woman they know
When you're in love with a beautiful woman you watch your
friends
When you're in love with a beautiful woman it never ends
Version 04 /1.01 April 2004 122

SAVE TONIGHT - EAGLE-EYE CHERRY
(Chords: a F C G)
1) Go on and close the curtains

'cause all we need is candlelight
You and me and the bottle of wine
and hold you tonight
2) Well, we know I'm going away

And how I wish, I wish it weren't so
so take this wine and drink with me
let's delay our misery...
REF.: Save tonight

Fight the break of dawn
Come tomorrow
Tomorrow I'll be gone
3) There's a log on the fire

and it burns like me for you
Tomorrow comes with one desire..
to take me away
4) It ain't easy to say goodbye

darling please don't start to cry
'cause girl you know I've got to go
and Lord I wish it wasn't so
REFRAIN
Solo
5) Tomorrow comes to take me away

I wish that I, that I could stay
but girl you know I've got to go, oh
and Lord I wish it wasn't so
Version 04 /1.01 April 2004 123

HOTEL CALIFORNIA THE EAGLES
Bm F#
On a dark desert highway, cool wind in my hair
A E
Warm smell of colitas rising up through the air
G D
Up ahead in the distance, I saw a shimmering light
Em
My head grew heavy and my sight grew dim
F#
I had to stop for the night
Bm F#
There she stood in the doorway; I heard the mission bell
A E
And I was thinking to myself this could be heaven or this could be
hell
G D
Then she lit up a candle, and she showed me the way
Em F#
There were voices down the corridor, I thought I heard them say
Chorus:
G D
Welcome to the Hotel California.
Em Bm7
Such a lovely place, such a lovely face
G D
Plenty of room at the Hotel California
Em F#
Any time of year (any time of year) you can find it here
Bm F#
Her mind is Tiffany twisted, she got the Mercedes bends
A E
She got a lot of pretty, pretty boys that she calls friends
G D
How they dance in the courtyard, sweet summer sweat
Em F#
Some dance to remember, some dance to forget
Version 04 /1.01 April 2004 124

Bm F#
So I called up the captain; "Please bring me my wine."
A E
"We haven't had that spirit here since nineteen sixtynine"
G D
And still those voices are calling from far away
Em F#
Wake you up in the middle of the night, just to hear them say
Chorus:
G D
Welcome to the Hotel California.
Em Bm7
Such a lovely place, such a lovely face
G D
They livin' it up at the Hotel California
Em F#
What a nice surprise (what a nice surprise) bring your alibis
Bm F#
Mirrors on the ceiling, the pink champagne on ice
A E
And she said "We are all just prisoners here, of our own device"
G D
And in the master's chambers, they gathered for the feast
Em F#
They stab it with their steely knives, but they just can't kill the
beast
Bm F#
Last thing I remember, I was running for the door
A E
I had to find the passage back to the place I was before
G D
"Relax" said the nightman, "We are programmed to receive"
Em F#
"You can check out anytime you like, but you can never leave"
**Instrumental And Fade
Version 04 /1.01 April 2004 125

STOP,HEY WHATS THE SOUND
Buffalo Springfield
E7 A7
There's something happening here
E7 A7
And what it is ain't exactly clear
E7 A7
There's a man with a gun over there
E7 A7
Telling me that I've got to beware
E7 D
Think it's time we stop children, what's that sound
A C(D) E E A E A
Everybody look what goin' on
There's battle lines being drawn

And nobody's right, if everybody's wrong
Young people speaking their minds
Getting so much resistance from behind ...CHORUS
CHORUS #2:
E D
It's time we stop, hey, what's that sound
A C (D) E E A E A
Everybody look what goin' down
E A A G E
What a field day for the heat ooooh
E A A G E
A thousand people in the street ooooh
E A A G E
Singin' songs, and carryin' signs ooooh
E A A G E
Mostly say "hooray for our side" ooooh ...CHORUS #2
Paranoia strikes deep

Into your life it will creep
It starts when you're always afraid
Step outta line, the men come, and take you away
CHORUS (REPEAT SEVERAL TIMES)
RIFF:
E A
E --------------------------
B --------------------------
G --------------------2-----
D -------2--------2h4---4-2-
A ---2h4---4-2--0-----------
E -0------------------------
Version 04 /1.01 April 2004 126

ALL SHOOK UP - ELVIS PRESLEY
B
Awella, bless my soul, what' s wrong with me ?
I'm itching like a man on a fuzzy tree.
My friends say I'm acting queer as a bug, I'm in love,

Eb7 F7 B Eb7 B
I'm all shook up - Mm mm - oh oh - yeah, - yeah;
My hands are shaky and my knees are weak.

I can't seem to stand on my own two feet.
Who do you thank when you have such luck? I'm in love:
I'm all shook up :Mm mm, mm, oh, oh, yeah, - yeah -
Eb7
Please don't ask what's on my mind,
B
I'm a little mixed up but I'm feelin' fine.
Eb7
When I'm near that girl that I love best,
F7
my heart beats so it scares me to death:
She touched my hand, what a chill I got.

Her kisses are like a volcano that's hot:
I'm proud to say she's my buttercup,I'm in love!
I'm all shook up: Mm mm, oh, oh: yeah, yeah:
My tongue gets tied when I try to speak,

My inside shakes like a leaf on a tree.
There's only one cure for this soul of mine,
that's to have that girl that I love so fine.
She touched my hand, what a chill I got.

Her kisses are like a volcano that's hot:
I'm proud to say she's my buttercup,I'm in love!
//:I'm all shook up: Mm mm, oh, oh: yeah, yeah://
ARE YOU LONESOME TONIGHT 1
Version 04 /1.01 April 2004 127

VIVA LAS VEGAS
Elvis Presley
G
Bright light city gonna set my soul
Gonna set my soul on fire
Got a whole lot of money that's ready to burn
So get those stakes up higher
H 7 Em
There's a thousand pretty women waitin' out there
And they're all livin' devil may care
And I'm just the devil with love to spare
C G C G
Viva Las Vegas, Viva Las Vegas
G
How I wish that there were more
Than the twenty four hours in the day
Cos even if there wore many more
I wouldn't sleep a minute away
H7 Em
Oh, there's black jack and poker and the roulette wheel
A fortune won and lost on ev'ry deal
All you need's a strong heart and a nerve of steel
C G C G
C
Viva Las Vegas with your neon flashin'
and your one arm bandits crashin'
G
all your hope right down the drain
C
Viva Las Vegas turning day into night time
turning night into daytime
A7 D7
If you see it once you'll never be the same again
G
I'm gonna keep on the run, I'm gonna have me some fun
And if it costs me my very last dime
If I wind up broke, well,
I'll always remember I had a swinging time
H7 Em
I'm gonna give it ev'ry thing I've got
Lady luck, please let the dice stay hot
Let me shoot a seven with ev'ry shot
C G C G
C G C G
C G C D7 G
Viva Las Vegas, Viva viva Las Vegas
Version 04 /1.01 April 2004 128

ARE YOU LONESOME
C d G C G7
C e a
1. Are you lonesome tonight, do you miss me tonight?
C C7 F
Are you sorry we drifted apart?
G G7
Does your memory stray to a brighter sunny day,
G G7 C
when I kissed you and called you sweetheart?
C7 F
Do the chairs in your parlor seem empty and bare?
D G G7
Do you gaze at your doorstep and picture me there?
C e D
Is your heart filled with pain, shall I come back again?
F G7 C G7
Tell me dear are you lonesome tonight.
(spoken : )
C e a
I wonder if you are lonesome tonight.
You know someone said that the world is a stage,
C C7
and you must play a part.
F
Fate had me playing in love with you as my sweetheart.
G
Act one was when I met you, I loved you at first glance.
G7 G
You read your line so cleverly and never missed a cue.
G7
Then came act 2, you seemed to change and you acted strange,
C C7
and why I'll never know.
ARE YOU LONESOME TONIGHT, 2
F
Honey, you lied when you said you loved me,
D
and I had no cause to doubt you.
G
But I'd rather go on hearing your lies,
G7 C
than go on living without you.
e
Now the stage is bare and I'm standing there
D F
with emptiness all around.
G7
Version 04 /1.01 April 2004 129
And if you won't come back to me,
C G7
then they can bring thecurtain down.
C e D
Is your heart filled with pain, shall I come back again?
F G7 C
Tell me dear are you lovesome tonight.
Version 04 /1.01 April 2004 130

BLUE SUEDE SHOES
A
1. Well it's a one for the money, two for the show,
A7
three to get ready now go, cat ,go,
D A
but don't you step on my blue suede shoes.
E D A
You can do anything, but lay off of my blue suede shoes.
A
2. Well you can knock me down, step in my face,
slander my name all over the place,
and do anything that you want to do.
But ah ah, honey, lay off of my shoes

D A
and don't you step on my blue suede shoes.
E D A
You can do anything, but lay off of my blue suede shoes.
A
3. Well you can burn my house, steal my car,
drink my liquor from an old fruit jar,
and do anything that you want to do.

A7
But ah ah, honey, lay off of my shoes,
D A
and don't you step on my blue suede shoes.
E D A
You can do anything but lay off of my blue suede shoes.
A
4. = 1. + It`s blue blue, blue suede shoes, blue blue, blue suede shoes,
D A
blue blue, blue suede shoes, baby, blue blue, blue suede shoes.
E D A
Well, you can do anything but lay off of my blue suede shoes.
(Elvis Presley)
Version 04 /1.01 April 2004 131

CAN'T HELP FALLING IN LOVE ELVIS PRESLEY
C G C F C G G7
Wise men say only fools rush in
F G Am Dm C G C
But I can't help falling in love with you
C G C F C G G7
Shall I stay would it be a sin
F G Am Dm C G C
If I can't help falling in love with you
Bridge:
Em Am
Like a river flows
Em Am
Surely to the sea
Em Am
Darling so it goes
Em A7 Dm G7
Some things were meant to be
C G C F C G G7
Take my hand take my whole life too
F G Am Dm C G C
Cause I can't help falling in love with you
**Bridge
C G C F C G G7
Take my hand take my whole life to
F G Am Dm C G C
F G Am Dm C G C
Version 04 /1.01 April 2004 132

FEVER - ELVIS PRESLEY
a
Never know how much I love you, never know how much I care.
E7 a
When you put your arms around me I get a fever that's so hard to bear.
[N.C.] a F6 a
You give me Fever, when you kiss me; Fever when you hold me tight
E7 a
Fever in the morning; Fever all through the night
Sun lights up the daytime, moon lights up the night.
I light up when you call my name and you know I'm gonna treat you right.
You give me Fever, when you kiss me...
a
Ev'rybody's got the Fever that is something you all know
E7 a
Fever isn't such a new thing. Fever started long ago
Romeo loved Juliet, Juliet she felt the same.
When he pout his arms around her, he said, "Julie, baby, you're my flame."
Thou givest Fever, when we kisseth. Fever when thy flaming youth.
Fever I'm a fire. Fever, yea I burn forsooth.
Captain Smith and Pocahantas had a very mad affair
When her Daddy tried to kill him, she said, "Daddyo don't you dare."
He gives me Fever, with his kisses. Fever when he holds me tight
Fever I'm his Missus. Oh Daddy won't you treat him right
Now you've listened to my story: Here's a point that I have made.
Chicks were born to give you Fever, Be it Fahrenheit or Centigrade
They give you fever, when you kiss them, Fever if you live and learn.
Fever 'til you sizzle. What a lovely way to burn
//:What a lovely way to burn://
Version 04 /1.01 April 2004 133

HOUND DOG
C
1. You ain't nothing but a hound dog cryin all the time,
F C
you ain't nothing but a hound dog cryin all the time.
G F C
Well you ain't never caught a rabbit and you ain't no friend of mine.
C
2. When they said you was high class, well that was just a lie,
F C
when they said you was high class, well that was just a lie.
G F C
3. = 1. + Instrumental (=vers 1) C F C G F C
C
5. When they said you was high class, well that was just a lie,
F C
G F C
5. Instrumental C F C G F C
C
When they said you was high class, well that was just a lie,
F C
G F C
C
2. You ain't nothing but a hound dog cryin all the time,
F C
you ain't nothing but a hound dog cryin all the time.
G F C
Well you ain't never caught a rabbit, you ain't no friend of mine.
(Elvis Presley)
Version 04 /1.01 April 2004 134

JAILHOUSE ROCK
D
1. The warden threw a party in the county jail,
A D
prison band was there and they began to wail.
A D
Band was jumpin' and the joint began to swing,
A D
should've heard those kocked out jail birds sing.
G D
Lets Rock ! Everybody lets Rock !
A G
Everybody in the whole cell block,
D G D
was adancin' to the Jailhouse Rock!
A D
2. Spider Murphy played the tenor saxophone,
A D
Little Joe was blowin' on the slide trombone.
A D
The drummer boy for Illinois went crash, boom, bang !
A D
The whole rhythm section was the Purple Gang. + REFRAIN
A D
3. Number forty seven said to Number Three:
A D
You're the cutest jailbird I ever did see.
A D
I sure would be delighted with your company,
A D
come on and do the jailhouse rock with me. + REFRAIN
A D
4. The sad sack was asittin' on a block of stone,
A D
way over in the corner weeping all alone.
A D
The warden said: " Hey, buddy, don't you be no square.
A D
If you can't find a partner use a wooden chair !" + REFRAIN
A D
5. Shifty Henry said to Bugs: "For Heaven's sakes,
A D
no one's lookin', now's our chance to make a break!"
A D
Bugsy turned to Shifty and he said, " Nix, nix,
A D
I wanna stick around a while and get my kicks." + REFRAIN
Version 04 /1.01 April 2004 135
A D G D
+ dancin' to the Jailhouse Rock....(rep. and fade)
(Orig. = Capo 1) (Elvis Presley)
Version 04 /1.01 April 2004 136

LOVE ME TENDER
ELVIS PRESLEY
G A7
1. Love me tender, love me sweet,
D7 G
never let me go.
G A7
You have made my life complete,
D7 G
and I love you so.
(Chorus:)
G B7 Em G7
Love me tender, love me true,
C Cm G
all my dreams fulfilled.
Dm E7 A7
For my darlin' I love you,
D7 G
and I always will.
2. Love me tender, love me long,
take me to your heart.
For it's there that I belong,
and we'll never part.
(repeat chorus)
3. Love me tender, love me dear,
tell me you are mine.
I'll be yours through all the years,
till the end of time.
Version 04 /1.01 April 2004 137

COCAINE
CALE, J.J.
C B C
1. If you want to hang out,
B
You've got to take her out,
C B C B
Cocaine.
C B C
If you want to get down,
B
Get down on the ground,
C B C B
Cocaine.
C Dis
She don't lie, she don't lie,
Gis G C B C B
She don't lie, Cocaine.
2. If you got bad news,
You want to kick them blues,
Cocaine.
When your day is done,
And you want to ride on,
Cocaine.
3. (Instrumental)
4. If your thing is gone,
And you want to ride on,
Cocaine.
Don't forget this fact.
You can't get back,
Cocaine.
Version 04 /1.01 April 2004 138

LAYLA ERIC CLAPTON
1. Strophe:
C#m7 G#7 C#m7 C D E
What will you do when you get lonely, with nobody waiting by your side?
F#m H E A F#m H E
You've been running and hiding much too long, you know it's just your foolish pride.
Refrain:
A Dm B C Dm
Layla, you got me on my knees.
Dm B C Dm
Layla, I'm begging, darling, please.
Dm B C Dm B C
Layla, darling, won't you ease my worried mind.
2. Strophe:
Tried to give you consolation, your old man won't let you down.
Like a fool I fell in love with you, turned the whole world upside down.
Refrain:
3. Strophe:
Let's make the best of the situation, before I fin'ly go insane.
Please don't say we'll never find a way, and tell me all my love's in vain.
Refrain:
Version 04 /1.01 April 2004 139

MOTHERLESS CHILD ERIC CLAPTON
Vorspiel: H H H
1. Strophe:
H E H
If I mistreat you girl, I sure don’t mean no harm.
H E H
If I mistreat you girl, I sure don’t mean no harm.
F# H
Well, I’m a motherless child who don’t know right from wrong.
2. Strophe:
Please tell me pretty mama, honey where’d you stay last night. (2 mal)
Well, you didn’t come home till the sun was shining bright.
3. Strophe:
I have to go so far gal, get my ham bones boiled. (2 mal)
Well, these other lotta women gonna let my ham bones burn.
4. Strophe:
Now I did more for you gal, than your daddy ever done. (2 mal)
Well, I give you my jelly, he ain’t give you none.
5. Strophe:
And when you see two women always runnin’ hand in hand. (2 mal)
You can bet your bottom dollar one.
6. Strophe:
Well, I’m goin’ to the river, get me tangled rocking chair. (2 mal)
And if the Blues overtake me gonna rock away from there.
Nachspiel: E F# E H
Version 04 /1.01 April 2004 140

TEARS IN HEAVEN, ERIC CLAPTON '91
A E fis E D
1. Would you know my name
A E (E fis E)
if I saw you in heaven?
A E fis E D
Would you know the same
A E (E fis E)
fis E
I must be strong
A7 fis
and carry on
D E
cause I know I don't belong
A
here in heaven
A E fis E D
2. Would you hold my hand
A E (E fis E)
A E fis E D
Would you help me stand
A E (E fis E)
fis E
I'll find my way
A7 fis
through night and day
D E
cause I know I just can't stay
A
here in heaven
3. A E fis E D
A E (E fis E)
A E fis E D
A E (E fis E)
fis E
Beyond the door
A7 fis
there's peace I'm sure
D E
and I know there'll be no more
Version 04 /1.01 April 2004 141
A
tears in heaven
4. wie 1.
Version 04 /1.01 April 2004 142

CHANGE THE WORLD"
INTRO:
There is another guitar here that I haven't tabbed, but you can figure that one
out.
I think these two parts are actually two different guitars, but I'm not sure.
E A E E A E
+ + + + + + + + + + + + + + + +
e:-----------------|-----------------|-----------------|---0-----0-----0-|
B:-----------------|-----------------|-----------------|-------0-----0---|
G:---0h1---2-----4-|---2---4-----2-4-|---4-----2---0h1-|-----------------|
D:---2-----2-----2-|-----------------|---2-----2---2---|-----------------|
A:-----------------|-----------------|-----------------|-----------------|
E:-----------------|-----------------|-----------------|-----------------|
E A E E A B
+ + + + + + + + + + + + + + + +
e:-------------0-----|-----------------|------------------------------|---------------------|
B:-------0-----------|-----------------|------------------------------|---------------------|
G:---0h1---2-----2/4-|-----------------|---2/4-----4\2p0-2--0------^4-|---------------------|
D:---2-----2---------|-----------------|-----------------------2p0-^4-|-----------------4---|
A:-------------------|-----------------|---------------------------^2-|-------------2h4-----|
E:-------------------|-----------------|------------------------------|-------------------0-|
This is the basic part behind the verse:
If I could reach the stars Pull one down for you

E A E E A E
+ + + + + + + + + + + + + + + +
e:-----------------|-----------------|-----------------|---0-----0-----0-|
B:-----------------|-----------------|-----------------|-------0-----0---|
G:---0h1---2-----4-|---2---4-----2-4-|---4-----2---0h1-|-----------------|
D:---2-----2-----2-|-----------------|---2-----2---2---|-----------------|
A:---------0-------|-----------------|---------0-------|-----------------|
E:-0-------------0-|-----------------|---0---------0---|-----------------|
Shining on my heart So you could see the truth

E A E E A E
+ + + + + + + + + + + + + + + +
e:-----------------|-----------------|-----------------|---0-----0-----0-|
B:-----------------|-----------------|-----------------|-------0-----0---|
G:---0h1---2-----4-|---2---4-----2-4-|---4-----2---0h1-|-----------------|
D:---2-----2-----2-|-----------------|---2-----2---2---|-----------------|
A:---------0-------|-----------------|---------0-------|-----------------|
E:-0-------------0-|-----------------|---0---------0---|-----------------|
Then this love I have inside is everything it seems

A D E E D A
+ + + + + + + + + + + + + + + +
e:-----------------|-----------------|-------------0---|-----------------|
B:---2---2-3---3-5-|---------5-------|---5-----3-----2-|-------2---------|
G:---2---2-2---2-4-|-----------------|---4---0-2-----2-|-------2---------|
D:-----------------|-----------------|-----------------|-----------------|
A:-0---------------|-----------------|-----------------|-----------------|
E:-----------------|-----------------|-----------------|-----------------|
But for now I find it's only in my dreams

E A E E A G#
+ + + + + + + + + + + + + + + +
e:-----------------|-----------------|-----------------|---4---------4---|
B:-----------------|-----------------|-----------------|---------4-8-----|
G:---0h1---2-----4-|---2---4-----2-4-|---4-----2-------|-------5---------|
D:---2-----2-----2-|-----------------|---2-----2-----6-|-----6-----------|
A:---------0-------|-----------------|---------0-----6-|-----------------|
E:-0-------------0-|-----------------|---0-----------4-|-----------------|
Version 04 /1.01 April 2004 143

Here's the chorus. There isn't much guitar, so just strum this:
F#m G# C#m
That I can change the world
F#m G# C#m
I will be the sunlight in your universe
F#m G# C#m Cm Bm
You will think my love was really some - thing good
A E G#m Gm F#m
Baby if I could cha - nge the world
Clapton does this after the chorus:
E A E E A E
+ + + + + + + + + + + + + + + +
e:-------------0-----|-------------|----------------------------|-----------------------------|
B:-------0-----------|-------------|----------------------------|-----------------------------|
G:---0h1---2-----2/4-|-------------|---2/4----4\2p0-2--0--------|-----------------------------|
D:---2-----2---------|-------------|----------------------2p0-2-|----------2---------------2--|
A:-------------------|-------------|----------------------------|------2h4-----0h2-0h2-0h2----|
E:-------------------|-------------|----------------------------|-----------------------------|
He continues into another verse, and plays the same as the last verse
Then a chorus, which has a bit added to the end:

You will think my love was really something good
A C#m Bm Bbm A E
A C#m Bm Bbm A
Here's the solo:
+ + + + + + + +
e:--------------------------|------------.-----------.-----------|
B:----/12-12-12-12-12-12-12-|-12\10----8-10--8-------10----------|
G:--------13-13-13-13-13-13-|------------------------------------|
D:--------------------------|------------------------------------|
A:--------------------------|------------------------------------|
E:--------------------------|------------------------------------|
+ + + + + + + +
e:------------------------------------|---------------------------------|
B:-10h8-----.-------------------------|---------------------8---11p10-8-|
G:--------7h9------7h9-----7----------|-------------7---7h9---9---------|
D:---------------------------9p7------|---------7h9---------------------|
A:-------------------------------10---|------10-------------------------|
E:------------------------------------|---------------------------------|
+ + + + + + + +
e:-----------------10-12-10/12--10/12--10-----|---------------------------------------|
B:-----------10/12-------------------------12-|-10------10h12p10----------------------|
G:-9------------------------------------------|----12------------12-9-9---------------|
D:--------------------------------------------|---------------------------------------|
A:--------------------------------------------|---------------------------------------|
E:--------------------------------------------|---------------------------------------|
That I can...
+ + + + + + + +
e:---------15------12\-----12-11---|---------12-14-----12-11------|
B:------12-------------/12----12---|------------------------------|
G:---------------------------------|------------------------------|
D:---------------------------------|------------------------------|
A:---------------------------------|------------------------------|
Version 04 /1.01 April 2004 144
E:---------------------------------|------------------------------|
Another chorus, with a bit added to the end:

A C#m Bm Bbm A
A C#m Bm Bbm A
A C#m Bm Bbm A
world
E A E A
+ + + + + + + + + + + +
e:-------------0-----|-------------|----------------------------------|
B:-------0-----------|-------------|----------------------------------|
G:---0h1---2-----2/4-|-------------|-----2/4----4\2p0-2---------------|
D:---2-----2---------|-------------|----------------------------------|
A:-------------------|-------------|----------------------------------|
E:-------------------|-------------|----------------------------------|
E
(freely)
e:-----------------------------------|-------------------------|
B:-----------------------------------|-------------------------|
G:-----------------------------------|-------------------------|
D:-0h2-0-------------2-0-------------|-0-----------------------|
A:-------2-0h2p0---------2-0h2p0-----|-------------------------|
E:---------------3-0-------------3-0-|-------------------------|
LYRICS:
If I could reach the stars I'd pull one down for you
Shine it on my heart so you could see the truth
That this love I have inside is everything it seems
But for now I find it's only in my dreams
CHORUS
I would be the sunlight in your universe
Baby if I could change the world
If I could be king even for a day

I'd take you as my queen I'd have it no other way
And our love will rule in this kingdom we have made
Till then I'd be a fool wishin' for the day
CHORUS
GUITAR SOLO
CHORUS
Version 04 /1.01 April 2004 145

Version 04 /1.01 April 2004 146

WONDERFUL TONIGHT ERIC CLAPTON
Intro: G D/F# C D G D/F# C D
G D/F#
It's late in the evening
C D
She's wondering what clothes to wear
G D/F#
She puts on her make up
C D
And brushes her long blonde hair
C D
And then she asks me
G Bm/F# Em
Do I look alright
C D G D/F# C D
And I say yes, you look wonderful tonight
G D/F# C D
We go a party And everyone turns to see
G D/F# C D
This beautiful lady That's walking around with me

C D G Bm/F# Em
And then she asks me Do you feel alright
C D G
And I say yes, I feel wonderful tonight
C
I feel wonderful
D G Bm/F# Em
Because I see the love light in your eyes
C D
And the wonder of it all
C D
Is that you just don't realize
G D/F# C D G D/F# C D
How much I love you
G D/F#
It's time to go home now
C D
And I've got an aching head
G D/F#
So I give her the car keys
C D
She helps me to bed
C D
And then I tell her
G Bm/F# Em
Version 04 /1.01 April 2004 147
As I turn out the light
C D G Bm/F# Em Em/D
I say my darling, you were wonderful tonight
C D G D/F# C D G D/F# C D G
Oh my darling, you were wonderful tonight
Version 04 /1.01 April 2004 148

PUT YOUR LIGHTS ON
Everlast
Intro: Am - Asus2 - C - Cadd9 - C - G - G6 - F - E (2x)
Verse 1:
Am C
Hey now, all you sinners
G F E
Put your lights on, put your lights on
Am C
Hey now, all you lovers
G F E
Am C
Hey now, all you killers
G F E
Am C
Hey now, all you children
G F E
Leave your lights on you better leave your lights on
Refrain:
Am Asus2 Am E
Because there's a monster living under my bed
Am Asus2 Am E
Whispering in my ear
Am E
There's an angel with a hand on my head
Am E
She says I've got nothing to fear
Am E
There's a darkness deep in my soul
Am E
I still got a purpose to serve
Am E
So let your light shine, deep into my home
Am E
God don't let me lose my nerve don't let me lose my nerve
Solo: C - G - F - E (4X) F - E - F - E
Übergang:
Am - Asus2 - Am - C - Cadd9 - C - G - G6
F E
Hey now, hey now, hey now, hey now
Am - Asus2 - Am - C - Cadd9 - C
G G6 F E
Wo-oh hey now, hey now, hey now, hey now
Verse 2:
Am C
Version 04 /1.01 April 2004 149
Hey now, all you sinners
G F E
Am C
Hey now, all you children
G F E
Leave your lights on you better leave your lights on
Refrain:
Am Asus2 Am E
Because there's a monster living under my bed
Am Asus2 Am E
Whispering in my ear
Am E
There's an angel with a hand on my head
Am E
She says I've got nothing to fear
Am C G F E
She says, whooo-ahha hey la la, you shine like stars
Am C G F E Am
Whoo-aohaha hey la la, you shine like stars and you fade away
KEEP YOUR HANDS TO YOUR SELF The Georgia Satellites -
A
I got a little change in my pocket goin' jing a ling a ling
Gonna call you on the telephone baby and give you a ring
D
But each time I try I get the same old thing always
A
no huggy no kissy till I get a wedding ring
E A
Now honny now baby don't put my love opon no shelf
(no chord)
don't hand me no lines and keep your hands to your self
A
Now baby baby baby why you treat me this way
now I'm still your lover boy I still feel the same way
D
That's when she told me the story bout free milk and a cow
A
Now huggy no kissy till I get a wedding ring
E A
(no chord)
A
Ya see I wanted real bad and I was about to give in
that's when she started talkin about true love started talkin bout sin
D
I said honey I'll live with ya for the rest of my life
A
She said no huggy no kissy till you make me your wife
E
(no chord) A D A E A
Version 04 /1.01 April 2004 150

MORE THAN WORDS EXTREME
Vorspiel: G5 Csus2 Am C D G5 Csus2 Am C D Em
1. Strophe:
G5 Csus2 Am
Sayin', "I love you" is not the words
C D G5
I want to hear from you.
G5 Csus2 Am
It's not that I want you not to say.
C D Em
But if you only know.
Em Am7 D G5 D/F# Em
How easy it would be to show me how you feel,
Em Am7 D G7 C
More than words is all you have to do to make it real.
C Cm G5 Em
Then you wouldn't have to say that you love me,
Am7 D7 G5
Cause I'd already know.
G D/F# Em Hm C
What would you do if my heart was torn in two?
C Am7
More than words to show you feel,
Am7 D G
That your love for me is real.
G D/F# Em Hm C
What would you say if I took those words away?
C Am7
Then you couldn't make things new,
Am7 D7 G5
Just by sayin' "I love you."
Zwischenspiel:
Csus2 Am C D G5
La di da da da da di da da da, more than words.
Csus2 Am7 D7
La da da da di da.
2. Strophe:
Now that I have tried to talk to you
And make you understand.
All you have to do is close your eyes
And just reach out your hands.
And touch me, hold me close, don't ever let me go,
More than words is all I ever needed you to show.
Then you wouldn't have to say that you love me,
Cause I'd already know.
What would you do if my heart was torn in two?
More than words to show you feel,
That your love for me is real.
What would you say if I took those words away?
Version 04 /1.01 April 2004 151

Then you couldn't make things new,
Just by sayin' "I love you."
Zwischenspiel:
La di da da da da di da da da, more than words.
Repet and Fade out:
e:----0----------------------------------0-------------------------2----3----|
B:---------0------------------------1---------1------------------------------|
G:--------------2--------------0-------------------0-------------------------|
D:------------------------2--------------------------------------------------|
A:-------------------0----------------------------------2--------------------|
E:---------------------------------------------------------------------------|
Hammer on
e:5----+17----5----3----2----3----5----+15---5--3--2--3--5--+17--5--3--2--3--|
B:---------------------------------------------------------------------------|
G:---------------------------------------------------------------------------|
D:---------------------------------------------------------------------------|
A:---------------------------------------------------------------------------|
E:---------------------------------------------------------------------------|
e:5--+15--5--3--2--3--5--+14--5--3--2--3--5--+15--5--3--2--3--5--+14--5--3--2|
B:---------------------------------------------------------------------------|
G:---------------------------------------------------------------------------|
D:---------------------------------------------------------------------------|
A:---------------------------------------------------------------------------|
E:---------------------------------------------------------------------------|
e:--3--5--+12--5--3--2--3--5--+8--5--3--2--3--5--+7--5--3--2--5--+7--5--2--0-|
B:-----------------------------------------------------------------------slid|
G:---------------------------------------------------------------------------|
D:---------------------------------------------------------------------------|
A:---------------------------------------------------------------------------|
E:---------------------------------------------------------------------------|
e:-2--0----------------------------------------------------------------------|
B:e-up---3--0--3--0----------------------------------------------------------|
G:-----slide-up------2--0----------------------------------------------------|
D:-----------slide-down----0--2--0-------------------------------------------|
A:--------------------slide-down----2--0-------------------------------------|
E:----------------------------------------2--0----grab-headstock-and-wobble--|
e:----------------------------3-------------------3-----------3-------------3|
B:-------------------------3-----3----------3--------3--3--------3----3------|
G:----------------------0-----------0----------0-----------------------------|
D:-------------------0-------------------------------------0-------------0---|
A:-------------------------------------2----3-----------2-------------1------|
E:-it-for-tremolo.-------------------------------------------------------------|
e:-------------------slide-up-0--3--5--3|
B:--3-----------1-----------------------|
G:-----------0--------------------------|
D:--------2-----------------------------|
A:-----0--------------------------------|
E:--------------------------------------|
Version 04 /1.01 April 2004 152

HOLE HEARTED - EXTREME
(From "Pornograffiti", 1990)
Hole Hearted is not really that hard to play. The only tricky
part is the following that I've given below. The rest, I'm sure
you've figured or can figure out easily enough.
This is a positively funky sound. Play it on the twelve string

like Nuno and you get that full sound.
------------------------------------------------------------
------------------------------------------------------------
------------------------------2---5^6----7--5^6----7--5-----
--5^7--7-7-7-5^0--------------2---5---7--7--5---7--7--5--5--
--0------0-0-----3(+bend1/4)--0-------0---------0-----------
------------------------------------------------------------
Life's ambitions occupy my time
Happiness one step be - hind
------------------------------2-------------------------------------
------------------------------3--------------------------------x-0--
------------------------------2---------0----------------------x-0--
--5^7--7-7-7-5^0-------------------0^2---------0---------------x-0--
--0------0-0-----3(+bend1/4)---------------3^5----2^3-2^0---0-------
----------------------------------------------------------3---------
Priorities come to the mind
This inner piece I've yet to find
The words are something like this:
Life's ambitions occupy my time

Priorities come to the mind
Happiness one step behind
This inner peace I've yet to find
Rivers flow into the sea

But even the sea's not so full of me
If I'm not blind why can't I see
That circle can't fit where a square should be
There's a hole in my heart that can only be filled by you
And this hole in my heart can't be filled with the things I do
Hole hearted Hole hearted
This heart of stone is where I hide

These feet of clay kept warm inside
Day by day less satisfied
Not fade away before I die
Rivers flow....
There's a hole in my heart that can only be filled by you

Should have known from the start I'd fall short with the things I do
Hole hearted
HOLE HEARTED - Extreme

(From "Pornograffiti", 1990)
Written by Nuno Bettencourt and Gary Cherone. Performed by Extreme.
Tab by Edwin (eliu@mechanical.watstar.uwaterloo.ca)
and Anand "Indy" Kumar (st001904@hrz1.hrz.th-darmstadt.de)
Here's the complete song (without the overdubs).
Version 04 /1.01 April 2004 153

The hard part was done by Edwin (eliu@mechanical.watstar.uwaterloo.ca),
to whom I send my special thanks. Wouldn't have tried this one without his
encouraging words: "Hole Hearted is not really that hard to play."
Didn't include the lyrics with all this copyright stuff going on.
Verse
A A
--------------------------------------------------------------
--------------------------------------------------------------
--------------------------------2---5^6----7--5^6----7--5-----
--5^7--7-7-7-7^5^0--------------2---5---7--7--5---7--7--5--5--
--0------0-0-------3(+bend1/4)--0-------0---------0-----------
--------------------------------------------------------------
A D
--------------------------------2---------------------------------------
--------------------------------3----------------------------------x-0--
--------------------------------2---------0------------------------x-0--
--5^7--7-7-7-7^5^0-------------------0^2---------0-----------------x-0--
--0------0-0-------3(+bend1/4)---------------3^5----2^3-0^2^0---0-------
--------------------------------------------------------------3---------
Quote: "The rest, I'm sure you've figured or can figure out easily enough."
-Edwin
Personally, I didn't find the rest that easy to figure, so I'll post it.
If you're having a hard time too, I hope it serves you.
Intro
D E7(+sus4) F(+b3)
--2--2--4------I--2--2--4--4------I--2--2--4----4--4-4--I--2--4--5--5--5-5--I
--3--3--5------I--3--3--5----5----I--3--3--5----5--5-5--I--3--5--6--6--6-6--I
--2--2--4------I--2--2--4------4--I--2--2--4----4--4-4--I--2--4--5--5--5-5--I
--0--0--0------I--0--0--0---------I--0--0--0----0--0-0--I--0--0--0--0--0-0--I
--0--0--0------I--0--0--0---------I--0--0--0----0--0-0--I--0--0--0--0--0-0--I
---------------I------------------I------------(4times)-I----------(4times)-I
Chorus 1. part (play 2 times)
D A Gsus2 Dmin7 D
+sus2
--2--2-xxx--9--9--xxx--I--7---0---2----2----2------I
--3--3-xxx-10-10--xxx--I--8---5---3----3----3---00-I
--2--2-xxx--9--9--xxx--I--7---6---2----2-2--2---00-I
--0--0------0--0-------I--0---0---0------0--0---00-I
--0--0------0--0-------I--0---0---0------0--0------I
-----------------------I---------------------------I
* incredibly hard to figure!
A Dsus2 A
--0--0------0--0-------I--0---0---0----0-0--0-----I
--2--2--xxx-7--7--xxx--I--5---7---5----5-5--5--xx-I
--2--2--xxx-7--7--xxx--I--6---7---6----6-6--6--xx-I
--2--2--xxx-7--7--xxx--I--7---7---7----7-7--7--xx-I
--0--0------0--0-------I--0---0---0----0-0--0-----I
-----------------------I--------------------------I
Chorus 2. part
Version 04 /1.01 April 2004 154

G Csus2 G
--3---3--3-3--3--3-------I--3---3--3-3--3--3-3--3--I
--3---3--3-3--3--3-------I--3---3--3-3--3--3-3--3--I
--0---0--0-0--0--0-0--0--I--0---0--0-0--0--0-0--0--I
--0---0--0-0--0--0-0--0--I--2---2--2-2--2--2-2--0--I
--2---2--2-2--2--2-0--2--I--3---3--3-3--3--3-3--0--I
--3---3--3-3--3--3-3--3--I-------------------------I
--2--2-xxx--4--4--xxx--I--2--2---2->-4--4--4-4--I
--3--3-xxx--5--5--xxx--I--3--3---3->-5--5--5-5--I
--2--2-xxx--4--4--xxx--I--2--2---2->-4--4--4-4--I
--0--0------0--0-------I--0--0---0---0----------I
--0--0------0--0-------I--0--0---0---0----------I
-----------------------I------------------------I
--3---3--3-3--3--3-------I--3---3--3-3--3--3-3--3--I
--3---3--3-3--3--3-------I--3---3--3-3--3--3-3--3--I
--0---0--0-0--0--0-0--0--I--0---0--0-0--0--0-0--0--I
--0---0--0-0--0--0-0--0--I--2---2--2-2--2--2-2--0--I
--2---2--2-2--2--2-0--2--I--3---3--3-3--3--3-3--0--I
--3---3--3-3--3--3-3--3--I-------------------------I
D/F D/E
--2--2-xxx--4--4--xxx--I------------2----------------2------I
--3--3-xxx--5--5--xxx--I--------------3----------------3----I
--2--2-xxx--4--4--xxx--I----------------2----------------2--I
--0--0------0--0-------I---------0----------------0---------I
--0--0------0--0-------I------0----------------0------------I
-----------------------I--1----------------0----------------I
--2--2--4----I------------2----------------2------I
--3--3--5----I--------------3----------------3----I
--2--2--4----I----------------2----------------2--I
--0--0--0----I---------0----------------0---------I
--0--0--0----I------0----------------0------------I
-------------I--1----------------0----------------I
Outro Variation of 2.part
--3---3--3-3--3--3-------I--3---3--3-3--3--3-3--3--I
--3---3--3-3--3--3-------I--3---3--3-3--3--3-3--3--I
--0---0--0-0--0--0-0--0--I--0---0--0-0--0--0-0--0--I
--0---0--0-0--0--0-0--0--I--2---2--2-2--2--2-2--0--I
--2---2--2-2--2--2-0--2--I--3---3--3-3--3--3-3--0--I
--3---3--3-3--3--3-3--3--I-------------------------I
--2--2-xxx---9--7--2-----I
--3--3-xxx--10--8--3--00-I
--2--2-xxx---9--7--2--00-I
--0--0-------0--0--0--00-I
--0--0-------------------I
-------------------------I
Intro
Verse (8x)
Chorus 1. part (2x)
Chorus 2. part
Verse (8x)
Chorus 1. part (2x)
Chorus 2. part (with variation)
Chorus 2. part
Version 04 /1.01 April 2004 155

DEEPLY DIPPY}
{st:Right Said Fred}
[G]Deeply dippy 'bout the [Em]curves you got

[F]deeply hot [C]hot for the curves you got
[G]Deeply dippy 'bout the [Em]fun we had
[F]deeply mad [C]mad for the fun we had
[G]Oh my [Em]love
I [F]can't make head nor [C]tail of passion
[G]Oh my [Em]love
[F]let's set sail for the [C]seas of passion now
[Bb] [A] [Ab] [G]

Deeply dippy 'bout the way you walk
contact sport let the neighbours talk
Deeply dippy I'm your superman
I'll explain you're my Lois Lane
Oh my love
I can't make head nor tail of passion
Oh my love
let's set sail for the seas of passion now
Deeply dippy 'bout your spanish eyes

sierra smile legs that go on for miles
and miles
Miles and miles
I said oh my love
I can't make head nor tail of passion
Oh my love
let's set sail for the seas of passion now
Version 04 /1.01 April 2004 156

PRINCE OF PEACE
Galliano
Peace is so much more than astate without the war
Peace is a trust that we've never had before.
Run along a road not knowing where I'm going
Planting up the seeds not knowing what I'm sowing
Need sense and a direction adirection of sense.
sittin in the middle has broke up the fence
I want to run and hide, but the world is to small
So if I have to play we'll pass around the ball
The peace in the universe we need to rehearse
See our hearts make the world and the world is a curse
Now we need a rest from a world too good at killin'
The international arms dealer chillin and an willin'
The world she has enough für every mans need But ,
am's always kiled to satisfy a greed
Is there any way out or do the just drop it
Selling twisted technology für those who aint got it.
Prince of peace won't your hear our plea
Ring the bells of peace help loving never cease
Pushin' and shovin' is killin' all the lovin'
Earth is the power für asolid peace of war
With respect and overstanding help the waring to cease
Hatred, silence, Noise, violance
Seek another way more than missiles need guidance Peace is the way that
we're gone survive The choice is now! Or being alive
Leaders have no answers they're just as confused Rappin in ariddirn but the
riddim getin used
Thoughts need an amplifier to get alittle higher
Become uur own producer instead of just a buyer Call the grounation a
meeting of the people If it don't drop weil then we call asequel
Version 04 /1.01 April 2004 157

Thoughts rain dowen to make acompilation
A universal label used für the occation
You say weather dreamers but not the only one
I' d rather had a dream than a nightmare to come
Version 04 /1.01 April 2004 158

SUMMER OF 69
- Bryan Adams
==========================
Riff:
Dsus2 D Dsus4 D Dsus2 D Asus2 A Asus4 A Asus2 A
E|--0-----2-----3---|---2-----0---2---|------------------|-----------------|
B|----3-----3-----3-|-----3-----------|--0-----2-----3---|---2-----0---2---|
G|------2-----2-----|-2-----2---2---2-|----2-----2-----2-|-----2-----------|
D|-(0)--------------|-----------------|------2-----2-----|-2-----2---2---2-|
A|------------------|-----------------|-(0)--------------|-----------------|
E|------------------|-----------------|------------------|-----------------|
Verse
D
I got my first real sixstring
A
bought it at the five and dime
D
played it ´til my fingers bled
A
was the summer of sixty nine
D
Me and some guys from school
A
had a band and we tried real hard
D
Jimmy quit, Jody got married
A
I should have known that we never´ll get far
Refrain
Hm A
Oh, when I look back now
D G
that summer seemed to last forever
Hm A
and if I had the choice
D G
yeah, I´d always wanna be there
Hm A D
those where the best days of my life + RIFF
Verse
D
Ain´t no use in complaining
A
when you´ve got a job to do
D
spent my evenings down at the drive-in
A
and that´s when I met you yeah
Version 04 /1.01 April 2004 159

Refrain
Hm A
standing on your mama´s porch
D G
you told me that you wait forever
Hm A
oh, and when you hold my hand
D G
I knew that´s it now or never
Hm A D
those where the best days of my life
- RIFF -
Oh yeah.. back in the summer of '69 - oooohhh
Bridge
F Bb
Men we were killin times
C
we were young and restless
Bb
we needed to unwind
F Bb C
I guess nothing can last forever – forever .. no ! + RIFF
D
and now the time are chaning
A
look at everything that comes
D
gone sometimes when I play that old sixstring
A
I think about you wonder what went wrong
Hm A
standing on your mama´s porch
D G
you told me that you wait forever
Hm A
oh, and when you hold my hand
D G
I knew that´s it now or never
Hm A D
those where the best days of my life
- RIFF -
Oh yeah.. back in the summer of '69
.... it was summer of 69 usw.
(mehrmals zum Riff wiederholen ....... fade)
Version 04 /1.01 April 2004 160

EASY
FAITH NO MORE
Vorspiel: G# Cm Bm Eb
1. Strophe:
G# Cm Bm Eb
I know it’s sound funny but I just can’t stand the pain,
G# Cm Bm Eb
Girl, I’m leaving you tomorrow.
G# Cm Bm Eb
Seems to me girl you know I’m doin‘ all okay,
G# Cm Bm Eb
You see your big storm in the borrow.
Refrain:
G# Cm Bm
That’s why I’m easy,
Eb G# Cm Bm Eb
I’m easy like Sunday morning.
G# Cm Bm
That’s why I’m easy,
Eb G# Bm H G#
I’m easy like Sunday moooooooooooorning.
2. Strophe:
C# Bm
I wanna be high, so high.
C# Bm
I wanna be free to know the things I do are right.
C# Bm H F# H C#
I wanna be free, just free, oh Baby, uh.
Solo:
G# Cm Bm Eb G# Cm Bm Eb
Instrumental
Refrain:
Version 04 /1.01 April 2004 161

STILL GOT THE BLUES
Gary Moore
Intro: Dm7 F/G Cmaj7 Fmaj7 Bm7b5 E Am

Dm7 F/G Cmaj7 Fmaj7
Used to be so easy to give my heart away
Bm7b5 E Am Bmadd4 Am/C Am
But I've found that the hard way is a price you have to pay
Dm7 F/G Cmaj7 Fmaj7
I found that love was no friend of mine
Bm7b5 Esus4 E
I should have known time after time
Am Em Am Dadd2
So long, it was so long ago
F7/9 E7#9 Am
But I've still got the blues for you
Used to be so easy to fall in love again
I've found that the hard way, it's a way that leads to pain
I've found that love was more than just a game
To play and to win but to lose just the same

Bm7 E Am7 Bm7 C
So many years since I've seen your face
Bm7 E Fmaj7 Cadd2 Fmaj7
And now in my heart, there's an empty space
Am
You used to be
[solo 1] Dm7 F/G Cmaj7 Fmaj7 Bm7b5 E Am Bmadd4 Am/C Am
Dm7 F/G Cmaj7 Fmaj7 Bm7b5 Esus4 E
Am Em Am Dadd2
F7/9 E7#9 Am Em
Am Em Am Dadd2
Though the days come and go, there's one thing I know
F7/9 E7#9 Am
I've still got the blues for you
-----------------------------------------
Chords:
Am 5 7 7 5 5 5 Bm7 x 2 4 2 3 2 Dadd2 x 9 7 7 5 5 E7#9 x 7 6 7 8 x
Am/C 8 x 7 5 5 x Bm7b5 x 2 0 2 3 1 Dm7 x x 0 2 1 1 F/G 3 x x 2 1 1
Version 04 /1.01 April 2004 162

Am7 x 0 2 0 1 0 Cadd2 x 7 5 5 3 3 E 0 2 2 1 0 0 Fmaj7 x x 3 2 1 0
Bmadd4 7 x 7 7 5 x Cmaj7 x 3 2 0 0 0 Esus4 0 0 2 2 0 0 F7/9 x 8 7 8 8
Version 04 /1.01 April 2004 163

WHILE MY GUITAR GENTLY WEEPS (GEORGE HARRISON)
The Beatles
Am Am/G Am/F# F
I look at you all see the love there that's sleeping
Am G D E7
While my guitar gently weeps
Am Am/G Am/F# F
I look at the floor and I see it needs sweeping
Am G C E7
Still my guitar gently weeps
A C#m F#m C#m Bm E
I don't know why nobody told you how to unfold your love
A C#m F#m C#m Bm E7
I don't know how someone controlled you, they bought and sold you
I look at the world and I notice it's turning
With every mistake we must surely be learning
I don't know how you were diverted, you were perverted too
I don't know how you were inverted, no one alerted you.
I look at you all see the love there that's sleeping
...Look at you all
KNOCKING ON HEAVENS DOOR

G D am D
Ma, take this badge off me,
G D am D
I can’t use it anymore.
G D am D
It’s getting dark, to dark to see,
G D am D
Feels like I’m knocking on heavens door.
G D am D
Knock, knock, knocking on heavens door.
G D C D
G D am D
G D C D
Mama, put my guns in the ground,
I can’t shoot them anymore
That cold black cloud is comin’ down
Feels like I’m knocking on heavens door
Knock, knock, knocking on heavens door...
Mama, take this badge off me,
Version 04 /1.01 April 2004 164

I can’t use it anymore.
It’s getting dark, to dark to see,
Feels like I’m knocking on heavens door.
Knock, knock, knocking on heavens door...
Version 04 /1.01 April 2004 165

PATIENCE (BY GUNS N ROSES)
Intro:
C G A D C G A D
C G C Em C G D D
C
Shed a tear cause I'm missing you
G
I'm still allright to smile
A D
Girl I think about you every day now
C
Was a time when I wasn't sure
G
But you set my mind at ease
A D
There is no doubt, you're in my heart now
C G
Sad woman take it slow
C Em
It will work itself out fine
C G D
All we need is just a little patience
C G
Sad sugar make it slow and
C Em
It comes together fine
C G D
All we need is just a little patience
Sit here on the stairs

Cause I'd rather be alone
If I can't have you right now
I'll wait dear
Sometimes I get so candescent

But I can't speed up the time
You know love, there's one more thing
To consider
Sad woman take it slow

And things will be just fine
You and I just use a little patience
Sad sugar take the time

Cause the lights are shining bright
You and I got what it takes to make it
D
We don't fake it
D
Ahh and never break it
D
Version 04 /1.01 April 2004 166
Cause I can't take it
Solo
G C
A little patience
G C
Mhh Yeah
G
I've been walking the streets tonight
C
Just trying to get it right
G
It's hard to see with so many around
C
you know I don't like being stuck in a crowd
G
And the streets don't change but maybe the name
C
I ain't got time for the game
G
Cause I need you
C
Yeah Yeah cause I need you
G
Uh I need you
D
Woh I need you
G C G
Uhh this time
Version 04 /1.01 April 2004 167

ONE IN A MILLION
Guns N' Roses
GN'R Lies
Acoustic guitar...
[E-1] [E-2] [D] [C#] [C] [G(2)]

EADGBE EADGBE EADGBE EADGBE EADGBE EADGBE
022100 x7990x x5770x x4660x x355xx XX000X
Beginning of song...
Strum[E-1] (slide) [E-2] [D] [C#] (play

twice)
| | | |||| / || | | |||| || | | |||| || | | ||||
[C]
|| | | |||||||||||||||
^ (slow distortion comes in)
second guitar...
comes in after acoustic finishes.
(fill) (Main guitar riff)

|-------|----------------------------------------------------------|
|-------|-2-2h3p2-2-2---1-1----------------------------------------|
|-5-5-5-|-2-2-----2-2-2-0-0-0-0-3p0---0-0-0-0-----4-0--------------|
|-5-5-5-|-2-2h4p2-2-2-2-2-2-2-2-2---2-0-0-0-0---3---0--------------|
|-3-3-3-|---------------3-3-3-3-3---3-2-2-2-2-2-------3---3---3/5--|
|-------|-----------------------------3-3-----3-------1-0-1-0-1/3--|
^ ^ ^ ^ ^ ^ ^ ^ ^ ^
^ (accented notes)
play it over and over until you're fingers bleed

(this is distorted guitar..light distortion)
that was how I played it....I don't know if it's right or not... Later, Merlin
Correction (at the part you play the C chord in the verse it goes):
|----------------------------------------------|
|------1--1---1--1-----------------------------|
|------0--0---0--0-----------------------------|
|------2--2--h3--2-----------------------------|
|------3--3---3--3-----------------------------|
|----------------------------------------------|
Addition: (the chorus)

|----------------------------------------------|
|----------------------------------------------|
|---5-5-5--5---------7-7-----------------------|
|---5-5-5--5-5-5--5--7-7-7-7-7-9-10------------|
|---3-3-3--3-5-5--5--5-5-7-7-7-9-10------------|
|------------3-3--3------5-5-5-7--8------------|
it just kind of repeats until that little ending of the chorus, but that
part is somewhere around these chords too.
Chorus:
C G G(2) D A
You're one in a million {1.3. yeah, that's what you are___}
{2. you're a shooting star__}
A5 A6 A5 A6 C G D A
You're one in a million, babe {you're a shooting star________}
{ you know that you are__}
Version 04 /1.01 April 2004 168

C G G(2) D A A5 A6 A5 A6
Maybe someday we'll see you before you make us cry
C G D E
you know we tried to reach you but you were much to high_________
much to high {1.2. much too high___________________ much too high__

{3. much too high________________ yeah_ yeah_
Solo:
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|-9~~~~~~~~~~~--7~~~~~~~~(7)~~~~-6-----7-------(7)~~~~~-6-7----|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|------------------------------------------7\---------------7\-|
|------------------------------------------------------------------7h8p7\5-|
|----------------------------------------------------------------8---------|
|------5---(5)----7h8p7p5-8-7-(7)-5-7-7-5------------------5-7/9-----------|
|-7---------------------------------------7-7~~~(7)~~~--7------------------|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|---------8-10-10fb-10fbr--(10)-8-10-8-10h11p10p(8)-10-8-12-11-11qb-10-10-
8-----------------|
|-5--8/10--------------------------------------------------------------------10-
10-(10)--10-|
|---------------------------------------------------------------------------------
----------|
|---------------------------------------------------------------------------------
----------|
|---------------------------------------------------------------------------------
----------|
|---------------------------------------------------------------------------------
----------|
|-7h8p7-------------------------------------------------------------------|
|-------10---8/10--6h8p6\5---6---5h6p5---5-----5--------------------------|
|----------9---------------7---7-------7---7/8---8\7--8p7-5-8p7-5-7-------|
|-------------------------------------------------------------------7-7-7-|
|-------------------------------------------------------------------------|
|-------------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-5h7p5\4-5-4h5p4-4-----------------------------------------------------|
|-------------------5-3---3-3--0h2-----0h2p0----------0--------2--------|
|-----------------------------------3--------(0)-2-3-----3p2-----3p2----|
|------------------------------------------------------------3-------3--|
|--------------------------------------------5---7--------8-(8)---8-----|
|------------------------------------------5---5---5------------5---5---|
|----------------------------------------5-----------5------------------|
|-----------------------------------5-7---------------------------------|
|----3--5-3-5hb-5~~(5)~~-3-5-3-5/7--------------------------------------|
|-/5--------------------------------------------------------------------|
|-8/10-10-8-10/12--------------------------------------13--13---12---12---10-|
|-----------------10-10-(10)~~~~~~~(10)~~~~~~~~~~~~~-------------------------|
|----------------------------------------------------------------------------|
|----------------------------------------------------------------------------|
|----------------------------------------------------------------------------|
|----------------------------------------------------------------------------|
Version 04 /1.01 April 2004 169

NOVEMBER RAIN
Guns N' Roses
Note: I didn't write the chords for any of the guitar solos, just where there
were lyrics. For the solos, the chords are the same as during the previos
verse section.
Intro:
E Abm/Eb C#m B
E C#m B B
E C#m
When I look into your eyes
B
I can see a love restrained
E C#m
But darlin' when I hold you
B
Don't you know I feel the same
C#m F#
'Cause nothin' lasts forever
B
And we both know hearts can change
C#m F#
And it's hard to hold a candle
B
In the cold November rain
C#m F#
We've been through this such a long long time
B
Just tryin' to kill the pain
C#m
But lovers always come and lovers always go
F# B
And no one's really sure who's lettin' go today
Walking away
C#m
If we could take the time
to lay it on the line
F#
I could rest my head
B
Just knowin' that you were mine
Version 04 /1.01 April 2004 170
All mine
E C#m
So if you want to love me
B
then darlin' don't refrain
E C#m
Or I'll just end up walkin'
B
In the cold November rain
E F#
Do you need some time...on your own
E F#
Do you need some time...all alone
E
Everybody needs some time...
F#
on their own
E F#
Don't you know you need some time...all alone
Ebm E B
I know it's hard to keep an open heart
Ebm E C#m
When even friends seem out to harm you
Ebm E C#m
But if you could heal a broken heart
Ebm E F#
Wouldn't time be out to charm you
E F#
Sometimes I need some time...on my own
E F#
Sometimes I need some time...all alone
E
Everybody needs some time...
F#
on their own
E F#
Don't you know you need some time...all alone
And when your fears subside

And shadows still remain
I know that you can love me {just use the chords from
When there's no one left to blame the beginning verse here
So never mind the darkness also... No big changes }
We still can find a way
'Cause nothin' lasts forever
Even cold November rain
Version 04 /1.01 April 2004 171

F* - Am/Em – Dm – C – F* - Dm – C Csus4 – C – F* -
C/E – Dm – C - - - Fmaj7 – Dm7/9 – C Csus4 –
C(9) – Fmaj7 – Dm7/9 - C Csus4 – C
Fmaj7 Dm7/9 C Csus4- C

When I look into your eyes, I can see a love restrained
Fmaj7 Dm7/9 C Csus4- C
But darlin' when I hold you, don't you know I feel the same
Dm G C Csus4- C
Nothin' lasts forever, and we both know hearts can change
Dm G C Csus4- C
And it's hard to hold a candle in the cold November rain
Fmaj7 Dm7/9 C
We've been through this such a long, long time just tryin' to kill the pain,
Csus4- C
oh yeah
Fmaj7
But lovers always come and lovers always go
Dm7/9 C – Csus4 - C
And no one's really sure who's lettin' it go today, walking away
Fmaj7 Dm7/9
If we could take the time to lay it on the line, I could rest my head
C –Csus4 C
just knowin' that you were mine, all mine
Dm G C Csus4 - C
So if you want to love me, then darlin' don't refrain
Dm G C Csus4 - C
Or I'll just end up walkin' in the cold November rain
F G
Do you need some time on your own
F G
Do you need some time all alone
F G
Everybody needs some time on their own
F G
Don't you know you need some time all alone
Em F C
I know it's hard to keep an open heart
Em F Dm
when even friends seem out to harm you
Em F C
But if you could heal a broken heart
Em F G
wouldn't time be out to charm you
[Guitar Solo]
F G
Sometimes I need some time on my own
F G
Sometimes I need some time all alone
F G
Everybody needs some time on their own
F G
Don't you know you need some time all alone
[Guitar Solo]
Fmaj7 Dm7/9 C Csus4 - C

And when your fears subside, and shadows still remain
Fmaj7 Dm7/9 C Csus4 - C
I know that you can love me when there's no one left to blame
Version 04 /1.01 April 2004 172

Dm G C Csus4 - C
So never mind the darkness, we still can find a way
Dm G C Csus4 - C
Nothin' lasts forever, even cold November rain
C G/B – Am G – F – G
C G/B – Am G – F – G – C
________________________
Chords:
F*: XX3211 F: 133211
Am/Em: XX2310 G: 320003
Dm: XX0231 Em: 022000
C: X32010 G/B: X20033
C/E: XX2010 Am: X02210
Fmaj7: XX3210 Csus4: X33011
Dm7/9: XX0210
Version 04 /1.01 April 2004 173

DON'T CRY GUNS' ROSES
Intro: Am Dm G G/B C

Am Dm G G/B C
Talk to me softly there's something in your eyes
Am Dm G G/B C
Don't hang your head in sorrow and please don't cry
Am Dm G G/B C
I know how you feel inside I've I've been there before
Am Dm G G/B C
Somethin' changin' inside you and don't you know

F G Am
Don't you cry tonight I still love you baby
F G Am
Don't you cry tonight
F G C
Am
There's a heaven above you baby
F G Am
And don't you cry tonight

Give me a whisper and give me a sigh
Give me a kiss before you tell me goodbye
Don't you take it so hard now, and please don't take it so bad
I'll still be thinking of you, and the times we had baby
F G Am
Don't you cry tonight I still love you baby
F G Am
F G C
Am
There's a heaven above you baby
F G Am
And don't you cry tonight

G/B = 020003
Version 04 /1.01 April 2004 174

YOU SEXY THING HOT CHOCOLATE
E
I believe in miracles
A E
Where you from
A
You sexy thing
E
A E
Since you came along
A
You sexy thing
How didya' know I needed you so badly

How didya' know I gave my heart gladly
Yesterday I was one of a lonely people
Now you're lying next to me
Making love to me
I believe in miracles B||

Where you from G124|2|
D222||
You sexy thing A||
You sexy thing E||
Since you came along Count: 1 2 3 4 1 2 3 4
You sexy thing
Only yesterday I was on my own

Just another day later my mind was blown
You sexy thing come into my life
Forever and a day it feels so right
How didya' know that I'd be the one
Been a long time coming only just begun
Doing all the things that makes my heart sing
Keep doing what you're doing you sexy thing
How didya' know I needed you so badly

How didya' know I gave my heart gladly
Yesterday I was one of a lonely people
Now you're lying next to me
Making love to me
Where you from You sexy thing
You sexy thing You sexy thing
You sexy thing
I believe in miracles Touch me baby
Since you came along You sexy thing
You sexy thing You sexy thing
Kiss me baby
Version 04 /1.01 April 2004 175

EVERYONE'S A WINNER" BY HOT CHOCOLATE.
G /A / D
Never could believe the things you do to me

Never could believe the way you are
Every day I bless the day that you got through to me
'Cos baby I believe that you're a star.
Everyone's a winner baby

that's the truth,That's the truth
Making love to you is such a thrill
Everyone's a winner baby that's no lie ,That's no lie
You never fail to satisfy, to satisfy.
Never could explain just what was happening to me

Just one touch of you and I'm a flame
Baby it's amazing just how wonderful it is
That the things we like to do are just the same.
Everyone's a winner baby
that's the truth . . .
Version 04 /1.01 April 2004 176

BLACK OR WHITE, 1
DGGGDGGGD ~ (4 x)
D
1. I took my baby on a Saturday bang,
Boy is that girl with you ? Yes, we're one and the same.
G
Now I believe in miracles,
DGGGDGGGD ~
and a miracle has happened tonight.
A
But, if you're thinkin' about my baby,
G DGGGDGGGD ~ (2x)
it don't matter if you're black or white.
D
2. They print my message in the Saturday Sun,
I had to tell them, I ain't second to none.
G
And I told about equality,
DGGGDGGGD ~
and it's true, either you're wrong or you're right.
A
G DGGGDGGGD ~ (4x)
D \
I`m tired of this devil, I`m tired of this stuff,
\ \ G D
I`m tired of this business, so when the going gets rough.
D \
I ain't scared of your brother, I ain't scared of no sheets,
\ \ G D
I ain't scared of nobody, girl when the goin' gets mean.
BLACK OR WHITE, 2
3. (rapping) in D
Protection for gangs, clubs, and nations,
causing grief in human relations.
It's a turf war on a global scale,
I'd rather hear both sides of the tale.
See, it's not about races, just places, faces.
Where your blood comes from is where your space is.
I've seen the bright get duller,
I'm not going to spend my life being a color.
G
Don't tell me you agree with me,
DGGGDGGGD ~
when I saw you kicking dirt in my eye.
A
G DGGGDGGGD ~
A
I said, if you're thinkin' about my baby,
G DGGGDGGGD ~
A
I said, if you're thinkin' of being my brother,
G DGGGDGGGD ~
DGGGDGGGD ~ ..... (rep. and fade)
(Orig. = Capo 2) (Michael Jackson)

Version 04 /1.01 April 2004 177
ME AND BOBBY MCGEE (JANIS JOPLIN)
intro: G C G C G C G C
G G G G
Busted flat in Baton Rouge, waitin' for a train
G G D7 D7
When l's feelin' near as faded as my jeans
D7 D7 D7 D7
Bobby thumbed a diesel down just before it rained
D7 D7 G C G
And rode us all the way into New Orleans
G G G G
I pulled my harpoon out of my dirty red bandanna
G G7 C C
l's playin' soft while Bobby sang the blues
C C G G
Windshield wipers slappin' time, I was holdin' Bobby's hand in mine
D7 D7 D7 D7
We sang every song that driver knew
C C G G
Freedom's just another word for nothin' left to lose
D7 D7 G G
Nothin', it ain't nothin' honey, if it ain't free
C C G G
And feelin' good was easy, lord, oh, when he sang the blues
D7 D7 D7 D7
You know feelin' good was good enough for me
D7 D7 G G A A
Good enough for me and my Bobby McGee
A A A A
From the Kentucky coal mines to the California sun
A A E7 E7
Yeah Bobby shared the secrets of my soul
E7 E7 E7 E7
Through all kinds of weather, through everything we done
E7 E7 A A
Yeah Bobby baby kept me from the cold
A A A A
One day up near Salinas, loord, I let him slip away
A A7 D D
He's lookin' for that home and I hope he finds it
D D A A
Well I'd trade all my tomorrows for one single yesterday
E7 E7 E7 E7
To be holdin' Bobby's body next to mine
D D A A
Version 04 /1.01 April 2004 178
Freedom's just another word for nothin' left to lose
E7 E7 A A
Nothin', and that's all that Bobby left me
D D A A
Well, feelin' good was easy, looord, when he sang the blues
E7 E7 E7 E7
And feelin' good was good enough for me
E7 E7 A A
Good enough for me and my Bobby McGee yeah
A A A A
La da da, la da daa, la da daa da daa da daa
A A E7 E7
La da da da daa dadada Bobby McGeeah
E7 E7 E7 E7
Laa li daa da daa daa, la da daa da daa
E7 E7 A A
Laa la laa la daada Bobby McGeeah yeah
A A A A
La di da, ladida LA dida LA di daa, ladida LA dida LA di daa
A A E7 E7
Hey now Bobby now now Bobby McGee yeah
E7 E7 E7 E7
Lo lo Lo lolo Lo lo laa, lololo Lo lolo Lo lolo Lo lolo Lo la laa
E7 E7 A A
Hey now Bobby now now Bobby McGee yeah
A A
Lord, I called him my lover, I called him my man
A A
I said I called him my lover, did the best I can
A A E7 E7
C'mon, hey now Bobby now, hey now Bobby McGee, yeah
E7 E7 E7 E7
Lo lo lord, a lord, a lord, a lord, a lord, a lord, a lord oh
E7 E7 A A
Hey, hey, hey, Bobby McGee, lord
SUMMERTIME
Janis Joplin
hm7 cism7b5 Fis7 hm7 H7
Summertime, ain't the living is easy
em7 Fis7
Fish are jumping, ain't the cotton is high
hm7 cism7b5 Fis7 hm7
Oh, your daddy is rich and your ma is good locking
em7 Fis7 hm7 Fis7
So hush, little baby, don't you cry
Version 04 /1.01 April 2004 179
hm7 cism7b5 Fis7 hm7 H7
One of these mornings, you going to rise up singing
em7 Fis7
Then you spread your wings and you'll take the sky
hm7 cism7b5 Fis7 hm7
But till that morning, there's nothing can harm you
em7 Fis7 hm7
With daddy and mummy standing by
Version 04 /1.01 April 2004 180

MERCEDES BENZ
JOPLIN, JANIS
1. Oh Lord, won't you buy me a Mercedes Benz

My friends all drive Porsches, I must make amends
Worked hard all my lifetime, no help from my friends
Oh Lord, won't you buy me a Mercedes Benz
2. Oh Lord, won't you buy me a color-TV

Darling for Dollars is trying to find me
I wait for delivery each day until three
Oh Lord, won't you buy me a color-TV
3. Oh Lord, won't you buy me a night in the town

I'm counting on you, Lord, please don't let me down
Prove that you love me and buy the next round
Oh Lord, won't you buy me a night in the town
4. Oh Lord, won't you buy me a Mercedes Benz

My friends all drive Porsches, I must make amends
Worked hard all my lifetime, no help from my friends
Oh Lord, won't you buy me a Mercedes Benz
SEX MACHINE
Words and Music by JAMES BROWN
Shout:Fellas, I'm ready to get up and do my thing

I wanta get into it, man, you know....
Like a, like a sex machine, man,
Movin'... doin' it, you know
Can I count it off? (Go ahead)
Spoken: One, two, three, four!
Get up, get on up

Get up, get on up
Stay on the scene, like a sex machine
Wait a minute!
Shake your arm, then use your form
Stay on the scene like a sex machine
You got to have the feeling sure as you're born
Get it together right on, right on.
Get up, get on up......
I said the feeling you got to get

Give me the fever in a cold sweat.
The way i like it is the way it is; /I got mine and don't worry'
bout his /Get on up and then shake your money maker, /Shake your
money maker........
Version 04 /1.01 April 2004 181

HEY JOE
[C]Hey [G]Joe where ya' [D]goin' with that [A]gun in your hand? [E]
[E7]
I said [C]hey [G]Joe [D]where ya [A]goin' with that [E]gun in your hand?
[E7]
[C]I'm goin' out to [G]find my woman now [D]she's been [A]runnin' round
with some [E]other man [E7]
[C]I said I'm goin' out to [G]find my woman now [D]she's been [A]runnin'
'round with some [E]other man [E7]
Hey Joe tell me what are you gonna do?

Hey Joe tell me what are you gonna do?
Well I guess I'll shoot my woman that's what I'll do
Well I guess I'll shoot them both before I'm through
Hey Joe tell me where are you gonna go?

Hey Joe tell me where are you gonna go?
Well I think I'll go down to my favourite place Mexico
Well I think I'll go down to where a man can be free
And there ain't gonna be no hangmans ropes gonna be put around me
Version 04 /1.01 April 2004 182

CROSSTOWN TRAFFIC}
{st: Jimi Hendrix}

{define: A7#9--| base-fret 4 frets 2 1 2 2 - -}
{define: C#7#9-| base-fret 3 frets - 2 1 2 3 -}
{define: G#7---|b5 base-fret 3 frets - 2 2 3 1 -}
{sot}
C#7#9 F#7
------------------------9------ -----------------------------|
------9-9-9-9-9-9-9-9-9---11\\9- -----12-9-------------------|
-11^^-------------------------- -/13------11\\9----11-9------|
------------------------------- ---------------11------------|
------------------------------- -----------------------------|
------------------------------- -----------------------------|
{eot}
[C#7#9]You jump in front of my car when you, [F#7]you know all the
time, that a
[C#7#9]Ninety mi-les an hour girl is the [F#7]speed I drive
[Bm7]You tell me it's al-right, [E7b9]you don't mind a little pain
[Am7]You say you just want me to [G#7b5]take you for a drive
You're just like

{soc}
[C#7#9](Crosstown traffic) so hard to [F#7]get through to you
[C#7#9](Crosstown traffic) I don't need to [F#7]run over you
[C#7#9](Crosstown traffic) all you do is slow me down
and I'm [Bsus4]trying to get to the other side of town
{eoc}
[C#7#9]I'm not the only soul who's [F#]accused of hit and run
[C#7#9]Tyre tracks all across your back I can [F#](heh) I can see
you had your fun
But ah, [B7#9] darlin' can't you see my [E7b9]signals turn from
green to red
[A7#9]and with you I see a traffic jam [G#7b5]straight up ahead
{c: Chorus (twice)}
Version 04 /1.01 April 2004 183

VOODOO CHILD (SLIGHT RETURN)
(Album 'Electric Ladyland')
Well, i stand up next to a mountain

And i chop it down with the edge of my hand
Yeah
Well, i stand up next to a mountain

And i chop it down with the edge of my hand
Well, i pick up all the pieces and make an island
Might even raise a little sand
Yeah
'Cause i'm a voodoo child

Lord knows i'm a voodoo child baby
I want to say one more last thing
I didn't mean to take up all your sweet time
I'll give it right back to ya one of these days
Hahaha
I said i didn't mean to take up all your sweet time
I'll give it right back one of these days
Oh yeah
If i don't meet you no more in this world then uh
I'll meet ya on the next one
And don't be late
Don't be late
'Cause i'm a voodoo child voodoo child
Lord knows i'm a voodoo child
Hey hey hey
I'm a voodoo child baby
I don't take no for an answer
Question no
Yeah
Version 04 /1.01 April 2004 184

INTRO/MAIN RIFF
E--------------------------------------------|--------------------------
B------------11------------------------------|--------------------------
G--------/12----12p10----10--8---------------|--------------------------
D-10-10---------------10---------------------|--------------------------
A-10-10-----------------------------8--------|8-8--8-8--8-8--8-8--8--8--
E--8--8------------------------8h11---11p8-6-|6-6--6-6--6-6--6-6--6--6--
E----------------------------
B----------------------------
G-8-8--8-8--8-8--8-8--8------
D------------------------10\-
A----------------------------
E----------------------------
VERSE
x2
E|| ------------------|------------------- ||----------------------|
B|| --4--4------------|------------------- ||----------------------|
G||.--3--3------------|-2--2--------------.||----------------------|
D||.--2--2------------|-1--1--------------.||-6--6-----------------|
A|| --3--3------------|-3--3-------------- ||-8--8-----------------|
E|| ------------------|-1--1-------------- ||-6--6-----------------|
E-------------------|----------------------|------------------------|
B-------------------|----------------------|------------------------|
G-8--8--------------|----------------------|------------------------|
D-8--8--------------|-4--4-----------------|-3--3-------------------|
A-6--6--------------|-6--6-----------------|-5--5-------------------|
E-------------------|-4--4-----------------|-3--3-------------------|
E-------------------------------------
B-11-11--11-11--11-11--11-11--11--11\-
G-------------------------------------
D-------------------------------------
A-------------------------------------
E-------------------------------------
CHORUS BASE ON MAIN RIFF...I AIN'T Y'MUM, YOU CAN FIGURE IT OUT
INTERLUDE
E---------------------------|---------------------------------|
B------------------8--------|---------------------------------|
G-------/10--10------10-----|-------5b(6)--5b(6)--5b(6)r5p3p0-|
D-5--5------------------10\-|-5--5----------------------------|
A-5--5----------------------|-5--5----------------------------|
E-3--3----------------------|-3--3----------------------------|
>hold bend<
E---------------------------------------------------------
B---------------------------------------------------------
G-------10b(12)--10b(12)-----10b(12)-(12)--10--8----------
D-5--5-------------------------------------------10--8h10-
A-5--5----------------------------------------------------
E-3--3----------------------------------------------------
Version 04 /1.01 April 2004 185

VOODOO CHILD
Jimi Hendrix
Yeh I'm a VOODOO CHILD

Lord I'm a VOODOO CHILD
On the night I was born Lord

I swear the moon turned a fire red
the night I was born
I swear the moon turned a fire red
well my poor mother cried out well the gypsy was right
and she fell down right there
well moantain lions found me there waiting
and sent me off on a eagle's wing
moantain lions found me there waiting
and sent me off on a eagle's wing an eagle's wing baby
he took me past the outskirts of infinity
and when we came back he gave me Venus to sing hey
and he said fly on fly on cause I'm a
VOODOO CHILD VOODOO CHILD
hey yeh
Well I make love to you

and the Lord knows you feel no pain
Said I make love to you in your sleep
and Lord knows you felt no pain
(yeh that's what I say)
'cause I'm a million miles away
and at the same time I'm in your picture frame
(yeh tha's what I say now)
Version 04 /1.01 April 2004 186

LITTLE WING JIMI HENDRIX
Em G
WELL SHE'S WALKIN' THROUGH THE CLOUDS
Am Em7(VII)
WITH A CIRCUS MIND THAT'S RUNNING WILD.
Bm Bb Am G
BUTTERFLIES AND ZEBRAS AND MOONBEAMS AND, UH FAIRY TALES.
(SPOKEN)
Fadd9 C D D
THAT'S ALL SHE EVER THINKS ABOUT, RIDING WITH THE WIND.
Em G
WHEN I'M SAD, SHE COMES TO ME
Am Em7(VII)
WITH A THOUSAND SMILES SHE GIVES TO ME FREE.
Bm Bb Am
IT'S ALRIGHT, SHE SAYS IT'S ALRIGHT,
C G
TAKE ANYTHING YOU WANT FROM ME .
(SPOKEN)
Fadd9 C D D
ANYTHING ANYTHING
Em G Am7
FLY ON LITTLE WING
Em7(VII) Bm7 Bb Am C G Fadd9 C D D
Em G
YEA, YEA, YEA, YEA LITTLE BABY
Am7 Em7(VII) (fade out)
Am=5775555 Em7=X79787 Am7=575555 Bm=799777 Bm7=797777
Bb=688766 C=335553 D=557775 Fadd9=1X3013 Em=022000
Version 04 /1.01 April 2004 187

Intro (transcribed by ST1HZ@Jetson.UH.EDU)
H
e:---12\-------------------------------3-5-3-----------------------------|
B:---12\----------------------5--------3-3-3-------3--3------------------|
G:x--12\----x---------0-----5-5------0-----------4-5--5-4-5--4-----------|
D:x---------x--x--------5---5-7\--------------5----------------5---------|
A:x--12\----x--x--0-2---5-7------------------------------------------5--7|
E:-------0-----x-----------------2\3-----------------------------5-------|
e:------------------------------------------------------------------9-10-|
B:----------5-5-------------------8-10-8----------------------------7-10-|
G:--5-----5-7-5-7-----------------7------7--------7-7-7----7-----------7-|
D:--5-----------7--5-7--5------------------9---7--7-9-7-7--7-----9-------|
A:-----7-----------5-7--5------------------7-7-10-------10-7-------------|
E:------------------------5-7\-0-----------------------------7-----------|
e:-9--------7--------------------------------------------------------5/7-|
B:-7--7-10--7--------------------------------------------------------3/5-|
G:-7----------7------6---------5--5-5--5--------5-5--5------------0--0---|
D:------------9------8\7-----5-7--9-7--5--5--5--5-7--5------------5--5/7-|
A:------------------x---------------------8--7---------------------------|
E:--------------7-6-------5-----------------------------5\7--2/3---------|
e:-5--5\3-----------------------------------------------------------------|
B:-3--5\1--1---1---1--------1-----1--3\1--------------------7-------------|
G:-0--0----0---0---0--------0---0----2-------------------7--7-----7--7----|
D:----5\3----3-3-3-3--3-----------------------7----7-----7--9-----7--7--7-|
A:----------------------0-3---3----------3/5--5-5--5--5-----------------10|
E:------------------------------------------------------------------------|
e:--------|--Drums--|
B:--------|---------|
G:----7---|---------|
D:--7-7---|---------|
A:--7-----|---------|
E:--------|---------|
H P H H
e:--12\------------------------------------------------------------------|
B:--12\------------------------------------------------------------------|
G:--12\----------------0-2-0--------------------------------------------7|
D:---------------------2-------2-------------------------------5--7--5--7|
A:---------------------2--------------------5-7--------------------------|
E:-------0-----------------------0-0-0-0---------5-7--3------------------|
Well she's walkin through the clouds
H P
e:------------------------------------------------------------------------|
B:-------------------------------------------------------------8--10--8--8|
G:--7--7--7----------------------------------------------------7----------|
D:--9--7--7-----------------------9--7--7------7---7----------------------|
A:--------10----------------------7--7--10--7--10--7----------------------|
E:------------7---------------------------------------0-------------------|
with a circus mind that's running wild
Version 04 /1.01 April 2004 188

e:------------------------7--9--7----------------------------------------|
B:----8-------------------7--------10--7--7----H-p-------------H--P------|
G:------7---------------------------------7--7-9-7----------7--9--7------|
D:--------9----------------------------------------9--8--8--8--------7---|
A:-----------------------------------------------------------------------|
E:------------7----------------------------------------------------------|
butterflies and zebras and moonbeams
P Tab
e:------------------------------------3----3-3---------------------------|
B:----------------------------------1-0----3-3---------------------------|
G:5--5--5-----------------------------0-0--------5-4---------------------|
D:9--7--5-----5-5-5-5-5-5\---------------------------5-------------------|
A:------------8-7-8-7-8-8\-----------------------------------------------|
E:-------------------------3---------------------------3-----------------|
and, uh fairy tales that's all she ever think's about
e:---------------------------------------------|
B:---------------------------------------------|
G:-----------------------------------------7---|
D:---------(10)----------------------------7---|
A:---------------------12---9------------------|
E:------/8------/10---(10)-(10)-10--10-10------|
riding with the wind
H P H P
e:--------------0--------0-----------------------------------------------|
B:--------------0-2-0----12-14-12--------0-------------------------------|
G:--------------------------------14-12--9-------------------------------|
D:----------2-------------------------------12-9-------------------------|
A:----------2------------------------------------------------------------|
E:---/12\---0--------------------------------------------------------3---|
When I'm sad She comes to me
. . . .
e:-----------------------------------------------------------------------|
B:-----------------------------------------------------------------------|
G:-7/9\7/9\7/9\7---------------------------------------------------------|
D:-7/9\7/9\7/9\7---------------------------------------------------------|
A:-------------------------------------------------------5--7--5---------|
E:------------------12\--5-----------------------5-5--7-----------3--5--0|
With a thousand smiles She gives to me
H P H
e:-------------------------------------------------------------------9--10|
B:------------8--10--8-----------------------------------------------7--10|
G:------------7------------------------------------------------------7--7-|
D:------------------------------------------------------------------------|
A:---------------------------------12--12--14--14-------------------------|
E:----------------------12--12--0-------------------7---------------------|
free It's alright, she
H P
e:---9--7------------------------------------------------------------------|
B:---7--7--------------------5--7--5--5------------------------------------|
G:---7--7--------------------4---------------------------------------------|
D:------------9---------9--------------------7--9--7--7-------5-5-5-5-5-5-8|
A:--------------9----9-----------------------7--7--7--10------7-8-7-8-7-8-7|
E:----------------7--------------------------------------------------------|
says it's alright Take anything
Version 04 /1.01 April 2004 189

e:--------------------5/7--5\3--3---------------------------------------|
B:--------------------3/5--5\1--1---------------------------------------|
G:------------2/4-----0----0----0---------------------------------------|
D:--------------------5/7--5\3--3------------------------------12-12-12-|
A:---------------------------------------------10--10----------12-12-12-|
E:-------3---------3----------------------3/8----------8--/10--10-10-10-|
you want from me anything anything
Whammy Bar
e:---------------------------12\------------|
B:---------------------------12\------------|
G:---------------------------12\------------|
D:12-12--12--12-12--12-12-------------------|
A:12-12--12--12-12--12-10-------------------|
E:10-10--10--10-10--10-10-------------------|
Solo
e:------------------------------------------------------------------------|
B:-----15b(17)--15b(17)--15--12--12--15--12-----b(17)\15------------------|
G:--------------------------------------------------------12-------14b(16)|
D:------------------------------------------------------------------------|
A:------------------------------------------------------------------------|
E:13\---------------------------------------------------------------------|
Fly on little wing
e:--------------------------------------------------------------------|
B:---14---------------------------------------------------------------|
G:-b(16)--14b(16)-14---14b(16)\14--12--14--14b(16)\14b(16)---b(16)\14-|
D:--------------------------------------------------------------------|
A:--------------------------------------------------------------------|
E:--------------------------------------------------------------------|
P
e:-----------------------------------------------------------------------|
B:-------------------------------------------------10/12-----------------|
G:12------12-14b(16)-12-14-----12-14-12/14--12/14--------10/12--14b(16)--|
D:---14---------------------14-------------------------------------------|
A:-----------------------------------------------------------------------|
E:-----------------------------------------------------------------------|
H P
e:--------------------------------------------------------15--15----------|
B:12-13-12-13-12-13-12-----15b(17)--b(17)\15--12----------15--15----------|
G:---------------------12-------------------------14b(16)---------14b(16)-|
D:------------------------------------------------------------------------|
A:------------------------------------------------------------------------|
E:------------------------------------------------------------------------|
H P H P
e:-15------13----------13------------------------------------------------|
B:-15----------13------13----13------------------------------------------|
G:-----12----------12----------------------------------------------------|
D:-------------------------------12-14-12--------12-14-12----------------|
Version 04 /1.01 April 2004 190

A:-------------------------------12--------15----12--------15--15/17-----|
E:-----------------------------------------------------------------------|
H P Whammy bar
e:---------------------------------------12\-----------------12-----------|
B:---------------------------------------12\---------15b(17)------15b(17)-|
G:---------------------------------------12\------------------------------|
D:12--14--16--14--12--14--14--12--12--------------------------------------|
A:12--12--12--12--12--12--12--12--12--------------------------------------|
E:------------------------------------------------------------------------|
(with reverb or wah wah or something) Yeah,
e:------------------------------15---15----------15----------15----------|
B:15----------------------------15---15----------15----------15----------|
G:----14b(16)--14--12---14b(16)----------14b(16)-----14b(16)-----14b(16)-|
D:-----------------------------------------------------------------------|
A:-----------------------------------------------------------------------|
E:-----------------------------------------------------------------------|
yeah, yeah, yeah ... little wing wing
e:15-------------------------------------------------------|
B:15-------------------------------------------------------|
G:----b(16)\14--12--14------12--14--14b(16)--12--14--12----|
D:----------------------14-------------------------------14|
A:---------------------------------------------------------|
E:---------------------------------------------------------|
Version 04 /1.01 April 2004 191

PURPLE HAZE
eADe eADe eADe eADe
eGA eGA
e G A
1. Purple haze all in my brain,
e G A
lately things just don't seem the same.
e G A
Actin' funny, but I don't know why.
e A ~
'Scuse me while I kiss the sky
e G A
2. Purple Haze all around,
e G A
don't know if I'm comin' up or down.
e G A
Am I happy or in misery?
e A ~
Whatever it is, that girl put a spell on me
eADe eADe eADe eADe
e G A
3. Purple haze all in my eyes,
e G A
don't know if it`s day or night
e G A
You got me blowin', blowin' my mind.
e A ~
Is it tomorrow, or just the end of time?
eADe eADe eADe ......
(Jimi Hendrix)
Version 04 /1.01 April 2004 192

WITH A LITTLE HELP FROM MY FRIENDS
F-C-G F-C-G F-C-G F-C-G F-C-G~
G D Am
1. What would you do if I sang out of tune,
D D7 G
would you stand up and walk out on me ?
D Am
Lend me your ears and I'll sing you a song,
D D7 G
and I will try not to sing out of key.
F C G
Oh, I'm gonna get by with a little help from my friends !
F C G
I just keep trying, high with a little help from my friends !
F C G
I wanna get high, high with a little help from my friends!
F C G
I just hold on with my friends. U hu hu.
G D Am
2. What do I do when my love is away?
D D7 G
Does it worry you to be alone ? Oh no!
D Am
How do I feel by the end of the day ?
D D7 G
Are you sad because you're on your own ? I don't get sad!
+ CHORUS
Em G ------------------
Do you need anybody? I need somebody to love !
Em D
Could it be anybody? All I need is someone,
D7
Lord, I need someone, I want somebody to love. + CHORUS
G D Am
3. Would you believe in a love at first sight?
D D7 G
I'm certain that it happens all the time !
D Am
What do you see when you turn out the light ?
D D7
I don't see too much, but I know it's mine.
+ CHORUS
Em G ------------------
Do you need anybody? I need somebody to love !
Em D
Could it be anybody? All I need is someone
D7
Lord, I need someone, I want somebody to love.
+ CHORUS + CHORUS .......
(capo 2nd)
(Joe Cocker)
Version 04 /1.01 April 2004 193

COUNTRY ROADS
( JOHN DENVER )
G Em
Almost heaven, West Virginia,
D C G
Blue Ridge Mountains, Shenandoah River.
G Em
Life is old there, older than the trees,
D C G
younger than the mountains growin' like a breeze.
G D Em C
Country roads, take me home, to the place I belong,
G D C G
West Virginia, mountain momma, take me home, country roads.
G Em
All my mem'ries gather round her,
D C G
miner's lady, stranger to blue water.
G Em
Dark and dusty, painted on the sky,
D C G
misty taste of moonshine, teardrop in my eye.
G D Em C
G D C G
Em D G
I hear a voice in the morning hour she calls me.
C G D
The radio reminds me of my home far away.
Em F C
And drivin' down the road I get a feelin' that I
G D D7
should have been home yesterday, yesterday.
G D Em C
G D C G
G D Em C
Version 04 /1.01 April 2004 194

G D C G
Version 04 /1.01 April 2004 195

AMERICAN PIE
Don McLean
G D Em Am C
1. A long, long time ago, I can still remember how
Em D - D7
that music used to make me smile.
G D Em Am C
I knew if I had my chance that I could make those people dance
Em C D
and maybe they'd be happy for a while.
Em Am Em Am
But February made me shiver, with every paper I'd deliver,
C G Am C D
Bad news on the doorstep, I couldn't take one more step.
G D Em Am D
I can't remember if I cried when I read about his widowed bride,
G D Em C D7 G ~
Something touched me deep inside, the day, the music, died.
G C G D
So Bye - bye, Miss American Pie,
G C G D
drove my chevy to the levee but the levee was dry,
G C G D
Them good ole' boys were drinkin' whiskey and rye, singin'
Em A7 Em D - D7
This'll be the day that I die, This'll be the day that I die.
G \ Am C Am
2. Did you write the book of love and do you have faith in God above,
Em D - D7
if the Bible tells you so?
G D Em
Now do you believe in rock and roll,
Am C
can music save your mortal soul and
Em A7 D
Can you teach me how to dance real slow?
Em D
Well, I know that you're in love with him,
Em D
`cause I saw you dancing in the gym.
C G A7 C D7
You both kicked off your shoes, man I dig those rhythm and blues.
G D Em
I was a lonely teenage broncin' buck
Am C
with a pink carnation and a pick up truck,
G D Em C D7 G - C - G
but I kn
w I was out of luck the day, the music, died.
Version 04 /1.01 April 2004 196

Refrain
G Am
3. Now for ten years we've been on our own,
C Am
and moss grows fat on a rollin' stone,
Em D - D7
but that's not how it used to be.
G D Em
When the jester sang for the King and Queen,
Am C
in a coat he borrowed from James Dean,
Em A7 D
and a voice that came from you and me.
Em D
Oh and while the King was looking down,
Em D
the jester stole his thorny crown.
C G A7 C D7
the courtroom was adjourned, no verdict was returned.
G D Em Am C
And while Lenin read a book on Marx, the quartet practised in the park,
G D Em C D7 G - C - G
and we sang dirges in the dark the day, the music, died.
D
We were singin'...
Version 04 /1.01 April 2004 197

BOBBY BROWN, FRANK ZAPPA
C
1. Hey there people I'm Bobby Brown
a
They say I'm the cutest boy in town
d7
My car is fast, my teeth are shiney
G
I tell all the girls they can kiss my hiney
C
Here I a at a famous school
a
I'm dressing sharp and I'm acting cool
d7
I got a cheerleader here, wants to help with my paper
G
Let her do all the work and maybe later I'll rape her
F
Ref: Oh God I am the american dream
e a
I do not think I'm too extrem
d7 G
And I'm a handsome son of a bitch
I'm gonna get a good job and be real rich
(get a good, get a good, get a good, get a good job)
C
2. Women's liberation
a
Came creeping all across the nation
d7
I tell you people, I was not ready
G
When I fucked this dyke by the name of Freddy
C
She made a little speach then
a
uuh, she tried to make me say when
d7
She had my balls in a vice, but she left the dick
G
I guess it's still hooked on but now it shoots too quick
F
Ref: Oh God I am the american dream
e a
But now I smell like vaseline
d7 G
I'm a miserable son of a bitch
am I a boy or a lady, I don't know which
( I wonder, wonder, I wonder, wonder)
C
3. So I went out and bought me a leisure suit
a
Version 04 /1.01 April 2004 198
I jingle my change, but I'm still kinda cute
d7
Got a job doing radio promo
G
And none of the jocks can even tell I'm a homo
C
Eventually me and a friend
a
Sort of drifted along into S&M
d7
I can take about an hour on the tower of power
G
As long as I gets a little golden shower
F
Ref: Oh God, I am the american dream
e a
With a spindle up my butt 'till it makes me scream
d7 G
And I'll do anything to get ahead
I lay awake nights saying "Thank you, Fred"
F
Oh God, oh God, I'm so fantastic
e a
Thanks to Freddie, I'm a sexual spastic
F G
And my name is Bobby Brown
Watch me now, I'm going down
F G
And my name is Bobby Brown
Watch me now, I'm going down
Version 04 /1.01 April 2004 199

JACK AND DIANE (JOHN COUGAR MELLENCAMP)
A E D E
Little ditty about Jack and Diane
A E D A
Two american kids growin up in the heartland
A E D E
Jacky's gonna be a football star
A E D A
Diane debutante backseat of Jacky's car
Suckin' on chili dogs outside the tastee freeze
Diane's sittin' on Jacky's lap, he's got his hand between her knees
Jacky say "Hey Diane lets run off behind a shady tree"
Dribble off those Bobby Brooks let me do what I please.
And Jacky says
Refrain:
A E D E
Oh yeah life goes on
A E D E
Long after the thrill of livin is gone
A E D E
Oh yeah say life goes on
A E D A
long after the thrill of livin is gone, they walk on
Jacky sits back reflects his thoughts for the moment
Scratches his head and does his best James Dean.
Well you know Diane, we oughtta run of the city
Diane says "Baby, you aint missin' nothing"
Jacky says
Refrain
A D A E
Gonna let it rock, let it roll
A D A E
Let the Bible Belt come down and save my soul
A D A E
Hold on to 16 as long as you can
A D E A
Changes come around real soon make us women and men
Version 04 /1.01 April 2004 200
Little ditty about Jack and Diane
Two american kids doing the best they can
Version 04 /1.01 April 2004 201

AFTER DARK
Tito & Tarantula
B A B
Watching her
A B A B A
Strolling in the night so white
E5
Wondering why
F#5 B A B A B A B A
It's only After Dark
B A B
In her eyes
A B A B A
A distant fire light burns bright
E5
Wondering why
F#5 B A B A B A B A
It's only After Dark
E5 D E5 D
I find myself in her room
E5 D E5 D
Feel the fever of my doom
F# E F# E
Falling falling through the floor
F# B A B A
I'm knocking on the Devils door
[Solo] B A B A B A
E5 D E5 D
Burning burning in the flame
E5 D E5 D
Now I know her secret name
F# E5 F# E5
You can tear her temple down
F#
But she'll be back and rule again
B A B
In my heart
A B A B A
A deep and dark and lonely part
E5
Wants her and waits for
B C D E F#
After Dark After Dark After Dark After Dark After Daaaaark
Solo
E :-------------------|------------------|-----------------------|
B :-------------------|------------------|-----------------------|
G :----11-9-----------|------11-p9-9-----|-------11^-9-11^-9-11^-|
D :---------9---------|--------------9-9-|12-9-------------------|
A :7-9----------------|7-7-9-------------|-----7*----------------|
E :-----------7-10-10-|------------------|-----------------------|
E :-----------------------|----7-10---------7-|h10-7~-11^-13^-7--------|------------------|
B :-----7-10^-------------|-------------------|------------------------|---9-12-9---------|
G :9-11-------11----------|9------------------|------------------------|9^----------------|
D :--------------9-h12-12-|--9------9-12-12---|-----------------9-12-9-|------------------|
A :-----------------------|-------------------|------------------------|------------------|
E :-----------------------|-------------------|------------------------|------------------|
-----------------------
Version 04 /1.01 April 2004 202

DUST IN THE WIND
Einleitung: C Am C Am G
C G Am G Dm Am
I close my eyes only for a moment and the moment's gone
C G Am G Dm Am
All my dreams pass before my eyes a curiosity
Dm Em Am Dm Em Am
Dust in the wind all they are is dust in the wind
C G Am G Dm Am
Same old song just a drop of water in an endless sea
C G Am G Dm Am
All we do crumbles to the ground through we refuse to see
Dm Em Am Dm Em Am
C G Am G Dm Am
Don't hang on nothing last forever but the earth and sky
C G Am G Dm Am
It slips away all your money won't another minute buy.
Dm Em Am Dm Em Am
Version 04 /1.01 April 2004 203

LOLA KINKS
)
Einleitung: C D E
E
I met her in a club down in old Soho where you
A D E
drink champagne and it tastes like Cherry Cola,
A
see oh lay Cola.
E
She walked up to me and she ask me to dance
A D
I ask her her name and in a dark brown voice she said:
E A D C D E
Lola, el oh lay Lola, la la la la Lola.
E
Well I'm not the world's most physical guy,but when she
A D E
squeezed me tight she nearly broke my spine, oh my Lola
A
la la la la Lola
E
Well I'm not dumb but I can't understand she
A D E
walked like a woman and she talked like a man, oh my Lola
A D C D E
la la la la Lola, la la la la Lola
H7
Well we drank champagne and danced all night
F#7
under electric candle light,
A
she picked me up and sat me on her knee and said
Dear boy, won't you come home with me?
E
Well I'm not the world's most passionate guy, but when I
A D E
looked in her eyes well I almoust feel for my Lola,
A D C D E
la la la la Lola, la la la la Lola.
A E H A E H
I pushed her away, I walked to the door,
A E H E G# C#m
I fell to the floor, I got down on my knees
H
then I looked at her and she at me.
Version 04 /1.01 April 2004 204

E
Well, that's the way that I want it to stay and I
A D E
always want it to be that way for my Lola,
A
la la la la Lola.
E
Girls will be girls and boys will be boys, it's a
A D E
mixed up, muddled up, shock up world exept for my Lola
A
la la la la Lola.
H7
Well, I left home just a week before and
F#
I'd never ever kissed a woman before
A
but Lola smiled and took me by the hand and said:
Dear boy I'm gonna make you a man
E
Well I'm not the world's masculine man,but I
A D E
know what I am and I'm glad I'm a man and so is Lola
A D C D E
la la la la Lola, la la la la Lola.
E A D C D E
: Lola, la la la la Lola, la la la la Lola :
Version 04 /1.01 April 2004 205

FREEDOM
Robbie Williams
Intro:
D C G
I wońt let you down I will not give you up
D
Gotta have some faith in the sound it´s the one good thing that I´ve got
D C G
I won´t let you down So please don´t give me up
D D | C | G | D |
Because I would really really love to stick around
Strophe:
A G
Heaven knows I was just a young boy
D | D |
Didn´t know what I wanted to be
A
I was every little hungry schoolgirls
G D | D |
Pride and joy And I guess it was enough for me
A
To win the race ? A prettier face !
G D | D |
Brand new clothes and a big fat place On rock and roll TV
A G
But today the way I play the game is not the same
D
No way - think I´m gonna Get me some happy
Bridge:
Dm A7
I think there´s something you should know
C
I think it´s time I told you so
G
There´s something deep inside of me
Dm
There´s someone else I´ve got to be
A7
Take back your picture in a frame
C
Take back your singing in the rain
G G7
I just hope you understand Sometimes the clothes do not make the man
Refrain:
D C G C
All we have to do know Is take these lies And make them true somehow
D C G
All we have to see Is that I don´t belong to you And you don´t belong to me yeah
D C
Freedom - I wont let you down
G
Freedom - I will not give you up
D
Freedom - Gotta have some faith in the sound it´s the one good thing that I´ve got
D C
Freedom - I won´t let you down
G
Freedom - So please don´t give me up
D
Freedom - Because I would really really love to stick around stick around
Version 04 /1.01 April 2004 206
Strophe:
Heaven knows we sure had some fun, boy What a kick: Just a buddy and me
We had every big shot good-time band on the run boy we were living in a
fantasy
We won the race Got out of the place I went back home Got a brand new face
For the boys on MTV
But today the way I play the game Has got to change Oh yeah - now I´m gonna
get myself Happy
Bridge:
I think there's something you should know
I think it's time I stopped the show
There's something deep inside of me
There's someone I forgot to be
Take back your picture in a frame
Don't think that I'll be back again
I just hope you understand Sometimes the clothes do not make the man
Refrain:
All we have to do know Is take these lies And make them true somehow
All we have to see Is that I don´t belong to you And you don´t belong to me
yeah
Freedom - I wont let you down
Freedom - I will not give you up
Freedom - Gotta have some faith in the sound it´s the one good thing that I
´ve got
Freedom - I won´t let you down
Freedom - So please don´t give me up
Freedom - Because I would really really love to stick around stick around
Freedom - I wont let you
Freedom - So please dont let me
Freedom - You gotta give, give give...
Version 04 /1.01 April 2004 207

BUONA SERA
A– E – E –A
---- A
1. Buona sera signorina buona sera,
E
it is time to say goodnight to Napoli,
E7
though it's hard for us to whisper buona sera,
E E7 A
with that old moon above the Mediterranean Sea.
In the morning signorina we'll go walking,

A7 D
where the mountains help the moon come into sight,
Dm A
and by the little jewelry shop we'll stop and linger,
E A
while I buy a wedding ring for your finger.
A7 D
In the meantime let me tell you that I love you,
A E A
buona sera signorina kiss me goodnight,
E A
buona sera signorina kiss me goodnight.
2. = repeat everything
(capo 1st)
(Dean Martin)
Version 04 /1.01 April 2004 208

LOSING MY RELIGION
G Am Em Am
1. Oh life is bigger, it's bigger than you, and you are not me,
Em Am
the lengths that I will go to, the distance in your eyes.
Em Dm G
Oh now, I've said too much, I've said enough.
Am Em Am
2. That's me in the corner, that's me in the spot light, losing my religion,
\ Em Am \
trying to keep up with you, and I don't know if I can do it.
Em Dm G
Oh now, I've said too much, I haven't said enough.
F
I thought that I heard you laughing.
Dm G Am F Dm G Am
I thought that I heard you sing. I think I thought I saw you cry.
G Am Em Am
3. Every whisper, every waking hour, I'm choosing my confessions,
\ Em Am
trying to keep an eye on you, like a hurt, lost and blinded fool, fool.
Em Dm G
Oh no, I've said too much, I've said enough.
Am Em
4. Consider this, consider this hint of the century.
Am \ Em
Consider this, the slip, that brought me to my knees, pale.
Am Em Dm G
What if all these fantasies come flaming aground, Oh now, I said too
much.
C Am C Am - G +
+ CHORUS That was just a dream, that was just a dream.
5. = 2. + REFRAIN
F Dm Am
But that was just a dream, try, cry, why try.
F Dm G Am F G Am
That was just a dream, just a dream, just a dream, dream.
(R.E.M.)
Version 04 /1.01 April 2004 209

EVERYBODY HURTS
DGDGD G D G D
1. When the day is long, and the night, the night is yours alone.
G D G
When you're sure you've had enough, of this life, well, hang on.
Am A Em A Em
Don't let yourself go, everybody cries,
A D G
and everybody hurts. ~ ~ Sometimes.
D G D
2. Sometimes everything is wrong, now it's time to sing along.
G D
When your day is night alone, hold on,
G D
if you feel like letting go, hold on,
G D G
when you think you've had too much, of this life, well, hang on.
Em A Em A Em A
Everybody hurts, take comfort in your friends, everybody hurts,
F# Bm F# Bm F# Bm
Don't throw your hand, oh no, don't throw your hand.
C G C Am
when you feel like you're alone, no, no, no, you are not alone. ~ ~
D G D G
3. If you're on your own, in this life, the days and nights are long
D G D G
When you think you've had too much, of this life, to hang on
Em A Em A
Well everybody hurts, sometimes, everybody cries
Em A D G
everybody hurts. ~~ sometimes.
D G D G D
But everybody hurts, sometimes, so hold on, hold on, hold on.....
(R.E.M.)
Version 04 /1.01 April 2004 210

SHINY HAPPY PEOPLE
F–Dm–Am–Bb (2x) A–D–G–A D–A-G
A D G A - D –A – G -A
Shiny happy people laughing.
Em G D
1. Meet me in the crowd, people, people.
Em G D
Throw your love around, love me, love me.
Em G D
Take it into town, happy, happy.
Em G D
Put it in the ground where the flowers grow.
F D - D7 A – D – G –A
Gold and silver shine.
D A G A
Shiny happy people holding (hands).
D A G A
Shiny happy people holding (hands).
D A G A
Shiny happy people laughing.
Em G D
2. Everyone around, love them, love them.
Em G D
Put it in your hands, take it, take it.
Em G D
There's no time to cry, happy, happy.
Em G D
Put it in your heart where tomorrow shines.
F D -D7 A–D–G–A
Gold and silver shine. + CHORUS
F–Dm–Am–Bb (2x) A–D–G–A D–A-G A–D–G–A
+ CHORUS (3x) .....
(capo 2nd)
(R.E.M.)
Version 04 /1.01 April 2004 211

BOHEMIAN LIKE YOU
Chords used:
e|-7----7----10----10----5----5----12----12--|
B|-7----7----10----10----5----5----12----12--|
G|-8----9----11----12----6----7----13----14--|
D|-x----x----x-----x-----x----x----x-----x---|
A|-9----9----12----12----7----7----14----14--|
E|-7----7----10----10----5----5----12----12--|
B Bsus4 D Dsus4 A Asus4 E Esus4
e|-----------------------|
B|-----------------------|
G|-----------------------|
D|-9----12----7----14----|
A|-9----12----7----14----|
E|-7----10----5----12----|
(B) (D) (A) (E)
Note-When playing the barre chords in this song use your little finger
to play the sus4's which 'go' with them.
INTRO/CHORUS
B B Bsus4 Bsus4 B
D D Dsus4 Dsus4 D
A A Asus4 Asus4 D
EE Esus4 EE Esus4 (drums)
B B Bsus4 Bsus4 B
D D Dsus4 Dsus4 D
A A Asus4 Asus4 A
EEE Esus4 EE Esus4
Bass part(played in other parts of song aswell.usually played on the

keyboard bass)
G|-4/2--------------|
D|------4-----------|
A|---------2-2--(0)-| x4
E|------------------|
There are also chords played over this bassline when it is played
between verses which go (B) (B) (B) then three B's played on the
second fret -one string down
(VERSE)-
(FILL bass part)x4
(Finish on two B's)-
e|----------------|
B|----------------|
G|-4--------------|
D|-4--9-----------|
A|-2--9-----------|
E|----7-----------|
Version 04 /1.01 April 2004 212

(B) (D)
You've got a great car,yeah whats wrong with it today?
(A) (E)
I used to have one too-maybe i'll come and have a look,
(B) (D) (A)
I really love...your hairdo yeah,i'm glad you like mine
(E)
too see what looking pretty cool will get-ya!
(FILL Bass part) x4
(B) (D)
So what do you do,oh yeah i wait tables too
(A) (E)
No i havent heard your band,-cause you guys are pretty new
(B) (D) (A)
But if you dig...on vegan food,well come over to my work
(E) (B)
i'll have them cook you something that you'll really love
(D) (A) (E)

Cause i like you,yeah i like you,and i'm feeling so
(B) (D) (A) (E)
bohemian like you,yeah i like you,yeah i like you and i feel
WHOA HO WOO!
(CHORUS-intro chords)
ooh ooh oooh 4 X

Wait!
(VERSE)-play palm muted
(B) (D)
Whos that guy just hanging at your pad?
(A) (E)
He's looking kinda bummed-yeah you broke up thats too bad
(B) (D) (A)
I guess its fair...if he always pays the rent and he doesnt
(E) (B)-play loud
get bent about sleepin on the couch when i'm there
(D) (A) (E)

Cause i like you,yeah i like you,and i'm feeling so
(B) (D) (A) (E)
bohemian like you,yeah i like you,yeah i like you and i feel
WHOA HO WOO!
(CHORUS-intro chords)
ooh ooh oooh 3 X
(B) (D) (A)

I'm getting wise and i'm feeling so bohemian like you,its
(E) (B) (D) (A)
you that i want so please,just a casual,casual easy thing,
(E) (B)
is it,it is for me
(D) (A) (E)

And i like you,yeah i like you and i like you,i like you, i
(B) (D) (A)
like you,i like you, i like you, i like you,i like you,
(E)
and i feel WHOA HO WOO! /(CHORUS-intro chords) /ooh ooh oooh 4 X
Version 04 /1.01 April 2004 213

BECAUSE I GOT HIGH
G C
I was gonna clean my room until I got high
D C G
I gonna get up and find the broom but then I got high
C
my room is still messed up and I know why
G D G
- cause I got high - cause I got high - cause I got high
G C
I was gonna go to class before I got high
D C G
I coulda cheated and I coulda passed but I got high
C
I am taking it next semester and I know why
G D G
cause I got high - cause I got high - cause I got high
G C
I was gonna go to work but then I got high
D C G
I just got a new promotion but I got high
C
now I'm selling dope and I know why
G D G
G C
I was gonna go to court before I got high
D C G
I was gonna pay my child support but then I got high
C
they took my whole paycheck and I know why
G D G
G C
I wasnt gonna run from the cops but I was high
D C G
I was gonna pull right over and stop but I was high
C
Now I am a paraplegic and I know why
G D G
because I got high - cause I got high - cause I got high
G C
I was gonna pay my car note until I got high
Version 04 /1.01 April 2004 214

D C G
I was gonna gamble on the boat but then I got high
C
now the tow truck is pulling away and I know why
G D G
because I got high - cause I got high - cause I got high
G C
I was gonna make love to you but then I got high

D C G
I was gonna eat yo pussy too but then I got high
C
now I'm jacking off and I know why
G D G
G C
I messed up my entire life because I got high
D C G
I lost my kids and wife because I got high
C
now I'm sleeping on the sidewalk and I know why
G D G
- cause I got high - cause I got high - cause I got high
G C
I'm gonna stop singing this song because I'm high
D C G
I'm singing this whole thing wrong because I'm high
C
and if I dont sell one copy I know why
G D G
- cause I'm high - cause I got high - cause I got high
Version 04 /1.01 April 2004 215

YOU GET WHAT YOU GIVE
---------------------
New Radicals
Dmaj7 = x576xx, Cmaj7 = x354xx, Asus = x0223x
:
Cmaj7
Dmaj7 But hey we do it in style
Wake up kids Dmaj7
Cmaj7 The bad rich
We've got the dreamers disease Cmaj7 G Asus A
Dmaj7 God's flying in for your trial
Age fourteen
Cmaj7 F# Bm A
We got you down on your knees But when the night is falling
Dmaj7 G D E
So polite And you cannot find a friend (friend)
Cmaj7 G Asus A F# Bm A
You're busy still saying please You feel your dream is breaking
Dmaj7 E
Frienemies Just mend
Cmaj7 A
Who when you're down ain't your friend You got the music in you
Dmaj7 D
Every night Don't let go
Cmaj7 Asus A
We smash their Mercedes Benz You got the music in you
Dmaj7 F#
First we run One dance left
Cmaj7 G Asus A Bm A
And then we laugh till we cry This world is gonna pull through
D
CHORUS: Don't give up
Asus A
F# Bm A You've got a reason to live
But when the night is falling F#m Bm A G
G D E Can't forget we only get what we give
And you cannot find the light (light) C G
F# Bm A
If you feel your dreams are dying Dmaj7 Cmaj7 G
E This whole damn world can fall apart
Hold tight Dmaj Cmaj7 G
A You'll be ok follow your heart
You've got the music in you Dmaj7 Cmaj7 G
D You're in harms way I'm right behind
Don't let go Dmaj7 G A G
Asus A Now say you're mine
You've got the music in you A
You've got the music in you
F#m D
One dance left Don't let go
Bm A Asus A
This world is gonna pull through You got the music in you
D F#
Don't give up One dance left
Asus A Bm A
You've got a reason to live This world is gonna pull through
F#m Bm A G D
Can't forget we only get what we give Don't give up
C G Asus A
You've got a reason to live
Dmaj7 F#m Bm A
Four a.m. Can't forget we only get what we give
Cmaj7
We ran a miracle mile
Dmaj7
We're flat broke
Version 04 /1.01 April 2004 216
D
D Health insurance rip off lying
Don't let go Asus A
Asus A Fda big bankers buying
I feel the music in you F#m
F#m Bm A Fake computer crashes dining
Don't let go Bm A
Cloning while they're multiplying
D Asus A D
Fly Fashion shoots with Beck and Hanson
F# Bm A Asus A
High Courtney Love and Marilyn Manson
D Asus A F#m
What's real You're all fakes - run to your
F# Bm A mansions
Can't die Bm A
D Asus A Come around we'll kick your ass in
You only get what you give D Asus A
F#m Bm A Don't let go
You're gonna get what you F#m Bm A
give One dance left
D Asus A D Asus A
(Don't give up) Just dont be afraid to Don't give up
F#m Bm A F#m Bm A
leave Can't forget
INTRO:
E----9--9-----9--9-----9---|----17-17----17-17----17--|
B---10-10----10-10----10---|----15-15----15-15----15--|
G--------------------------|--------------------------| 4x
D--------------------------|--------------------------|
A--------------------------|--------------------------|
E--------------------------|--------------------------|
bend
E----10-10-10-10-10-10-10--|-10-10-10-10-10-10-10-10--|-10-10-10-10-10-10-10-10--|
B----10-10-10-10-10-10-10--|-10-10-10-10-10-10-10-10--|-10-10-10-10-10-10-10-10--|
G-10-----------------------|--------------------------|--------------------------|
D--------------------------|--------------------------|--------------------------|
A--------------------------|--------------------------|--------------------------|
E--------------------------|--------------------------|--------------------------|
Version 04 /1.01 April 2004 217

GONE TILL NOVEMBER
Artist: Wyclef Jean

Album: The Carnival
The Tabs below is continued with a few changes in the CHORUS

*The 1. Chorus starts here
e:-----------0------------0---------------0--------------0---
B:---------0---0--------0---0-------2-3-----3--2-2-3---0---0-
G:-1-1-2-4-------2-2-4-1------3/4-4-----4------------4-------
D:-----------------------------------------------------------
A:-----------------------------------------------------------
E:-----------------------------------------------------------
e:-------------0-------------0-------------0-----------------
B:-------2-3-----3--2-2----0---0---------0---0---------------
G:-3/4-4-----4-----------4-------2-2-4-1-------1-1-0---------
D:---------------------------------------------------2-------
A:-----------------------------------------------------------
E:-----------------------------------------------------------
3/4 = slide from 3rd fret to 4th fret
The song opens with the guitar and Wyclef gives a talking
Intro/Dedication while this tab is played through for the first time.
He starts the chorus on the 6th note in the tab (the open e) the second
time the tab is played:
CHORUS
Everytime I make a run, girl you turn around and cry
I ask myself, why o' why
See you must understand, I can't work a 9 to 5
So I'll be gone, till november
Said I'll be gone till november I'll gone till november
Yo tell my girl yo I'll be gone till november
I'll be gone till november I'll be gone till november
Yo tell my girl yo I'll be gone till november
January, February, March April May
I see you cryin', but girl I can't stay
I'll be gone till november I'll be gone till november
And give a kiss to my mother
VERSE 1
Girl I gotta leave, please don't cry
When I come back you know the limit's the sky
I'll take you out to dinner to your favorite spot
Feed you an aphrodisiac just to get you high
Drive by movies, by the cemetary
If my corpse could talk then I would tell you I was sorry
Lifestyles of the rich and famous
Some die with the name some die nameless
CHORUS
VERSE 2
Yeah mon, I had to do somethin' so I'm knockin' on Heaven's door
Like a Bob Dylan
Never contemplatin', the charges that I'm facin'
My newborn son I hope I see his graduation
Take him to a movie, by the cemetary
If my corpse could talk then I would tell him I was sorry
Lifestyles of the rich and famous
Some die with the name some die nameless
CHORUS
Version 04 /1.01 April 2004 218
JESUS JUST LEFT CHICAGO
ZZ TOP
Jesus Just Left Chicago –ZZ Top
G Gsus G Gsus G Gsus

Jesus just left chicago and he’s bound for new orleans.
C Csus C Csus G
Gsus
Well now, jesus just left chicago and he’s bound for new orleans.
G Gsus
Yeah, yeah.
A C G
Workin’ from one end to the other and all points in between.
E-----|-3---3-----3-----3-----|
B-----|-----------------------|
G---0-|-----------------------|
D-----|---3---3-2---2-1-------|
A-1---|-------------------1---|
E-----|---------------------3-|

Took a jump through mississippi, well, muddy water turned to wine.
C Csus C Csus G
Gsus
Took a jump through mississippi, muddy water turned to wine.
G Gsus
Yeah, yeah.
A C G
Then out to california through the forests and the pines.
Ah, take me with you, jesus.
Solo
E-----|-3---3-----3-----3-----|
B-----|-----------------------|
G---0-|-----------------------|
D-----|---3---3-2---2-1-------|
A-1---|-------------------1---|
E-----|---------------------3-|

You might not see him in person but he’ll se you just the same.
C Csus C Csus G
Gsus
You might not see him in person but he’ll se you just the same.
G Gsus
Yeah, yeah.
A C G
You don’t have to worry ’cause takin’ care of business is his name
E-----|-3---3-----3-----3-----|
B-----|-----------------------|
G---0-|-----------------------|
D-----|---3---3-2---2-1-------|
A-1---|-------------------1---|
E-----|---------------------3-|
Version 04 /1.01 April 2004 219

HOOCHI COOCHI MAN
Gypsy woman told my mother

Before I was born
She said "You got a boy-child coming,
Gonna be a son-of-a-gun
He gonna make pretty women
Jump and shout
And the world's gonna know
What's it all about
Don't you know what I'm saying!

Yeah, everybody knows I'm him
I said I'm your hoochie coochie man
You'd better believe I'm him!
I've got a black cat bone

I've got a mojo too
I've got a little bottle of Johnny confidence
I'm gonna mess with you
Hey! I'll pick you up
Lead you by the hand
And the world's gonna know
I'm your hoochie coochie man
Refrain:
On the seventh hour

Of the seventh day
Of the seventh month
Seven black girls say
He was born for good luck
And you will see
I got seven hundred dollars, baby,
Don't you mess with me!
!
Version 04 /1.01 April 2004 220

SUPERGIRL
Em - D - Am - C Em - D - Am - C
Em D
1. You can tell by the way she walks that she's my girl,
Am C
you can tell by the way she talks she rules the world.
Em D
You can see in her eyes that no one is her change,
Am C
she's my girl, my supergirl.
G D
And then she'd say, "It's ok, I got lost on the way,
Em C
but I'm a supergirl, and supergirls don't cry.
G D
And then she'd say, "It's alright, I got home late last night
Em C
but I'm a supergirl and supergirls just fly."
Em D
2. And then she'd say that nothing can go wrong.
Am C
"When you're in love, what can be wrong?"
Em D
And then she'd laugh the night time into day,
Am C
pushing her fear further along.
G D
And then she'd say, "It's ok, I got lost on the way,
Em C
but I'm a supergirl, and supergirls don't cry.
G D
And then she'd say, "It's alright, I got home late last night
Em C
but I'm a supergirl and supergirls just fly."
G D
And then she'd shout down the line, tell me she's got no more time,
Em C
'cause she's a supergirl and supergirls don't cry.
G D
And then she'd scream in my face, tell me to leave, leave this place,
Em C
cause she's a supergirl and supergirls just fly.
G D
Yes, she's a supergirl, a supergirl,
Em
she's sowing seeds, she's burning trees,
C
she's sowing seeds, she's burning trees.
G D Em C - Em
Yes, she's a supergirl, a supergirl, a supergirl, my supergirl.
(capo 2nd)
Version 04 /1.01 April 2004 221

(Reamonn)
Version 04 /1.01 April 2004 222

SHE BANGS
Em – B7 - Em
Em - B7
1. Talk to me, tell me your name, you blow me off like it’s all the same,
Em
you lit a fuse, and now I’m tickin’ away, like a bomb, yeah baby
Em - B7
Talk to me, tell me your sign, you’re switchin’ sides like a Gemini,
Em
you’re playin’ games and now you’re hittin’ my heart, like a drum,
yeah baby !
Am Em
Well if Lady Luck gets on my side, we’re gonna rock this town alive,
F#
I’ll let her rough me up, till she knocks me out,
B7
she walks like she talks, and she talks like she walks. And
Em
She bangs, she bangs, oh baby,
B7
when she moves, she moves, I go crazy,
‘cause she looks like a flower but she stings like a bee,
Em
like every girl in history.
Em
She bangs, she bangs, I’m wasted by the way she
B7
moves, she moves, no one ever looked so fine,
she reminds me that the woman’s got

Em
one thing on her mind.
Em - B7
2. Talk to me, tell me your name, I'm just a link in your daisy chain,
Em
your rap sounds like a diamond map, to the stars, yeah baby !
Em - B7
Talk to me, tell me the news, you wear me out like a pair of shoes,
Em
we’ll dance until the band goes home, then you're gone, yeah baby !
Version 04 /1.01 April 2004 223

Am
Well, if it looks like love should be a crime,
Em
you'd better lock me up for life.
F#
I’ll do the time with a smile on my face
B7
thinkin' of her in her leather and lace
+ CHORUS + Em – B7 - Em
Am Em
Well if Lady Luck gets on my side, we’re gonna rock this town alive,
F#
I’ll let her rough me up, till she knocks me out,
B7
she walks like she talks, and she talks like she walks. And
+ CHORUS + CHORUS ….
(capo 2nd)
(Ricky Martin)
Version 04 /1.01 April 2004 224

LIVIN' LA VIDA LOCA
Am – G – Am – E - Am (2x)
Am G Am E Am
1. She's into superstition, black cats and voodoo dolls.
G Am E Am
I feel a premonition, that girl's gonna make me fall.
Am – G – Am – E - Am
Am G Am E Am
2. She's into new sensation, new kicks and candle light,
Am G Am E Am
she's got a new addiction for every day and night.
Dm Em
She'll make you take your clothes off and go dancing in the rain.
Dm G E
She'll make you live the crazy life, as she'll take away your pain,
like a bullet to your brain.
Am E Am
Upside, inside, out, livin' la vida loca,
E Am
She'll push and pull you down, livin' la vida loca.
E AM
Her lips are devil red, and her skin's the color mocha,
\ E Am
she will wear you out, - LIVIN' LA VIDA LOCA - (3x)
Am – G – Am – E - Am (2x)
Am G Am E Am
3. Woke up in New York City, in a funky cheap hotel,
G Am
she took my heart and she took my money,
E Am
she must have slipped me a sleeping pill.
Dm Em
She never drinks the water, makes you order French champagne,
Dm G E
and once you've had a taste of her, you'll never be the same,
yes, she'll make you go insane
+ CHORUS
Dm Em
She'll make you take your clothes off and go dancing in the rain.
Dm G E
She'll make you live the crazy life, as she'll take away your pain,
like a bullet to your brain.
+ CHORUS.....
(capo 4th)
Version 04 /1.01 April 2004 225
(Ricky Martin)
Version 04 /1.01 April 2004 226

BAMBOLEO - GIPSY KINGS
Em B7 Em
1. Este Amor llega asi esta manera
B7 Riff 2
No tiene la culpa
B7
Caballo le ven sabana
Porqué muy depreciado
Em Em6(add9) Em
Por eso no te perdo'n de llorar
2. Este Amor llega asi esta manera

No tiene la culpa
Amor de comprementa Amor del mes pasado
Bembele, bembele, bembele,
Bem, bembele, bembele
Em Am B7
Ref. Bamboleo, bambolo, Porque mi vida,
Em Em6(add9)
yo la prefiero vivir asi
Em6(add9) Am7 D7
No tiene pardon de dios. Tu eres mi vida,
Gmaj7
la fortuna del destino
C Am7
Pero el destino tendressa parados
B7 Em Em6(add9)
Lo mismo que ayer Lo mismo soy yo
Em Am7
No te encuentro a l'abandon
D7 Gmaj7
Es imposible no te encuentro de verdad
C Am
Por eso un dia no cuento si de nada
B7 Em Em6(add9)
Lo mismo que ayer Yo pienso en ti
Version 04 /1.01 April 2004 227

BAILA ME
Gipsy Kings
G D
Cuando se marea el dolores , cuando se quema d´ amore
D7 G
Cuando se marea su vera , cuando se llama al dottore
D
Cuando se marea el dolore , cuando se quema dámore
D7 G
Cuando se marea su vela, cuando se es mal el sabore
G D Intro: 4 x
Baila baila baila, baila baila baila me -------------------------------
D7 G -------------------------------
esta rumba tan gitana que yo siempre-------------------------------
cantaré
D ---------------------5--4------
Pero lo siempre cantaré pero lo siempre 5-----------------5--------5---
cantaré
D7 G ---7--3-----3--7--------------7
esta rumba tan gitara que yo siempre cantaré
G D
D7 G
D
D7 G
Cuando se marea su vela, cuando se es mal el sabore
G C G
Que sólo vive a enamor… ate que sólo vive a enamor ate
D G
Me enamoré de esta gitana , que ya se ponga a bailando.
G D
Baila baila baila, baila baila baila me
D7 G
esta rumba tan gitana que yo siempre cantaré
D
Pero lo siempre cantaré pero lo siempre cantaré
D7 G
esta rumba tan gitara que yo siempre cantaré
G D
D7 G
D
D7 G
Cuando se marea su vela, cuando se es mal el sapore
G D
Pero yo sempre cantare, pero yo sempre cantare
Version 04 /1.01 April 2004 228
D7 G
Este rumba ta gitara, que yo siempre cantare (3 x)
Version 04 /1.01 April 2004 229

VOLARE
Tempo: 116 / Tonart: E
(Gipsy Kings)
[Intro:]
E
---- --
[Vers 1:]
F#m
Pienso que un sueno parecido no volvera mas ----
E G#m7
y me pintaba las manos y la cara de azul y me improviso el viento
F#m7/9 C#m7 B7
rapido me Ilevo ---- y me hizo a volar en el cielo infinito.
[Chorus:]
F#m7 B7 E C#m F#m7 B7 E
Volare, oh, oh, cantare, oh, oh, oh, oh. Nel blu dipinto di blu,
F#m7 B7 E
felice di stare lassu.
[Bridge:]
C#m G#m7
Y volando, volando feliz yo me encuentro mas alto, mas alto que el sol
G#7 C#m Am7
y minestras que el mundo se aleja despacio de mi una musica dulce
G B7
se ha tocada sol para mi.
--> Chorus: ...
[Solo:]
---- ---- ----
[Vers 2:]
E F#m B7
Pienso que un sueno parecido no volvera mas y me pintaba las manos
E G#m7 F#m7
y la cara de azul y me improviso el viento rapido me Ilevo
C#m B7
y me hizo a volar en el cielo infinito.
--> Chorus: ...
[Solo:]
C#m G#m7 G#7 C#m Am7 G B7
---- ---- ---- ---- ---- ---- -
--> Chorus: ...
[Solo:]
---- ---- ----
[Vers 3:]
E F#m B7
Pienso que un sueno parecido no volvera mas y me pintaba las manos
E G#m7 F#m7
y la cara de azul y me improviso el viento rapido me Ilevo
C#m B7
y me hizo a volar en el cielo infinito.
--> Chorus: ...
[Ending:]
F#m7 B7 E F#m7 B7 E F#m7 B7 E
Nel blu dipinto di blu, felice di stare lassu. Nel blu dipinto di blu,
F#m7 B7 E F#m7 B7 E F#m7 B7 E
felice di stare lassu. Nel blu dipinto di blu, felice di stare lassu.
Version 04 /1.01 April 2004 230

ROCK THIS TOWN
Stray Cats
Intro: D//////
D
Well, My baby and me went out late Saturday night
A
I had my hair piled high and my baby just looked so right
D
Well, pick you up at ten, gotta have you home at two
G G7
Mama don't know what I catched off of you
D A D
But that's all right cause we're looking as cool as can be
D
Well, we found a little place that really didn't look half bad
I had a whisky on the rocks

A
And change of a dollar for the jukebox
D
Well, I put the cold rock into that can
G G7
But all they played was disco, man
D A D
Come on, baby, baby, let's get out of here right away
Chorus:
D
We're gonna rock this town
Rock it inside out
A
Make'em scream and shout
D D9
Let's rock, rock, rock, man, rock
G
We're gonna rock till you pop
G7
We're gonna rock till you drop
D
A D
Rock it inside out
Version 04 /1.01 April 2004 231

Solo: D~~~ A D G D A D
D
Well, we're having a ball just 'a bopping on the big dance floor
A
Well, there's a real square cat, he looks a 1974
D
Well, he looked at me once, he looked at me twice
G G7
Look at me again and there's gonna be fight
D
A D
We're gonna rip this place apart
Chorus:
D
Rock it inside out
A
D D9
G
G7
D
A D
Rock this place apart
Solo: D~~~ A D G D A D
Chorus:
D
Rock it inside out
A
D D9
G
G7
D
A D
Rock it inside out
Version 04 /1.01 April 2004 232

STRAY CATS STRUT
Stray Cats
Shuffle
|Cm Bb |Ab G7 | cont. | |
Oooh Oooh
Cm Bb Ab G7
Black and orange stray cat sittin' on a fence.
Cm Bb Ab G7
Ain't got enough dough to pay the rent.
Cm Bb Ab G7 G7 (tacet)
I'm flat broke but I don't care, I strut right by with my tail in the
air.
Fm Eb Db C7 Fm Eb Db C7
Stray cat strut I'm a ladies cat, I'm a feline Casanova hey man that's
that.
Fm Eb Db C7 Fm (tacet)
Get a shoe thrown at me from a mean old man. Get my dinner from a garbage
can.
(instrumental)
Cm Bb | Ab G7|Cm(tacet)| |
Verse 2
Fm Fm7 Cm Fm
I don't bother chasing mice around. I slink down the alley looking for a
fight
D7 G7 Cm Bb
howlin' to the moonlight on a hot summer night. Singin' the blues while
the
Ab G7 Cm Bb Ab G7 Cm Bb
lady cats cry. Wild stray cat you're a real gone guy. I wish I could be
as
Ab G7 Cm(tacet)
care-free and wild, but I got cat class and I got cat style.
solo
|Cm Bb |Ab G7 | etc.
repeat verse 2
|Cm Bb |Ab G7 |Cm (tacet) Cm

|-8-------------------|------------------|
|---------------------|------------------|
|---11-10-8-10-8------|------------------|
|----------------10-8-|---7-9-10---------|
|---------------------|10----------------|
|---------------------|------------------|
Version 04 /1.01 April 2004 233

STAIRWAY TO HEAVEN
a E C D
1. There's a lady who's sure all that glitters is gold
F G a
and she's buying a stairway to heaven.
E C D
When she gets there she knows if the stores are all closed,
F G a
with a word she can get what she came for.
CD Fa C G D
Oh , oh and she's buying a stairway to heaven.
C D F a
There's a sign on the wall but she wants to be sure,
C D F
'cause you know sometimes words have two meanings.
a E C D
In a tree by the brook there's a songbird who sings,
F G a
sometimes all of her thoughts are misgiven
C G a
2. There's a feeling I get when I look to the west ,
C G F a
and my spirit is crying for leaving.
C G a
In my thoughts I have seen rings of smoke through the trees,
C G F a
and the voices of those who stand looking
C G a
And it's whispered that soon if we all call the tune,
C G F a
then the piper will lead us to reason.
C G a
And the new day will dawn for those who stand long,
C G F a
and the forest will echo with laughter.
C G a
If there's a bristle in your hedgerow don't be alarmed now,
C G F a
it's just a spring clean for the May queen.
C G a
Yes there are two paths you can go by but in the long run,
C G F a
there's still time to change the road you're on.
C G a
Your head is humming and it won't go in case you don't know,
Version 04 /1.01 April 2004 234
C G F a
the pipers calling you to join him.
C G a
Dear lady can you hear the wind blow and did you know,
C G F a
C G D
your stairway lies on the whispering wind.
a G F
And as we wind on down the road,
Ga G F
our shadows taller than our soul,
Ga G F
There walks the lady we all know,
Ga G F
who shines white light and wants to know,
Ga G F
how everything still turns to gold.
Ga G F
And if you listen very hard,
Ga G F
the time will come to you at last.
Ga G F
When all are one and one is all,
Ga G F a
to be a rock and not to roll.
F G a
And she's buying a stairway to heaven. ()
Version 04 /1.01 April 2004 235

LENINGRAD COWBOYS
THOSE WERE THE DAYS
Am Am7
1. Once upon a time there was a tavern
A7 Dm
Where we used to raise a glass or two
Am7
Remember how we laughed away the hours
H7 E
And dreamed of all the great things we would do
Am
Ref.: Those were the days my friend
Dm
We thought they'd never end
G G7 C
We'd sing and dance forever and a day
Dm
We'd live the live we choose
Am
We'd fight and never lose
E Am
For we were young and sure to have our way
A7 Dm
La la la lalala, la la la lalala
E Am
Those were the days, oh yes, those were the days
2. Then the busy years went rushing by us
We lost our starry notions on the way
If by chance I'd see you in the taven
We'd smile at one another and we'd say
Ref.: Those were the days ...
3. Just tonight I stood before that tavern
Nothing seemed the way it used to be
In the glass I saw a strange reflection
Was this lonely fellow really me
4. Thru the door there came familiar laughter
I saw you face and heard you call my name
Oh my friend, we're older but no wiser
For in our hearts the dreams are still the same
FLY AWAY - LENNY KRAVITZ
Version 04 /1.01 April 2004 236

JUST [:| G (A) | BB | F | C |:] (ALL THE TIME)
FLY AWAY I want to get away

I want to fly away
Yeah yeah yeah
I wish that I could fly
Into the sky
I got to get away
So very high
Feel I got to get away
Just like a dragonfly
Oh oh oh yeah
I'd fly above the trees

I want to get away
Over the seas in all degrees
I want to fly away
To anywhere I please
Yeah with you yeah yeah
Oh Yeah !
Oh I want to get away
I want to fly away
I want to get away
Yeah yeah yeah
I want to fly away
Oh I want to get away
I got to get away
I want to fly away
Yeah yeah yeah
I want to get away X4
Yeah
Let's go and see the stars
I want to get away
The milky way or even Mars
I want to fly away
Where it could just be ours
I got to get away
Let's fade into the sun
Let your spirit fly
I want to get away X4
Where we are one
Yeah
Just for a little fun
Oh oh oh yeah !
I want to get away
I want to fly away
I want to get away
Yeah with you
I want to fly away
Yeah yeah yeah yeah yeah
Yeah yeah yeah
^
ALWAYS ON THE RUN"
by LENNY KRAVITZ
Version 04 /1.01 April 2004 237
from the album "Mama Said"
The main riff (Em):

P P H
e ----------------|----------------|----------------|----------------|
B ----------------|----------------|----------------|----------------|
G ----------------|----0-----------|----------------|----------------|
D ----2---0-------|0-----0---2-----|----2---0-------|0-0---------0^2-|
A ----------4-----|----------------|----------4-----|----4^0---------|
E 0-------------0-|0---------------|0-------------0-|0-------3^0-----|
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
... while the second guitar is playing:

S
e 12----------------|----------------|----------------|--------11^12-12----|
B 12-x--x---x---x---|x---x-x-x-x-x---|x-x-x---x---x---|x---x-x-11^12-12----|
G 12-x--x---x---x---|x---x-x-x-x-x---|x-x-x---x---x---|x---x-x-11^12-12----|
D ---x--5---7---x---|x---x-5-x-x-x---|x-x-5---7---x---|x---x-x-------------|
A --------------5---|7---------5-7---|------------5---|7-------------------|
E ------------------|----------------|----------------|--------------------|
1 ' 2 3 4 1 2 3 4 1 2 3 4 1 2 3 ' 4
The x means: striking the strings while your index finger is muting the
strings on the 4th fret (to create a scratch effect). Play the melody with
your middle finger and little finger.
ALWAYS ON THE RUN

The song:
Version 04 /1.01 April 2004 238

2x riff [Em]
2x riff with bass and second guitar
my mama said
that your life is a gift
and my mama said
there's much weight you will lift
and my mama said
leave those bad boys alone
and my mama said
be home before the dawn
and my mama said
you can be rich or poor
but my mama said
you can be big or small
choir: [G] but I'm [A] always on the run

[Em] always on the run
2x riff
my mama said
that it's good to be fruitful
but my mama said
don't take more than a mouthful
and my mama said
that it's good to be natural
and my mama said
that it's good to be factual

2x riff
guitar solo from Slash: [A] [Em] [B] [Em]
(who can make a transcription of THIS for me ?)
1x riff
my mama said
baby don't ride that crazy horse
and my mama said
you must push with much force
and my mama said
go get all that you're after
and my mama said
that love's all that mathers


2x riff (ah, what's that mama ?

do you want...? right now ? hold on ! yeah!)
5x riff (with brass)
Version 04 /1.01 April 2004 239

ARE YOU GONNA GO MY WAY?
Tabs: Lenny Kravitz

Riff 1: ---- 2x ----
|-------------------------------------------3----|
|-------------------------------------------3----|
G 1 |-2-^4-^2-p0-------------2-^4-^2-p0--------------|
|------------2---0-2----------------2---0-2------|
|------------------------------------------------|
|--------------0-------0--------------0----------|
Riff 2: ---- 6x ----

|-------------------------------------------3----|
|-------------------------------------------3----|
G 1 |-2-^4-^2-p0-------------2-^4-^2-p0--------------|
|------------2---0-2----------------2---0-2------|
|------------------------------------------------|
|--------------0-------0--------------0----------|
| |
| |
|------------------------------------------------|
|-10^12^10p8-------------10^12^10p8--------------|
G 2 |------------9---7-9----------------9---7-9------|
|------------------------------------------------|
|------------------------------------------------|
|------------------------------------------------|
|---------------------------------------------------------
| Riff 3: ---- 4x ----
| |------------------------------------------------|
| |------------------------------------------------|
| G 1 |-2-^4-^2-p0-------------2-^4-^2-p0--------------|
| |------------2---0-2----------------2---0-2------|
| |------------------------------------------------|
| |--------------0-------0--------------0-------0--|
|
| I was born long ago
| I am the chosen I'm the one
| I have come to save the day
| And I won't leave until I'm done
|---------------------------------------------------------
| -- 3x -- ||
| |-----------------------||-------------------|
| |-----------------------||-------------------|
| G 1 |-5-^7-^5-p3------------||--5---4---3--2--4--|
| |------------5-0-3-5--0-||-------------------|
| |-----------------------||-------------------|
| |-----------------------||-------------------|
| | |
| | -- 3x -- || |
| |-----------------------||-------------------|
| |-13^15^13p11-----------||-------------------|
| G 2 |------------12--10-12--||--12--10--9--10-12-|
| |-----------------------||-------------------|
| |-----------------------||-------------------|
| |-----------------------||-------------------|
|
| So that's why you've got to try
| You've got to breathe and have some fun
|---------------------------------------------------------
| Riff 3 2x
|
| Though I'm not paid I play this game
| And I won't stop until I'm done
|---------------------------------------------------------
Version 04 /1.01 April 2004 240
| Chorus:
| |----0-------------------0--------------------|
| |----0-------------------0--------------------|
| |----7-------------------6--------------------|
| |----9-------------------7--------------------|
| |---------------------------------------------|
| |---------------------------------------------|
| But what I really want to know is
| |------------------------------------------|
| |-9-9-7-9---------------------9-9--12-9----|
| |-9-9-7-9---------------------9-9--12-9----|
| |-9-9-7-9---------------------9-9--12-9----|
| |------------------------------------------|
| |------------------------------------------|
| Are you gonna go my way
| |----0---------------0------------------------|
| |----0---------------0------------------------|
| |----7---------------6------------------------|
| |----9---------------7------------------------|
| |---------------------------------------------|
| |---------------------------------------------|
| And I got to got to know
|
|---------------------------------------------------------
Riff 1 1x
Riff 2 3x
|---------------------------------------------------------
Riff 3 4x
I don't know why we always cry
This we must leave and get undone
We must engage and rearrange
And turn this planet back to one
|---------------------------------------------------------
-- 3x --------- ||
|-----------------------||-------------------|
|-----------------------||-------------------|
|-5-^7-^5-p3------------||--5---4---3--2--4--|
|------------5-0-3-5--0-||-------------------|
|-----------------------||-------------------|
|-----------------------||-------------------|
| |
| -- 3x -------- || |
|-----------------------||-------------------|
|-13^15^13p11-----------||--13--12--11-10-12-|
|------------12--10-12--||-------------------|
|-----------------------||-------------------|
|-----------------------||-------------------|
|-----------------------||-------------------|
So tell me why we got to die

And kill each other one by one
|---------------------------------------------------------
Riff 3 2x
We've got to love and rub-a-dub

We've got to dance and be in love
|---------------------------------------------------------
Chorus
|---------------------------------------------------------
Solo:
Version 04 /1.01 April 2004 241

12x in total -- -- ending with:
|---------------------------------||-----------------|
|-9-----7-------7-------5-5-7-5---||-----------------|
|-9-----7-------7-------6-6-7-6---||-----------------|
|-9-----7-------7-------7-7-7-7---||-----0-1---------|
|---------------------------------||---4-------------|
|---------------------------------||-----------------|
(repeat 4x by itself, then 8x under solo
|---------------------------------------------------------
Outro:
Riff 2 4x
|-0----------0-------0-------------0-------|
|-0----------0-------0-------------0-------|
|-7----------6-------7-------------6-------|
|-9----------7-------9-------------7-------|
|------------------------------------------|
|------------------------------------------|
|---------------------------------------------------------
|------------------------------------------|
|-9-9-7-9---------------------9-9--7--9----|
|-9-9-7-9---------------------9-9--7--9----|
|-9-9-7-9---------------------9-9--7--9----|
|------------------------------------------|
|------------------------------------------|
Are you gonna go my way
|-0---------------0------------------------|
|-8---------------7------------------------|
|-7---------------6------------------------|
|-9---------------8------------------------|
|------------------------------------------|
|------------------------------------------|
'cause Baby I got to know
-- Solo --
E-|--------------------------------------------------------------------|
B-|--------------------------------------------------------------------|
G-|----------12h14p12vvvbbb--------------------------------------------|
D-|-14vvvv------------------14p12-12--14-------------------------------|
A-|--------------------------------------12b14--12---------------------|
E-|------------------------------------------------15---12-10-12-12sss-|
E-|-----------------------------------------------------------------------|
B-|------------------------------------------------------17----15s17vvvvv-|
G-|-----------------------9h11b13----9h11p9----9h11sss16----16------------|
D-|------9---11p9----9h11-------------------11----------------------------|
A-|--s11----------11------------------------------------------------------|
E-|-----------------------------------------------------------------------|
Version 04 /1.01 April 2004 242

E-|-----------------------------15--17b19vvv--17b19vv-17b19vv-17b19vvv-|
B-|-17vvvvvvvvv19p17vvvv17vv17vvv--------------------------------------|
G-|--------------------------------------------------------------------|
D-|--------------------------------------------------------------------|
A-|--------------------------------------------------------------------|
E-|--------------------------------------------------------------------|
E-|-17b19rb17p15-----------------------------|
B-|--------------17vv-----17vv-----17b20vvv--|
G-|------------------------------------------|
D-|------------------------------------------|
A-|------------------------------------------|
E-|------------------------------------------|
E-|-----------------------------------------------------------------|
B-|--17b20v--17b20v--17b20v--17b20v--17b20v--17b20rb17p15----15--17-|
G-|-------------------------------------------------------16--------|
D-|-----------------------------------------------------------------|
A-|-----------------------------------------------------------------|
E-|-----------------------------------------------------------------|
E-|---------------------------------12----------12----------------|
B-|------------------------------------12-15b17----15p12----------|
G-|-16p14p12----12h14p12-----14b16-----------------------14p12----|
D-|----------14----------14------------------------------------14-|
A-|---------------------------------------------------------------|
E-|---------------------------------------------------------------|
E-|-12----------12--------------------------|
B-|----12-15b17----15p12--------------15p12-|
G-|----------------------14p12--14b16-------|
D-|-----------------------------------------|
A-|-----------------------------------------|
E-|-----------------------------------------|
E-|-------12-------12--------15p12----12------------------------------|
B-|-15b17----15b17----15b17--------15------15p12----15--12------------|
G-|----------------------------------------------14---------14p12--14-|
D-|-------------------------------------------------------------------|
A-|-------------------------------------------------------------------|
E-|-------------------------------------------------------------------|
E-|-----------------------------|
B-|-----------------------------|
G-|-12b14rb12p9---12vvvvvvvvvv--|
D-|-----------------------------|
A-|-----------------------------|
E-|-----------------------------|
There you go. It isn't exact, but I think it's close.

At the very least it should give you a place to start.
Questions, comments, correct
Version 04 /1.01 April 2004 243

HEAVEN HELP
Am – Em – D – C Am – Em – D - C
Am Em
1. There comes a time to be free of the heart,
Am Em
I wanna be ready, ready to start,
Am Em D C
on a love journey, I got places to go.
Made up my mind and I got to let you know.
Am Em Am Em
Heaven help the heart that lets me inside,
Am Em Dm G
heaven help the one who comes in my life.
Am Em Am Em
Heaven help the fool that walks through my door,
Dm C - - - - - - - - - Am
'cause I decided right now : I'm ready for love.
- Em – D - C Am – Em – D - C
Am - Em
2. A funny feeling is coming over me,
Am Em
now I'm inspired and I'm open to be, yeah,
Am Em D C
in a love place but it's out of my hands,
until you baby got to got to understand.
+ CHORUS + - Em – D - C Am – Em – Dm - G
C B7
I can't see what's out there for me,
Bm Em
'cause you know love offers no guarantee
Dm G C
I'll take chance and I'm telling you something, baby, I got to let you
know.
+ CHORUS + - Em – D - C Am – Em – D – C …..
(capo 2nd) (Lenny Kravitz)
Version 04 /1.01 April 2004 244

WHY DID YOU DO IT
Stretch
G 3 5 5 4 3 3
F# 2 4 4 3 2 2
A 5 7 7 6 5 5
G# 4 6 6 5 4 4
Bm 2 2 4 4 3 2
Badd9 2 2 4 4 2 2
Em 0 2 2 0 0 0
INTRO:
G F# A G# Bm Badd9
VERSE
LYRICS :
Bm / Badd9 / Bm Bm / Badd 9 / Bm Bm / Badd9 / Bm

I've been thinking 'bout what you have done to me

The damage is much deeper than you'll ever see

Hit me like a hammer to my head

I wonder were you pushed or were you led?
Chorus:
Em Bm
Why did you do it? Why did you do that thing to me?
Em Bm
Why did you do it? Why did you do that thing to me?
Em
The only one who knows the truth,
F#
Man it's him me and you.

My friends they listen to the things i say

They listen and they hear more everyday

But i know they never understand it

Because it was no accident you planned it.
Chorus:
(spoken: one, two)(instrumental)
Em F# Bm
Version 04 /1.01 April 2004 245

SHOUT
CHORUS:
Shout, shout, let it all out
These are the things I can do without
Come on, I'm talking to you, come on
CHORUS
In violent times, you shouldn't have to sell your soul

In black and white, they really really ought to know
Those one track minds, that took you for a working boy
Kiss them goodbye, you shouldn't have to jump for joy
You shouldn't have to jump for joy
CHORUS
They gave you life

And in return you gave them hell
As cold as ice
I hope we live to tell the tale
I hope we live to tell the tale
CHORUS 3x
And when you've taken down your guard

If I could change your mind
I'd really love to break your heart
I'd really love to break your heart
CHORUS
Repeat CHORUS to fade
CHORUS:
G# (IV)
Shout..
B (VII)
these ..,
C# (IX) G# (IV)
Come on,...
VERSES:
B (VII) C# (IX)
In ..
B (VII) C# (IX)
I've ..
C# (IX)
I ...
...Chorus:
G# (IV)
Shout, shout, ...
Version 04 /1.01 April 2004 246

LA BAMBA
1. Strophe:
G7 C F
Para baila la bamba,
G7 C F
Para bailar la bamba, se necesi
G7 C F
Una poca de gracia,
G7 C F
Una poca de gracia para mi, para ti.
G7 C F
Ya ariba, yariba.
G7 C F
Yariba, yariba. Porti sere,
G7 C F
Porti se re, porti sere.
G7 C F
Yo no soy mari nero,
G7 C F
You no soy marinero, soy capitan,
G7 C F
Soy capitan, soy capitan.
G7 C F
Bamba, bamba,
G7 C F
Bamba, bamba,
G7 C F
Bamba, bamba,
G7 C F
Bamba, bamba.
Version 04 /1.01 April 2004 247

WALK ON THE WILD SIDE" (LOU REED)
Verse 1:
C F6
Holly came from Miami, FLA
C F6
Hitchhiked her way across the USA
C D
Plucked her eyebrows on the way
F D
Shaved her legs and then he was a she
She says
C F6 C F6
Hey babe, take a walk on the wild side Said hey honey, take a walk on the wild
side
Verse 2:
Candy came from out on the island
In the backroom she was everybody's darling
But she never lost her head
Even when she was giving head
She says
Hey babe, take a walk on the wild side
Said hey, babe, take a walk on the wild side
And the colored girls go
C F6 [L.R. 2X; colored girls 2X]
Do dodo dodo dodododo Do dodo dodo dodododo
Dooo...
Verse 3:
Little Joe never once gave it away
Everybody had to pay and pay
A hustle here and a hustle there
New York City is the place where
They say
Hey babe, take a walk on the wild side
Said hey Joe, take a walk on the wild side
Verse 4:
Sugar Plum Fairy came and hit the streets
Looking for soul food and a place to eat
Went to the Apollo, you should have seen him go, go go
They said
Hey Sugar, take a walk on the wild side
I said hey babe, take a walk on the wild side
All right... huh
Verse 5:
Jackie is just speeding away
Thought she was James Dean for a day
Then I guess she had to crash
Version 04 /1.01 April 2004 248
Valium would have helped that fast
She said
Version 04 /1.01 April 2004 249

MAGGIE MAY ( live- unplugged )
Artist- Melissa Etheridge from: ( Klaus Kuchler )
Em G D
Wake up Maggie I think I've got something to say to you
Em G D
It's late september and I really should be back at school
G D G Em
I know I keep you amused But I feel I'm being used
Bm D Em
Oh Maggie I couldn`t have tried any more
Em A Em A
You lured me away from home just to save you from being alone
Em A D
You stole my heart, and that's what really hurts
Em G D
The morning sun when it's in your face really shows your age
Em G D
But that don't worry me none , in my eyes you're everything
G D G Em
I laughed at all your jokes, my love you didn't need to coax
Bm D Em
Em A Em A
You lured me away from home, just to save you from being alone
Em A D
You stole my sole that's a pain I can do without
Em G D
All I needed was was a friend to lend a guiding hand
Em G D
But you turned into a lover and Mother what a lover you wore me out
G D G Em
All you did was wreck my bed, and in the morning kick me in the head
Bm D Em
Em A Em A
You lured me away from home 'cause you didn't want to be alone
Em A D
You stole my heart I couldn't leave you if I tried
SOLO
Em G D
I suppose I could collect my books and get back to school
Em G D
Or steal my mama‘s cue make a living out of playing pool
G D G Em
Baby, find myself a rock and roll band that needs a helping hand
Bm D Em
Oh Maggie I, I couldn`t have tried any-more
Em A Em A
You made a first class fool out of me, I'm as blind as a fool can be
Em G D
You stole my sole I couldn‘d leave you I tried
Em A D G
I couldn’t leave yaa, I couldn’t leave yaa, Nah, Nah, Nahah
Em A D
I cou ld n’t leave yaa, Oh, Oh, Oh, Oh, Oh, Oh, Oh, Oh- Maggie
Version 04 /1.01 April 2004 250

SWEET HOME ALABAMA
Lynyrd Skynyrd
1. Strophe:
D C G D C G
Big wheels keep on turning, carry me home to my kin.
D C G D C G
Singing songs about the southland, I miss olebamy once again (and I think it’s a sin)
2. Strophe:
Well, I heard Mister Young sing about her,
Well, I heard old Neil put her down.
Well, I hope Neil Young will remember,
A southern man don’t need him aroung anyhow.
Refrain (Melodie wie Strophe):

Sweet home Alabama, where the skies are blue.
Sweet home Alabama, Lord, I’m coming home to you.
3. Strophe:
In Birmingham they love the Gov’nor, Boo (F), hoo (C), hoo (D).
Now we all did what we could do.
Now Watergate does not bother me.
Does your conscience bother you ? (tell the truth)
Refrain:
4. Strophe:
Now muscle shoals has got the swampers
And they’ve been know to pick a tune or two.
Lord they get me of so much.
They pick me up when I’m feeling blue. (Now how about you ?)
Refrain:
Version 04 /1.01 April 2004 251

CALIFORNIA DREAMING
MAMAS AND THE PAPAS
Em D C D F#m7 B7
All the leaves are brown, and the sky is grey
C G B7 Em (Am) B7 Am6 B7
I've been for a walk, on a winter's day
Em D C D F#m7 B7
I'd be safe and warm, if I was in L.A.
Em D C D F#m7 B7
California dreamin', on such a winter's day
Stopped into a church, I passed along the way
Oh, I got down on my knees, and I pretend to pray
You know the preacher likes the cold, he knows I'm going to stay
All the leaves are brown, and the sky is grey
I've been for a walk, on a winter's day
If I didn't tell her, I could leave today
Em D C D Em
D C D Em
D C D Cmaj7 Em
Am6: x x 2 2 1 2
SUMMER IN THE CITY

1. Strophe:
Am Am7 Am+5 Am
Hot town, summer in the city, back o' my neck gettin' dirt and gritty.
Am Am7 Am+5 Am
Been down, isn't it a pity, doesn't seem to be a shadow in the city.
E E7
All around, people lookin' half dead,
Am A
Walkin' on a sidewalk hotter than a match head.
Refrain:
D G D G
But tonight it's a diffrent world, come on go out and find a girl.
D G D G
Come on, come on and dance all night, despite the heat it'll be allright,
Hm E Hm E
And babe, don't you know it's a pity the days can't be like the nights,
Hm E Hm E
In the summer in the city, in the summer in the city.
2. Strophe:
Cool town, evenin' in the city, dressed so fine and a-lookin' so pretty.
Cool cat, lookin' for a kitty, gonna look in every corner of the city.
Version 04 /1.01 April 2004 252

Till I'm weezin' like a bus stop,
Runnin' up the stairs gonna meet you at the roof-top.
Refrain:
Version 04 /1.01 April 2004 253

YOU CAN LEAVE YOUR HAT ON (JOE COCKER)
[C]Baby, take off your coat, real slow

Take off your shoes, I'll take off your shoes
Take off your dress, yes - yes - yes
You can [C]leave your hat on[E]

You can [F]leave your hat on[Bb]
You can leave your hat on
[C]Go over there, turn on the lights, all the lights

Come back you, stand on that chair, yeah, woman, that's right
Raise your arms in the air, and I shake 'em
[C]You give me reason to [E]live

You give me reason to [F]live
You give me reason to [Bb]live
You give me reason to live
Sweet [Bb]darlin' [F] (You can leave your [C]hat

on)
Just leave your [Bb]hat on, [F]baby (You can leave your [C]hat
on)
Just leave your [Bb]hat on [F] (You can leave your [C]hat
on) +sax
[Bb] [F] (You can leave your [C]hat
on)
[C]Suspicious minds keep talking

They're trying to tear us apart
They don't believe in this love of mine
They don't know what love is

I know what love is
Love's on the [Bb]way, ooooh[F] (You can leave your

[C]hat on)
Yes, leave your [Bb]hat on, sweet [F]woman (You can leave your
[C]hat on)
Yes, leave your [Bb]hat on [F] (You can leave your
[C]hat on) +sax
Do that to me, yeah [Bb] [F] (You can leave your
[C]hat on)
Version 04 /1.01 April 2004 254

DREAM A LITTLE DREAM OF ME
(
Intro: C A Ab7 G6
C A Ab7 G6
1. Stars shining bright above you,
C C/B A7 A F
night breezes seem to whisper I love you,
Fm
birds singing in the sycamore tree,
C Ab7 G6
Dream a little dream of me.
A F#m Bm E7 A
Stars fading, but I linger on, dear,
F#m Bm E7
still craving your kiss;
A F#m Bm E7 A F#m Ab7 G6
I 'm longing to linger till dawn, dear, just saying this,
C Ab7 G6 C
dream a little dream of me.
2. Say nightie night and kiss me, just hold me tight and tell me
you'll
miss me; while I'm alone and blue as can be, dream a little dream of
me.
Stars fading, but I linger on, dear, still craving your kiss; I'm
longing to linger till dawn, dear, just saying this, dream a little
dream of me.
3. Sweet dreams till sunbeams find you, sweet dreams that leave all
worries behind you, but in your dreams whatever they be, dream a
little
dream of me.
4 . + 5 . instrumental
6. Sweet dreams till sunbeams find you, sweet dreams that leave all
worries behind you, but in your dreams whatever they be, dream a
little
dream of me.
Version 04 /1.01 April 2004 255

IT NEVER RAINS IN SOUTHERN CALIFORNIAFEHLER! TEXTMARKE
NICHT DEFINIERT.
1. Strophe:
Am D G
Get on board a west bound seven forty seven,
Am D G
Didn't think before deciding what to do.
Am D G
All that talk of opportunities TV breaks and movies
Am D G
Rang true, sure rang true.
Refrain:
Am D G
Seems it never rains in Southern California,
Am D G
Seems I've often heard that kind of talk before.
Am D G Em
It never rains in California, But girl, don't they warn ya,
Am D G
It pours, man, it pours.
2. Strophe:
Will you tell the folks back home I nearly made it,
Had offers but don't know which one to take.
Please don't tell them how you found me, don't tell them how you found me.
Give me a break, give me a break.
Refrain:
3. Strophe:
Out of work, I'm out a' my head, out of self respect, I'm out a' bread.
I'm underloved, I'm underfed. I wanna go home.
It never rains in California, but girl, don't they warn ya,
It pours, man, it pours. Refrain:
Version 04 /1.01 April 2004 256

MONDAY, MONDAY
THE MAMAS AND THE PAPAS
Intro (A Capella):
Bada badadada
Bada badadada
**Harpsichord, Guitar, And Bass Enter
F# F#sus F# F#sus
Bada badadada
F# F#sus F# F#sus
Monday, Monday (bada badadada)
F# F#sus F# F#sus
So good to me (bada badadada)
F# F#sus F# E
Monday mornin', it was all I hoped it would be
A A6 Amaj7 A6 C#
Oh Monday mornin', Monday mornin' couldn't guarantee (bada badadada)
F# F#sus* F#
That Monday evenin' you would still be here with me
* Vocal Harmonies Imply E/F#; Keyboard Plays F#sus4
F# F#sus F# F#sus
Monday, Monday,
F# F#sus F# F#sus
Can't trust that day
F# F#sus F# E
Monday, Monday, sometimes it just turns out that way
A A6 Amaj7 A6 C#
Oh Monday mornin' you gave me no warnin' of what was to be
F# F#sus* F#
Oh Monday, Monday, how could you leave and not take me
Bridge 1:
G
Every other day (every other day), every other day
E
Every other day of the week is fine, yeah
G
But whenever Monday comes, but whenever Monday comes
F# D#
Ayou can find me cryin' all of the time
G# G#sus G# G#sus
G# G#sus G# G#sus
G# G#sus G# F#
Version 04 /1.01 April 2004 257
B B6 Bmaj7 B6 D#
Oh Monday mornin', Monday mornin' couldn't guarantee
G# G#sus G#
Bridge:
A
Every other day, every other day
F#
A
F# D#
You can find me cryin' all of the time
G# G#sus G# G#sus
G# G#sus G# G#sus
G# G#sus G# F#
B B6 Bmaj7 B6 D#
Oh Monday mornin', Monday mornin' couldn't guarantee
G# G#sus G#
Bridge 2:
A
Every other day, every other day
F#
A
D# G# F# (N.C.)
You can find me cryin' all of the time
Coda:
Bass (W/Tambourine And Woodblock):
v v v v v v v v
|
13\|6
|
|
(Monday...)
G# G#sus G# G#sus
G# G#sus G# G#sus
Can't trust that day (bada badadada)
**Band ReEnters On F#
G# G#sus G# G#sus
Version 04 /1.01 April 2004 258

F# F#sus F# F#sus
It just turns out that way (bada badadada)
F# F#sus F# F#sus
Whoa, Monday, Monday, won't go away (bada badadada)
F# F#sus F# F#sus
Monday, Monday, it's here to stay (bada badadada)
F# F#sus F# F#sus
Oh Monday, Monday (bada badadada)
F# F#sus F# F#sus
Oh Monday, Monday (bada badadada)
Version 04 /1.01 April 2004 259

DAVEY'S ON THE ROAD AGAIN
Gsus4 310023
INTRO
C D F C D# (E,flat) F Gsus4 G
G D
Davey's on the road again
F C
wearing different clothes again
D# G Em
Davey's turing handouts down
Am7 D
to keep his pockets clean
G D
All his goods are sold again
F C
his world's as good as gold again
D# G Em
Says if you see Jean now ask her
Am7 D7 G
please to pity me
D G
Jean and I we moved along
D G
Since the day down in the hollow
C G
When the mind went driftin' on
D
and the fet were soon to follow
Davey's o….
Saying his goodbye's again

Wheels are in his eyes again
Says if you see Jean now tell her
please to pity me
Downtown in the big town

gonna set you back on your heels
with a mouth ful of memories
and a lot of stickers for your windshield
G Bm
Shut the door, cut the light
G7 C
Davey won't be home tonight
G Bm
you can wait till the dawn rolls in
G7 C G D F C D# F Gsus4 G
you won't see our Davey again
G D F C
Davey's on the road again again again again again D# F Gsus4 G
Version 04 /1.01 April 2004 260

SWEET DREAMS
Eurythmics
Em C Hm
Sweet dreams are made of this
Em C Hm
Who am I to disagree?
Em C Hm
I travel the world and the seven seas
Em C Hm
Everybody's looking for something.
Break C H Em C Am H
Em C Hm
Sweet dreams are made of this
Em C Hm
Who am I to disagree?
Em C Hm
I travel the world and the seven seas
Em C Hm
Everybody's looking for something.
Em C Hm
Some of them want to use you
Em C Hm
Some of them want to get used by you
Em C Hm
Some of them want to abuse you
Em C Hm
Some of them want to be abused.
Break C H Em C Am H
Em C D Em C D
Hold your head up Keep your head up MOVIN' ON
Em C D Em C D
Hold your head up Keep your head up MOVIN' ON
Version 04 /1.01 April 2004 261

BLINDED BY THE LIGHT
MANFRED MANNS' EARTH BAND
Madman drummers bummers and Indians in the summer with a teenage diplomat
In the dumps with the mumps as the adolescent pumps his way into his hat
With a boulder on my shoulder, feelin' kinda older, I tripped the merry-go-round
With this very unpleasing sneezing and wheezing, the calliope crashed to the
ground
Some all-hot half-shot was headin' for the hot spot, snappin' his fingers,
clappin' his hands
And some fleshpot mascot was tied into a lover's knot with a whatnot in her hand
And now young Scott with a slingshot finally found a tender spot and throws his
lover in the sand
And some bloodshot forget-me-not whispers, "Daddy's within earshot, save the
buckshot, turn up the band"
And she was blinded by the light

Cut loose like a deuce, another runner in the night
Blinded by the light
She got down but she never got tight, but she'll make it alright
Some brimstone baritone anti-cyclone rolling stone preacher from the East
He says, "Dethrone the dictaphone, hit it in its funny bone, that's where they
expect it least"
And some new-mown chaperone was standin' in the corner all alone, watchin' the
young girls dance
And some fresh-sown moonstone was messin' with his frozen zone to remind him of
the feeling of romance
Yeah, he was blinded by the light

He got down but he never got tight, but he's gonna make it tonight
Some silicone sister with her manager's mister told me I got what it takes
She said, "I'll turn you on, sonny, to something strong if you play that song with
the funky break"
And Go-Cart Mozart was checkin' out the weather chart to see if it was safe to go
outside
And little Early-Pearly came by in her curly-wurly and asked me if I needed a ride
Oh, some hazard from Harvard was skunked on beer, playin' backyard bombardier
Yes, and Scotland Yard was trying hard, they sent some dude with a calling card,
he said, "Do what you like, but don't do it here"
Well, I jumped up, turned around, spit in the air, fell on the ground and asked
him which was the way back home
He said, "Take a right at the light, keep goin' straight until night, and then,
boy, you're on your own"
And now in Zanzibar, a shootin' star was ridin' in a side car, hummin' a lunar
tune
Yes, and the avatar said, "Blow the bar but first remove the cookie jar, we're
gonna teach those boys to laugh too soon"
And some kidnapped handicap was complainin' that he caught the clap from some
mousetrap he bought last night
Well, I unsnapped his skull cap and between his ears I saw a gap but figured he'd
be all right
He was just blinded by the light

Mama always told me not to look into the sights of the sun
Oh, but Mama, that's where the fun is
I was blinded
I was blinded
I was blinded
Version 04 /1.01 April 2004 262

TAINTED LOVE
Intro/Verse:
G A# D# A#-C
Sometimes I feel I've got to
G A# D# A#-C
Run away I've got to
G A# D# A#-C
Get away from the pain you
G A# D# A# - C
drive into the heart of me
G A# D# A# - C
The love we share seems to
G A# D# A#-C
go nowhere and I've
G A# D# A#-C
lost my light for I
G
toss and turn I can't sleep at night
G
Once I ran to you (I ran)
A#
Now I run from you
D#
This tainted love you've given
C
I give you all a boy could give you
C
Take my tears and that's not nearly all
G A# D# A#-C
Oh...tainted love
G D#
Tainted love
Now I know I've got to

Run away I've got to
Get away
You don't really want any more from me
To make things right
You need someone to hold you tight
And you think love is to pray
But I'm sorry I don't pray that way
Refr
Don't touch me please

I cannot stand the way you tease
I love you though you hurt me so
Now I'm going to pack my things and go
Tainted love, tainted love (x2)
Touch me baby, tainted love (x2)
Version 04 /1.01 April 2004 263
3 x
G
Once I ran to you (I ran)
A#
Now I run from you
D#
This tainted love you've given
C
I give you all a boy could give you
C
Take my tears and that's not nearly all
G A# D# A#-C
Oh...tainted love
G D#
Tainted love
Version 04 /1.01 April 2004 264

LOVE IS DA SHIT
Spearhead
Say when you called me that night

to tell me that things
they weren't goin' alright with your boyfriend
was it me or did you just need somebody to talk to
Say is it you or the fact that I can't be near you
that keeps you in the front of my mind
when your breath is the last thing that you say
when your voice goes away
and a breath is the last thing that you say
But the warmth of your lips on my fingertips won't go away

when I drop my head in my hands and play
the memory of that might in L.A.
again and again and again
because I can't think straight and I can't sleep late
the few times we shared I try to recreate
I know this is wrong better stop this talk
cause grass can grow up through a crack in the sidewalk
and what I see when I look in your eyes
grass that's truly greenest sprouting inside
I wasn't even looking when I realized
that you had the vibe that was my fertilizer
thought love in this world was dead and buried and gone
how could I be so cynical when I was so young
you hit me in the chest like and 808 boom
I found love is the shit that makes life bloom!
(chorus)
Love is the shit that makes life bloom

and you never know when you might step in it!
love is the shit that makes life bloom
and you never know when you might...
But fate is like a pigeon that follows me around

sometimes he flies ahead and he brings me what he found
then he'll drop it on my head leave me numb
from the brain down

that's the way it was when I walked upon your ground
The irrepressible and impermissable

are the two things that have made my life miserable
'cause spirits don't leave if you don't talk about 'em
and memories come back when you don't think aabout 'em
I wish I had an ocean of some magic potion
I'd trade all this emotion for a few moments of motion
I've never felt this way some things can't be rehearsed
now I'm grindin' up my gearbox tryin' to find reverse
because...
(chorus)
(bridge)
But I want to keep on walkin'
Right through
And let this fellin' rock me
ooh-oooh!
(repeat)
"ya know fallin' in love is like easing into a hot tub.
Version 04 /1.01 April 2004 265

it feels good on your feet but by the time you
get to your mid section you know your either
gonna get all the way in or all the way out!"
But music brings me comfort in this grieving hour

the Sade tape tells me it's all over for now
I listen read hard but don't dare play it loud
'cause I don't wanna think what you might be doin' now
sometimes it feels like a bad initiation but you
woke my hear from a long hibernation
you were worth every risk so I gave my hear room
and now I'm deep in the doo-doo
that makes life bloom
because...
(chorus)
(bridge)
See the flowers bloomin' in the springtime
see the bees zoomin' in the sunshine
(repeat)
PEOPLE IN DA MIDDLE
Speadhead
I am not a muslim but I read the final call

because within its pages there is something for us all
and I am not professional but I love basketball
the squeaking of the sneakers they echo in the hall
But if I don't have enemies I'm not doin' my job
I might throw out a curve ball but I never throw a lob
people criticize me but I know it's not the end
I try to kick the truth not just to make friends
(chorus)
but hey diddle diddle
to the people in the middle
we got hot wax
and it cookin' on the griddle
Got the guitar strummin'
the drummer drummin'
the people all hummin'
and the vibe was lovin'
on and on and on
'til the breakadawn
I am not a jerk although sometimes I act like one

and I am deadly serious about us havin' fun
well I go many places but I know I'm not with you
and I am not a sucker even though I'm stuck on you

each one- should teach one and share with one anotha
so many is out there-that's livin undercover
your motha your fatha your sista your brotha
your friends and their enemies all have their lovers
(chorus)
So tell me- the definition of a sell-out / cast your first stone-but then get the
hell out /people say they know me I can tell you that they don't /people say they
own me I can tell you that they won't
the left and the right they all try to use me /but I'll be in they faces before
they can abuse meso roll down ya window and listen what I'm sayin' relax ya mind
and let the band keep playin'on and on and on 'til the breakadawn
(chorus)
Version 04 /1.01 April 2004 266

KAILEIGH
( H =3D B )
INTRO: I: Hm A F#m G A:I

Hm A F#m G A Hm
Do you remember, chalk hearts melting on a playground wall?
A F#m G A Hm
Do you remember, dawn escaped from moonwashed college halls?
A F#m G A Hm
Do you remember, the cherry blossom in the market square?
A F#m G A Hm
Do you remember, I thought it was confetti in our hair
A F#m G A Hm
By the way didn't I break your heart?
A F#m G A Hm
Please excuse me, I never meant to break your heart.
A F#m G A Hm A
So sorry I never meant to break your heart.
F#m G
But you broke mine.

Chorus

D
Kayleigh is it too late to say I'm sorry.
G D
Kayleigh could we get it together again.
D G D
I can't go on pretending that it came to a natural end.
D
Kayleigh I never thought I'd miss you,
G D
and Kayleigh I'd hoped that we'd always be friends.
D
We said our love would last forever,
G=7F
so how did it come to this bitter end.

C#m H G#m A H C#m
Do you remember, barefoot on the lawn with shooting stars
H G#m A H C#m
Do you remember, loving on the floor in Belsize Park
H G#m A H C#m
Do you remember, dancing in stilletos in the snow
H G#m A H C#m
Do you remember, you never understood I had to go.
H G#m A H C#m
By the way, didn't I break your heart ?
H G#m A H C#m
D G D
Please excuse me I never meant to break your heart
To find you've found another lover to patch up our broken
H G#m A C#m H
home.
So sorry, I never meant to break your heart,
D
G#m A Kayleigh, I'm still trying to write that love song,
But you broke mine. G D
Kayleigh it's more important to me now you're gone.

D
Version 04 /1.01 April 2004 Maybe it'll prove that we were right 267
G
Or it will prove that I was wrong.
Chorus
D
Kayleigh, I just want to say I'm sorry,
G D
but Kayleigh I'm too scared to pick up the phone.

Version 04 /1.01 April 2004 268

BEDS ARE BURNING
MIDNIGHT OIL
E|||
B|||
G|||
D|||
A|||
E|00670067|00450032|
VERSE 1:
Out where the river broke
The bloodwood and the desert oak
Holden wrecks and boiling diesels
Steam in forty five degrees

E E
The time has come
E D/E D/E
To say fair's fair
D/E A/E A/E
To pay the rent
A/E E E
To pay our share

E E
The time has come
E D/E D/E
A fact's a fact
D/E A/E A/E
It belongs to them
A/E F#
Let's give it back

CHORUS: (little riff)
Em C G E 33353
How can we dance when our earth is turning
Em C D B/D#
How do we sleep while our beds are burning
Em C G E 33353
How can we dance when our earth is turning
Em C D
How do we sleep while our beds are burning

ENDCHORUS: The western desert lives and breathes
Em C In forty five degrees
The time has come to say fairs fair
G D CHORUS:
to pay the rent, now to pay our share ENDCHORUS:
HALF of CHORUS:
LAST VERSE: then horn solo over endchorus chords:
Four wheels scare the cockatoos END:
>From Kintore East to Yuendemu E(no 3rd) G A ... E(no 3rd) G A (slide
CHORDS:
Version 04 /1.01 April 2004 269
E(no 3rd): 079900 C : 032010
E : 07999x D : xx0232
D/E : 0777xx G : 320003
A/E : 077655 A : x02220
F# : 244322 B/D# : x6444x
Em : 022000
Version 04 /1.01 April 2004 270

FLY LIKE AN EAGLE
Yeah, think I
better get up
Doo...doo...du du ... Yeah ...
Doo...doo...du du ... Love, love, love ...
Doo...doo...du du ... Don't it baby? ...
Time keeps on slippin'
Into the future...
Said
Time keeps on slippin', slippin', slippin'
Into the future.........oohhh
Said I wanna fly like an eagle... to the sea
Fly like an eagle let my spirit carry me, I wanna...
fly...
Fly right into the future....
I wanna feed the babies... said, who can't get enough to eat
Wanna shoe the children... no shoes on their feet
I wanna house the people... livin' in the street
Oh yeah there's a solution
Let me fly like and eagle... to the sea
Fly like an eagle let that spirit carry me, I wanna
Fly right into the future
Into the future...
Time flies don't it baby?
Into the future... ...Ohhh.
Time flies don't it baby?
Keep on flying...
keep on flying, ohhh ...
Oh yeah, yeah
Think I better get up...
Don't it baby?
Hey hey hey hey hey hey hey hey hey...
I wanna fly like an eagle... to the sea
Fly like an eagle let my spirits carry me, I wanna
fly...
Lemme fly like an eagle ... to the sea
... Fly............ like an ea.....gle.... we'll /…………fly...
Fly like an eagle let that spirit carry me, I wanna...fly....
Fly............... like an ea.....gle.... we'll fly...
Lemme fly like an eagle ... ... to the sea
In a sky full of people ... only some want to fly, isn't that...
crazy? ... Ohh hho ...oohh
fly....
Fly............ like an ea.....gle.... I'm gonna fly...
Version 04 /1.01 April 2004 271

Am ----- / / / //
Am--- / D--- / F--- /Am---
Version 04 /1.01 April 2004 272

LIKE THE WAY I DO
Melissa Ehteridge
E A D G B e
---------------------
A7 x 0 2 0 2 0
Bb x 1 3 3 3 1
C x 3 2 0 1 0
Dm x x 0 2 3 1
INTRO
Dm Dm Bb Bb
Dm Dm Bb
C Bb C
Is it so hard to satisfy your senses?
Bb
you found out to love me you have to climb some
C Bb C
fences. Scratching and crawling along the floor to touch you
Bb
and just when it feels right you say you found someone to
A7
hold you. Does she like I do? Baby tell me does she
Dm Bb
love you like the way I love you? Does she stimulate you,
C
attract and captivate you? Tell me does she miss you,
Dm
existing just to kiss you, like the way I do?
Tell me does she want you, infatuate and haunt you?

Bb
Does she know just how to shock you, electrify and rock you?
C Dm
Does she inject you, seduce you and affect you like the way I do?
Bb C
Like the way I do? Can I survive all the implications?
Bb C
Even if I tried, could you be less than an addiction?
Bb C
Don't you think I know there's so many others
Bb
who would beg steal and lie, fight kill and die
A7
just to hold you, hold you like I do? Baby tell me does she
Dm Bb
C
Dm
existing just to kiss you, like the way I do?
Version 04 /1.01 April 2004 273

Tell me does she want you, infatuate and haunt you?
Bb
C
Does she inject you, seduce you and affect you like the way I do?
Bb Dm
Oh, nobody loves you like the way I do.
Bb Dm
Nobody wants you like the way I do.
Bb Dm
Nobody needs you like the way I do.
Bb
Nobody aches, nobody aches just to hold you
A7
like the way I do no no no no... Tell me does she
Dm Bb
C
Dm
existing just to kiss you like the way I do?
Tell me does she want you, infatuate you and haunt you?
Bb
C Dm
Does she inject you, seduce you and affect you like the way I do
no, like the way I

Dm Dm Bb Bb C C Dm Dm
do?
...fading........
Fingering| call this | 'real' name
---------|-----------------|---------------
EADGBe | |
x57555 | Dm (lo) | ? Dm(add7,9) ?
x57765 | Dm (hi) | Dm
| |
xx3310 | F (lo) | ? Fsus4add7
xx3311 | F (hi) | ? Fsus4
| |
x32010 | C (lo) | C
x32030 | C (hi) | Cadd9
| |
x02020 | A7 | A7
The intro and chorus follow one pattern of strumming & hi/lo fingering
for each of the chords, the pattern is :
-----o---o------------------o-o------
---o-------o-x-x--o---o-o-o-----o-o-- pattern 1a, then
^ ^ ^ ^
---o-o---o------------------o-o------
-----------o-x-x--o---o-o-o-----o-o-- pattern 1b The verse follows a second pattern :
^ ^ ^ ^
---o--------------------------o--x-
-----------o----o--o---o---o------- pattern 2 and the bridge, a third:
^ ^ ^ ^
-----o-------o----------------o)---
-------------------o------(o------- pattern 3
^ ^ ^ ^
Version 04 /1.01 April 2004 274

BRING ME SOME WATER
melissa etheridge
Am
tonight I feel so weak
but all in love is fair
I turn the other cheek
(stop)
And I feel the slap and the sting of the foul night air
D
and I know you're only human
Am
And I haven't got talking room
D
But tonight while I'm makinng excuses
Em (stop)
Some other woman is making love to you
(Chorus)
Am G D
Somebody bring me some water
Am G D
Can't you see I'm burning alive
Am G D
Can't you see my baby's got another lover
Em
I don't know how I'm gonna surive
Am G D
Somebody bring me some water
Am G D
Can't you see it's out of control
Am G D
Baby's got my heart baby's got my mind
Em
But tonight the sweet devil, sweet devil's got my soul
when will this aching pass

when will the night be through
I want to hear the breaking glass
I only feel the steel of the red hot truth
And I'd do anything to get it out of my mind
I need some insanity that temporary kind
tell me how will I ever be the same
when I know that woman is wispering you name
Chorus
Oh, devil's got my soul
Chorus
So I will. I think it sounds better when you play E instead of Em, and
an A chord instead of Am. Play the A chord like this:
E---|---|---|-X-|--
A---|---|---|-X-|--
D---|-X-|---|---|--
G---|-X-|---|---|--
B---|---|---|---|--
E---|---|---|---|--
Version 04 /1.01 April 2004 275

OVER MY SHOULDER
Mike & The Mechanics
Intro:Am7 D/D4

Am7 D G Am7 D G
1. Looking back over my shoulder.I can see that look in your eyes
Am7 D G Am7 D G
I never dreamed it could be over.I never wanted to say good bye

Am7 D G Am7 D G
2. Looking back over my shoulder.With an aching deep in my heart
Am7 D G Am7 D G
I wish we were starting over.Oh instead we're drifting so far apart

F C Bb C
B: Everybody told me you were leaving
F C Bb C
Funny I should be the last to know
F C Bb C
Baby, please, tell me that I'm dreaming
Bb C
I just never want to let you go

Am7 D G Am7 D G
3. Looking back over my shoulder. I can see that look in your eyes
Am7 D G Am7 D G
Turning my heart over and over.I never wanted to say good bye

F C Bb C
B: I don't mind everybody laughing
F C Bb C
But it's enough to make an old man cry
F C Bb C
'cause I can feel you're slipping through my fingers
Bb C
I don't even know the reason why

4. Whistle the melody

F C Bb C
B. Everyday it's a losing battle
F C Bb C
Just to smile and hold my head up high
F C Bb C
Could it be we belong together
Bb C
Baby, won't you give me one more try?
A
Version 04 /1.01 April 2004 276
One more try

Am7 D G
5. Looking back over my shoulder
Am7 D G
I can see that look in your eyes
Am7 D G
I never dreamed it could be over
Am7 D G
I never wanted to say good bye
Version 04 /1.01 April 2004 277

ALWAYS LOOK ON THE BRIGHT SIDE OF LIFE -- (MONT I PYTHON)
Am D G Em
Some things in life are bad they can really make you mad
Am D G
Other things just make you swear and curse
Am D G Em
When you're chewing a life's gristle don't grumble give a whistle
Am D7
And this 'II help things turn out for the best
G Em Am D7 G Em Am D7
And always look on the bright side of life
Always look on the light side of life
Am D G Em
If life seems jolly rotten there's something you've forgotten
Am D G
and that's to laugh and smile and dance and sing.
Am D G Em
When you're feeling in the dumps don't be silly chumps
Am D7
Just purse your lips and whistle that's the thing
Come on always look on the bright side of life
Am D G Em
For life is quite absurd and death's the final word
Am D G
you must always face the curtain with a bow
Am D G Em
Forget about your sin give the audience a grin
Am D7
Enjoy it it's your last chance anyhow.
So always look on the bright side of death
just before you draw your terminal breath
Am D G Em
Life's a piece of shit when you look at it
Am D G
Life's a laugh and death's a joke it's true
Am D G Em
You'll see it's all a show keep 'em laughing as you go
Am D7
just remember that the last laugh is on you
Always look on the right side of life
A F#m Bm E7 A F#m Bm E7
Version 04 /1.01 April 2004 278
Always look on the right side of life
A F#m Bm E7 A F#m Bm E7
Always look on the right side of life ....
Version 04 /1.01 April 2004 279

SAY IT AINT SO
MURRAY HEAD

D Am7
Say it ain't so, Joe please, say it ain't so
Em
That's not what I wanna heard Joe
C G
Ain't I got a right to Know
D Am7
Em
I'm sure they telling us lies Joe,
C G
Please tell us it ain't so.

E
They told us our hero has played his trump card
Hm
He doesn't know how to go on.
F#m
We're clinging to his charm and determined smile,
D A
But the good old days have gone.

E
The image and the empire may be failing apart
Hm
The money has gotten scarce
F#m
One man's world held to country together,
D A
But the truth is getting fierce

D Am7
Em
We pinned our hope on you Joe
C G
And they ruining our show.
Version 04 /1.01 April 2004 280

MUSIC WAS MY FIRST LOVE
JOHN MILES
Music was my first love
And it will be my last,
Music of the future
And music of the past.
To live without my music
Would be impossible to do,
In this world of troubles
My music pulls me through.
Music of the future
And music of the past
Music of the future
To live without my music
Would be impossible to do,
'Cause in this world of troubles
My music pulls me through.
Version 04 /1.01 April 2004 281

POWER OF LOVE
Frankie goes to hollywood
>From the single, also on Welcome to the Pleasuredome. The recording is in

Eb (capo at 8th fret)
Am^
I'll protect you from the Hooded Claw
F^ Am^ F^
keep the vampires from your door
Am F
aye ay ye ay ye aye feels like
Am F
fire I'm so in love with you
Am F
dreams are like angels they keep bad at bay (b.a.b)
Em F
love is the light scaring darkness a away ye aaaa
Am F
yay I'm so in love with you ?purge the soul
Em Em Em Em Em F Am
make love your go--oal
[chorus]:
Am F Em F
the power of love a force from above ?cleaning my soul
G F F[stop]
flame on burn desire, love with tongues of
G
fire purge the soul
F F [stop] Am
make love your goal
*
e------------------0---------------5-0--------|
B--3-3-1-3----3-1---------3-3-1-3------3--1---|
G--------------------2---------------------2--|
D---------------------------------------------|
Am F
I'll protect you from the Hooded Claw
Em
keep the vampires from your door
F
when the chips are down I'll be around
Am
with my undying death defying love for you
Version 04 /1.01 April 2004 282
F Em
envy will hurt itself let yourself be beautiful
F Am
sparkling like flowers and pearls and pretty girls
F
love is like an energy
Em F
rushing in rushing inside of me hey yeah
[chorus]
[hold the last Am for a couple of extra bars]
[bridge]:
(c) F
this time we go so blind
Em
lovers entwined divine, divine
F
love is danger, love is pleasure
Em
love is pure the only treasure
(Am) (F)
e--0-----------------------------------------|
B-----10\-8\---------------1-----------------|
G--------------------------------------------|
D--------------------------------------------|
I'm so in love with you, purge the soul
(Em) (F)
e-(8-7-----------------------------------------|
B------8)------6-h8\-------1--------(1)---(3)--|
G------------9---------------------------------|
D----------------------------------------------|
make love your go---oal
Am F Em F
the power of love a force from above ?cleaning my soul
G F G
the power of love a force from above
F
a skyscraping do---ove
G F F
flame on burn desire, love with tongues of
G
fire purge the soul
F Am^ F^ Am^ F^
make love your goal
EADGBe
xx2210 - Am^
xx3211 - F^
x02210 - Am
x02230 - Am(11)
133211 - F
355433 - G
022000 - Em
/ is a slide up
Version 04 /1.01 April 2004 283

\ is a slide dowm
p is a pull-off
h is a hammer-on
(c) at the beginning of the bridge is a single note, not the major chord
*For the tab part between the first and second verses, you can play it
over(/at the same time as) Am, G(III):
Am(11) G G Am G Am
e----------------------------------5-0---------|
B--3-3-1-3----3----5------3-3-1-3--3---3-\1----|
G--2-2---4----4--5---2----2-2---4--4-------2---|
D--2-----5----5------2----2-----5--3-------2---|
A--0-----5----5-----------0-----5--5-------0---|
or over Am G(0):
* Am(11)G Am G Am
e--------3--------0----------------5p0---------|
B--3-3-1-3----3-1---------3-3-1-3--3---3-\1----|
G--2-2---0----------2-----2-2------0-------2---|
D--2-----0----------2-----2-------(0)------2---|
A--0-----2----------0-----0----------------0---|
E--------3-------------------------------------|
or forget the Gs completely and just play it over Am:
* Am
e-----------------0---------------/5p0---------|
B--3-3-1-3----3-1---------3-3-1-3------3-p1----|
G--2-2-2-2----2-2---2-----2-2-2------------2---|
D--2-----2----2-----2-----2----------------2---|
A--0-----0----------0-----0----------------0---|
E----------------------------------------------|
Version 04 /1.01 April 2004 284

MAD WORLD
Michael Andrews
Fm, bB (2x)
Fm G# D# bB
1. All around me are familiar faces, worn out places, worn out faces.
Fm G# D# bB
Right an’ early for the daily races, going nowhere, going nowhere.
Fm G# D# bB
The tears are filling up their glasses, no expression, no expression.
Fm G# D# bB
Hide my head I wanna drown my sorrow, no tomorrow, no tomorrow.
Chorus:
Fm bB Fm
And I find it kind of funny, I find it kind of sad.
bB Fm
The dreams in which I’m dying all the best I’ve ever had.
bB Fm
I find it hard to tell you, I find it hard to take.
bB
When people run in circles, it’s a very very
Fm bB Fm bB
...mad world ...mad world.
2. Children waiting for the day they feel good, happy birthday, happy
birthday.
When I feel the way that every child should sit and listen, sit and listen.
Went to school and now is very nervous, no one knew me, no one knew me.
Hallo teacher, tell me what’s my lesson, look right thru me, look right
thru me.
Chorus:
Fm bB Fm
And I find it kind of funny, I find it kind of sad.
bB Fm
The dreams in which I’m dying all the best I’ve ever had.
bB Fm
I find it hard to tell you, I find it hard to take.
bB
When people run in circles, it’s a very very
Fm bB Fm bB
...mad world ...mad world.
Fm bB Fm bB
...enlarging your ...mad world
Version 04 /1.01 April 2004 285

DOCK OF THE BAY
OTIS REDDING
G

VERSE 1:
G B7
Sittin' in the morning sun
C A
I'll be sittin' in the evenin' calm
G B7
Watchin' the ships roll in
C A
Then I'll watch 'em roll away again, yeah
G E
Sittin' on the dock of the bay
G E
Watchin' the tide roll away
G A
Sittin' on the dock of the bay
G E G
Wastin' time.

Verse 2:
I left my home in Georgia,
Headed for the Frisco Bay.
Im have nothin' to live for,
Look like nothin' gonna come my way
So I'm just gonna sit on the dock of the bay,
Watchin' the tide roll away.
Sittin' on the dock of the bay,
Wastin' time.

Tussenspel:
G D C
Looks like nothin's gonna change
G D C
Ev'ry thing still remains the same
G D C G F
I can't do what the people tell me to do
D G
So I guess I'll remain the same

Verse 3:
Sittin' here restin' my bones,
And this loneliness won't leave me alone.
Two thousand miles I roam
Just to make this dock my home, mmm
Now I'm just sittin' on the dock of the bay,
Version 04 /1.01 April 2004 286
Watchin' the tide roll away
Sittin' on the dock of the bay,
Wastin' time.

G G G E G G G E
Version 04 /1.01 April 2004 287

DREAM A LITTLE DREAM
MAMAS & PAPAS ( MAMA CASS )
I play this with Capo on 5
C B7 Ao G7
Stars shining bright above you
C B7 A7
Night breezes seem to whisper 'I love you'
F Fm
Birds singing in a sycamore tree
C G+ G7
Dream a little dream of me
Say 'nighty-night' and kiss me

Just hold me tight and tell me you'll miss me
While I'm alone and blue as can be
A A6 E7 A A6 E7
Stars fading but I linger on dear, still craving your kiss
A A6 E7 A G# G7
I'm longing to linger till dawn, dear, just saying this ...
Sweet dreams till sunbeams find you

Sweet dreams that leave all worries far behind you
But in your dreams whatever they be
Ao=xx1212
G+=xx1003 or xx5443
G#=466544
Version 04 /1.01 April 2004 288

GUANTANAMARA
LYRICS: JOSE MARTI,
MUSIC ADAPTED BY PETE SEEGER)
INTRO: D EM A A (X2)
D Em A D Em A
Yo soy un hombre sincero, de donde crece la palma
D Em A G A
Yo soy un hombre sincero, de donde crece la palma
D Em A D Em A
Y antes de morirme quiero echar mis versos de alma
G A D A
CHORUS: Guantanamera, guajira guantanamera
D Em A D Em A
Guantanamera, guajira guantanamera
Mi verso es de un verde claro y de un carmin encendido (words 2x)
Mi verso es un ciervo herido que busca en el monte amparo
Con los pobres de la tierra quiero yo mi suerte echar (words 2x)
El arroyo de la sierra me complace mas que el mar
WE SHALL OVERCOME
Pete Seeger

C F C
We shall overcome
F C Am
We shall overcome
C F G Am Dm G Dm
We shall overcome someday

Refrein:
G F C
Oh deep in my heart
F C Am C F C G C F C
I do believe that we shall overcome someday

We'll walk hand in hand (2x)
We are not afraid (2x) We'll walk hand in hand someday
We are not afraid today
We shall live in peace (2x)
Version 04 /1.01 April 2004 289

We shall live in peace someday We shall once be free
The whole wide world around
The truth will make us free We shall see the Lord
We shall brothers be We shall overcome
Version 04 /1.01 April 2004 290

BIKO (PETER GABRIEL)
A D
September '77, Port Elizabeth weather fine
A D
It was business as usual in police room 619
A D
Oh Biko, Biko, because Biko
A D
G Bm
Hiromija, Hiromija
D A
The man is dead, the man is dead.
A D
When I try to sleep at night I can only dream in red
A D
The outside world is black and white with only one colour dead
A D
A D
G Bm
Hiromija, Hiromija
D A
The man is dead, the man is dead
A D
You can blow out a candle but you can never blow out a fire
A D
Once the flames begin to catch the wind will blow it higher
A D
A D
G Bm
Hiromija, Hiromija
D A
The man is dead, the man is dead
A D
And the eyes of the world are watching you now
A
They're watching you now.
Version 04 /1.01 April 2004 291

PUFF, THE MAGIC DRAGON
Peter, Paul & Mary
1. STROPHE:
G HM C G
PUFF, THE MAGIC DRAGON LIVED BY THE SEA
C G EM A D
AND FROLICKED IN THE AUTUMN MIST IN A LAND CALLED HONAH LEE.
G HM C G
LITTLE JACKIE PAPER LOVED THAT RASCAL PUFF,
C G EM A D G D7
AND BROUGHT HIM STRINGS AND SEALING WAX AND OTHER FANCY STUFF.
REFRAIN (MELODIE WIE STROPHE):

AND FROLICKED IN THE AUTUMN MIST IN A LAND CALLED HONAH LEE
AND FROLICKED IN THE AUTUMN MIST IN A LAND CALLED HONAH LEE
REFRAIN:
2. STROPHE:
TOGETHER THEY WOULD TRAVEL ON A BOAT WITH BILLOWED SAIL,
JACKIE KEPT A LOOKOUT PERCHED ON PUFF'S GIGANTIC TAIL,
NOBLE KINGS AND PRINCES WOULD BOW WHENE'ER THEY CAME,
PIRATE SHIPS WOULD LOW'R THEIR FLAG WHEN PUFF ROARED OUT HIS NAME. OH!
REFRAIN:
3. STROPHE:
A DRAGON LIVES FOREVER BUT NOT SO LITTLE BOYS.
PAINTED WINGS AND GIANT RINGS MAKE WAY FOR OTHER TOYS.
ONE GREY NIGHT IT HAPPENED, JACKIE PAPER CAME NO MORE
AND PUFF THAT MIGHTY DRAGON, HE CEASED HIS FEARLESS ROAR. OH!
REFRAIN:
4. STROPHE:
HIS HEAD WAS BENT IN SORROW, GREEN SCALES FELL LIKE RAIN,
PUFF NO LONGER WENT TO PLAY ALONG THE CHERRY LANE.
WITHOUT HIS LIFE-LONG FRIED, PUFF COULD NOT BE BRAVE
SO PUFF THAT MIGHTY DRAGON, SADLY SLIPPED INTO HIS CAVE. OH!
REFRAIN:
Version 04 /1.01 April 2004 292

IF I HAD A HAMMER
( PETER, PAUL & MARY )

EINLEITUNG: C AM F G
G C Am F G C Am F
If I had a hammer, I'd hammer in the morning
G C Am F G F G
I'd hammer in the evening, all over this land
G C Am F G C Am F
I'd hammer out danger, I'd hammer out warning
G F C F C
I'd hammer out love between my brothers and my sisters
F G C Am F G
all over this land
G C Am F G C Am F
If I had a bell, I'd ring in the morning
G C Am F G F G
I'd ring in the evening, all over this land
G C Am F G C Am F
I'd ring out danger, I'd ring out warning
G F C F C
I'd ring out love between my brothers and my sisters
F G C Am F G
all over this land
G C Am F G C Am F
If I had a song, I'd sing in the morning
G C Am F G F G
I'd sing in the evening, all over this land
G C Am F G C Am F
I'd sing out danger, I'd sing out warning
G F C F C
I'd sing out love between my brothers and my sisters
F G C Am F G
all over this land
G C Am F G C Am F
If I got a hammer and I got a bell
G C Am F G F G
and I got a song to sing all over this land
G C Am F G C Am F
It's a hammer of justice, it's a bell of freedom
G F C F C
It's a song about love between my brothers and my sisters
F G C Am F G F G C Am F G F G
all over this land, all over this land, all over
Version 04 /1.01 April 2004 293

ANOTHER BRICK INT THE WALL
PINK FLOYD
e
1. We don`t need no education,
We don`t need no thought control,
No dark sarcasm in the classroom
A
teacher, leave them kids alone !
e
Hey, teacher, leave them kids alone!
G D e
All in all it`s just a nother brick in the wall.
G D e
All in all you`re just a nother brick in the wall.
e
2. We don`t need no education,
we don`t need no thought control,
no dark sarcasm in the classroom,
A
teacher, leave us kids alone!
e
Hey, teacher, leave us kids alone!
G D e
G D e

(Pink Floyd)
Version 04 /1.01 April 2004 294

WHISH YOU WHERE HERE
WYCLEF JEAN
Em / G / Em / G / Em / Am7 / Em / Am7 / G / G
All song using acoustic guitars
Intro:
G
e:----------------|--3---3-3-3--|-------------|--3---3-3-3----|
B:----------------|--3---3-3-3--|-------------|--3---3-3-3----|
G:----------------|--0---0-0-0--|-----0-------|--0---0-0-0----|
D:----------0--2--|--2---2-2-2--|--2-----2--0-|--0---0-0-0----|
A:-----0/2--------|-------------|-------------|---------------|
E:--3-------------|-------------|-------------|---------------|
e:----------------|--3---3-3-3--|--------------|--3--3-3-3--------|
B:----------------|--3---3-3-3--|--------------|--3--3-3-3--------|
G:----------------|--0---0-0-0--|--------------|--0--0-0-0--------|
D:----------0--2--|--2---2-2-2--|--2--0--------|--0--0-0-0--------|
A:-----0/2--------|-------------|--------2--0--|------------------|
E:--3-------------|-------------|--------------|------------------|
e:---------------3--3-3-3-3--3-3-3-3-3--|
B:---------------3--3-3-3-3--3-3-3-3-3--|
G:---------------0--0-0-0-0--0-0-0-0-0--|
D:-------0-------0--0-0-0-0--0-0-0-0-0--|
A:--0/2----------2--2-2-2-2--2-2-2-2-2--|
E:----------3----3--3-3-3-3--3-3-3-3-3--|
C D
So, so you think you can tell,
Am G
heaven from hell? Blue skies from pain?
D C
Can you tell a green field, from a cold steel rail?
Am G
G C
Do you think you can tell? Did they get you to trade,
D Am
your heroes for ghosts? Hot ashes for trees?
G D
Hot air for a cool breeze? Cold comfort for change
C
And did you exchange, a walk-on part in the war,
Am G
a walk-on part in the war, for a lead role in a cage...
Play Intro..............
C D
How I wish, how I wish you were here
Am G D
We're just two lost souls swimming in a fishbowl, year after year
C Am
Running over the same old ground, what have we found - the same old fears?
G
Wish you were here
Play Intro................
Version 04 /1.01 April 2004 295

ROXANNE
Am - Em F - Em
1. Roxanne, you don't have to put on the red light,
Dm G Am
those days are over, you don't have to sell your body to the night.
\ Em F - Em
Roxanne, you don't have to wear that dress tonight,
Dm G Am
walk the streets for money, you don't care if it's wrong or if it's right.
Dm G Am
Roxanne, you don't have to put on the red light,
Dm G Am
Roxanne, you don't have to put on the red light.
G C F G
Roxanne(put on the red light), Roxanne(put on the red light),
G Am F C
Roxanne(put on the red light), Roxanne(put on the red light),
F G Am
Roxanne(put on the red light). Oh!
Am Em F - Em
2. I loved you since I knew you, I wouldn't talk down to you,
Dm G Am
I have you to tell just how I feel, I won't share you with another boy.
\ Em F - Em
I know my mind is made up, so put away your make up,
Dm G Am
told you once I won't tell you again, it's a bad way.
Dm G Am
Roxanne, you don't have to put on the red light,
Dm G Am
Roxanne, you don't have to put on the red light
Version 04 /1.01 April 2004 296

+ CHORUS + CHORUS and fade.
FRAGILE
Em Am
If blood will flow when flesh and steel are one
H7 Em
Drying in the color of the evening sun
Em Am
Tomorrow's rain will wash the stains away
H7 Em
But something in our minds will always stay
Em
Perhaps this final act was meant
Am
To clinch a lifetime's argument
H7
That nothing comes from violence
Em
and nothing ever could
Em Am
For all those born beneath an angry star
H7 Em
Let's we forget how fragile we are
Am Em
On and on the rain will fall
Em Em
Like tears from a star like tears from a star
Am Em
On and on the rain will say
Em
How fragile we are
Em
How fragile we are
Intro/Thema - Solo
Refrain 1 X
Version 04 /1.01 April 2004 297

MESSAGE IN A BOTTLE
e D A e D Ae
1. Just a castaway, on an island lost at sea,
D A e D Ae
another lonely day, with no one here but me.
D A e D Ae
More loneliness, than any man could bear,
D A e D Ae
rescue me before I fall into despair.
G CD G CD
G
I'll send an SOS to the world, I'll send an SOS to the world,
e G e
I hope that someone gets my, I hope that someone gets my,
G e
I hope that someone gets my
h G hG h G hG
message in a bottle, message in a bottle.
h G hG h G e
message in a bottle, message in a bottle.
D A e D A e
2. A year has passed since I wrote my note,
D A e D A e
but I should have known this right from the start.
D A e D A e
Only hope can keep me together,
D A e D Ae
love can mend your life, but love can break your heart. + REFR.

D A e D A e
3. Walked out this morning, don't believe what I saw,
D A e D A e
a hundred billion bottles, washed up on the shore.
D A e DAe
Seems I'm not alone at being alone,
D A e D A e
a hundred billion castaways, looking for a home. + REFRAIN
e C D e C D e
Sending out an SOS, Sending out an SOS.. (rep. and fade)
(The Police)
Version 04 /1.01 April 2004 298

KISS PRINCE
A7
U don't have to be beautiful, 2 turn me on
I just need your body baby, from dusk till dawn

D7
U don't need experience 2 turn me out
A7
U just leave it all up to me
I'm gonna show u what it's all about
Refrain:
E7
U don't have to be rich to be my girl
D7
U don't have 2 be cool 2 rule my world
E7
Ain't no particular sign I'm more compatible with
D7 E9sus4 A7
I just want your extra time and your kiss !
U gotta not talk dirty baby, if U wanna impress me

U can't be 2 flirty mama, I know how 2 undress me
I want 2 be your fantasy, maybe U could be mine
U just leave it all up to me, we could have a good time
Refrain
A7
Women, not girls, rule my world
I said they rule my world
Act your age mama, not your shoe size
Maybe we could do the twirl

D7
You don't have 2 watch Dynasty 2 have an attitude
A7
U just leave it all up 2 me
My love will be your food
Refrain
Version 04 /1.01 April 2004 299

COME AS YOU ARE NIRVANA
Main Riff:
E---------------------------------------------| F# 244322
B---------------------------------------------| A x02220
G---------------------------------------------| H 224442
D---------------------------------------------| D x00232
A---------------0-----0--------------2--------|
E--0--0--1--2------2-----2--2--1--0-----0--0--|
Verse1:
F# A
Come as you are, as you were
H D
As I want you to be
F# A
As a friend, as a friend
H D
As an old enemy
F# A
Take your time, hurry up
H D
The choice is your
F# A
Don't be late, take a rest
H D
As a friend
F# A
As an old memoria
F# A F# A F# A
memoria , memoria , memoria
Verse2:
F# A
Come dowsed in mud, soaked in bleach
H D
As I want you to be
F# A
As a trend, as a friend
F# A
As an old memoria
F# A F# A F# A
memoria , memoria , memoria
Bridge:
F# A H D
And I swear that I don't have a gun
H D
No I don't have a gun H D
H D No I don't have a gun
No I don't have a gun H D
F# A F# A F# A F# A No I don't have a gun
memoria , memoria , memoria , memoria H D
No I don't have a gun
Outro: H D
F# A H D F# A
And I swear that I don't have a gun memoria
H D
Version 04 /1.01 April 2004 300

DANCING IN THE MOONLIGHT
Toploader
Chords:
Fm 133111
Bb 113331
Eb x65343
Eb/D x55343
Cm x35543
Fm Bb Eb Eb/D Cm
We get in on most every night when that moon is big and bright
Fm Bb Eb Eb/D Cm
It's a supernatural delight everybody's dancing in the moonlight
Fm Bb Eb Eb/D Cm
Everybody here is out of sight they don't bark and they don't bite
Fm Bb Eb Eb/D Cm
they keep things loose they keep it tight everybody's dancing in the
moonlight
Fm Bb Eb Eb/D Cm
Dancing in the moonlight Everybody's feeling warm and bright
Fm Bb Eb Eb/D Cm
It's such a fine and natural sight everybody's dancing in the moonlight
Fm Bb Eb Eb/D Cm
We like our fun and we never fight you can dance and stay uptight
Fm Bb Eb Eb/D Cm
it's a supernatural delight everybody was dancing in the moonlight

Fm Bb Eb Eb/D Cm
Fm Bb Eb Eb/D Cm
Fm Bb Eb Eb/D Cm
We get in on most every night when that moon is big and bright
Fm Bb Eb Eb/D Cm
It's a supernatural delight everybody's dancing in the moonlight
Fm Bb Eb Eb/D Cm
Fm Bb Eb Eb/D Cm
Fm Bb Eb Eb/D Cm
Fm Bb Eb Eb/D Cm
Fm Bb Eb Eb/D Cm
Fm Bb Eb Eb/D Cm
Fm Bb Eb Eb/D Cm
Fm Bb Eb Eb/D Cm
Fm Bb Eb Eb/D Cm
Fm Bb Eb Eb/D Cm
Version 04 /1.01 April 2004 301

ENGLISHMAN IN NEW YORK STING
G A Bm7
I don't drink coffee I take tea my dear
G A Bm7
I like my toast done on the side
G A Bm7
And you can hear it in my accent when I talk
G A Bm7
I'm an Englishman in New York
G A Bm7 G A Bm7
See me walking down Fifth Avenue, a walking cane here at my side
G A Bm7 G A Bm7
I take it everywhere I walk, I'm an Englishman in New York
Chorus
G A Bm7
O-ho I'm an alien, I'm a legal alien
G A Bm7
G A Bm7
O-ho I'm an alien, I'm a legal alien
G A Bm7
G A Bm7
If "manners maketh man" as someone said
G A Bm7
Then he's the hero of the day
G A Bm7
It takes a man to suffer ignorance and smile
G A Bm7
Be yourself no matter what they say ->Refrain
D A A7
Modesty, propriety can lead to notoriety
Bm7 F#
You could end up as the only one
G A
Gentleness, sobriety are rare in this society
G Bm7
At night a candle's brighter than the sun
G A Bm7
Takes more than combat gear to make a man
G A Bm7
Takes more than license for a gun
G A Bm7
Confront your enemies, avoid them when you can
G A Bm7
A gentleman will walk but never run
repeat first verse & Chorus
Version 04 /1.01 April 2004 302

OVER THE RAINBOW
Harold Arlen, E.Y.Harburg
performed by Eva Cassidy
(capo 1st fret)
G >> Em Bm G7(III) C Cm(III) G G7 >> C

Somewhere over the rainbow way up high
C Cm(III) G >> Em Am7 D7sus D7 G C D7
There's a land that I heard of once in a lullaby
Somewhere over the rainbow skies are blue
C Cm(III) G >> Em Am7 D7sus D7 G C D7
And the dreams that you dare to dream really do come true
G C
Someday I'll wish upon a star
D G >> Em C D7sus D7
and wake up where the clouds are far behind me
G F#7
Where troubles melt like lemon drops
Bm D+ Am7 D7
away above the chimney tops, that's where you'll find me
[break, then repeat second section]

Somewhere over the rainbow skies are blue
C Cm(III) G >> Em Am7 D7sus D7 G
And the dreams that you dare to dream really do come true
C
If happy little bluebirds fly
D7 C5add9 Ab(IV) G(III)
above the rainbow, why oh why can't I?
---------------------------------------------------------------------
Notes:
The ">>" notation means to "walk" from the first chord to the second:
G >> Em G7 >> C
E---3--------0--|---1--------0---
B---0--------0--|---0--1--3--1---
G---0--------0--|---0--------0---
D---0--------2--|---0--------2---
A---2--------2--|---2--0--2--3---
E---3---2----0--|---3------------
Unusual chords:
D7sus D+ C5add9
E---3------2------3---
B---1------3------3---
G---2------3------5---
D---0------X------5---
A---0------1------3---
E---X------X------3---
Version 04 /1.01 April 2004 303

EVERY BREATH YOU TAKE, POLICE
G G
1. Every breath you take
e
Every move you make
C
Every bond you break
D
Every step you take
G
I'll be watching you
G
2. Every single day
e
And every word you say
C
Every game you play
D
Every night you stay
G
C G
Ref: Oh can't you see, you belong to me
e D
My poor heart aches, with every breath you take
G
3. And every move you make
e
And every vow you break
C
Every smile you fake
D
Every claim you stake
e
REF
e G
4. Since you've being gone I've being lost without a trace
e
All trough the night I can only see your face
G
I look around but it's you I can't replace
e
I feel so lonely I long for your embrace
G
I keep callin' , baby, baby please
5. Strophe 3 wiederholen
Version 04 /1.01 April 2004 304

KILLER QUEEN
QUEEN
Am G
She keeps Moet et Chandon in her pretty cabinet,
Am G C
Let them eat cake' she says, just like Marie Antoinette.
G C7 F
A builtin remedy for Kruschev and Kennedy,
Fm C Dm G
At anytime an invitation you can't decline.
E Am G7 C H7 Em
Caviar and cigarettes, well versed in etiquette, extraordinarily nice.

G Hm Em Hm
She's a Killer Queen, gunpowder, gelatine
Em Hm
dynamite with a laser beam.
E A G
Guaranteed to blow your mind. Anytime
F# Hm E C G
Recommended at the price, insatiable an appetite. Wanna try?

Am G
To avoid complications she never kept the same address,
Am G C
in conversation she spoke just like a baroness.
G C7 F
Met a man from China, went down to Geisha Minah
Fm C G
Then again, incidentally, if you're that way inclined.
E Am
Perfume came naturally from Paris.
G7 C H7 Em
For cars she couldn't care less, fastidious and precise.
G Hm Em Hm
Em Hm
E A G
F# Hm E C G
AmGAmGC GC7FFmCG
E Am E Am
Drop of a hat she's as willing as playful as a pussy cat,
G C G C
then momentarily out of action, temporarily out of gas.
H7 Em D GD GD Em
To absolutely drive you wild, wild. (She's all out to get you)

G Hm Em Hm
Version 04 /1.01 April 2004 305

Em Hm
E A G
F# Hm E C G
Version 04 /1.01 April 2004 306

SLOOP JOHN B BEACH BOYS
G
1. We come out in the Sloop John B, my grandfather and me
G D
Around Nassau town we did roam,
G C Am7
Drinking all night, got into a fight
G D7 G
Well I feel so broke up, I wanna go home
G
Ref.: So hoist up the John B sail,
G
See how the main sail set
G D
Call for the Captain ashore, let me go home
G C Am7
Let me go home, I wanna go home - oh yeah
G D7 G
Well, I feel so broke up, I wanna go home
G
The first mate he got drunk,he broke into the Captains trunk
G D
A constable had to come and take him away
G C Am7
Sheriff John Stone, why don't you leave me alone
G D7 G
G
G
G D
G C Am7
G D7 G
G
3. The poor cook he got the fits, he threw away all my grits
G D
Then he took and ate up all of my corn
G C Am7
Let me go home, why don't you let me go home
G D7 G
This is the worst trip, I've ever been on
G
G
G D
G C Am7
G D7 G
Version 04 /1.01 April 2004 307

WE ARE THE CHAMPIONS
Am Em Am
I've paid my dues, time after timem
Em Am Em Am
I've done my sentence but comitted no crime.
G C F C
And bad mistakes, I've made a few.
F C G Am D G Em C7
I've had my share of sand kicked in my face, but I've come through
D F#m Hm G A D F#m
We are the champions, my friend. And we'll keep on fighting
G H Em G D
till the end. We are the champions, we are the champions,
D Am7 F G Am Dm
No time the losers, 'cause we are the champions of the world.
Am Em Am Em Am
I've taken my bows and my curtain calls, you brought me fame,
Em Am Em Am
and fortune and everything that goes with it.I thank you all.
Am Em Am Em C
But it's been no bed of roses, no pleasure cruise.I consider
F C G Am D G Em C7
it a challenge before the human race, and ain't gonna loose.
Version 04 /1.01 April 2004 308

WE WILL ROCK YOU
Queen
Am
Buddy, you`re a boy, make a big noise playing
in the street, gonna be a big man someday.
You got mud on your feet, you big disgrace,
G Am
kicking your can all over the place. Singing
Am G Am G Am
We will, we will rock you, we will, we will rock you.
Am
Buddy, you`re a young man, hard man shouting
in the street, gonna take on the world someday.
You got blood on your face, you big disgrace,
G Am
waving your banner all over the place.
Am G Am G Am
We will, we will rock you, singing we will, we will rock you.
Am
Buddy, you`re on old man, poor man pleading
with your eyes, gonna make you some peace someday.
You got mud on your face, you big disgrace,
G Am
somebody better take you back in your place.
Am G Am G Am
We will, we will rock you, singing we will, we will rock you,
Am G Am
everybody we will, we will rock you, come on
G F D~
We will, we will rock you
Version 04 /1.01 April 2004 309

CRAZY LITTLE THING CALLED LOVE
D* G C G G
This thing, called love, I just can't handle it,
D* G C C G
this, thing, called love, I must, get round to it,
D x1333x x3555x D
I anit ready, Crazy little thing called love.
This thing, called love, it cries, in craddle at night,

it swings, it jives, it shakes, all overlike a jelly-fish,
I kinda like it, Crazy little thing called love.
G C G
There goes my baby, she knows how to rock and roll,
Bb E A
She drives me crazy, she gives me hot and cold fever,
D---3---
then she leaves me in a cool, cool sweat.
A-5-4-3------------- A--------------
E-----------5-4-3--- EEEEEE E-5-53--2--0---
I gotta be cool, relax, get hip, get on my tracks, take a back seat,
hitch-hike
And take a long ride on my motor bike until I'm ready,
Crazy Little thing called love.
during the guitar solo:

Bb D/A D D/A
Bb E A
D---3----
A-5-4-3--------------
E------------5-4-3---
EEEEEEA
Version 04 /1.01 April 2004 310

THE GREAT PRETENDER (BUCK RAM)
as recorded by Freddie Mercury
Intro: G C G C
G C D G G7
Oh yes, I'm the Great Pretender,
C G G7
Pretending I'm doing well.
C D G C C #
My need is such, I pretend too much,
G C D G
I'm lonely but no one can tell
G C D G G7
Oh yes, I'm the great pretender,
C G G7
Adrift in a world of my own
C D G C C #
I play the game, but to my real shame
G C D G
You've left me to dream all alone.
C G
Too real is this feeling of make believe,
C G D
Too real when I feel what my heart can't conceal
G C C G G7
Oh yes, I'm the great pretender
C G G7
Just lauging and gay like a clown
C D G C C #
I seem to be, what I'm not, you see,
G D Bmin C C #
I'm wearing my heart like a crown,
G C D G
Pretending that you're still around
C G D D #
Too real when I fell what my heart can't conceal
(everything moves up 1/2 step)
G# C # C # G # G#7
Oh yes, I'm the great pretender
C# G# G#7
Just lauging and gay like a clown
C# D# G# C # C #
I seem to be, what I'm not, you see,
G# D# B#min C# D
I'm wearing my heart like a crown,
G# C#
Pretending that you're...
G# C# G#
Pretending that your're.... still around...
Outro: G# - C# - D#
Version 04 /1.01 April 2004 311

SWEET CHILD O` MINE
D–C–G–D
D
1. She's got a smile that it seems to me,
C
reminds me of childhood memories,
G D
where everything was as fresh as the bright blue sky.
Now and then when I see her face,
C
she takes me away to that special place,
G D
and if I stay too long, I'd probably break down and cry.
A C G D
Oh oh oh oh, sweet child of mine.
A C G D
Oh oh oh oh, sweet love of mine.
D C
2. She's got eyes of the bluest sky, and if they thought of rain,
G D
I hate to look into those eyes, and see an ounce of pain.
Her hair reminds me of a warm, safe place,
C
where as a child I'd hide,
G D
and pray for the thunder, and the rain to quietly pass me by.
+ CHORUS + CHORUS E - G - A - C - D
E G A -C-D
Where do we go, where do we go now, where do we go ? (5 x )
E G A C-D E
Sweet child, sweet child of mine.
Version 04 /1.01 April 2004 312

HIT THE ROAD, JACK RAY CHARLES
Hit the [Am] Road Jack [G] and [F] don'tcha come [E] back
No [Am] more no [G] more no [F] more no [E] more,
Hit the [Am] Road Jack [G] and [F] don'tcha come [E] back
No [Am] more [G] [F] [E]
"What'd you say"
... Chorus ...
Old [Am] woman old [G] woman, oh you [F] treat me so [E] mean,
You're the [Am] meanest old [G] woman that I [F] ever have [E] seen,
Well I [Am] guess if [G] you say [F] so [E]
I'll [Am] have to pack my [G] things and [F] go [E] *that's right*
... Chorus ...
"What'd you SAY?!?!"
... Chorus ...
Now [Am] Baby, listen [G] Baby, don't you [F] treat me thisa [E]
way
'Cause [Am] I'll be [G] back on my [F] feet some[E]day,
*Don't [Am] care if you [G] do, cause it's [F] under[E]stood,*
*You [Am] got no [G] money, and you [F] just ain't no [E] good*
Well I [Am] guess if [G] you say [F] so [E]
I'll [Am] have to pack my [G] things and [F] go *that's [E] right*
... Chorus ...
"What'd you SAY?!?!"
... Chorus ...
Coda
Repeat [Am] [G] [F] [E] ...
"Well ...
Uh, whud jou say?
I didn't understand you.
Version 04 /1.01 April 2004 313
You can't mean that ...
Aw now Baby, Please.
What you tryin to do to ME!?"
And Fade.
Version 04 /1.01 April 2004 314

BY THE WAY
INTRO:
(F) (C) (AM)
E
H
G555555555555555522222222
D333333332222222222222222
A00000000
E
F
Standing in line to
C
see the show tonight
Am
and there's a light of heavy glow
F C
by the way I tried to say
Am
I'd be there waiting for
F
Dani's the girl is
C
singing songs to me
Am
beneath the marquee overload
Dm
steak knife card shark con job boot cut
Skin that flick
she's such a little DJ
to get there quick
by street but not the freeway
turn that trick
to make a little leeway
beat that nic
but not the way that we play
dogtown blood bath rib cage soft tal
F
Standing in line to
C
Am
F C
Am Bb
Dm
black jack dope dick pawn shop quick pick
kiss that dyke
Version 04 /1.01 April 2004 315

i know you want to hold one
not on strike
but I'm about to bowl one
bite that mic
I know you never stole one
girls that like
a story, so I told one
song bird main line cash back hard top
F
Standing in line to
C
Am
F C
Am
F
Dani's the girl is
C
singing songs to me
Am
F C
Am
Dm …………
F
Standing in line to
C
Dm
F C
Am Bb
F
Dani's the girl is
C
singing songs to me
Dm
F C
Am Bb
I know you something for
F
Standing in line to
Version 04 /1.01 April 2004 316

C
Dm
F C
Am Bb Dm~
Version 04 /1.01 April 2004 317

UNDER THE BRIDGE
RED HOT CHILI PEPPERS
1.STROPHE: (AKKORDE ARPEGGIO ANSCHLAGEN)

E H C#M AB A
SOMETIMES I FEEL LIKE I DON’T HAVE A PARTNER.
E H C#M A*
SOMETIMES I FEEL LIKE MY ONLY FRIEND.
E H C#M AB A
IS THE CITY I LIVE IN, THE CITY OF ANGELS.
E H EJ7
LONELY AS I AM, TOGETHER WE CRY.
EJ7 NUR BEI DER ERSTEN STROPHE, BEI DEN WEITEREN C#M – A* SPIELEN.
2.STROPHE: (RHYTHMUS ANSCHLAGEN)

I DRIVE ON HER STREETS, BECAUSE SHE’S MY COMPANION.
I WALK THROUGH HER HILLS, BECAUSE SHE KNOWS WHO I AM.
SHE SEES MY GOOD DEEDS AND SHE KISSES ME WINDY.
I NEVER WORRY, NOW THAT IS A LIE.
REFRAIN: (RHYTHMUS)
F#M E* H* F#M
I DON’T EVER WANT TO FEEL, LIKE I DID THAT DAY.
F#M E* H* F#M
TAKE ME TO THE PLACE I LOVE, TAKE ME ALL WAY.
F#M E* H* F#M
F#M E* H* F#M
ZWISCHENSPIEL: E H C#M A E H C#M A EMAJ7
3.STROPHE: (RHYTHMUS)
IT’S HARD TO BELIEVE THERE’S NOBODY OUT THERE.
IT’S HARD TO BELIEVE THAT I’M ALL ALONE.
AT LEAST I GOT HER LOVE THE CITY SHE LOVES ME. A* C G6 FJ7
LONELY AS I AM, TOGETHER WE CRY. UNDER THE BRIDGE DOWNTOWN, FORGOT ABOUT MY LOVE.
A* C G6 FJ7
REFRAIN: (RHYTHMUS) UNDER THE BRIDGE DOWNTOWN, I GAVE MY LIFE AWAY.
F#M E* H* F#M
I DON’T EVER WANT TO FEEL, LIKE I DID THAT DAY. OUTRO (EBENFALLS RHYTHMUS)
F#M E* H* F#M
(REPEAT AND FADE OUT)
F#M E* H* F#M
F#M E* H* F#M A* C G6 FJ7
TAKE ME TO THE PLACE I LOVE, TAKE ME ALL WAY. AH, AH, YEAH, YEAH.
A* C G6 FJ7 A C G6 FJ7
AH, AH, YEAH, YEAH. OH NO, NO NO, YEAH, YEAH.
A* C G6 FJ7 A* C G6 FJ7
OH NO, NO NO, YEAH, YEAH. LOVE ME, I SAY YEAH, YEAH.
A* C G6 FJ7
LOVE ME, I SAY YEAH, YEAH.
FJ7 E7
INSTRUMENTAL
4.STROPHE: (RHYTHMUS)
A* C G6 FJ7 A* C G6 FJ7
UNDER THE BRIDGE DOWNTOWN, IS WHERE I DREW SOME BLOOD. UNDER THE BRIDGE DOWNTOWN, I COULD NOT GET ENOUGH.
Version 04 /1.01 April 2004 318

INTRO:
(OHNE KAPO)
E |
H |3323H5P3
G |22322
D |44424442444S6
A |555444524S555S7
E |2

E |
H |23
G |3223
D |4442444442
A |44524S554244524S5
E |2542

E |
H |23H5P3
G |44233
D |54S6444
A |5S74444
E |2
AKKORDE:

|E:|H:|C#M:|A:|AB:|EJ7:|F#M:|C:|G6:|FJ7:|E7:|
E:|4|2|4|5|4|4|2|0|0|0|0|
H:|5|4|5|5|4|4|2|1|0|1|3|
G:|4|4|6|6|5|4|2|0|0|2|1|
D:|X|4|6|7|6|3|4|2|0|3|2|
A:|X|2|4|7|6|X|4|3|2|3|2|
E:|X|X|X|5|4|X|2|X|3|0|0|
MIT * GEKENNZEICHNETE AKKORDE WIE FOLGT:
--|-E*:-|-A*:-|-H*:-|
E:|--0--|--0--|--7--|
H:|--0--|--2--|--7--|
G:|--1--|--2--|--8--|
D:|--2--|--2--|--9--|
A:|--2--|--0--|--9--|
E:|--0--|--X--|--7--|
Version 04 /1.01 April 2004 319

AEROPLANE
The Red Hot Chili Peppers
From: Daniel Routman (dbr@ionet.net)
Lyrics:
-chorus-
I like pleasure spiked with pain
and music is my aeroplane
it's my aeroplane
Songbird sweet and sour Jane
and music is my aeroplane
it's my aeroplane
pleasure spiked with pain
that motherfucker's always spiked with pain
Looking in my own eyes, hello

I can find the love I want
Someone better slap me
before I start to rust
before I start to decompose
Looking in my rear view mirror

Looking in my rear view mirror
I can make it disapear
I can make it disapear, have no fear
-repeat chorus-
Sitting in my kitchen
I'm turning into dust again
My melancholy baby
the star of mazy must
push her voice inside of me
I'm overcoming gravity

I'm overcoming gravity
It's easy when you're sad to be
It's easy when you're sad
Saddle up me
-repeat chorus-
Just one note could make me float

could make me float away
One note from the song
she wrote could fuck me where I lay
Just one note could make me choke
one note that's not a lie
Just on enote could cut my throat
one note could make me die
-repeat chorus- Intro:
Version 04 /1.01 April 2004 320

|--3~~------3~~------5~~----6----------------------------|
|--6~~------3~~------3~~-------------3------------5~~----|
|--3~~------3~~------3~~-----------------3--------5~~----|
|--3~~------5~~------3~~--------------------------5~~----|
|--3~~------3~~------3~~--------------------------3~~----|
|--------------------------------------------------------|
|--6~~----5--------------3----3~~------------------------|
|--3~~-----------6------------3~~----------3~~------5~~--|
|--3~~---------------3--------5~~------5---3~~------5~~--|
|--3~~------------------------5~~----------3~~------5~~--|
|--3~~------------------------3~~----------3~~------3~~--|
|--------------------------------------------------------|
Chorus:
|-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6|
|-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5|
|-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5|
Repeat X6
Verse:
|--18---x--18------18---x--18------18--x--18------18---x--18---|
|--18---x--18------18---x--18------17--x--17------17---x--17---|
|--------------------------------------------------------------|
Repeat X8
Bridge:
|----------------------------------------------------------------|
|-6-6-6-6-6-6-6-6-6-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3---3-3-3-3-3-3|
|-3-3-3-3-3-3-3-3-3-3-5-5-5-5-5-5-5-3-3-3-3-3-3-3-3---3-3-3-3-3-3|
|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-5-5-5-5-5-5-5|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
Solo:
|---------------------------17^-----17--15----15-----------------|
|--18^----(18)------18--15-----------------18----18^-------------|
|-------------------------------------------------------17--17---|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|--15------------------------------------------------------------|
|-------17--15--17---15--17--------------------------------------|
|---------------------------15---15--15--------15^------(15)~~~~-|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|--15^~~~--15^~~~--15^~~~--15^~~~--15^~~~--15^~~~--15^~~~--15^~~-|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|--15--13--15^---(16)---15^---15----------15--13^--------13-15-13|
|---------------------------------15--13-----------13-15---------|
D|----------------------------------------------------3--5--3--5--|
A|------------13------13-15-13--------------3--1-1-3--------------|
E|--15--13-15-----15------------15\-1^---3------------------------|
e|-----------------------------------------------------------6----|
h|--------------5-----------------6--8^----(8)------6--6--8-------|
g|--3-----3-5^-----3--5--3---5\7----------------------------------|
A|-----5----------------------------------------------------------|
e|--8^----(8)--6--8-8^--8--6--8--6---6----------------------------|
h|----------------------------------8--8-6-8-6---6----------------|
g|---------------------------------------------7---7\5-3-5-3--3-3-|
A|-----------------------------------------------------------5----|
|---------------------------3-x----------------------------------|
|----------------------5-3--3-x-5--x-x-x-x-5--5^--5~-------------|
|----3-5------------3--5-3------5--x-x-x-x-5--5^--5~-5^--5-3--4~-|
|--5-------5-3--5-5----------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
G |-----------------------------------10---------------------------|
D|--5--3--5--3--5~~~~~~~~~~~---------9----------------------------|
A|-----------------------------------10---------------------------|
|----------------------------------------------------------------|
Version 04 /1.01 April 2004 321

BREAKING THE GIRL
Use capo on the fourth fret.
Intro.
-0-0-0-|-----0-0-0-0-|-0-0-0-|-----0-0-0-0-|-0-0-0-|-
-0-0-0-|-----0-0-0-0-|-0-0-0-|-----0-0-0-0-|-0-0-0-|-
-1-1-1-|-----1-1-1-1-|-3-4-4-|-----4-4-4-4-|-6-6-6-|-
-2-2-2-|-----2-2-2-2-|-4-5-5-|-----5-5-5-5-|-7-7-7-|-
-2-2-2-|-----2-2-2-2-|-4-5-5-|-----5-5-5-5-|-7-7-7-|-
-0-0-0-|-4\0-0-0-0-0-|-0-0-0-|-6\0-0-0-0-0-|-0-0-0-|-
-----0-0-0-0-|-0-----|---------|
-----0-0-0-0-|-0-9-9-|-9-9-9-9-|
-----6-6-6-6-|-8-9-9-|-9-9-9-9-|
-----7-7-7-7-|-9-9-9-|-9-9-9-9-|
-----7-7-7-7-|-9-7-7-|-7-7-7-7-|
-8\0-0-0-0-0-|-0-0-0-|-0-0-0-0-|
VERSE
I am a man cut from the know
Rarely do friends come and then go
She was a girl soft but estranged
We were the two our lives rearranged
G D/F# Em
Feeling so good that day
G D/F# C
A feeling of love that day
CHORUS
Em D/F# G Am
Twisting and turning your feelings are burning
B B/E B/G B/F#

You're Breaking The Girl
Em D/F# G Am C
She meant you no harm
Em D/F# G Am
Think you're so clever but now you must sever
B B/E B/E B/F#

You're Breaking The Girl
Em D/F# G Am C
He loves no one else
Verse 2:
Raised by my dad, girl of the day.
He was my dad, that was the way.
She was a girl left alone
Feeling the need to make me her home.
I don't know what or why
the twilight of love had arrived
Version 04 /1.01 April 2004 322

PIANO MAN
Billy Joel
INTRO: C C/B Am Am/G F F/E D G

C C/B Am Am/G F F/G
C F G F F/E* Dm7
C F G F F/E* Dm7
C C/B Am Am/G
It's nine o'clock on a Saturday
F F/E D G
The regular crowd shuffles in
C C/B Am Am/G
There's an old man sitting next to me
F F/G C
Makin' love to his tonic and gin
HARMONICA: C C/B Am Am/G F G

C F
C C/B Am Am/G
He says, Son, can you play me a memory?
F F/E D G
I'm not really sure how it goes
C C/B Am Am/G
But it's sad and it's sweet and I knew it complete
F F/G C
When I wore a younger man's clothes
Am Am/G Am/F# F
La la la, de de da
Am Am/G D7 G G/F G/E G/D
La la, de de da da da
CHORUS 1:
C C/B Am Am/G
Sing us a song, you're the piano man
F F/E D G
Sing us a song tonight
C C/B Am Am/G
Well, we're all in the mood for a melody
F F/G C
And you've got us feeling alright
HARMONICA: C C/B Am Am/G F F/G

C F G F F/E* Dm7
C F G F F/E* Dm7
Version 04 /1.01 April 2004 323

C C/B Am Am/G
Now John at the bar is a friend of mine
F F/E D G
He gets me my drinks for free
C C/B Am Am/G
And he's quick with a joke or to light up your smoke
F F/G C F
But there's some place that he'd rather be
C C/B Am Am/G
He says, Bill, I believe this is killing me
F F/E D G
As the smile ran away from his face
C C/B Am Am/G
Well I'm sure that I could be a movie star
F F/G C
If I could get out of this place
Am Am/G Am/F# F
Oh, la la la, de de da
Am Am/G D7 G G/F G/E G/D
La la, de de da da da
C C/B Am Am/G
Now Paul is a real estate novelist
F F/E D G
Who never had time for a wife
C C/B Am Am/G
And he's talking with Davy who's still in the navy
F F/G C
And probably will be for life
HARMONICA: C C/B Am Am/G F F/G

C F G F F/E* Dm7
C F G F F/E* Dm7 C
CHORDS: EADGBE
------ F/E 033211
C X32010 G 320003
Am X02210 Dm7 XX0221
C/B X20010 G/F 120033
G/D XX0033 F/E* XX2011
Am/F# 2X2210 D XX0232
F 133211 F/G 333211
D7 XX0212 G/E 022033
Am7 X02010 Am/G 3X2210
Version 04 /1.01 April 2004 324

SOMETHING STUPID
ROBBIE WILLIAMS & NICOLE KIDMAN
Intro: Am – D Am – D7 G
G G6 G7+ G6
1. I know I stand in line, until you think you have the time
Am7 D7 Am7 D7
to spend an evening with me.
Am7 D7 Am7 D7
And if we go someplace to dance, I know that there's a chance
G G6 – G7+ G6
you won't be leaving with me.
G7+ C D#
And afterwards we drop into a quiet little place and have a drink or two.
Am7 D7 Am7 D7
And then I go and spoil it all, by saying something stupid
G G6 G7+ G6
like: "I love you".
G7+
I can see it in your eyes, that you despise the same old lies
C
you heard the night before.
A7
And though it's just a line to you, for me it's true,
D7 Daug
it never seemed so right before.
G G6 G7+ G6
3. I practice every day to find some clever lines to say,
Am7 D7 Am7 D7
to make the meaning come true.
Am7 D7 Am7 D7
But then I think I'll wait until the evening gets late,
G G6 – G7+ G6
and I'm alone with you.
G7+
The time is right, your perfume fills my head, the stars get red,
C D#
and, oh, the night's so blue.
Am7 D7 Am7 D7
G G6 –G7+ G6
like: "I love you"
Instrumental: G – G6 / G7 G6 / Am7 – D7 – Am7 – D7 / Am7 – D7 – Am7 – D7
G – G6 / G7+ G6
G7+
The time is right, your perfume fills my head, the stars get red,
C D#
and, oh, the night's so blue.
Am7 D7 Am7 D7
G G6 D#
like: "I love you"
Version 04 /1.01 April 2004 325
G G6 D# G G6 D#
"I love you" "I love you"
G G6 D# G G6 D#
"I love you" "I love you"
G G6 D# G G6 D#
"I love you" "I love you" fade…
Version 04 /1.01 April 2004 326

BEHIND BLUE EYES
Limp Bizkit
Em7 G6 Dsus2
No one knows what it's like, to be the bad man,
Cadd9 Asus2
To be the sad man, behind blue eyes
Em7 G6 Dsus2
No one knows what it's like to be hated,
Cadd9 Asus2
To be fated, to telling only lies
Chorus:
C D G
But my dreams, they aren't as empty,
C D E
As my conscience seems to be
Hm C
I have hours, only lonely
D A
My love is vengeance that's never free
Em7 G6 Dsus2
No one knows what it's like to feel these feelings
Cadd9 Asus2
Like I do, and I blame you
Em7 G6 Dsus2
No one bites back as hard on their anger
Cadd9 Asus2
None of my pain and woe, can show through
Chorus:
C D G
C D E
Hm C
D A
Em7 G6 Dsus2
Discover l. i. m. p. say it
Cadd9 Asus2
Em7 G6 Dsus2
Cadd9 Asus2
Em7 G6 Dsus2
No one knows what its like to be mistreated,
Version 04 /1.01 April 2004 327

Cadd9 Asus2
to be defeated behind blue eyes
Em7 G6 Dsus2
And no one knows how to say that they’re sorry
Cadd9 Asus2
and don’t worry i’m not telling lies
Chorus:
C D G
C D E
Hm C
D A
Em7 G6 Dsus2
No one knows what it's like, to be the bad man,
Cadd9 Asus2
To be the sad man, behind blue eyes
Intro + Verse = Fingerpicking mit folgenden Chords
Dsus2=XX0230
Em7 =022030
G6 =320030
Cadd9=X32030
Asus2=x02200
Intro: + Verse-Picking
Em7 G6 Dsus2 Dsus2

-------0------------0-------------0---------0----
--------3------------3---------3---3-3----3--3-3-
-----0---0--------0---0-------2-2---2----2-2--2--
---2------2------0-----0-----0----------0--------
--2-------------2--------------------------------
-0-------------3---------------------------------
Cadd9 Cadd9 Asus2 Asus2

-----0-----------0------------0-----------0-------
------3-3---------3-3-------0--0-0------0--0-0----
--0----0------0----0------------2-----------2-----
-2-2---------2-2-----------2-----------2----------
3-----------3-------------0-----------0-----------
--------------------------------------------------
Version 04 /1.01 April 2004 328

HOW BIZARRE
Artist : OMC
Acoustic Intro
E|-12-12-12\10-10-10--8--8--8\7-7-7\5-5-5\3-3-3\1-1-1/3-3/5-|
B|-13-13-13\12-12-12-10-10-10\8-8-8\6-6-6\5-5-5\3-3-3/5-5/6-|
G|----------------------------------------------------------|
E|-5\3-1-1-1-3-3----12-12-12\10-10-10--8--8--8\7-7-7\5-5-5-||
B|-6\5-3-3-3-5-5----13-13-13\12-12-12-10-10-10\8-8-8\6-6-6-||
G|---------------------------------------------------------||
Chorus Riff
E|-12-12-12\10-10-10--8--8--8\7-7-7\5-5-5\3-3-3\1-1-1-------|
B|-13-13-13\12-12-12-10-10-10\8-8-8\6-6-6\5-5-5\3-3-3-------|
G|----------------------------------------------------------|
C G F
Brother Pele's in the back, sweet Seena's in the front
C G F
Cruising down the freeway in the hot, hot sun
Suddenly red blue lights flash us from behind
Loud voice "all will please step out onto the line"
Pele breathes words of comfort, Seena just hides her eyes

Policeman taps his shades, Is that a chevy 69?
How bizarre, how bizarre, how bizarre
Destination unknown, as we pull in for some gas

A freshly pasted poster reveals a smile from the pack
Elephants and acrobats, lions next monkey

Pele speaks righteous, Sister seena says funky
How bizarre, how bizarre, how bizarre
REFRAIN:
Ooh baby, (ooh baby), it's making me crazy, (it's making me crazy)
Everytime I look around, (look around)
Everytime I look around, everytime i look around
It's in my face
Ringmaster steps up, says the elephants left town

People jump and jive, and the clowns inch back around
T.V. news and cameras, there's choppers in the sky
Marines, police, reporters, ask the where, for and why
Pele yells "we're outta here", Seena says "right on"

Make your moves and starting grooves, before they knew we're gone
Jump into the chevy, headed for big lights,
Wanna know the rest? Hey, buy the rights
How bizarre, how bizarre, how bizarre Refrain (3x)
Version 04 /1.01 April 2004 329

FEEL
ROBBIE WILLIAMS
INTRO: DM
Dm
Come and hold my hand
F A Asus4 A*
I wanna contact the living
Gm
Not sure I understand
F A Asus4 A*
This rope I've been given
Dm
I sit and talk to God
F A Asus4 A*
And he just laughs at my plans
Gm
My head speaks a language
F A Asus4 A*
I don't understand
Bb
I just wanna feel
F C
Real love fill the home that I live in
Bb
Cos I got too much life
F
Running thru my veins
C
Going to waste
Dm
I don't wanna die
F A Asus4 A*
But I ain't keen on living either
Gm
Before I fall in love
A Asus4 A*
I'm preparing to leave her
Dm
Scare myself to dead
F A Asus4 A*
That's why I keep on running
Gm
Version 04 /1.01 April 2004 330
Before I roll eye
F A Asus4 A*
I can see myself coming
Chorus:
Bb
I just wanna feel
F C
Bb
Cos I got too much life
F
C
Going to waste
Bb
And I need to feel
F C
Real love and the love ever after
Dm F Dm F
I can not get enough
Solo: Dm F Dm F (2x)

Chorus:
Bb
I just wanna feel
F C
Bb F Dm F
I got too much love This rope I've been given
F
C Dm F
To go to waste Not sure I understand
Bb
I just wanna feel
F C Dm F
Real love and the love ever after Not sure I understand
Bb Dm F
There's a hole in my soul Not sure I understand
F Dm F Dm Dm
You can see it in my face Not sure I understand
Version 04 /1.01 April 2004 331
A* x02250
Asus4 x02230
C
It's a real big place
Bridge: Dm F Dm F

Dm
Come and hold my hand
F Dm F
I wanna contact the living
Dm
Not sure I understand
Version 04 /1.01 April 2004 332

COME UNDONE
Robbie Williams
Album: Escapology
Intro: H E H E
H
So unimpressed but so in awe
E
Such a saint but such a whore
H
So self aware so full of shit
E
So indecisive so adamant
F# E
I’m conteplating thinking about thinking
F# E
It’s so frustrating just get another drink in
H
Wach me come undone
E H
They’re selling razor blades and mirrors in the street (come undone)
H E H
I Pray that when I’m coming down you’ll be asleep (come undone)
H E
If I ever hurt you your revenge will be so sweet
C#m E
Because I’m scum, and I’m your son
H E H E
I come undone, I come undone
H
So rock and roll so corporate suit
E
So damn ugly so damn cute
H
So well trained so animal
E
So need your love so fuck you all
F# E
I’m not scared of dying I just don’t want to
F# E
If I stopped lying I’d just disappoint you
H
I come undone
E H
H E H
I Pray that when I’m coming down you’ll be asleep (come undone)
H E
If I ever hurt you your revenge will be so sweet
C#m E
Because I’m scum, and I’m your son
H E H E
I come undone, I come undone
A
So write another ballad, mix on the on Wednesday
E
Sell it on a Thursday, but a yacht by Saturday
H
It’s a love song, a love song
A
Do another interview, sing a bunch of lies
Version 04 /1.01 April 2004 333

E
Tell about celebrities that I despise
F#
And sing love song, we sing love song
H E H E H E C#m E H
So sincere, so sincere come undone
E H
H E H
Pray that when I’m coming down you’ll be asleep (come undone)
H E
A young pretender and my crowds above can see
C#m E H
I come undone, I’m scum, love your son,
E H
You’ve gotta love your son,
E H
You’ve gotta love your son,
E H
Yeah, Yeah, Yeah
E H
Love your son
E H
I’m scum
I’m scum ... (fade)
Version 04 /1.01 April 2004 334

ANGEL
ROBBIE WILLIAMS

CHORDS:

EADGBE EADGBE
E (022100) D (xx0232)
A (x02220) F#m (244222)
B (x2444x) G#m (466444)
C#m (x46654)

INTRO: E

VERSE 1:

E
I sit and wait
A B
Does an angel, contemplate my fate
E
And do they know, the places where we go
A B
When we're grey and old

PRECHORUS:

F#m
'Cos I've been told
A C#m A
That salvation lets their wings unfold
D
So when I'm lying in my bed
A
Thoughts running through my head
E
And I feel that love is dead
D A E
I'm loving angels instead

CHORUS:

B C#m
And through it all she offers me protection
A
A lot of love and affection
E
Version 04 /1.01 April 2004 335
Whether I'm right or wrong
B
And down the waterfall
C#m
Wherever it may take me
A
I know that life won't break me
G#m F#m
When I come to call, she won't forsake me
D A E

VERSE 2:

E
When I'm feeling weak
A B
And my pain walks down a one way street
E
I look above
A B
And I know I'll always be blessed with love

PRECHORUS:

D
And as the feeling grows
A
She breathes flesh to my bones
E
And when love is dead
D A E

CHORUS:

B C#m
And through it all she offers me protection
A
A lot of love and affection
E
Whether I'm right or wrong
B
And down the waterfall
C#m
Wherever it may take me
A
I know that life won't break me
G#m F#m
When I come to call, she won't forsake me
D A E

Version 04 /1.01 April 2004 336

GUITARSOLO:

B = BEND NOTE UP
R = RELEASE BEND
B A E
E||
B|999|
G|9B11R969B119B11R969B119B11R964|
D||
A||
E||
|
Version 04 /1.01 April 2004 337

SHE´S THE ONE
Robbie Williams
A D A D
I was her, she was me, we were one, we were free.
Hm E A D
And if there's somebody calling me on, she's the one.
Hm E A D
If there's somebody calling me on, she's the one.
A D A D
We were young, we were wrong, we were fine, all along.
Hm E A D
Hm E A D
D
When you get to where you wanna go,
A
And you know the things you're wanna know, you're smiling.
D
When you say what you wanna say,
H
m E
And you know the way you wanna play, you'll be so high you'll be
flying.
A D A D
For the sea, we'll be strong, I know we'll, carry on.
Hm E A D
Cause if there's somebody calling me on, she's the one.
Hm E A D
A D A D
Hm E A D
Hm E A D
If there's somebody calling me on, shes the one.
Hm E F#m D
If there's somebody calling me on, she's the one, yeah she's the
one.
Hm E F#m D
If there's somebody calling me on, she's the one, she's the one.
Hm E F#m D
A D A D
She's the one, she's the one.
Version 04 /1.01 April 2004 338

WORD UP
GUN
Yoh pretty ladies around the world

Got a weird thing to show you
So tell all the boys and girls
Tell your brother, your sister and your momma too
We're about to go down and you know just what to do
Wave your hands in the air like you don't care
Glide by the people as they stop to look and stare
Do your dance, do your dance, do your dance, quick momma
Come on baby tell me what's the word
Word up, everybody say

When you hear the call you've got to get it underway
Word up, it's the code word
No matter where you say it you know that you'll be heard
Now all you sucker DJs who think you're fly

There's got to be a reason and we know the reason why
Why you put on those airs and you act real cool
Got to realise that you're acting like fools
If there's music we can use it, you're free to dance
We don't have the time for psychological romance
No romance, no romance, no romance, for me momma
Word up everybody say

Dial L for love, dial L for love, dial L for love

W.O.R.D. Up
W.O.R.D. Up
W.O.R.D. Up
W.O.R.D. Up
Version 04 /1.01 April 2004 339

Yeh you sucker DJs who think you're fly
There's got to be a reason and we know the reason why
Why you put on those airs and you act real cool
Got to realise that you're acting like fools
No romance, no romance, no romance, for me mamma


FB
------------------------------------------------------------------------------
--------7~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~--
------------------------------------------------------------------------------
------------------------------------------------------------------------------
------------------------------------------------------------------------------
------------------------------------------------------------------------------
INTRO GUITAR:
SL
--------------------------------|---------------------------------------------
--------------------------------|---------------------------------------------
--------11-----X-X--11------X-X-|-9---9--X---9--------X\-----X----------------
--------11-----X-X--11------X-X-|-9---9--X---9--------X-\----X----------------
---------9-----X-X---9------X-X-|-7---7--X---7----7---X\-\---X----------------
--------------------------------|-----------------------\-\-------------------
------------------------------------|-----------------------------------------
------------------------------------|-----------------------------------------
---------7-----X-X---7--9---X-X---9-|---11--11-----X-X------11----------------
---------7-----X-X---7--9---X-X---9-|---11--11-----X-X------11----------------
---------5-----X-X---5--7---X-X---7-|----9---9-----X-X-------9----------------
------------------------------------|-----------------------------------------
MAIN GUITAR RIFF:

SL
------------------------------------|-----------------------------------------
------12-12-12-12--12----11---------|------10-10-10-10--10------9-------------
------11-11-11-11--11----11---------|-------9--9--9--9---9------9-------------
------14-14-14-14--14----14\--------|------12-12-12-12--12------9-------------
----------------------------\-------|-----------------------------------------
-----------------------------\------|-----------------------------------------
Version 04 /1.01 April 2004 340

SL SL
------------------------------------|-----------------------------------------
------7---X-X---7-----9----X-X---9--|----11--11----------11------11-----------
------7---X-X---7-----9----X-X---9--|----11--11----------11------11-----------
------7---X-X---7-----9----X-X---9--|----11--11----------11------11\----------
------------------------------------|-------------9--9--------------\------/9-
------------------------------------|--------------------------------\----/---
------------------------------------|-----------------------------------------
------12-12-12-12--12----11----X----|------10-10-10-10--10------9-------------
-11---11-11-11-11--11----11----X----|-------9--9--9--9---9------9-------------
-11---14-14-14-14--14----14----X----|------12-12-12-12--12------9-------------
--9---------------------------------|-----------------------------------------
------------------------------------|-----------------------------------------
SL
------------------------------------|-----------------------------------------
------------------------------------|------14---14----------14----------------
-----7----X-X----7---9---X-X----9---|------14---14----------14----------------
-----7----X-X----7---9---X-X----9---|-----------------16----------------------
-----5----X-X----5---7---X-X----7---|-------------------------------/17\------
------------------------------------|------------------------------/----\--X--
The Verse is played by 2 guitars , one playing the Main guitar riff and
the second plays the same but an octave lower using a drop D tuning.
GUITAR FILL ( CHORUS )

SL SL SL SL
------------------------------------|-----------------------------------------
------------------------------------|-----------------------------------------
-----------14----------13-\--11-----|--14----11-/-13-\-11-----------9-/-11----
------------X-----------X-----X-----|---X-----X----X----X-----------X----X----
-----------12----------11-\---9-----|--12-----9-/-11-\--9-----------7-/--9----
------------------------------------|-----------------------------------------
------------------------------------|-----------------------------------------
------------------------------------|-----------------------------------------
--(11)------------------------------|--(11)----14-------13-\-11---------------
---(X)------------------------------|---(X)-----X-----X--X----X---------------
---(9)------------------------------|---(9)----12----X--11-\--9---------------
------------------------------------|-----------------------------------------
SL SL
------------------------------------|-----------------------------------------
------------------------------------|-----------------------------------------
---14---------13-\-11---------------|-----------------------------------------
----X------X---X----X---------------|-----------------------------------------
---12-----X---11-\--9---------------|-----------------------------------------
---------------------------17\------|-----------------------------------------
GUITAR 1 : VERSE 2 ( DROP D TUNING )

> > > > > > RPT X4
------------------|-----------------|------------------|-----------------|----
------------------|-----------------|------------------|-----------------|----
------------------|-----------------|------------------|-----------------|----
--4-4-4-4-4-4-4-4-|-2-2-2-2-2-2-2-2-|--0------2--------|-4-4-4-4-4-4-4-4-|----
--4-4-4-4-4-4-4-4-|-2-2-2-2-2-2-2-2-|--0------2--------|-4-4-4-4-4-4-4-4-|----
--4-4-4-4-4-4-4-4-|-2-2-2-2-2-2-2-2-|--0------2--------|-4-4-4-4-4-4-4-4-|----
GUITAR 2 : VERSE 2
------------------------|---------------------|---------------------|---------
------------------------|---------------------|---------------------|---------
--------------------2'--|-----------------2'--|-----------------2'--|---------
-----4-----2--4---------|--4~~~--2--4---------|--4~~~--2-4-2--------|---------
-----------------4------|--------------4------|--------------4------|--------
------------------------|---------------------|---------------------|---------
Version 04 /1.01 April 2004 341

SL RPT X4
---------------5'------------|------------------------------------------------
-----------------7-5---------|------------------------------------------------
----------/6---------6-5-4---|------------------------------------------------
-----4~~~------------------7-|------------------------------------------------
-----------------------------|------------------------------------------------
-----------------------------|------------------------------------------------
GUITAR 1 : MIDDLE 8
RPT X8
------------------------------------|-----------------------------------------
-----------------------------------|-----------------------------------------
------------------------------------|-----------------------------------------
--------4---4-------4---4-------4---|-----------------------------------------
------------------------------------|-----------------------------------------
----4-----------4-----------4-------|-----------------------------------------
GUITAR 2 : MIDDLE 8
------------|-----------|---------|-----------|------|------|-----------|-----
------------|-----------|---------|-----------|------|------|-----------|-----
--11------9-|-9------\8-|-8-------|-7-------6-|--6---|--5---|-----------|-----
---X------X-|-X-------X-|-X-------|-X-------X-|--X---|--X---|-9-\7--\6--|--4--
---9------7-|-7------\6-|-6-------|-5-------4-|--4---|--3---|-X--X---X--|--X--
------------|-----------|---------|-----------|------|------|-7-\5--\4--|--2--
GUITAR 3 : MIDDLE 8
--------------|--------------|--------------|---------------|-----------------
--------------|--------------|--------------|---------------|-----------------
----6------/9-|-(9)-------11-|-11--------14-|--14---------9-|---9-------------
----X-------X-|------------X-|--X---------X-|---X---------X-|---X-------------
----4------/7-|-(7)--------9-|--9--------12-|--12---------7-|---7-------------
--------------|--------------|--------------|---------------|-----------------
------------------|---------------------------|-------------------------------
------------------|---------------------------|-------------------------------
----8----------/7-|-7---------6---\4---4------|-------------------------------
----X-----------X-|-X---------X----X---X----7-|----7--------------------------
----6----------/5-|-5---------4---\2---2----X-|----X--------------------------
------------------|-------------------------5-|----5--------------------------
GUITAR SOLO;
BU LD
---------------|-------------------|--------------------(2)-|-----------------
---------------|--4'---4--(4')--4'-|--4'---4--(4')----------|-----------------
-----4-(6)-4-2-|--4'---4--(4')--4'-|--4'---4--(4')----------|-----------------
---------------|-------------------|------------------------|-----------------
---------------|-------------------|------------------------|-----------------
---------------|-------------------|------------------------|-----------------
BU LD PO PH SL PH PH PH BU LD SL SL SL
-------------------------------|--------------------------------|-------------
-------------------------------|--------------------------------|-------------
----4-(6)-4-2-----2'-----------|--------2--4--------------------|-------------
--------------4-2-----4--------|--2-----------4-(6)4/--X\----/X-|--------------
---------------------------2/4-|-----4-----------------X\----/X-|-------------
-------------------------------|-----------------------X\----/X-|-------------
BU BU SL SL
-----------------------------|-----------------------------------|------------
--14-------------------------|-16-(17)---------------------------|------------
--14-(15)--------------------|-16-(18)--14-----------------14----|------------
---------16---16~~~~~~-14----|--------------16~~~\---14-16----16-|------------
--------------------------16-|-----------------------------------|------------
-----------------------------|-----------------------------------|------------
Version 04 /1.01 April 2004 342

BU BU BU LD BU
------------------------------------------|------------------------------14---
-----------17----------17-------17--------|--------------------------17 (19)--
---16-(18)----16-(18)-(18)--16-(18)-16-14-|-16----14'------14-----------------
------------------------------------------|----16-------14----16~~~\----------
------------------------------------------|----------16-----------------------
------------------------------------------|-----------------------------------
LD BU MU BU LD
--(14)-(14)----------------14---------|------------------------------14-------
--(19)-(17)--17-(19)~~~~~-----(17)-14-|--17-(21)--17-----17~~~~~--------17----
--------------------------------------|---------------------------------------
--------------------------------------|---------------------------------------
--------------------------------------|---------------------------------------
--------------------------------------|---------------------------------------
PO BU PO BU
---17-14----14-------14---------------------------------|---------------------
---------17--17-(19)----17-14---------------------------|---------------------
------------------------------17-16'14----16----14-(16)-|---------------------
---------------------------------------16----16---------|---------------------
--------------------------------------------------------|---------------------
--------------------------------------------------------|---------------------
PS SL SL
---------------------------------------|--------------------------------------
-------(14)----14'------14-------------|--------------------------------------
--------14-----14'------14--------\----|--14\11-11-11----11/13---13-----------
-----14-------------16-----16--16--\---|---X--X--X--X-----X--X----X-----------
--16--------------------------------\--|--12\-9--9--9-----9/11---11-----------
-------------------------------------\-|--------------------------------------
SL SL SL BU BU
--------------------------------|---------------------------------------------
--------------------------------|-------------------------17---17-------------
--13\-9-----9/11\9--------------|---------14--16--16-(18)(18)--16-(18)--------
---x--X-----X--X-X--------------|-14--16----16--X-----------------------------
--11\-7-----7/-9\7-----14-15-16-|---16--16------------------------------------
--------------------------------|---------------------------------------------
BU BU LD PO SL
------------------------------------------------------------------------------
--17---------17---------------------------------------------------------------
-----16-(18)----16-(18)-16-14-------------------------------------------------
------------------------------16---X\-----------------------------------------
-------------------------------------\----------------------------------------
--------------------------------------\---------------------------------------
GUITAR 1 : CHANT SECTION ( DROP D TUNING )
> > > RPT X8

------------------------------|-----------------------------------------------
------------------------------|-----------------------------------------------
------------------------------|-----------------------------------------------
--4-4-4-4-4-4---5-------------|-----------------------------------------------
--4-4-4-4-4-4---5-------------|-----------------------------------------------
--4-4-4-4-4-4---5-------------|-----------------------------------------------
GUITAR 2 : CHANT SECTION
SL
-------------------|--------------|--------------|----------------------------
-------------------|--------------|--------------|----------------------------
-------------------|--3-------/7--|--6-------4---|--3---------------3---------
--4---------5------|--X--------X--|--X-------X---|--X-----5---5-----X---------
--X---------X------|--1-------/5--|--4-------2---|--1-----X---X-----1---------
--2---------3------|--------------|--------------|--------3---3---------------
-------------------|--------------|--------------|----------------------------
-------------------|--------------|--------------|----------------------------
-------------------|---3------/7--|--6-------9---|---11-----------------------
---4-----------5---|---X-------X--|--X-------X---|----X-----------------------
---X-----------X---|---1------/5--|--4-------7---|----9-----------------------
---2-----------3---|--------------|--------------|----------------------------
Version 04 /1.01 April 2004 343

Version 04 /1.01 April 2004 344
CONNECTED
Ah
Somethin' ain't right
Gonna get myself, I'm gonna get myself
Gonna get myself connected
I ain't gonna go blind (yeah) for the light which is reflected
I see thru you, I see thru you
Ya dirty tricks, ya make me sick (oh yeah)
Gonna do it again, gonna do it again
I'm (gonna do it again, gonna do it again)
Gotta do right (gonna do it again)
'Cause somethin' ain't right (gonna do it again)
Gotta do right, come on (oh yeah)
If you make sure you're connected, the writing's on the wall

But if your mind's neglected, stumble you might fall
Stumble you might fall
I, ain't gonna go blind (ah, hey, oh yeah)

Gonna get myself, I'm gonna get myself
I'm gonna get myself connected
I ain't gonna go blind for the light that is reflected
Hear me out
Hey yeah (oh yeah) yeah yeah yeah ah
Do it again, do it again
Do it again, do it again
I wanna do it again, I wanna do it again
I wanna thru it again
Ya terrified (I wanna do it again)
Ain't gonna go blind, ain't gonna go blind
(I wanna do it again) here we go

Stumble you might fall, hear me out
Stumble you might fall, yeah
Interstate 5 stayin' alive (ow!)

Won't someone try open up your eyes (ow!!)
You must be blind if you can't see (oh yeah)
The gapin' hole called reality (oh yeah)
Ow, wanna do it again (ah), I know I'm gonna do it again
I wanna do it again, come on, I'm gonna do it again
Hear me out, terrified
Somethin' ain't right, here we go

(REPEAT TO FADE)
Version 04 /1.01 April 2004 345

I'M ON FIRE (
from the album "Born in the USA")-----------
CAPO on the 2nd FRET!
INTRO: (repeat once) E E E E C#m7 C#m7 C#m7
Hey little girl is your daddy home

E
Did he go away and leave you all alone

A
I got a bad desire Ohhhhhhhhh, I'm on fire

C#m7 A B E
Tell me now baby is he good to you

E
Can he do to you the things that I do

A
I can take you higher Ohhhhhhhhhh, I'm on fire

C#m7 A B E (Repeat intro)
Sometimes it's like someone took a knife baby edgy and dull and cut a
A
six-inch valley through the middle of my soul

E C#m7
At night I wake up with the sheets soaking wet and a

E
Freight train running through the middle of my head
Only you can cool my desire Ohhhhhhhhh, I'm on fire (Repeat twice)
A C#m7 A B E
CHORD FORMATIONS: (CAPO on 2nd FRET!)

-----------------
E x x 2 4 5 2 (Like a D2 formation)
C#m7 x x 2 4 2 4
A x 4 2 2 5 2
B x x 4 2 5 2
Picking pattern for the chords:
E C#m7 A B
E----------2-------------4---------------2-------------2----
B------5-----5-------2-----2---------5-----5-------5-----5--
G--------4-------------4---------------2-------------2------
D----2-------------2-----------------------------4----------
A----------------------------------4------------------------
E----------------------------------------------------------
Version 04 /1.01 April 2004 346

STUCK IN THE MIDDLE OF YOU
D
Well I don't know why I came here tonight
D
I got the feeling that something ain't right
G7
I'm so scared in case I fall off my chair
D
And I'm wondering how I'll get down the stairs
A
Clowns to the left of me
C G D
Jokers to the right, here I am
Stuck in the middle with you
Yes I'm stuck in the middle with you

And I'm wondering what it is I should do
It's so hard to keep this smile from my face
Losing control, yeah, I'm all over the place
Clowns to the left of me, Jokers to the right
Here I am, Stuck in the middle with you.
Bridge:
G7
Well you started out with nothing and you're proud that you're a
D ^^^^^^^ ^^^^^^^^^^^
Self made man
G7
And your friends, they all come crawlin, slap you on the back and
say
^^^^^^^^^^^^^^^^^^^^^^
D A7
^^
Please.... Please.....
Third Verse:
Trying to make some sense of it all

But I can see that it makes no sense at all
Is it cool to go to sleep on the floor
Cause I don't think that I can take anymore
Clowns...
(Intrumental Verse)
(Bridge)
(Repeat first verse)
Chords Used (Low to High):

D (xx0232) G7 (320001)
Version 04 /1.01 April 2004 347

A (x02220) C (x32010) G (320033) D7 (xx0212) A7 (x02020)
Intro:
U d U d U d U U d U d U d U D Rpt strum
E|-2-2-0-0-0-x-0--0-0-0-0-0-0-0-x-2-2-0-0-0-x-0--0-0-0-0-0-0-0-|
B|-3-3-0-1-1-x-3--3-3-3-1-1-1-0-x-3-3-0-1-1-x-3--3-3-3-1-1-1-0-|
G|-2-2-0-2-2-x-4--4-4-4-2-2-2-0-x-2-2-0-2-2-x-4--4-4-4-2-2-2-0-|
D|-0-0-0-0-0-x-0--0-0-0-0-0-0-0-x-0-0-0-0-0-x-0--0-0-0-0-0-0-0-|
A|-0-0-0-0-0-x-0--0-0-0-0-0-0-0-x-0-0-0-0-0-x-0--0-0-0-0-0-0-0-|
E|-------------------------------------------------------------|
( 1st time ) ( main rhythm ) Second Verse:

d U d U d U d d U d U d U d U
E|-2-2-x-2-x-2-x-|-2-2-2-x-2-x-2-x-| Yes I'm stuck...
B|-3-3-x-3-x-3-x-|-3-3-3-x-3-x-3-x-| And I'm wondering...
G|-2-2-x-2-x-2-x-|-2-2-2-x-2-x-2-x-| It's so hard to...
D|-0-0-x-0-x-0-x-|-0-0-0-x-0-x-0-x-| Losing control, yeah, I'm...
A|-0-0-x-0-x-0-x-|-0-0-0-x-0-x-0-x-|
E|---------------|-----------------| G
Well you started out...
Use main rhythm over the G7. and you're proud that...
D
Chorus Strumming:
d U d U d U d U d U d U d U d U G7
E|-0-0-0-0-0-0-0-0-0-0-0-0-3-3-3-3-| And your friends, they all...
B|-2-2-2-2-2-2-2-2-1-1-1-1-3-3-3-3-| slap you on the back and say
G|-2-2-2-2-2-2-2-2-0-0-0-0-0-0-0-0-| D7 A7
D|-2-2-2-2-2-2-2-2-2-2-2-2-0-0-0-0-| Please.... Please....
A|-0-0-0-0-0-0-0-0-3-3-3-3-2-2-2-2-|
E|-------------------------3-3-3-3-| Third verse
Repeat Verse 1
Steelers Wheels is/was Gerry Rafferty and Joe Egan.
Version 04 /1.01 April 2004 348

LET ME ENTERTAIN YOU
ROBBIE WILLIAMS
CHORDS:
(F) Hell is gone and heaven's here, There's (G#) nothing left for you to fear
(A#) Shake your arse come over here, Now (F) scream
(F) I'm a burning effigy of (G#) everything I used to be
(A#) You're my rock of empathy, my (F) dear
(F) So come on let me (G#) enter(A#)tain you (F)
(F) Let me (G#) enter(A#)tain you (F)
(F) Life's too short for you to die, So (G#) grab yourself an alibi
(A#) Heaven knows your mother lied, Mon (F) cher
(F) Separate your right from wrongs, (G#) Come and sing a different song
The (A#) kettle's on so don't be long, Mon (F) cher
(F) Look me up in the yellow pages, (G#) I will be your rock of ages
(A#) You see through fads and your crazy phases, (F) yeah
(F) Little Bo Peep has lost his sheep, He (G#) popped a pill and fell asleep
The (A#) dew is wet but the grass is sweet my (F) dear
(F) Your mind gets burned With the (G#) habits you've learned
But (A#) we're the generation that's got to be (F) heard
You're (F) tired of your teachers and your (G#) School is a drag
You're (A#) not going to end up like your (F) mum and dad
(F) He may be good he may be (G#) outta sight
But (A#) he can't be here so come around to(F)night
(F) Here is the place where the (G#) feeling grows
Version 04 /1.01 April 2004 349

You (A#) gotta get high before you (F) taste the lows So come on
Ref:
(F) Come on Come on Come on Come on (G#) Come on Come on Come on Come on
(A#) Come on Come on Come on Come on (F) on 2X
Version 04 /1.01 April 2004 350

ROCK DJ
Intro : Piano + Bass C/D

Am7
Me with the floorshow kickin' with your torso
D
Boys getting high and the girls even more so
Am7
Wave your hands if you're not with the man
D
Can I kick it (yes you can)
Am7 D
I got (funk) you got (soul) we got everybody
C D
I've got the gift gonna stick it in the goal It's time to move your
body
C/D Bm7/D Am7/D D
Babylon back in business can I get a witness every girl every man
C/D Bm7/D Am7/D
Houston can you hear me groundcontrol can you feel me
D
Need permission to land
C/D D
I don't wanna rock, DJ
C/D D
But you're making me feel so nice
C/D D
When's it gonna stop, DJ
C/D D7
Cause you're keepin' me up all night

Am7
Singin' in the classes music for your masses
D
Give no head no backstage passes
Am7
Have a proper giggle I'll be quite polite
D
But when I rock the mike I rock the mike (right)
Am7
You got no love then you're with the wrong man

Version 04 /1.01 April 2004 351
D
It's time to move your body
C
If you can't get a girl but your best friend can
D
It's time to move your body

I don't wanna be sleazy
Baby just tease me
Got no family planned
Houston can you hear me
Groundcontrol can you feel me
Need permission to land


When's it gonna stop, DJ D7
D C G C D
Pimpin' ain't easy most of them fleece me
C G C D C G
Every night pimpin' ain't easy
C Cadd9 C/D
But if you're sellin' it It's alright

Come on
When's it gonna to stop DJ
'Cause you're keepin' me up all night

'Cause you're keepin' me up all
Version 04 /1.01 April 2004 352

SHE´S THE ONE
ROBBIE WILLIAMS
A D A D
Hm E A D
Hm E A D
A D A D
We were young, we were wrong, we were fine, all along.
Hm E A D
Hm E A D
D
When you get to where you wanna go,
A
And you know the things you're wanna know, you're smiling.
D
When you say what you wanna say,
H
m E
And you know the way you wanna play, you'll be so high you'll be
flying.
A D A D
For the sea, we'll be strong, I know we'll, carry on.
Hm E A D
Cause if there's somebody calling me on, she's the one.
Hm E A D
A D A D
Hm E A D
Hm E A D
If there's somebody calling me on, shes the one.
Hm E F#m D
If there's somebody calling me on, she's the one, yeah she's the
one.
Hm E F#m D
Version 04 /1.01 April 2004 353

Hm E F#m D
A D A D
She's the one, she's the one.
Version 04 /1.01 April 2004 354

SUPREME
Dm Gm7 C
Oh, it seemed forever stopped today, all the lonely hearts in
F d
London caught a plane and flew away. And all the best woman are
E7 Asus4 A
married, all the handsome men are gay, you feel deprived.
d Gm7 C
Yeah, are you questioning your size? Is there a tumor in your
F d
humour, are there bags under your eyes? Do you leave dents
E7 Asus4
where you sit, are you getting on a bit, will you survive? You must
A
survive.
d Bb F
Chorus: When there´s no love in town this new century keeps
A d Bb
F
bringing you down. All the places you have been, trying to find
A d
a love supreme, a love supreme.
d Gm7 C
Oh, what are you really looking for? Another partner in your life
F d E7
to abuse and to adore? Is it lovely dovey stuff, do you need a
Asus4 A d Gm7
bit of rough? Get on your knees. Yeah, turn down the love songs
C F
that you hear ćause you can´t avoid the sentiment that echoes
d E7
in your ear. Saying love will stop the pain, saying love will kill the
Asus4 A
fear, do you believe? You must believe.
d Bb F
When there´s no love in town this new century keeps bringing
A d Bb F
you down. All the places you have been, trying to find a love
A d Gm7 C F Bb Gm7 Asus4 A
supreme, a love supreme.
Dm Gm7
C
I spy with my little eye something beginning with. Got my back up

and now she´s screaming so I´ve got to turn the track up.
F Dm
Sit back and watch the royalties stack up. I know this girl, she
G#
likes to switch teams, and I´m a fiend but I´m living for a love
Asus4 A Dm
supreme. Chorus... When theres no ... a love supreme.
Version 04 /1.01 April 2004 355
Bb F
Come and live a love supreme, don´t let it get you down, every
Asus4 A
body lives for love.
Version 04 /1.01 April 2004 356

ADDICTET TO LOVE

G F
The lights are on, but you're not home
C G
Your mind is not your own
G F
Your heart sweats, your body shakes
C G
Another kiss is what it takes

G F
You can't sleep, you can't eat
C G
There's no doubt you're in deep
G F
Your throat is tight, you can't breathe
C G
Another kiss is all you need

Chorus:
Em C
You like to think that you're imune to the stuff
G
Oh yeah
Em C
It's closer to the truth to say you can't get enough
G
You know you're gonna have to face it

You're addicted to love

You see the signs but you can't read
You're running at a different speed
Your heart beats in double time
nother kiss and you'll be mine
A onetrack mind; you can't be saved
Oblivion is all you crave
If there's some left over for you
You don't mind if you do

Chorus:

Might as well face it: you're addicted to love
(repeated many times over the
same scheme as the refrains) (so G F C G)

Solo:

The light are on, but you're not home
Your mind is not your own
Your heart sweats your teeth grind
Another kiss and you'll be mine

Version 04 /1.01 April 2004 357

Chorus:

Might as well face it you're addicted to love (8x)
Version 04 /1.01 April 2004 358

SHAME, SHAME, SHAME
Izabella
G
Oh, it feels so good and I want you to know about it
G
See I want to feel it too. So just listen to me baby
B7
Can't stop me now, hear what I say
Em
My feet want to move, so get out my way
A7
I'm gonna have my say, I'm going to ev'ry discotheque
D7
I'm gonna dance, dance, dance, ooh, till the break of day
C
I say shame, shame, shame
G
Ah, shame on you if you can't dance too
C G
I say shame shame shame shame shame shame shame shame on you
If you can't dance too
Don't stop the motion if you get the notion

You can't stop the groove 'cause you just won't move
Got my sun roof down, got my diamond in the back
Put on your shaky wig woman, if you don't I ain't comin' back
I say shame, shame, shame
Ah, shame on you if you can't dance too
I say shame shame shame shame shame shame shame shame on you
If you don't want to go

Remember one monkey don't stop no show
My body needs action, ain't gonna blow
Yes, I'm going out and find a dancin' man
If you really think you're fast
Try to catch me if you can
G
I say too
C G
Shame, shame, shame, shame on you
Version 04 /1.01 April 2004 359

KILLING ME SOFTLY
FLACK, ROBERTA
/Em /Am
Ref.: Strumming my pain with his fingers
/D7 /G
Singing my life with his words
/Em /A
Killing me softly with his song
/D /C
/G /C
Telling the whole world with his words
/Em /E
/Am7 /D
1. I heard he sang a good song.
/G /C
I heard he had a style
/Am7 /D
And so I came to see him
/Em
And listen for a while
/Am7 /D
And there he was this young boy,
/G /H7
A stranger to my eyes
Ref.: Strumming my pain ...

2. I felt all flushed with fever
Embarassed by the crowd
I felt he found my letters
And read each one out loud
I prayed that he would finish
But he just kept right on

3. He sang as if he knew me
In all my dark dispair
And then he looked right thru me
As if I wasn't there
But he was there this stranger
Singing clear and strong
Version 04 /1.01 April 2004 360

Version 04 /1.01 April 2004 361
TIME WARP - ROCKY HORROR PICTURE SHOW
[E]It's astounding Time is [F#]fleeting[E] [D]Madness[A] takes its
[E]toll
[E]But listen closely And not for very much [F#]longer[E] [D]I've got
to[A]
keep con[E]trol
[E]I remember Doing the [F#]time warp[E] [D]Reaching[A] those moments
[E]when
[E]The blackness would hit me And a voice would be [F#]calling [C]Let's
[G]do
the [D]time [A]warp [E]again
It's just a jump to the [B]left And then a step to the [E]right
Put your hands on your [B]hips You bring your knees in [E]tight
But it's the pelvic [A]thrust That really drives you in[E]sane
[C]Let's [G]do the [D]time [A]warp [E]again
[E]Well I was walking down the street just having a think
When a hell of a guy gave me an evil wink
It [A]shook me it took me by surprise
He had a [E]pickup truck
And a devil's eyes
He [B]stared at me and I [A]felt ashamed
[E]Time ain't nothing never was again
[C]Let's [G]do the [D]time [A]warp [E]again
SAILING ( ROD STEWARD )
C Am F C
I am sailing, I am sailing, home again, cross the sea
D Am Dm C G
I am sailing, stormy waters, to be near you, to be free.
C Am F C
I am flying, I am flying, like a bird, cross the sky
D Am Dm C G
I am flying,passing high clouds, to be with you, to be free.
C Am F C
Can you hear me, can you hear me, through the dark night far away
D Am Dm C G
I am dying, forever trying, to be with you, to be free.
C Am F C
We are sailing, we are sailing, home again, cross the sea
D Am Dm C G
Version 04 /1.01 April 2004 362
We are sailing, stormy waters, to be near you, to be free.
Version 04 /1.01 April 2004 363

FIRST CUT IS THE DEEPEST"
Intro: D –Dsus4-D A 2x
D A G A
1. I would have given you all of my heart
D A G A
But there's someone who's torn it apart
D A G A
And she's taken just all that I have
D A G
But if you want I'll try to love again
A D G A
Baby, I'll try to love again but I know
D A G A D
Ref.: The first cut is the deepest, Baby I know
A G A
The first cut is the deepest
D A G A
But when it comes to being lucky, he's cursed
D G A~~~~~~~
When it comes to loving me, he's worst
D A G A
2. I still want you by my side
D A G A
Just to help me dry the tears that I've cried
D A G A
'Cos I'm sure gonna give you a trial
D A G
But if you want I'll try to love again try
A D G A
Refrain:
Solo: D A D A D A D A
D A G A
2. I still want you by my side
D A G A
Just to help me dry the tears that I've cried
D A G A
but I'm sure gonna give you a trial
D A G
But if you want I'll try to love again try
A D G A~~~
Refrain:
Version 04 /1.01 April 2004 364

ANGIE
ROLLING STONES
(1973)
INTRO: AM E G F G C
Am E
Angie, Angie,
G F G C
when will those dark clouds all disappear?
Am E
Angie, Angie,
G F C
where will it lead us from here?

G
With no loving in our souls
Dm Am
and no money in our coats
C F G
You can't say we're satisfied
Am E
Angie, Angie,
G F C
you can't say we never tried

Am E
Angie you're beautiful
G F G C
but ain't it time we said goodbye
Am E
Angie I still love you
G F C
remember all those nights we cried
G
All the dreams we held so close
Dm Am
seemed to all go up in smoke
C F G
Let me whisper in your ear
Am E
Angie, Angie,
G F C
where will it lead us from here?

Version 04 /1.01 April 2004 365
G
Oh Angie don't you weep
Dm Am
all your kisses still taste sweet
C F G
I hate that sadness in your eyes
Am E
But Angie, Angie
G F G C
ain't it time we said goodbye
G
With no loving in our souls
Dm Am
and no money in our coats
C F G
You can't say we're satisfied

Dm Am
Angie, I still love you baby
Dm Am
Ev'ry where I look I see your eyes
Dm Am
There ain't a woman that comes close to you
C F G
Come on baby dry your eyes
Am E
But Angie Angie
G F G C
Ain't it good to be alive

Am E
Angie, Angie
G F G C
You can't say we never tried
Version 04 /1.01 April 2004 366

BROWN SUGAR
The Rolling Stones

intro: CBbFFGF (2x)
EbEbCCAbBbCC (2x) (=B)

C
Gold Coast slave ship bound for cottonfields
F
Sold in a market down in New Orleans
C
Scarred old slaver knows he's doin' allright
Bb C
Hear him whip the women just around midnight
G C F C F C F C F C G
Ah Brown Sugar, how come you taste so good? (A ah)
C F C F C F C F (intro B)
Brown Sugar, just like a young girl should ahuh

Drums beating
Cold English blood runs hot
Lady of the house wond'rin'
Where it's gonna stop
Houseboy knows
That he's doing allright

Brown Sugar ....

I bet your mama was
A tent show queen
And all her girlfriends
Were sweet sixteen
I'm no schoolboy
But I know what I like
You should have heard me
Just around midnight

Brown Sugar ....

G
I said yeah I said yeah I said Oh
C F C F C
Just like a black girl should
G
Version 04 /1.01 April 2004 367

I said yeah .....(etc.)

Version 04 /1.01 April 2004 368

(HONKY TONK WOMAN
ROLLING STONES )
G C
I met a gin soaked barroom queen in Memphis
G D
she tried to take me upstairs for a ride
G C
she had to have me right across the shoulder
G D G
'cause I just can't seem to drink you off my mind
D G D
It's the ho onky tonk woman, gimme gimme gimme
G
the honky tonk blues.
G C
I laid a divorce in New York City
G D
I had to pull out some kind of a fight
G C
The lady there she covered me in roses
G D G
she blew my nose and than she blew my mind.
D G D
It's the ho onky tonk woman, gimme gimme gimme
G
the honky tonk blues.
Version 04 /1.01 April 2004 369

JUMPIN' JACK FLASH
A G D A G D
A G D A G D
1. I was born in a crossfire hurricane,
A G D A G D
and I howled at my ma in the driving rain.
A G D A
But it`s all right, now, in fact it`s a gas.
G D A
But it`s all right, I`m jumping Jack Flash, it`s a gas, gas, gas!
A G D A G D
A G D A G D
2. I was raised by a toothless, bearded hag,
A G D A G D
I was schooled with a strap right across my back.
A G D A
G D A
A G D A G D
A G D A G D
3. I was drowned, I was washed up and left for dead,
A G D A G D
I fell down to my feet and I saw they bled.
A G D A G D
I frowned at the crumbs of a crust of bread
A G D A G D
I was crowned with a spike right thru my head.
A G D A
G D A
A G D
Jumping Jack Flas, it`s a gas ....... (rep. and fade)
(The Rolling Stones)
Version 04 /1.01 April 2004 370

LET'S SPEND THE NIGHT TOGHETER
Chords:
A5 x022xx Main Piano lick (arranged for guitar)

Bm x24432 e - 5 5 5 7 8 8 8 7 5
C 032010
D xx0232
Fm7 242222
G 320033
Intro: A5 (strum w/lick)

Ba, Ba, Da, Da Da Da, Da Da (x2)
G Fm7 A5 (lick)
Ba Ba Da Da Ba Ba
G Fm7
Don't you worry 'bout what's on your mind
A5 (lick)
oh my, da da da da da da da da
G Fm7
I'm in no hurry I can take my time
A5 (lick)
oh my, da da da da da da da da
C G
I'm going red and my tongue's getting tied
D
(tongue's getting tied)
C Bm
I'm off my head and my mouth's getting dry
D
I'm high, but I try, try, try...oh my
A5 (lick)
Let's spend the night together
A5 (lick)
Now I need you more than ever
A5 (lick)
Let's spend the night together now
G Fm7
Ba Da Da Da, Ba Ba
A5 (lick)
Ba Ba Da DA da Da Da Da DA
G Fm7
I feel so strong that I can't disguise
A5 (lick)
oh my, let's spend the night together
G Fm7
But I just can't apologise
A5 (licK)
oh no, let's spend the night together
C G
Version 04 /1.01 April 2004 371

Don't hang me up and don't let me down
D
(Dont let me down)
C D
We could have fun just grooving around
Bm D
around and around oh my, my
A5 (lick)
A5 (lick)
A5 (lick)
C
Lets spend the night together
G
C
Do DO DO DO Do Do Do DO Do
G
You know I'm smiling, baby
C
You need some guiding, baby
G
I'm just deciding, baby
D
D (lick)
D (lick)
Let's spend the night together now
G Fm7
Ba Ba Da DA Ba Ba
A5 (lick)
Ba Ba Da DA Ba Ba Ba Da DA
G Fm7
This doesn't happen to me every day
A5 (lick)
G Fm7
No excuses offered anyway
A5 (lick)
C G
I'll satisfy your every need
D
(Every need)
C Bm
And now I know you will satisfy me
Version 04 /1.01 April 2004 372

PAINT IT BLACK
ROLLING STONES
1. Strophe:
Am E
I see a red door and I want it painted black,
Am E
No colours anymore I want them turn to black.
Am G C G Am
I see the girls walk by dressed in their summer clothes,
Am G C G D E
I have to turn my head until my darkness goes.
2. Strophe:
I see a line of cars and they're all painted black,
With flowers and my love, both never to come back.
I see people turn their heads and quickly look away,
Like a newborn baby it just happens every day.
3. Strophe:
I look inside myself and see my heart is back,
I see my red door and I want it painted black.
May be then I'll fade away and not have to face the facts,
It's not easy facing up when your whole world is black.
4. Strophe:
No more will my green sea go turn a deeper blue,
I could not forsee this thing happening to you.
If I look hard enough into the setting sun.
My love will laugh with me before the morning comes.
5. Strophe:
I see a red door and I want it painted black,
No colours anymorrre I want them turn to black.
I see the girls walk by dressed in their summer clothes,
I have to turn my head until my darkness goes.
Version 04 /1.01 April 2004 373

SATISFACTION
( ROLLING STONES )
E A E A
I can't get no satisfaction,I can't get no satisfaction.
E H7 E A
'cause I try and I try and I try and I try.
E A E A
I can't get no,I can't get no.
E A
When I'm driving in my car,
E A
and that man comes on the radio;
E A
and he's tellin' me more and more
E A
about some useless information,
E A
supposed to fire my imagination.
E A E
I can't get no, oh no, no, no.
A E A E
Hey, hey, hey, that's what I say.
E A
When I'm watchin'my TV,
E A
and that man comes on to tell
W A
me how white my shirts can be.
E A
Well he can't be a man 'cause he doesn't
E A
smoke the same cigarettes as me
E A E
I can't get no, oh no, no, no.
A E A E
Hey, hey, hey, that's what I say.
E A
When I'm driving 'round the world
E A
and I'm doing this and I'm singing that
E A
and I'm tryin'to meet some girls
E A
Who tell me, baby , better come back later next week
E A
'cause you see I'm on a losing streak.
E A E
I can't get no, I can't get no,
A E A E
I can't get no, no satisfaction,
A E A E
no satisfaction, no satisfaction.
Version 04 /1.01 April 2004 374

SYMPATHIE FOR THE DEVIL
Intro: Bongos, drums, people going 'wooo' and 'yow', etc.
(Riff:) E D A E
Please allow me to introduce myself, I'm a man of wealth and taste
E D A E
I've been around for a long long year, stole many a man's soul and face
E D A E
I was round when Jesus Christ had his moments of doubt and pain
E D A E
Made damn' sure that Pilate washed his hands and sealed his fate
Chorus:
B E
Pleased to meet you, hope you guess my name
B E
But what's puzzling you is the nature of my game
E D A E
Stuck around St. Petersburg when I saw it was the time for a change
E D A E
Killed the Tsar and his ministers, Anastasia screamed in vain
E D A E
I rode a tank in the general's rank, when the blitzkrieg raged,
E D A E
And the bodies stank
**Chorus
E D A E
I watched with glee while your kings and queens
E
Fought for ten decades for the gods they made
E D A E
I shouted out 'who killed the Kennedys?' when after all, it was you and me
E D A E
Let me please introduce myself, I'm a man of wealth and taste
E D A E
And I lay traps for troubadours, who get killed before they reach Bombay
**Chorus
**Solo on verse riff
**Chorus
E D A E
Just as every cop is a criminal, and all the sinners saints
E D A E
This head, this tail, just call me Lucifer,
E
'Cos I'm in need of some restraint
E D A E
Version 04 /1.01 April 2004 375

So if you meet me have some courtesy, have some sympathy and some taste
E D A E
Use all your welllearned politics, or I'll lay your soul to waste
**Chorus
**WORKOUT ON VERSE RIFF, AND FADE:
Version 04 /1.01 April 2004 376

Wild Horses

Intro: G Am G Am G
Bm G Bm G
Childhood living is easy to do
Am C D G D C
The things you want to I bought them for you
Bm G Bm G
Priceless lady you know who I am
Am C D G D C
You know I can't let you slide through my hands

Am C D G F C
Wild Horses couldn't drag me away
Am C D G F C
Wild wild horses couldn't drag me away
Bm G Bm G
I watched you suffer a dull aching pain
Am C D G D C
Now you decided to show me the same
Bm G Bm G
No sweet thing exits oh of stage blinds
Am C D G D C
Could make me be bitter or treat you unkind

Am C D G F C
Wild Horses couldn't drag me away
Am C D G F C
Wild wild horses couldn't drag me away

Bm G Bm G
I know I've drained you it seemed like a lie
Am C D G D C
I have my freedom but I don't have much time
Bm G Bm G
Faith has been broken tears must be cried
Am C D G D C
Lets do some living after we've died

Am C D G F C
Wild horses couldn't drag me away
Am C D G F C
Wild wild horses we'll ride them some day
Version 04 /1.01 April 2004 377
Am C D G F C
Wild horses couldn't drag me away
Am C D G F C
Wild wild horses we'll ride them some day
Version 04 /1.01 April 2004 378

YOU CAN'T ALWAYS GET WHAT YOU WANT
Rolling Stones
KAPO: 5. Bund / 5th fret

Intro: G C 2x
G C
I saw her today at the reception
G C
A glass of wine in her hand
G C
I knew she was gonna meet her connection
G C
At her feet was a footloose man

G C
You can't always get what you want
G C
G C
A C
But if you try sometimes, you might find
G C G C
You get what you need...ahh, yeah...
G C
I went down to the Chelsea drugstore
G C
To get your prescription filled.
G C
I was standing in line with Mr. Jimmy,
G C
And man, did he look pretty ill. I said to him:

Refrain
G C
I saw her today at the reception,
G C
In her glass was a bleeding man.
G C
She was practiced at the art of deception,
G C
Well I could tell by her bloodstained hands.

2 x Chorus to fade
Version 04 /1.01 April 2004 379

BLACK MAGIC WOMAN
SANTANA
Dm Am
I got a black magic woman, I got a black magic woman
Dm Gm
I got a black magic woman got me so blind I can't see
Dm A Dm
I got a black magic woman she try'in to make a devil out of me
Dm Am
Turn your back on me baby, turn your back on me baby
Dm Gm
Turn your back on me baby don't turn babe
Dm A Dm
Turn your back on me baby you might just pick up my magic sticks
Dm Am
Got your spell on me baby, got your spell on me baby
Dm Gm
Got your spell on me baby turnin my heart into stone
Dm A Dm
I need you so bad magic woman I can't leave you alone
Version 04 /1.01 April 2004 380

THE BOXER, SIMON & GARFUNKEL '70
C a
1. I am just a poor boy. Though my stories seldom told,
G d G
I have squandered my resistance for a pocketful of mumbles,
C a
such are promises all lies and jest
G F C
still a man hears what he wants to hear und disregards the rest
G F e d C
(summen: looking for the places only they would know.)
C a
2. When I left my home and my family I was no more than a boy
G d G
In a company of strangers, in the quiet of a railway station
C a
running scared laying low
G F C
seeking out the poorer quarters where the ragged people go
G F e d C
looking for the places only they would know.
a G a
REF: Lei lalei, leila leila leila lei, leila lei,
G F (G) C
leila leila la la lei, la la la la lei.
C a
3. Asking only workman's wages I come looking for a job,
G d G
But I get no offers just a comeon from the whores of
C a
Seventh Avenue I do declare
G F C
There were times when I was so lonesome I took some comfort there
G F e d C
(lalala: looking for the places only they would know.)
instr.
REF
C G7 C a
4. Then I'm laying out my winter clothes and wishing I was gone,
G d G7 G
Going home where the New York City winter's aren't
C a
bleeding me Leading me
G F C
Going home ...
C a
5. In the clearing stands a boxer and a fighter by his trade
G d G
and he carries the reminders of evry glove that laid him down or
C a
Version 04 /1.01 April 2004 381
cut him till he cried out in his anger and his shame
G F C
"I am leaving, I am leaving." But the fighter still remains
G F e d C
(lalala: looking for the places only they would know.) REF (2x)
Version 04 /1.01 April 2004 382

BRIDGE OVER TROUBLED WATER SIMON & GARFUNKLE
CAPO 1
Intro: D D9 G A7 Fdim D G A7 D G D G
D G D C G D G
When you're weary. Feeling small. When tears are in your eyes
D G D G D
I will dry them all.
A Bm A D D/C# D7
I'm on your side ohhhh when times get rough.
D9 G E A
And friends just can't be found.
D7 D9 G A7 Fdim D Bsus B7 G F#7 Bm
Like a bridge over trouble water, I will lay me down.
D7 D9 G A7 Fdim D Bsus B7 G A7 D G D G
D G D
When you're down and out. When you're on the streets yeh.
C G D G D G D G D
When an evening falls so hard. I will comfort you ohhhhh.
A Bm A D D/C# D7
I'll take your part ohhhh when darkness comes.
D9 G E A
And pain is all around.
D7 D9 G A7 Fdim D Bsus Bm G F#7 Bm
D7 D9 G A7 Fdim D Bm G Bm F#7 Bm
E7 D G G1 Gm D G D G
D G D G
Sail on silver girl. Sail on by.
C G D G
Your time has come to shine.
D G D G
All your dreams are on their way.
A Bm A D D/C# D7
See how they shine ohhhhh and if you need a friend.
D9 G E A
I'm sailing right behind.
D7 D9 G A7 Fdim D Bm G Bm F#7 Bm
Like a bridge over trouble water, I will ease your mind.
Version 04 /1.01 April 2004 383
D7 D9 G Gmaj7 E7 D Bm G F#7 Bm
Like a bridge over trouble water, I will ease your mind.
E9 Emaj D G G1 Gm D
Version 04 /1.01 April 2004 384

CECILIA
C F C
1. Cecilia, you're breaking my heart,
F C G
you're shaking my confidence daily.
F C F C
Oh, Cecilia, I'm down on my knees,
F C G
I'm begging you please to come home.
C
2. = REFRAIN + come on home.
F G C
Making love in the afternoon with Cecilia,
F G
up in my bedroom (making love).
C F G
I got up to wash my face,
C
when I come back to bed,
G C
someone's taken my place. + REFRAIN
C F C
3. Jubilation, she loves me again,
F C G
I fall on the floor and I'm laughing.
F C F C
Jubilation, she loves me again,
F C G C
I fall on the floor and I'm laughing.
(Simon and Garfunkel)
Version 04 /1.01 April 2004 385

Version 04 /1.01 April 2004 386

EL CONDOR PASA
G e G e
G
1. I'd rather be a sparrow than a snail
e
Yes I would. If I could. I surely would. Hm_
G
I'd rather be a hammer than a nail
e
Yes I would. If I only could. I surely would. Hm_
C
Ref: Away, I'd rather sail away
G
like a swan that's here and gone.
C
A man gets tied up through the ground
G e
he gives the world its sadest sound, its sadest sound.
G
2. I'd rather be a forest than a street
e
Yes I would. If I could. I surely would. Hm_
G
I'd rather feel the earth beneath my feet
e
Yes I would. If I only could. I surely would. Hm_
Version 04 /1.01 April 2004 387

Ref instr.
Version 04 /1.01 April 2004 388

MRS. ROBBINSON
E7 A7 D7 G C Am E7 D7
Dee, dee, dee,...
G Em
And here's to you, Mrs. Robinson
G Em C D7
Jesus loves you more than will know, wo,wo wo.
G Em
God bless you, pleas, Mrs. Robinson
G Em C
Heaven holds a place for those who pray
Am E7
hey, hey, hey, hey, hey, hey.
E7
We'd like to know a little bit about you for our files
A7
We'd like to help you learn to help yourself.
D7 G C Am
Look around you, all you see are sympathetic eyes
E D7
stroll around the grounds until you feel at home.
G Em
And here's to you, Mrs. Robinson
G Em C D7
G Em
G Em C
Am E7
E7
Hide it in a hiding place where no one ever goes
A7
Put it in your pantry with your cupcakes
D7 G C Am
It's a little secret just the Robinson's affair.
E D7
Most of all you've got to hide it from the kids.
G Em
coo, coo, cachoo, Mrs. Robinson
G Em C D7
G Em
G Em C
Am E7
E7
Sitting on a sofa on a Sunday afternoon
A7
going to the candidates' debate
Version 04 /1.01 April 2004 389

D7 C Am
laugh about it, shout about it, when you've got to choose
E D7
Ev'ry way you look at it, you lose.
G Em
Where have you gone Joe Dimaggio?
G Em C D7 G Em
A nation turns its lonely eyes to you, wo, wo ,wo. What that you say, Mrs. Robinson?
G Em C Am E7
"Joltin'Joe" has left and gone away. Hey, hey, hey, hey, hey, hey.
HANG ON SLOOPY
The Mc Coy's
Refrain:
G C D C G C D C
Hang on Sloopy, Sloopy hang on, hang on Sloopy, Sloopy hang on.
1. Strophe:
G C D C G C D C
Sloopy lives in a very bad hounded town.
G C D C G C D C
And everybody, yeah tries to put my Sloopy down.
G C D C G C D C
Sloopy I don't care what your Daddy do.
G C D C G C D
Cause Sloopy girl I'm in love with you, and so I sing now:
Refrain:
2. Strophe:
Sloopy let your hair down girl let it hang down on me.
Sloopy let your hair down girl let it hang down on me.
Come on Sloopy (come on come on)
Well come on Sloopy (come on come on)
Well it feels so good (come on come on)
You know it feels so good (come on come on)
Oh shake it, shake it, shake it Sloopy (come on come on)
Oh shake it, shake it, shake it Sloopy (come on come on)
Refrain: (4 mal)
Version 04 /1.01 April 2004 390

SCARBOROUGH FAIR / SIMON & GARFUNKEL
KAPODASTRO 2. BUND
INTRO: AM AM7 AM AM7
Am G Am
Are you going to Scarborough Fair
C Am D Am
Parsley sage rosemary and thyme
G C D
Remember me to one who lives there
Am G C G Am
She once was a true love of mine
Am C Am
Tell her to make me a cambric shirt (On the side of a hill in the deep forest green)
C Am D Am
Parsley sage rosemary and thyme (Tracing of sparrow in snowcrest brown)
G C D
Without no seems for needle work (Blankets and bed clothes the child of the mountain)
Am G C G Am
Then she'll be a true love of mine (Sleeps unaware of the clarion call)
Am G Am
Tell her to find me an acre of land (On the side of a hill a sprinking of leaves)
C Am D Am
Parsley sage rosemary and thyme (Washes the grave with silvery tears)
G C D
Between the salt water and the sea strands (A soldier cleans and polishes a gun)
Am G C G Am
Am G Am
Tell her to reap it with a sickle of leather (War belows blazing in scarlet battalions)
C Am D Am
Parsley sage rosemary and thyme (Generals order their soldiers to kill)
G C D
And gather it all in a bunch of heather (And to fight for a cause they've long ago forgotten)
Am G C G Am
Am G Am
Are you going to Scarborough Fair
C Am D Am
Parsley sage rosemary and thyme
G C D
Remember me to one who lives there
Am G C G Am
She once was a true love of mine
Version 04 /1.01 April 2004 391

CARAVAN OF LOVE - HOUSEMARTINS
A f# h E
Are you ready, are you ready, are you ready, are you ready?
A f# h
Are you ready for the time of your life, it's time you stand up and fight,
E
it's all right, it's all right.
A f# h E
Hand in hand we'll take a caravan to the motherland.
A f# h
One by one we're gonna stand up with pride, one that can't be denied.
E
Stand up, stand up!
A f# h E
From the highest mountain valley low, we'll join together with hearts of
gold.
f# f#
Now the children of the world can see there's a better place for us to be.
D E
The place in which we were born, so neglected and torn apart.
A f# D
Ev'ry woman, ev'ry man join the caravan of love,
f# E
Stand up, stand up, stand up.
A f# D
Ev'rybody take a stand, join the caravan of love,
f# E
A f# h E
I'm your brother, I'm your brother, don't you know?
A f# h E
She's my sister, she's my sister, don't you know?
f# f#
We'll be living in a world of peace in the day when ev'ryone is free.
D E
Well, the young and the old, won't you let your love flow from your heart?
A f# D
Ev'ry woman, ev'ry man join the caravan of love,
f# E
A f# D
Ev'rybody take a stand, join the caravan of love,
f# E
A f# h E
I'm your brother, I'm your brother, don't you know?
A f# h E
She's my sister, she's my sister, don't you know?
Version 04 /1.01 April 2004 392

ALICE SMOKIE
1. STROPHE:
D G A D
Sally called when she got the word, and she said „I suppose you’ve heard, ’bout Alice“
D G
Well I rushed to the window, and I looked outside, but I could hardly believe my eyes.
A D
As a big limousine rolled up onto Alice’s drive.
Refrain:
D
Oh, I don’t know why she’s leaving, or where she’s gonna go,
G
I guess she’s got her reasons but I just don’t wanna know,
A D
Cause for 24 years I’ve been living next door to Alice, Alice who the fuck is Alice.
D
24 years just waiting for a chance,
G
To tell her how I feel and maybe get a second glance,
A G D
Now I gotta get used to not living next door to Alice, Alice who the fuck is Alice.
2. Strophe:
We grew up together kids in the park, carved out initials deep in the bark, me and Alice.
Now she walks through the door, with her head high, just for a moment I caught her eye.
As the big limousine pulled slowly out of Alice’s drive.
Refrain:
3. Strophe:
Then Sally called back and asked how I felt, she said I know how to help get over Alice.
She said „Now Alice is gone, but I’m still here, you know, I’ve been waiting 24 years...“
And the big limousine disappeared.
Refrain
Version 04 /1.01 April 2004 393

NEEDLES AND PINS
C Am
1. I saw her today, I saw her face, it was the face I loved, and I
knew.
C Am
I had to run away and get down on my knees and pray,
that they'd go away.
C ~ Am
But still they'd begin, those needles and pins,
F G
because of all my pride, the tears I gotta hide.
C
Am
2. Hey, I thought I was smart, I'd won her heart, didn't think I'd
do,
but now I see.
C
She's worse to him than me, let her go ahead,
Am
take his love instead, and one day she will see,
C ~
Am
just how to say please, and get down on her knees.
F
G
Hey, that's how it begins,
she'll feel those needles and pins,
hurtin' her, hurtin' her.
E D
Why can't I stop and tell myself I'm wrong, I'm wrong, so wrong?
C
B7
Why can't I stand up and tell myself I'm strong?
E
C#m
3. Because I saw her today, I saw her face, it was the face I loved,
and I knew.
E
C#m
I had to run away and get down on my knees and pray, that they'd
go away.
E ~ C#m
But still they'd begin, needles and pins
A
B7
Because of all my pride the tears I gotta hide
E
Oh, needles and pins, needles and pins, needles and pins ....
Version 04 /1.01 April 2004 394

THE JOKER STEVE MILLER BAND
VORSPIEL: G C D C D G
1. Strophe:
G C D C D G
Some people call me the space cowboy, yeah
G C D C D G
Some call me the gangster of love
G C D C D G
Some people call me Maurice
G C D C D G
Cause I speak of the pompitous of love.
2. Strophe:
People talk about me, baby
Say I'm doin' you wrong, doin' you wrong
Well, don't you worry baby, don't worry
Cause I'm right here, right here, right here, right here at home
Refrain (2 mal):
G C G C
Cause I'm a picker, I'm a grinner, I'm a lover and I'm a sinner
G C D C
I play my music in the sun
G C G C
I'm a joker, I'm a smoker, I'm a midnight toker
G C D C
I sure don't want to hurt no one
Solo:
G C D C D G
Instrumental
G C D C D G
Instrumental
3. Strophe:
You're the cutest thing that I ever did see
I really love your peaches want to shake your tree
Lovey-dovey, lovey-dovey, lovey-dovey all the time
Ooo-eee baby, I'll sure show you a good time
Refrain (2 mal):
Solo:
4. Strophe: Really love your peaches want to shake

People keep talking about me baby your tree
They say I'm doin' you wrong Lovey-dovey, lovey-dovey, lovey-dovey all
Well don't you worry, don't worry, no don't the time
worry mama Come on baby and I'll show you a good
Cause I'm right here at home time
Refrain (2 mal):
5. Strophe: Solo (fade out):
You're the cutest thing I ever did see
Version 04 /1.01 April 2004 395

Version 04 /1.01 April 2004 396
NELLIE THE ELEPHANT (TOY DOLLS)
Em B7 Em G B
To bombay, a traveling circus came
F#7 B F#7 B
they brougth an intelligent elephant and Nellie was her name
Em B7 Em G B
One dark night she slipped her iron chain
F#7 B F#7 B
and off she ran to Hindustan and was never seen again
E
Nellie the elephant packed her trunk and
A E
said goodbye to the circus
A E B F# B
off she went with a trumpety-trump, trump trump trump
E
Now Nellie the elephant packed her trunk and
A E
trundeled back to the jungle
A E F#7 B E
off she went with a trumpety-trump, trump trump trump.
Night by night, she danced to the Circus band

when Nellie was leading the big parade
she looked so proud and grand
no more tricks, for Nellie to perform
they taught her how to take a bow and she took the crowd by storm
Nellie the elephant...

F
Nellie the elephant packed her trunk and
Bb F
said goodbye to the circus
Bb F C G C
off she went with a trumpety-trump, trump trump trump
F
Now Nellie the elephant packed her trunk and
Bb F
trundeled back to the jungle
Bb F G7 C F
off she went with a trumpety-trump, trump trump trump.
Bb F Bb F
the head of the herd was calling far far away
G7 C7 G7 C7
they met one night in the silverlight on the road to Mandalay
Nellie the elephant...
Version 04 /1.01 April 2004 397

I WANNA BE LIKE YOU
Jungle Book
Am E7
Now I'm the king of the swingers, the jungle V. I. P.
Am
I've reached the top and had to stop and that's what's botherin' me
E7
I wanna be a man, man-cub, and stroll right into town
Am
G7
And be just like the other men, I'm tired of monkeyin' 'round, oh
CHORUS:
C A7
Ooh, ooh, ooh, I wanna be like you ooh ooh
D7 G7 C A7 Dm7
I wanna walk like you, talk like you too, ooh, ooh
G7 C A7
You'll see it's true ooh, ooh, an ape like me, ee, ee
D7 G7 C A7 D7
G7
Can learn to be hu-ooh-ooh-man too, ooh, ooh
Don't try to kid me man-cub and don't get in a stew

What I desire is man's red fire so I can be like you
Give me the secret man-cub, just clue me what to do
Give me the pow'r of man's red flow'r and make my dreams come true
CHORUS
I like your mannerisms, we'll be a set of twins

No one will know where man-cub ends and orangutan begins
And when I eat bananas, I won't peel them with my feet
'Cause I'll become a man-cub and learn some etti - keet.
CHORUS
shift gears
CHORUS
Version 04 /1.01 April 2004 398

BACK FOR GOOD
TAKE THAT
Vorspiel: E F#m A H E F#m A H
E F#m A H E F#m A H
I guess now it’s time to give up, I feel it’s time.
E F#m A H E F#m A H
Got a picture of you beside me got a lipstick mark still on your coffee cup, oh yeah.
E F#m A H
Got a fist of pure emotion got a head of shattered dreams.
C#m A H
Gotta leave it, gotta leave it now behind.
Refrain:
E F#m A H E
Whatever I said, whatever I did, I didn’t mean it, I just want you back for good.
E F#m A H
Want you back, want you back, want you back for good.
E F#m A H E
Whatever I’m wrong just tell the song and I’ll sing it, you’ll be right and understood
E F#m A H
Want you back, want you back, want you back for good.
2. Strophe:
Unaware but figured I falled out the story, no, no it want good, no, no.
But in the corner of my mind I celebrated glory but that was not to be.
In the twist of separation you excelled at being free.
Can’t you find, can’t you find a little from inside for me.
Refrain:
3. Strophe:
A E A E F#m E
And we’ll be together, this time is forever. We’ll be fighting and forever we will be
C#m A H
So complete in our love we will never be uncovered again.
Refrain:
Version 04 /1.01 April 2004 399

TAKE A MESSAGE
Remy Shand-
Standard tuning
Intro
1-------5-6-10-
3-3/5-6--------
2--------------
0--------------
---------------
---------------
Strum these chords throughout the rest of the song

5 0 1 0
6 5 3 2
7 6 2 2
0 5 0 2
0 0 0 0
0 0 0 0
lyrics:
Remy Shand
Take A Message
How did she fall in love?

Tired and shaken up
Could it be hanging around's enough?
No one was fooling when they told about the sense in sensibility in
moving on.
All that I see is that we live in life

Did you fail when you found that you paid the price?
Hope it wasn't lost in an honest truth
so, the past doesn't break all that we'd been through
Every little thing what you did was right
but, who knows what you did on that day you cried endlessly
Oh you cried endlessly
Take a message from my love
What could I say to you?

Oh, when making the waves was left unconscious
I didn't mean to tell you why. oh why?
But you harbored all defenses
And you're making it hard to bring that hope back for you and I
All that I see is that we livin' life

Did you fail when you found that you paid the price?
Hope it wasn't lost in an honest truth
so the past doesn't break all that we'd been through
Every little thing what you did was right
but, who knows what you did on that day you cried endlessly
Oh you cried endlessly
Take a message from my love
Version 04 /1.01 April 2004 400

HOW DEEP IS YOUR LOVE
C em7 dm7
And when you rise in the morning sun,
A7 dm E G7
I feel you touch me in the pouring rain,
C am
and the moment that you wander far from me
dm G7
I wanna feel you in my arms again.
F7 em7
When you come to me on a summer breeze,
dm7 gm B7
keep me warm in your love then you softly leave.
em dm G11
And it's me you need to show:
C
How deep is your love, is your love? How deep is your love?
F7 fm C gm
I really need to learn cause were living in a world of fools
A7 A79 A7 dm
breaking us down when they all should let us be.
fm C
We belong to you and me.
em7 dm7 A dm7 E G7
I believe in you. You know the door to my very soul.
C e A
You're the light in my deepest darkest hour.
am7 G
You're my saviour when I fall
f e
and you may not think that I care for you
f am7
when you know down inside that I really do,
e F
and it's me you need to show:
G
How deep is your love...
Lalalala...
When you come to me...
Version 04 /1.01 April 2004 401

Version 04 /1.01 April 2004 402
WHISKEY IN THE JAR (THIN LIZZY)
G Em
1. As I was going over the farfamed mountain,
C G
I met with Captain Farrell and his money he was countin'.
Em
I first produced my pistol and I then produced my rapier.
C G
Saying, stand and deliver for you are my bold deceiver.
D Em
Musha riggedum diggedum dah, whack fol di daddyo,
C G D G
whack fol di daddyo. There's whiskey in the jar.
G Em
2. He counted out his money and it made a pretty penny,
C G
I put it in my pockets and I gave it to my Jenny.
Em
She sighed and she swore that she would never betray me,
C G
but the devil take the woman for they never can be easy.
D Em
C G D G
G Em
3. I went into my chamber, oh, for to take a slumber,
C G
I dreamt of gold and jewels and sure it was no wonder,
Em
for Jenny drew my charges and she filled them up with water,
C G
and she sent to Captain Farrell to be ready for the slaughter.
D Em
C G D G
G Em
4. 'T was early in the morning before I rose to travel,
C G
up comes a band of footmen and likewise Captain Farrell,
Em
I then produced my pistol for she stole away my rapier,
C G
but I couldn't shoot the water so a prisoner I was taken.
Version 04 /1.01 April 2004 403

D Em
C G D G
Version 04 /1.01 April 2004 404

NUTBUSH CITY LIMITS
TINA TURNER
A
A church-house, inn-house, school-house, out-house,

on highway number nineteen, the people keep the city clean.

C G
They call it Nutbush, oh, Nutbush,
A
they call it Nutbush city limits. Nutbush City.

A
Twentyfive was the speed limit, a motorcycle not allowed in it,

you go t'the store on Fridays, you go to church on Sundays.

C G
A
A
You go t'the fields on weekdays, and have a picnic on Labour Day,

you go to town on Saturdays, and go to church on Sunday.

C G
A
A
No whiskey for sale, you get drunk, no bail,

salt pork and molasses is all you get in jail.

C G
A

A
A little town in Tennessee, a quiet little, old community.

Version 04 /1.01 April 2004 405

A onehorse town, you got to watch, what they're puttin' down.

C G
A

Version 04 /1.01 April 2004 406

RIVER DEEP, MOUNTAIN HIGH
A~ ------------- D
1. When I was a little girl I had a rag doll,
A
the only doll I've ever owned.
D
Now I love you just the way I loved that rag doll,
A
but only now my love has grown.
E A E A
And it gets stronger in every way, and it gets deeper, let me say.
E A
And it gets higher day by day.
G A
Do I love you, my oh my, yes, river deep, mountain high.
G A
If I lost you, would I cry, oh, how I love you baby, baby, baby, baby.
------------------- D
2. When you were a young boy, did you have a puppy,
A
that always followed you around?
D
Well, I'm gonna be as faithful as that puppy,
A
no, I'll never let you down.
E A
'Cause it goes on like a river flows,
E A
and it gets bigger, baby, and heaven knows.
E A
and it gets sweeter, baby, as it grows. + CHORUS
A
I love you, baby, like a flower loves the spring.
And I love you, baby, like a robin loves to sing.

D
And I love you, baby, like a schoolboy loves his bag.
A ~
And I love you, baby, river deep, mountain high. + CHORUS
(Orig. = capo 1) (Tina Turner)
Version 04 /1.01 April 2004 407

BURNING DOWN THE HOUSE
TOM JONES
CAPO 2

E D E D
Fighting fire with fire !

E D
1. Watch out you might get what you're after,
E D
cool babies, strange but not a stranger.
E D E D A E D
I'm an ordinary guy, burning down the house.

E D
2. Hold tight ! Wait till the party's over!
E D
Hold tight! We're in for nasty weather.
E D E D A E
There has got to be a way, burning down the house.

E D
Here's your ticket pack your bag: time for jumpin' overboard,
E D
the transportation is here.
E D
Close enough but not too far, maybe you know where you are,
E D
fightin' fire with fire.

E D
3. All wet, hey you might need a raincoat,
E D
shakedown, dreams walking in broad daylight,
E D E D A E
three hundred sixty five degrees, burning down the house.

E D
It was once upon a place sometimes I listen to myself,
E D
gonna come in first place.

E D
Version 04 /1.01 April 2004 408

People on their way to work, baby what did you expect,
E D
gonna burst into flame.

E D E D
Fightin' fire with fire,
E D E D A E
fightin' fire with fire, burning down the house.

E D
4. My house, out of the ordinary
E D
that's right, don't want to hurt nobody.
E D E D A E
Some things sure can sweep me off my feet, burning down the house.

E D
5. Watch out you might get what you're after,
E D
cool babies strange but not a stranger,
E D E D A E
I am an ordinary guy, burning down the house.

E D E D A E
Three hundred sixtyfive degrees, burning down the house.
D E
Fighting fire with fire (fighting fire with fire),
D E
gonna burst into flames (fighting fire with fire)
D E
Fighting fire with fire (fighting fire with fire),
D E D
gonna burst into flames, my house!

E D
No visible means of support and you have not seen nothin' yet,
E D
Everything's stuck together.
E D
I don't know what you expect staring into your TV set,
E D E D
fighting fire with fire, burning down the house.....,

Version 04 /1.01 April 2004 409

DELILAH
a E E7
1. I saw the light on the night that I passed by her window,
a E E7
I saw the flickering shadows of love on her blind.
A A7 d
She was my woman,
a E a G7
as she betrayed me I watched, and went out of my mind.
C G G7 C
My, my, my, Delilah. Why, why, why, Delilah.
C7 F d
I could see, that girl was no good for me,
C G C E
but I was lost like a slave that no one could free.
a E E7
2. At break of day when that man drove away I was waiting
a E E7
I crossed the street to her house and she opened the door.
A A7 d
She stood there laughing.
a E \ a G7
I felt the knife in my hand, and she laughed no more.
C G G7 C
My, my, my, Delilah. Why, why, why, Delilah.
C7 F d
So before, they came to break down the door,
C G C
forgive me, Delilah, I just couldn't take any more.
a E a d a
forgive me, Delilah, I just couldn't take any more.
(Tom Jones)
Version 04 /1.01 April 2004 410

IT'S NOT UNUSUAL ( TOM JONES )
C d C d C d
G
1. It's not unusual to be loved by anyone,
C d
it's not unusual to have fun with anyone,
e d
but when I see you hanging about with anyone,
G C d G
it's not unusual to see me cry and I wanna die.
C d G
2. It's not unusual to go out at any time,
C d
but when I see you out and about, it's such a crime.
e d
If you should ever want to be loved by anyone,
G C d
it's not unusual, it happens every day, no matter what you say,
G C
you'll find it happens all the time.
d
Love will never do, what you want it to,
G dG C d C d
why can't this crazy love be mi...ne ?
C d G
3. It's not unusual to be mad with anyone,
C d
it's not unusual to be sad with anyone,
e d
but if I ever find that you've changed at any time,
G C d
it's not unusual to find out I'm in love with you,
C d C d
whoa whoa whoa whoa whoa whoa
Version 04 /1.01 April 2004 411

MAMA TOLD ME NOT TO COME - TOM JONES
D ~ D C D C
1. Want some whisky in your water, sugar in your tea?
D C D C
What are these crazy questions they're asking of me?
D C D C
This is the craziest party that could ever be,
D C D C
don't turn on the lights, 'cause I don't wanna see.
D C G A D C G A
Mama told me not to come, mama told me not to come,
D C G A
she said : That ain't no way to have fun, son!
D ~ D C D C
2. Open up the window, let some air into this room,
D C D C
I think I'm almost choking from the smell of stale perfume.
D C D C
And the cigeratte you're smoking' s 'bout to scare me half to
death,
D C D C
open up the window, let me catch my breath. + REFRAIN +
D G A D CGA DCGAD
That ain't no way to have fun, son! Son, son!
D C D C
3. The radio was blasting, someone knocking at the door,
D C D C
I'm looking at my girlfriend, she just passed out on the floor.
D C D C
I've seen so many things I ain't never seen before,
D C D C
don't know what it is, but I don't wanna see no more.
D G A
+ REFRAIN + That ain't no way to have fun, son! + REFRAIN ....
Version 04 /1.01 April 2004 412

SEXBOMB
TOM JONES –
CHORDS:
G#M 466444
C#M7 446454
D#7 668686
g#m c#m7
Spy on me baby, you're a satellite,
g#m D#7
if you're apt to see me move through the night.
g#m c#m7 g#m D#7 g#m
Ain't gonna fire, shoot me right, I'm gonna like the way you fight.
g#m c#m7
Now you found the secret code I use,
g#m D#7
to wash away my lonely blues,
g#m c#m7 g#m D#7
g#m
so I can't deny, all lie, 'cause you're there, only want to make me
fly.
g#m c#m7
Sexbomb, sexbomb, you're a sexbomb,
g#m D#7
you can give it to me when I need to come along.
g#m c#m7
Sexbomb, sexbomb, you're my sexbomb,
g#m D#7 g#m
and baby you can turn me on.
g#m c#m7
Now don't get me wrong, ain't gonna do you no harm,
g#m D#7
this bomb's for loving, you can shoot it far.
g#m c#m7
I'm your main target, come on, help me ignite,
g#m D#7 g#m
love struck me holding you tight.
g#m c#m7
Make me explode although you know,
g#m D#7
Version 04 /1.01 April 2004 413
the route to go to sex me slow,
g#m c#m7
And, yes, I must react to claims of those,
g#m D#7 g#m
who say that you are not all that.
g#m c#m7
g#m D#7
g#m c#m7
g#m D#7 g#m
g#m c#m7
You can give me more and more, counting up the score,
g#m D#7
you can turn me upside down and inside out.
g#m c#m7
You can make me feel the real deal,
g#m c#m7 g#m D#7
and I can give it to you when you tell me, 'cause you're mine.
g#m c#m7
g#m D#7
g#m c#m7
g#m D#7 g#m
g#m D#7 g#m D#7 g#m
and baby, you can turn me on, and baby, you can turn me on,
D#7 g#m
and baby, you can turn me on ....
Version 04 /1.01 April 2004 414

UNCHAIN MY HEAR
Ray Charles
(Original 1/2Ton tiefer!)
Unchain my <a>heart, baby let me be

Unchain my <d>heart, cause you don't care about <a>me
<d>You got me sewed up like a <a>pillow case
<d>But you lettin' my love <a>go to waste
So un<F7>chain my <E7>heart, please baby, set me <a>free
Bass:acdcaga
Unchain my <a>heart, baby let me go

Unchain my <d>heart, cause you don't love me no <a>more
<d>Everytime I call you <a>on the phone
<d>Some fellow tells me that you're <a>not at home
Bass:acdcaga
I'm under your <d>spell, like a man in a <a>trance

But I know darn <d>well, that I don't stand a <E7>chance
So unchain my <a>heart, let me go my way

Unchain my <d>heart, you worried me that <a>day
<d>Why lead me through a life of <a>misery
<d>When you don't care a bag of <a>beans for me
Bass:acdcaga
*Solo* (verse)
I'm under your <d>spell, like a man in a <a>trance

But I know darn <d>well, that I don't stand a <E7>chance
So unchain my <a>heart, let me go my way

Unchain my <d>heart, you worried me that <a>day
<d>Why lead me through a life of <a>misery
<d>When you don't care a bag of <a>beans for me
Bass:acdcaga
Oh, won't you set me free Bass:acdcaga

Whoa, set me free Bass:acdcaga
Wow!! Set me free, little doll Bass:acdcaga
Oh, won't you set me free... Bass:acdcaga
Version 04 /1.01 April 2004 415

DRIVE
THE CARS
A Amaj7 A Asus2 / A
Who's gonna tell you when it's too late
Who's gonna tell you things aren't so great
F#m Bm F#m Bm
Can't go on, thinking nothing's wrong
A E6 A
Who's gonna drive you home, tonight
A Amaj7 A Asus2/A
Who's gonna pick you up, when you fall
Who's gonna hang it up, when you call
Who's gonna pay attention to your dreams
Who's gonna plug your ears, when you scream
F#m Bm F#m Bm
A E6 A
Who's gonna hold you down, when you shake

Who's gonna come around when you break
Version 04 /1.01 April 2004 416

HOT IN THE CITY
Billy Idol
<C> <a><G>
Stranger, stranger, stranger, stranger
It's hot here at night, lonely, black and quiet

On a hot summer night
Don't be afraid of the world we made
'Cause when a <G>long-legged lovely walks by

Yeah you can see the look in her eye
Then you know that it's
[Refrain] <C> <a><G>

Hot in the city, hot in the city tonight, tonight
<G>
<C> <a><G>
Stranger, stranger
For all the dreams and schemes,people are as they seem

Don't be no fun, don't forget you're young
A <G>sometime someone you're not

Don't wait to see what you got
'Cause you know that you're
[Refrain] <C> <a><G>

We'll <G>walk until <G>my feet drop <G><G>

I'm a <G>train when I'm <G>hateful <G><G>
Yeah, <G>lay right <G>down now <G><G>
And <G>ride until your <G>head breaks <G><G>
I'm a-<G>walkin' 'til my <G>brain pops <G><G>
I will <G>move with the <G>beat now <G><G>
I'm a <G>chain 'round an <G>A-bomb <G><G>
I'm a <F>ribbon in the <F>heat now <F><F>
<G>New York! <G><G><G>
[Refrain, repeat to fade] <C> <a><G>

Version 04 /1.01 April 2004 417

<C> <a> <G>
|------0-----------|------0-------3----| (3)dieses G kann man
alternativ
|------1-----------|------1-------0----| (zB.im Refrain)
spielen
|------0-----------|------2-------0----| ansonsten das Schema
|------------------|-------------------| das ganze Lied durch
|--3-----------3---|--0-------3--------| spielen |-------------
(3)--|-------------------| .... ausser bei :
1 2 3 4 1 2 3 4
<G>
|------3-----------|------3-------3----|
|------0-----------|------0-------0----|
|------0-----------|------0-------0----| den beiden nach
|------------------|-------------------| rechts verstezten
|------------------|--0-------2--------| Teilen
|--3-----------3---|-------------------| ... und:
1 2 3 4 1 2 3 4
<G> <F>
|----------3---3---|----------1---1----| dem letzten Abschnitt
|----------0---0---|----------1---1----| zwischen: We'll walk until
|----------0---0---|----------2---2----| und: New York
|------------------|-------------------|
|------------------|--2---2------------|
|--3---3-----------|-------------------|
1 2 3 4 1 2 3 4
Version 04 /1.01 April 2004 418

EYES WITHOUT A FACe
Billy Idol
Emaj7 C#m Abm B
Emaj7 C#m Abm B

I'm all out of hope, one more bad dream could bring a fall
Emaj7 C#m Abm B
When I'm far from home, don't call me on the 'phone to tell me you're alone
Emaj7 C#m Abm B
It's easy to deceive, it's easy to tease, but hard to get release
A Bsus4 A
Les yeux sans visage, eyes without a face
Bsus4 A
Bsus4 F#m9 Bsus4
Les yeux sans visage, eyes without a face, got no human grace
Emaj7 C#m Abm B
You're eyes without a face
Emaj7 C#m Abm B

I spend so much time believing all the lies to keep the dream alive
Emaj7 C#m Abm B
Now it makes me sad, it makes me mad at truth, for loving what was you
A Bsus4 A
Bsus4 A
Bsus4 F#m9 Bsus4
Emaj7
E D A E D A
E D A
When you hear the music, you make a dip into someone else's pocket, then
make the slip
E D A
Steal a car and go to Las Vegas, oooh gigolo pool
E D A
Hanging out by the state line, turning holy water into wine
E D A
Bringing it down, oooh
E D A
I'm on a bus on a psychedelic trip reading murder books tryin' to stay hip
E D A
I'm thinkin' of you and you're out there so say your prayers
E D A
Say your prayers, say your prayers
E D A E D A E D A
Emaj7 C#m Abm B

Now I close my eyes and I wonder why I don't despise
Version 04 /1.01 April 2004 419
Emaj7 C#m Abm B
Now all I can do, love what was once so alive and new
Abm B
But it's gone from your eyes, can't bear to realise
A Bsus4 A
Bsus4 A
Bsus4 F#m9 Bsus4
F#m9
Bsus4
Such a human waste
Emaj7
And now it's getting worse
F#m9: X04250
E: X799XX
D: XX777X
A: XX765X
Emaj7 C#min G#min Bmaj
E -----7------------4----------------4-------------------------7---------
B -----9------------5----------------4-------------------------7---------
G -----8------------6----------------4-------------------------8---------
D -----9------------6----------------6-------------------------9---------
A -----7------------4----------------6-------------------------9---------
E -----------------------------------4-------------------------7---------
Chorus:
Amaj Bsus4 F#min9 Bsus4
E --0----------------0-----------------------------0---------------------0--
B --2----------------0-----------------------------5---------------------0--
G --2----------------4-----------------------------2---------------------4--
D --2----------------4-----------------------------4---------------------4--
A --0----------------2---------------------------------------------------2--
E --------------------------------------------------------------------------
Bridge.
(w/distortion)
E5 Dmaj Amaj
E --------------------------------------------------------------------------
B -----------------------------------7-------7--7-5-------7---7-5------7-5--
G -----------9--9--------9--9------9-7-------7--7-6-------7---7-6------7-6--
D -----------9--9--------9--9------9-7-------7--7-7-------7---7-7------7-7--
A -----------7--7--------7--7-----------5-5----------5-5----5--------5------
E -16\--0-0---------0-0---------0-------------------------------------------
Version 04 /1.01 April 2004 420

WHITE WEDDING
Hey little sister what have you done
Hey little sister who's the only one intro..
Hey little sister who's your superman
Bm E D
Hey little sister who's the one you want Bm D E
Hey little sister shot gun! Bm ...
It's a nice day to start again verse..

It's a nice day for a white wedding
It's a nice day to start again. Bm A E
Bm A E
Bm A Bm
Hey little sister what have you done
Hey little sister who's the only one
chorus..
I've been away for so long (so long)
I've been away for so long (so long) A E Bm
I let you go for so long E D Bm
E D Bm ..
It's a nice day to start again (come on)
It's a nice day to start again.
(Pick it up)
Take me back home

There is nothin' fair in this world
There is nothin' safe in this world
And there's nothin' sure in this world
And there's nothin' pure in this world
Look for something left in this world
Start again
Come on

It's a nice day to start again.
It's a nice day to start again
Version 04 /1.01 April 2004 421

REBEL YELL
BILLY IDOL
Bm
Last night a little dancer
Came dancin´ to my door
D
Last night a little angel
G E
Came pumpin cross my floor
Bm
She said honey baby
You got a license for love
D
And if it expires
G E
Bring hell from above because
chorus:
Bm
In the midnight our she cried more more more
D G E
With a rebel yell more more more, etc
Bm
She don´t like slavery
She wont sit and beg
D
But when you tied her open
G E
She´s near to being
Bm
What set you free
Brought you to me, babe
D
What set you free
G E
I need you hear by me, because
chorus
I walk the walls for you babe

10,000 miles for you
I dried your tears of pain
A thousand times, for you
I´d sell my soul for you babe
For money to burn with you
I´d give you all
and have none, babe
Just a Just a Justa Justa to have you here by me....
Version 04 /1.01 April 2004 422

TO BE A LOVER
Have I told you, Lately that I love you
If I didn't, darlin', You see, I'm so sorry.
Didn't I reach out And hold you
In these lovin' arms
Well, if I didn't, oh baby. Well, I'm so sorry
When I realized that you need love too,

Gonna spend my life makin' love to you.
Got to be your lover. Have mercy.
Forgot to be a lover, babe. (Have mercy)
Forgot to be a lover. (Have mercy)
Forgot to be a lover.
Make it on through to you somehow. (have mercy, baby)
Got to be a lover, babe (Forgot to be a lover)
Woo! Woo!
Well, did I ask you Yes would you come and share
Oh, share
Oh, the burden and the task That's at love's command
Didn't I say All those lovin' special things
That you long to hear
To show how much I care
Well, when I realize That you need love too,

Gonna spend my lifeMakin' love to you
Forgot to be a lover, Have mercy
Well, well, I worked all day Hard as I can,

Worked all night, didn't make me a man.
(Forgot to be a lover)
Have mercy, Oo,
When I realized That you need love too,

Gonna spend my life Makin' love to you. (Forgot to be a lover)
Got to be a lover, babe.
Oo, mercy (Have mercy)
Have mercy, baby. (Have mercy, baby)
I'm gonna make it on through

Have I told you,Yes, lately that I love you
If I didn't, oh baby,Yes, I'm so sorry.
Ah, but you know I really love you, baby. (Love you baby)
I really love you baby (Love you baby)
I really need you baby (Need you baby)
I really want you baby (Want you baby)
When I realized,That you need love too,

I'm gonna spend my life
Makin' love,Makin' love, Makin' love to you.
Well, I worked all dayAs hard as I can
Worked all night, It didn't make me a man, babe.(Forgot to be a lover) (Have
mercy)
Oo, have mercy baby (Have mercy) /Have mercy baby (Have mercy)/
Version 04 /1.01 April 2004 423

BROTHERS IN ARMS
BY
DIRE STRAITS
-------------------------------
Key: G#m..organ and effects/bass

--------------------------------
G#m / E / G#m / E / C#m.....(bass/keybd)
--------------------------------
E F#
These mist covered mountains
B Bsus4 B
Are home now for me
D#m(A) G#m D#m
But my home is the low lands
E F#sus4 F#
And always will be
G#m D#m
Someday you'll return to
E C#m7 F#sus4
Your valley and your farms
F# G#m
And you'll no longer burn
E F#sus4 F#
To brothers in arms
------------------------
G: G#m / E / G#m / E
G#m/ E / C#m /C#m/ G#m sus2
G#m
--------------------------
D#m(A) E F#
Through these fields of destruction
B Bsus4 B
Baptisms of fire
D#m(A) G#m D#m
I've watched all your suffering
. E F#sus4 F#
As the battles raged higher
G#m D#m
And though they did hurt me so bad
E C#m F#sus4
In the fear and alarm
F# G#m
You did not desert me
E F#
My brothers in arms
------------------------
G: G#m / E / C#m / E / G#m / E / C#m / C#m -E-F#/ G#m sus2 etc
-------------------------
G#m F# G#m F#
There's so many different worlds
B E
So many different suns
F# G#m F#
And we have just one world
B E E
But we live in different ones
-----------------------------
G: G#m / E / C#m / E / G#m / E / C#m / C#m -E-F#/ G#m sus2 etc
-----------------------------
D#m(A) E F#
Now the sun's gone to hell
B Bsus4 B
And the moon's riding high
D#m(A) G#m D#m
Let me bid your farewell
Version 04 /1.01 April 2004 424

E
Everyman has to die
G#m D#m
But its written in the starlight
E C#m F#sus4
ANd every line on your palm
F# G#m
We're fools to make war
E F#
On our brothers in arms
---------------------------------
: G#m / E / C#m / E
: G#m / E / C#m / E-F#
: G#m / E / C#m / E
: G#m / E / C#m / E-F# etc
fade.
ALL RIGHT NOW

Free
A D A
There she stood in the street
Dadd4 D A
Smiling from her head to her feet,
A D A
I said 'Hey, what is this?''
Dadd4 D A
Now baby, maybe she's in need of a kiss.
I said 'Hey, what's your name, baby,

maybe we can see things the same.
Now don't you wait or hesitate,
Let's move before they raise the parking rate.''
Chorus:
A G D A
All right now Baby, it's all right now
A G D A
I took her home to my place

Watching ev'ry move on her face,
She said ''Look, what's your game baby
are you tryin' to put in shame?''
I said ''slow, don't go so fast,

don't you think that love can last?''
She said ''Love, Lord above,
now you're tryin' to trick me in love.''
Chorus:
A G D A
A G D A
Version 04 /1.01 April 2004 425
20TH CENTURY BOY
T-Rex
A
Friends say it's fine, Friends say it's good
E (R1)
Everybody says it's just like rock and roll
A
I move like a cat,Charge like a ram
E (R1)
Sting like a bee,Babe I want to be your man
A
Well it's plain to see
B
You were meant for me
E (R1)
Yea I'm your toy Your 20th century boy
Fly like a plane, Drive like a car

Ball like a hound, Babe I want to be your man
D CD F D
20th century boyI want to be your toy
20th century boy, I want to be your toy
Version 04 /1.01 April 2004 426

MONEY FOR NOTHING
Dire Straits
Chords Guitar 1: Gm7 x557xx

C xx555x
Bb xx333x
Eb xx534x
F xx756x
D xx777x
E xx888x
C & Gm7)
I want now, I wanna MTV....
Intro: s= slide, x=slap the cords(no let ring) *=inaudible
E-----------------------------------------------------
B-------------6---------------------------------------
G-7-7--5-7-5--7-5-3---3-----x----3-x-3s5x5s3-0
D-5-5--5-5----5-5-3-5-3--5-x-5--3-x-3s5x5s3-0
A-------------------------5-3--5-x-5------------------
E------------------------------------------------------
E-------------------------------------------------------
B---------------8---------------------------------------
G-7-7s5-5-7-7-7-5-5-3-------------3---------------
D-5-5----5-5---5-5-5-3-5-3-5-x-5-3-5-0*s3x5---
A---------------------------5-3-5-x-5----5-0*s3x5---
E---------------------------------------------------------
The rhythmic giutar play the followin chords.

The solo guitar play again the intro riff
Gm7 C
Now look at them yo-yo's that's the way you do it
Gm7 Bb C
You play the guitar on the M.T.V.
Gm7
That ain't workin' that's the way you do it
D
Money for nothin' and chicks for free
Now that ain't workin' that's the way you do it

Lemme tell ya them guys ain't dumb
Maybe get a blister on your little finger
Maybe get a blister on your thumb
Eb Bb
We gotta install microwave ovens
Eb F
Custom kitchen deliveries
Gm7
We gotta move these refrigerators
C D E
We gotta move these colour TV's
Version 04 /1.01 April 2004 427

Gm7 C
See the little faggot with the earring and the makeup
Gm7 Bb C
Yeah buddy that's his own hair
Gm7
That little faggot got his own jet airplane
F Gm7
That little faggot he's a millionaire
Chorus
Intro(solo guitar and drums)
Drum fill in
Chorus
Gm7 C
I shouldda learned to play the guitar
Gm7 Bb C
I shouldda learned to play them drums
Gm7
Look at that mama, she's got it stickin' in the camera
F C
Man we could have some fun
And he's up there, what's that? Hawaiian noises?

Bangin' on the bongoes like a chimpanzee
Get your money for nothin' and chicks for free
Chorus
Intro
Gm7 C
Now that ain't workin' that's the way you do it
Gm7 Bb C
You play the guitar on the M.T.V.
Gm7
F Gm7
Money for nothin' and your chicks for free
Intro (all fade)

Money for nothin' chicks for free
(I wanna MTV)
Money for nothin' chicks for free
(I wanna MTV)
Version 04 /1.01 April 2004 428

FREE FALLING (TOM PETTY)
C F F C G
C F G
She's a good girl, loves her Moma
C F G
loves Jesus and America, too
C F G
she's a good girl, she's crazy 'bout Elvis
C F G
loves horses and her boyfriend, too.
It's a long day living in Recedar
there's a freeway running thru 'the yards
I'm a bad boy, 'cause I don't even miss her
I'm a bad boy for breaking her heart.
C (FCG) C (FCG)
But I'm free free falling.
C (FCG) C (FCG)
Yeah, I'm free free falling.
All the vampires, walking thru 'the valley
move west and into the boulevard
and all the bad boys were standing in the shadows
and all the good girls, they're home with broken hearts
Refrain
I want a black dawn over Mall Hollin
I wanne write thru 'my name in the sky
gotta free fall out into nothing
gonna leave this world for a while
Refrain
Version 04 /1.01 April 2004 429

I STILL HAVEN´T FOUND WHAT I´M LOOKING FOR (U2)
D
I have climbed highest mountains.
I have run through the fields,
G D
only to be with you, only to be with you.
I have run, I have crawied. I have sealed these city walls,
G D D4 D
these city walls. Only to be with you.
A G D D4 D
Refrain: But I still haven't found what I'm looking for.
A G D D4 D
But I still haven't found what I 'm looking for.
I have kissed honey lips, feit that healing finger tips.
It bumed like fire, this burning desire.
I have spoke with the tongue of angeis.
I have held the hand of the devil.
It was warm in the night. I was cold äs a stone.
Refrain
I believe in the kingdom come,
then all the colors will bleed into one, bleed into one.
But yes, I 'm still running. You broke the bonds, and you loose the
chains,
carry the cross of my shame, of my shame.
You know I believe it.
Refrain
Version 04 /1.01 April 2004 430

LOVE IS ALL AROUND
1. STROPHE:
D Em G A D Em G A
I feel it in my fingers, I feel it in my toes.
D Em G A D Em G A
Well, love is all around me, and so the feeling grows.
D Em G A D Em G A
It’s written on the wind, it’s everywhere I go.
D Em G A D Em G A
So if you really love me, come on and let it show.
Refrain:
G Em
You know I love you, I always will.
G D
My mind’s made up by the way that I feel.
G Em
There’s no beginning, there’ll be no end.
G A
Cause on my love you can depend.
2. Strophe:
I see your face before me as I lay on my bed.
I kinda get to thinking of all the things you said.
You gave your promise to me and I gave mine to you.
I need someone beside me in everything I do.
Refrain:
3. Strophe:
It’s written on the wind, it’s eveywhere I go.
So if you really love me, come on and let it show.
Come on let it show, come on let it show.
Come on let it show, come on let it show.
Version 04 /1.01 April 2004 431

WONDERWALL
OASIS
Vorspiel (4 mal): Em7 G Dsus4 A7sus4
1. Strophe:
Em7 G Dsus4 A7sus4
Today is gonna be the day that there’re gonna throw it back to you,
Em7 G Dsus4 A7sus4
By now you should have somehow realised what you gotta do.
Em7 G Dsus4 A7sus4
I don’t believe that anybody feels the way I do
Cmaj7 Dsus4 A7sus4
About you now.
2. Strophe:
Backbeat, the word is on the street that the fire in your heart is out,
I’m sure you’ve heard it all before but you never really had a doubt.
About you now.
3. Strophe:
Cmaj7 Dsus4 Em7
And all the roads we have to walk are winding,
Cmaj7 Dsus4 Em7
And all the lights that lead us there are blinding.
Cmaj7 Dsus4 G G/F# Em7
There are many things that I would like to say to you
A7sus4
But I don’t know how.
Refrain:
Cmaj7 Em7 G
Because maybe
Em7 Cmaj7 Em7 G
You’re gonna be the one that saves me,
Em7 Cmaj7 Em7 G
And after all
Em7 Cmaj7 Em7 G Em7 A7sus4
You’re my wonderwall.
4. Strophe:
Today was gonna be the day but they’ll never throw it back to you,
By now you should’ve somehow realised what you’re not to do.
About you now.
5. Strophe:
And all the roads that lead you there were winding,
And all the lights that light the way are blinding.
There are many things that I would like to say to you
But I don’t know how, yes I don’t know how.
Refrain (2 mal):
Version 04 /1.01 April 2004 432

Stick a capo on the second fret and use these chords :)
F#m7 - 022033
A - 320033
Esus4 - xx0233
B7sus4 - x02033
B7sus4* - x02233
Dadd9 - x32033
A/G# - 2x0033
Your 3rd and 4th fingers stay on the E and B

strings on the 3rd fret throughout the song :)
INTRO:
[F#m7] [A] [Esus4] [B7sus4] (x4)
VERSE 1:
[F#m7]Today is [A]gonna be the day that they're

[Esus4]gonna throw it back to [B7sus4]you
[F#m7]By now you [A]should've somehow
realiz[Esus4]ed what you gotta[B7sus4] do
[F#m7]I don't believe that [A]anybody
[Esus4]feels the way I [B7sus4]do
About you [Dadd9]now [Esus4] [B7sus4]
VERSE 2:
[F#m7]Backbeat the [A]word is on the street that the

[Esus4]fire in your heart is [B7sus4]out
[F#m7]I'm sure you've [A]heard it all before but you
[Esus4]never really had a [B7sus4]doubt
About you [F#m7]now [A] [Esus4] [B7sus4]
PRE-CHORUS:
And [Dadd9]all the roads we

[Esus4]have to walk are [F#m7]winding
And [Dadd9]all the lights that
[Esus4]lead us there are [F#m7]blinding
[Dadd9]There are many [Esus4]things that I
Would [A]like to [A/G#]say to [F#m7]you,
but I [Esus4]don't know [B7sus4*]how
CHORUS:
Cause [Dadd9]maybe [F#m7] [A]

[F#m7]You're gonna be the one that
[Dadd9]saves me? [F#m7] [A]
And [F#m7]after [Dadd9]all [F#m7]
[A]You're my [F#m7]wonder
[Dadd9]wall [F#m7] [A] [F#m7] [Silence]
VERSE 3:
[F#m7]Today is [A]gonna be the day but they'll

[Esus4]never throw it back to [B7sus4]you
[F#m7]By now you [A]should've somehow
realiz[Esus4]ed what you're not to[B7sus4]do
About you [Dadd9]now [Esus4] [B7sus4]
Version 04 /1.01 April 2004 433

PRE-CHORUS:
And [Dadd9]all the roads that

[Esus4]lead you there are [F#m7]winding
And [Dadd9]all the lights that
[Esus4]light the way are [F#m7]blinding
[Dadd9]There are many [Esus4]things that I
Would [A]like to [A/G#]say to [F#m7]you,
but I [Esus4]don't know [B7sus4*]how
CHORUS:

[Dadd9]wall [F#m7] [A] [F#m7]
CHORUS: (again)

[Dadd9]wall [F#m7] [A] [F#m7]
I said [Dadd9]maybe [F#m7] [A]

[Dadd9]saves me? [F#m7] [A] [F#m7]
SOLO:
G|---------0-----|
D|------------2--| 8 times
A|--3-2-3--------|
E|---------------|
Version 04 /1.01 April 2004 434

WEATHER WITH YOU CROWDED HOUSE
INTRO: || Em | A || x 4
Em A
VERS: WALKING 'ROUND THE ROOM SINGING STORMY WEATHER
Em A
AT FIFTY SEVEN MOUNT PLEASANT STREET
Em A
WELL IT'S THE SAME ROOM,BUT EVERYTHING'S DIFFERENT
Em A
YOU CAN FIGHT THE SLEEP BUT NOT THE DREAM
Dm C Dm C Dm C
THINGS AIN'T COOKING IN MY KITCHEN STRANGE AFFLICTION WASH OVER
F
ME
Dm C Dm C Dm C
JULIUS CAESAR AND THE ROMAN EMPIRE COULDN'T CONQUER THE
F G
BLUE SKY
INTRO:|| E | A || x 2
Em A
VERS: WELL THERE'S A SMALL BOAT MADE OF CHINA
Em A
IT'S GOING NOWHERE ON A MANTLEPIECE
Em A
WELL DO I LIE LIKE A LOUNGEROOM LIZARD
Em A
OR DO I SING LIKE A BIRD RELEASED
Asus4 D
REF: EVERYWHERE YOU GO ALWAYS TAKE THE WEATHER WITH YOU
Asus4 D
EVERYWHERE YOU GO ALWAYS TAKE THE WEATHER
Asus4 G
EVERYWHERE YOU GO ALWAYS TAKE THE WEATHER WITH YOU
D/F# G A
EVERYWHERE YOU GO ALWAYS TAKE THE WEATHER,THE
(Em)
WEATHER WITH YOU
INTRO:|| E | A || x 4
Asus4 D
REF: EVERYWHERE YOU GO ALWAYS TAKE THE WEATHER WITH YOU
Asus4 D
EVERYWHERE YOU GO ALWAYS TAKE THE WEATHER
Asus4 G
EVERYWHERE YOU GO ALWAYS TAKE THE WEATHER WITH YOU
D/F# E
EVERYWHERE YOU GO ALWAYS TAKE THE WEATHER,
G
TAKE THE WEATHER,
A D
THE WEATHER WITH YOU
Version 04 /1.01 April 2004 435

STORMY WEATHER
Em - A Em - A Em - A Em - A
Em A
1. Walking 'round the room singing Stormy Weather
Em A
at 57 Mount Pleasant Street.
Em A
Well, it's the same room, but everything's different,
Em A
you can fight the sleep, but not the dream.
Dm C - Dm C
Things ain't cookin' in my kitchen,
Dm C F
strange affliction wash over me.
Dm C - Dm C
Julius Caesar and the Roman Empire
Dm C F -G - Em - A - Em - A
couldn't conquer the blue sk……y.
Em A
2. There's a small boat made of china,
Em A
it’s going nowhere on the mantlepiece.
Em A
Well, do I lie like a loungeroom lizard,
Em A
or do I sing like a bird released ?
A D
Everywhere you go you always take the weather with you,
A D
everywhere you go you always take the weather.
A D
A G
everywhere you go you always take the weather,
A Em
the weather, the weather with you.
- A Em - A Em - A Em - A
Version 04 /1.01 April 2004 436

A D
A D
everywhere you go you always take the weather.
A D
A Em
everywhere you go you always take the weather,
G A D
take the weather, the weather with you. + repeat this CHORUS
(Crowded House)
STAND BY ME
BEN E. KING
1. Strophe:
G C Am
When the night has come and the land is dark,
F G C
And the moon is the only light will see,
Am
No, I won't be afraid, no I won't be afraid,
F G C
Just as long as you stand, stand by me.
C
So darling, darling,
C Am
Stand by me, oh, stand by me,
F G C
Oh, stand now, stand by me, stand by me.
2. Strophe:
If the sea that we look upon should tumble and fall,

Or the mountain should crumble in the sea.
I won't cry, I won't cry, no I won't shed a tear,
Just as long as you stand, stand by me.
So darling, darling,
Stand by me, oh, stand by me,
Oh, stand now, stand by me, stand by me.
Version 04 /1.01 April 2004 437

HARD TO HANDLE
The Black Crowes
(Shake Your Money Maker (1990)
Intro:
E-----------------------------|-------------------------
H-----------------------------|-------------------------
G-----------------------------|-------------------------
D------0-2--4-----2-0--2-0----|-----0-2--4----2-0--2-0--
A--2-2---------------------2--|-2-2----------------------
E-----------------------------|-------------------------
H
Baby, here I am. I'm a man on the scene.
I can give you what you want, but you got to come home with me.
I sure got some good ol' lovin' and I got some more in store.
When I get done throwin' it on you, you got to come back for more.
F#
Toys and things that come by the dozen.
That ain't nothin' but drug store lovin'.
H|
Hey little thing, let me light your candle 'cause, uh,
D E A E H
mama, I'm sure hard to handle. (Now it gets around).
H
Action speaks louder than words and I'm a man of great experience.
I know you got another man, but I can love you better than him.
Take my hand, don't be afraid, I'm gonna prove ev'ry word I say.
I'm advertising love for free, so you can place your ad with me.
F#
Ones that come along a dime by the dozen.
That ain't nothin' but ten cent lovin'.
H|
mama, I'm sure hard to handle.(Now it gets around). A E H 4x
H
Baby, here I am. I'm a man on your scene.
I can give you what you want, but you got to come home with me.
I forgot some good ol' lovin' and I got some more in store.
When I get done throwin' on you, you gotta come runnin' back for more.
F#
Ones that come along a dime by the dozen.
That ain't nothin' but drug store lovin'.
H|
A E H 4x
mama, I'm sure hard to handle.(Now it gets around).
H
Solo
F#
Ones that run alone are a dime by the dozen.
That ain't nothin' but ten cent lovin'.
H|
Hey little baby, let me light your candle, 'cause, uh
A E H 4x
mama, I'm sure hard to handle. (Now it gets around).
H
Solo
Baby good lovin´
Baby Baby oohh good lovin´
I mean good lovin´
I got to handle
fade
4 x A E H
Version 04 /1.01 April 2004 438

EVERYBODY NEEDS SOMEBODY TO LOVE
Blues Brothers
Intro + Verse: C, F, Bb, F (immer wiederholen)
We're so glad to see so many of you lovely people here tonight, and we
would especially like to welcome all the representatives of Illinois'
law enforcement community that have chosen to join us here in the
Palace Hotel Ballroom at this time. We sincerely hope that you all enjoy
the show and please remember people, that no matter who you are, and
whatever you do to live, thrive and survive, there are still some
things that make us all the same:
you, me, him, them -- everybody, people, everybody!
C, F, Bb, F
Everybody needs somebody
Everybody needs somebody to love
Someone to love (Someone to love)
Sweetheart to miss (Sweetheart to miss)
Sugar to kiss (Sugar to kiss)
I need you, (you) you, you
I need you, (you) you, you in the morning
I need you, (you) you, you when my soul's on fire
Am G –F -G
Sometimes I feel, I feel a little sad inside
Am G
When my baby mistreats me, I never never have a place to hide,
C F
I need you!
C F (7x instrumental)
Am G- F -G
Am G# -G
C, F, Bb, F
I need you
(no chords)
You know people when you do find somebody, hold that woman, hold that
man, love him, hold him, squeeze her, please her, hold, squeeze and
C, F, Bb, F
please that person, give 'em all your love, signify your feelings with
every gentle caress, because it's so important to have that special
somebody to hold, kiss, miss, squeeze, and please.
C, F, Bb, F
Version 04 /1.01 April 2004 439

SWEET HOME CHICAGO
PAYNE, WOODY
E A E
Ref.: Come on, baby don't you wanna go ?
A E
Come on, baby don't you wanna go
H
back to that same old place ?
A E
Sweet home Chicago !
1. Well, one and one is two,

six and two is eight.
Come on baby, don't you wait, wait, wait.
A
Ref.: Hidy hey, baby ...
2. Six and three is nine,

nine and nine is eighteen.
Look at me, brother-baby, almost see what I have seen.
Ref.: Hidy hey, baby ...
Version 04 /1.01 April 2004 440

GIMME SOME LOVIN
WINWOOD, S. & M. / DAVIS, S.
/E /A
1. Well, my temperature's risin'
/E /A
And my feet on the floor
/E /A
Twenty people rockin'
/E /A
And they wanna more
/E /A
Tell me here baby
/E /A
I don't know what you've got
/E /A
But you better take it easy
/E
This place is hot
/E /G
Ref.: So glad you made it
/A /C
So glad you made it
/E /A /E
You gotta gimme some lovin' (Gimme some lovin')
/A /E
Gimme some lovin' (Gimme some lovin')
/A /E /Am7 /E /Am7 /E
Gimme some lovin' every day
2. Well, I feel so good

Everything is soundin' higher
Better take it easy
'Cos the place is on fire
It's been a hard day
And I don't know what to do
Wait a minute baby
Can't it happen to you
Ref.: So glad ...
3. Well, I feel so good

Everybody's gettin' higher
Better take it easy
'Cos the place is on fire
It's been a hard day
And it ain't been too good
Now I'm gonna relax honey
Everybody should
Ref.: So glad ...
Extro: Gimme some lovin' ...
Version 04 /1.01 April 2004 441

COULDN'T GET IT RIGHT
Time is driftin’, this rock has got to roll,

So I hit the road and made my getaway.
Restless feeling, I really gotta hold,
I started searching for a better way.
Chorus:
And I kept on looking for a sign in the middle of the night,
But I couldn’t see the light, no I couldn’t see the light.
I kept on lookin’ for a way to take me through the night,
But I couldn’t get it right, no I couldn’t get it right.
La fever, made me feel alright,

But I must admit it got the best of me.
Gettin’ down, so deep I nearly drowned,
I can’t get back to where I used to be.
Chorus
New york city, took me with the tide,
I nearly died from hospitality,
Left me stranded, and took away my pride,
Just another know it? ? of fatality.
Chorus (repeat to fade)
COULDN'T GET IT RIGHT (FIRST SOLO)

E|----------------------------------------------------|
B|---------------------------10P7---7-----------------|
G|-9FB-9-7/9-7-----------7--------9---9P7---7---7H9P7-|
D|-------------7H9-7H9-7---9--------------9---9-------|
A|----------------------------------------------------|
E|----------------------------------------------------|
E|----------------------------------------------------------|
B|------10-10/12-----15----------15FB------15---------------|
G|-9/11----------11-----16\14H16------15HB----16\14---------|
D|--------------------------------------------------15HB-12-|
A|----------------------------------------------------------|
E|----------------------------------------------------------|
E|-------------------------------------------------------------|
B|-------------------------------------------------------------|
G|-------------------------------------------------------------|
D|----12-14P12----12----12H14P12----14P12----14P12----14P12----|
A|-14----------14----14----------14-------14-------14-------14-|
E|-------------------------------------------------------------|
Version 04 /1.01 April 2004 442

E|--------------------------------------------------------|
B|--------------------------------------------------------|
G|---------------------------------14-11\9----9-----------|
D|-14P12P11-11-11H12-11-7-7-7/9~-9---------12---12-9~~\\\-|
A|--------------------------------------------------------|
E|--------------------------------------------------------|
"NEW YORK CITY..."
KEY:
SECOND SOLO/OUTRO BIT
E|-------------------------------------------------------------|
B|------------------12-10--------------------------------------|
G|-----7-9FB-7~-9FB-------11-9FBR-7H9P7---7~-------7~-9-7~-9FB-|
D|-7/9----------------------------------9----9P7H9-------------|
A|-------------------------------------------------------------|
E|-------------------------------------------------------------|
E|-------------12-14------------------10-12-12FB-12-10-12FB-10-|
B|----------12------------------10H12--------------------------|
G|-7H9P7-7~----------11-9-7-9FB--------------------------------|
D|-------------------------------------------------------------|
A|-------------------------------------------------------------|
E|-------------------------------------------------------------|
E|--------------------------------------10----------------------|
B|-12~-10----10-12~-10---------------------12-10----------------|
G|--------11-----------11-9-9-7---7~-9~----------9-7\5---5-7~-5-|
D|------------------------------9----------------------7--------|
A|--------------------------------------------------------------|
E|--------------------------------------------------------------|
H H H H
E|-10-10-10~--------------------------------------|
B|----------------------7----------------------10-|
G|------------------7-----7-----7-7H9P7-7~-9HB----|
D|-----------9-7~-9---9-----7---------------------|
A|----------------------------7-------------------|
E|------------------------------------------------|
E|-17~-17-15-14\\\-10----10----10~-----------10----10-10-|
B|--------------------12----12-----12~-10H12----10-------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|-------------------------------------------------------|
E|-------------------------------------------------------|
E|-------------------------------------------|
B|-------------------------------------------|
G|-12P10----10~----9-------------------------|
D|-------12-----12----12P10----12P10---------|
A|--------------------------12-------12P10\8-|
Version 04 /1.01 April 2004 443

GET THIS PARTY STARTED
Am - G Am G
I'…….m comin' up so you better get this party started !
Am - G Am G
Am G
1. Get this party started on a Saturday night,
Am G
everybody's waitin’ for me to arrive.
Am G
Sendin' out the message to all of my friends,
Am G
we'll be lookin flashy in my Mercedes Benz.
Am G
I got lotsa style, got my gold diamond rings,
Am G
I can go for miles, if you know what I mean.
Am - G Am G
Am - G Am G
Am G
2. Pumpin up the volume, breakin down to the beat,
Am G
cruisin' through the West Side, we'll be checkin' the scene.
Am G
Boulevard is freakin' as I'm comin' up fast,
Am - - - - - - - - - - - - - - G
I'll be burnin' rubber, you'll be kissin' my ass.
Am G
Pull up to the bumper, get out of the car,
Am G
license plate says Stunner #1 Superstar.
Am - G Am G
Am - G Am G
Am - G Am - G Am - G Am - G
Get this party started !
Am G
3. Makin my connection as I enter the room,
Am G
everybody's chillin’ as I set up the groove.
Am G
Pumpin' up the volume with this brand new beat,
Am G
everybody's dancin’ and their dancin’ for me.
Am G
I'm your operator, you can call anytime,
Am G
I'll be your connection to the party line.(capo 2nd) (Pink)
Version 04 /1.01 April 2004 444
TO BE WITH YOU
Mr. Big
1. Strophe:
C#m E A E
Hold on little girl, show me what he's done to you.
C#m E A E
Stand up little girl broken heart can't be that bad,
A E A E
When it's through it's through. Fate with twist the both of you,
D H7
So come on, baby, come on over, let me be the one to show you.
Refrain:
E A H7 E
I'm the one who wants to be with you,
E A H7 E
Deep inside I hope you feel it too.
E A H7 C#m
Waited on a line of greens and blues,
E A H7 E
Just to be the next to be with you.
2. Strophe:
Build up your confidence, so you can be on top for once,
Wake up who cares about little boys that talk too much.
I seen it all go down, your game of love was all rained out.
So come on baby, come on over, let me be the one to hold you.
Refrain:
3. Strophe:
Esus4 C#m
Why be alone, when we can be together baby?
G E
You can make my life worth-while, I can make you start to smile.
Solo: E A H7 E E A H7 E E A H7 C#m E A H7 E
4. Strophe:
A E A E
When it's through it's through. Fate with twist the both of you,
D H7
So come on, baby, come on over, let me be the one to show you.
Refrain:
G C D G
I'm the one who wants to be with you,
G C D G
Deep inside I hope you feel it too.
G C D Em
Waited on a line of greens and blues,
G C D G
Just to be the next to be with you.
Version 04 /1.01 April 2004 445

/ H H
----------------|----------------|-----------------|-----------------|
-------------5--|-2----0---------|-----------------|-----------------|
-1---2--4-------|-2----2---------|-4-----4----4----|-4---------------|
-2---4--6-------|-2----2---------|-4---4-6--4-6----|-6---------------|
----------------|----------------|-----------------|-----------------|
----------------|----------------|-----------------|-----------------|
/ H P P
----------------|---------4------|-2--4-2-0----0-0-|-0---------------|
-------------5--|-2-------5------|-----------0---0-|-0---------------|
-1--2--4--------|-2--------------|-----------------|-----------------|
-2--4--6--------|-2--------------|-----------------|-----------------|
----------------|----------------|-----------------|-----------------|
----------------|----------------|-----------------|--------0--------|
/
----------------|----------------|-2----4----4-----|--------------------|
-------------5--|-2-------0------|-4----5----5-----|-------------12---10|
----------------|-2-------2------|-4----6----6-----|-----------9----9---|
-1--2--4--------|-2-------2------|-----------------|----9--11-----------|
-2--4--6--------|----------------|-----------------|-11-----------------|
----------------|----------------|-----------------|--------------------|
/ / / H P P /
----------------|----------4-----|-2--4-2-0--0-12--|-12--------------|
-9-10-12--------|----------5-----|----------0--12--|-12--------------|
--------8-9-----|----------------|-----------------|-----11-13-------|
----------------|-11--11---------|-----------------|-----------------|
----------------|----------------|-----------------|-----------------|
----------------|----------------|-----------------|-----------------|
Version 04 /1.01 April 2004 446

IN THE SUMMERTIME
Mungo Jerry
Intro.: E - A - E - B7 - A - E
E
1. In the summertime when the weather is high,
E7
you can stretch right up and touch the sky,
A E
when the weather is fine, you got women, you got women on your mind.
B7 A E
Have a drink, have a drive, go out and see what you can find.
E
2. If her daddy`s rich, take her out for a meal,
E7
if her daddy`s poor, just do as you feel.
A E
Speed along the lane, do a ton or a ton and twenty-five.
B7 A E
When the sun goes down, you can make it make it good in a lay-by.
E
3. We`re not grey people, we`re not dirty, we`re not mean,
E7
we love everybody but we do as we please.
A E
When the weather is fine, we go fishing or go swimming in the sea.
B7 A E
We`re always happy, life`s for living, yeah, that`s our philosophy.
E
4. When the winter`s here, yeah, it`s party-time,
E7
bring a bottle, wear your bright clothes, it`ll soon be summertime.
A E
And we`ll sing again, we `ll go driving or maybe we`ll settle down.
B7 A
E
If she`s rich if she`s nice, bring your friend and we will all go into
town.
Instru. : E - A - E - B7 - A - E
5. repeast verse 1
Version 04 /1.01 April 2004 447

JOSEPHINE
Chris Rea
Intro: Dm Dm Gm7 Gm7/C C (repeat once)
Dm Gm7 Gm7/C C
There's rain on my window, but I'm thinking of you
Dm Gm Gm7/C C
Tears on my pillow, but I will come through
Bbmaj7 Gm
Josephine, I'll send you all my love,
G7 Gm Bb/C C Bb/C C
and every single step I take, I'll take for you
Bbmaj7 C Dm Gm7
Am Bbmaj7 C Dm Gm7 Gm7
Josephine, I'll send you all my love
Dm Gm7 Gm7/C C
Now there's a storm on my radar, but I can still fly
Dm Gm7 Bb/C C Bb/C C
but you are the reason for the blue in my sky
Bbmaj7 C Dm Gm7
Dm Gm7 Gm7/C C
Josephine
Dm Gm7 Gm7/C C
Life without meaning, I was walking away
Dm Gm7
In the coldest of winters the night becomes day
Bbmaj7 Gm
Josephine, I'll send you all my love
G7 Gm Bb/C C Bb/C C
and every single step I take, I'll take for you my---------
Jo-seph-
Bbmaj7 C Dm Gm7 Am7

-ine, I'll send you all my love, Joseph- (repeat this line
till end)
Version 04 /1.01 April 2004 448

DON'T LET ME BE MISUNDERSTOOD
THE ANIMALS
Intro: Bm Em
Bm A
Baby, do you understand me now
G F#
Sometimes I feel a little mad
Bm A
Well don't you know that no-one alive can always be an angel
G F#
When things go wrong I seem to be bad
Chorus:
D Bm A
I'm just a soul who's intentions are good
G [N.C.] Bm
Oh Lord please don't let me be misunderstood
**Repeat Intro (2x)
Bm A
Baby, sometimes I'm so carefree
G F#
With a joy that's hard to hide
Bm A
And sometimes it seems that all I have to do is worry
G F#
And then you're bound to see my other side
**Chorus
Bridge:
Bm A [First 3 Beats As Per Intro]
G A G A
If I seem edgy, I want you to know
G A D Bm/F#
That I never mean to take it out on you
G A G A
Life has it's problems and I get my share
G F#
And that's one thing I never mean to do, 'cause I love you
Bm A
Oh, oh, oh, baby, don't you know I'm human
G F#
Have thoughts like any other one
Bm A
Sometimes I find myself long regretting
G F#
Some foolish thing, some little simple thing I've done
Version 04 /1.01 April 2004 449

NOTHING ELSE MATTERS
Metallica
Vorspiel: Em Am C D Em D C Em D C Em D C G H7 Em
1. Strophe:
Em D C Em D C Em
So close, no matter how far, couldn’t be much more from the heart
Em D C G H7 Em
Forever trusting who we are. And nothing else matters.
2. Strophe:
Never opened myself thid way, life is ours, we live it our way.
All these words I don’t just say. And nothing else matters.
3. Strophe:
Trust I seek and I find in you. Every day for us something new.
Open mind for a different view. And nothing else matters.
Refrain:
C A D C A D
Never cared for what they do.
D C A D
Never cared for what they know.
D Em
Oh, but I know.
4. Strophe:
Refrain:
5. Strophe:
Never opened myself thid way, life is ours, we live it our way.
All these words I don’t just say. And nothing else matters.
6. Strophe:
Trust I seek and I find in you. Every day for us something new.
Open mind for a different view. And nothing else matters.
Refrain
Solo: Em D C Em D C Em D C G H7 Em
7. Strophe:
Version 04 /1.01 April 2004 450

YMCA –
Village People
Chords:
F 133211
Dm xx0231
Bb 113331
C x32010
Gm 355333
F
Young man, there's no need to feel down.
Dm
I said, young man, pick yourself off the ground.
Bb
I said, young man, 'cause you're in a new town
C Bb C Bb C
there's no need to be unhappy.
F
Young man, there's a place you can go.
Dm
I said, young man, when you're short on your dough.
Bb
You can stay there, and I'm sure you will find
C Bb C Bb C
many ways to have a good time.
F
It's fun to stay at the y-m-c-a.
Dm
Gm
They have everything for you men to enjoy,
C
you can hang out with all the boys.
F
Dm
Gm
You can get yourself cleaned, you can have a good meal,
C
You can do whatever you feel.
F
Young man, are you listening to me?
Dm
I said, young man, what do you want to be?
Bb
I said, young man, you can make real your dreams,
C Bb C Bb C
but you got to know this one thing!
F
No man does it all by himself.
Dm
I said, young man, put your pride on the shelf,
Version 04 /1.01 April 2004 451

Bb
and just go there, to the y.m.c.a.
C Bb C Bb C
I'm sure they can help you today.
Refrain
F
Young man, I was once in your shoes.
Dm
I said, I was down and out with the blues.
Bb
I felt no man cared if I were alive.
C Bb C Bb C
I felt the whole world was so tight.
F
That's when someone came up to me,
Dm
and said, young man, take a walk up the street.
Bb
There's a place there called the y.m.c.a.
C Bb C Bb C
they can start you back on your way.
F
Dm
Gm
They have everything for you men to enjoy,
C
you can hang out with all the boys.
Version 04 /1.01 April 2004 452

HEROES" FROM THE ALBUM "HEROES" BY DAVID BOWIE
Intro: D G
D G
I, I will be king
D G
And you, you will be queen
C D
Though nothing will drive them away
C D
We can beat them just for one day
C G D
We can be Heroes just for one day
D G
And you, you can be mean
D G
And I, I'll drink all the time
D G
'Cause we're lovers and that is a fact
D G
Yes we're lovers and that is that
C D
Though nothing will keep us together
C D
We could steal time just for one day
C G D
We can be Heroes for ever and ever
What do you say?
D G
I, I wish you could swim
D G
Like the dolphins, like dolphins can swim
C D
Version 04 /1.01 April 2004 453

C D
We can beat them for ever and ever
C G D
Oh we can be Heroes just for one day
REPEAT 1st verse (sing an octave higher, sound desperate)
D G
I, I can remember
D G
Standing by the wall
D G
And the guards shot above our heads
D G
And we kissed as though nothing could fall
C D
And the Seine was on the other side
C D
Oh we can beat them forever and ever
C G D
Then we can be Heroes just for one day
From: sunde@fys.ku.dk (M. Sundstrøm)
Subject: Heroes, David Bowie
Date: Sat, 24 Jun 95 16:34:39 +0100
David Bowie, Heroes
Since this is one of my all time favorit songs, I just thought I'd
send in the way I play it.
Intro: D G D G
D G
I wish I could swim
D G
Like the dolphins, like dolphins can swim
Am D
Version 04 /1.01 April 2004 454
Am Em D
We can beat them for ever and ever

Am Em D
Oh we can be Heroes just for one day
And so on.....

Version 04 /1.01 April 2004 455

MAJOR TOM
VERSE/CHORUS
C Em C Em
Ground control to Major Tom Ground control to Major Tom:
Am Am7/G D7
Take your protein pills and put your helmet on
C Em C Em
Ground control to Major Tom: Commencing countdown engine's on
Am Am7/G D7
Check ignition and may God's love be with you
C E7 F
This is ground control to Major Tom, you've really made the grade!
Fm C/E F
And the papers want to know whose shirts you wear,
Fm C/E F
now it's time to leave the capsule if you dare
C E7 F
This is Major Tom to ground control, I'm stepping through the door
Fm C/E F
And I'm floating in the most peculiar way
Fm C/E F
and the stars look very different today

BRIDGE
Fmaj7 Em7 Fmaj7 Em7
For here am I sitting in a tin can, far above the world
Bbmaj7 Am G
Planet Earth is blue and there's nothing I can do
INTERLUDE
C F G A A
C F G A A
Fmaj7 Em7 A C D E
VERSE/CHORUS
C E7 F
Though I'm passed one hundred thousand miles, I'm feeling very still
Fm C/E F
And I think my spaceship knows which way to go,
Fm C F
tell my wife I love her very much she knows
G E7 Am Am7/G
Ground control to Major Tom: Your circuit's dead, there's something wong.
Your circuit's dead, there's something wong.
D7 C/G
Can you hear me Major Tom? Can you hear me Major Tom?
G F` Em
Can you...Here am I floating Round my tin can
F` Em Dm Am
Far above the World, planet Earth is blue
Version 04 /1.01 April 2004 456
Am Em F
And there's nothing I can do
C F G A A ... C F G A A ... Fmaj7` Em7 A C D E
Version 04 /1.01 April 2004 457

WHAT A WONDERFUL WORLD (Listen to midi)
C - Dm - C - Dm C Em - F Em
1. I see trees of green, red roses, too,
Dm C -E Am
I see them bloom for me and you,
Fm - Dm G C - Bb - Dm - G
and I think to myself : What a wonderful world.
C Em - F Em
2. I see skies of blue and clouds of white,
Dm C -E Am
the bright blessed day, the dark sacred night,
Fm - Dm G C - Dm - F - C
and I think to myself what a wonderful world.
Dm G C
The colors of the rainbow, so pretty in the sky,
Dm G C
are also on the faces of people going by.
Am Em Am Em
I see friends shaking hands, saying : How do you do,
Am Em Dm G
they're really saying : I love you.
C Em - F Em
3. I hear babies cry, I watch them grow,
Dm C E Am
they'll learn much more than I'll ever know,
Fm - Dm G C - Bb - A - A7
and I think to myself : What a wonderful world. Yes.
F - Dm G G7 - C - F C
I think to myself : What a wonderful world.
(capo 5th)
(Louis Armstrong)
Version 04 /1.01 April 2004 458

Everybody Needs Somebody To Love
Blues Brothers
Intro + Verse: C, F, Bb, F (immer wiederholen)
We're so glad to see so many of you lovely people here tonight, and we
would especially like to welcome all the representatives of Illinois'
law enforcement community that have chosen to join us here in the
Palace Hotel Ballroom at this time. We sincerely hope that you all enjoy
the show and please remember people, that no matter who you are, and
whatever you do to live, thrive and survive, there are still some
things that make us all the same:
you, me, him, them -- everybody, people, everybody!
C, F, Bb, F
Am G –F -G
Am G
C F
I need you!
C F (7x instrumental)
Am G- F -G
Am G# -G
C, F, Bb, F
I need you
(no chords)
You know people when you do find somebody, hold that woman, hold that
man, love him, hold him, squeeze her, please her, hold, squeeze and
C, F, Bb, F
please that person, give 'em all your love, signify your feelings with
every gentle caress, because it's so important to have that special
somebody to hold, kiss, miss, squeeze, and please.
C, F, Bb, F
repeat/fade
Version 04 /1.01 April 2004 459

WHAT I AM
Edie Brickell and the New Bohemians
Chords
B2 x24422 D2 x57755 A2 x02200 Em 022000 D xx0232
Bridge:
B2 D2
I'm not aware of too many things,
A2 B2 D2 A2 B2
I know what I know if you know what I mean
B2 D2
A2 B2 D2 A2 B2
I know what I know if you know what I mean.
Verse 1:
D2 A2 B2
Philosophy, is a jock on a cereal box
D2 A2 B2
Religion, is a smile on a dog.
D2
A2 B2 D2
I know what I know if you know what I mean. To do to ya
Prechorus:
Em D Em D
Choke me in the shallow water before I get too deep.
Chorus:
B2 D2
What I am is what I am, You
A2 B2
what you are or what?
B2 D2
What I am is what I am, You
A2 B2
what you are or....?
Bridge:
B2 D2
Oh, I'm not aware of too many things,
A2 B2
I know what I know if you know what I mean.
Verse 2: (same as verse one)
Philosophy, is a walk on the slippery rocks.
Religion, is a lie in the fog.
I'm not aware of too many thing,
I know what I know if you know what I mean. To do to ya.
Repeat prechorus 2 times.
Version 04 /1.01 April 2004 460

Chorus: (same chords as first verse)
What I am is what I am you what you are or what?
What I am is what I am you what you are or what?
What I am is what I am you what you are or what you are's
What I am is what I am you what you are orwhat?
Ha la la la. I say I say I say I_ do hey hey hey hey hey hey.
Prechorus
Repeat prechorus 3 times using verse chords for the remainder of the song.
Version 04 /1.01 April 2004 461

AIN'T NOBODY
Chaka Khan
(1.Bund)
(Vorspiel auf Dm, C, Bb, C)
Dm C Dm C Bb
Captured effortlessly - That's the way it was
C Bb C Dm
Happened so naturally - I did not know it was love
C Dm C Bb
The next thing I felt was - You holding me close
C Bb C Bb
What was I gonna do? - I let myself go
C Bb
And now we're flyin' through the stars
C Dm C Bb C
I hope this night will last forever
I've been waitin' for you - It's been so long

I knew just what I would do - When I heard your song
Filled my heart with your bliss - Gave me freedom
You knew I could not resist - I needed someone
And now we're flyin' through the stars

I hope this night will last forever
Dm C
Oh oh oh oh
Dm C Bb C
Ain't nobody - Loves me better
Dm C Bb C Dm
Makes me happy - Makes me feel this way
C Bb C Dm C Bb C
Ain't nobody - Loves me better than youuuuuuuuuuuuuuuuu
I wait for night time to come - And bring you to me

Can't believe I'm the one - I was so lonely
I feel like no one could feel - I must be dreamin'
I want this dream to be real - I need this feelin'
I make my wish upon a star

And hope this night will last forever
Ain't nobody - Loves me better

Makes me happy - Makes me feel this way
Ain't nobody - Loves me better than you
Dm C Bb C
And first you put your arms around me
Dm C Bb C
Then you put your charms around me
Dm C Bb C
I can't resist this sweet surrender
Dm C Bb C
Oh my nights are warm and tender
Dm C Bb C
We stare into each other's eyes
Dm C Bb C
And what we see is no surprise
Dm C Bb C
Got a feeling most with treasure
Dm C Bb C
And a love so deep we cannot measure
Version 04 /1.01 April 2004 462

HEDONISM
BY SKUNK ANANSIE
(JUST BECAUSE YOU FEEL GOOD)
Complete song
TABBED BY Mr:Mango
http://www.geocities.com/sunsetstrip/palladium/4423
THE INTRO INTRO AND VERSES

E:--------8--8--8--8----8--8--8--:-------------------------------:
B:--------9--8--9--11---9--8--9--:---------8---------------------:
G:------------H------------------:---------8------------8----8---:
D:-------------------------------:---H---------H-----------------:
A:---8-8-------------------------:--8--10-----8--10--10---10---10:
E:-------------------------------:-------------------------------:
E:--------8--8--8--8----8--8--8--:-------------------------------:
B:--------9--8--9--11---9--8--9--:---------8-------------H--P----:
G:------------H------------------:---------8---------H--8-10-8---:
D:-------------------------------:---H---------H---8-10--------8-:
A:---8-8-------------------------:--8--10-----8-10---------------:
E:-------------------------------:-------------------------------:
E:-----8----8---8---8---8-:---8----8----8----8----8----8----8----8-:
B:-----9--9---9---9---9---:11---11---11---11---11---11---11---11---:
G:------------------------:----------------------------------------:
D:------------------------:----------------------------------------:
A:-8-8--------------------:----------------------------------------:
E:------------------------:----------------------------------------:
The Chorus:
Dist the guitar and rock!
E:---------------:-----------------:-------------:-----------------:
B:---------------:-----------------:-------------:-----------------:
G:--8--8--8-8--3-:--3--3-3-3-3-3-3-:-------------:-----------------:
D:--8--8--8-8--3-:--3--3-3-3-3-3-3-:--3-3-3-3--6-:--6--6-6-6-6-6-6-:
A:--6--6--6-6--1-:--1--1-1-1-1-1-1-:--3-3-3-3--6-:--6--6-6-6-6-6-6-:
E:---------------:-----------------:--1-1-1-1--4-:--4--4-4-4-4-4-4-:
E:---------------:-----------------:-------------:
B:---------------:-----------------:-------------:
G:--8--8--8-8--3-:--3--3-3-3-3-3-3-:-------------:
D:--8--8--8-8--3-:--3--3-3-3-3-3-3-:--3-3-3-3--6-:
A:--6--6--6-6--1-:--1--1-1-1-1-1-1-:--3-3-3-3--6-:
E:---------------:-----------------:--1-1-1-1--4-:
And now we got to the solo:

If you got a wah-wah pedal it´s time to use it
E:--------------------------------:-13-10-------------------------------:
B:--------------------------------:---P----13-10---11-10----------------:
G:-------10----H---10---H---10----:----------P------P----12-10---H---10-:
D:-------12--10-12----10-12----10-:------------------------P---10-12----:
A:-10-10--------------------------:-------------------------------------:
E:--------------------------------:-------------------------------------:
E:-----------------------------------:---------------------------------------:
B:-----------------------------------:---P------------P------------P---------:
G:-------10----H---10-------10---P---:-12-10----10--12-10----10--12-10----10-:
D:-------12--10-12----10-12----12-10-:-------12-----------12-----------12----:
A:-10-10-----------------------------:---------------------------------------:
E:-----------------------------------:---------------------------------------:
Version 04 /1.01 April 2004 463

E:--------------------------------:-13-10-------------------------------:
B:--------------------------------:---P----13-10---11-10----------------:
G:-------10----H---10---H---10----:----------P------P----12-10---H---10-:
D:-------12--10-12----10-12----10-:------------------------P---10-12----:
A:-10-10--------------------------:-------------------------------------:
E:--------------------------------:-------------------------------------:
E:---------------------------------:----------------------------
B:---------------------------------:-13-13-13-13-13-13-13-13-13-
G:-------10--------10--------10----:----------------------------
D:-------12--10-12-----10-12----10-:----------------------------
A:-10-10---------------------------:----------------------------
E:---------------------------------:----------------------------
THE LAST CHORUS

Play this last in F instead
Play this 3 times

E:-------------:----------------:------------:----------------:
B:-------------:----------------:------------:----------------:
G:-----------5-:--5-5-5-5-5-5-5-:----------3-:--3-3-3-3-3-3-3-:
D:--3-3-3-3--5-:--5-5-5-5-5-5-5-:-5-5-5-5--3-:--3-3-3-3-3-3-3-:
A:--3-3-3-3--3-:--3-3-3-3-3-3-3-:-5-5-5-5--1-:--1-1-1-1-1-1-1-:
E:--1-1-1-1----:----------------:-3-3-3-3----:----------------:
E:-------------:----------------:------------:
B:-------------:----------------:------------:
G:-----------5-:--5-5-5-5-5-5-5-:----------3-:
D:--3-3-3-3--5-:--5-5-5-5-5-5-5-:-5-5-5-5--3-:
A:--3-3-3-3--3-:--3-3-3-3-3-3-3-:-5-5-5-5--1-:
E:--1-1-1-1----:----------------:-3-3-3-3----:
AND NOW THE OUTRO

This is the intro moved up to G instead
E:--------10-10-10-10---10-10-10-:----------------------:
B:--------11-10-11-13---11-10-10-:-------------------10-:
G:----------H-------------P------:-----10--------10-----:
D:-------------------------------:---10-----H--10-------:
A:--10-10------------------------:-12-----10-12---------:
E:-------------------------------:----------------------:
Repeat this twice

E:--------10-10-10-10---10-10-10-:---------------------------------:
B:--------11-10-11-13---11-10-10-:------------------------------10-:
G:----------H-------------P------:--------10----10----------10-----:
D:-------------------------------:-----------------------10--------:
A:--10-10------------------------:--10-12----12----10-12-----------:
E:-------------------------------:---------------------------------:
And end it like this

E:--------10-10-10-10---10-10-10-:---------:T
B:--------11-10-11-13---11-10-10-:---------:H
G:----------H-------------P------:------10-:E
D:-------------------------------:---10----:E
A:--10-10------------------------:12-------:N
E:-------------------------------:---------:D
--------------------------------------------------------
And now The lyrics:
Version 04 /1.01 April 2004 464

I hope you're feeling happy now
I see you feel no pain at all it seems
I wonder what you're doin' now
I wonder if you think of me at all
Do you still play the same moves now
Or are those special moods
For someone else
Just because you feel good

Doesn't make you right
Still want you here tonight
Does laughter still discover you

I see through all the smiles
That look so right
Do you still have the same friends now
To smoke away your problems and your life
Oh how do you remeber
Me the one that made
you laugh until you cried
I hope yo're feeling happy now

Doesn't make you right
Still want you here tonight
I wonder what you're donig now

Version 04 /1.01 April 2004 465

BORN TO BE WILD
Em
Get your motor runnin'
Head out on the highway
Lookin' for adventure
In whatever comes our way
G A E
Yeah, darlin' gonna make it happen
G A E
Take the world in a love embrace
G A E G A E
Fire all of the guns at once and explode into space
Em
I like smoke and lightnin'
Heavy metal thunder
Wrestlin' with the wind
And the feelin' that I'm under
G A E
Yeah, darlin' gonna make it happen
G A E
Take the world in a love embrace
G A E G A E
Fire all of the guns at once and explode into space
Get your motor runnin'
E
Like a true nature's child Head out on the highway
G
We were born, born to be wild Lookin' for adventure
A G
Em In whatever comes our way
We could climb so high, I never wanna
die G A E
E D E D Yeah, darlin' gonna make it happen
Born to be wild, G A E
E D E D Take the world in a love embrace
Born to be wild, G A E G A
E
[guitar solo] Fire all of the guns at once and explode
into space
Em
Version 04 /1.01 April 2004 466
E We could climb so high, I never wanna die
Like a true nature's child E D E D
G Born to be wild,
We were born, born to be wild E D E D
A G Born to be wild
Em
Version 04 /1.01 April 2004 467

WHAT I GOT - SUBLIME
tabbed by Steve Vetter [vettersj@mindspring.com]
please send all corrections
As far as I can tell, there are only two

chords in this whole thing. If you find
more please tell me. The solo isn't exact
but it'll get you by. - sjv
D xx0232
G 320003
D G It come back to you

Early in the morning You're gonna get what you deserve
Rise up to the street Try'n test that
Light me up that cigarette Your bound to get served
and I'll slap shoes on my feet
Got to find a reason Love's what I got
Reason thing went wrong Don't start a riot
Got to find a reason You'll feel it when
why my money's all gone the dance get's hot
I got a dalmation Love is

I can still get high What i got
I can play the guitar I said remember that
Like a motherfuckin' riot Love is
What I got
LIfe is too short Now remember that
So love the one you got
Cause you might get run over I don't cry
or you might get shot When my dog runs away
Don't get angry
Never start static Bout the bills I have to pay
I just get it off my chest Don't get angry
Never had to battle with my when my mom smokes pot
bulletproof vest Hits the bottle
and goes right to the rock
Take a small example
Take a tip from me Fuck it fight it
Take all of your money It's all the same
Give it up to charity Livin with Louey Da's ???
The only way to stay sane
Love is what I got
Is with in my reach Let the lovin'
the sub rock styles Let the lovin come back to me
dealt straight from Long Beach
e|
B|
G579757|119757
D7|
A|
E|
e107
B77101012101010710
G97
D
A
Version 04 /1.01 April 2004 468

E
What i got
Intro G1 acoustic _ Rythmn figure !16 Times
D5 G5
D5 G5 D5 G5
Ear ly in the morning risin to the street
D5 G5 D5 G5
Light me up that cigarette and strap shoes on my feet
D5 G5 D5 G5
Got to find a reason reason things went
D5 G5 D5 G5 D5 G5
Wrong Got to find a reason why my money's all gone I got a dalmation ,
i could still
D5 G5 D5 G5
Get high ______.. I can play the guitar like a motherF***ing ri ot
D5 G5 D5 G5 D5 G5
Well life is to short, so love the one you got cause , you might get
runover or ya"
get shot
D5 G5 D5 G5
Never start no static, i just get it off my chest ( see additional
lyrics)
(chorus)
Lov in it's what i got
D5 G5 D5 G5
And remember that lovin' is what i got,.
D5 G5 D5 G5
I said remember that lovin is What i got
D G5 D G7
Lovin is what i got
D G5 D G7
Fu**ing and Fighting it"s all the same
D5 D5 C5 D5 G5 D5 C5 G5
Life's a lovin . life's a Lovin....come back to me.
(chorus)
D5 C5 G5 D5 C5 G5
( Repeat as above)
Chorus
D5 Csus2 G5 D5 Csus2 G5
( Repeat)
Outro
D5 G5 D5 G7 D N.C D5
....................................Fade out

Additinal lyricsNever had to battle with a bullet proof vest. take a
small example a
tip from me take all your money , give it all to charity ". Life is what
i got within my
reach, and the Sublime style"s straight From long beach. It all comes
back to you
your gonna get what you deserve, Try and test that your bound to get
served .
Love is what i got don't start a riot. Ya feel when the dance gets hot
,,hot
Why i don"t cry when my dog runs away i dont get angry at the bills i
Version 04 /1.01 April 2004 469

have to pay
I don't get angry when my mom smokes pot ,, hits the bottle and we
ride to the
rocksF***** and fighting it" s all.................etc ........(see
above).
Livin with louies dogs the only way to stay sane.
Lifes a lovin .....etc ,,,,,,,,,,come back to me ,,,,,,,,chorus.....
E|----------------------------------------
B|--------------6-------------7--5--3-3---
G|-------5-7------7-5-5h7-----7--5--4-4---
D|---/7-----------------------------------
A|----------------------------------------
E|----------------------------------------
E------------------12---------------------------------------------------|
B----------10h12--------12-12p10--13-12--10-----------------------------|
G--11h12--------------------------------------12b13r12p10--12-10--------|
D------------------------------------------------------------------12---|
A-----------------------------------------------------------------------|
E-----------------------------------------------------------------------|
Sublime, What I Got

Zach and Trevor, Hyrahcaz@aol.com Cooltdawg@hotmail.com
Solo: (Tabbed by Zach)

I----------------------0-0-----5h7-10-7-7p5-8-7------
I--------6~--------7-5-0-0-5h7------------------6-7^-
I----5-7----7-5-7~-7-5-------------------------------
I-/7-------------------------------------------------
I----------------------------------------------------
I----------------------------------------------------
Rhythm: (Tabbed by Trevor)

I---------------------------------------
I------3-------3------------3-------3---
I----2---2---0---0---2-2------2---0---0-
I--0---------------0--------------------
I---------------------------------------
I----------3--------------3-------------
Version 04 /1.01 April 2004 470

PURPLE RAIN - PRINCE
Intro: C, C, Am7, Am7, G, G, F, F
C Am7
I never meant to cause you any sorrow,
G F F4
I never meant to cause you any pain.
C Am7
I only wanted to one time see you laughing.
G C
I only want to see you laughing in the purple rain.
F F4 F C
Purple rain, purple rain. Purple rain, purple rain.
Am7 G
Purple rain, purple rain.
C
I only wanted to see you bathing in the purple rain.
I never wanted to be your weekend lover.
I only wanted to be some kind of friend.
Baby, I could never steal you from another.
It's such a shame our friendship had to end.
Purple rain..
Honey I know, I know, I know times are changing.
It's time we all reach out for something new.
You say you want a leader, but you can't seem to make up your mind.
I think you better close it, and let me guide you to the purple rain.
Version 04 /1.01 April 2004 471

Purple rain...
Version 04 /1.01 April 2004 472

THE PASSENGER
Pop/Gardner
Chords
Am/E F C G/B
Am/E F C E/B
I am the passenger
And I ride and I ride
I ride through the city's backside
I see the stars come out of the sky
Yeah, they're bright in a hollow sky
You know it looks so good tonight
I am the passenger
I stay under glass
I look through my window so bright
I see the stars come out tonight
I see the bright and hollow sky
Over the city's a rip in the sky
And everything looks good tonight
Singin' la la la la la-la-la la
La la la la la-la-la la
La la la la la-la-la la la-la
Get into the car
We'll be the passenger
We'll ride through the city tonight
See the city's ripped insides
We'll see the bright and hollow sky
We'll see the stars that shine so bright
The sky was made for us tonight
Oh the passenger
How how he rides
Oh the passenger
He rides and he rides
He looks through his window
What does he see?
He sees the bright and hollow sky
He see the stars come out tonight
He sees the city's ripped backsides
He sees the winding ocean drive
And everything was made for you and me
All of it was made for you and me
'cause it just belongs to you and me
So let's take a ride and see what's mine
Singing...
Oh, the passenger
He rides and he rides
He sees things from under glass
He looks through his window's eye
He sees the things he knows are his
He sees the bright and hollow sky
He sees the city asleep at night
He sees the stars are out tonight
And all of it is yours and mine
And all of it is yours and mine
Oh, let's ride and ride and ride and ride...
Singing...
Version 04 /1.01 April 2004 473

EVERY ROSE HAS ITS THORN
(Poison)
The intro, verses and Bridge has 5 chords,

chorus have 3 chords sounds better as power chords
E D C G F#
G Cadd9 D e -----------------
e -3----3----2- B -----------------
B -3----3----3- G -----7--5--------
G -0----0----2- D --2--7--5--5--4--
D -0----2----0- A --2--5--3--5--4--
A -2----3------ E --0--------3--2--
E -3-----------
Intro: G Cadd9
G Cadd9
We both lie silently still in the dead of the night. Although we
G Cadd9
both lie close together we feel miles apart inside. Was it
G Cadd9 G Cadd9
something I said or something I did? Did my words not come out right? Though I
D C
tried not to hurt you, though I tried. But I guess that's why they say
G Cadd9
ev'ry rose has its thorn, just like
G Cadd9
ev'ry night has its dawn. Just like
G D C G
ev'ry cowboy sings his sad, sad song
C
ev'ry rose has its thorn
G Cadd9 G Cadd9
G Cadd9
Listen to our favourite song playing on the radio hear the
G Cadd9
D.J. say love's a game of easy come and easy go. But I
G Cadd9 G Cadd9
wonder does he know, has he ever felt like this? And I
D C
know that you'd be right now if I could've let you know somehow. I guess
Chorus
Em D C G
Though it's been a while now I can still feel so much pain.
Em D C
Like the knife thats cuts you, the wound heals, but the scar,
G Cadd9 G Cadd9
that scar remains
G Cadd9
I know I could have saved our love that night if I'd known what to say
G Cadd9
Instead of making love we both made our separate ways. Now I
G Cadd9 G Cadd9
hear you've found somebody new and that I never meant that much to you. To
D C
hear that tears me up inside and to see you cuts me like a knife. I guess
Chorus
Here's the guitar solos for the song

Regular tuning E,A,D,G,B,e.
Version 04 /1.01 April 2004 474
First Solo- After the chorus}
~=vibrato
^=full bend
r=release
4/4 timing ( I think )

|---------------|--------------------------------|-----15^---15-|-(15)~-|
|------12---15^-|--15~~--------------13-12-------|--------------|-------|
|--14^----------|-----------12-14-12------14-14^-|-14^----------|-----0-|
|---------------|------12-14--------14-----------|--------------|-------|
|---------------|--------------------------------|--------------|-------|
|---------------|--------------------------------|--------------|-------|
Here's the main solo, right after the bridge.
|-----------|------------------------------------------|----------------|
|-------15^-|-r15----13-12--12-------------------------|----------------|
|--12--(12)-|-------------14--14-12--14-12-11--12-11---|-------9^-10^---|
|-----------|---------------------------------------14-|-14-------------|
|-----------|------------------------------------------|----------------|
|-----------|------------------------------------------|----------------|
|---------------------|----------------------|
|-----------20---20---|--20--20^-------------|
|-7^----19^---19---19-|-(19)-19^----9^---10^-|
|---------------------|----------------------|
|---------------------|----------------------|
|---------------------|----------------------|
Fast (32nd notes)

|-------------h17p15--15-h19p15-h17p15---15-h19p15-h17p15---|
|-------------------17----------------17-----------------17-|
|-7^----x-16------------------------------------------------|
|-----------------------------------------------------------|
|-----------------------------------------------------------|
|-----------------------------------------------------------|
|-15~-|--(15~)--|--(15~)--| After this, acoustic guitar continues

|-----|---------|---------| with chords Cadd9 and G.
|-----|---------|---------|
|-----|---------|---------| That'all
|-----|---------|---------|
|-----|---------|---------|
Version 04 /1.01 April 2004 475

THE LION SLEEPS TONIGHT
Intro:
Bb D#
eeh-eeh-eeh-eeh eeh-eeh-eeh-eeh-eeh
Bb F
eeh-eeh oh wom oh weeeeeeeeeh
Bb D#
Bb F
Bb D#
A wim a wim oh weh A wim a wim oh weh
Bb F
Bb D#
Bb F
Bb D# Bb F
In the jungle the mighty jungle the lion sleeps tonight
Bb D# Bb F
In the jungle the mighty jungle the lion sleeps tonight
Ref:
Bb D# Bb F
Near the village the peaceful village the lion sleeps tonight
Bb D# Bb F
Near the village the peaceful village the lion sleeps tonight
Ref:
Bb
Welcome to the jungle
Bb D# Bb F
hush my darling don´t fear my darling the lion sleeps tonight
Bb D# Bb F
hush my darling don´t fear my darling the lion sleeps toniiiiiiiiiiight
Ref:
Bb D#
Bb F
Bb D#
Bb F
Version 04 /1.01 April 2004 476

LADY MARMALADE
Em A
Hey sister, go sister, soul sister, flow sister !
Em A
Hey sister, go sister, soul sister, go sister !
Em A
1. He met Marmalade down in old Moulin Rouge,
Em A
strutting her stuff on the street.
Am Bm B7
She said, “Hello, hey Joe, you wanna give it a go, oh ?
Em A
Gitchi gitchi ya ya da da, hey hey hey !
Em A
Gitchi gitchi ya ya hee, hee hee hee!
Em A
Mocca chocolata ya ya, oh yeah !
Am - - - - - - - - - - Em ~ ~ Em
Creole Lady Marmalade. (Oh)
Em A
Voulez-vous coucher avec moi, ce soir?
Em A
Voulez-vous coucher avec moi ?
Em A
2. He sat in her boudoir while she freshened up,
Em A
boy, drank all that magnolia wine.
Am Bm B7
on her black satin sheets is where he started to freak, yeah !
+ CHORUS + (rapping part, left out here)
Em A
3. Touch of her skin, feeling silky smooth, oh,
Em A
colour of cafe au lait, all right.
Am Bm
Made the savage beast inside roar until he cried :
B7
More ! More ! More !
Em A
4. Now he's back home doing nine to five, nine to five,
Em A
sleeping the gray flannel life.
Am Bm
But when he turns off to sleep, memories keep.
B7
Version 04 /1.01 April 2004 477
More ! More ! More !
Em A
Gitchi gitchi ya ya da da, hey hey hey !
Em A
Gitchi gitchi ya ya hee, hee hee hee!
Em A
Mocca chocolata ya ya, oh yeah !
Am - - - - - - - - - - Em ~ ~ Em
Creole Lady Marmalade. (Oh)
Em A
Em A
Voulez-vous coucher avec moi ?
Em A
Em A
Voulez-vous coucher avec moi ? …..
(capo 3rd)
(Christina Aguilera)
Version 04 /1.01 April 2004 478

SUNDAY BLOODY SUNDAY
Am – C – F Am – C – F
Am C F
1. I can't believe the news today,
Am C F
oh, I can't close my eyes and make it go away.
C Dm
How long? How long must we sing this song?
C Dm ~ ~
How long, how long?
Am C F Am C F
'Cause tonight, we can be as one, tonight!
Am C F
2. Broken bottles under children's feet,
Am C F
bodies strewn across the dead-end street.
Am C F
But I won't heed the battle call,
Am C F
it puts my back up, puts my back up against the wall.
Am C F Am C F
Sunday, bloody Sunday. Sunday, bloody Sunday.
Eb Dm C Eb – Dm - C
Sunday, bloody Sunday.
Am – C – F Am – C – F
Am C F
3. And the battle's just begun,
Am C F
there's many lost, but tell me who has won?
Am C F
The trenches dug within our hearts,
Am C F
and mother's children, brothers, sisters torn apart.
Am C F Am C F
Sunday, bloody Sunday. Sunday, bloody Sunday
C Dm
How long? How long must we sing this song?
C Dm ~ ~
How long, how long?
Am C F Am C F
'Cause tonight, we can be as one, tonight!
Am C F Am C F
Am – C – F (4x)
Am-C-F Am -C-F Am
Wipe the tears from your eyes ! Wipe your tears away !
-C-F Am -C-F Am
Oh, wipe your tears away ! Oh, wipe your tears ! (away)
C F Am C F
Eb Dm C Eb – Dm - C
Version 04 /1.01 April 2004 479
Eb Dm C Eb – Dm – C
Am – C – F Am – C – F
Am C F Am C F
3. And it's true we are immune, when fact is fiction and T.V. reality.
Am C F
And today the millions cry,
Am C F
we eat and drink while tomorrow they die.
Am C F Am C F
The real battle`s just begun, to claim the victory Jesus won, on
Am C F Am C F - Am
Sunday, bloody Sunday. Sunday, bloody Sunday
(capo 2nd)
(U2)
Version 04 /1.01 April 2004 480

WITH OR WITHOUT YOU
D A Bm
See the stone set in your eyes
G D
See the thorn twist in your side
A Bm G
I wait for you
D A Bm
Sleight of hand and twist of fate
G D
On a bed of nails she makes me wait
A Bm G
And I wait without you
D A
With or without you
Bm G
With or without you
D A Bm
Through the storm we reach the shore
G D
You give it all but I want more
A Bm G
And I'm waiting for you
D A
With or without you
Bm G
With or without you
D A
I can't live
Bm G
With or without you
D A
And you give yourself away
Bm G
D
And you give
A
And you give
Bm G
Version 04 /1.01 April 2004 481

D A
My hands are tied
Bm G D
My body bruised, she's got me with
A
Nothing to win and
Bm G
Nothing left to lose
D A
Bm G
D
And you give
A
And you give
Bm G
D A
With or without you
Bm G
With or without you
D A
I can't live
Bm G
With or without you
D A
With or without you
Bm G
With or without you
D A
I can't live
Bm G
With or without you
D
With or without you
Version 04 /1.01 April 2004 482

TAKE GOOD CARE OF MY BABY
Dick Brave & The Backbeats

Capo 1
F Dm
My tears are fallin'
Bb C7
'Cause you've taken her away
F Bbm7
And though it really hurts me so
Bb C7
There's something that I gotta say:
F Dm Bb C7
Take good care of my baby
F Dm Bb C7
Please don't ever make her blue
F
Just tell her that you love her
Bb
Make sure you're thinking of her
F Dm Bb C7
In everything you say and do
Verse 2:
F Dm Bb C7
F Dm Bb C7
Now don't you ever make her cry
F
Just let your love surround her
Bb
Make a rainbow all around her
F Bb C7 F
Don't let her see a cloudy sky
Gm C Am Dm
Once upon a time, that little girl was mine
Gm C F Am Bb C F
If I'd been true, I know she'd never be with you, so...
Verse 3:
F Dm Bb C7
F Dm Bb C7
Be just as kind as you can be
F
And if you should discover
Bb
That you don't really love her
F Dm Bb C7 F / / / Dm / / /
Just send my baby back home to me
Version 04 /1.01 April 2004 483

B / / / C#7 / / /
F# D#m B C#7
F# D#m B C#7
Be just as kind as you can be
F# D#m
And if you should discover
F# D#m
That you don't really love her
F# D#m B C#7 F#
Just send my baby back home to me
F# / / / D#m / / / B / / / C#7 / / /
(me)
(repeat and fade):
F# D#m B C#7
Version 04 /1.01 April 2004 484

LOVE AND MARRIAGE
G D
1. Love and marriage, love and marriage
G C
go together like a horse and carriage.
G B7 Em C G -A -D
This I tell you brother, you can't have one without the other.
G D
2. Love and marriage, love and marriage,
G C
it's an institute you can't disparage.
G B7 Em C G -D G
Ask the local gentry and they will say it's ele…..ment’ry.
D# Bb D#
Try, try, try to separate them, it's an illusion.
D# D - D7
Try, try, try, and you will only come to this conclusion :
G D
3. Love and marriage, love and marriage
G C
go together like a horse and carriage.
G B7 Em
Dad was told by mother,
C G C G
you can't have one, you can’t have none,
C G A - D7 - G
you can’t have one without the o…...th…er.
+ repeat verses 2 & 3 -C-G
(midi = capo 3rd) (Doris Day)
Version 04 /1.01 April 2004 485

RIVERS OF BABYLON - Sublime
verse:
G
By the rivers of babylon
G
Where he sat down
D
and there he wept
G
when he remembered Zion
chorus:
oh 'fore the wicked (this might actually be 'It was the wicked' but
I'm not sure)
G
carry us away captivity
C
required from us a song
G
how can we sing King Alfa's song
D G
In a strange land

G D
so let the words of our mouth
G D
and the meditation of our heart
G D now mute strings
be acceptable in thy sight
G
override (I'm not sure this line is right, any suggestions?)
repeat opening riff
play verse
now play chorus
G
how can we sing King Alfa's song
D G
in a strange land
here are the chords used
Version 04 /1.01 April 2004 486

G D C |222322|
|3| |2| |0| |333333|
|3| |3| |1| |222222|
|0| |2| |0| |000000|
|0| |0| |2| |22332|
|2| || |3| ||
|3| || ||
|333333|
opening riff |333333|
2x |000000|
|333333| |0002000000|
|333333| |02222222|
|000000| |3333333|
|000000|
|223222222|
|33333333|
Version 04 /1.01 April 2004 487

PROUD MARY
CREEDANCE CLEARWATER REVIVAL
Intro: F D F D F D C Gmaj D G
G
Left a good job in the city
G
Working for the man every night and day
G
And I never lost one minute of sleeping
G
Worrying about the way things might have been
D
Ref.:Big wheels keep on turning
Em
Proud Mary keep on burning
G
Rolling, rolling, rolling on the river
Intro: F D F D F D C Gmaj D G
G
Cleaned a lot of plates in Memphis
G
Pumped a lot of pain down in New Orleans
G
But I never saw the good side of the city
G
Until I hitched a ride on the riverboat queen
ef.:Big wheels keep on turning ...
G
If you come to the river
G
Bet you gonna find some people who live
G
You don't have to worry, 'cos you have no money
G
People on the river are happy to give
Ref.: Big wheels keep on turning ...
1.Left a good job ...
Ref.: Big wheels keep on turning ...

Extro.: F D F D F D C Gmaj D G
Version 04 /1.01 April 2004 488
STAYN' ALIVE
Em
1. Well you can tell by the way I use my walk,
D Em
I'm a woman`s man, no time to talk.
Em D Em
Music loud and women warm, Iv'e been kicked around since I was born.
A
And now it's alright, it's ok, you may look the other way.
We can try to understand the New York Times' effect on man.
Em
Whether your a brother or whether your a mother,
you're stayin' alive, stayin' alive.
Feel the city breakin' and everybody shakin' ,
and we're stayin' alive, stayin' alive.
Ah, ha, ha, ha, staying alive, staying alive,
D-Em-Bm Em
ah, ha, ha, ha, staying ali...........ve.
Em D Em
2. Well now, I get low and I get high, and If I can't get either I really try.
Em
Got the wings of heaven on my shoes,
D Em
I'm a dancin' man and I just can't lose.
A
You know it's alright, it's ok, I live to see another day.
We can try to understand the New York Times' effect on man. + CHORUS
A Em
3. Life going nowhere, somebody help me, somebody help me yeah.
A Em
Life going nowhere, somebody help me, yeah, stayin'ali--ve.
4. = 1. + CHORUS + 3. + 3. and fade
(capo 1st) (Bee Gees)
Version 04 /1.01 April 2004 489

TURN THE PAGE
Em
on a long and lonesome highway east of Omaha
D
you can listen to the engine, moanin out its one note song
A Em
you can think about the woman, or the girl you knew the night before
but your thoughts will soon be wandering, the way they always do
when your riding sixteen hours and there's nothing much to do
and you don't feel much like ridin', you just wish the trip was through
D Em
say here I am, on the road again
D Em
there I am, up on the stage
D A
here I go, playing star again
C D Em
there I go, turn the page
well, you walk into a restaurant, strung out from the road
and you feel the eyes upon you, as your shakin' off the cold
you pretend it doesn't bother you, but you just want to explode
most times you can't hear 'em talk, other times you can
all the same 'ole cliche's, is that a woman or a man
and you always seem outnumbered, you don't dare make a stand
D Em
here I am, on the road again
D Em
D A
C D Em
out there in the spotlight, your a million miles away
every ounce of energy, you try to give away
as the sweat pours out your body, like the music that you play
later in the evening, as you lie awake in bed
with the echos from the amplifiers, ringin in your head
you smoke the days last cigarette, remembering what she said
D Em
here I am, on the road again
D Em
D A
C D Em
Version 04 /1.01 April 2004 490
D Em
Now, here I am, on the road again
D Em
D A
C D Em
there I go, there I go..
Version 04 /1.01 April 2004 491

I HEAR YOU KNOCKING
DAVE EDMUNDS
F# - A - E - B7
E
1. You went away and left me long time ago,
and now you're knocking on my door.

A E
I hear you knocking, but you can't come in,
A B7
I hear you knocking, go back where you've been.
E
2. I begged you not to go, but you said goodbye,
and now you tell me all your lies.

A E
A B7
E
3. You better get back to your use-to-be,
'cause your kind of love ain't good to me.

A E
A B7
E
4. I told you way back in 52,
that I would never go with you.

A E
F# -A B7
+ verse 4 as instrumental ….
(Dave Edmunds)
END SOLO
Version 04 /1.01 April 2004 492
TWO PRINCESS
D Bm A G

One, two, princes kneel before you (That's what I said, now)
Princes, princes who adore you (Just go ahead, now)
One has diamonds in his pockets (That's some bread, now)
This one, he wants to buy you rockets (Ain't in his head, now)
This one, he got a princely racket (That's what I said, now)
Got some big seal upon his jacket (Ain't in his head, now)
Marry him, your father will condone you (How bout that, now)
Marry me, your father will disown you (He'll eat his hat now)
G D
Aww, marry him or marry me I'm the one that loves you baby can't you see?
G
Ain't got no future or a family tree
A
But I know what a prince and lover ought to be,
A
I know what a prince and lover ought to be...
D Bm A G

Said if you want to call me baby (Just go ahead, now)
And if you want to tell me maybe (Just go ahead, now)
If you wanna buy me flowers (Just go ahead, now)
And if you want to talk for hours (Just go ahead

Version 04 /1.01 April 2004 493

LITTLE MISS CAN'T BE WRONG
- Spin Doctors !CHORDS!
{c:intro} [G] [D] [C] (repeat 4 times)
[G]Been a whole lot easier since the [D]bitch left [C]town,

[G]Been a whole lot happier without her [D]face ar[C]ound
[G]Nobody upstairs gonna [D]stomp and [C]shout
[G]Nobody at the back door throwin' my[D] laundry [C]out
[G]She holds the shotgun while you [D]dote-se-[C]do
[G]She want one man made of Hercu[D]les and Cyra[C]no
[G]Been a whole lot easier since the [D]bitch is [C]gone,
[G]Little miss little miss little miss [D]can't be [C]wrong
{c:chorus}
{start_of_chorus}
[G]Little miss little miss little miss [D]can't be wrong [C]
[G]Ain't nobody gonna bow no more when you [D]sound your [G]gong
[G]Little miss little miss little miss [D]can't be wrong [C]
[G]What you gonna do to get into another one of these here [D]Rock &
Roll [C]songs
{end_of_chorus}
[G] [D] [C]

(repeat 8 times, then:)
[G] [A#] [C]
Other people's songs they ain't your hand-me-downs

Would it be so bad if you simply turned around
You cook so well, all nice & French
You do your brain surgery too Momma, wit yo monkey wrench
{c:chorus}
{c:break}
I hope them cigarettes are gonna make you cough

I hope you hear this song, and it pisses you off
I take that back I hope you're doin fine
And if I had a dollar, I might give you ninety-nine
{c:chorus}
Version 04 /1.01 April 2004 494

FEEL
Dm ~ ~
Dm - F A - A7
1. Come and hold my hand, I wanna contact the living,
Gm - F A - A7
not sure I understand this role I've been given.
Dm - F A - A7
I sit and talk to God, and he just laughs at my plans,
Gm -F A - A7
my head speaks a language, I don't understand.
Bb F C
I just wanna feel real love fill the home that I live in,
Bb F C
‘cause I got too much life, running through my veins, going to waste
Dm - F A - A7
2. I don't wanna die, but I ain't keen on living either,
Gm - F A - A7
before I fall in love, I'm preparing to leave her.
Dm - F A - A7
I scare myself to dead, that's why I keep on running,
Gm - F A - A7
before I’ve arrived, I can see myself coming.
Bb F C
Bb F C
‘cause I got too much life, running through my veins, going to waste.
Bb F C
And I need to feel real love and a life ever after.
Dm ~~
I cannot get enough.
Dm – F - Dm – F (2x)
Bb F C
Bb F C
‘cause I got too much life, running through my veins, to go to waste.
Bb F C
I just wanna feel real love and a life ever after,
Bb F
there's a hole in my soul, you can see it in my face,
C - Dm ~ ~
it's a real big place.
Dm - F Dm - F
Come and hold my hand, I wanna contact the living.
Dm - F Dm - F
Not sure I understand, this role I've been given.
Dm - F Dm - F
Not sure I understand. Not sure I understand.
Dm - F Dm - F - Dm
Not sure I understand. Not sure I understand.
Version 04 /1.01 April 2004 495

RIDERS ON THE STORM
Em - A - Em - A - Em - A - Em - A
Em A -Em-A Em A -Em-A
1. Riders on the storm , riders on the storm.
Am D -C-D Em A -Em-A
Into this house we're born, into this world we're thrown
D C
like dog without a bone, an actor out on loan.
Em A - Em-A
Riders on the storm
2. There's a killer on the road, his brain is squirming like a toad.
Am D - C-D Em A -Em-A
Take a long holiday, let your children play.
D C
If you give this man a ride, sweet family will die.
Em A - Em - A
Killer on the road. Yeah!
Instr.: Em ~ ~ A - Em - D - C - / Em - A - Em - A - Em - A - Em - A
3. Girl, you gotta love your man, girl, you gotta love your man.
Am D - C-D Em A - Em-A
Take him by the hand, make him understand.
D C
The world on you depends, our life will never end.
Em A - Em - A
You gotta love your man. Yeah!
Instr.: Em ~ ~ ~ ~A - Em - D - C -
Em - A - Em - A - Em - A - Em - A
4. = 1. +
Em A Em - A Em A Em - A
Riders on the storm, riders on the storm ...... (rep. and fade) (The Doors)
Version 04 /1.01 April 2004 496

WHAT IS AND WHAT SHOULD NEVER BE
Verses: Jimmy basically plays and A13 and E9 during the slower verses.
Here's how I form these chords :
A13 E9 and these varied forms
e|07
B7|70
G6|777
D5|666
A|7
E|
I suggest to do a little adlib with the E9 chord variations until you find
something that works and sounds good to you.
Chorus : (heavy guitar sound with distortion)
notation : h hammer
p pulloff
b bend
e|2
B|32
G|222
D5h7777p5555|444242
A000000|0000000
E|
e|2
B|322
G|2222
D777p555|44442222
A0000000|00000000
E3|0
e|
B4444|
G44444444|
D44444444|
A22220000|
E|
let ring
e0||
B042|2|
G4444143|2|
D4444244|2|
A224|0|2
E444402|3b|0
1/2 step
Jimmy plays slide on the solo (I don't, I'm not the best slide player, so if
Version 04 /1.01 April 2004 497
you can't, just slide to the notes rather than picking each note, it sounds ok
especially if you add a little delay.)
notation : s = slide (e.g. xsy means pick note x and slide from note x to
note y)
e|||
B||57s97s9|7s2
G99s1311s13|11s6|467s97s9|7s2
D911|||
A|||
E|||
e12101210|
B7s1210s1210s12|10s12s1412
G|
D|
A|
E|
e14s1610s12|
B10s1210810|10s14
G|
D|
A|
E|
e|
B14141414|14141414
G14|14
D7s1414145s147s1414141214
A|12
E|
e|
B14141414|14141414
G14|14
D7s1414145s147s1414141214
A|12
E|
e|7
B16161616|16161697
G16161616|169
D9s169s167s|16
A|
E|
e||||
B14s171614|14s12s1414s12s1412s1412s14|12s9s7s|sss|s2
G14||7s|sss|s2
Version 04 /1.01 April 2004 498

D14||7s|sss|s2
A||||
E||||
Note that on the solo if you aren't playing slide just bar the A
on the 14th fret and the B on the 16th fret with your ring finger. It allows
you to let the notes ring and makes the fingering very easy.
Sometimes I substitute the following A chord and B chords for the
A on the 14th and the B on the 16th respectivley, but still play the same
notes. Obviously you don't do this if you play the solo with a slide.
A B
e911
B1012
G911
D
A
E
Outro : Distorted, play to the end of the song. After playing the following
part twice, from the third time on mute the strings in between the notes
that are played to get that "chuka" effect.
e|
B99|9999
G99|7779999
D99911|77799999
A9110|7907777
E|0000
Now putting it altogether :
And if I say to you tomorrow, take my hand child come with me.
It's to a castle I will take you, Well what's to be they say will be.
Chorus :
Catch the wind, see us spin, sailaway leave the day, way up high in the sky
hey whoa, But the wind won't blow, you really shouldn't go, it only
goes to show, that you will be mine by taking our time. Oooh Ho whoa.
And if you say to me tomorrow, oh what fun it all would be. Then what's to
stop us pretty baby, but what is and what should never be.
Chorus :
Guitar Solo (with verse rhythym guitar and then into the chorus guitar part)
So if you wake up with the sunrise, and all your dreams are still as new,
Version 04 /1.01 April 2004 499

and happiness is what you need so bad, well girl the answer lies with you yeah
Chorus :
Outro guitar with adlib vocals :
Uh, but a the wind wont blow and we really shouldn't go, and it only goes
to show, whoa, whoa whoa. Got the wind gonna see us spin we're gonna
say leave the day. A do be do ba da 'n' do oh. My my my my my yeah.
Everybody I know seems to know me well, but they say I'm gonna move like
hell. Uh baby, baby, baby, baby, baby, baby ....
Version 04 /1.01 April 2004 500

TURN ON, TUNE IN, COP OUT
FREAKPOWER
Some people been driving too fast,
Some people still having a gas
But if there’s one thing you gotta conceed
You gotta know who’s driving your car
You get to fifth gear with you foot on the floor
Or else you’re starring in “ A Cruise to far “
Turn on, tun in , cop out
Let it flow now mama
Let it flow become a woman
Some people been waisting their time
Some people expanding their minds,
But if you’ ve known love like the jokers before
Then you’re likely to be homeon the range
No more the Cowboy gotsta flaunt his wares
He’s been grazing on a different plain
It’s easy to see why there’s thousands of people
Are regularly turning it out
It’s easy to find when you mess with your mind
That you’ve gona beyond a resonable doubt…
Version 04 /1.01 April 2004 501

PAPA WAS A ROLLING STONE - The Temptations
It was the third of September
That day I'll always remember
'Cause that was the day my daddy died
I never got a chance to see him
Never heard nothin' but bad things about him
Mama, I'm depending on you to tell me the tuth
And Mama just hung her head and said, Son
Chorus:
Papa was a rolling stone
Wherever he laid his hat was his home
And when he died
All he left us was alone
And when he died
Hey, Mama, is it true what they say
That Papa never worked a day in his life?
And Mama, some bad talk goin' around goin' around town
Sayin' that Papa had three outside children and another wife
And that ain't right
Hey, talk about Papa doing some storefront preaching
Talking about saving your soul
And all the time leaching
Dealing in debt and stealing in the name of the Lord
Mama, I'm depending on you to tell me the truth
And Mama hung her head and said
And when he died
And when he died
Hey Mama I heard Papa called himself a jack of all trades
Tell me is that what sent Papa to an early grave?
Folks say Papa would beg, borrow, steal to pay his bills
Folks say Papa wasn't much on thinkin'
Spent most of his life chasin' women and drinking
Version 04 /1.01 April 2004 502

Mama, I'm depending on you to tell me the truth
And Mama looked up with a tear in her eye and said, Son
REfrain:
Version 04 /1.01 April 2004 503

IS THIS LOVE BOB MARLY
F#m F#m D A
F#m F#m D
A C#m F#m D A
I wanna love you and treat you right.
C#m F#m D A
I wanna love you every day and every night.
C#m F#m D A
We'll be together with a roof right over our heads.
C#m F#m D A
We'll share the shelter of my single bed.
C#m F#m D A
We'll share the same room, Jah provide the bread.
C#m C#m
Is this love, is this love, is this love,
Bm Bm
is this love that I'm feeling?
C#m C#m
Is this love, is this love, is this love,
Bm Bm
is this love that I'm feeling?
Bm C#m D E
Dmaj7 Dmaj7 Bm C#m D E

I wanna know, wanna know, wanna know now.
C#m C#m
I've got to know, got to know, got to know now.
C#m C#m Bm Bm
I. . . I'm willing and able,
C#m C#m E D
so I throw my cards on your table.
C# Bm F#m
I wanna love you
D A C#m F#m
I wanna love and treat, love and treat you right.
F#m D A
I wanna love you every day and every night.
C#m F#m D A
We'll be together with a roof right over our heads.
C#m F#m D A
C#m F#m D A
We'll share the same room, Jah provide the bread.
A C#m F#m D
Version 04 /1.01 April 2004 504

REDEMPTION SONG
{title:Redemption Song}{st:Bob Marley}{c:intro}

===============2=0==========0===========o
=====0=2===2/3=====2====0=2===2=3=2=0===
==3======3===========3================3=
G Em7 C G/B Am
1. Old Pirates, yes, they rob I. Sold I to the merchant ships
G Em C G/B Am
minutes after they took I from the bottomless pit.
G Em7
But my hand was made strong
C G/B Am
By the hand of the Almighty.
G Em C
We forward in this generation
D
triumphantly.
Refrain:
G C D
Won't you help to sing these
G
songs of freedom?
C D Em C
'Cause all I ever had,
D G
redemption songs,
C D G C
redemption songs.
D G Em7
2. Emancipate yourselves from mental slavery,
C G/B Am
None but ourselves can free our minds.
G Em
Have no fear for atomic energy,
C G/B Am
'Cause none of them can stop the time.
G Em7
How long shall they kill our prophets
C G/B Am
While we stand aside and look?
G Em
Yes, some say it's just a part of it.
C D
We've got to fulfill the book.
Refrain
2. Strophe Refrain
Version 04 /1.01 April 2004 505

THREE LITTLE BIRDS
A D A
Don't worry about a thing, ‘cause every little thing’s gonna be all right.
A D A
A E
1. Rise up this morning, smile with rising sun,
A D
three little birds sit by my doorstep,
A E
singin' sweet songs of melodies pure and true,
-D A
sayin', this is a message to you uh uh.
A D A
A D A
A E
2. Rise up this morning, smile with rising sun,
A D
three little birds sit by my doorstep,
A E
singin' sweet songs of melodies pure and true,
-D A
sayin', this is a message to you uh uh.
A D A
A D A
+ repeat CHORUS (2x) and fade…
(Bob Marley)
Version 04 /1.01 April 2004 506

I SHOT THE SHERIFF - Bob Marley
e a e
I shot the sheriff, but I did not shoot the deputy.
a e
I shot the sheriff, but I did not shoot the deputy. oh no
C D e
All around in my home town
C D D
they're trying to track me down.
C D e
They say they want to bring me in guilty
C D e
for the killing of a deputy,
C D e
for the killing of a deputy. But I say:
I shot the sheriff, but I swear it was in selfdefence.

Sheriff John Brown always hated me for what I don't know.
Ev'ry time that I plant a seed
he said "Kill it before it grow,"
he said "Kill it before it grow." But I say:

Freedom came my way one day and I started out of town.
All of a sudden I see sheriff John Brown,
aiming to shoot me down.
So I shot, I shot him down. But I say:

Reflexes got the better of me and what is to be must be.
Ev'ry day the bucket goes to the well,
but one day the bottom will drop out,
yes one day the bottom will drop out. But I say:
Version 04 /1.01 April 2004 507

ONE LOVE
by Bob Marley
Use all down strokes
Bb F Eb F F7 Bb
F
One Love, one heart.
Eb Bb F Bb
Let's get together and feel all right.
Hear the children crying. (One love.)

F
Hear the children crying. (One heart.) Sayin',
Eb Bb F Bb
"Give thanks and praise to the Lord and I will feel all right."
Eb Bb F Bb
Sayin', "Let's get together and feel all right."
Whoa, whoa, whoa, whoa.

Gm Eb Bb
Let them all pass all their dirty remarks. (One love.)
Gm Eb F Bb
There is one question I'd really love to ask. (One heart.)
Gm Eb Bb
Is there a place for the hopeless sinner
Gm Eb F Bb
who has hurt all man-kind just to save his own?
F
Believe me. One love, one heart.
Eb Bb F Bb
As it was in the beginning, (One love.)

F
so shall it be in the end. (One heart.) Alright,
Eb Bb F Bb
Eb Bb F Bb
Sayin', "Let's get together and feel all right."
One more thing.

Gm Eb Bb
Let's get together to fight this Holy Armageddon, (One love.)
Gm Eb F Bb
So when the Man comes there will be no, no doom. (One song.)
Gm Eb Bb
Have pity on those whose chances grow thinner.
Gm Eb F Bb
There ain't no hidding place from the Father of Creation. Sayin',
F
One love, one heart.
Eb Bb F Bb
I'm pleading to man-kind. (One love.)

F
Oh, Lord. (One heart.) Whoa.
Eb/Bb Bb F Bb
Eb Bb F Bb
"Give thanks... repeat and fade.

Bb xx3331 F xx3211 Gm xx5333 Eb/Bb x11343
Eb x65343 F7 xx1211
Version 04 /1.01 April 2004 508

NO WOMAN, NO CRY
Intro.: C-G-Am-F-C-F-C-G / C-G-Am-F-C-F-C-G /
C-G-Am-F-C-F-C-G / C-G-Am-F-C-F-C-G
C G Am - F - C F C-G
No woman, no cry, no woman, no cry.
C G Am F C
1. Say, I remember when we used to sit,
G Am F
in the government yard in Frenchtown,
C G Am F C
oba-obaserving the hypocrites, as they would
G a - F
mingle with the good people we meet.
C G Am F C G Am - F
Good friends we had, oh good friends we've lost, along the way.
C G a F C G Am- F
In this bright future,you can't forget your past, so dry your tears I say.
C- G Am F - C F C-G
Here little darlin', don't shed no tears, no woman, no cry.
C G Am F C
2. Say, I remember when we used to sit,
G a -F
in the government yard in Frenchtown,
C G Am F
And then Georgie would make a fire light,
C G Am - F
as it was log wood burning through the night.
C G Am F C G Am-F
Then we would cook cornmeal porridge, of which I´ll share with you.
C G Am F -C G Am
My feet is my only carriage, so I`ve got to push on through,
F
but while I`m gone, I mean.
C G Am F
Ev'ry thing's gonna be alright. Ev'ry thing's gonna be alright.
C G Am F
Ev'ry thing's gonna be alright. Ev'ry thing's gonna be alright. (2x)
+ CHORUS + CHORUS C-G-Am-F-C-F-C-G C-G-Am-F-C-F-C-G
3.=1. + CHORUS + CHORUS + C-G-Am-F-C-F-C-G

C-G-Am-F-C-F-C-G
(Bob Marley)
Version 04 /1.01 April 2004 509

COULD YOU BE LOVED BOB MARLEY
Am F C Am F C
Could you be lo-ved, and be loved? Could you be lo-ved, and be loved
a d-a Dm Am
Don't let them fool you, or even try to school you, oh no!
We've got a mind of our own,

F C Dm
so go to hell if what you're thinking is not right.
Am
Love would never leave us alone,
F C Dm
in the darkness there must come out the light.
Am F C Am - F C
Could you be lo - ved, and be loved? Could you be lo - ved, and be loved?
Am
The road of life is rocky, and you may stumble too.
So while you point your fingers, someone else is judging you.
Could you be, could you be, could you be loved?
Could you be, could you be loved? (repeat)
Am Dm-Am Dm Am
Don't let them change you, or even rearrange you. Oh, no!
F C Dm Am
We've got a life to live, they say only, only,
F C Dm
only the fittest of the fittest shall survive, stay alive.
Am F C Am-F C
Could you be lo-ved and be loved? Could you be lo-ved , and be loved?
Am
You ain't gonna miss your water, until you well runs dry.
No matter how you treat him, the man will never be satisfied.
Could you be, could you be loved? (repeat)
Say something, say something, say something, say something.....
repeat to fade
Version 04 /1.01 April 2004 510

COULD YOU BE LOVED (BOB MARLEY
Cm....Cm....Cm....Cm{soc}{c: chorus}
[Eb]......[Eb]Could you be l[Cm]oved [Cm]......
[Ab].........[Ab]and be l[Eb]oved? [Eb](twice){eoc}
Don't[Cm] let them fool you
[Cm]......[Fm]......[Fm]......[Fm]......[Fm]
[Cm]or [Cm]even try to [Cm]school you,[Cm]......[Fm]......[Fm]
Oh, no![Fm]......[Fm]......[Cm]......[Cm]We've [Cm]got a mind of our
[Cm]own
So [Ab]go to hell if [Cm]what you're thinking is not [Fm]right[Fm]
[Cm]......[Cm]Love would [Cm]never leave us al[Cm]one.
In the [Ab]darkness there [Gm]must come out the [Bb]light.[Bb]{c:
(chorus)}
The [Cm]road of life is [Cm]rocky
and [Cm]you may stumble [Cm]too.
So [Cm]while you point your [Cm]fingers
someone [Cm]else is judging [Cm]you.{soc}{c: twice}
[Cm]Could you be, could you be, [Cm]could you be loved?
[Cm]Could you be, could you be [Cm]loved?{eoc}
Cm
Don't let them change you,
or even rearrange you.
Oh, no!............We've got a life to live
They say only, only,
only the fittest of the fittest shal survive,
stay alive.{c: (chorus)}
You ain't gonna miss your water
until you well runs dry.
No matter how you treat him,
Version 04 /1.01 April 2004 511

the man will never be satisfied.
Could you be, could you be loved?say something...
<
Version 04 /1.01 April 2004 512

I DON´T WANNA DANCE
Eddy Grant
A
D Dance with you baby no more
I don't wanna dance Bm
A I'll never do something to hurt you, though
Dance with you baby no more D
Bm Oh but the feeling is bad
I'll never do something to hurt you, though A
D The feeling is bad
Oh but the feeling is bad D
A Baby now carneval is over
The feeling is bad A
D For us are be on my way
I love your personality Bm D
A Now that the things which move me
But I don't want our love on show A
Bm D I´m standing still
Sometimes I think it's insanity D
A I know witch on the superstition
Girl the way you go A
D Baby but I wan´t look back
With all of the guys on the corner Bm D
A Even you are feel your music
Oh baby, you're the latest trick A
Bm D Baby that is bad
Oh, you seem to have their number D
A Oh I don't wanna dance
Look they're dancing still A
A Oh I don't wanna dance
The feeling is bad A
A Don´t wanna dance
The feeling is bad D
Don´t wanna dance
D A
I don't wanna dance Don´t wanna dance
Version 04 /1.01 April 2004 513

HEY SEXY LADY
Shaggy
Intro: A E
[Shaggy]
A Bb
Sexy, hot, I love my your girl, put it on me
A
Brian and Tony Gold let the ladies know, they got it goin on
Bb
Uh! Shaggy!!!
[Chorus: Brian And Tony Gold (Shaggy)]

A
Hey sexy lady, I like your flow
Bb A
Your body's bangin, out of controoooooool!!! (Uh!)
You put it on me (That's right) ceiling to floor

Bb A
Only you can make me, screamin back for moooooore!!!
[Verse 1: Shaggy]
A
Her body's callin bawlin got me crawlin up the wall and
Bb
My size ain't small it's tall and catch here comes her clothes be fallin
A
Her neighbor's callin bawlin all this noise is so appallin
Bb
They must believe we're brawlin headboards band till early mornin

A
Hey sexy lady, I like your flow
Bb A
Your body's bangin, out of controoooooool!!! (Uh!)
You put it on me (That's right) ceiling to floor

Bb A
Only you can make me, screamin back for moooooore
[Verse 2: Shaggy]
A
I was her father's choosin, performance left her snoozin
Bb
Rug burns her knees we're bruised and, she's hooked ain't no refusin
[Brian And Tony Gold:]

A
I knew it all along (Uh!) she was the perfect one (What!!!)
Bb A
She really put it on (On me) I had to write a sooong

A
Hey sexy lady (She's drivin me nuts) I like your flow (Uh! Uh!)
Bb A
Your body's bangin (Sexy Lady) out of controoooooool!!! (Sweet and nice)
A
You put it on me (You know you got that figure) ceiling to floor
Bb A
Only you can make me (Wow) screamin back for moooooore!!!
Version 04 /1.01 April 2004 514

[Verse 3: Brian And Tony Gold]
A Bb
Hey sexy lady you be fine drive me crazy movin on, and on, and on
A Bb
Hey sexy lady you be fine drive me crazy movin on, and on, and on
[Shaggy (Brian And Tony Gold)]

A
Gal your extra sexy like (Whoa) and you make me wanna say (Hi)
Bb
And you shake you shake your thong (Low)
Gal you wicked to ras it nah (Lie)
A
Gal I like the way how you (Flow) everytime you pass me (By)
Bb
Gal you wiggly jiggly and (Oh) and you wicked to ras it nah (Lie)

A
Hey sexy lady (Uh!) I like your flow (Whaddat)
Bb A
Your body's bangin, out of controoooooool!!!
A
You put it on me (Put it on me baby) ceiling to floor (Uh!!)
Bb A
Only you can make me (Only you) screamin back for moooooore!!!
[Outro: Shaggy]
A Bb
Uh, moist, ha ha ha ha ha ha
A Bb A
Version 04 /1.01 April 2004 515

STRENGTH OF A WOMAN
Sha gg y
Bb D# F D#
Ugh Wah Ugh
Bb D# F D#
This one goes out to all my women yah know
My strong women, ugh
[Verse 1]
Bb D# F
So amazing how this world was made
D# Bb D# F D#
I wonder if GOD is a woman
Bb D# F
She's the constant wind that fills my sail
D# Bb D# F D#
Ohhhhhh that woman
Bb D#
With her smile and her style, my
F D#
She'll protect like a child
Bb D# F D#
That's a woman ah ah
[Chorus]
Bb D# F D#
She'll put a smile upon yah face
Bb D# F D#
And take you to that (ah) higher place
Bb D# F D#
So don't you under estimate
Bb D# F D#
The strength of a woman
Bb D# F D#
[Verse 2]
Bb D# F
Woke up this morning
D# Bb D# F D#
I got up with the scent of a woman
Bb D# F
Jus picture if you could what life would be
D# Bb D# F D#
Ain't much good without a woman
Bb D# F
She can nag and be a constant pain
D# Bb D# F D#
Ohhhh that woman
Bb D#
But those hips she's got me whipped
F D#
And it's just to hard to resist
Bb D# F D#
What a woman Ugh, hey
[Chorus]
Bb D# F D#
Bb D# F D#
Bb D# F D#
Version 04 /1.01 April 2004 516
Bb D# F D#
Bb D# F D#
The strength of a woman Ugh, ugh, ugh
[Verse 3]
D# F
Tender lips that's so so sweet
D#
Gentle words she softly speaks
F
Such an angel when we need
D#
GOD bless the ground beneath her feet
F
She can take you on a high
Gm
Be your comfort when you cry
D#
But if you look into her eyes
F Bb D# F D#
You'll see the strength of a woman
Bb D# F D#
Strength of a woman Ugh, ugh,
[Chorus]
Bb D# F D#
Bb D# F D#
Bb D# F D#
Bb D# F D#
Bb D# F D#
Bb D# F D#
Bb D# F D#
Version 04 /1.01 April 2004 517

ANGEL
Artist: Shaggy
--------------
Transcribed by Mike Szymczak (heep74@hotmail.com)
Tuning - Tube down whole stem - D G C F A D
Intro : G C D C
{Chorus}
G C D C
Girl you’re my angel, you’re my darling angel
G C D C
Closer than my peeps you are to me ,baby
G C D C
Shorty you’re my angel, you’re my darling angel
G C D C
Girl you are my friend when I’m in need ,lady
{Verse 1}
G C
Life a one big party when you’re still young
G C
But who’s gonna have your back when it all done
G C
It’s all good when you live to have pure fun
G
Can’t be a fool son
C
What about the long run
G C
Looking back shorty always a mention
G C
Say me not giving her much attention
G C
She was there through mi incarceration
G
Wanna show the nation
C
My appreciation
{Chorus}
{Verse 2}
You’re a queen and that’s how you should be treated

Though you never get the loving that you needed
Coulda left but I called and you heeded
Begged and I pleaded
Mission completed
A no she that I and I a dis the program
Not the type to mess around with your emotions
But the feeling that I have for you are so strong
Been together so long
This could never be wrong.
{Chorus}
{Bridge} (Repeat once)
Version 04 /1.01 April 2004 518

GIMME HOPE JO'ANNA
G C
1. Well, Jo'anna she runs a country
G D7
she runs in Durban and in Transvaal.
G C c = 345533
She makes a few of her people happy, oh,
G D7 G
she dont't care about the rest at all.
G C
She's got a system they call apartheit
G D7
it keeps a brother in a subjection
G C c
but maybe pressure will make Jo'anna see
G D7 G
how everybody could live as one
G G C
Ref: Oh, gimme hope, Jo'anna, hope Jo'anna,
G D7
gimme hope, Jo'anna 'fore the mourning come.
G C
Gimme hope, Jo'anna, hope Jo'anna,
G D7 G
hope before the mourning come.
G C
2. I hear she makes all the golden money
G D7
to buy new weapons any shape of guns.
G C c
While every mother in black Soweto fears
G D7 G
the killing of another son.
G C
Sneakin' across all the neighbours borders
G D7
now and again having little fun,
G C c
she doesn't care if the fun and games she play
G D7 G
is dangerous to everyone.
REF
G C
3. She's got supporters in high up places
G D7
who turn their heads to see the city sun.
G C c
Jo'anna give them the fancy money, oh,
G D7 G
to tempt anyone who'd come.
G C
She even knows how to swing opinion
G D7
in every magazine and the journals.
G C c
For every bad more that this Jo'anna makes
G D7 G
they good explanation.
REF
G C
Version 04 /1.01 April 2004 519
4. Even the preacher who works for Jesus,
G D7
the archbishop who's a peaceful man.
G C c
Tohether say that the freedom fighters will
G D7 G
overcome the very strong.
G C
I wanna know if you're blind Jo'anna,
G D7
if you wanna hear the sound of drums.
G C c
Can't you see that the tide is turning, oh,
G D7 G
don't make me wait till the morning comes.
Version 04 /1.01 April 2004 520

DREADLOCK HOLIDAY
10 CC
Gm GM7 Cm x6
Gm Gm7 Cm Gm
Gm7 Cm
I was walkin' down the street, concentratin' on truckin' right
Gm Gm7 Cm
I heard a dark voice beside of me,
Gm Gm7 CM
And I looked 'round in a state of fright.
Gm Cm
I saw four faces, one mad; a brother from the gutter.
Gm Cm Gm Gm7
Cm
They looked me up and down a bit and turned to each other.
Cm Gm Eb Cm Eb
I say, I don't like cricket, oh no, I love it.
Gm Eb Cm Eb
I don't like cricket, oh no, I love it.
Sib
Don't you walk through my words. You got to show some respect.
Sib Do ^
Don't you walk through my words, Cause you ain't heard me out yet.
Solm Fa ^ Dom x2
Solm Fa ^ Dom
Well, he looked down on my silver chain.
Solm Fa ^ Dom
He said: 'I'll give you one dollar'.
Solm Fa ^ Dom
I said: 'You've got to be jokin', man,
Solm Fa ^ Dom
It was a present from me mother'
Solm Dom
He said: 'I like it, I want it, I'll take it off your hands,
Solm Dom
And you'll be sorry you crossed me, You better understand
Dom Solm Fa ^ Dom Solm Fa ^ Dom

That you're alone (a long way from home)
Dom Solm Mib Dom Mib

And I say, I don't like Reggae, oh no, I love it.
Solm Mib Dom Mib
I don't like Reggae, oh no, I love it.
Version 04 /1.01 April 2004 521

Don't you cramp me style, Don't you queer me pitch.
Don't you walk through my words, 'Cause you ain't heard me out yet.
Solm Fa ^ Dom x2
I hurried back to the swimmig pool, sinkin' Pina Colada.

I heard a dark voice beside me say
'Would you like something harder ?'
She said: 'I've got it, you want it, my harvest is the best,
And if you try it, You'll like it and wallow in a
Dreadlock holiday.
Rebm Labm Mi Rebm Mi

And I say, don't like Jamaica, oh no, I love her.
Labm Mi Rebm Mi
Don't like Jamaica, oh no, I love her.
Don't you walk through my words. You got to show some respect.
Don't you walk through my words, 'Cause you ain't heard me out yet.
I don't like cricket, oh no, I love it (Dreadlock holiday)

I don't like Reggae, oh no, I love it (Dreadlock holiday)
I don't like Jamaica, oh no, I love her (Dreadlock holiday)
at lib
(bass F^G Bb^C C C C)
TEQUILLA
"Verse"
BBB A BBB A BBB A B AAAAAAA
Chorus
DDDD BBB DDDD BBB DDDD BBB C#m F# "Tequila"
Version 04 /1.01 April 2004 522

RESPECT
Aretha Franklin
Intro: C7 F C7 F
G F
(hoooo) What you want (hooo) baby I got it
G F
(hooo) what you need (hooo) you know I got it
G F C7
(hooo) All I'm asking (hooo) is for a little respect
F
( Just a little bit) when you come home
C7
(Just a little bit) Hey baby ( Just little bit)
F
When you come home ( Just a Little Bit) Mister
G F
I ain't gonna do you wrong while you're gone
G F
I ain't gonna do you wrong cause I don't wanna
G C7 F
All I'm asking is for a little respect when you come home
C7
(Just a Little Bit) Baby ( Just a little bit )
F
When you come home ( Just a little Bit) Yeah
G F
I'm about to give you all my money
G F
And all I'm asking in return honey
G F C7
Is to give me my profits when you get home
F C7 F
(Justa Justa Justa) Yeah baby When you get home
( Just a little Bit ) Yeah ( Just a little bit )
Bridge F#m7 B F#m7 G7
OOOO Your kisses sweeter than honey and guess what so is my money
All I want you to do for me is give it to me whn you get home
( Re re re re spect) Yeah baby whip it to me
( Just a little bit) When you get home now ( Just a little bit)
C7 F C7 F
R-E-S-P-E-C-T find out what it means to me
C7
R-E-S-P-E-C-T take out the TCP ohhhh ( Sock it to me,etc.)
A little respect oh yeah ( Just a little bit)
A little respect ( Just a little Bit)
I get tired ( Just a little bit) but I keep on tring
Version 04 /1.01 April 2004 523

"Respect"
(Otis Redding)
Intro [2X]:
C7 F7
v v v v v v v v
-----------------|-----------------
-----8-8-10b11---|-----------------
-----------------|---------8b9-----
-----------------|----10-10--------
-----------------|-----------------
-----------------|-----------------
^^^^^ ^^^ slow bends
Verse 1:
G7 F7
What you want baby, I got it
G7 F7
What you need you know I got it
G7 F7
All I'm askin' is for a little
C7 F7
Respect when you come home hey, baby
(just a little bit) (just a little bit)
C7 F7
When you come home Mister
Verse 2:
I ain't gonna do you wrong while you're gone

I ain't gonna do you wrong 'cause I don't wanna
All I askin' is for a little respect
When you come home baby
When you come home yeah
Verse 3:
I'm about to give you all my money

But all I'm askin' in return, honey
Is to give me my propers
When you get home yeah, baby
(just-a just-a just-a just-a just-a just-a just-a just-a)
When you get home yeah
Instrumental break [sax solo]:
F#m B
/ / / / / / / / / / / / / / / /
F#m G7
/ / / / / / / / / / / / / / / /
Verse 4:
Ooh, your kiss is sweeter than honey

And guess what so is my money
All I want you to do for me is give it to me
When you get home yeah, baby, whip it to me
(re- re- re- re- re- re- re- re- respect)
When you get home now
Version 04 /1.01 April 2004 524

Coda:
C7 [N.C.]
R-E-S-P-E-C-T
C7 F7 [N.C.]
Found out what it means to me
F7 C7 [N.C.]
R-E-S-P-E-C-T
C7 F7 [N.C.]
Take care, T.C.B.
C7
Oh... a little
(sock it to me, sock it to me, sock it to me, sock it to me)
F7
Respect
(sock it to me, sock it to me, sock it to me, sock it to me)
C7 F7 [continue]
Whoa, baby a little respect
I get tired but I keep on trying
You're running out of fools and I ain't lying
Respect when you come home
(re- re- re- re- re- re- re- re- respect)
Or you'll [unintelligible] alone [fade]
Version 04 /1.01 April 2004 525

HOT STUFF
Donna Summer
Intro: G F - G G F – G
G F G G F G
G
Sittin here eatin' my heart out waitin'
F G
Waitin' for some lover to call
Dialed about a thousand numbers lately

F G
Almost rang the phone off the wall
C D G
Lookin for some hot stuff baby this evenin'
C D G
I need some hot stuff baby tonight
C D G
I want some hot stuff baby this evenin'
C
Gotta have some hot stuff
D G Bb-C D D
Gotta have some lovin' tonight - hot stuff I need
G Bb-C D D
hot stuff I want some
G Bb-C D D
hot stuff I need some
G Bb-C D D
hot stuuuuuuuuff!
G F G G F G
G
Lookin for a lover who needs another
F G
Don't want another night on my own
Wanna share my love with a woman lover

F G
Wanna bring a wild man back home
C D G
Lookin for some hot stuff baby this evenin'
C D G
C D G
C
Gotta have some hot stuff
D G Bb-C D D
Gotta have some lovin' tonight - hot stuff I need
G Bb-C D D
hot stuff I want some
G Bb-C D D
hot stuff I need some
G Bb-C D D
hot stuuuuuuuuff!
Solo: G F G F ......
Version 04 /1.01 April 2004 526

Bridge:
G
hot-hot-hot stuff
F G
hot-hot-hot
hot-hot-hot stuff
F G
hot-hot-hot
C D G
C D G
C D G
Lookin for my hot stuff baby this evenin'
C D G
C D G
C D G
I want some hot stuff baby tonight
C D G
Lookin for my hot stuff baby this evenin'
C D G
I want some hot stuff baby tonight
wiederholen… - fade out
Version 04 /1.01 April 2004 527

Always on the run Lenny Kravitz
Em – D Em – D (4x)
Em D Em D
1. My mama said that your life is a gift.
Em D Em D
And my mama said there's much weight you will lift.
Em D Em D
And my mama said leave those bad boys alone.
Em D Em D
And my mama said be home before the dawn.
Em D Em D
And my mama said you can be rich or poor.
Em D Em D
But my mama said you can be big or small.
G A Em
But I'm always on the run (always on the run).
G A Em Em – D Em – D (2x)
But I'm always on the run.
Em D Em D
2. My mama said that it's good to be fruitful.
Em D Em D
But my mama said don't take more than a mouthful.
Em D Em D
And my mama said that it's good to be natural.
Em D Em D
And my mama said that it's good to be factual.
REFRAIN:
Em – D Em – D (4x) …
Em D Em D
3. And my mama said baby don't ride that crazy horse.
Em D Em D
And my mama said you must push with much force.
Em D Em D
And my mama said go get all that you're after.
Em D Em D
And my mama said that love's all that matters
G A Em
G A Em
G A Em
G A Em
Em – D Em – D (4x) …..
Version 04 /1.01 April 2004 528

MR. CAB DRIVER
A D A A/G/A/G
Mr. Cab Driver won't you stop to let me in
D A/G/A/G
Mr. Cab Driver don't you like my kind of skin
E D A/G/A/G
Mr. Cab Driver you're never gonna win
Mr. Cab Driver won't stop to pick me up
Mr. Cab Driver I might need some help
Mr. Cab Driver only thinks about himself7
D/A/D/B/E/ E7#9
Mr. Cab Driver
Mr. Cab Driver
Mr. Cab Driver don't like to way I look
He don't like dreads he thinks we're all crooks
Mr. Cab Driver reads too many story books
Mr. Cab Driver pass me up with eyes of fire

Mr. Cab Driver thinks we're all 165'ers
Mr. Cab Driver fuck you I'm a survivor
Let me in
Mr. Cab Driver

Mr. Cab Driver
Version 04 /1.01 April 2004 529

American Woman Lenny >Kravitz
C F C–F C–F C-F

Huh!
C -F C
1. American woman, stay away from me !
F C -F C -F
American woman, mama let me be !
C F
Don't come hanging around my door,
C F
I don't want to see your face no more.
C F
I got more important things to do,
C F
than spend my time growin' old with you.
C -F C
Now woman, stay away !
F C -F C -F C – F (4x)
American woman, listen what I say !
C -F C
2. American woman, get away from me !
F C -F C -F
American woman, mama let me be !
C F
Don't come knocking round my door,
C F
I don't want to see your shadow no more.
C F
Colored lights can hypnotize,
C F
sparkle someone else's eyes.
C -F C -F
Now woman, get away !
C -F C -F
C F C–F C–F C-F

Huh!
C F
C -F C -F Colored lights can hypnotize,
3. American woman, I said get away ! C F
C -F C -F sparkle someone else's eyes.
C F C -F C -F
Don't come hanging round my door; Now woman, get away !
C F C -F C -F
Don't want to see your face no more ! American woman, listen what I say !
C F C -F C -F
I don't need your war machines, American woman, get away from me !
C F C -F C -F
I don't need your ghetto scenes American woman, mama, let me be ……
Version 04 /1.01 April 2004 530

IT AIN`T OVER `TIL IT`S OVER (Lenny Kravitz)
Intro: D/Dmaj7 Am/D Em/G Gm
D A6/C# C6 Em/G Gm
Here we are still together We are one
D A6/C# C6 Em/G Gm
So much time wasted playing games with love
D Dmaj7
So many tears I`ve cried so much pain inside
Am/D Em/G Gm
but baby it ain`t over `til it`s o----ver
D Dmaj7
So many years we`ve tried to keep our love alive
Am/D Em/G Gm
but baby it ain`t over `til it`s o----ver
D A6/C#
How many times did we give up?
C6 Em/G Gm
But we always worked things out.
D A6/C#
And all my doubts and fears kept me wondering
C6 Em/G Gm
If I`d always be in love.
C#: X46664
C#maj7: X46564 |C# |C#maj7 |C#9 |F# F#m|
C#9: X43444
F#: 244344 Bridge:
F#m: 244222
A: 577655 |A |B | repeat
B: 799877
C: X35553 end of bridge
Verse and Chorus |C |A

|B^
# C#maj7 C#9
e|-4-x-4-4-x-4--4-x-4-4--4-x-4-4-x-4--4-x-4-4--4-x-4-4-x-4--4-x-4-4-
b|-6-x-6-6-x-6--6-x-6-6--6-x-6-6-x-6--6-x-6-6--4-x-4-4-x-4--4-x-4-4-
g|-6-x-6-6-x-6--6-x-6-6--5-x-5-5-x-5--5-x-5-5--4-x-4-4-x-4--4-x-4-4-
d|-6-x-6-6-x-6--6-x-6-6--6-x-6-6-x-6--6-x-6-6--6-x-6-6-x-6--6-x-6-6-
a|------------------------------------------------------------------
E|------------------------------------------------------------------
F# F#m
e|-2-x-2-2-x-2--2-x-2-2--------|
Version 04 /1.01 April 2004 531
b|-2-x-2-2-x-2--2-x-2-2--------|
g|-3-x-3-3-x-2--2-x-2-2--------|
d|-4-x-4-4-x-4--4-x-4-4--------|
a|-4-x-4-4-x-4--4-x-4-4--------|
E|-2-x-2-2-x-2--2-x-2-2--------|
SOLO Light Distortion
A B A B A
e|---14b16-14-14-14-16-14-----9-12-9\---------------------------------
b|-------------------------/12--------12b14--12-12-12-14-12-----------
g|-----------------------------------------------------------11b13-13-
d|--------------------------------------------------------------------
a|--------------------------------------------------------------------
E|--------------------------------------------------------------------
B Cmaj7 A7 B7
e|--------------------------------------------------------10-10b12--|
b|----------12-10---------------------13p12-12p11-10p9-9p8----------|
g|13-13-r11------13-11--11-11-11-13-11------------------------------|
d|------------------------------------------------------------------|
a|------------------------------------------------------------------|
E|------------------------------------------------------------------|
3rd Verse and 3rd chorus Riff
A Sitar plays thid riff. but with a bit of chorus and a bit of distortion
the sound is good.
e|---------------------------------|
b|---------------------------------|
g|--6--/8\6\5---\1/3/4--4h6-3--1/2-|
d|---------------------------------|
a|---------------------------------|
E|---------------------------------|
Version 04 /1.01 April 2004 532

LET LOVE RULE LENNY KRAVITZ
E G E G
1. Love is gentle as a rose, and love can conquer any war.
A C
It's time to take a stand, brothers and sisters join hands
------------------ G A C G
We've got to let love rule ! Let love ru…..le.
------------------ G A C G
E G
2. Love transcends all space and time,
E G
and love can make a little child smile.
E G
Oh baby can't you see, this won’t go wrong,
A C
but we, we've got to be strong, we can't do it alone.
------------------ G A C G
------------------ G A C G
3. = instrumental = verse 2 + CHORUS (3x) …..
(Lenny Kravitz)
Version 04 /1.01 April 2004 533

WHERE THE STREETS HAVE NO NAME U2
D
1. 1. I want to run, I want to hide,
G
I want to tear down the walls that hold me inside.
Bm A
I want to reach out and touch the flame,
C
where the streets have no name.

D
2. 2. I want to feel, sunlight on my face,
G
and see that dust cloud disappear without a trace.
Bm A
I want to take shelter from the poison rain,
C

D
Where the streets have no name,

G
We're still building, then burning down love,

burning down love.
Bm A
And when I go there, I go there with you,
D
it's all I can do.

D
3. 3. The city's a flood and our love turns to rust,

G
we're beaten and blown by the wind, trampled in dust.
Bm A
I'll show you a place high on the desert plain,
G D

+ CHORUS

D
4. 4. Our love turns to rust ,
G
and we're beaten and blown by the wind,
D
blown by the wind, oh and I see love.

See our love turn to rust,
G
Version 04 /1.01 April 2004 534

and we're beaten and blown by the wind,
Bm
A
blown by the wind, oh when I go there, I go there with you,
D
It's all I can do. (U2)
Version 04 /1.01 April 2004 535

YOU REALLY GOT ME
Girl, you really got me goin'
You got me so I don't know what I'm doin'
Yeah, you really got me now
You got me so I can't sleep at night

You got me so I don't know what I'm doin', now
Oh yeah, you really got me now
You Really Got Me
You Really Got Me
You Really Got Me
See, don't ever set me free
I always wanna be by your side
Girl, you really got me now

Refrain.
(solo)
See, don't ever set me free
I always wanna be by your side
Girl, you really got me now

You Really Got Me

You Really Got Me
You Really Got Me
Version 04 /1.01 April 2004 536
YOU SHOOK ME ALL NIGHT LONG
G C
1. She was a fast machine, she kept her motor clean,
D -G
she was the best damn woman I had ever seen.
G C
She had the sightless eyes, telling me no lies,
D G
knockin' me out with those American thighs.
G C
Taking more than her share, had me fighting for air,
D G
she told me to come, but I was already there.
G C
'Cause the walls start shaking, the earth was quaking
D D7
my mind was aching, and we were making it.
G C G D -C-D
And you shook me all night long.
G C G D -C-D
And you shook me all night long.
G C
2. Working double time on the seduction line,
D G
she was one of a kind, she's just mine, all mine.
G C
She wanted no applause, just another course,
D G
made a meal out of me and came back for more.
G -C
Had to cool me down to take a…..nother round,
D -G
now I'm back in the ring to take a….nother swing.
G C
'Cause the walls were shaking, the earth was quaking,
D D7
my mind was aching, and we were making it.
Chorus 6 X
(AC / DC)
Version 04 /1.01 April 2004 537

T.N.T -
AC/DC
RIFF: Em - G - A - G-A-G
See me right out of the sunset on your color T.V. screen

Out for all that I can get, if you know what I mean
Women to the left of me and women to the right
Ain't got no gun, ain't got no knife, don't you start no fight
REFRAIN: A-G-Em (Ende auf A)
Cause I'm T.N.T., I'm dynamite

T.N.T. and I'll win that fight
T.N.T. I'm a power load
T.N.T. watch me explode
I'm dirty, mean and mighty unclean, I'm a wanted man

Public enemy number one, understand
So lock up your daughter, lock up your wife
Lock up your back door and run for your life
The man is back in town, don't you mess me `round
REFRAIN
SOLO
REFRAIN
Version 04 /1.01 April 2004 538

HIGHWAY TO HELL AC / DC
Instr. : A - DG - DGDG - DA A - DG - DGDG - DA
A DG DG
1. Living easy, loving free,
D G D A
season ticket to a one-way ride.
A DG DG
Askin` nothing, leave me be,
D G D A
takin` every thing in my stride.
A DG DG
2. Don`t need reason, don`t need rhyme,
D G D A
ain`t nothing I´d rather do.
A DG DG
Goin`down, party time,
D G D E
my friends are gonna be there, too.
A D -GD A D - GD
I`m on a highway to hell, highway to hell,
A D -GD A D ~
highway to hell, I`m on a highway to hell.
A DG DG
3. No stop signs, speed limit,
D G D A
nobody`s gonna slow me down.
A DG DG
Like a wheel, gonna spin it,
D G D A
nobody`s gonna mess me `round.
A DG DG D G D A
4. Hey, Satan, payin` my dues, I`m playing in a rockin` band.
A DG DG
Hey, Momma, look at me,
D G D E
I`m on my way to the promised land.
+ CHORUS + Instr. D ~ A ~ A-D ~ + 2 x CHORUS + A
(AC/DC)
WHOLE LOTTA LOVE
Version 04 /1.01 April 2004 539
G-E G-E G-E G-E
G E G E
1. You need coolin`, baby, I`m not foolin`.
G E G E
I`m gonna say it, yeah, go back to schoolin`.
GE GE
Way down inside, honey, you need it,
GE GE
I`m gonna give you my love, I`m gonna give you my love.
GE G E G E
Wanna whole lotta love, wanna whole lotta love,
G E G E
wanna whole lotta love, wanna whole lotta love.
G E G E
2. You`ve been learnin`, baby, I`ve been burning.
G E G E
All them good times, baby, baby, I`ve been yearnin`.
G E GE
Way, way down inside, honey, you need it,
GE GE
I`m gonna give you my love, I`m gonna give you my love. +
Refr.
G E G E
3. You`ve been coolin`, baby, I`ve been droolin`.
G E G E
And them good times, I`ve been misusing.
GE GE
Way, way down inside, I`m gonna give you my love,
GE GE
I`m gonna give you my love, I`m gonna give you every
GE
inch of my love, I`m gonna give you my love. + Refrain
GA GE
Way down inside woman, you need ............... love.
GE
Shake for me girl, I wanna be your back door man,
G EG E G E G E G E
hey oh, hey oh, oh oh , oh oh, oh oh,
G E G E
give me coolin` baby, give me coolin` baby
G E G E
wanna whole lotta love, wanna whole lotta love. (rep.and
Version 04 /1.01 April 2004 540

WHOLE LOTTA ROSIE
F F F D D D Pre- Chorus
Chorus A G A G A G
Want to tell you a story
'Bout a woman I know
When it comes to lovin'
Ooo, she steals the show
She ain't exactly pretty
Ain't exactly small
42-39-56
You could say she's got it all
Never had a woman

Never had a woman like you
Doin' all the things
Doin' all the things you do
Ain't no fan of starlet??
Ain't no skin and bones
But you give it all you got
Well your nearly nineteen stone
Chorus
You're a whole lotta woman
A whole lotta woman
A whole lotta Rosie
Whole lotta Rosie x 2
You're a whole lotta woman
(2nd: Gives a whole lot of love)
Only you can do it

Do it to me all night long
Only want to turn
Only want to turn me on
All through the night time
Right around the clock
To my suprise, eh
Rosie never stop
Version 04 /1.01 April 2004 541

MAGIC BUSTHE WHO
G-F G-F G-F G-F
G F G F
1. Every day I get in the queue (too much, the magic bus),
G F G F
to get on the bus that takes me to you (too much, the magic bus).
G F G F
I'm so nervous, I just sit and smile (much, the magic bus),
G F G F
your house is only another mile (too much, the Magic Bus).
G F G F
2. Thank you, driver, for getting me here (too much, the magic bus),
G F G F
you'll be an inspector, have no fear (too much, the magic bus).
G F G F
I don't want to cause no fuss (too much, the magic bus),
G F G F
but can I buy your magic bus? (too much, the magic bus).
G -F G-F G-F G-F
Nooo!
G F G F
2. I don't care how much I pay (too much, the magic bus),
G F G F
I wanna drive my bus to my baby each day (too much, the magic bus).
G-F G-F
G F G F G F G -F~
I want it, I want it, I want it, I want it - you ca....n't have it!
G F -G-F
3. Thruppence and sixpence every day,
G F -G-F
just to drive to my baby.
G F -G-F
Thruppence and sixpence each day,
G F -G-F
'cause I drive my baby every way.
Version 04 /1.01 April 2004 542

Guitar 1 is Capoed on the 3rd fret
Guitar 2 is in standard tuning
\\ = pick slide down
Intro
g------------------------------3-3-3--2-2-2----------------
D------------------------------3-3-3--3-3-3----------------
Bb-----------------------------0-0-0--2-2-2----------------
F--2--2--2------2-------2-2-2--0-0-0--0-0-0----------------
C--2--2--2------2-------2-2-2--2-2-2-----------------------
G--0--0--0--3^--0---3^--0-0-0--3-3-3-----------------------
Riff 1
g-----0------0--3-3--2-2-----0------0--3-3--2-2------------
D-----0------0--3-3--3-3-----0------0--3-3--3-3------------
Bb----1------1--0-0--2-2-----1------1--0-0--2-2------------
F-----2--2-2-2--0-0--0-0-----2--2-2-2--0-0--0-0------------
C--2--2--2-2-2--2-2-------2--2--2-2-2--2-2-------2-2-2-----
G--0--0--0-0-0--3-3-------0--0--0-0-0--3-3-------0-0-0-3^--
(continued)
g---------------0-0--0-0--3-3-2--3--2--0-0-0-0-0--3-3--2-2-
D---------------0-0--0-0--3-3-3--3--3--0-0-0-0-0--3-3--3-3-
Bb--------------1-1--1-1--2-2-2--2--2--1-1-1-1-1--0-0--2-2-
F---------------2-2--2-2--0-0-0--0--0--2-2-2-2-2--0-0--0-0-
C--2----2----2--2-2--2-2---------------2-2-2-2-2--2-2------
G--0-3^-0-3^-0--0-0--0-0---------------0-0-0-0-0--3-3------
Verse
g------0--0-0--3-3-2--3--2-----0--0-0--3-3--2-2------------
D------0--0-0--3-3-3--3--3-----0--0-0--3-3--3-3------------
Bb-----1--1-1--2-2-2--2--2-----1--1-1--0-0--2-2------------
F------2--2-2--0-0-0--0--0-----2--2-2--0-0--0-0------------
C---2--2--2-2---------------2--2--2-2--2-2-----------------
G---0--0--0-0---------------0--0--0-0--3-3-----------------
Solo
g-------------------------------------0-0-3--0-0-0---------
D----------------------------------------------------------
Bb-----\\-------------------------------------------2-2----
F--2---\\----2-----2p0--------------------------------2--2-
C--2---------2----------0-0-0-------------------------0--2-
G--0---------0-----------------3--0----------------------0-
Riff 2
g--0-0-0--0-0--3-3-2--3-3-2--0-0-0--0-0--3-3-2--3-3-2--0---
D--0-0-0--0-0--3-3-3--3-3-3--0-0-0--0-0--3-3-3--3-3-3--0---
Bb-1-1-1--1-1--2-2-2--2-2-2--1-1-1--1-1--2-2-2--2-2-2--1---
F--2-2-2--2-2--0-0-0--0-0-0--2-2-2--2-2--0-0-0--0-0-0--2---
C--2-2-2--2-2----------------2-2-2--2-2----------------2---
G--0-0-0--0-0----------------0-0-0--0-0----------------0---
Bridge
g----------------------------------------------------------
D----------------------------------------------------------
Bb---------------------------------------------------------
F--2--2--2--2----2-----2--2--2--2----2-----2--2--2--2----2-
C--2--2--2--2----2-----2--2--2--2----2-----2--2--2--2----2-
G--0--0--0--0-3^-0-----0--0--0--0-3^-0-----0--0--0--0-3^-0-
Version 04 /1.01 April 2004 543

(continued)
g----------------------------------------------------------
D---0-0--2-2--3-3--2-2---0-0--2-2--3-3--2-2----------------
Bb--1-1--1-1--1-1--1-1---1-1--1-1--1-1--1-1----------------
F---2-2--2-2--2-2--2-2---2-2--2-2--2-2--2-2----------------
C----------------------------------------------------------
G----------------------------------------------------------
Riff 3 (with increased distortion)

e----------------------------------------------------------
B----------------------------------------------------------
G----------------------------------------------------------
D------------------------------3-5----3-5----3-5----3-5----
A------------------------------3-5----3-5----3-5----3-5----
E--1-3----1-3----1-3----1-3----1-3----1-3----1-3----1-3----
Outro
G----------------------------------------------------------
D----------------------------------------------------------
Bb---------------------------------------------------------
F---2-2--2--2----2-------2-----2-------------2-------------
C---2-2--2--2----2-------2-----2-------------2-------------
G---0-0--0--0-3^-0----3^-0--3^-0---3^-3^-3^--0-------------
Intro
Riff 1
Verse
Solo
Verse
Riff 2
Bridge
Riff 2, Riff 3
Verse
Verse, Outro
Version 04 /1.01 April 2004 544

MY GENERATION The Who
G-F-G-F
G------ F-------- G F
1. People try to put us d-down, talkin' 'bout my generation,
G--------- F----- G F
just because we get around, talkin' 'bout my generation.
G----------- F-------- G F
Things they do look awful c-c-cold, talkin' 'bout my generation.
G------ F------- G
I hope I die before I get old, talkin' 'bout my (generation).
F G -F G F
This is my generation, this is my generation, baby !
G ------------------ G F
2. Why don't you all f-fade a(way) ? Talkin' 'bout my generation.
G----------- F-------- G F
And don't try to dig what we all s-s-say, talkin' 'bout my generation,
G------------ F---------- G F
I'm not trying to cause a big s-s-sensation, talkin' 'bout my generation,
G -------- F--------- G
I'm just talkin' 'bout my g-g-g-generation, talkin' 'bout my (generation).
F G -F G F
G~ G-F G-F
G ------------------ G F
3. Why don't you all f-fade a(way) ? Talkin' 'bout my generation.
G------------- F-------- G F
And don't try to d-dig what we all s-s-say, talkin' 'bout my generation.
G------------- F----------- G F
I'm not trying to cause a b-big s-s-sensation, talkin' 'bout my generation,
G--------- F-------- G
I'm just talkin' 'bout my g-g-generation, talkin' 'bout my (generation).
F G -F G F
G-F G-F
G------ F-------- G F
4. People try to put us d-down, talkin' 'bout my generation,
G--------- F------ G F
just because we get around, talkin' 'bout my generation.
G----------- F-------- G F
Version 04 /1.01 April 2004 545

Things they do look awful c-c-cold, talkin' 'bout my generation.
G------ F------- G
I hope I die before I get old, talkin' 'bout my (generation).
F G -F G F
G-F G-F
G F G F
Talking 'bout my generation, talking 'bout my generation,
G F G F
talking 'bout my generation, talking 'bout my generation.
G F G F
This is my generation, this is my generation ....
(Orig.= One full note higher for verse 3, and again for verse 4 and
again for the final part)
(Who)
[note: song is played in key of A (progressing up) and without final verse on
stage -- A, A/G; B, B/A; D, D/C]
2
|| G G G G | G/F G/F G/F G/G || G
G G G G G/F G/F G/F G/F

People try to put us d-down (....
G Gsus4 G7 Gsus4
This is my ge...
G Gsus4 G7 Gsus4 G
This is my ....
Why don't you all f-fade away (....
This is my generat....
[bass solo] 4
||G | | G G G6 G6 | G7 G7 G6 G6 || G
[modulate to A] 2
|| A A A A | A/G A/G A/G A/G || A
Why don't you all f-fade away (Talkin' 'bout ....
A Asus4
This is my ...
A Asus4
This is my ....
[modulate to B]b 2
|| Bb Bb Bb Bb | Bb/Ab Bb/Ab Bb/Ab Bb/Ab || Bb
People try to put us d-down (Talkin' ....

This is my generati....
[modulate to C for finale] repeat to end
|| C F/C ||
Version 04 /1.01 April 2004 546
|| C C C C | C/Bb C/Bb C/Bb C/Bb ||
Version 04 /1.01 April 2004 547

WALKING BY MYSELF Gary Moore
Intro: E
E E
You know, I love you - you know, it´s true
H-A-G-E E
I give you all my lovin´ - what more - can I do
E E F# G Ab A
Walking - by myself, I hope you´ll understand
A H E Ab A B H - D - H
I just walk to be your lovin´ man
E E F# G Ab A
I love ya - yes, I love you with my heart and soul
A A E (Lick)
I wouldn´t mistreat you - for my weight in gold
Solo: E I E IE I E F# G Ab I A I H I E Ab A B H – D – H :II
Intro: E
E
You know, I love you - you know it's true
H-A-G-E E
Give you all my love, babe - what more - can I do
E E F# G Ab A
Walking - by myself, I hope you'll understand
A H E Ab A B H - D - H
I just walk to be your lovin' man
Intro: E
E
You know, I love you - you know it's true
H-A-G-E E
Give you all my ____, babe - what more - can I do
E E F# G Ab A
I'm walkin' - by myself, I hope you'll understand
A H (Lick)
E E F# G Ab A
Yes, I'm walkin' - by myself, I hope you'll understand
A H
I just walk to be your lovin'
A H
I just walk to be your lovin'
A H
Version 04 /1.01 April 2004 548

PINBALL WIZARD
a – G – d – E G – d – F – E ~
A1 A A1 A A1 A A1 – A
A
1. Ever since I was a young boy I played the silver ball,
G
from Soho down to Brighton I must have played them all,
F
but I ain't seen nothing like him in any amusement hall,
E E7
A G C D
that deaf, dumb and blind kid sure plays a mean pinball.
A G C D
A
2. He stands like a statue, becomes part of the machine,
G
feeling all the bumpers, always playing clean.
F
Plays by intuition, the digit counters fall,
E E7
A G C D
A G C D
D A D A
He's a pinball wizard, there has to be a twist,
D A F C ~
a pinball wizard's got such a supple wrist.
C F C F
How do you think he does it ? I don't know.
C F C
What makes him so good ?
A
3. Ain't got no distractions, can't hear no buzzes or bells,
G
don't see the lights aflashing, plays by sense of smell,
F
always gets a replay, never seen him fall,
E E7
A G C D
A G C D
D A D A
I thought I was the Bally table king,
D A F C ~
but I just handed my pinball crown to him.
C1 – C C1 – C C1 – C C1 C
C
4. Even on my favourite table, he can beat my best,
Bb
his disciples lean him in, and he just does the rest,
Version 04 /1.01 April 2004 549
G#
got crazy flipper fingers, never seen him fall,
G G7
C Bb Eb G# ~
(The Who)
by The Who
>From Tommy, 1969
Written by Pete Townshend
Previous transcription by:

Marc Hirsh
Mike (sef@icbr.ufl.edu)
=============
revised by
litgo@aol.com
=============
G6/D xx0030
G6sus4 3x5530 (verse 2&3)
G6 3x5430 (verse 2&3)
Csus4 8x10 10 8 8 (verse 4)
C 8x 10 9 8 8 (verse 4)
Bbsus4 6x8866 (verse 4)
Bb 6x8766 (verse 4)
Asus4 5x7750 (verse 1-4)
A 5x7650 (verse 1-4)
[original note: 'e' stands for eighth notes, 's' for sixteenth, `q' for
quarter, `h' for half, and, yes, even `w' for whole notes. A period
after a note value means dotted.
The chord parts are best played with your index finger on the B string,
middle on the G string (using pinky for pull-offs), and ring finger on
the D string, with the thumb wrapping around and playing the low E
string.
Sounds hard, but gets easier with practice.]
[Strumming: for main pattern (bar 10), accent every 3rd 16th -- on '+':
| + / / + / / + / / + + |
e s s e s e s e e s s
[INTRO]
Bm/F# Bmsus4/F# F#7sus4
e e e e e e e e e e e e e e e e e e e e e e e e
|-2---------------|-0---------------|-0---------------|
|-3---------------|-3---------------|-2---------------|
|-4---------------|-4---------------|-4---------------|
|-4-4-4-4-4-4-4-4-|-4-4-4-4-4-4-4-4-|-4-4-4-4-4-4-4-4-|
|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|
F#7 F#m7 Em/F#

e e e e e e e e e e e e e e e e e e e e e e e e
|-0---------------|-0---------------|-0---------------|
|-2---------------|-2---------------|-0---------------|
|-3---------------|-2---------------|-0---------------|
|-4-4-4-4-4-4-4-4-|-4-4-4-4-4-4-4-4-|-4-4-4-4-4-4-4-4-|
|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|
Em/G F#sus4 F#
Version 04 /1.01 April 2004 550
e e e e e e e e e s s e s e s e e e e s s e s e s e e e
|-------------------|---0-----------------|---0-0-----0---------|
|-0-0-0-0-0-0-0-0---|-2-2-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-----|
|-4-4-4-4-4-4-4-4\3-|-3-3-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-0---|
|-5-5-5-5-5-5-5-5\4-|-4-4-4-4-4-4-4-4-4-4-|-4-4-4-4-4-4-4-4-0---|
|-------------------|---------------------|---------------------|
|-------------------|T2-2-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2--T7-|
Bsus4 B
e s s e s e s e e s s e s s e s e s e e s s x2
||-----------------------|-----------------------||
||-7-7-7-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-7-7-7-||
||.9-9-9-9-9-9-9-9-9-9-9-|-8-8-8-8-8-8-8-8-8-8-8.||
||.9-9-9-9-9-9-9-9-9-9-9-|-9-9-9-9-9-9-9-9-9-9-9.||
||-----------------------|-----------------------||
||T7-7-7-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-7-7-7-||
Bsus4 B
---||-----------------------|-----------------------||
---||-7-7-7-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-7-7-7-||
---||.9-9-9-9-9-9-9-9-9-9-9-|-8-8-8-8-8-8-8-8-8-8-8.||
---||.9-9-9-9-9-9-9-9-9-9-9-|-9-9-9-9-9-9-9-9-9-9-9.||
---||-----------------------|-----------------------||
---||-7-7-7-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-7-7-7-||
||[electric guitar] | ||
---||-----------------------|-----------------------||
---||-----------------------|-----------------------||
---||-----------------------|-----------------------||
-7/||/9---------------------|---------------------7/||
---||-----------------------|-----------------------||
-5/||/7---------------------|---------------------5/||
[VERSE 1]
Ever since I was a young boy I've ....

Bsus4 B(add4)
e s s e s e s e e s s e s s e s e s e e s s
|---0-0-0-0-0-0-0-0-0-0------|-0-0-0-0-0-0-0-0-0-0-0-|
|---7-7-7-7-7-7-7-7-7-7------|-7-7-7-7-7-7-7-7-7-7-7-|
|-9-9-9-9-9-9-9-9-9-9-9------|-8-8-8-8-8-8-8-8-8-8-8-|
|-9-9-9-9-9-9-9-9-9-9-9------|-9-9-9-9-9-9-9-9-9-9-9-|
|----------------------------|-----------------------|
|-7-7-7-7-7-7-7-7-7-7-7------|-7-7-7-7-7-7-7-7-7-7-7-|
|[electric] | |
|----------------------------|-----------------------|
|----------------------------|-----------------------|
|----------------------------|-----------------------|
|/9--------------------------|---------------------6/|
|----------------------------|-----------------------|
|/7--------------------------|---------------------4/|
>From Soho down to Brighton I must ....

Asus4 A
|-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-0-0-0-|
|-5-5-5-5-5-5-5-5-5-5-5-|-5-5-5-5-5-5-5-5-5-5-5-|
|-7-7-7-7-7-7-7-7-7-7-7-|-6-6-6-6-6-6-6-6-6-6-6-|
|-7-7-7-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-7-7-7-|
|-----------------------|-----------------------|
|T5-5-5-5-5-5-5-5-5-5-5-|-5-5-5-5-5-5-5-5-5-5-5-|
Version 04 /1.01 April 2004 551

|[electric] | |
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|/7---------------------|---------------------4/|
|-----------------------|-----------------------|
|/5---------------------|---------------------2/|
But I ain't seen nothin' like him ...
Gsus4 G
|------------------------------|-----------------------|
|-3-3-3-3-3-3-3-3-3-3-3--------|-3-3-3-3-3-3-3-3-3-3-3-|
|-5-5-5-5-5-5-5-5-5-5-5--------|-4-4-4-4-4-4-4-4-4-4-4-|
|-5-5-5-5-5-5-5-5-5-5-5--------|-5-5-5-5-5-5-5-5-5-5-5-|
|------------------------------|-----------------------|
|T3-3-3-3-3-3-3-3-3-3-3--------|-3-3-3-3-3-3-3-3-3-3-3-|
|[electric] | |
|------------------------------|-----------------------|
|------------------------------|-----------------------|
|------------------------------|-----------------------|
|/5----------------------------|---------------------3/|
|------------------------------|-----------------------|
|/3----------------------------|---------------------1/|
That deaf, dumb and blind ...

F#7sus4 F#7
e s s e s e s e e s s w
|-0-0-0-0-0-0-0-0-0-0-0--|-0---------------------|
|-2-2-2-2-2-2-2-2-2-2-2--|-2---------------------|
|-4-4-4-4-4-4-4-4-4-4-4--|-3---------------------|
|-4-4-4-4-4-4-4-4-4-4-4--|-4---------------------|
|------------------------|-----------------------|
|T2-2-2-2-2-2-2-2-2-2-2--|-2---------------------|
|[electric] | w |
|------------------------|-----------------------|
|------------------------|-----------------------|
|------------------------|-----------------------|
|/4----------------------|-----------------------|
|------------------------|-4---------------------|
|/2----------------------|-2---------------------|
ball.
B A D E B A D E
e q q q e q e. s e e q e q q q e q e. s e e q
|-------2---|-0-0--0-0-0-0-|-------2---|-0-0--0-0-0-0--|
|-2-2-2-3---|-0-0--0-0-0-0-|-4-4-2-3---|-0-0--0-0-0-0--|
|-4-4-2-2---|-1-1--1-1-1-1-|-4-4-2-2---|-1-1--1-1-1-1--|
|-4-4-2-0---|-2-2--2-2-2-2-|-4-4-2-0---|-2-2--2-2-2-2--|
|-2-2-0-----|-2-2--2-2-2-2-|-2-2-0-----|-2-2--2-2-2-2--|
|---------0-|-0-0--0-0-0-0-|---------0-|-0-0--0-0-0-0--|
|[electric] | | |
| e q q q e | w | e q q q e | w |
|-----------|-0------------|-------2---|-0-------------|
|-------3---|-0------------|-------3---|-0-------------|
|-4-4-2-2---|-1------------|-4-4-2-2---|-1-------------|
|-4-4-2-0---|-2------------|-4-4-2-0---|-2-----------7/|
|-2-2-0-----|-2----------x-|-2-2-0---2-|-2-------------|
|---------0-|--------------|---------0-|-0-----------5/|
[VERSE 2; elec: harmonic B string 12th fret each measure]

He stands just like a statue, becomes ...
Version 04 /1.01 April 2004 552

[CHORUS]
He's a Pinball wizard, there has ...
E F# B B E F# B B
q q e q. q e q e q.
-0|-0--2----------------|-0---0--2------------|
-0|-0--2----4--4---4--4-|-0---0--2----4-4-4-4-|
-1|-1--3----4--4---4--4-|-1---1--3----4-4-4-4-|
-2|-2--4----4--4---4--4-|-2---2--4----4-4-4-4-|
-2|-2--4----2--2---2--2-|-2---2--4----2-2-2-2-|
-0|-0--2----------------|-0---0--2------------|
|[electric] | |
| q q e q. | q e q e q. |
--|-------------------0-|-----0---------------|
--|-------------------0-|-----0---------------|
-1|---------4--4------1-|-----1-------4-4-4---|
-2|-2--4----4--4------2-|-----2-------4-4-4---|
-2|-2--4----2--2--------|-2---2--4----2-2-2---|
-0|-0--2----------------|-0---0--2-----------0|
A pin-ball wizard's got ...

E F# B B G D Dsus4 D
q q e q. q q q q e e e q q e q e. s e e q
|-0-0-2-2-------------|-3----3-3--3-|-2-2-2-3-3-0-|-0-2--2-2-2-2--|
|-0-0-2-2--4--4-------|-3----3-3--3-|-3-3-3-3-3-3-|-3-3--3-3-3-3--|
|-1-1-3-3--4--4-------|-0----0-0--0-|-2-2-2-2-2-2-|-2-2--2-2-2-2--|
|-2-2-4-4--4--4-------|-0----0-0--0-|-0-0-0-0-0-0-|-0-0--0-0-0-0--|
|-2-2-4-4--2--2-------|-------------|-------------|---------------|
|-0-0-2-2-------------|-3----3-3--3-|-------------|---------------|
|[electric] | |[electric] | |
| q q e q. | w | w | |
|---------------------|-3-----------|-------------|---------------|
|---------------------|-3-----------|---7-7/8-7/8-|-7-------------|
|---1------4--4-----4-|-0-----------|-------------|---------------|
|---2------4--4-----4-|-0-----------|---7-7/9-7/9-|-7-------------|
|-2-2-4-4--2--2-----2-|-------------|-------------|---------------|
|-0-0-2-2------------3|-3-----------|-------------|---------------|
[BRIDGE]
How do you think he ....

D Cadd9 (G) D Cadd9 (G)
|--------0-----------|----------0------------|
|--------3-------3---|----------3-------3----|
|-----2--------0-----|------2---------0------|
|-0------------------|-0---------------------|
|------------3-----2-|------------3--------2-|
|-------------------3|----------------------3|
[electric tacit]
What makes him ...

D Cadd9 (G) D
| | q e e q |
|------0-------------|-0--------0-|
|------3---------3-3-|-3----3-3-3-|
|----2---------0-0-0-|-2----2-2-2-|
|-0------------0---0-|-0----0-0-0-|
|------------3-----2-|------------|
|-------------------3|------------|
[VERSE 3; elec: harmonic B string 12th fret palm mute each beat]
He ain't got no distractions, .....
Version 04 /1.01 April 2004 553

[repeat CHORUS]
I thought I was the Bally ....
[acoustic]
| D Dsus4 | D x x |
[electric]
|--2---2/3--0|-----0----3-------|
|---3--------|------3-----------|
|----2----2--|--2----0----------|
|-0----------|-0----------------|
|------------|------------------|
|------------|------------------|
|| Dsus4 | D ||
||-10--------------------|-10--------------------||
||-10--------------------|-10--------------------||
||.12--------------------|-11-------------------.||
||.12--------------------|-12-------------------.||
||-----------------------|-----------------------||
||-10T-------------------|-10--------------------||
||[electric guitar] | ||
||-----------------------|-----------------------||
||-----------------------|-----------------------||
||-----------------------|-----------------------||
||/12*-------------------|--------------------10/||
||-----------------------|-----------------------||
||/10*-------------------|---------------------8/||
[*2nd, 3rd and 4th repeats only]
[VERSE 4]
Dsus4 D
Even on my favorite table....
e s s e s e s e e s s e s s e s e s e e s s |
|-10-------------------|-10--------------------|
|-10-------------------|-10--------------------|
|-12-------------------|-11--------------------|
|-12-------------------|-12--------------------|
|----------------------|-----------------------|
|-10T------------------|-10--------------------|
|[electric guitar] | |
|----------------------|-----------------------|
|----------------------|-----------------------|
|----------------------|-----------------------|
|/12-------------------|---------------------8/|
|----------------------|-----------------------|
|/10-------------------|---------------------6/|
Csus4 C
His disciples lead him in and ...
|-8---------------------|-8---------------------|
|-8---------------------|-8---------------------|
|-10--------------------|-9---------------------|
|-10--------------------|-10--------------------|
|-----------------------|-----------------------|
|-8T--------------------|-8T--------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|/10--------------------|---------------------6/|
|-----------------------|-----------------------|
Version 04 /1.01 April 2004 554

|/8---------------------|---------------------4/|
Bbsus4 Bb
He's got crazy flipper fingers....
|-6--------------------|-6---------------------|
|-6--------------------|-6---------------------|
|-8--------------------|-7---------------------|
|-8--------------------|-8---------------------|
|----------------------|-----------------------|
|-6T-------------------|-6T--------------------|
|----------------------|-----------------------|
|----------------------|-----------------------|
|----------------------|-----------------------|
|/8--------------------|---------------------6/|
|----------------------|-----------------------|
|/6--------------------|---------------------4/|
Asus4 A5 D D C F
That deaf, dumb and blind kid sure ....
e s s e s e s e e s s w
|-0----------------------|-0-------------------|-2-2--0--1-|
|-5----------------------|-5-------------------|-3-3--1--1-|
|-7----------------------|-6-------------------|-2-2--0--2-|
|-7----------------------|-7-------------------|-0-0--2--3-|
|------------------------|---------------------|------3----|
|-5T---------------------|-5T------------------|---------1-|
|[electric guitar] | | |
|------------------------|---------------------|-2-2-------|
|------------------------|---------------------|-3-3--1--1-|
|------------------------|---------------------|-2-2--0--2-|
|/7----------------------|---------------------|-0-0--2--3-|
|------------------------|---------------------|------3--3-|
|/5----------------------|-5-------------------|---------1-|
Bb Bbsus4 Bb Bbsus4 Bb Bbsus4 Bb Bbsus4

|----------------|------------|----3---4---|------------|------|
|--3-----4-------|--------1/3-|-3---1---1--|1/3--4------|------|
|----1-----1-----|-1--1-------|---1--1---1-|----1-----1-|---1--|
|------1-----1/3-|---3--3-----|------------|-------1/3--|-3----|
|-1--------------|--1--1------|------------|---1--1-----|--1---|etc.
|----------------|------------|------------|------------|------|
[note: for stage versions, end with Amaj7: x02224]
Version 04 /1.01 April 2004 555

Use Me
Chords:
Em7 A7
my friend
Em7 A7
he looks down upon what you did
Em7 A7
and keeps trying to tell me
Em7 A7
all you really wanna do is use me
Em7 A7
yeah but my answer
Em7 A7
girl to all that use me stuff
(Darius and Edwin)<--- no guitar here chords are implied

Em7
I-I-I said I'm gon' spread the news
A7
that if it feels this good getting used
Em7
You just keep on using me
A7 <--- (chop the chord 3x)
Until you use me up
**Repeat throughout**
My Brother (Oh My Brother)

Sat me right down and he talked to me (hey now talk to me)
He try to tell me (try to tell me, tell me)
That I ought not let you just walk on me (not gon' let you walk on
me)
And I'm sure he meant well aw aw aw aw aw
girl but when our talk was through
I-I-I said brother but if you only knew

You would wish that you were in my shoes
YOu just keep on using me
until you use me up
Until you use me up
Yeah sometimes I
You kow you really really do abuse me (you abuse me)
you get me in acrowd of high class people
then you act a real rude to me (you act a real rude to me)
yeah but I said baby baby baby baby
when you love me I can't get enough (I can't get enough)
Version 04 /1.01 April 2004 556

(Darius and Edwin)
Until you use me up
My Brother (Oh My Brother)

Sat me right down and he talked to me (hey now talk to me)
He try to tell me (try to tell me, tell me)
That I ought not let you just walk on me (not gon' let you walk on
me)
yeah but I said baby baby baby baby
when you love me I can't get enough (I can't get enough)
(Darius and Edwin)

Until you use me up
(Drums) Soni Sonefeld

Intro:
Mark Bryan
e------------------------------------------------------------------
b------------------------------------------------------------------
g------------------------------------------------------------------
d---12--9---12--9--12---9-----6--0--------------------Repeat-------
a---10--7---10--7--10---7-----4--0--0h4-5-6-7/10------Throughout---
E-0-------0-----------0---------------------------0---except chorus
Edwin McCain
e--12-12-12-12-12-12-12-12-12-12-5-5-5-5-5-5-0-0---
b--12-12-12-12-12-12-12-12-12-12-5-5-5-5-5-5-0-0---
g--12-12-12-12-12-12-12-12-12-12-5-6-6-6-6-6-0-0---
d--12-12-12-12-12-12-12-12-12-12-5-5-5-5-5-5-0-0---
a--12-12-12-12-12-12-12-12-12-12-5-7-7-7-7-7-0-0---
E--12-12-12-12-12-12-12-12-12-12-5-5-5-5-5-5-0-0---
Darius Rucker
e--0--0--0--0--0--0--0--0--0--0--0-0-0-0-0-0-
b--3--3--3--3--3--3--3--3--3--3--2-2-2-2-2-2-
g--0--0--0--0--0--0--0--0--0--0--0-0-0-0-0-0-
d--2--2--2--2--2--2--2--2--2--2--2-2-2-2-2-2-
a--2--2--2--2--2--2--2--2--2--2--0-0-0-0-0-0-
E--0--0--0--0--0--0--0--0--0--0--------------
Version 04 /1.01 April 2004 557

In the year 2525
Em D
1. In the year 25-25, if man is still alive,
C D
if woman can survive, you may find.
Em D
In the year 35-35, ain`t gonna need to tell the truth, tell no lies.
C D
Everything, you think, do and say, is in the pill you took today.
Em D
2. In the year 45-45, you ain`t gonna need your teeth,
won`t need you eyes.

C D
You won`t find a thing to chew, nobody`s gonna look at you.
Em D
In the year 55-55, your arms hanging limp at your sides,
C D
your legs got nothing to do, some machine`s doing that for you.
Em
3. In the year 65-65,
D
you won`t need no husband, won`t need your wife.
C
You`ll pick your son, pick your daughter, too,
D
from ther bottom of a long glass tube.
Em D
In the year 75-10, if God`s a-coming, he oughta make it by then.
C
Maybe he`ll look around himself and say,
D
“Guess it`s time for the judgement day.“
Em D
4. In the year 85-10, God is gonna shake his mighty head,
C
he`ll either say, “I`m pleased, where man has been,
D
or tear it down and start again.
Em D
In the year 95-95, I`m kind of wondring, if man is gonna be alive.
C
He`s taken everything this old earth can give,
D
and he ain`t put back nothing.
Em D
5. Now it`s been 10,000 years, man has cried a billion tears,
C D
for what he never knew, now man`s reign is through.
Em D
But through eternal night, the twinkling of starlight,
Version 04 /1.01 April 2004 558
C D
so very far away, maybe it`s only yesterday.
Em D
In the year 25-25, if man is still alive,
C D
if woman can survive, you may find.
(Zagger + Evans)
Version 04 /1.01 April 2004 559

OH, PRETTY WOMAN
E-E7 ~ E-E7 ~ E – E7 E – E7 E – E7 E – E7
A F#m
1. Pretty woman, walking down the street,
A F#m D
pretty woman, the kind I'd like to meet, pretty woman.
E
I don't believe you, you're not the truth,
E7
no one could look as good as you.
E – E7 E – E7 E – E7 E – E7
(Mersey!)
A F#m
2. Pretty woman, won't you pardon me,
A F#m
pretty woman, I couldn't help but see,
D E
pretty woman, that you look lovely as can be,
E7
are you lonely just like me.
E – E7 E – E7 E – E7 E – E7
(Rrrowrr)
Am G C Am
Pretty woman, stop a while, pretty woman, talk a while,
Dm G C
pretty woman give your smile to me.
Dm G C Am
Pretty woman, yeah yeah yeah, pretty woman look my way,
Dm G C -A
pretty woman say you'll stay with me.
F#m Dm E
'Cause I need you, I'll treat you right.
A F#m Dm E
Come with me baby, be mine tonight.
– E7 E – E7 E – E7 E – E7
Version 04 /1.01 April 2004 560

A F#m
3. Pretty woman, don't walk on by,
A F#m
pretty woman, don't make me cry,
D E E7 ~
pretty woman. Don't walk away, hey.
E ~ E ~
OK. If that's the way it must be, OK.
E
I guess I'll go on home, it's late,
E
there'll be tomorrow night, but wait !
E-E7 ~ E-E7 ~
What do I see ?
E E7 E - E7 E – E7
Is she walking back to me,
E - E7 E E7 E - E7 E - E7
Yes, she's walking back to me.
E - E7 E - E7 A
Oh, woh, pretty woman.
Version 04 /1.01 April 2004 561

WANNABE
- Performed by the Spice Girls, From the Virgin album SPICE
YO!
B D
I'll tell you what I want, what I really really want
E A A#
So tell me what you want, what you really really want
B D
E A A#
B D
I wanna (huh) I wanna (huh) I wanna (huh) I wanna
(huh)
E A A#
I wanna really really really wanna zigazig ahh!
F# G#
If you want my future
E B
Forget my past
F# G#
If you wanna get with me
E B
Betta make it fast
F# G#
Now don't go wasting
E B
My precious time
F# G#
Get your act together
E B
We could be just fine
CHORUS:
N.C B D
E A A#
B D
I wanna (huh) I wanna (huh) I wanna (huh) I wanna
(huh)
E A A#
I wanna really really really wanna zigazig ahh!
F# G#
If you wanna be my lover
E B
You gotta get with my friends
F# G#
Make it last forever
E B
Friendship never ends
Version 04 /1.01 April 2004 562

F# G#
E B
You have got to give
F# G#
Taking is too easy
E B
But that's the way it is
N.C
What d'you think about that
E B
Now you know how I feel?
F# G#
Say you can handle my love
E B
Are you for real?
F# G#
I won't be hasty
E B
I'll give you a try
F# G#
If you really bug me
E B
Then I'll say goodbye!
YO!
So.. Here's the story from A to Z } All of
this is
You wanna get with me, you gotta listen carefully } played
over the
We've got 'M' in the place who likes it in her face } b-d-e-a-
a# chord
You got 'G' lock MC who likes it on a.. }
progression 3
Easy V doesn't come for free, she's a real lady } times, no
more
And as for me, ha you'll see! } no
less...
B D
Slam me body down and wind it all around
N.C
Slam me body down and wind it all around
F# G#
E B
You gotta, you gotta, you gotta, you gotta,
Ad lib for a bit..

E A A#
Slam me body down and zigazig ahh
F#
END
Version 04 /1.01 April 2004 563

Notes:
The best way to play the b-d-e-a-a#-b bits is as follows
e ---------------------------------|
b -----SLIDE----SLIDE--------------|
g -4--4--/--7--7--/--9--9--2--2--3-| Repeat and
d -4--4--/--7--7--/--9--9--2--2--3-| so on.....
a -2--2--/--5--5--/--7--7--0--0--1-|
e ---------------------------------|
Any comments or queries, drop me a line, Webble@dircon.co.uk
Transcribed by Lee Webb.

The chord timings are not spot on, but i`m sure you`ll all be ok!!!!
YOU MAY FREELY DISTRIBUTE THIS FILE ONLY IN ITS PRESENT FORM!!!!
FAILURE TO COMPLY MAY RESULT IN BROKEN LEGS!!!!
(The author is 6 foot 4 and `quite handy`)
Legal Stuff:
As usual, this is my own interpretation of this piece and is

intended
for private study, research and
though what you could learn from
5 insane British women is quite frankly beyond me...
Say You`ll Be There coming soon...

2 become 1 coming a bit after that...
Also Available by e-mailing the author:
Ohh Ahh Just a Little Bit (Gina G)

Three Lions (Lightning Seeds, Baddiel and Skinner)
(c)December 1996 Useless Transcriptions inc.
Wannabe : Spice Girls
transcribed by Trevor Borgmeier (tjborgmeier@bigfoot.com)
Chords
verse Chorus
F# G#m E B7 B5 D5 G5 A5 A#5
2 4 0 2 x x x x x
2 4 0 4 x x x x x
3 4 1 2 x 7 9 x x
4 6 2 4 9 7 9 7 8
4 6 2 2 9 5 7 7 8
2 4 0 2 7 x x 5 7
Version 04 /1.01 April 2004 564

DER RATTENFÄNGER Hannes Wader
A
Fast jeder weiß, was in Hameln geschah,
E A
vor tausend und einem Jahr.
Wie dort die Ratten hausten, die alles fraßen,
E A
was nicht aus Eisen war.
Zu dieser Zeit kam ich nach langer Fahrt
D A
als Spielmann in diese Stadt,
Und ich hörte als erstes den Herold schrein,
E A
als ich den Markt betrat.

Wer mit Gottes Hilfe oder allein
E A
die Stadt von den Ratten befreit,

für den lägen ab nun beim Magistrat
D A E A
hundert Taler in Gold bereit.
Ich packte mein Bündel, die Flöte und der so hoch war, daß nur die Ratten
Leier ihn hörten,
und klopfte ans Rathaustor. und keine kam davon.
Kaum sah man mich, schlug man die Tür Bis hinein in die Weser folgte mir
wieder zu, bald die ganze quiekende Brut,
und legte den Riegel vor. und am Morgen trieben an
Und ich hörte, wie man den Herren hunderttausend
sagte, Kadaver in der Flut.
es stünde ein Mann vor dem Tor,
zerrissen und stinkend, in bunten Als die Hamelner Bürger hörten, was
Lumpen alles
mit einem Ring im Ohr. geschehen war in der Nacht,
Dieser Mann ließe nun den Herren tanzten sie auf den Straßen, nur
sagen, an mich hatte keiner gedacht.
er käm' von weit, weit her, Und als ich dann wieder vorm Rathaus
und er böte der Stadt seine Hilfe, stand
weil und forderte meinen Lohn,
er ein Rattenfänger wär. schlug man auch diesmal die Tür vor
mir zu
Ich wartete lange, dann rief eine und erklärte mir voller Hohn,
Stimme nur der Teufel könne bei meiner Arbeit
durch die geschlossene Tür: im Spiel gewesen sein,
Vernichte die Ratten, und Du bekommst deshalb sei es gerecht, ich triebe bei
die versprochenen Taler dafür. ihm
Und ich ging und blies in der Nacht meine hundert Taler ein.
die Flöte,
immer nur einen einzigen Ton,
Version 04 /1.01 April 2004 565
Doch ich blieb und wartete Stunde um der Kinder dieser Stadt,
Stunde und die hilflosen Bürger brachten die
bis zum Abend vor jenem Haus, Sache
aber die Ratsherren, die drinnen vor den hohen Rat.
saßen,
trauten sich nicht heraus. Es geschah, was heute immer noch
Als es Nacht war, kamen bewaffnete geschieht,
Kerle, wo Ruhe mehr gilt als Recht,
ein Dutzend oder mehr, denn wo die Herrschenden Ruhe woll'n,
die schlugen mir ihre Spieße ins Kreuz geht's den Beherrschten schlecht.
und stießen mich vor sich her. So beschloß man die Vertreibung
Vor der Stadt hetzten sie ihre Hunde einer ganzen Generation.
auf mich, In der Nacht desselben Tages begann
und die Bestien schonten mich nicht. die schmutzige Aktion.
Sie rissen mich um und pißten mir noch Gefesselt und geknebelt,
ins blutende Gesicht. von den eigenen Vätern bewacht,
hat man die Kinder von Hameln ganz
Als der Mond schien, flickte ich meine heimlich
Lumpen, aus der Stadt gebracht.
wusch meine Wunden im Fluß
und weinte dabei vor Schwäche und Wut, Nun war wieder Ruhe in der Stadt
bis der Schlaf mir die Augen schloß. Hameln,
Doch noch einmal ging ich zurück in fast wie in einem Grab.
die Stadt. Doch die Niedertracht blühte, die
Ratsherren faßten
Ich hatte vorher mein zerfleischtes eilig ein Schreiben ab.
Gesicht Das wurde der Stadtchronik beigefügt
mit bunter Farbe bedeckt mit dem Stempel des Landesherrn
und mein Wams, damit man die Löcher und besagt, daß die Kinder vom
nicht sah, Rattenfänger
mit Hahnenfedern besteckt. ermordet worden wär'n.
Und ich spielte und sang, bald kamen Doch die Hamelner Kinder sind nicht
die Kinder tot,
zu mir von überall her, zerstreut in alle Welt,
hörten, was ich sang mit Empörung haben auch sie wieder Kinde gezeugt,
und vergaßen es nie mehr. ihnen diese Geschichte erzählt.
Und die Kinder beschlossen, mir zu
helfen Denn auch heute setzen sich Menschen
und nicht mehr zuzusehn, für die Rechte Schwächerer ein,
wo Unrecht geschieht, sondern immer diese Menschen könnten wohl die Erben
gemeinsam der Hamelner Kinder sein.
dagegen anzugehn. Doch immer noch herrscht die Lüge
über die Wahrheit in der Welt,
Und die Hamelner Kinder hielten ihr und solange die Gewalt und die Angst
Wort die Macht in Händen hält,
und bildeten ein Gericht, solange kann ich nicht sterben,
zerrten die Bosheit und die Lügen nicht ausruhn und nicht fliehn,
ihrer Väter ans Licht. sondern muß als Spielmann und
Und sie weckten damit in ihren Eltern Rattenfänger immer weiterziehn.
Betroffenheit und Scham, Denn noch nehmen Menschen Unrecht
und weil er sich schämte, schlug manch als Naturgewalt in Kauf,
ein Vater und ich hetze noch heute die Kinder
sein Kind fast krumm und lahm. dagegen
Doch mit jeder Mißhandlung wuchs der immer wieder auf.
Mut
Version 04 /1.01 April 2004 566

HEUTE HIER, MORGEN DORT HANNES WADER
C F C
Heute hier, morgen dort, bin kaum da, muß ich fort,
Am G
hab mich niemals deswegen beklagt.
C F
Hab es selbst so gewählt, nie die Jahre gezählt,
Am G C
nie nach gestern und morgen gefragt.
G F C
R: Manchmal träume ich schwer und dann denk ich es wär
G F C
Zeit zu bleiben und was ganz andres zu tun.
F C
So vergeht Jahr um Jahr und es ist mir längst klar,
Am G C
daß nichts bleibt, daß nichts bleibt, wie es war.
C F C
Daß man mich kaum vermißt, schon nach Tagen vergißt,
Am G
wenn ich längst wieder woanders bin.
C Am C
Stört und kümmert mich nicht, vielleicht bleibt mein Gesicht
Am G C
noch dem einen oder andern im Sinn.
R:
C F C
Wenn mich einer fragt, warum ich so bin, bleib ich stumm,
Am G
denn die Antwort darauf fällt mir schwer.
C F C
Denn was neu ist, wird alt und was gestern noch galt,
Am G C
gilt schon heut oder morgen nicht mehr...
R:
Version 04 /1.01 April 2004 567

C F C
Alternativtext
Heute hier, morgen dort, den Tresor aufgebohrt,
Am G
hab mich niemals deswegen beklagt.
C F
Hab es selbst so gewählt, nie die Brüche gezählt,
Am G C
hab es gerne und häufig gewagt.
G F C
R: Manchmal bohrt es sich schwer und dann denk ich es wär
G F C
ein Defekt immerhin an der Schlagbohrmaschin`.
F C
Doch nach nicht mal `nem Jahr wird mir schlagartig klar,
Am G C
daß es ein Holz, kein Metallbohrer war.
C F C
Wenn mich einer fragt, warum ich so bin, bleib ich stumm,
Am G
denn die Antwort darauf fällt mir schwer.
C F C
Autonomer Rebell oder kleinkriminell
Am G C
manchmal weiß ich das selbst schon nicht mehr....
Version 04 /1.01 April 2004 568

JA
Selig
Nett rasiert und ungedutzt

schleimst Du Dich durch die Welt
man sieht Dich nur noch frisch geduscht
für das fette Geld
Im bitterbunten Bizepslook
und nie einen Zug verpaßt
mußt gerade Du mir sagen,
ich sei ein ungebetener Gast
Nimm Dich nicht so wichtig
und nimm´s mir nicht so krumm
Tut mir leid, Du langweilst mich
und frag mich nicht warum
Jaja...
Laß Dich treiben, wo immer Du auch bist
Bist 21 Jahre und erzählst mir was man braucht,
doch Deine goldenen Lebensregeln
halt ich weder ein noch aus
halt die Aktien beieinander
gib Deinem Leben einen Sinn
Ich habe keine Lust zu sterben,
bevor ich begraben bin!
ich sag Jajaja...
laß Dich..
Version 04 /1.01 April 2004 569

KOKAIN (HANNES WADER)
C F CF D
1. Ich kam von Frankfurt nach Berlin, drei Koffer voll mit Kokain.
C G7 C
Cocaine, all around my brain.
C F C
Hallo Taxi, schnell zum Kudamm, Ecke Tauentzien,
F D
meine Frau, meine Kinder schrei'n nach Kokain.
C G7 C
E7
Re train: Hm, hm, hm, hey! Oh, Mama, komm schnell her,
F D C G7 C
halt mich fest, ich kann nicht mehr. Cocaine, all around my brain.
2. Meine Frau heifit Evelyn, ich weiS nicht, liebt sie mich oder mehr
mein Kokain? Cocaine, all around my brain. "Liebster", fragt sie, "rate
mal, was kitzelt so schon in der Nase, schmeckt nach Scheiße, wirkt wie
Arsen?" Cocaine, all around my brain.
Refrain
3. Mein Sohn ist zwolf, ewig angetornt. ich verbiet es ihm, damit er
endlich laufen lernt. Cocaine, all around my brain. Seit gestern weiß er
endlich, wer ich bin. Wenn er mich sieht, schreit er: "Papa, hattu
Kokain?" Cocaine, all around my brain.
Refrain
4. Meine kleine Tochter ist jetzt grad auf 'nem Trip, den sie letztes
Jahr eingepfiffen hat. Cocaine, all around my brain. Sie sieht aus als
war sie dreißig und sie macht auf zwanzig. Dabei ist sie erst acht.
Cocaine, allaround my brain.
Refrain
5. Meine Tante dealt seit einem Jahr. Seitdem geht'sie über Leichen,
fährt 'nen Jaguar. Cocaine, all around my brain. Immer, wenn sie kommt,
bringt sie ein Stückchen Shit in der Radkappe für die Kinder mit.
Refrain
6. Mein Onkel kam vom Alkohol zum Kokain. Jetzt will er sich das Kokain
Version 04 /1.01 April 2004 570

mit Schnaps entziehn. Cocaine, all around my brain. Seit gestern liegt
er im Delirium. Ab morgen steigt er wieder auf die Droge um. Cocaine,
all around my brain.
Version 04 /1.01 April 2004 571

ANITA
D A
1. Ich fand sie irgendwo, allein in Mexiko, Anita, Anita.
A7 G D -A
Schwarz war ihr Haar, die Augen wie zwei Ste...rne so klar.
D A
Komm´ steig auf mein Pferd, sagte ich zu ihr, Anita, Anita.
A7 D
Fiesta ist heut´, die Stadt ist nicht mehr weit,
A D
mach dich schnell bereit.
D7 G
Ich seh dir an, da schlummert ein Vulkan.
D
Du wartest auf die Lie...be,
D7 E
Ich will sie wecken und alles entdecken,
A A7
was keiner bisher sah. Ohohohoho.
D A
2. Reite wie der Wind, bis die Nacht beginnt, Anita, Anita.
A7 D A D
Dann sind wir da und jeder soll es sehn, wie gut wir uns verstehn.
D7 A G D
Musikanten herbei, spielt ein Lied für uns zwei,
A E A
bei Musik und bei Wein, wollń wir heut glücklich sein.
D A
A7 G D -A
D A
Ich baue uns ein Nest, wo sich`s leben lässt, Anita, Anita.
A7 D A D
In Mexiko, denn nur bei dir allein, will ich immer sein.
Version 04 /1.01 April 2004 572

D7 G
Um uns herum, da saßen sie ganz stumm
D
und machten grosse Au...gen.
D7 E
Die companeros mit ihren sombreros,
A A7
und nun gehörst du mir. Ohohoho
D A
4. Heute ist die Nacht nicht zum Schlafen da, Anita, Anita.
A7 D A D D7
Denn so ein Fest, gab es noch nirgendwo, hier in Mexiko. Yey!
A G D
A E A
D A
5. Ich fand sie irgendwo, allein in Mexico, Anita, Anita.
A7 G D -A
D A
Ich baue uns ein Nest, wo sich`s leben lässt, Anita, Anita......
(Orig. = Capo 3)
(Costa Cordalis
Version 04 /1.01 April 2004 573

AMORE MIO lyrics by roland kaiser
Amore Mio
Dieter Thomas Kuhn & Band (Roland Kaiser)
a -E - a - E (außer Refrain)
Zieh dich nicht aus Amore Mio! Komm doch nach Haus, Amore Mio!
Trink nicht so viel Amore Mio! Bei jedem Glas Amore Mio,
werd ich ganz blass, Amore Mio! Zieh dich nicht aus Amore Mio!
adG
Nach vier, fünf Rotwein, Amore Mio, bist du nicht zu halten und jedesmal
ad
kommt dann diese Show. Sei doch vernünftig, Amore Mio!
Ga
Und denk an die Kinder - wenn die dich so sehen - ja was meinst du wohl.
Ea
Amore Mio, der Knopf bleibt zu Amore Mio!
Gib endlich Ruh, Amore Mio!

Ich fleh dich an Amore Mio! Das geht zu weit Amore Mio!
Ich will kein' Streit, Amore Mio! Ich fleh dich an, Amore Mio.
Ich bin ganz ratlos, Amore Mio! Sonst bist du so friedlich,

ein Typ, der nie aus der Rolle fällt. Denk auch an mich, Amore Mio!
Und lass diesen Unsinn, das ganze Lokal amüsiert sich schon.
Amore Mio, jetzt zieh dich aus Amore Mio!
Wir sind zu Haus' Amore Mio.

Ich liebe dich, Amore Mio. Trink noch ein Glas, Amore Mio.
Das wird ein Spaß Amore Mio. Wir sind allein, Amore Mio.
Nach vier, fünf Rotwein, Amore Mio, bist du nicht zu halten und jedesmal
kommt dann diese Show. Sei doch vernünftig, Amore Mio!
Und denk an die Kinder - wenn die dich so sehen - ja was meinst du wohl.
Amore Mio, Amore Mio
Version 04 /1.01 April 2004 574

MOVIESTAR
- Dieter Thomas Kuhn & Band (Harpo)
veröffentlicht auf der Single 'Sag mir Quando', 1998, wea records
immer: C - e - F - G
You feel like Steve McQueen when you´re driving in your car
And you think you look like James Bond when you´re smoking your cigar
It´s so bizarre you think you are the new kind of James Dean
But the only thing I´ve ever seen of you was a commercial spot on the
screen
Moviestar, oh Moviestar
you think you are a movie
Moviestar, oh Moviestar
you think you are a Movie star ... a-haha
You should belong to the jetsets flying your own private LearJet
But you worked in a grocery store everyday until you could afford to get
away
So you went to Sweden and to me, to the birdman but he wasn´t there
or he just didn´t care
I think it´s time for you my friend to stop pretend back you are a
Moviestar, oh Moviestar ...
Frozen hero ... your words are zero

and your dreams has vanished into dark
and long ago but you don´t want to know
Moviestar, oh Moviestar ... :||
Version 04 /1.01 April 2004 575

TANZE SAMBA MIT MIR
- Dieter Thomas Kuhn & Band (Tony Holiday)
Am E
Ah ah ah ah - Du bist so heiss wie ein Vulkan
Am E Am
Ah ah ah ah - und heut verbrenn ich mich daran
Dm
Jedermann nennt dich Sweet Lady Samba,
Am
Jeder sieht dass du kein Kind mehr bist
Dm
Die bunten Lichter drehn sich wie Feuer
E Am
Wenn du die Welt ringsumher vergisst.

Rock'n'Roll, Cha Cha, Bomb und Boogie

Das ist jetzt alles für mich vorbei
Die ganze Welt tanzt heute die Samba
Ole ole, wir sind dabei.
EA
Tanze Samba mit mir, Samba Samba die ganze Nacht
EA
Tanze Samba mit mir, weil die Samba uns glücklich macht
DA
Liebe, Liebe, Liebelei, morgen ist sie vielleicht vorbei
E Am
Tanze Samba mit mir, Samba Samba die ganze Nacht.
Am E
Am E

E/A/E/A-D/A/E/A
EA
EA
DA
EA
Version 04 /1.01 April 2004 576
ÜBER SIEBEN BRÜCKEN MUSST DU GEHEN
Dieter Thomas Kuhn & Band (Peter Maffay)
1. Strophe:
GCGD-G
Manchmal geh ich meine Straße ohne Blick,
GCFD
Manchmal wünsch ich mir mein Schaukelpferd zurück,
Am Em
Manchmal bin ich ohne Rast und Ruh,
D Am D - a - G
Manchmal schließ ich alle Türen nach mir zu.
2. Strophe:
Manchmal ist mir kalt und manchmal heiß,
Manchmal weiß ich nicht mehr, was ich weiß,
Manchmal bin ich schon am Morgen müd,
Und dann such ich Trost in einem Lied.
Refrain:
GDGD
Über sieben Brücken mußt du gehn,
DGCD
Sieben dunkle Jahre überstehn,
D Am Hm Em
Siebenmal wirst du die Asche sein,
CDG
Aber einmal auch der helle Schein.
Manchmal scheint die Uhr des Lebens still zu stehn,

Manchmal scheint man immer nur im Kreis zu gehn,
Manchmal ist man wie von Fernweh krank,
Manchmal sitzt man still auf einer Bank.
Manchmal greift man nach der ganzen Welt,

Manchmal meint man, daß der Glücksstern fällt,
Manchmal nimmt man, wo man Lieder gibt,
Manchmal haßt man das, was man doch liebt. Refrain
Version 04 /1.01 April 2004 577

FIESTA MEXICANA
D D D D
1. 1. Hossa! Hossa! Hossa! Hossa!
D
Fiesta, Fiesta Mexicana,
A A7 D
heut geb ich zum Abschied für alle ein Fest.

A A7 D
es gibt viel Tequila, der glücklich sein läßt.
G A A7
Alle Freunde, sie sind hier, feiern noch einmal mit mir.
D
Wir machen Fiesta, Fiesta Mexicana,
A A7 D
weil ihr dann den Alltag, die Sorgen schnell vergeßt.
G D G
Adio, adio Mexico, ich komme wieder zu dir zurück.
D
Adio, adio Mexico, ich grüß mit meinem Sombrero,
D7 G -A
te quiero, ich habe dich so lieb.
D
2. 2. Fiesta, Fiesta Mexicana,
A A7 D
auf der kleinen Plaza, da lacht man und singt.

A A7 D
wenn zum letzten Tanz die Gitarre erklingt.
G A A7
Juanita, Pepe, ja die zwei, sagen nocheinmal : Goodbye,
D
wir machen Fiesta, Fiesta Mexicana,
A A7 D
weil das bunte Leben die Liebe zu uns bringt.
+ REFRAIN
Version 04 /1.01 April 2004 578

D D D D
3. Hossa! Hossa! Hossa! Hossa!
D
A A7 D
bald schon wird es hell, denn der Morgen ist nah.
Und ich küsse Carmencita,

A A7 D
denn ich weiß die Stunde des Abschieds ist nah.
G
Weine nicht, muß ich auch gehn,
A A7
weil wir uns ja wieder sehn,
D
bei einer Fiesta, Fiesta Mexicana
A A7 D
dann wird alles wieder so schön wie es mal war.
D D A A7 D
Hossa! Lala lalalalalala lalalala lalalalala, oho !
A
Fiesta, Fiesta Mexicana bald wird wieder alles so schön,
A7 D
ja du wirst sehn, darum bin ich bald wieder da.
D D D A-D
Hossa! Hossa! Hossa! Oho!
(Rex Gildo)
Version 04 /1.01 April 2004 579

GRIECHISCHER WEIN
Cm Bb Eb
Es war schon dunkel, als ich durch Vorstadtstrassen heimwärts ging.
Eb Bb
bdim
Da war ein Wirtshaus, aus dem das Licht noch auf den Gehsteig
schien.
Cm Gm Cm
Ich hatte Zeit und mir war kalt, drum trat ich ein.
Da sassen Männer mit braunen Augen und mit schwarzem Haar.
Und aus der Jukebox erklang Musik, die fremd und südlich war.
Als man mich sah, stand einer auf und lud mich ein.
Ab
Griechischer Wein ist so wie das Blut der Erde.
Eb
Komm schenk dir ein, und wenn ich dann traurig werde,
Bb Eb Eb7
liegt es daran, dass ich immer träume von daheim, du mußt verzeihn.
Ab
Griechischer Wein und die alt vertrauten Lieder,
Eb
Schenk nochmal ein, denn ich fühl die Sehnsucht wieder,
Bb Cm Gm Cm
in dieser Stadt werd ich immer nur ein Fremder sein und allein.
Und dann erzählten sie mir von grünen Hügeln, Meer und Wind.
Von alten Häusern und jungen Frauen, die alleine sind.
Und von dem Kind, das seinen Vater noch nie sah.
Sie sagten sich immer wieder, irgendwann geht es zurück.
Und das Ersparte genügt zu Hause für ein kleines Glück.
Und bald denkt keiner mehr daran, wie es hier war.
Griechischer Wein...
Version 04 /1.01 April 2004 580

IM WAGEN VOR MIR (Midi anhören)
C a F G
Lata, lata, ladatatatam, lata lata, ladatatatam. (2 x)
C F G
1. Im Wagen vor mir fährt ein junges Mädchen,
C F G
sie fährt allein und sie scheint hübsch zu sein.
C F G C
Ich weiß nicht ihren Namen, und ich kenne nicht ihr Ziel,
F d G
Ich merke nur, sie fährt mit viel Gefühl.
C F G
2. Im Wagen vor mir fährt ein junges Mädchen,
C F G
ich möcht gern wissen, was sie grade denkt.
C F G C
Hört sie denselben Sender, oder ist ihr Radio aus?
F G C
Fährt sie zum Rendezvous oder nach Haus.
a F G
Lata, lata, latatatatam, lata lata, latatatatam.
C F G
3. Was will der blöde Kerl da hinter mir nur? (ist sie nicht süß?)
C F G
Ich frag mich, warum überholt der mich? (so weiches Haar!).
C F G C
Der hängt nun schon ne halbe Stunde ständig hinter mir.
F d G
Nun dämmert`s schon und der fährt ohne Licht.(so schön mit 90!)
C F G
4. Der könnt schon hundert Kilometer weg sein (was bin ich froh),
C F G
Mensch, fahr an meiner Ente doch vorbei! (ich fühl mich richtig wohl).
C F G C
Will der mich kontrollieren, oder will er mich entführen?
F G C
Oder ist das in Zivil die Polizei.
C a F G
Lata, lata, latatatatam, lata lata, latatatatam.
Version 04 /1.01 April 2004 581

C F G
5. Wie schön, daß ich heut endlich einmal Zeit hab,
C F G
ich muß nicht rasen wie ein wilder Stier.
C F G C
Ich träum so in Gedanken ganz allein und ohne Schranken,
F d G
und wünsch das schöne Mädchen wär bei mir.
C F G
6. Nun wird mir diese Sache langsam mulmig (die Musik ist gut),
C F G
ich fahr die allernächste Abfahrt raus (heut ist ein schöner Tag!)
C F G C
Dort werd ich mich verstecken hinter irgendwelchen Hecken.
F G C
Verdammt, dadurch komm ich zu spät nach Haus.
C F G
7. Bye bye, mein schönes Mädchen, gute Reise.
C F G
Sie hat den Blinker an, hier fährt sie ab.
C F G C
Für mich wird in zwei Stunden auch die Fahrt zuende gehen,
F G C
doch Dich, mein Mädchen, werd ich nie mehr sehn.
a F G
Lata, lata, ladatatatam, lata lata, ladatatatam.
C a F G
Lata, lata, latatatatam, lata lata, latatatatam.......
Version 04 /1.01 April 2004 582

ABER BITTE MIT SAHNE
D G D
1. 1. Sie treffen sich täglich um viertel nach drei, ohoho, oh yeah!
G D
am Stammtisch im Eck in der Konditorei, ohoho, oh yeah!
G D
Und blasen zum Sturm auf das Kuchenbuffet,
G A
auf Schwarzwälder-Kirsch und auf Sahne-Baiser,
D G
auf Früchteeis, Ananas, Kirsch und Banane,
G-G–A --------- D
aber bitte mit Sahne! (Aber bitte mit Sahne!)
D G D
2. 2. Sie schwatzen und schmatzen, dann holen sie sich, ohoho, oh yeah!
G D
noch Buttercremetorte und Bienenstich, ohoho, oh yeah!
G D
Sie pusten und prusten, fast geht nichts mehr rein,
G A
nur ein Mohrenkopf höchstens, denn Ordnung muß sein,
D G
bei Mathilde, Ottilie, Marie und Liliane,
G–G–A --------- D
D G D
3. 3. Und das Ende vom Lied hat wohl jeder geahnt, ohoho, oh yeah!
G D
der Tod hat reihum sie dort abgesahnt, ohoho, oh yeah!
G D
Die Hinterbliebenen fanden vor Schmerz keine Worte.
G A
Mit Sacher und Linzer und Marzipantorte
D G
hielt als letzte Liliane getreu noch zur Fahne,
G–G–A --------- D
Version 04 /1.01 April 2004 583

D G D
4. 4. Doch auch mit Liliane war es schließlich vorbei, ohoho, oh yeah!
G D
sie kippte vom Stuhl in der Konditorei, mmm, oh yeah!
G D
Auf dem Sarg gab's statt Kränzen verzuckerte Torten,
G A
und der Pfarrer begrub sie mit rührenden Worten,
D G
daß der Herrgott den Weg in den Himmel ihr bahne,
G–G–A ~ --------- D
Noch ein Tässchen Kaffee? (Aber bitte mit Sahne!)
Noch ein kleines Baiser? (Aber bitte mit Sahne!)
Oder soll`s vielleicht doch `n Keks sein? (Aber bitte mit Sahne!)
(Orig. = Capo 3)
Version 04 /1.01 April 2004 584

ICH WOLLT' ICH WÄR EIN HUHN
(gesprochen:) C
"Ich wollt, ich wollt, ich wollt...." "Was willst du denn?"
"Dichten!" "Oh, Herr Dichter!" ( dann gesungen:)
C G
Ich wollt, ich wär ein Huhn, ich hätt nicht viel zu tun,
G7 C
ich legte vormittags ein Ei und nachmittags wär ich frei.
G
Mich lockte auf der Welt kein Ruhm mehr und kein Geld,
G7 C
und fände ich das große Los, dann fräße ich es bloß.
F C D G
Ich brauchte nie mehr ins Büro, ich wäre dämlich, aber froh!
C G
Ich wollt, ich wär ein Huhn, ich hätt nicht viel zu tun,
G7 C
ich legte täglich nur ein Ei und sonntags auch mal zwei.
C
Der Mann hat' s auf der Welt nicht leicht,
G C
das Kämpfen ist sein Zweck.
e
Und hat er endlich was erreicht, nimmt' s eine Frau ihm weg.
C
Er lebt, wenn' s hoch kommt, hundert Jahr
und bringt's bei gutem Start,

e D G
und nur, wenn er sehr fleißig war, zu einem Rauschebart.
+ REFR + Instr. = REFR., Zeile 1 - 4 + Zeile 5 -7 gesungen
+ Juchhei!
(Lilian Harvey und Willy Fritsch)
Version 04 /1.01 April 2004 585

AUF DER REEPERBAHN NACHTS UM HALB EINS
G-D-G G -D-G
G D G
1. Silbern klingt und springt die Heuer, heut spiel ich das feine Aas,
D G
heute, da ist mir nichts zu teuer, morgen geht ja die Reise los.
A D
Langsam bummel ich ganz alleine
A D
die Reeperbahn nach der Freiheit rauf,
A D G D A D
treffe ich eine Blonde, recht Feine, die gabel ich mir auf.
G D G C G D G
Komm doch, liebe Kleine, sei die meine, sag nicht nein,
C G C G A D
sollst bis morgen früh um neune meine kleine Liebste sein.
G C G
Ist es dir recht, ja, dann bleib ich dir treu sogar bis um zehn,
C G D D7 G
hak mich unter wir wollen zusammen mal bummeln gehn.
D G D G -D
Auf der Reeperbahn nachts um halb eins,
G C G
ob du`n Mädel hast oder ob keins,
D G
amüsierst du dich, denn das findet sich,
A D
auf der Reeperbahn nachts um halb eins.
G D G -D
Wer noch niemals in lauschiger Nacht
G C G
einen Reeperbahnbummel gemacht,
D G -C
ist ein armer Wicht, denn der kennt dich nicht,
G D G
mein St. Pauli, St. Pauli bei Nacht.
G
Version 04 /1.01 April 2004 586

2. Komm ich heim im nächsten Jahre,
D G
braungebrannt wie so`n Hottentott,
D G
hast du deine blonden Haare schwarz gefärbt, vielleicht auch rot.
A D
Grüßt dich dann mal ein fremder Jung
A D
und du gehst vorüber und kennst ihn nicht,
A D G
kommt dir vielleicht die Erinnerung wieder
D A D
wenn leis er zu dir spricht.
G D G C G D G
Komm doch, liebe Kleine, sei die meine, sag nicht nein,
C G C G A D
sollst bis morgen früh um neune meine kleine Liebste sein.
G C G
Ist es dir recht, ja, dann bleib ich dir treu sogar bis um zehn,
C G D D7 G
hak mich unter wir wollen zusammen mal bummeln gehn.
+ REFRAIN + REFRAIN
(Hans Albers
Version 04 /1.01 April 2004 587

PROBIERS MAL MIT GEMÜTLICHKEIT
--------- -C F
1. Probiers mal mit Gemütlichkeit, mit Ruhe und Gemütlichkeit,
C A D -G
jagst du den Alltag und die Sorgen weg.
-C F
Und wenn du stets gemütlich bist und etwas appetitlich ist,
C Am D G C
dann nimm es dir, egal von welchem Fleck.
------- G C
Was soll ich woanders, wo's mir nicht gefällt?
G C - C7
ich gehe nicht fort hier, auch nicht für Geld.
F Dm C Am
Die Bienen summen in der Luft, erfüllen sie mit Honigduft,
D D7
und schaust du unter 'nen Stein,
G G7
erblickst du Ameisen, die hier gut gedeih'n.
C A ~~~
Probier mal, zwei, drei, vier.
- - - - - - - - Dm G C - Dm
Denn mit Gemütlichkeit kommt auch das Glück zu dir!
G C
Es kommt zu dir.
-------- -C F
C A D -G
vertreibst du deinen ganzen Sorgenkram.
-C F
C Am D G C
dann nimm es dir, egal woher es kam.
---------------- G C
Na, und pflückst du gern Beeren und du piekst dich dabei,
G C - C7
dann lass dich belehren: Schmerz geht bald vorbei!
F Dm C
Du musst bescheiden aber nicht gierig im Leben sein,
Am
sonst tust du dir weh,
Version 04 /1.01 April 2004 588

D D7
du bist verletzt und zahlst nur drauf,
G G7
drum pflücke gleich mit dem richt'gen Dreh!
C A ~~~
Hast du das jetzt kapiert?
- - - - - - - - Dm G C - Dm
Denn mit Gemütlichkeit kommt auch das Glück zu dir!
G C
Es kommt zu dir.
--------- -C F
C A D -G
jagst du den Alltag und die Sorgen weg.
-C F
C Am D G C
dann nimm es dir, egal von welchem Fleck.
(Dschungelbuch)
Bacardi Rum
Otto Waalkes
C e a
Wir sind schön und wir sind jung,
F G
perfekte Körper unter Palmen,
C e a
doch wir fallen ständig um...
F G C
WIR ERNÄHR'N UNS VON BACARDI RUM!
Version 04 /1.01 April 2004 589

KANN DENN LIEBE SÜNDE SEIN ?
---------- C
Kann die Liebe Sünde sein?
e
Darf es niemand wissen, wenn man sich küßt,
G C -G
wenn man einmal alles vergißt , vor Glück.
C
Was, kann das wirklich Sünde sein,
e
wenn man immerzu an einen nur denkt,
D - D7 G
wenn man einmal alles ihm schenkt, vor Glück.
C C7
Niemals werde ich bereuen,
F a d
was ich tat, und was aus Liebe geschah,
D D7 G
das mußt du mir schon verzeihen, dazu ist sie ja da.
C
Liebe kann nicht Sünde sein,
e
auch wenn sie es wär, so wär`s mir egal,
G C G C
lieber will ich sündigen mal, als ohne Liebe sein.
C
Jeder kleine Spießer macht das Leben mir zur Qual,
G C
denn er spricht nur immer von Moral.
Und was er auch denkt und tut, man merkt ihm leider an,
D G
dass er niemand glücklich sehen kann.
C F
Sagt er dann : Zu meiner Zeit gab es sowas nicht ,
D G G7 ~
dann frag ich voll Bescheidenheit mit lächelndem Gesicht:
+ REFRAIN 2 x (Orig. = Capo 7)
Version 04 /1.01 April 2004 590

ICH WEISS, ES WIRD EINMAL EIN WUNDER GESCHEH'N
A-C-A-E A D d
1. Ich weiß, es wird einmal ein Wunder geschehn,
A E A -C
und dann werden tausend Märchen wahr.
E A D d
Ich weiß, so schnell kann keine Liebe vergehn,
A E A - A7
die so groß ist und so wunderbar.
cis C
Wir haben beide denselben Stern,
cis C
und dein Schicksal ist auch meins.
cis fis
Du bist mir fern und doch nicht fern,
H7 E
denn unsere Seelen sind eins.
A D d ~
Und darum wird einmal ein Wunder geschehn,
A E A
und ich weiß, daß wir uns wiedersehn!
A fis
2. Wenn ich ohne Hoffnung leben müßte,
D A
wenn ich glauben müßte, daß mich niemand liebt,
E H7 E
daß es nie für mich ein Glück mehr gibt, ach, das wär' schwer.
A fis
Wenn ich nicht in meinem Herzen wüßte,
D A
daß du einmal zu mir sagst: Ich liebe dich,
F E Ais E
wär' das Leben ohne Sinn für mich, doch ich weiß mehr:
+ 1 wiederholen + D - A
(Zarah Leander)
Version 04 /1.01 April 2004 591

SEEMANN, DEINE HEIMAT IST DAS MEER
G C G
Seemann - deine Heimat ist das Meer!
G C G D - D7
1. Seemann, laß das Träumen, denk nicht an zuhaus,
G C G-D G-G7
Seemann, Wind und Wellen rufen dich hinaus.
C G
Deine Heimat ist das Meer, deine Freunde sind die Sterne,
D D7 G - G7
über Rio und Shanghai, über Mali und Hawaii.
C G
Deine Liebe ist dein Schiff, deine Sehnsucht ist die Ferne,
D D7 G-C-G
und nur ihnen bist du treu, ein Leben lang.
G C G D - D7
2. Seemann, laß das Träumen, denke nicht an mich,
G C G -D G - G7
Seemann, denn die Fremde wartet schon auf dich.
C G
Deine Heimat ist das Meer, deine Freunde sind die Sterne,
D - D7 G - G7
über Rio und Shanghai über Mali und Hawaii.
C G
Deine Liebe ist dein Schiff, deine Sehnsucht ist die Ferne,
D D7 G-C-G
und nur ihnen bist du treu, ein Leben lang.
(Lolita)
Version 04 /1.01 April 2004 592

WOCHENEND UNDSONNENSCHEIN
G
1. Wochenend und Sonnenschein, und dann mit dir im Wald allein,
D
weiter brauch ich nichts zum Glücklichsein,
G C G
Wochenend und Sonnenschein.
G
2. Über uns die Lerche zieht, sie singt genau wie wir ein Lied,
D
alle Vögel stimmen fröhlich ein,
G C G
H7 D A D - D7
Ein Auto, eine Chaussee, und niemand steht uns im Weg.
G
D
G C G
H7 D A D - D7
G
D
G C G
(Comedian Harmonists)
Version 04 /1.01 April 2004 593

WANN WIRD`S MAL WIEDER RICHTIG SOMMER
(City of New Orleans)
G D G
1. Wir brauchten früher keine große Reise,
e C G-D
wir wurden braun auf Borkum und auf Sylt.
G D G
Doch heute sind die Braunen nur noch Weiße,
e D G
denn hier wird man ja doch nur tiefgekühlt.
e h
Ja, früher gab`s noch Hitzefrei, das Freibad war schon auf im Mai,
D A
ich saß bis in die Nacht vor unsrem Haus.
e h
Da hatten wir noch Sonnenbrand und Riesenquallen an dem Strand,
D D7 G
und Eis, und jeder Schutzmann zog die Jacke aus.
C D G
Wann wird`s mal wieder richtig Sommer,
e C G -D
ein Sommer wie es früher einmal war?
G D e
Ja, mit Sonnenschein von Juni bis September,
C D G
und nicht so naß und so sibirisch wie im letzten Jahr.
G D G
2. Und was wir da für Hitzewellen hatten,
e C G-D
Pulloverfabrikanten gingen ein.
G D G
Da gab es bis zu 40 Grad im Schatten,
e D G
wir mußten mit dem Wasser sparsam sein.
Version 04 /1.01 April 2004 594

e h
Die Sonne knallte ins Gesicht, da brauchte man die Sauna nicht,
D A
ein Schaf war damals froh, wenn man es schor.
e h
Es war hier wie in Afrika, wer durfte, machte FKK,
D D7 G
doch heut, heut summen alle Mücken laut im Chor.
+ REFRAIN
G D G
3. Der Winter war der Reinfall des Jahrhunderts,
e C G -D
nur über 1000 Meter gab es Schnee.
G D G
Mein Milchmann sagt: Dies Klima hier, wen wundert`s?
e D G
Denn Schuld daran ist nur die SPD.
e h
Ich find das geht ein bißchen weit, doch bald ist wieder Urlaubszeit,
D A
und wer von uns denkt da nicht dauernd dran?
e h
Trotz allem glaub ich unbeirrt, daß unser Wetter besser wird.
D D7 G
Nur wann? Und diese Frage geht uns alle an.
+ REFRAIN
(Rudi Carrell)
Version 04 /1.01 April 2004 595

DSCHINGIS KHAN
e G
1. Sie ritten um die Wette mit dem Steppenwind, tausend Mann. Ha! Hu! Ha!
e G
Und einer ritt voran, dem folgten alle blind, Dschingis Khan. Ha! Hu! Ha!
a
Die Hufe ihrer Pferde durchpeitschten den Sand,
e
sie trugen Angst und Schrecken in jedes Land,
a C H7
und weder Blitz noch Donner hielt sie auf. - Hu! Ha!
e
Dsching, Dsching, Dschingis Khan!
G
He, Reiter! Ho, Reiter! He, Reiter! Immer weiter!
e G
D., D., D. Khan! Auf Brüder! Sauft Brüder! Rauft Brüder! Immer wieder!
a e
Laßt noch Wodka holen, hohoho! Denn wir sind Mongolen, hahahaha!
a C H7
und der Teufel kriegt uns früh genug!
e G
D., D., D. Khan! He, Reiter! Ho, Reiter! He, Reiter! Immer weiter!
e G
D., D., D. Khan! He, Männer! Ho, Männer! Tanzt, Männer, so wie immer!
a e
Und man hört ihn lachen, hohohoho! Immer lauter lachen, hahahaha!
a H7 e
Und er leert den Krug in einem Zug.
e G
2. Und jedes Weib, das ihm gefiel, das nahm er sich in sein Zelt. Ha! Hu! Ha!
e G
Es hieß, die Frau, die ihn nicht liebte, gab es nicht auf der Welt.Ha!Hu!Ha!
a
Er zeugte sieben Kinder in einer Nacht,
e
und über seine Feinde hat er nur gelacht,
a C H7
denn seiner Kraft konnt keiner widerstehn. - Hu! Ha! + REFRAIN
Version 04 /1.01 April 2004 596

WAHNSINN (
G C D
1. Von dir keine Spur, die Wohnung ist leer,
G C D
und mein Herz wie Blei so schwer.
G C D G-C-D
Ich geh kaputt, denn du bist wieder bei ihm.
G C D
2. Ich weiß nur eins : Jetzt ist Schluß!
G C D
Und daß ich um dich kämpfen muß.
G-e D
Wo bist du? Sag mir, wo bist du?
G D
Wahnsinn! Warum schickst du mich in die Hölle?
C a G D
Eiskalt läßt du meine Seele erfriern.
G D
Das ist Wahnsinn, du spielst mit meinen Gefühlen,
C a G
und mein Stolz liegt längst schon auf dem Müll.
D G
Doch noch weiß ich, was ich will. Ich will dich!
G C D
3. Ich lauf im Kreis, von früh bis spät,
G C D
denn ich weiß, daß ohne dich nichts geht.
G C D G -C-D
ich brauche Luft, bevor mein Herz erstickt.
G C D
4. Und wie ein Wolf renn ich durch die Stadt,
G C D
such nämlich unsre Kneipen ab.
G-e D
Wo bis du? Sag mir, wo bist du? + REFRAIN x 2...
(Wolfgang Petry)
Version 04 /1.01 April 2004 597

ES WIRD NACHT SENORITA (Otto)
Otto
M: Udo Jürgens T: Otto

Am E7 Am
Es wird Nacht, Senorita, und ich hab' kein Quartier.
E7 Am
Nimm' mich mit in dein Bettchen, ich will gar nichts von dir!
E Am
Ein bisschen Liebe, vielleicht; ich bin müde vom Wandern,
E Am
Und ich lieb dich vielleicht nicht so schlecht wie die andern!
Dm Am
DEI DEI DEI DEI DEI DEI DEI DEI DEI DEI DEI DEI DEI
E7 Am
DEI DEI DEI DEI DEI DEI DEI DEI
Am E7 Am
Es wird Nacht, Senorita, siehst du nicht wie ich frier!
E7 Am
Husch zu dir unter's Deckchen, ich will gar nichts von dir!
E Am
Ööööfffööööfff, vielleicht; ................ Wandern,
E Am
och och och
Dm Am
E7 Am
E7 Am
Es ist Nacht, Senorita, ei was ist denn bloss los?
E7 Am
Ei wo ist denn dein Hemdchen, ei wo ist meine Hos?
E Am
Unter'm Bettchen vielleicht; ach nein, da liegen ja die Andern.
E Am
Und ich lieb' dich vielleicht nicht so schlecht wie beim Wandern.
Dm Am
E7 Am
E7 Am
Es ist Nacht, Senorita, und ich liege auf dir.
E7 Am
Wie du bereits gemerkt hast, will ich gar nichts von dir.
E Am
......
Dm Am E7 Am
DEI DEI DEI DEI DEI DEI DEI
E7 Am
Es wird Tag, Senorita, und ich sage zu dir:
E7 Am
"Steh jetzt auf und mach Kaffee, oder kannst du das auch nicht.
Version 04 /1.01 April 2004 598

EINE NEUE LIEBE IST WIE EIN NEUES LEBEN
G C
1. Ist das noch dieselbe Straße, die ich schon seit vielen Jahren geh?
D C G
Ist das noch dieselbe Stadt, die ich im Licht der Sterne glitzern seh?
C
Bist du wirklich keine Fremde, ist es wirklich keine Phantasie?
D C G
Mir erscheint die ganze Welt verrückt, denn ich bin glücklich wie noch
nie.
C D G
Eine neue Liebe ist wie ein neues Leben, na na na na na na.
C D G
Was einmal war ist vorbei, und vergessen, und zählt nicht mehr.
C D G
Eine neue Liebe ist wie ein neues Leben, na na na na na na.
C D G
Mir ist als ob ich durch dich neu geboren wär.
C D G
Heute fängt ein neues Leben an, deine Liebe, die ist schuld daran,
e a D G
alles ist so wunderbar, daß man es kaum verstehen kann.
G C
2. Als die eine mich verließ, da dachte ich: Das kann doch gar nicht sein!
D C G
Und ich sagte mir: Das Spiel ist aus, ich bleib für alle Zeit allein.
C
Dann kamst du, das graue Gestern war vorüber, eh ich mich versah.
D C G
Denn schon nach dem ersten Kuß von dir war eine neue Liebe da.
C D
+ REFRAIN + Heute fängst ein neues Leben an, deine Liebe....
(Jürgen Marcus)
Version 04 /1.01 April 2004 599

TANZE SAMBA MIT MIR
d E A d
1. Aha aha, du bist so heiß wie ein Vulkan,
E A d
aha aha, und heut verbrenn` ich mich daran.
G
Jedermann nennt dich sweet Lady Samba,
A d
jeder sieht, daß du kein Kind mehr bist.
G
Die bunten Lichter drehn sich wie Feuer,
A d
wenn du die Welt rings umher vergißt.
d E A d
2. Aha aha, du bist so heiß wie ein Vulkan,
E A d
G
Rock’n Roll, ChaCha, Mambo und der Boogie,
A d
das ist jetzt alles für mich vorbei.
G A d
Die ganze Welt tanzt heute die Samba, olé, olé, wir sind dabei.
---- D -A D
Tanze Samba mit mir, Samba, Samba die ganze Nacht,
-A D
tanze Samba mit mir, weil die Samba uns glücklich macht.
G D
Liebe, Liebe, Liebelei, morgen ist sie vielleicht vorbei.
-A d
Tanze Samba mit mir, Samba, Samba die ganze Nacht.
E A d
Aha aha, du bist so heiß wie ein Vulkan,
E A d
+ REFRAIN + REFRAIN ......
Version 04 /1.01 April 2004 600

AB AUF DIE PISTE
Buddy
Intro: F Bb (8x)
F Bb im Wechsel (genau wie „Ab in den Süden“ – (im Archiv)
Oh willkommen willkommen willkommen Sonnenschein

mit Ski und Snowboard falln wir in die weißen Berge ein
ja wir kommen wir kommen wir kommen stimmt euch drauf ein
ab auf die Lifte Pulverschnee und massen Sonnenschein
Fernab von Wegen ins Leben auf Wolken schweben
den Himmel berührn Fahrtwind spürn dich verführn

und dann beim Rodeln laut jodeln
ich jag weiter Mann, die Halfpipe entlang
ich sag, ab geht die Party und die Party geht ab
Refrain:
und ich sag
hey ab auf die Piste
wir wollen in den Schnee, ey jo was geht
ja ich sag
hey ab auf die Piste
Party Piste Pulverschnee Party Piste Pulverschnee

Party Piste Pulverschnee Party Piste Pulverschnee
Party Piste Party Piste Party Party Pa Pa Pa Pa
ja wir kommen wir kommen wir kommen Sonnenschein

wieviele Stunden werden wir auf dieser Hütten sein
oh Lumumba Lumumba Lumumba Jagertee
nach ein paar Gläsern will ich mehr als deine Augen sehn
Fernab von Wegen ins Leben auf Wolken schweben

den Himmel berührn Fahrtwind spürn dich verführn
und dann beim Rodeln laut jodeln
ich jag weiter Mann, die Halfpipe entlang
ich sag, ab geht die Party und die Party geht ab
Refrain:
Version 04 /1.01 April 2004 601

FÜRSTENFELD
STS
Vorspiel:
G D C G
Langsam find't da Tag sei’ End, und die Nacht beginnt;
Em Hm C D
In da Kärntnastroß’n, do singt ana, "Blowin' in the Wind."
G D C G
Hat a greanes Röckel an, steht da ganz valurn
Em Hm G C D7 G
Und da Steffl, der schaut’ owi, auf den armen Steirabuam.
1. Strophe:
D C G D C G
Woch’n lang steh’ i scho’ do, woch’n lang plog i mi o.
D C G C D7 G
I spül’ mir, die Finger wund, und sing sogar "Do kummt die Sunn"
D C G D C G
Doch es is’ zum narrisch werd'n, kana wül’ mi singan hör'n.
D C G C D7 G
Langsam kriag i wirklich g'nua, i frag’ mi, wos i do tua.
Refrain:
D G D G D G
I wül’ wieda ham, i fühl’ mi do so allan, brauch ka große Welt,
C D7 G
I wül’ ham nach Fürstenfeld.
2. Strophe:
In da Zeitung do ham's g'schrieb'n, do gibt's a Szene, do mußt hin.
Wos die woll’n, des soll’n se schreib'n, mir kann de Szene g'stohlen bleib'n.
Do geh i gestan in’s U4, fangt a Dirnd’l an zum Red'n mit mir.
Schwarze Lipp’n, grüne Haar, da kannst ja Angst kriag'n, wirkli wahr.
Refrain:
3. Strophe:
Niemals spül i mehr in Wien, Wien hat mi gar net vadient.
I spül’ höchstens no in Graz, Sinablkirch’n und Stinatz.
I brauch kan Gürt’l, i brauch kan Ring, I wül’ z'ruck hintan Semmering.
I brauch nur des biß’l Geld, für die Fahrt nach Fürstenfeld.
Refrain: (2 mal)
Version 04 /1.01 April 2004 602

WESTERLAND
(Die Aerzte)
G D em C G D em C
Ah ah ah Ah ah ah Oho
G
Jeden Tag sitz' ich am Wannsee
D
und ich hoer den Wellen zu.
G
Ich lieg hier auf meinem Handtuch
D
Und ich finde keine Ruh
C em
Diese eine Liebe wird nie zuende gehen.
C D
Wann werd ich sie wiedersehen.
Manchmal schliesse ich die Augen,

stell mir vor ich sitz' am Meer.
Dann denk' ich an diese Insel,
und das Herz wird mir so schwer.
Diese eine Liebe ...
Ref.
G D em C
Oh ich hab solche Sehnsucht
G D em C
Ich verliere den Verstand
G D em C
Ich will wieder an die Nordsee ohoho
am C G
Ich will zurueck nach Westerland
Wie oft stand ich schon am Ufer,

wie oft sprang ich in die Spree.
Wie oft mussten sie mich retten,
damit ich nicht untergeh.
Diese eine Liebe ...
Oh ich hab solche Sehnsucht ...
F
..es ist zwar etwas teurer
G
Dafuer ist man unter sich
F G D C
Und ich weiss jeder zweite hier ist genauso bloed wie ich
Oh, ich hab solche Sehnsucht ... (2x)

Version 04 /1.01 April 2004 603
1000 UND 1 NACHT
KLAUS LAGE
1. Strophe:
F#m
Du wolltest Dir bloß den Abend vertreiben,
D E F#m
Und nicht grad allein geh'n und riefst bei mir an.
F#m
Wir waren nur Freunde und wollten's auch bleiben,
D E F#m
Ich dacht nicht im Traum, daß was passieren kann.
A E D A
Ich weiß nicht, wie ewig wir zwei uns schon kennen.
Hm A D E
Deine Eltern sind mit meinen damals Kegeln gefahrn,
A E D A
Wir blieben zu Haus, Du schliefst ein vorm Fernsehen.
D F#m H D
Wir war'n wie Geschwister in all den Jahr'n.
Refrain:
A E F#m
Tausend mal berührt, tausend mal is nix passiert.
Hm E4 E F#m E F#m
Tausend und eine Nacht und es hat Zoom gemacht.
2. Strophe:
F#m D E A
Erinnerst Du Dich, wir ham Indianer gespielt,
D Hm C#m F#m
Und uns an Fasching in die Büsche versteckt,
F#m D E A
Was war eigentlich los, wir ham nie was gefühlt
D Hm C#m F#m
So eng nebeneinander und doch garnix gecheckt.
A E D A
War alles ganz logisch, wir kennen uns zu lange,
Hm A D E
Als daß aus uns noch mal irgend was wird,
A E D A
Ich wußt wie Dein Haar riecht, und die silberne Spange
D F#m H D
Hatt ich doch schon tausendmal beim Tanzen berührt.
Refrain:
3. Strophe:
Oh, wie viele Nächte wußt ich nicht was gefehlt hat.
War nie drauf gekommen, denn das warst ja du,
Und wenn ich dir oft von meinen Problemen erzählt hab,
Hätt ich nie geahnt, du warst der Schlüssel dazu.
Doch so aufgewühlt hab ich dich nie gesehen,
Du liegst neben mir, und ich schäm mich fast dabei,
Was war bloß passiert, wir wollten tanzen gehen, Alles war so vertraut und jetzt ist alles neu.
Refrain (2 mal):
Version 04 /1.01 April 2004 604
ES WAR SOMMER
G a
1. Es war ein schöner Tag, der letzte im August,
G a
die Sonne brannte so, als hätte sie`s gewußt.
G h a G
Die Luft war flirrend heiß, und um allein zu sein,
C a D
sagte ich den andern : Ich hab heut keine Zeit.
G C a
Da traf ich sie, und sah in ihre Augen,
D G C D
und irgendwie hatt ich das Gefühl,
G F C G -C-D
als winkte sie mir zu und schien zu sagen: Komm, setz dich zu mir!
G C a
Ich war sechzehn und sie einunddreißig,
D G C D
und über Liebe wußte ich nicht viel.
G F C
Sie wußte alles und sie ließ mich spüren,
G -C-D G -C-D
ich war kein Kind mehr, und es war Sommer.
G a
2. Sie gab sich so, als sei ich überhaupt nicht da,
G a
und um die Schultern trug sie nur ihr langes Haar.
G h a G
Ich war verlegen und ich wußte nicht, wohin,
C a D
mit meinem Blick, der wie gefesselt an ihr hing.
G C a -D
Ich kann verstehn, hörte ich sie sagen,
G C D
nur weil du jung bist, tust du nicht, was du fühlst.
G F C G -C-D
Doch bleib bei mir, bis die Sonne rot wird, dann wirst du sehen.
G C a -D
Wir gingen beide hinunter an den Strand,
G C D
und der Junge nahm schüchtern ihre Hand.
G F C
Doch als ein Mann sah ich die Sonne aufgehn,
G -C-D G -C-D
und es war Sommer - es war Sommer
G C a
Es war Sommer, das erste Mal im Leben,
D G C D
es war Sommer, das allererste Mal,
G F C G C-D
und als ein Mann sah ich die Sonne aufgehn, und es war Sommer.
G C a D G
Es war Sommer, das erste Mal im Leben, es war Sommer.....
(Peter Maffey)
Version 04 /1.01 April 2004 605

FLUGZEUGE IM BAUCH
e -h
1. Du hast'n Schatten im Blick, dein Lachen ist gemalt,
C e
deine Gedanken sind nicht mehr bei mir,
a G -C
streichelst mich mechanisch, völlig steril,
a G
eiskalte Hand, mir graut vor Dir.
e -h
Ich fühl' mich leer und verbraucht, alles tut weh,
C e
hab' Flugzeuge in meinem Bauch,
a G -C
kann nichts mehr essen, kann Dich nicht vergessen,
F G
aber auch das gelingt mir noch.
C F G C
Oh, gib mir mein Herz zurück, du brauchst meine Liebe nicht,
F G a
Gib mir mein Herz zurück, bevor es auseinanderbricht.
e F G e F G C
Je eher, je eher du gehst, umso leichter, umso leichter wird's für mich.
e -h
2. Ich brauch' niemand der mich quält, niemand, der mich zerdrückt,
C e
niemand, der mich benutzt, wann er will,
a G C
niemand, der mit mir redet, nur aus Pflichtgefühl ,
F G
der nur seine Eitelkeit an mir stillt.
e h
Niemand, der nie da ist, wenn man ihn am nötigsten hat,
C e
wenn man nach Luft schnappt, auf dem Trocknen schwimmt.
a G C F G
Laß' mich los, oh, laß' mich in Ruhe, damit das ein Ende nimmt !
+ REFR. + Vers 1 + REFR. + Fm - C - Fm - C (Herbert Grönemeyer)
Version 04 /1.01 April 2004 606

ALKOHOL
Herbert Goenemeyer
Dm Bb
Wir haben wieder die Nacht zum Tag gemacht,
Dm Bb
ich nehm mein Frühstück Abends um acht.
Dm Bb
Gedanken fließen zäh wie Kaugummi
Dm Bb
mein Kopf ist schwer wie Blei, mir zittern die Knie.
Dm Bb
Gelallte Schwüre in rotblauem Licht
Dm Bb
40% iges Gleichgewicht
Dm Bb
Graue Zellen in weicher Explosion
Dm Bb
Sonnenaufgangs und Untergangs Vision.
C Bb
Was ist hier los, was ist passiert?
C Bb
Ich hab bloß meine Nerven massiert.
Dm Bb
Alkohol ist ein Snitäter in der Not
Dm Bb
Alkohol ist ein Fallschirm und ein Rettungsboot
Dm Bb Dm C
Alkohol ist das Drahtseil auf dem du stehst Alkohol, Alkohol
Nobelscene träumt von Cocaine
und auf dem Schulklo richts nach Gras.
Der Apotheker nimmt Valiumoxid
und wenn es dunkel wird greifen Sie zum Glas.
Was ist hier los, was ist passiert?
Ich hab bloß meine Nerven massiert.
Alkohol ist ein Snitäter in der Not
Alkohol ist ein Fallschirm und ein Rettungsboot
Alkohol ist das Drahtseil auf dem du stehst
Alkohol ist das Schiff mit dem du untergehst
Alkohol ist das Dressing für deinen Kopf Salat
Alkohol Alkohol Alkohol
Version 04 /1.01 April 2004 607

MÄNNER - HERBERT GRÖNEMEYER

am F G C
Männer neh’m in den Arm. Männer geben Geborgenheit.
Am F G E
Männer weinen heimlich. Männer brauchen viel Zärtlichkeit.
dm F dm G7
Oh Männer sind so verletzlich, Männer sind auf dieser Welt einfach
unersetzlich.
Männer kaufen Frauen. Männer stehen ständig unter Strom.
Männer baggern wie blöde. Männer lügen am Telefon.
Männer sind allzeit bereit. Männer bestechen durch ihr Geld und ihre
Lässigkeit.
G C F G C F G
Männer habens schwer, nehmens leicht, außen hart und innen
ganz weich,
C F G
werd’n als Kind schon auf Mann geeicht.
C F G (F G F)
//:Wann ist ein Mann ein Mann? :// (3x)
F G
Männer führen Kriege. Männer sind schon als Baby blau.
F G
Männer rauchen Pfeife. Männer sind furchtbar schlau.
F G C F G
Männer bauen Raketen. Männer machen alles ganz ganz genau.
F C F G
//:Wann ist ein Mann ein Mann? ://
Männer haben Muskeln. Männer sind furchtbar stark.
Männer können alles. Männer kriegen’n Herzinfarkt.
Männer sind einsame Streiter, müssen durch jede Wand, müssen immer
weiter.
Männer kriegen keine Kinder, Männer kriegen dünnes Haar.
Männer sind auch Menschen, Männer sind etwas sonderbar.
Männer sind so verletzlich, Männer sind auf dieser Welt einfach
unersetzlich.
Männer habens schwer, nehmens leicht...
Version 04 /1.01 April 2004 608
Version 04 /1.01 April 2004 609
SKANDAL IM SPERRBEZIRK (SPIDER MURPHY GANG)
Einleitung: A G D A G D E
A G
In München steht ein Hofbraühaus doch Freudenhaüser müssen raus,
D E
damit in dieser schönen Stadt das Laster keine Chance hat!
A G
Doch jeder ist gut informiertweil Rosi täglich inseriert.
D E
Und wenn dich deine Frau nicht liebt wie gut daß es die Rosi gibt!
A C Hm E
Und draußen vor der großen Stadt stehn die Nutten sich die Füße platt
A C Hm E
Skandal im Sperrbezirk Skandal im Sperrbezirk Skandal,
A
Skandal um Rosi!
A G
Ja, Rosi hat ein Telephon auch ich hab'ihre Nummer schon,
D E
unter 32-16-8 herrscht Konjunktur die ganze Nacht.
A G
Und draußen im Hotel d'Amour langweilen sich die Damen nur,
D E
weil jeder, den die Sehnsucht quält ganz einfach Rosis Nummer wählt
Ref:
A G
Ja, Rosi hat ein Telephon auch ich hab'ihre Nummer schon,
D E
unter 32-16-8 herrscht Konjunktur die ganze Nacht.
A G
Und draußen im Hotel d'Amour langweilen sich die Damen nur,
D E
weil jeder, den die Sehnsucht quält ganz einfach Rosis Nummer wählt
A C Hm E
Und draußen vor der großen Stadt stehn die Nutten sich die Füße platt
A C Hm E
Skandal im Sperrbezirk Skandal im Sperrbezirk Skandal,
A
Skandal um Rosi!
C D E A
Skandal (Moral) Skandal (Moral) Skandal (Moral) Skandal (Moral)
C D E A
Skandal (Moral) Skandal (Moral) Skandal (Moral) Skandal (Moral)
C D E A
Skandal (Moral) Skandal; Skandal um Rosi!
Version 04 /1.01 April 2004 610

VOLLMOND Herbert Grönemeyer
B ___ F# B
B
du bist voll, ich bin es auch
begoß den kummer tief unten in meinem bauch
der tag ist gemein, nur die nacht ist lieb
schleich um ein und andere haus, gerade wie der letzte dieb B: x244xx
F# B F#: 244xxx
versuch schon lange, mir ihr herz zu klauen E: 022100
A: x02244
sie ist stur, ich bin es auch D: xx0232
red ihr ein, daß sie mich unendlich braucht D/F#: 2x023x
laß nicht locker, sei mein kumpan, G: 355xxx
wir zwei beiden graben sie von allen seiten an D/C: x30232
steh mir bei, weil nur du es kannst Bb: 688766
E
komm und mach sie süchtig, setz sie auf mich an
F#
laß mich durch ihren schlaf wandeln, wenn sie sich nicht wehren kann
A
wenn du das für mich tust, ist abgemacht:
dann werde ich zum werwolf und heul dich an um mitternacht
D D/F# G A
vollmond, setz mich ins rechte licht
D D/F# G A
vollmond, du weißt, sie will nicht
D D/C
leucht ihr ins gewissen, mach mir 'nen heiligenschein
G
ich kann sie nicht mehr missen
Bb
beeil dich und mach sie mein
D A
vollmond, ich bin so allein
du bist blaß, ich bin es auch

wenn bald nichts passiert, steh ich völlig auf dem schlauch
du ziehst so edel überlegen deine bahn
bin so todtraurig, rührt dich das denn überhaupt nicht an?
tu was, planet, morgen ist es zu spät
mein letzter hoffnungsschimmer, schau mir ins gesicht

du mußt es für mich einfädeln, weil es sonst das ende ist
ertrink in meinen tränen - und tränen lügen nicht
du kannst mich so nicht hängenlassen
hilf mir, laß mich nicht im stich
vollmond...
komm und mach sie süchtig, setz sie auf mich an

laß mich durch ihren schlaf wandeln, wenn sie sich nicht wehren kann
dann werde ich zum werwolf und heul dich an um mitternacht
vollmond...
Solo über Vers
mein letzter hoffnungsschimmer, schau mir ins gesicht

du mußt es für mich einfädeln, weil es sonst das ende ist
dann werde ich zum werwolf und heul dich an um mitternacht ,vollmond...
Version 04 /1.01 April 2004 611

MAMBO, HERBERT GROENEMEYER 198 4
D G A D
1. Ich hasse nichts mehr, als mich zu verspaeten,
D G A D
die Sonne brennt und im Auto ist s heiss.
D G A D
Ein Hupkonzert wie von tausend Trompeten,
D G A D
ich will zu dir, nun steh ich hier so n Scheiss.
A
Oh...
D G A D
Ref: Ich drehe schon seit Stunden, hier so meine Runden,
D G A D
es trommeln die Motoren, es droehnt in meine Ohren,
D G A D
ich finde keinen Parkplatz, ich komm zu spaet zu dir mein
Schatz
D G A D
du sitz bei Kaffee und Kuchen und ich muss weiter suchen
D G A D
2. An jeder Ecke stehn Politessen,
D G A D
lauern wie Panther zum Sprung bereit.
D G A D
hier kannste nicht parken, das kannste vergessen,
D G A D
haben alles im Griff, weit und breit.
A
Oh...
Version 04 /1.01 April 2004 612

WAS SOLL DAS
1. Strophe:
A
Sein Pyjama liegt in meinem Bett, sein Kamm in meiner Bürste steckt.
F#m
Was soll das? Was soll das?
A
Seine Schuhe stehn in Reih und Glied, ein Anblick den man gerne sieht.
F#m
C#m E
Sein Aftershave klebt in der Luft, warum hat er nicht gleich meins benutzt.
A
2. Strophe:
Du sagst, er wohnt ab jetzt bei dir, und zeigst nur stumm auf die Ausgangstür.
Du kochst gerade sein Leibgericht, meine Faust will unbedingt in sein Gesicht.
Und darf nicht! Und darf nicht!
Von Verlegenheit überhaupt keine Spur, er ist nun mal eine Frohnatur.
Er grinst nur! Er grinst nur!
Refrain:
A D E A D
Womit hab ich das verdient, daß der mich so blöde angrient?
A E A
Warum hast du mich nicht wenigstens gewarnt? Oh
D E A D
Zu einer betrognen Nacht hätt ich vielleicht nichts gesagt,
A E A D
Hätt mich zwar schockiert, wahrscheinlich hätt ich's noch kapiert.
A E A
Aber du hast ja, Uh, gleich auf Liebe gemacht!
3. Strophe:
Sein Kopf stützt sich auf sein Doppelkinn, seit wann zieht's dich zu Fetteln hin?
Los, sag was. Los, sag was.
Wie man an einen solchen Schwamm sein Herz einfach verschleudern kann?!
Los, sag was. Los, sag was.
Ich laß dich viel zu oft allein, aber der muß es doch nun wirklich nicht sein!
Refrain:
Version 04 /1.01 April 2004 613

4. Strophe:
D Hm D Hm
Ihr glotzt mit euren Unschuldsmienen wie zwei, die einander verdienen,
D A E
Spielt verliebt, doch ihr lacht zu laut.
D Hm D Hm
Hat dich, beim Wühlen in den Kissen, denn nie dein Gewissen gebissen?
D A E H F# H
Seit wann bist du so abgebrüht, hast mich so schnell abgeliebt? Oh
Refrain :
Refrain:
H E F# H E
Womit hab ich das verdient, daß der mich so blöde angrient?
H F# H
Warum hast du mich nicht wenigstens gewarnt? Oh
E F# H E
Zu einer betrognen Nacht hätt ich vielleicht nichts gesagt,
H F# H E
Hätt mich zwar schockiert, wahrscheinlich hätt ich's noch kapiert.
H F# H
Aber du hast ja, Uh, gleich auf Liebe gemacht!
ICH BRECH DIE HERZEN (HEINZ RÜHMANN)
G Em Am7 D7 G Em7 A7 D7
Liebe ist kein Problem, ich find' sie herrlich und angenehm.
G Em A7 Em7 A7 D7
Wenn eine hübsch ist wird sie geküßt, seh'n Sie, wie einfach das ist!
G F#
Ich brech' die Herzen der stolzesten Frauen,
G E7
weil ich so stürmisch und so leidenschaftlich bin;
Am7 D7 G7 C7 G
mir braucht nur eine ins Auge zu schau'n, und schon ist sie hin!
Ich hab bei Frauen so schrecklich viel Glück, das ist kein Wunder, denn
mein Sternbild ist der Stier; mein Blut ist Lava, und das ist mein Trick,
das liebt man an mir!
D Em7 AD E7 A7
Ich lach sie an und sage schlau Sie sind die Rieht' gegnädige Frau!
F# C# F G Am7 D7
Komm ich in Glut.dann ist mir jede so gut.
Ich brech' die Herzen der stolzesten Frau'n, weil ich so stürmisch und
so leidenschaftlich bin; mir braucht nur eine ins Auge zu schau'n, und
schon ist sie hin!
Version 04 /1.01 April 2004 614

BILDER VON DIR LAITH AL-DEEN
E A
Bilder von dir überdauern – bis in alle Zeit
E A
Bilder von dir überdauern – bis in die Ewigkeit
Em
(Bedabedabedabeda.....)
Chorus:
E A
Bilder von dir überdauern – bis in alle Zeit bis in alle Zeit, bis in alle Zeit
E A
Bilder von dir überdauern – bis in die Ewigkeit in die Ewigkeit, in die Ewigkeit.
E
A
Meine Worte hüllt in Schweigen, so können sie nicht flieh’n.

E
Das was dunkel macht das bleibt und lässt das andre zieh’n.

A
Ich kann nicht sagen und will nicht vergessen Oh nein, nein, nein
E
Wie ich es seh’, wie ich es seh’.

A
Worte sind wie Pulver, wenn du den Himmel kennst

E
Ich fühl’s in meinem Kopf, fühl’s überall hab’s lang vermisst

A
Ich kann nicht sagen, will nicht vergessen Oh nein, nein, nein
Em
Wie ich es fühl, wie ich es fühl. (Bedabedabedabeda.....)
Chorus
E A
E A
E A
E A
Em
(Bedabedabedabeda.....)
E
Tausend Spuren und Gedanken,
Version 04 /1.01 April 2004 615
A
nicht das kleinste Stück von mir du lässt mich taumeln,
E
lässt mich wanken, die Luft ist voll von dir

A
Ich kann nicht sagen, will nicht vergessen Oh nein, nein, nein
E
Wie ich es fühl, wie ich es fühl.
A
E

A
Ich kann nicht sagen, will nicht vergessen oh nein, nein, nein
E A E
A
Wie ich es fühl, wie ich es füü ü ühl wie ich es füü ü ühl (ohu ohu ohu)
Chorus
E A
E A
E A
E A
Bilder von dir überdauern – bis in die Ewigkeit in die Ewigkeit, in die Ewigkeit
CARBONARA –
Spliff
e D e D
Io voglio viaggiare in Italia in paese dei limoni
e D e D
Brigade Rosse e la Mafia cacciano suIla Strada del Sol.
G F G F
Distruzione della Lira Gelati Motta con brio,
G F G F
Tecco mecco con ragazza ecco la mamma de amore mio.
e D e D
Sentimento grandioso per Italia baciato da sole caIda
e D e D
borsellino e vuoto totale percio mangio sempre solo.
a7 G C G D G D
Spaghetti - Carbonara - e una Coca Cola,
a7 G C G D G D
Carbonara - e una Coca Cola,
a7 G C G D G D
//:Carbonara - e una Coca Cola, ://
Scusi, Senorina, willst du auch'n Spliff?

Oder stehst du nur auf Männer mit Schlips?
Version 04 /1.01 April 2004 616
Ich hab sonst nichts was ich dir geben kann,
aber blond bin ich, is das vielleicht nix?
Amaretto ist ein geiles Zeug - ich bin schon lull und lall,
hab keine Ahnung ob du mich verstehst,
doch du lächelst und mein Herz tut 'n Knall.
Belladonna, ich lad dich jetzt zum Essen ein

- mangiare, tu capito? andiamo !
Asti Spumante wird es nicht gerade sein!
aber dafür gibt's schon wieder mal -
Spaghetti
Carbonara - e una Coca Cola,
Carbonara - e una Coca Cola, . . .
Version 04 /1.01 April 2004 617

HEUT NACHT
SPLIFF
Schau uns an, die ganze Nacht

heut Nacht
Du stehst an der Tür
deine Stimme Sandpapier
warum bleibst du nicht hier
heut Nacht?
Wir sind still
und reden nicht viel
heut Nacht
Die Lust ist los
die Liebe groß
heut Nacht
Diese Nacht gehört dir
doch du blickst zur Tür
warum bist du nicht hier
heut Nacht?
Küß mich, bevor du gehst
heut Nacht
Schau uns an, die ganze Nacht
heut Nacht
Die Stadt schläft, und wir sind wach
heut Nacht
ich hab dein Bild in der Hand
den letzten Satz an der Wand
und tausend Träume von dir
Küß mich nochmal bevor du gehst
heut Nacht
Version 04 /1.01 April 2004 618

AUF 'NER EINSAMEN INSEL - MARIUS MÜLLER WESTERNHAGEN
G D G
Ich bin aus der Not heraus geboren
G C G
Meine Unschuld hab' ich früh verloren
C D
Meine Mutter, schwer Bambule
G C
Rock'n'roll is' was für Schwule
G D G
Rosarotes Plastikneglige
C G
Auf 'ner einsamen Insel
D G
Auf 'nem fernen Planeten
C G
Wird sich dann erweisen
D G
Ob es mit uns geht
G D G
Ich bin einer von den geilen Söhnen
G C G
die 'ne reiche Witwe gern verwöhnen
C D
Ich zahl keine Kirchensteuer
G C
Lieber leg' ich bei Dir Feuer
G D
Ich kann schönen Frau'n nicht wiedersteh'n
Auf 'ner einsamen Insel
Auf 'nem fernen Planeten
Wird sich dann erweisen
Ob es mit uns geht
C D
Ich laß mich so gern verführen
G D
Ich will Deine Hitze spüren
Version 04 /1.01 April 2004 619
G C G
Über Deinen Venushügel geh'n
Refrain:
Version 04 /1.01 April 2004 620

DICKE, MARIUS MUELLER-WESTERNHAGEN '78
A
1. Ich bin froh, daß ich kein Dicker bin
G
Denn dick sein ist 'ne Quälerei
F
Ich bin froh, daß ich so'n dürrer Hering bin
E
Denn dünn bedeutet frei zu sein
a
Mit Dicken macht man gerne Späße
G
Dicke haben Atemnot
F
Für Dicke gibt's nichts anzuzieh'n
E
Dicke sind zu dick zum flieh'n
a
Dicke haben schrecklich dicke Beine
G
Dicke ha'm 'n Doppelkinn
F
Dicke schwitzen wie die Schweine
E
Stopfen Fressen in sich 'rin
a
Ref: Und darum bin ich froh, daß ich kein Dicker bin
G
Denn dick sein ist 'ne Quälerei
F
Ich bin froh, daß ich so'n dürrer Hering bin
E
Denn dünn bedeutet frei zu sein
a
2. Dicke haben Blähungen
G
Dicke ha ''nen dicken Po
F
Und von den ganzen Abführmitteln
E
Rennen Dicke oft auf's Klo
REF
a
3. Dicke müssen ständig fasten
G
Damit sie nicht noch dicker werd'n
F
Und ham' sie endlich zehn Pfund abgenommen
E
Dann kann man es noch nicht mahl seh'n
a
Version 04 /1.01 April 2004 621
Dicke ha 's auch schrecklich schwer mit Fraun'
G
Denn Dicke sind nicht angesagt
F
Drum müssen Dicke auch Karriere machen
E
Mit Kohle ist man auch als Dicker gefragt
Version 04 /1.01 April 2004 622

GEILER IS' SCHON - MARIUS MÜLLER WESTERNHAGEN
D
Ich brauche kein Geld. Ich brauch' keine Frau'n.
G D
Ich brauch' kein Ferrari, kein Bad mit Schaum.
G E
Ich brauch' auch kein Schloß und kein Sonnenschein.
E7 A
Ich muß auch kein Rock'n Roll Star sein.
D C
Ich brauche kein' Whiskey und kein Kokain.
G D
Aber geiler is' schon, als in der Gosse zu liegen.
Ich kann mit dir leben in einem Zimmer.
Mit 'nem Klo über`m Hof und 'ner Menge Kummer.
Ich klag' auch nicht, wenn die Kinder schrei'n.
Wenn deine Mutter mich schimpft, Schuld sei ich allein.
Es macht mir nichts aus, wieder arbeitslos:
Aber geiler wär's schon, wir hätten viel Moos.
Drum glaub an mich Kleines, wenn ich die Seiten dresche.
Ich sing' den Blues und du machst die Wäsche.
Hab' mit mir Geduld, ich schreib' einen Hit.
Und wenn ich das bringe, dann nehm' ich dich mit.
Dann trinken wir Schampus bis wir verrecken.
Und wer das nicht geil find', der kann uns mal.
ICH HAB MEINEN SPASSMM WESTERNHAGEN
Ich hab’ meinen Spaß, Du hast deinen Spaß

Ne Frau und ein Mann, Darauf ist Verlass
Aber lieben werd’ ich dich nie

Dein Hintern ist Rund, Die Sünde dein Mund

Süßer Gestank,Vor Geilheit ganz krank

Version 04 /1.01 April 2004 623

Tiere sind wir,Ja, Tiere sind wir
Du stillst meine Gier, Ich still deine Gier

HASS MICH ODER LIEB MICH

MM Westernhagen
Hass mich oder lieb mich, das ist mir egal

Hass mich oder lieb mich, dein Bett ist so schmal
gib mir ein Stück von der Decke , meine Füsse sind kalt
Hass mich oder lieb mich, rück näher an mich ran

hass mich oder lieb mich , komm fass mich an
ein klein bisschen Liceb, morgen früh kommt dein Mann
bezieh das Bett frisch, damit er nichts merkt

und meinen Geruch , den duschst du dir ab
Hass mich oder lieb mich, heut Nacht haben wir Zeit
hass mich oder lieb mich, so jetzt schließe dein Kleid
wenn ich dein armer mann wär , dann täte ich mir leid
Version 04 /1.01 April 2004 624

JOHNNY WALKER
WESTERNHAGEN
C F C
Johnny Walker, jetzt bist du wieder da
C F G
Johnny Walker, ich zahl dich gleich in bar
G7 F C
Johnny Walker, du hast mich nie enttäuscht
G7 F C
Johnny, du bist mein bester Freund

C F C
Johnny Walker, immer braun gebrannt
C F G
Johnny Walker, mit den Rücken an die Wand
G7 F C
Johnny Walker, komm gieß dich nochmal ein
G7 F C
Johnny, laß dreizehn g'rade sein

G7 F C
Ich hab's versucht ich komme ohne dich nicht aus
E Am
Wozu auch? Du gefällst mir ja
F C
Kein Mensch hört mir so gut zu wie du
G7 F C
Und Johnny, du lachst mich auch nie aus

C F C
Johnny Walker, ich glaub nicht an den Quatsch
C F G
Johnny Walker, du wärst 'ne Teufelsfratz
G7 F C
Johnny Walker, von mir aus rüste mich
G7 F C
Johnny, ich fühl mich königlich

G7 F C
Ich hab's versucht ich komme ohne dich nicht aus
E Am
Wozu auch? Du gefällst mir ja
F C
Kein Mensch hört mir so gut zu wie du
G7 F C
Und Johnny, du lachst mich auch nie aus

C F C
Johnny Walker, na na na na na
C F G
Johnny Walker, na na na na na
G7 F C
Version 04 /1.01 April 2004 625

Johnny Walker, du hast mich nie enttäuscht
G7 F C
Johnny, du bist mein bester Freund Noch zweimal

G7 F C G7 F C
Johnny, du bist mein bester Freund Johnny, du bist mein bester Freund

Version 04 /1.01 April 2004 626

EIN LOCH IN DER TASCHE
MARIUS MÜLLER WESTERNHAGEN
Ich hab in Loch in meiner Tasche,

und das kann man nicht mehr nähen.
Ich hab ein Loch in meiner Tasche,
Steck ich mal Geld in meine Tasche,
hab ich es nie wieder gesehn.
Ich hab ein Loch in meinem Hirn

Ich hab ein Loch in meinem Hirn
Und hab ich dir was versprochen,
dann wirst du davon wohl nicht sehn.
Ich hatt´ ńen Job, aber mein Chef,

der wollt´ mich nicht verstehn.
Ich sollte immer nur malochen
doch ich, ich will auch leben.
Jetzt hat er ń Loch in seiner Kasse
Der Kies verschwand in meiner Tasche
und er ward nie mehr gesehn.
Ich hatt´ ńe liebe, nette Frau

doch die wollt´ mich nicht verstehn.
Sie wolltń Reihenhaus mit Garten
doch ich, ich will auch leben.
Jetzt hat sie ń Loch in ihrem Herzen
und das kann kein Arzt mehr nähen.
Leider gab es Zeugen,
Frau Schulz konnt´ jedes Wort verstehen.
Meine Mutter sagte zu mir:

Junge lüg mich nicht so an.
Du hast noch mindestens zwanzig Jahre.
Die Polizei, die kam hier an.
Die ha´m ń Loch in ihrem Gefängnis
Sie ha´m gesagt, wenn sie dich kriegen
dann werd´ ich dich nie wieder sehn.
Da ist ein Loch in meinem Leben und das kann kein Mensch mehr nähen.
Da ist ein Loch in meinem Leben und das kann kein Mensch mehr nähen.
Darum rat ich euch zu schweigen,sonst wird es euch wie meiner Frau
ergehn.
Version 04 /1.01 April 2004 627

MIT 18 (M.M WESTERNHAGEN)
[Ich hab ‘n Luxusauto und ich hab ‘ne tolle Wohnung.
Doch was mir fehlt, doch was mir fehlt, das ist ‘ne richtige Dröhnung!]
A C D A
Mit 18 rannt ich in Düsseldorf rum, war Sänger in ner Rock’n Roll Band.
A C E
Meine Mutter nahm mir das immer krumm, ich sollt was seriöses werden.
Wir verdienten vierhundert Mark pro Auftritt für ‘ne Rolling Stones Kopie.
Die Gitarren verstimmt, doch es ging tierisch los und wir hielten uns für Genies.
A C
Ich möcht zurück auf die Straße,
D A
möcht wieder singen, nicht schon, sondern geil und laut.
A C A
Denn Gold findt man bekanntlich im Dreck, und Straßen sind aus Dreck gebaut.
Nach jedem Gig zum Hühnerhugo, dort verfraßen wir unser Geld.
Was solln wir schon machen mit den paar Mark, ich hab mir’n Verstärker bestellt.
Ich möcht zurück...
An Mädchen hat es uns nie gemangelt auch ohne dickes Konto.
Wir kratzten den letzten Dope zusammen und flogen ab nach ... wohin du willst.
Jetzt sitz ich hier, bin etabliert und schreib auf teuren Papier
ein Lied über meine Vergangenheit, damit ich den Frust verlier...
MIT PFEFFERMINZ BIN ICH DEIN PRINZ

Marius MüllerWesternhagen
E
Draussen ist es grau ich sitz mit dir hier, blau
ob ich mir ein Küsschen klau? "Lass das doch, du alte Sau!"
A E
Liebling, lass uns tanzen, das tut dem Blutdruck gut
B A E
Liebling, lass uns tanzen, denn tanzen darf ein jeder Jud
E
Neger, die sind dunkel, im Dunkeln lässt sich's munkeln,
an der Macht, da sind die Weissen, darauf reimt sich sch...
A E
Liebling, lass uns tanzen, Sylvester giessen wir Blei
B A E
Liebling, lass uns lauter singen, dann sind auch wir bald vogelfrei
Pippi ist kein Name und auch kein Getränk,
mancher muss schon rennen, wenn er nur an Pippi denkt
Liebling, lass uns tanzen, du wackelst ja wie Kleister, wie Kleister
Mein Hund heisst Fritz oder Franz oder so, und wenn man ihn tritt dann beisst er,
dann beisst er
Glaubst du an den lieben Gott oder an Guevara?
Version 04 /1.01 April 2004 628

Ich glaube an die Deutsche Bank, dann die zahlt aus in bar aaah
Liebling, lass uns tanzen, hast du noch 'nen Pfefferminz
Liebling, lass uns tanzen, mit Pfefferminz bin ich dein Prinz
Mit Pfefferminz bin ich dein Prinz Mit Pfefferminz bin ich dein Prinz ( 3 X )
Version 04 /1.01 April 2004 629

SEXY - MARIUS MÜLLER WESTERNHAGEN

D
(Intro) Waffenschein gibt
D C G F D
SeXy er hat sein altes Weib
D C G F D für Dich vom Hof gejagt
SeXy für ihn ist jeder Tag
D C der jüngste Tag
SeXy was hast Du bloß aus
SeXy Du lässt ihn Deine
G F D hohen Stiefel lecken
diesem Mann gemacht
SeXy und Du wirst reich,
stirbt er am Herzinfarkt
D C
SeXy was hat der alte Du bist 'ne Waffe
für die es keinen
G F D Waffenschein gibt
Mann Dir denn getan
Du bist 'ne Waffe
für die es keinen
D C Waffenschein gibt
SeXy wo warst Du bloß,
SeXy ich würde alles für
G F D Dich tun
als er nachts aufgewacht
SeXy ich würde alles für
Dich tun
D C
SeXy das tut dem alten SeXy ich würde alles für
Dich tun
G F D
Mann doch weh SeXy ich würde alles für
Dich tun
F SeXy für Dich haben Gott
Du bist 'ne Waffe und Teufel 'nen Vertrag
geschlossen
G
für die es keinen SeXy ich will und will und
will und will nur Dich
D
Waffenschein gibt SeXy ich bin gefangen
zwischen Deinen langen
Beinen
F
Du bist 'ne Waffe SeXy es ist mir scheißegal,
mach' ich mich lächerlich
G
für die es keinen Du bist 'ne Waffe
für die es keinen
Version 04 /1.01 April 2004 630
Waffenschein gibt Waffenschein gibt
Du bist 'ne Waffe SeXy ich würde alles für
für die es keinen Dich tun
Version 04 /1.01 April 2004 631

FÜR MICH SOLLS ROTE ROSEN REGNEN
HILDEGARD KNEF
a D7 G e
Mit sechzehn sagte ich still : ich will ...
a D7
will groß sein, will siegen ,
hm E7
will froh sein , nie lügen.
a D7 G e
Mit sechzehn sagte ich still : ich will ...
a D7
will alles ‘ oder nichts.
G e a D7
Für mich soll’s rote Rosen regnen ,
hm e a D7
mir sollten sämtliche Wunder begegnen;
G e a D7
Die Welt sollte sich umgestalten
hm a D7 G
und ihre Sorgen ‘ für sich behalten.
a D7 G e
Und später sagte ich noch . ich will ...
a D7
verstehen , viel sehen ,
hm E7
erfahren , bewahren;
a D7 G e
und später sagte ich noch : ich möcht’
a D7
nicht allein sein ‘ und doch frei sein
Version 04 /1.01 April 2004 632

G e a D7
hm e a D7
mir sollten sämtliche Wunder begegnen;
G e a D7
das Glück sollte sich sanft verhalten,
hm a D7 G
es soll mein Schicksal ‘ mit Liebe verwalten.
a D7 G e
Und heute sage ich still : ich sollt’
a D7
mich fügen , begnügen,
hm E7
ich kann mich nicht fügen,
a D7
kann mich nicht begnügen,
hm E7
will immer noch siegen
a D7
will alles ‘ oder nichts ...
G e a D7
hm e a D7
mir sollten ganz neue Wunder begegnen;
G e a D7
mich fern vom Alten neu entfalten ,
hm a D7 G
von dem , was erwartet , das meiste halten.
Version 04 /1.01 April 2004 633
a D7 G
ich will , ich will ...

Version 04 /1.01 April 2004 634

SYMPATHIE FÜR DEN TEUFEL
E D A E
1. Erlauben Sie, daß ich mich vorstell, ich bin ein Mann von Welt und Stil,
D A E
ich gehe um seit einer Ewigkeit, raube Seelen, kenne kein Gefühl.
D A E
Ich war da, als Jesus voller Zweifel war und er rief in seiner Qual,
D A E
und als Pilatus sich die Hände wusch, erfüllte sich sein Schicksal.
H7 E
Angenehm, erraten Sie, wer ich bin ?
H7 E
Was sie irritiert, ist mein Handeln ohne Sinn.
E D A E
2. Ich schlich herum in St. Petersburg an jenem Oktobertag,
D A E
riß den Zar von seinem Thron, Anastasia schrie und unterlag.
D
In vielen Kriegen war ich Panzergeneral,
A E
und machte aus der Welt ein blutiges Tal.
H7 E
H7 E
E D
3. Ich lachte laut, weil die Lügner regier'n,
A E
sie schaffen Götzen, für die ganze Völker krepier'n.
D
Ich hab gebrüllt, wer hat die Kennedys gekillt,
A E
waren es denn eigentlich nicht du und ich ?
D A E
So erlauben Sie, daß ich mich vorstell, ich bin ein Mann von Welt und Stil,
D A E
für Sänger leg ich Fallen, sie sterben in kalten Musikhallen.
H7 E
H7 E
E D A E
4. So wie der Frömmste fallen kann und jeder Sünder heilig ist,
D A E
nenn du mich Engel Luzifer, weil man den wahren Namen zu oft vergisst.
D A E
So hab Respekt, wenn du mich triffst mach's mit Sympathie und Verstand,
D A E
und zeige mir, wie höflich du bist, oder ich hab deine Seele in der Hand.
H7 E
H7 E
E–D–A–E E–D–A–E E – D – A – E…
(Udo Lindenberg)
Version 04 /1.01 April 2004 635

MACKIE MESSER
(Listen to midi)
C d G - G7 C
1. Und der Haifisch, der hat Zähne, und die trägt er im Gesicht,
a d G - G7 C
und der Mackie hat ein Messer, doch das Messer sieht man nicht.
C d G - G7 C
2. Ach, es sind des Haifisch's Flossen, rot, wenn dieser Blut vergießt,
a d G - G7 C
Mackie Messer trägt 'nen Handschuh, drauf man keine Untat sieht.
C d G - G7 C
3. An 'nem schönen blauen Sonntag liegt ein toter Mann am Strand,
a d G - G7 C
und ein Mensch geht um die Ecke, den man Mackie Messer nennt.
C d G - G7 C
a d G - G7 C
und der Mackie hat ein Messer, doch das Messer man sieht es nicht.
C d G - G7 C
5. Und die minderjährige Witwe, deren Namen keiner weiss,
a d G - G7 C
wachte auf und war geschändet, Mackie, welches war dein Preis.
C d G - G7 C
a d G - G7 C
und der Mackie hat ein Messer, doch das Messer man sieht es nicht.
G - G7 C
Doch das Messer man sieht es nicht.
G - G7 F -C
Doch das Messer man sieht es nicht.
(Udo Lindenberg)
Version 04 /1.01 April 2004 636

JUNIMOND ECHT
Verse 1:
G
Die Welt schaut rauf
C D
zu meinem Fenster.
G
Mit müden Augen
C D
ganz staubig und scheu
G C D
Ich bin hier oben, auf meiner Wolke.
G C Bm
Ich seh dich kommen, aber du gehst vorbei.

Bridge:
Em C
Doch jetzt tuts nicht mehr weh,
Em A
jetzt tuts nicht mehr weh...
Bm A
Und alles bleibt stumm und kein Sturm
B
kommt auf wenn ich dich seh

Chorus:
E D C
Es ist vorbei, byebye Junimond!
D Em D G
Es ist vorbei,
F C D
Es ist vorbei, byebye

Verse 2:
G C D
2000 Stunden hab ich gewartet,
G C D
ich hab sie alle gezählt und verflucht.
G C D
Ich hab getrunken, geraucht und gebetet.
G C Bm
Hab dich flussauf und flussabwärts gesucht

Version 04 /1.01 April 2004 637

Version 04 /1.01 April 2004 638
MAMY BLUE
Dieter Thomas Kuhn & Band
Intro: Am
Am
Ich ging im Zorn einst von Dir fort,
ganz ohne Kuss und Abschiedswort,

G Am
ich drehte mich nicht einmal um, oh mamy.
Am
Ich sah das Leben und die Welt
und plötzlich hab' ich festgestellt,

G
wie sehr mir Deine Liebe fehlt,
Am
oh mamy, ich fühl' mich so allein.
Am Dm
Oh mamy, oh mamy, mamy blue
Am
oh mamy blue.
Am Dm
Oh mamy, oh mamy, mamy blue,
Am
oh mamy blue.
Am
Heut' komm' ich reuevoll nach Haus',
wie fremd und kalt sieht alles aus,

G Am
ich rufe und Du bist nicht da, oh mamy.
Am
Ich will Dich doch noch einmal seh'n, (oh mamy)
nur Du allein kannst mich versteh'n, (oh mamy)

G
doch meine Arme bleiben leer. (oh mamy)
Am
Zu spät! Du lachst nie mehr.
Am Dm
Am
oh mamy blue.
Am Dm
Am
oh mamy blue.
Am Dm
Dm
oh mamy blue.
Version 04 /1.01 April 2004 639
Am Dm
Am
oh mamy blue.
Am
Wer gibt mir nun Geborgenheit? (oh mamy)
Wer liebt mich und hat für mich Zeit? (oh mamy)
G
Die Wände seh'n mich schweigend an, (oh mamy)
Am
oh mamy - was hab' ich Dir getan?
Am
Der Wind weht rauh wie nie zuvor, (oh mamy)
und ich begreif', was ich verlor, (oh mamy)

G
das Haus ist kein Zuhause mehr. (oh mamy)
Am
Ich geh'! Mein Schritt ist mühlenschwer.
Am Dm
Am
oh mamy blue. Wo bist Du?
Am Dm
Am
oh mamy blue. Ich ruf Dich mamy, mamy!!!
Am Dm
Am
oh mamy blue. Wo bist Du?
Am Dm
Am
oh mamy blue.
Am Dm
Am
oh mamy blue.
Am Dm
Am
oh mamy blue.
Version 04 /1.01 April 2004 640

ÜBER DEN WOLKEN
Otto Waalkes
Am D G
Ach wie hab' ich mich gefreut, auf die schönste Zeit des Jahres.
Am D G
Eine Reise um die Welt, und das schon für wenig baares.
Am D G
Die Flugzeugsitze eng und klein, Die Knie bis unters Kinn gezogen.
Am D G
Meine Beine Schlafen ein, Ach wär ich bloß nicht mitgeflogen.
Ref: Am D G
Hey, Über den Wolken, muß die Beinfreiheit grenzenlos sein.
Am D7 G
Alle Ängste, alle Sorgen, sagt man, blieben darünter verborgen
und dann.
C G
Man sagt, es sei viel Platz in den Maschinen,
D G
doch wir sitzen hier wie Ölsardinen.
Am D G
Der Reiseleiter ist empört: "Wann gibt's endlich was zum essen?"
Am D G
"Das ist ja wirklich unerhört, Ham' die den Proviant vergessen!"
Am D G
Selbst der Copilot ist High, drosselt plötzlich die Motoren.
Am D G
Dolly Buster fliegt vorbei. Man erkennt sie an den Ohren.
Ref:
Am D G
Die Stewardess ist unrasiert, und außerdem 'ne fette Schlampe.
Am D G
Gleich in Brechtüten serviert sie die allerletzte Pampe.
Am D G
Das letzte Luftloch war nicht schön. Es qualmt hier schon die ganze
Bude.
Am D G
Mein Gepäck ist in Athen, die Notlandung in Buxdehude.
Version 04 /1.01 April 2004 641

GRUND ZUMFEIERN
(WE DIDN'T START THE FIRE - BILLY JOEL)
G D
Faber, Creunarte, Deinhardt lila, Grappa, Calvados, Tequila,
Am C
Asbach Uralt, Spätburgunder, Wehrmut und Pernot.
G D
Williamsbirne, Dujardin, Hennessee, Remi Martin,
Am C
FernetBranka, Underberg, Portwein und Bordeaux.
G D
Johnny Walker, Jägermeister, Armaretto, Kellergeister,
Am C
Scharlachberg und Doppelkorn, das Ganze jetzt nochmal von vorn!
G D
Wir haben Grund zum Feiern!
Am C
Keiner kann mehr laufen, doch wir könn' noch saufen!
G D
Am C
Ist uns auch speiübel, bringt den nächsten Kübel.
Am Em
Bommerlunder, Ballantines, heute ist uns alles ein's!
Am D
Birnenschnaps und Apfelwein, wir tun wirklich alles ‚rein!
G D
Whiskey süß und Whiskey sauer, hauptsache wir werden blauer,
Am C
Ramazotti ratzeputz, und ‚ne Buddel Rum.
G D
Gin, Campari, Grand Marnier, endlich tut der Schädel weh,
Am C
mit Dornkaart und Mariacron in's Delirium.
G D
Klosterfrau Melissengeist, oder wie der Stoff sonst heißt.
Am C
Kölnisch Wasser, Pitralon, wir rülpsen nicht, wir kotzen schon!
G D
Wir haben Grund zum Reihern!
Am C
Zerfrisst es auch die Därme, schenkt es uns doch Wärme!
G D
Am D
Unser letzter Wille, immer mehr PromillePromille mille mille...
Version 04 /1.01 April 2004 642

ÜBER DEN WOLKEN DIETER THOMAS KUHN
G Am D7 G
Wind nord ost, Startbahn null drei, bis hier hör ich die Motoren.
Am D7 G
Wie ein Pfeil zieht sie vorbei und es dröhnt in meinen Ohren.
Am D7 G
Und der nasse Asphalt bebt, wie ein Schleier staubt der Regen,
Am D7 G
bis sie abhebt und sie schwebt der Sonne entgegen.

G Am D7 G
Über den Wolken, muß die Freiheit wohl grenzenlos sein.
Am D7 G
Alle Ängste, alle Sorgen, sagt man, blieben darunter verborgen und dann,
C G D7 G
würde, was uns groß und wichtig erscheint, plötzlich nichtig und klein.
G Am D7 G
Ich sehíhr noch lange nach, seh´sie die Wolken erklimmen,
Am D7 G
bis die Lichter nach und nach ganz im Regengrau verschwimmen.
Am D7 G
Meine Augen haben schon jenen winz´gen Punkt verloren.
Am D7 G
Nur von fern klingt monoton das Summen der Motoren.
G Am D7 G
Am D7 G
C G D7 G

G Am D7 G
Dann ist alles still, ich geh´, Regen durchdringt meine Jacke.
Am D7 G
Irgend jemand kocht Kaffee in der Luftaufsichtsbaracke.
Am D7 G
In den Pfützen schwimmt Benzin schillernd wie ein Regenbogen.
Am D7 G
Wolken spiegeln sich darin ich wär gern mit geflogen.
G Am D7 G
Am D7 G
C G D7 G

Version 04 /1.01 April 2004 643

QUANDO QUANDO CATERINA VALENTE & SILVIO FRANCESCO

G a D7 a D7 a
Sag mir quando, sag mir wann,
D7 a D7 G e G e G
sag mir quando, quando, quando.
e G e a D7 a D7 a
Ich dich wiedersehen kann,
D7 a D7 G e G e G
ich hab immer für dich Zeit.
G a D7 a D7 a
D7 a D7 G e G e G
sag mir quando, quando, quando,
e G e a D7 a D7 a
ich dich wieder küssen kann,
D7 a D7 G e G e G
unter Palmen so wie heut.

e G e d G d G d G d G C e C e C
Laß uns träumen am Meer, einen Traum von amor,
e C e A e A e A e A e DD7
denn so schön wie ein Traum , kommt mir dann das Leben vor.

(alles wiederholen mit REFRAIN)

G a D7 a D7 a
D7 a D7 G e G e G
sag mir quando, quando, quando.
e G eGeG e a D7 a D7 a
Ich dich wiedersehen kann,
D7 a D7 G e G e a
sag mir quando, sag mir wann,
D7 a D7 G e G e a
ich dich wiedersehen kann,
D7 a D7 G e G e G
sag mir quando, sag mir wann!

Version 04 /1.01 April 2004 644

AZURRO
PETER RUBIN

Am E Am
Wär's doch das ganze Jahr lang Sommer
E Am E Am
mit blauem Himmel und Sonnenschein
Dm A Dm
braucht ich mich doch nicht so zu plagen,
A Dm A Dm
dann hätt ich Freizeit, bei dir zu sein.
A E A F#
Ja, dann könnt' ich in aller Ruhe
H7 E A E
und voll Erwartung auf dich mich freun

A
Azurro, so ist der Himmel für Verliebte,
E E7
denn Azurro heißt blau.
E A
Azurro, so ist die Welt für mich,
E A E A
wenn tief ich in die Augen dir schau.
D A
Ich merke es immer schlimmer, wie es ist,
D F# H7 E
wenn du mal nicht bei mir bist.
A F#
Azurro, so ist mein Leben,
A E Am E Am E
weil ich Azurro bin, wenn du mich küsst.

Am E Am
Wär' doch das Geld ein bißchen mehr wert,
E Am E Am
dann schenkte ich dir einen Bungalow,
Dm A Dm
käm ich dann schneller ganz nach oben,
A Dm A Dm
wär ich Direktor, und du wärst froh.
A E A F#
Doch das sind leider alles Träume
H7 E A E
wenn du bei mir bleibst, dann geht's auch so
A
E E7
E A
E A E A
D A
Version 04 /1.01 April 2004 645
D F# H7 E
A F#
A E Am E Am E
weil ich Azurro bin, wenn du mich küsst.

Am E Am
Ich träum so oft von langen Ferien,
E Am E Am
mit weiten Reisen irgendwohin.
Dm A Dm
Dann trage ich nur einen Koffer
A Dm A Dm
mit zwei Pyjamas und DMark drin.
A E A F#
Doch bis das wahr ist, will ich froh sein,
H7 E A E
wenn ich das Glück hab und bei dir bin
A
E E7
E A
E A E A
D A
D F# H7 E
A F#
A E A
weil ich Azurro bin, wenn du mich küsst
Version 04 /1.01 April 2004 646

HURRA, HURRA, DIE SCHULE BRENNT - Extrabreit
C a
1. Die kleinen Mädchen aus der Vorstadt tragen heute
F G
Nasenringe aus Phosphor.
C a F G
Die Lippen sind blau, die Haare grün und Streichholzetiketten am Ohr.
C a
Aus den Jackentaschen ragen braune Flaschen,
F G
so sieht man sie durch die Straßen ziehn.
C a F G
Überall, wo sie vorübergehn, hängt in der Luft ein Hauch von Benzin
.
F G a G
Das ist neu, das ist neu, hurra, hurra, die Schule brennt!
CaFG C a
2. Die kleinen Mädchen aus der Vorstadt schlagen
F G
alle Feuermelder ein.
C a
Die Sirenen heulen, alle Glocken läuten,
F G
die Kinder fangen an zu schrein.
C a F G
Tatütata! Tatütata! Die Feuerwehr ist auch bald da.
C a
Es brennt so gut, bald sieht man nur noch Glut,
F G
wo eben noch die Schule war. Und sie singen :
F G a G
CaFG CaFG CaFG CaFG
F G a G
CaFG
C a
3. Die kleinen Mädchen aus der Vorstadt tragen heute
F G
Nasenringe aus Phosphor.
C a F G
Radios, mit Batterien betrieben, und New Wave Musik am Ohr.
C a
Sie stehen zusammen, dicht bei den Flammen,
F G
bis die Sonne untergeht.
C a
Die Feuerwehr hat es doppelt schwer,
F G
weil der Wind sich dreht. Und sie singen :
F G a G
Das ist geil, das ist geil, hurra, hurra, die Schule brennt!
CaFG CaFG
F G a G C
Version 04 /1.01 April 2004 647
Das ist geil, das ist geil, hurra, hurra, die Schule brennt!
Version 04 /1.01 April 2004 648

FLIEGER, GRÜSS MIR DIE SONNE
1.)
G
Vom Nordpol zum Südpol ist nur ein Katzensprung,
Ais
wir fliegen die Strecke bei jeder Witterung.
C
Wir warten nicht, wir starten, was immer auch geschieht,
G A D
durch Wind und Wetter klingt das Fliegerlied.
1.Refrain:
G
Flieger, grüß mir die Sonne,
C G
grüß mir die Sterne, und grüß mir den Mond.
D e C
Dein Leben, das ist ein Schweben,
a D G
durch die Ferne, die keiner bewohnt.
(1.Strophe & 1.Refrain)
2.Refrain:
G
Schneller, und immer schneller ,
C G
dreht der Propeller wie dir´s grade gefällt.
D e - C
Piloten ist nichts verboten,
a D G
gib Vollgas und flieg um die Welt.
(1.Refrain & 2.Refrain & 1.Refrain)

wer nicht genug davon kriegt, einfach das ganze nochmal..und alle:
fliiiegaaaa ;o))
Version 04 /1.01 April 2004 649

TANGO KORRUPTI – AUSTRIA3
RAINHARD FENDRICH
Am
Man weiß es leider nicht genauer,
E7
es lag ein Herr in einer Sommernacht,
auf einem Parkplatz auf der Lauer
Am
und ein Kuvert das hat er mitgebracht.
Am
Von Ferne sieht man auch zwei Lichter,
E7
es knirscht ein dunkelblauer Jaguar –
darinnen kalkweiße Gesichter,
Am
nur der Chauffeur ist aus Nigeria.

Man reicht den Umschlag in den Wagen,
E7
die Herzen schlagen, der Handel ist perfekt.
Durch eine großzügige Spende kriegt man am Ende
Am
fast jedes Großprojekt.
A7 Dm
Plötzlich lacht der Herr Minister,
Am
denn er kennt dieses Geknister
Dm E7
und er hat auf seinen Lippen eine kleine Melodie:
A E7
Tango Korrupti, wenn einer draufkommt und entpuppt di,
nimmst du dir einfach einen Anwalt, der was kann halt
A
und bist schwuppti wupp davon.

Auch wenn die Steuerfahndung stöbert
E7
es gibt nichts, was den Blutdruck hebert,
Am
denn alles, was wir hab'n, des hamma sowieso scho auf d Bahamas.
Es träumt der alte Polizeirat
seit seiner Heirat mit einem Topmodel,
Version 04 /1.01 April 2004 650
von Schuldenbergen leeren Säcken an allen Ecken
brennt sein Hut schon hell.
Da nähert sich ein Tätowierter auf einmal spürt er
ein paar Tausender, von hinten in die Hose gleiten
nach allen Seiten huscht sein Blick umher.
Es spricht der Mann in seinem Rücken,
ab heute drücken wir ein Auge zu
und wenn wir uns arrangieren,
kann ich ihnen garantieren,
es gibt noch viel mehr davon.
Tango Korrupti, wenn einer draufkommt.....
Es sprach ein fetter Wirtschaftsbonze.
"Schau'n Sie, das Ganze, mein lieber Staatsanwalt",
war doch nur eine Bagatelle,
so auf die Schnelle a paar Millionen halt.
Ich habe Geld wie Würfelzucker sie bleib'n ein Schlucker
mit ihrem Staatsgehalt.
Sie sollten sich einmal was leisten so wie die meisten,
vielleicht an Porsche bald,
dafür verschwinden ein paar Akten, auch die Fotos
mit der Nackten und dann singen wir gemeinsam eine kleine Melodie:
TANGO KORRUPTI, WENN EINER DRAUFKOMMT.....
Version 04 /1.01 April 2004 651

EIN BISSCHEN SPASS MUSS SEIN
E
Ein bisschen Spass muss sein
E7 A
Dann ist die Welt voll Sonnenschein
E
So gut wie wir uns heute verstehen
A
So soll es weitergehen.
Ein bisschen Spass muss sein
Dann kommt das Glück von ganz allein
Drum singen wir tagaus und tagein
Ein bißchen Spaß muss sein.
A D
Heut nacht feiern wir
E7 A
Machen durch bis um vier
A D
Fragen nicht nach Zeit und Geld
A E7 A
Weil es Dir und auch mir so gefällt.
Ein bisschen Spass muss sein ...
Draußen wird's langsam hell
Und die Zeit geht viel zu schnell
Noch ein Glas und einen Kuss
Ja, und dann ist noch lange nicht Schluß.
Ein bisschen Spass muss sein ...
MARINA
F
1. Bei Tag und Nacht denk ich an dich Marina,
C7
du zauberhafte Ballarina.

Oh, wärst du mein, du süße Caramia,
F
aber du gehst ganz kalt an mir vorbei.
2. Doch eines Tages traf ich sie im Mondschein,
C7
ich lud sie ein zu einem Glase Rotwein.
Und wie ich fragte, Liebling, willst du mein sein,
F
gab sie mir einen Kuß, und das hieß ja!
F C7
Ref.: Marina, Marina, Marina,
F
dein Chic und dein Charme, der gefällt.
C7
Marina, Marina, Marina,
Version 04 /1.01 April 2004 652

F
du bist ja die Schönste der Welt.
C7 F
Wunderbares Mädchen, bald sind wir ein Pärchen,
C7 F
komm und laß mich nie alleine ,oh no no no no no
Version 04 /1.01 April 2004 653

EISGEKÜHLTER BOMMERLUNDER, Toten Hosen
(D) (A)
Eisgekühlter Bommerlunder, Bommerlunder eisgekühült
(D)
Eisgekühlter Bommerlunder, Bommerlunder eisgekühült
(und dazu) ein belegtes Brot mit Schinken (Schinken!)
(A)
ein belegtes Brot mit Ei (Ei!)
(D)
das sind zwei gelegte Brote, eins mit Schinken und eins mit Ei
(und dazu) ... {wieder von vorne, jedesmal schneller}
WANDERSMAN, ZELTINGER N
1x leise und langsam,
1x laut und schnell:
A
Mein Vater war ein Wandersmann
E
und mir steckts auch im Blut
A
drum wandre ich solang ich kann
D E A
und schwenke meinen Hut
E A
falari, falara
E A
falari, falarahaha
E A
falari, falara
D E A
und schwenke meinen Hut
Version 04 /1.01 April 2004 654

MIR GEHT ES WIE DEM JESUS
WOLFGANG AMBROS
G Hm Am
1. Mir geht es wie dem Jesus
C D
Mir tut das Kreuz so weh
G Hm Am
Doch ihm tat's erst mit dreißig
C D
Mir tut es heut' schon weh
G Hm Am
C D
Nur hab' ich nicht die Klasse
G Hm Am
Denn ich verwandle nur den Wein
C D
In Wasser, das ich lasse
G Hm Am
Ref.: Und wie der Jesus sage ich
C D
Heiteren Gesicht's
G Hm Am
Das Leben ist ein Heidenspaß
C D G
Für Christen ist das nicht's
G Hm Am
C D
Ich treff nur lauter Blinde
G Hm Am
Nur manchmal wenn ich Glück hab'
C D
gehorchen mir die Winde
G Hm Am
C D
Der unter uns geweilt
G Hm Am
Die meisten die mich kennen
C D
Die sind von mir geheilt
Ref.: Und wie der Jesus sage ich ...
Version 04 /1.01 April 2004 655

G Hm Am
C D
Mit dem ich mich verglich
G Hm Am
Denn auáer alten Jungfern
C D G
Version 04 /1.01 April 2004 656

FÜR IMMER JUNG
Andre Heller & Wolfgang Ambros
(Orig. by Bob Dylan)
D F#m
Dich soll's geb'n, solang's die Welt gibt, und die Welt soll's immer
geb'n
G Em D
Ohne Angst und ohne Dummheit, ohne Hochmut soll'st du leb'n
D F#m
Zu die Wunder und zur Seligkeit ist's dann nur a Katzensprung
G A7 D
und wann du willst bleibst immer jung
A7 Hm D A7
D
Ref: Für immer jung, für immer jung, wann du willst bleibst
immer jung
D F#m
Du sollst wachsen bis in den Himmel, wo du bist, soll Himmel sein
G Em D
du sollst Wahrheit red'n und Wahrheit tun, du sollst verzeih'n
D F#m
Wann'st Vertrau'n hast in dich selber, dann brauchst ka Versicherung
G A7 D
und wann du willst bleibst immer jung
Ref:
D F#m
Du sollst nie aufhör'n zum Lernen, arbeit mit der Phantasie
G Em D
wann'st dei' Glück gerecht behandelst, dann verläßt's dich nie
D F#m
Und du sollst vor Liebe brennen und vor Begeisterung
G A7 D
weil dann beibst (weil dann bleibst) für immer jung
Ref:

Version 04 /1.01 April 2004 657

http://www.klampfen.de.vu
Danke an Diddl (mail.jc@aon.at)
Version 04 /1.01 April 2004 658

DER BERG ("Der Watzmann")
Wolfgang Ambros
a d
Groß und mächtig, schicksalsträchtig,
a d
um seinen Gipfel jagen, Nebelschwaden
e
A Donnern schickt er oft ins Tal
a h
und dann schauderts alle auf amal
G D A D
wann er donnert, Gott behüt, der Berg der kennt ka Einsegn nit
Chorus:
G D
Watzmann, Watzmann, Schicksalsberg,
A e
du bist so groß und i nur a Zwerg
Bridge:
a d a d
Solo:
a d a d (6 x)
a d
Vü hats scho pockt, am Berg aufiglockt
a d
g'folgt sinds im tapfer, oba der Berg, der wüll sei Opfer
e
Der Berg der loßt hoit niemand aus,
a h
drumm steigts ned auffe, bleibts liaba z'Haus
G D A D
alle san se lange tot, weu hoit der Berg ka Einsegn hot
Chorus ...(2x)
Outro:
G D A D (8x)
Version 04 /1.01 April 2004 659

ES LEBE DER ZENTRALFRIEDHOF E3
Words & Music by Wolfgang Ambros
G Hm C G
Es lebe der Zentralfriedhof, und alle seine Tote,
Em Am D G
Da Eintritt ist für lebende, heut’ ausnahmslos verboten.
Em Am D G
Weil der Tod a fest heut gibt, die ganze lange Nacht.
C Hm Am Em Em Hm Em Em Hm
und von die gäst ka einziger a Eitritts karten braucht.
Wann’s Nacht wird über’m Simmerring kummt leb’n in die Tot’n

und drüb’n beim Krematorium tans Knochenmark verbrat’n.
Dort hint’n bei der Marmorgruft dort stengan zwei Skelete,
die stess mit zwei Urnen zusammen und saufen um die Wette.
G D F C
Am Zentralfriedhof is Stimmung, weis seit Lebtag nonet woa,
Am G D Em Em Hm Em Em Hm
weil alle Tot’n feiern heut seine ersten hundert Jahr.
Es lebe der Zentralfriedhof und seine Jubilare.

Sie liegen und verfaul’n scho da seit über hundert Jaheren.
Draußt is kalt und drunt is warm nur manchmal a bissel feucht,
wenn ma so drunt liegt freut ma sich wann’s Grablaterderl
leucht.
Es lebe der Zentralfriedhof, die Szene wird makaber,

die Pfarrer tanzen mit die Hurrn und de Jud’n mit Araber.
Heut san alle wieder lustig, heut’ lebt alles auf.
Im mausoleum spielt a Band die hat an wahnsinns Hammer drauf.
G D F C
Am Zentralfiedhof ist stimmung wie seit Lebtag no net woa,
Am G D
weu alle Tot’n feiern heute seine ersten hundert Jahr.
G Hm C G
Es lebe der Zentralfriedhof, auf a moi machts a Schnalzer,
Em Am D G
F# Em
der Moser singts Fiakerlied, die Schrammeln spüln an Walzer
Em Am D G
auf amoi is di Musi still und alle Aug’n glänz’n
G Hm Am Em
weu dort drübn steht der Knochenmann und winkt mir seiner
Sensen.
Am Zentralfiedhof ist stimmung wie seit Lebtag no net woa,

weu alle Tot’n feiern heute seine ersten hundert Jahr.
Version 04 /1.01 April 2004 660

SCHIFOAN (WOLFGANG AMBROS)
G e C D
Du Du Du Du Du Du Du Du Du Du Du Du Du Du Du Du Du Du Du Du
G e C D
1. Am Freitag auf'd Nacht montier l de Schi
G e C D
auf mei Auto und dann begib l mi
G e C D
ins Stubaitai oder nach Zell am See,
G e C D G
weil durt auf de Berg' ob'n hams immer an leiwanden Schnee.
G e
Refrain: l will nur Schi foan foan foan foan
G e G e
Schi foan, oh, oh, oh, oh Schi foan,
C D C D G
weil Schifoan is des leiwandste was ma si nur vurastelln kann.
2. In da Fruah bin l der erste, der wos auffefoat, damit l net so lang
aufs Auffefoan woat; drob'n auf da Hütt'n kauf l ma an Jägertee, weil so
a Tee macht an Schnee erst so richtig schee.
Refrain
G e G e G
3. Und wann der Schnee staubt, und wann de Sunn scheint dann hab l
e C D G e C D
alles Glück in mir vereint, l steh am Gipfel, schau obe ins Tal,
G e C D
a jeder is glücklich, a jeder fühlt se wohl und will nur....
Refrain
4. Am Sunntag auf'd Nacht montier l de Schi auf mei Auto, aber dann
überkummt's mi und l schau no amal auffe und denk ma "aba wo!" l foa no
net z 'Haus, l bleib am Montag aa no da.
Refrain

Version 04 /1.01 April 2004 661

KARL DER KÄFER
d A
1. Tief im Wald zwischen Moos und Farn,
e H7
da lebte ein Käfer mit Namen Karl.
G D -e H7
Sein Leben wurde jäh gestört, als er ein dumpfes Grollen hört.
d A
Lärmende Maschinen überrollen den Wald,
e H7
übertönen den Gesang der Vögel schon bald.
G D
Mir scharfer Axt fällt man Baum um Baum,
e H7
zerstört damit seinen Lebensraum.
e G
Karl der Käfer wurde nicht gefragt,
D e e – G – D – e (2x)
man hat ihn einfach fortgejagt. (2x)
d A
2. Ein Band aus Asphalt breitet sich aus,
e H7
fordert die Natur zum Rückzug auf,
G D -e H7
eine Blume, die noch am Wegesrand steht, wird einfach zugeteert.
d A
Karl ist schon längst nicht mehr hier,
e H7
einen Platz für Tiere gibt’s da nicht mehr.
G D
Dort, wo Karl einmal zu Hause war,
e H7
fahrn jetzt Käfer aus Blech und Stahl. + REFRAIN (2x)
(Original mit Capo im 3. Bund)
(Gänsehaut)
Version 04 /1.01 April 2004 662

WALDFEST
VON ZUPFGEIGENHANSEL
C F C
Eine Meute trifft sich heute auf der Waldlichtung,
F C G
einfach so und ohne Klo und ohne Schalldichtung,
C F e
und sie bauń sich einen Haufen, hauń sich lachend ins Moos,
F C G a
und sie fassen sich und lassen sich dann nicht mehr los,
F C G C
und sie fassen sich und lassen sich dann nicht mehr los.
C F C
Die Äpfel sind so schrumplig und die Birnen sind so klein,
F C G
das Gemüse muss wohl auch biodramatisch sein,
C F e
doch der Schorsch sagt als Kenner, das Aroma ist groß
F C G a
F C G C
C F C
Das Akkordeon erfordert schon Geschicklichkeit,
F C G
zwei Gitarren und ein Krummhorn liegen auch bereit.
C F e
Flinke Finger, pralle Backen und ein kräftiger Stoß
F C G a
F C G C
G C
REF: Und ein Fass ist leer, da rollt ein neues her,
F C G
und Martina sagt: das Fass da ist mir nicht zu schwer.
G C D
Gib dem Hahn am Fass einen Schlag, sodass endlich Bier rauskommt.
G G7
Schnell, Mann, halt doch hin dein Glas.
C F C
Tine mit der Mandoline, die kommt grad vom Feld,
F C G
sie liebt biologisch düngen wurde festgestellt,
Version 04 /1.01 April 2004 663

C F e
denn sie hat noch die ganze frische Landluft an der Hos´
F C G a
F C G C
C F C
Und am Friedensstand da gibt es allerhand,
F C G
die Friedenspfeife und das Abrüstungskrokant,
C F e
von der Friedenssocke bis zur Friedensunterhos´
F C G a
F C G C
C F C
Hier auf dieser Feier sind auch manche Ausländer dabei:
F C G
Alois, der Bayer, und Fatma aus Türkei.
C F e
Und die beiden schneiden Zwiebeln und den Knoblauch in die Soß´
F C G a
F C G C
F C G
G C D
G G7
C F C
Scharfe Bauernwurst macht einem dauernd Durst,
F C G
frisches Bauernbrot aus echtem Schrot steht hoch im Kurs.
C F e
Kalle füttert Caroline, die liegt bei ihm im Schoß
F C G a
F C G C
C G C
Alle werden still und lauern auf den Grill,
F C G
weil doch mancher sein Stück Hammel vor dem andern will.
C F e
Nur der Hammel bleibt cool und läßt sich Zeit auf dem Rost
Version 04 /1.01 April 2004 664

F C G a
F C G C
F C G
G C D
G G7
C F C
Eine Meute trifft sich heute auf der Waldlichtung,
F C G
einfach so und ohne Klo und ohne Schalldichtung,
F C G a
F C G C
Version 04 /1.01 April 2004 665

WAS SOLLEN WIR TRINKEN
D Em D
Was sollen wir trinken, sieben Tage lang,
Em D Em
was sollen wir trinken, wir haben Durst :||
G D7 G D7 Em
Es ist genug für alle da, darum laßt uns trinken,
D Em D Em
rollt das Faß herein, wir trinken zusammen, nicht allein :||
D Em D
Dann wollen wir schaffen, sieben Tage lang,
Em D Em
dann wollen wir schaffen, Hand in Hand :||
G D7 G D7 Em
Es gibt genug fur uns zu tun, darum laßt uns schaffen,
D Em D Em
jeder packt mit an, wir schaffen zusammen, nicht allein :||
D Em D
Erst müssen wir kämpfen, keiner weiß, wie lang,
Em D Em
erst müssen wir kämpfen, für unser Ziel :||
G D7 G D7 Em
Und für das Glück von jedermann, dafür heißt es kämpfen,
D Em D Em
los, fangt heute an, wir kämpfen zusammen, nicht allein :||
D Em D
Dann wollen wir trinken, sieben Tage lang,
Em D Em
dann wollen wir trinken, wir haben Durst :||
G D7 G D7 Em
Es ist genug für alle da, darum laßt uns trinken,
D Em D Em
rollt das Faß herein, wir trinken zusammen, nicht allein :||
Version 04 /1.01 April 2004 666

VERDAMP LANG HER
BAP
1. Strophe:
Em D C
Verdamp lang her, dat ich fast alles ähnz nohm.
Em, D C
Verdamp lang her, dat ich ahn jet jegläuv.
Em D C
Un dann da Schock, wie't anders op mich zokohm.
Em D C
Merkwürdich, wo su manche Haas langlööf,
C Am D Hm
Nit resigniert, nur reichlich desillusioniert,
C D Em D C D
E bessje jet hann ich ich kapiert.
2. Strophe:
Wer alles, wenn dir'r klapp, hinger dir herrennt,
Ding Schulder klopp, wer dich nit hofiert,
Sich ohne ruut ze wedde ding Frönd nennt,
Un dich daachs drop janz einfach ignoriert.
Et ess lang her, dat ich vüür sujet ratlos stund,
Un vüür Enttäuschung echt nit mieh kunnt.
Refrain:
G D C D
Verdamp lang her, verdamp lang, verdamp lang her,
G D C D
Verdamp lang her, verdamp lang, verdamp lang her.
3. Strophe: 5. Strophe:
Ich weiß noch, wie ich nur dovun jedräumt Frööchs mich, wann ich zoletz e Bild
hann, jemohlt hann,
Wovunn ich nit woss, wie jet sööke sollt, Ob mir e Leed tatsächlich jetz jenüsch,
Vüür lauter Söökerei et Finge jlatt Ob ich jetz do benn, wo ich hinjewollt hann,
versäump hann,
Un üvverhaup, wat ich wo Finge wollt. Ob mir ming Fräv op die Tour nit
Ne Kopp voll Nix, nur die paar instinktive verdrüsch.
Tricks. Ich gläuv, ich weiß, ob de no laut mohls
Et duhrt lang, besste dich durchblicks. oder leis.
Refrain: 'T kütt drop ahn, dat do et deiß.
Refrain:
4. Strophe:
Dat woor die Zick, wo ich nit ens Pech hat, 6. Strophe:
Noch nit ens dat, ich hat se nit ens satt, Verdamp lang her, dat ich bei dir ahm Jraar
He woor John Steinbeck, do stund Joseph woor.
Conrad, Verdamp lang her, dat mir jesprochen
Dozwesche ich, nur relativ schachmatt. henn,
'T ess paar Johr her, doch die Erinnerung Un dat vumm eine och jet beim andre
fällt nit schwer, ahnkohm,
Hück kütt mer vüür, als wenn et jestern Su lang, dat ich mich kaum erinnre kann.
wäär. Häss fess jegläuv, dat wer em Himmel op
Refrain: dich waat.
"Ich jönn et dir" hann ich jesaat.
Version 04 /1.01 April 2004 667
Version 04 /1.01 April 2004 668
VOULEZ VOUS D IETER THOMAS KUHN
Sie war g'rade vier und da schenkte man ihr

einen kleinen Teddybär.
Sie sagte: "Hallo Teddy!", und sie sang immerzu:
"'N get chor get chor ai ya ya ya
'N get chor get chor ai ya hi
Mocca cho-co-la-ta-ya-ya.
Teddy, wunderschön bist Du.
Voulez-vous coucher avec moi ce soir?
Willst Du mit mir schlafen geh'n heut' Nacht?
Oder hast Du schon was vor ce coir?
Glaub mir, es wird wunderschön."
Als sie sechzehn war, da bewunderte man
das Mädchen mit dem goldenen Haar.
Eines Tages kam einer zu ihr und sagte:
"'N get chor get chor ai ya ya ya
Nougat cho-co-la-ta-ya-ya.
Ich wär' gern' heute Nacht bei Dir.
Oder hast Du schon was vor ce coir?
Glaub mir, es wird wunderschön."
No, no, no.
Doch sie sagte: "Nein, ich hab' mein' Teddy,
und der würde traurig sein."
Sie lief davon, doch sie hörte von fern:
Bleib, bleib, bleib!
Mit achzehn, da wurde ihr klar,
dass der Teddy nur ein Spielzeug war.
Und dann kam Pierre, und der liebte sie so
sehr, sehr, sehr:
'N get chor get chor ai ya ya ya
Mousse-o-cho-co-la-ta-lecker.
Glaub mir, es wird wunderschön.
Und dann endlich sagte er:
"Voulez-vous coucher avec moi ce soir?
Wer einmal leckt, der weiß, wie's schmeckt!"
Version 04 /1.01 April 2004 669

DU WILLST IMMER NUR F......, 1
C G
1. Wir beide sind ein Liebespaar,
a F
das mit uns ist wunderbar.
C G
Ich wußte es von Anfang an,
a F
du bist meine Frau und ich bin dein Mann.
C G
Ich hab dich lieb, das weißt du genau,
a F
du bist echt ’ne Klassefrau.
C G
Aber eins find ich nicht so toll,
a F
ich weiß nicht, wie ich es dir sagen soll.
C G F
Du willst immer nur f........., immer nur f.......... mit mir.
C G F
C G
2. Ab und zu, da kaufst du mir,
a F
ne Kiste von meinem Lieblingsbier.
C G
Und du trägst ein Negligé,
a Ais
du weißt genau, dass ich da voll durchseh’.
C G
Und dann riechst du nach Parfüm,
a F
das ist auch alles nicht unangenehm.
C G
Doch will ich dann nur mit dir schmusen,
a Ais
drückst du mich immer gleich an deinen Busen.
C G F
C G F
Version 04 /1.01 April 2004 670
a D
Wir könn’ doch auch mal einfach reden,
a D
das kann einem auch ne Menge geben.
a D
Wir könn’ doch auch mal zärtlich sein,
a D
du streichelst mich und ich schlaf sein.
a D
Dann machen wir es uns gemütlich,
a D
ich hab noch etwas Popcorn übrig.
a D
Ach, unsre Liebe wäre wunderschön,
a E ~
doch du mußt immer gleich aufs Ganze gehen.
C G F
C G F
C G F
C G F
Du willst immer nur f........., immer nur f.......... mit mir……
(Orig. = Capo 2)
(Ganz Schön Feist)
Version 04 /1.01 April 2004 671

SPIEL NICHT MIT DEN SCHMUDDELKINDERN
Franz Josef Degenhardt
REFRAIN:
D G A7 D
Spiel nicht mit den Schmuddelkindern, sing nicht ihre Lieder
C D C D C D C A7 D
Geh doch in die Oberstadt, machs wie deine Brü ----- der
---------
STROPHE:
D C G D
So sprach die Mutter sprach der Vater lehrte der Pastor
D C D C D C D
er schlich aber immer wieder durch das Gartentor
G D
und in die Kaninchenställe wo sie Sechsundsechzig spielten
G D
um Tabak und Rattenfelle, Mädchen unter Röcke schielten
C G
wo auf alten Bretterkisten Katzen in der Sonne dösten
C G
wo man wenn der Regen rauschte, Engelbert dem Blöden lauschte
A D G A D
der auf einen Haarkamm biss, Rattenfängerlieder blies
C G
Abends am Familientisch, nach dem Gebet zum Mahl
A A7 D
da hiess es dann "Du riechst schon wieder nach Kaninchenstall"
-------------
2)
Sie trieben ihn in eine Schule in der Oberstadt
kämmten ihm die Haare und die krause Sprache glatt
lernte Rumpf und Wörter beugen und statt Rattenfängerweisen
musste er das Largo geigen und vor dürren Tantengreisen
unter roten Rattenwimpern par coeur Kinderszenen klimpern

und verklemmt in Viererreihen, Knochen morsch und morscher schreien
zwischen Fahnen aufgestellt, brüllen dass man Freundschaft hält.
Schlich er abends manchmal zum Kaninchenstall davon,
dann hockten da die Schmuddelkinder sangen voller Hohn:
----------------
3)
Aus Rache ist er reich geworden in der Oberstadt
da hat er sich ein Haus gebaut nahm jeden Tag ein Bad
roch wie bessre Leute riechen, lachte fett wenn alle Ratten
ängstlich in die Gullis wichen, weil sie ihn gerochen hatten
und Kaninchenställe riss er ab an ihrer Stelle ließ er

Gärten für die Kinder bauen, liebte hochgestellte Frauen
schnelle Wagen und Musik, blond und laut und honigdick.
Kam sein Sohn der Nägelbeisser, abends spät zum Mahl
dann roch er an ihm schlug ihn schrie "Stinkst nach Kaninchenstall
---------------
4)
Doch eines Tages hat er eine Kurve glatt verfehlt
man hat ihn aus einem Ei von Schrott herausgepellt
Als er später durch die Strassen hinkte sah man ihn an Tagen
auf nem Haarkamm Lieder blasen, Rattenfell am Kragen tragen
Hinkte hüpfend hinter Kindern, wollte sie am Schulgang hindern

und strich um Kaninchenställe, eines Tags in aller Helle
hat er dann ein Kind betört, und in einen Stall gezerrt
Seine Leiche fand man, die im Rattenteich rumschwamm
und drumherum die Schmuddelkinder bliesen auf dem Kamm
Version 04 /1.01 April 2004 672

ABER BITTE MIT SAHNE UDO JÜRGENS
1. Strophe:
D
G D
Sie treffen sich täglich um viertel nach drei, ohoho, oh yeah !
D
G D
Am Stammtisch im Eck in der Konditorei, ohoho, oh yeah !
G D
Und blasen zum Sturm auf das Kuchenbuffet,
G A
Auf Schwarzwälderkirsch und auf Sahne Baiser.
D G
A D
Auf Früchteeis, Ananas, Kirsch und Banane, aber bitte mit Sahne.
2. Strophe:
Sie schwatzen und schmatzen, dann holen sie sich, ohoho, oh yeah !
Noch Buttercremetorte und Bienenstich, ohoho, oh yeah !
Sie pusten und prusten, fast geht nichts mehr rein,
Nur ein Mohrenkopf höchstens, denn Ordnung muß sein.
Bei Mathilde, Ottilie, Marie und Liliane, aber bitte mit Sahne.
3. Strophe:
Und das Ende vom Lied hat wohl jeder geahnt, ohoho, oh yeah !
Der Tod hat reihum sie dort abgesahnt, ohoho, oh yeah !
Die Hinterbliebenen fanden vor Schmerz keine Worte,
Mit Sacher und Linzer und Marzipantorte.
Hielt als letzte Liliane getreu noch zur Fahne, aber bitte mit Sahne.
4. Strophe:
Doch auch mit Liliane war es schließlich vorbei, ohoho, oh yeah !
Sie kippte vom Stuhl in der Konditorei, ohoho, oh yeah !
Auf dem Sarg gab’s statt Kränzen verzuckerte Torten,
Und der Pfarrer begrub sie mit rührenden Worten.
Daß der Herrgott den Weg in den Himmel ihr bahne, aber bitte mit Sahne.
Version 04 /1.01 April 2004 673

MEIN KLEINER GRÜNER KAKTUS - Comedian Harmonists
A E7 A E7 A F#7
Blumen im Garten, so zwanzig Arten von Rosen Tulpen und Narzissen,
hm F#7 hm F#7 H7 E7
leisten sich heute die feinen Leute. Das will ich alles gar nicht wissen.
A E
Mein kleiner grüner Kaktus steht draußen am Balkon
A
Holari, holari, holaro!
E
Was brauch' ich rote Rosen, was brauch' ich roten Mohn,
A
D A
Und wenn ein bösewicht was Ungezog'nes spricht,
H7 E7
dann hol' ich meinen Kaktus und der sticht, sticht, sticht.
A E
Mein kleiner grüner Kaktus steht draußen am Balkon,
A
Man find't gewöhnlich die Frauen ähnlich den Blumen, die sie gerne tragen.
Doch ich sag'täglich: Das ist unmäglich!
Was soll'n die Leut' sonst von mir sagen?!
Mein kleiner grüner Kaktus...
Heute um viere klopft's an die Türe, nanu, Besuch so früh am Tage?
Es war Herr Krause vom Nachbarhause, er sagt: "Verzeih'n Sie wenn ich
frage.
Sie hab'n da doch einen Kaktus da draußen am Balokn,
holari, holari, holaro!
Der fiel soeben runter, was halten Sie davon?
Erfiel mir auf's Gesicht, obs' glauben oder nicht,
jetzt weiß ich, daß Ihr grüner Kaktus sticht, sticht, sticht!
Bewahr'n Sie ihren Kaktus gefälligst anderswo,
holari, holari, holaro!
Version 04 /1.01 April 2004 674

ANKOMME FREITAG DEM 13.
E7 A E7 A
1. Es rappelt am Briefschlitz,es ist vierte nach sieben.
E7 A E7 A
Wo alles in der Welt sind meine Latschen geblieben?
D G D A
Unter dem Kopfkissen nicht und auch nicht im Papierkorb,
D G D A
dabei könnte ich schwören, sie war'n gestern noch dort!
E7 A E7 A
Also dann eben nicht, dann geh' ich halt barfuß.
E7 A E7 A
Meine Brille ist weg, liegt sicher im Abfluß
D G D A
der Badewanne, wie immer, na, ich seh gut ohne
D G D A
und die Brille hält länger, wenn ich sie etwa schone.
E7 A E7 A
So tapp' ich zum Briefschlitz durch den Flur unwegsam,
E7 A E7 A
fall über meine Dackel Justus auf ein Telegramm.

E7 A E7 A
Ich les' es im Aufsteh'n mit verklärter Miene:
D A E7 A
Ref.: Ankomme Freitag, den 13., um vierzehn Uhr, Christine (2 x)
D A E7 A
la la la la la la la la la la la la la la la la la la la la la la. (2 x)
E7 A E7 A
2.Noch sechseinhalb Stunden, jetzt ist es halb acht.
E7 A E7 A
Vor allen Dingen: ruhig Blut, mit System und Bedacht.
D G D A
Zunächst einmal anziehn, halt, vorher noch waschen!
D G D A
Da find' ich die Pantoffeln in den Schlafanzugtaschen.
E7 A E7 A
Das Telefon klingelt: Nein, ich schwöre falsch verbunden,
E7 A E7 A
ich bin ganz bestimmt nicht Alfons Yondrascheck, noch viereinhalb Stunden.
D G D A
Den Mülleimer raustragen, zum Kaufmann gehn,
D G D A
Kopfkissen neu beziehen und Knopf an Hose näh'n
E7 A E7 A
Tischdecke wechseln ist ja total zerrissen,
E7 A E7 A
hat wahrscheinlich der kriminelle Dackel auf seinem Gewissen
E7 A E7 A
und wahrscheinlich war der das auch an der Gardine!
Version 04 /1.01 April 2004 675
D A E7 A
Ref.: Ankomme Freitag, den 13., um vierzehn Uhr, Christine
D A E7 A
la la la la la la la la la la la la la la la la la la la la la la.
E7 A E7 A
3. Zum Aufräumen ist keine Zeit, ich steck alles in die Truhe,
E7 A E7 A
Abwasch, Aschenbecher Hemden, so, jetzt habe ich Ruhe.
D G D A
Halt! Da fällt mir ein, ich hatte ihr ja fest versprochen
D G D A
an dem Tag an dem sie wiederkommt, wollte ich ihr etwas kochen
E7 A E7 A
Obwohl ich gar nicht kochen kann, ich will es doch für sie versuchen!
E7 A E7 A
Ich hab' auch keine Ahnung vom Backen und back ihr trotzdem einen Kuchen
D G D A
Ein Blick in den Kühlschrank drin steht nur mein Wecker
D G D A
Nochmal runter zum Lebensmittelladen und zum Bäcker
E7 A E7 A
rein in den Fahrstuhl und Erdgeschoss gedrückt
E7 A E7 A
Der Fahrstuhl bleibt stecken der Dackel wird verrückt
E7 A E7 A
Nach dreiviertel Stunden befreit man mich aus der Kabine
D A E7 A
D A E7 A
la la la la la la la la la la la la la la la la la la la la la la. <![endif]>
E7 A E7 A
4. Den Dackel anbinden vorm Laden aber mich lassen sie rein
E7 A E7 A
Ich kaufe irgendwas zum Essen und drei Flaschen Wein
D G D A
Eine Ente dazu ich koche Ente mit Apfelsine,
D G D A
Für den Kuchen eine Backform, eine Handvoll Rosinen
E7 A E7 A
"Darf's für 20 Pfennig mehr sein, im Stück oder in Scheiben?"
E7 A E7 A
"Ist mir gleich, ich hab das Geld vergessen, würden Sie's bitte anschreiben."
D G D A
Ich pack alles in die Tüte "Vorsicht nicht am Henkel anfassen -

D G D A
sonst reißen die aus!" Na ich werd' schon aufpassen
E7 A E7 A
Rabatz vor der Türe, der Dackel hat sich losgerissen
E7 A E7 A
und aus purem Übermut einen Polizisten gebissen
E7 A E7 A
Da platzt meine Tüte es rollt die Lawine...
Version 04 /1.01 April 2004 676

D A E7 A
D A E7 A
la la la la la la la la la la la la la la la la la la la la la la. <![endif]>
E7 A E7 A
5. "Sind sie der Halter dieses Dackels? Bitte mal ihre Papiere!"
E7 A E7 A
Das ist mir besonders peinlich weil ich Papiere immer verliere.
D G D A
Ich schimpfe ich weine, ich verhandle ich lache
D G D A
"das kennen wir schon komm'n sie mit auf die Wache!"
E7 A E7 A
Um die Zeit müßte die Ente schon seit zehn Minuten braten
E7 A E7 A
und vielleicht wär mir der Kuchen ausnahmsweise geraten.
D G D A
Und ich sitz' auf der Wache und das ausgerechnet heut'
D G D A
Dabei hab' ich mich so unverschämt auf das Wiedersehn gefreut
E7 A E7 A
Vielleicht ist sie schon da und es öffnet ihr keiner
E7 A E7 A
Jetzt ist's 20 nach 4 jetzt ist alles im Eimer
E7 A E7 A
Da fällt mein Blick auf den Kalender und da trifft mich der Schlag:
D A E7 A
Heut ist erst der 12. und - Donnerstag.
Version 04 /1.01 April 2004 677

DIE BALLADE VOM PFEIFER
Am E7 Am
Ich ritt aus San Alfredo im letzten Tageslicht,
C C5 Am
vielleicht auch aus El Paso so genau weis ich das nicht.
D D4 D
Seit vierzig Tagen, vierzig Nächten war ich auf der Flucht,
Am E7 Am
in jeder Stadt fand ich mein Bild, darunter stand: GESUCHT!
G C G C
Sie nannten mich den Stillen und man flüsterte mir nach,
G C D E7
daß wenn ich was zu sagen hätte, mein Colt für mich sprach.
Pfeiffen ( Am Em Am G Am )
Am E7 Am
Sie nannten mich den Pfeiffer und meine Devise hieß:
C C5 Am
wenn dir wer vor die Mündung kommmt, erst pfeife und dann schieß!
D D4 D
Warum ich pfiff, das weiß ich nicht, weiß nicht mal wie ich heiß,
Am E7 Am
im Westen ist es niemals gut wenn einer zu viel weiß!
G C G C
Ich weiß nur, wo mein Lied erklang, da wurden Bretter knapp,
G C D E7
weil jeder Schreiner wußte, daß es Arbeit für ihn gab.
Am E7 Am
Als ich nach Bloody Corner kam, sah ich weitem her:
C C5 Am
die Summe unter meinem Namen hatte zwei Stellen mehr.
D D4 D
Ein Prämienjäger sagte: Pfeiffer, ich wart` schon auf dich!
Am E7 Am
Ich fuhr herum, pfiff einen Ton, dann sprach mein Colt für mich.
G C G C
Als wenig später im Salon mein Achtunddreißiger spie,
G C D E7
da spielte der Mann am Klavier dazu die Melodie...
Am E7 Am
Die Ellenbogen aufgestützt, die Flügeltür im Blick
C C5 Am
stand neben mir ein Fremder, sehr glatt rasiert und dick.
D D4 D
"Man nennt mich hier den Denker!" so stellte er sich vor,
Am E7 Am
spie lässig in den Spucknapf und sagte mir ins Ohr:
G C G C
Version 04 /1.01 April 2004 678
"Wenn Du zehntausend Dollar brauchst, so hab ich einen Plan,
G C D E7
todsicher, genial einfach!" Dankbar nahm ich an.
Am E7 Am
Jetzt sitz ich hinter Gittern, von Zweifeln angenagt.
C C5 Am
Vielleicht war doch des Denkers Plan nicht so gut, wie er sagt.
D D4 D
Er sagte: "Es bringt dir zehntausend Dollar wenn du's wagst,
Am E7 Am
zum Sheriff ins Büro zu geh`n, dich vorstellst und ihm sagst:
G C G C
"Grüß Gottk, ich bin der Pfeiffer, ich komm selber, wie ihr seht
G C D E7
um die Belohnung zu kassier`n, die auf meinen Kopf steht...."
Am E7 Am
Ich sitz` auf meines Pferdes Rücken unter dem Galgenbaum.
C C5 Am
Einen Strick um meinen Hals, der Henker hält mein Pferd im Zaum.
D D4 D
Gleich gibt er ihm die Zügel und dann ists mit mir vorbei.
Am E7 Am
Der Totengräber gräbt mein Grab und pfeift mein Lied dabei.
G C G C
Der Scharfrichter tut seine Pflicht, mein Pferd setzt sich in Trab....
G C D E7
Und unten ruft der Regisseur ....
(gesprochen)"Verdammte Schlamperei,jetzt ist uns der Ast schon zum dritten mal
gebrochen,
der Film ist auch gerissen. Also Kinder, für heute ist Feierabend, die Leiche
dreh`n wir morgen ab!"
Version 04 /1.01 April 2004 679

DIE HEISSE SCHLACHT AM KALTEN BUFFET
EM D EM H7 EM
ommelklang, gleich s anze Ar

Gemurmel dröhnt drohend wie Tr ürzt eine g ee,
t m
D G D G
ure entlang, dort s eht das alte Buf
die Treppe herauf, und die Fl et.
t k f
D C H7
Zunächt regiert noch die interlist, doch ald schon brutale Ge
alt,
H b w
em D C D em H7 em
da s ießt man, as aufzus ist, die aust um die
ießen abel geballt.
p w p F G
D C H7
Mit feurigem Blick und mit Sc aum vor dem Mund kämpft jeder für sich al
ein,
h l
em D C D em H7 em
iebt sich in einen gef äßigen Sch und, was immer hi einpaßt, hi
und sch ein.
s r l n n
G D C D7
Bei der eißen Schlacht am alten Buffet, da ählt der Mann noch als
ann,
h k z M
G C G D7 G D
ug' in Auge, As ik und Gelee, hier eigt sich, wer ämpfen ann, hur
und A a!
p z k k r
G C D7 GH7
Hier eigt sich wer
ämpfen kann.
z k
Da blitzen die Messer, da prallt das Geschirr mit elementarer Wucht.

auf Köpfe und Leiber, und aus dem Gewirr, versucht ein Kellner die Flucht.
Ein paar Veteranen im Hintergrund tragen Narben auf Stirn und Gesicht,
quer über die Nase und rings um den Mund, wohin halt die Gabel sticht.
Ein tosendes Schmatzen erfüllet den Raum, es rülpst und es grunzt und es quiekt.
Fast hört man des Kellners Hilferuf kaum, der machtlos am Boden liegt.
Bei der heißen Schlacht . . .
Da braust es noch einmal wie ein Orkan, ein Recke mit Ãœbergewicht
wirft sich auf's Buffet im Größenwahn, worauf es dann donnernd zerbricht.
Nur leises Verdauen dringt noch an das Ohr, das Schlachtfeld wird nach und nach still.
Aus Trümmern sieht angstvoll ein Kellner hervor, der längst nicht mehr fliehen will.
Eine Dame träumt lächelnd vom Heldentod, gebettet in Kaviar und Sekt,
derweil sie, was übrigzubleiben droht, blitzschnell in die Handtasche steckt.
Version 04 /1.01 April 2004 680

Das war die Schlacht am kalten Buffet, von fern tönt das Rückzugssignal.
Viel Feind, viel Ehr' und viel Frikassee, Na denn: "Prost" bis zum nächsten Mal, hurra!
Na denn: "Prost" bis zum nächsten Mal!
Das war die Schlacht am kalten Buffet, und von dem vereinnahmten Geld
gehn zehn Prozent, welch noble Idee, als Spende an "Brot für die Welt", hurra !
Als Spende an "Brot für die Welt
KASPAR
RAINHARD MEY
h E
Sie sagten, er käme von Nürnberg her,
h Fis
und er spräche kein Wort.
h E
Auf dem Marktplatz standen sie um ihn her
h Fis
und begafften ihn dort.
D
Die einen raunten: „Er ist ein Tier!",
h
die andern fragten: „Was will der hier?",
E A
und daß er sich doch zum Teufel scher'.
D Fis h
„So jagt ihn doch fort, so jagt ihn doch fort!"
Sein Haar in Strähnen und wirre,

sein Gang war gebeugt.
„Seht, dieser arme Irre
ward vom Teufel gezeugt.
"Der Pfarrer reichte ihm einen Krug
voll Milch, er sog in einem Zug.
„Der trinkt nicht vom Geschirre,
den hat die Wölfin gesäugt, den hat die Wölfin gesäugt!"
Mein Vater, der in uns'rem Orte

Schulmeister war,
trat zu ihm hin, trotz böser Worte
rings aus der Schar.
Er sprach zu ihm ganz ruhig, und
der Stumme öffnete den Mund
und stammelte die Worte:
„Heiße Kaspar, heiße Kaspar".
Mein Vater brachte ihn mit nach Haus:

„Heiße Kaspar".
Meine Mutter wusch seine Kleider aus
und schnitt ihm das Haar.
Version 04 /1.01 April 2004 681

Sprechen lehrte mein Vater ihn,
lesen und schreiben, und es schien,
was man ihn lehrte, sog er in sich auf -
wie gierig er war, wie gierig er war!
Zur Schule gehörte derzeit

noch das Uttinger Feld,
Kaspar und ich, wir pflügten zu zweit,
bald war alles bestellt;
wie hegten und pflegten jeden Keim,
brachten im Herbst die Ernte ein,
von den Leuten vermaledeit,
von ihren Hunden verbellt, von ihren Hunden verbellt.
Ein Wintertag, der Schnee lag frisch,

es war Januar.
Meine Mutter rief uns: „Kommt zu Tisch,
das Essen ist gar!"
Mein Vater sagte: „ ... Appetit",
ich wartete auf Kaspars Schritt.
Mein Vater fragte mürrisch:
„Wo bleibt Kaspar, wo bleibt Kaspar?"
Wir suchten, und wir fanden ihn

auf dem Pfad bei dem Feld.
Der Neuschnee wehte über ihn,
sein Gesicht war entstellt,
die Augen angstvoll aufgerissen,
sein Hemd war blutig und zerschlissen.
Erstochen hatten sie ihn,
dort am Uttinger Feld, dort am Uttinger Feld!
Der Polizeirat aus der Stadt

füllte ein Formular.
„Gott nehm' ihn hin in seiner Gnad"',
sagte der Herr Vikar.
Das Uttinger Feld liegt lang schon brach,
nur manchmal bell'n mir noch die Hunde nach,
dann streu' ich ein paar Blumen auf den Pfad
für Kaspar, für Kaspar.
Version 04 /1.01 April 2004 682

DER MÖRDER IST IMMER DER GÄRTNER
Am Dm G7 C E7
Die Nacht liegt wie Blei auf Schloß Darkmoor, Sir Henry liest Financial Times
Am Dm E7 Am
Zwölfmal schlägt gespenstisch die Turmuhr, der Butler hat Ausgang bis eins
A7 Dm
Da schleicht sich im flackernden Lampenschein fast lautlos ein Schatten zur Türe
herein
H7 E7
und stürzt auf Sir Henry, derselbe lebt ab, und nimmt das Geheimnis mit in das Grab
A D E7 A E7
Der Mörder war wieder der Gärtner, und er plant schon den nächsten Coup
A D
Der Mörder ist immer der Gärtner,
E7 A D A E7 A
und der schlägt erbarmungslos, der schlägt erbarmungslos, der schlägt
erbarmungslos zu
Am Dm G7 C E7
Bei Maigret ist schon seit zwei Stunden ein Fahrstuhl andauernd blockiert
Am Dm E7 Am
Inspektor Dupont ist verschwunden, der Fahrstuhl wird gerad´ repariert
A7 Dm
Da öffnet sich lautlos die Türe zum Schacht, es ertönt eine Stimme, die hämisch lacht
H7 E7
Inspektor Dupont traf im Fahrstuhl ein Schuß, der Amtsarzt stellt sachlich fest - Exitus
A D E7 A E7
A D
E7 A D A E7 A
erbarmungslos zu
Am Dm G7 C E7
Am Hafendamm Süd wurde neulich ein Hilfsleuchtturmswart umgebracht
Am Dm E7 Am
Inspektor van Dyke, stets voreilig, hat drei Täter schon im Verdacht
A7 Dm
Die Wirtin zur Schleuse, denn die schielt und die hinkt, der Käptń, der schiffsbrüchig
im Rum ertrinkt,
H7 E7
der Lotse, der vorgibt, Napoleon zu sein, aber da irrt van Dyke, keiner war´s von den
Dreiń
Version 04 /1.01 April 2004 683

A D E7 A E7
A D
E7 A D A E7 A
erbarmungslos zu
Am Dm G7 C E7
Die steinreiche Erbin zu Manster ist wohnhaft im fünfzehnten Stock
Am Dm E7 Am
Dort schläft sie bei offenem Fenster, Big Ben schlägt gerad´ two oćlock
A7 Dm
Ganz leis bläht der Wind die Gardinen auf, auf die Erbin zeigt mattschwarz ein
stählerner Lauf,
H7 E7
und ein gellender Schrei zerreißt jäh die Luft, auch das war wohl wieder der Gärtner,
der Schuft
A D E7 A E7
Der Mörder ist immer der Gärtner, und er plant schon den nächsten Coup
A D
E7 A D A E7 A
erbarmungslos zu
Am Dm G7 C E7
In seinem Gewächshaus im Garten steht in grüner Schürze ein Mann
Am Dm E7 Am
Der Gärtner rührt mehrere Arten von Gift gegen Blattläuse an
A7 Dm
Der Gärtner singt, pfeift und lacht verschmitzt, seine Heckenschere, die funkelt und
blitzt,
H7 E7
Sense, Spaten und Jagdgewehr stehen an der Wand, da würgt ihn von hinten eine
meuchelnde Hand
A D E7 A E7
Der Mörder war nämlich der Butler, und der schlug erbarmungslos zu
A D
Der Mörder ist immer der Butler,
E7 A D A E7 A
man lernt eben täglich, man lernt eben täglich, man lernt eben täglich dazu
Version 04 /1.01 April 2004 684

GUTE NACHT, FREUNDE
A Hm E7 A
ute Nacht, F es wird Zeit für micht zu
G eunde, ehn.
r g
D C/G
Was ich noch zu sagen h ätte,
Hm
dauert eine e
Zigar tte
E A
und ein letztes Glas im Stehn.
Hm E
acht unter eurem Dach. Habt
Für den Tag, für die N ank
D
A
für den Platz an euren isch, für jedes Glas, das ich trank
T ,
Hm E
ir zu den euren s
für den Teller, den ihr m ellt,
t
A D E
als sei selbstvers ichts auf der
ändlicher n elt.
t W
Gute Nacht . . .
Habt Dank für die Zeit, die ich mit euch verplaudert hab'
und für eure Geduld, wenn's mehr als eine Meinung gab.
Dafür, daß ihr nie fragt, wann ich komm' oder geh',
für die stets offene Tür, in der ich jetzt steh'.
Gute Nacht . . .
Für die Freiheit, die als steter Gast bei euch wohnt.
Habt Dank, daß ihr nie fragt, was es bringt, ob es lohnt.
Vielleicht liegt es daran, daß man von draußen meint,
daß in euren Fenstern das Licht wärmer scheint.
Gute Nacht . . .
Version 04 /1.01 April 2004 685

ICH LIEBE DICH
A D auf deinen Spiegel, auf die Wand,
Ich hab´ unzähl´ge Seiten A D E A
vollgeschrieben, auf die beschlagene Fensterscheibe,
A E A D hm E4 E
ich habe mir Geschichten ausgedacht. wofür ich soviel Umwege erfand:
D E A
Bin keine Antwort schuldig geblieben, A hm
D hm A E Ich liebe dich, ich brauche dich,
ich hab´ den Denker und den Clown c#m D
gemacht. vertrau´ auf dich, ich bau´ auf dich,
D E A A
Ich habe Weisheiten von mir gegeben wollte nicht leben ohne dich,
D E D E A
und dabei manche Torheit, wie´s mir ich liebe dich.
scheint!
A D E A A D
Ich hab´ geredet, als ging´s um mein Machmal seh´ ich uns beide in
Leben Gedanken
A D hm E4 E A E
und doch nur immer eins gemeint: auf einem menschenleeren Bahnsteig
stehen,
A hm D E A
Ich liebe dich, ich brauche dich, zwischen uns unsichtbare Schranken,
c#m D D hm A E
vertrau´ auf dich, ich bau´ auf dich, und einer bleibt, einer muß gehn.
A D E A
wollte nicht leben ohne dich, Lautsprecherstimmen und
D E A Türenschlagen
ich liebe dich. D E
und Winken aus dem anfahrenden Zug.
A D A D E A
Ich hab´ versucht, in immer neuen Ich will´s immer und immer wieder
Bildern sagen,
A E A D hm E4 E
zu sprechen, doch jetzt geht die Zeit mit und sag´ es dir doch nie genug:
mir aus,
D E A A hm
ich kann nicht mehr um sieben Ecken Ich liebe dich, ich brauche dich,
schildern, c#m D
D hm A E vertrau´ auf dich, ich bau´ auf dich,
ich sag´ es einfach und grade heraus. A
D E A wollte nicht leben ohne dich,
Ich sag´ es einfach, und ich schreibe D E A
D E
ich liebe dich.
Version 04 /1.01 April 2004 686

SPUCK DEN SCHNULLER AUS
Ludwig Hirsch
C Am
Spuck den Schnuller aus, die Mama is net z'haus,
F G
geh, ziehr' di net, geh mit in's Gitterbett
C Am
Weißt' wie schön des is, mach'ma an Windelstriptease
F G
und dann zeig i dir mein's und du zeigst mir dein´s
D G
Ja, es wird höchste Zeit, dass wir's endlich treiben
D G
oder willst' mit zweieinhalb noch a Jungfrau bleiben
C Am
Wir werd'n die Bilderbücher alle beim Fenster außihaun
F G
Ja, wer glaubt denn den Dreck, man muss dem heute
C Am C Am
in's Auge schau'n
C Am
Weißt' wie des wirklich war, vor hunderttausend Jahr'
F G
im Lebkuchenhaus, du weiß't es net, dann paß' auf:
C Am
Hänsel und Gretel san ganga, sie war von ihm schwanger
F G C
Im tiefen Wald, es war so finster und auch so grimmig kalt
D G
Hör' auf zum Platz'n sagt der Hänsel, es hat ja kein' Sinn
D G
die Hex war nämlich a Engelmacherin.
Am
F G
Ja, wer glaubt denn den Dreck, man muss dem heute
C Am C Am
in's Auge schaun
C Am
Und die Mickymaus ziagt die Minnimaus aus
F G
und da Dagobert Duck is nach dem Donald verruckt.
C Am
Und Klein Adlerauge sagt ganz befriedigt uff
F G
is ja ka Wunder, er kommt grad aus'm Disneyland-Puff
D G
Und wann's es nu net wißt's, dann werd's es glei' wissen
D G
Klein Bambi treibt's mit an Sodomisten
Version 04 /1.01 April 2004 687

Wir werd'n die Bilderbücher alle beim ………
D G
Wer hat des Höschen vom Dornröschen?
D G
Und Schneewittchen hätt's gern 'trieb'n mit alle Sieben.
C Am
Aber hinter'm siebten Berg wohnen nur schwule Zwerg',
F G
jedes Jahr im Mai, laden's den Nurejef sich ein
C Am
Und das Rotkäppchen, des kleine, des hat's a net leicht,
F G
es stürzt eini bei der Tür, im G'sicht ganz bleich.
D G
Großmutter waß't wer mir im Wald begegnet is,
D G
es war der große böse Wolf, der is ein Exhibitionist.
C Am
Spuck den Schnuller aus, die Mama is net z'haus,
F G
geh, ziehr'di net, geh mit in's Gitterbett.
C Am
F G C
wir brauchen's net, jetzt damma Pronoheftl'n schaun,
G C G C G C
Pomoheftl'n schaun, dem Heute in's Auge schau'n.
Version 04 /1.01 April 2004 688

EIN BETT IM KORNFLED JÜRGEN DREWS
1. Strophe:
G
Sommerabend, über blühendem Land, schon seit Mittag stand ich am Straßenrand.
D G
Bei jedem Wagen, der vorüberfuhr, hob ich den Daumen.
G
Auf einem Fahrrad kam da ein Mädchen her, und sie sagte: „Ich bedaure dich sehr“
D G
Doch ich lachte und sprach: „Ich brauche keine weichen Daunen.“
Refrain:
C
Ein Bett im Kornfeld, das ist immer frei,
G
Denn es ist Sommer und was ist schon dabei.
D G G7
Die Grillen singen, und es duftet nach Heu, wenn ich träume.
C
Ein Bett im Kornfeld zwischen Blumen und Stroh,
G
Und die Sterne leuchten mir sowieso.
D G G7
Ein Bett im Kornfeld mach ich mir irgendwo, ganz alleine.
2. Strophe:
Etwas später lag ihr Fahrrad im Gras, und so kam es, daß sie die Zeit vergaß.
Mit der Gitarre hab ich ihr erzählt aus meinem Leben.
Auf einmal rief sie: „Es ist höchste Zeit, nun ist es dunkel und mein Weg ist noch weit“
Doch ich lachte und sprach : „Ich hab dir noch viel zu geben“
Refrain:
Version 04 /1.01 April 2004 689

MEI ALDE IS' IM PLAYBOY DRIN
J.B.O.
Tuning : 1 Halbton tiefer

(D# G# C# F# Bb D#)
Intro: G F / C F C / G F / C F C
G F C F-C
Es ist war, ich schwör es euch, glaubt mir, ich hab´s erlebt
G F C F-C
Sie war ja so ein Engel, ich war ja so verliebt
G F C F-C
Eines Tages schaute ich, ich bin ja nur ein Mann
G F C F-C
Mir eins von diesen schönen bunten Busenheftchen an
Em Am C-D
Ich schlug auch gleich die Mittelseite auf, um mich anzuregen
Em Am C-D
Da schaut mir doch, ich werd verrückt, mein Engel nackt entgegen
G F C
Ich glaub ich spinn´! Verraten und verkauft ich bin!
G F C
Mei Alde is´ im Playboy drin! Mei Alde is´ im Playboy drin!
G F C
G F C
Mei Alde is´ im Playboy drin!
G F C F-C
Sie war so rein und anständig und quatschte von Moral
G F C F-C
Sie einmal ins Bett zu kriegen, das war die reinste Qual
G F C F-C
Und wenn sie dann doch einmal in meinen Armen lag
G F C F-C
Dann herrschte immer Dunkelheit, ja selbst am hellen Tag
Em Am C-D
Und jetzt, was ist? Da zeigt sie ihre nackten Titten
Em Am C-D
Im Playboy, jeder kann es sehń, auf der Seitń in der Middń
G F C
G F C
G F C
G F C
Mei Alde is´ im Playboy drin!
G F C
Na na nanananana, nananananananananana ...
G F C
Na na nanananana, nananananananananana ...
G F C
Version 04 /1.01 April 2004 690
Na na nanananana, nananananananananana
G F C
Hör zu !
G F C F-C
Rache schwör ich und sag mir: was die kann, kann ich auch
G F C F-C
Ich hol mir jetzt ńe Polaroid und knipse meinen Bauch (und mehr!)
G F C F-C
Im Hause ist zu wenig Licht, drum geht´s in die Natur
G F C F-C
Der Schniedel glänzt im Sonnenlicht, es fehlt das Puder nur
Em Am C-D
Ist egal, ich will ja nur meine Freundin schocken
Em Am C-D
Doch zwei Wochen später, da hauts mich von den Socken:
G F C
G F C
Der Veit is´jetz im Playgirl drin! Ich bin jetzím im Playgirl drin!
G F C
G F C
Ich bin jetzím im Playgirl drin!
G F C G ~~~~~
Na na nanananana, nananan anananananana naaaa
„was ? das soll das Ende der Geschichte sein ? Quatsch !

Das kann nicht sein … Nein , 2 3 5 ! „
G F C
Na na nanananana, nananananananananana ...3 X
G F C
G F C
G F C
G F C
G F C
Der Veit is´jetz im Playgirl drin! Ich bin jetzím im Playgirl drin!
G F C G ~~~~~
Na na nanananana, nananan anananananana naaaa
F C G~~~~~~~~ G
Na na nananana nananana Hey juuuhuude
Version 04 /1.01 April 2004 691

KEIN SCHWEIN RUFT MICH AN
Max Raabe
C6 As
Kein Schwein ruft mich an, keine Sau interessiert sich für mich,
A7 D7 G7 C A7 Dm
so lange ich hier wohn, ist es fast wie Hohn, schweigt das Telefon.
G C6 As
A7 D7 G7 C C Am Hm7 E7
und ich frage mich, denkt gelegentlich jemand mal an mich.
Am E7 Am E7
1.Den Zustand find ich höchst fatal, für heut’ge Zeiten nicht normal,
C E7 A7 Dm G6 G7
wo jedermann darüber klagt, das Telefon an Nerven nagt.
Am E7 Am E7
Ich trau mich kaum mehr aus der Tür, denn stets hab ich vermutet,
C E7 A7 Dm G6 G7
dass kaum, dass ich das Haus verlaß, es klingelt oder tutet.
C6 As
Doch: Kein Schwein ruft mich an, keine Sau interessiert sich für mich,
A7 D7 G7 C A7 Dm G
so lange ich hier wohn, ist es fast wie Hohn, schweigt das Telefon.
C6 As
A7 D7 G7 C
und ich frage mich, denkt gelegentlich jemand mal an mich.
Fm Cm
Vielleicht, dass manche mich im Land der Dänen wähnen,
Fm Cm D7
oder fern von hier, wo die Hyänen gähnen.
G7
C6 As
Denn: Kein Schwein ruft mich an, keine Sau interessiert sich für mich,
A7 D7 G7 C
doch liegt es nicht an mir, ich zahle monatlich die Telefongebühr.
Am E7 Am E7
2.Das war für mich kein Zustand mehr, es musste eine Lösung her,
Am E7 C Em A7 Dm G6 G7
das war für mich sofort der Anrufbeantworter.
E7 Am E7 Am E7
Und als ich dann nach Hause kam, war ich vor Glück und Freude lahm,
Am E7 C Em A7 Dm G6 G7
es blinkt mir froh der Apparat, dass jemand angerufen hat.
G F G
Die süsse Stimme einer Frau verrät mir und erzählt:
F G
Verzeihen Sie, mein werter Herr, ich habe mich verwählt.
Refrain gepfiffen
Version 04 /1.01 April 2004 692

MARMOR, STEIN UND EISEN BRICHT
1. Strophe:
D A D
Weine nicht, wenn der Regen fällt, dam dam, dam dam,
D A D
Es gibt einen, der zu Dir hält, dam dam, dam dam.
Refrain (2 mal):
D G A D
Marmor, Stein und Eisen bricht, aber unsere Liebe nicht!
D G A D
Alles, alles geht vorbei, doch wir sind uns treu!
2. Strophe:
Kann ich einmal nicht bei Dir sein, dam dam, dam dam,
Denk daran, Du bist nicht allein, dam dam, dam dam.
Refrain (2 mal):
3. Strophe:
Nimm den goldenen Ring von mir, dam dam, dam dam,
Bist Du traurig, dann sagt er Dir, dam dam, dam dam.
Refrain (2 mal):
4. Strophe:
Weine nicht, wenn der Regen fällt, dam dam, dam dam,
Es gibt einen, der zu Dir hält, dam dam, dam dam.
Refrain (2 mal):
Version 04 /1.01 April 2004 693

ZWEI KLEINE ITALIENER
G7 C G7 C
Eine Reise in den Süden ist für andre schick und fein
G7 C G7 C G7
Doch zwei kleine Italiener möchten gern zu Hause sein.
C F C F C G7
1 Zwei kleine Italiener, die träumen von Napoli
F C
von Tina und Marina, die warten schon lang auf sie
F C F C7 F
Zwei kleine Italiener, die sind so allein
G7 C G7 C
Eine Reise in den Süden ist für andre schick und fein
G7 C G7 C C7
Doch zwei kleine Italiener möchten gern zu Hause sein
F B F C7 F B F
Oh Tina, oh Marina, wenn wir uns einmal wiederseh’n
F B F C7 F
Oh Tina, oh Marina, dann wird es wieder schön
C F C F C G7
2 Zwei kleine Italiener vergessen die Heimat nie
F C
Die Palmen und die Mädchen am Strande von Napoli
F C F C7 F
Zwei kleine Italiener, die sehen es ein:
G7
Eine Reise ......
C F C F C G7
3 Zwei kleine Italiener, am Bahnhof, da kennt man sie
F C
Sie kommen jeden Abend zum D-Zug nach Napoli
F C F C7 F
Zwei kleine Italiener seh’n stumm hinterdrein
G7
Eine Reise ....
Version 04 /1.01 April 2004 694

HEY HEY WICKIE
Wickie
E
Hey hey Wickie, hey Wickie, hey, zieh fest das Segel an.
A E
Hey hey Wickie, die Wickinger, sind hart am Winde dran.
H7 A A7 E H7
nanana na nana nanana nanana Wickie!
E
Hey hey Wickie, hey Wickie, hey, so heißt der kleine Held.
A E
Er denkt kurz nach, und hat ihn dann, den Trick der ihm gefällt.
H7 A A7 E
nanana na nana nanana nanana Wickie! Ba ba ba
F
Die Angst vorm Wolf macht ihn nicht froh,
E
und im Taifun ist's ebenso,
F
doch Wölfe hin, Taifune her,
H7
die Lösung fällt ihm gar nicht schwer.
E
Hey hey Wickie, hey Wickie, hey, zieh fest das Segel an.
A E
Hey hey Wickie, die Wickinger, sind hart am Winde dran.
H7 A A7 E H7
nanana na nana nanana nanana Wickie!
E
Hey hey Wickie, hey Wickie, hey, so heißt der kleine Held.
A E
Er denkt kurz nach, und hat ihn dann, den Trick der ihm gefällt.
H7 A A7 E
nanana na nana nanana nanana Wickie! Hey!
Version 04 /1.01 April 2004 695

ER GEHÖRT ZU MIR
Am | Am | Dm | Dm | Am | Am | Gsus | Gsus | G | G |
C Fmaj7 G
Er gehört zu mir, wie mein Name an der Tür,
Fmaj7 G
und ich weiß, er bleibt hier,
C
nie vergeß ich unseren ersten Tag,
Bb/C C
Naaa naa naa na, na na na
C
denn ich fühlte gleich, daß er mich mag,
Bb/C C
F G
ist es wahre Liebe (uuuhhhuuuhhuuu)
Em7 Am7
die nie mehr vergeht (uhuuuhuu)
D7 G7
oder wird die Liebe, vom Winde verweht ?
alles fangen wir gemeinsam an,
doch vergeß ich nie, wie man allein sein kann,
Steht es in den Sternen (uuhhuuhhhhuuuuuu)
was die Zukunft bringt (uuhuhuu)
oder muß ich lernen, daß alles zerrinnt ?
Nein, ich hab es ihm nie leicht gemacht
mehr als einmal hab ich mich gefragt
C Bb F C
Er gehört zu mir... für immer zu mir.

C Bb F G
Er gehört zu mir... für immer zu mir.
nie vergeß ich unseren ersten Tag,
denn ich fühlte gleich, daß er mich mag,
Version 04 /1.01 April 2004 696

MFG
Die fantastischen Vier
Nun, da sich der Vorhang der Nacht von der Bühne hebt, kann das
Spiel beginnen, das uns vom Drama einer Kultur berichtet...
Gm
ARD, ZDF, C&A
F Gm usw
BRD, DDR und USA
BSE, HIV und DRK
GbR, GmbH - ihr könnt mich mal
THX, VHS und FSK
RAF, LSD und FKK
DVU, AKW und KKK
RHP, USW, LMAA
PLZ, UPS und DPD
BMX, BPM und XTC
EMI, CBS und BMG
ADAC, DLRG - ojemine
EKZ, RTL und DFB
ABS, TÜV und BMW
KMH, ICE und Eschede
PVC, FCKW - is nich OK (C)
Refrain (2x)
(Gm) MfG - Mit (B) freundlichen Grüssen
die (C) Welt liegt uns zu Füssen, den wir (Gm) steh'n drauf
wir geh'n drauf für ein Leben voller (B) Schall und Rauch
(C) bevor wir fall'n, fall'n wir (Gm) lieber auf
HNO, EKG und AOK
LBS, WKD und IHK
UKW, NDW und Hubert K
BTM, BKA, hahaha
LTU, TNT und IRA
NTV, THW und DPA
H+M, BSB und FDH
SOS, 110 - tatütata
SED, FDJ und KDW
FAZ, BWL und FDP
EDV, IBM und WWW
HSV, VFB, oleole
ABC, DAF und OMD
TM3, A+O und AEG
TUI, UVA und UVB
THC in OCB is was ich dreh
*Refrain* (3x)
Version 04 /1.01 April 2004 697

DAS HAMA UNS VERDIENT
E:1031012
H:1111111313
G:10101012121214
D:12 121214 1215
A:
E:
Ich würd so gerne leben, schlafen,

träumen und ich hab die Arbeit satt.
Was kann man dabei schon gewinnen,
wenn man gar nichts davon hat.
Wenn man das Leben verschenkt an die Arbeit;

nimm dir Zeit fuer das Nichtstun, sei bereit!
Nur noch eins zählt:

Lass die Arbeit ruh'n.
Und wenn da andere anders denken,
lass das eben die tun!
Für heute ham wir wirklich genug gemacht,

wir nutzen den Tag und die Nacht...
: Das ham wir uns verdient...7 X
Natürlich gibt es auch Verrückte, für die ist das eben Glück,
wenn sie dreihundertfünfundsechzig Tage am Stück
schuften und schwitzen ohne Pause, ohne Sinn;
das ist wie Toto oder Lotto ohne Chance auf Gewinn.
Sei schlau und mach blau,

jeder nimmt sich, was er braucht.
Mach mal ne Pause,
vermeide, was dich schlaucht.
Das ist menschlich,

das ist kein Defekt;
das ist Faulheit,
die in jedem von uns steckt!
Mach die Ameise rein

und laß die Sau raus. Allein
von Arbeit kann kein Mensch
auf Dauer richtig glücklich sein.
Gib heut noch mal alles,

aber dann ist wirklich Schluß.
sonst verlernt man ganz schnell,
wann man aufhören muß.
Da gibt es andere Dinge, / da gibt es schöne Dinge,

die man nach der Arbeit wohl am allerbesten tun kann. Fang gleich an
mit dem Nichtstun. / Sei gelöst, jetzt wird geträumt, geträumt, geküßt.
Version 04 /1.01 April 2004 698

Version 04 /1.01 April 2004 699

TAG AM MEER
FANTA 4 –
7 Takte nix
6 Takte: Dann 1 Takt:
(Am7) (D)(Dsus4) (D)

1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
I-------------------I I------------------I
I-----5-5---7-8-8---I I--------7---------I
I-----5-5---7-7-7---I I-----5—-7---------I
I-----5-------------I I---7----7---------I
I-------------------I I------------------I
I-5-----------------I I------------------I
Verse:
(Am7) (D)(Dsus4)
jetzt bist du da ein stück deiner zukunft dabei
es ist schon lange klar du fühlst dich frei
wenn die zukunft zur gegenwart wird hast dus getan
das warten war es wirklich dein plan
dann verschwindet die zeit darauf du in ihr
wolken schlagen salti du bist nicht mehr bei dir
die zeit kehrt zurück und nimmt sich mehr von sich
in ihr bist du schneller denn mehr bewegt dich
N.C.
der moment ist die tat die du tust augenblick
N.C.
denn dein auge erblickt was du tust und erschrickt
N.C.
vor dem ding das du kennst weil es immer da war
N.C.
die musik ist aus und ist immer noch da
(Am7) (D)(Dsus4)
hast du das gewollt - hast du angst - zu beginn
doch jetzt ist alles anders denn wir sind mittendrin
es dreht sich nur um uns und es ist nichts wie bisher
(D)
und das macht uns zu brüdern mit dem tag am meer
Chorus:
4 Mal:
1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
I--------------------------------------------I
I--------------------------------------------I
I--------------------------------------------I
I---7--7-7--7---7-7-7------5-7p5-7-----------I
I----------------------5-5-------------------I
I--------------------------------------------I
Verse: 3 Takte nix, dann 1 Takt (D)
Version 04 /1.01 April 2004 700

(Am7) (D)(Dsus4)
du spürst das gras hier und da bewegt sich was
es macht dir spaß nein es ist nicht nur das
denn nach dem öffnen aller türen steht am ende der trick
des endes der suche durch das finden im augenblick
N.C.
du atmest ein du atmest aus
(Am7) (D)(Dsus4)
dieser körper ist dein haus und darin kennst du dich aus
du lebst - du bist am leben - und das wird dir bewußt
ohne nachzudenken nur aufgrund der eignen lebenslust
N.C.
das gefühl das du fühlst sagt dir es ist soweit
N.C.
und es ändern sich zustand der raum und die zeit
N.C.
der verstand kehrt zurück doch du setzt ihn nicht ein
N.C.
jeder schritt neues land wird es immer so sein
(Am7) (D)(Dsus4)
du spürst die lebensenergie die durch dich durchfließt
das leben wie noch nie in harmonie und genießt
es gibt nichts zu verbessern nichts was noch besser wär
(D)
außer dir im jetzt und hier und dem tag am meer
Chorus: 4Takte wie beim Ersten
Version 04 /1.01 April 2004 701

BEINAH, BEINAH
(BAILA ME)
E H7
1. Dat Marleen hät dicke Brüssje, dat Marleem hät tolle Been,
E
doch wenn ich em ens dran föhle, dann säät et immer nein.
H7
Dat Marleen, dat hät e Föttche, dat Marleen is stets joot drop,
E
ich kann naats nimmih schlofe, jähn hät ich se ens je....
E H7
Beinah, beinah, beinah - beinah hät ich se jebütz,
E
ävver leider kom dä Reiner un dä hät dat Ding jeritz.
H7
Wat hät dä, wat ich nit han, wat willst de bloß met su nem Mann,
E
Mädche loss mich nit su stonn, Mädche loss dä Kähl doch jonn!
E H7
2. Dat Marie hät jet om Konto, dat Marie hät jet em Kopp,
E
et löht mich nit dran rüsche, säät, jank du bess beklopp.
H7
Dat Marie hät schöne Oure, die Fijur is wirklich toll,
E
ich muss immer an et denke, jähn hät ich se ens je.... + REFRAIN
A E
Bin Fahrer bei der KVB, ming Mam meint, ich wör janz okay.
H7
Ich kann bald nimmieh drüvver laache,
E
sach Mam, wat sull ich dann bloß maache. + REFRAIN
E H7
3. Doch dat Rita hät e Föttche, su wie e Sesterpääd,
E
do kanns de nix mih saare, wenn die de Schnüss opmäät.
H7
Das Rita hät zwei Zentner, dat määt mich fast beklopp,
E
et löt mich naats nimmieh schlofe, jään hät se mich je....
E H7
Version 04 /1.01 April 2004 702
Beinah, beinah, beinah - beinah hät se mich jebütz,
E
sach, wo bliev dann bloß dä Reiner, dä dat Ding söns immer ritz.
H7
Wat han ich, wat dä nit hät, denn dä Reiner, dä is nett,
E
Mädche loss mich leever stonn, Mädche loss mich endlich jonn.
H7
Jo, wat han ich, wat dä nit hät, denn dä Reiner, dä is nett,
E
Mädche loss mich leever stonn, Mädche loss mich endlich jonn.
(Noch eine Erkärung für Nordlichter:

KVB = Kölner Verkehrsbetriebe
Sesterpääd = Brauereipferd von der Brauerei „Sester Kölsch“)
(Paveier)
WIR LIEBEN DIE STÜRME

D A7 D
1. Wir lieben die Stürme, die brausenden Wogen,
G D A7 D
der eiskalten Winde rauhes Gesicht.
A7 D
Wir sind schon der Meere so viele gezogen,
G D A7 D
und dennoch sank unsre Fahne nicht.
D
Heijo, heijo, heijo,
A A7 D
heijo ho, heijo ho, heijo, heijo ho, heijo.
D A7 D
2. Unser Schiff gleitet stolz durch die schäumenden Wogen,
G D A7 D
jetzt strafft der Wind unser Segel mit Macht.
A7 D
Seht ihr hoch oben die Fahne sich wenden,
G D A7 D
die blutrote Fahne, ihr Seeleut, habt acht !
D A7 D
3. Wir treiben die Beute mit fliegenden Segeln,
G D A7 D
wir jagen sie weit auf das endlose Meer.
A7 D
Wir stürzen auf Deck, und wir kämpfen wie Löwen,
G D A7 D
hei, unser Sieg, viel Feinde, viel Ehr !
Version 04 /1.01 April 2004 703

WIR LAGEN VOR MADAGASKAR
C G G7 C
1. Wir lagen vor Madagaskar und hatten die Pest an Bord,
in den Kesseln, da faulte das Wasser,

G G7 C
und täglich ging einer über Bord.
G C
Ahoi, Kameraden, ahoi, ahoi !
G C
Leb wohl, kleines Madel, leb wohl, leb wohl !
C7 F C
Ja, wenn das Schifferklavier an Bord ertönt,
G G7
ja, dann sind die Matrosen so still, ja, so still,
C
weil ein jeder nach seiner Heimat sich sehnt,
G G7 C
die er gerne einmal wiedersehen will.
C G G7 C
2. Wir lagen schon 14 Tage, kein Wind durch die Segel uns pfiff.
G G7 C
Der Durst war die größte Plage, da liefen wir auf ein Riff.
+ REFRAIN
C G G7 C
3. Der lange Hein war der erste, er soff von dem faulen Nass.
G G7 C
Die Pest gab ihm das Letzte, und wir ihm ein Seemannsgrab.
+ REFRAIN
WENN WIR ERKLIMMEN

D A A7 D
1. Wenn wir erklimmen schwindelnde Höhen, steigen dem Gipfelkreuz zu.
In unsren Herzen brennt eine Sehnsucht,

A A7 D
die lässt uns nimmermehr in Ruh.
G D A A7 D
Herrliche Berge, sonnige Höhen, Bergvagabunden sind wir, ja, wir.
G D A A7 D
Herrliche Berge, sonnige Höhen, Bergvagabunden sind wir.
D A A7 D
2. Mit Seil und Haken, den Tod im Nacken, hängen wir an der steilen Wand.
Herzen erglühen, Edelweiß blühen,

Version 04 /1.01 April 2004 704
A A7 D
vorbei geht`s mit sicherer Hand. + REFRAIN
D A A7 D
3. Fels ist bezwungen, frei atmen Lungen, ach, wie so schön ist die Welt.
Handschlag, ein Lachen, Mühen vergessen,

A A7 D
alles aufs Beste bestellt. + REFRAIN
D A A7 D
4. Beim Alpenglühen heimwärts wir ziehen, Berge, die leuchten so rot.
Wir kommen wieder, denn wir sind Brüder,

A A7 D
Brüder auf Leben und Tod.
G D
Lebt wohl, ihr Berge, sonnige Höhen,
A A7 D
Bergvagabunden sind treu, ja, treu.
G D
Lebt wohl, ihr Berge, sonnige Höhen,
A A7 D
Bergvagabunden sind treu.
Version 04 /1.01 April 2004 705

VON DEN BLAUEN BERGEN
G
1. Von den blauen Bergen kommen wir,
D
von den Berge, ach, so weit vom Meer.
G G7 C a
Auf den Rücken unsrer Pferde reiten wir wohl um die Erde,
D D7 G
von den blauen Bergen kommen wir.
G D
Singing I I jippi jippi I, singing I I jippi jippi I,
G C a D D7 G
Singing I I jippi jippi I I jippi singing I I jippi jippi I
G
2. Colt und Whisky liebt ein Cowboy sehr,
D
Girls und Mustangs und noch vieles mehr.
G G7 C a
Denn das sind ja scharfe Sachen, die ihm immer Freude machen,
D D7 G
G
3. Wo die Rothaut lauert, schleicht und späht,
D
wo der Wind über die Prärien weht,
G G7 C a
sitzen wir am Lagerfeuer, und es ist uns nicht geheuer,
D D7 G
Version 04 /1.01 April 2004 706

DIE BIENE MAJA KAREL GOTT
Chords:
F 133211
C 81010988
H 799877
B 688766
C7 8108988
F C H B F
In einem unbekannten Land, vor gar nicht allzu langer Zeit,
C H B F
war eine Biene sehr bekannt, von der sprach alles weit und breit.
B C F B
Und diese Biene, die ich meine, nennt sich Maja,
C C7 F
kleine, freche, schlaue Biene Maja.
C C7 F
Maja fliegt durch ihre Welt, zeigt uns das, was ihr gefällt.
B C F B
Wir treffen heute unsre Freundin, Biene Maja,
C C7 F
diese kleine, freche Biene Maja.
B
Maja, alle lieben Maja !
C C7 F
Maja! (Maja!) Maja! (Maja!) Maja ! Erzähle uns von dir !
C H B F
Wenn ich an einem schönen Tag durch eine Blumenwiese geh,
C H B F
und kleine Bienen fliegen seh, denk ich an eine, die ich mag.
B C F B
Und diese Biene, die ich meine, nennt sich Maja,
C C7 F
kleine, freche, schlaue Biene Maja.
C C7 F
Maja fliegt durch ihre Welt, zeigt uns das, was ihr gefällt.
B C F B
Wir treffen heute unsre Freundin, Biene Maja,
C C7 F
diese kleine, freche Biene Maja.
B
C C7 F
F B
Version 04 /1.01 April 2004 707
C C7 F
Version 04 /1.01 April 2004 708

ODE AN DIE FREUDE
G aG D G D G D G D
1. 1. Freude, schöner Götterfunken, Tochter aus Elysium,
G a G7 C G D G D G D G
Wir betreten feuertrunken, Himmlische, dein Heiligtum !
D G D G D GD e AD
Deine Zauber binden wieder, was die Mode streng geteilt.
G a G D Ga G D G D7 G
Alle Menschen werden Brüder, wo dein sanfter Flügel weilt.
G a G DG D G D G D
2. 2. Wem der große Wurf gelungen, eines Freundes Freund zu sein,
Wer ein holdes Weib errungen, mische seinen Jubel ein !
D G D G D G D e A D
Ja, wer auch nur eine Seele sein nennt auf dem Erdenrund !
Und wer's nie gekonnt, der stehle weinend sich aus diesem Bund.
G a G D GD G D G D
3. 3. Freude trinken alle Wesen an den Brüsten der Natur,
G a G7 C GD G D G D G
alle Guten, alle Bösen folgen ihrer Rosenspur.
D G D G D G D Em A D
Küsse gab sie uns und Reben, einen Freund, geprüft im Tod.
G Am G D G Am G D G D7 G
Wollust ward dem Wurm gegeben, und der Cherub steht vor Gott !
G aG DG D G D G D
4. 4. Freude, schöner Götterfunken, Tochter aus Elysium,
Wir betreten feuertrunken, Himmlische, dein Heiligtum !
D G D G D GD e AD
Deine Zauber binden wieder, was die Mode streng geteilt.
Alle Menschen werden Brüder, wo dein sanfter Flügel weilt.
+ letzte beiden Zeilen (Schiller / Beethoven)
Version 04 /1.01 April 2004 709

SABINCHEN WAR EIN FRAUENZIMMER
D A A7 D
1. Sabinchen war ein Frauenzimmer, gar hold und tugendhaft.
A A7 D
Sie lebte treu und redlich immer bei ihrer Dienstherrschaft.
G D G D
Da kam aus Treuenbritzen ein junger Mann daher,
A A7 D
der wollte gern Sabinchen besitzen und war ein Schuhmacher,
A A7 D
der wollte gern Sabinchen besitzen und war ein Schuhmacher.
D A A7 D
2. Sein Geld hat er schon ganz versoffen in Schnaps und auch in Bier.
A A7 D
Da kam er zu Sabinchen geloffen und wollte welches von ihr.
G D G D
Sie konnte ihm keins geben, da stahl er auf der Stell,
A A7 D
von ihrer guten Dienstherrschaft sechs silberne Blechlöffel,
A A7 D
von ihrer guten Dienstherrschaft sechs silberne Blechlöffel.
D A A7 D
3. Jedoch nach achtzehn Wochen, da kam der Diebstahl heraus,
A A7 D
da jagte Mann mit Schimpf und Schande Sabinchen aus dem Haus.
G D G D
Sie rief : Verruchter Schuster! Du rabenschwarzer Hund!
A A7 D
Da nahm er sein Rasiermesser und schnitt ihr ab den Schlund,
A A7 D
da nahm er sein Rasiermesser und schnitt ihr ab den Schlund.
D A A7 D
4. Das Blut zum Himmel spritzte, Sabinchen fiel gleich um.
A A7 D
Der böse Schuster aus Treuenbritzen, der stand um ihr herum.
G D G D
In einem dunklen Keller, bei Wasser und bei Brot,
A A7 D
da hat er endlich eingestanden die grausige Moritot,
A A7 D
da hat er endlich eingestanden die grausige Moritot.
D A A7 D
5. Und die Moral von der Geschichte, trau keinem Schuster nicht.
A A7 D
Der Krug, der geht zum Wasser, solange bis er bricht.
G D G D
Der Henkel ist zerbrochen, er ist für immer ab,
A A7 D
und unser Schuster, der muß sitzen bis an sein kühles Grab,
A A7 D
und unser Schuster, der muß sitzen bis an sein kühles Grab.
MUSS I DENN ZUM STÄDTELE HINAUS

Version 04 /1.01 April 2004 710
C G7 C
1. Muß i denn, muß i denn zum Städtele hinaus,
G G7 C
Städtele hinaus und du mein Schatz bleibst hier.
G C
Wenn i komm, wenn i komm, wenn i wieder, wieder komm,
G G7 C
wieder, wieder komm, kehr i ein, mein Schatz, bei dir.
G C
Kann i au nit allweil bei dir sein,
F C
hab i doch mei Freud an dir! + Zeile 3 / 4
C G7 C
2. Wenn du weinst, wenn du weinst, dass i wandere muß,
G G7 C
wandere muß, wie wenn d`Lieb jetzt wär vorbei.
G C
Sind auch drauß, sind auch drauß der Mädele so viel,
G G7 C
Mädele so viel, lieber Schatz, i bleib dir treu.
G C
Denk du net, wenn i `ne andre seh,
F C
so sei mein Lieb vorbei. + Zeile 3 / 4
C G7 C
3. Übers Jahr, übers Jahr, wenn mer Träubele schneid,
G G7 C
Träubele schneid, stell i hier mi wiederum ein.
G C
Bin ich dann, bin i dann dein Schätzele noch,
G G7 C
Schätzele noch, so soll die Hochzeit sein.
G C
Übers Jahr, da ist mein Zeit vorbei,
F C
da g`hör i mein und dein. + Zeile 3 / 4
Version 04 /1.01 April 2004 711

MEIN VATER WAR EIN WANDERSMANN
C
1. Mein Vater war ein Wandersmann,
G
und mir steckt`s auch im Blut,
G7 C
so wandre ich, so lang ich kann,
F G C
und schwenke meinen Hut.
G7 C G7 C
Valeri, valera, valeri, valera ha ha ha ha ha,
G7 C F G7 C
valeri, valera, und schwenke meinen Hut.
C
2. Das Wandern schafft stets frische Lust,
G
erhält das Herz gesund.
G7 C
Frei atmet draußen meine Brust,
F G C
froh singet stets mein Mund.
G7 C G7 C
G7 C F G7 C
valeri, valera, froh singet stets mein Mund.
C
3. Drum trag ich meinen Wandersack,
G
weit in die Welt hinein,
G7 C
und werde bis ans kühle Grab
F G C
ein froher Wandrer sein.
G7 C G7 C
G7 C F G7 C
valeri, valera, ein froher Wandrer sein.
Version 04 /1.01 April 2004 712

LUSTIG IST DAS ZIGEUNERLEBEN
G D D7 G
1. Lustig ist das Zigeunerleben, faria, faria ho,
D D7 G
braucht dem Kaiser kein Zins zu geben, faria, faria ho.
C G C D G
Lustig ist es im grünen Wald, wo des Zigeuners Aufenthalt.
e a D7 G
Faria, faria, faria, faria, faria, faria ho.
G D D7 G
2. Sollte uns mal der Hunger plagen, faria, faria ho,
D D7 G
gehen wir uns ein Hirschlein jagen, faria, faria ho.
C G
Hirschlein nimm dich wohl in Acht,
C D G
wenn des Jägers Büchse kracht.
e a D7 G
G D D7 G
3. Sollt uns einmal der Durst sehr quälen, faria, faria ho,
D D7 G
gehen wir hin zu den Wasserquellen, faria, faria ho.
C G C D G
Trinken Wasser wie Moselwein, meinen, es dürfte Champagner sein.
e a D7 G
G D D7 G
4. Wenn wir auch kein Federbett haben, faria, faria ho,
D D7 G
tun wir uns ein Loch ausgraben, faria, faria ho.
C G C D G
Legen Moos und Reisig nein, das soll uns ein Feldbett sein.
e a D7 G
Version 04 /1.01 April 2004 713

IN EINEN HARUNG
C G G7 C
1. In einen Harung, jung und stramm, 2, 3, 4, ssitata, tirallala,
G G7 C
der auf dem Meeresgrunde schwamm, 2, 3, 4, ssitata, tirallala,
F C G C
verliebte sich, o Wunder, ne olle Flunder, ne olle Flunder,
F C G-G7-C
verliebte sich, o Wunder, ne olle Flu.....nder.
C G G7 C
2. Der Harung sprach : Du bist verrückt, 2, 3, 4, ssitata, tirallala,
G G7 C
du bist mir viel zu plattgedrückt, 2, 3, 4, ssitata, tirallala.
F C G C
Rutsch mir den Buckel runter, du olle Flunder, du olle Flunder.
F C G-G7-C
Rutsch mir den Buckel runter, du olle Flu.....nder.
C G G7 C
3. Da stieß die Flunder in den Grund, 2, 3, 4, ssitata, tirallala,
G G7 C
wo sie nen goldnen Rubel fund, 2, 3, 4, ssitata, tirallala.
F C G C
Ein Goldstück von 10 Rubel o welch ein Jubel, o welch ein Jubel,
F C G-G7-C
ein Goldstück zu zehn Rubel, o welch ein Ju........bel.
C G G7 C
4. Da war die olle Schrulle reich, 2, 3, 4, ssitata, tirallala,
C G G7 C
da nahm der Harung sie sogleich, 2, 3, 4, sittata, tirallala,
F C G C
denn so ein junger Harung, der hat Erfahrung, der hat Erfahrung,
F C G-G7-C
denn so ein junger Harung, der hat Erfa.....hrung.
HAB` MEIN WAGE VOLLGELADE
C G G7 C
1. Hab mein Wage vollgelade, vol mit alten Weibsen.
G G7 C
Als wir in die Stadt reinkamen, hub`n sie an zu keifen.
G G7 C
Drum lad ich all mein Lebetage, nie alte Weibsen auf mein Wage.
G G7 C
Hü, Schimmel, hü, hü, Schimmel, hü !
Version 04 /1.01 April 2004 714

C G G7 C
2. Hab mein Wage vollgelade, voll mit Männern, alten.
G G7 C
Als wir in die Stadt reinkamen, murrten sie und schalten.
G G7 C
Drum lad ich all mein Lebetage, nie alte Männer auf mein Wage.
G G7 C
C G G7 C
3. Hab mein Wage vollgelade, voll mit jungen Mädchen.
G G7 C
Als wir zu dem Tor reinkamen, sangen sie durchs Städtchen.
G G7 C
Drum lad ich all mein Lebetage, nur junge Mädchen auf mein Wage.
G G7 C
C G G7 C
4. Hab mein Wage vollgelade, voll mit kleinen Bübchen.
G G7 C
Als wir übern Marktplatz fuhren, schwenkten sie die Hütchen.
G G7 C
Drum lad ich all mein Lebetage, nur kleine Bübchen auf mein Wage.
G G7 C
Version 04 /1.01 April 2004 715

DAS KANN DOCH EINEN SEEMANN NICHT ERSCHÜTTERN
g c D7 g
Es weht der Wind mit Stärke zehn,
B
das Schiff schwankt hin und her.
g c D7 g
Am Himmel ist kein Stern zu sehn,
B
es tobt das wilde Meer.
c D7
O seht ihn an, o seht ihn an:
c D7
Dort zeigt sich der Klabautermann!
g c D7 g
Doch wenn der letzte Mast auch bricht,
c D
wir fürchten uns nicht!
G D7
Das kann doch einen Seemann nicht erschüttern,
G
keine Angst, keine Angst, Rosmarie!
D7
Wir lassen uns das Leben nicht verbittern,
G
C G
Und wenn die ganze Erde bebt
A7 D7
und die Welt sich aus den Angeln hebt:
G D7
Das kann doch einen Seemann nicht erschüttern,
G
Die Welle spülte mich von Bord,

dort unten bei Kap Horn.
Jedoch für mich war das ein Sport,
ich gab mich nicht verlor'n.
Ein böser Hai hat mich bedroht,
doch mit der Faust schlug ich ihn tot!
Dann schwamm dem Schiff ich hinterdrein
und holte es ein!
In jedem Hafen eine Braut,

das ist doch nicht zu viel.
Solange jede uns vertraut,
ist das ein Kinderspiel.
Doch kriegt mal eine etwas raus,
dann wird sie wild, dann ist es aus.
Springt sie uns auch ins Gesicht -
wir fürchten uns nicht!
Version 04 /1.01 April 2004 716

DER TEUFEL HAT DEN SCHNAPS GEMACHT
Intro: C F C F C
G7 C F C
Als ich in meiner Kneipe saß, kam ein Mädchen durch die Tür,
G7 a F C
sie sah erst mich und dann mein Glas und setzte sich zu mir.
G7 C F C
Sie sagt, sie sei von der Heilsarmee und kann mich nicht versteh'n,
G7 a F C
denn sie sah schon manch' braven Mann hier vor die Hunde geh'n.
Ref:
F C G7 C
Der Teufel hat den Schnaps gemacht, um uns zu verderben.
F C F C
G7 C
Ich hör' schon, wie der Teufel lacht, wenn wir am Schnaps einmal
sterben.
Intro: C F C F C
G7 C F C
Sie war so fromm, sie war so lieb und sie gefiel mir gut,
G7 a F C
und freundlich hab' ich ihr erklärt, dass mir der Schnaps nichts
tut.
G7 C F C
Schon leerte ich das nächste Glas. Sie sprach: "Du tust mir leid,
G7 a F C
denn mancher, der so säuft wie du, hat's später dann bereut.
Ref: "Der Teufel hat den ....
Intro: C F C F C
G7 C F C
Das Mädchen sah mich zärtlich an, drum trank ich schnell noch aus,
G7 a F C
ich legte meinen Arm um sie und brachte sie nach Haus'.
G7 C F C
Sie lud mich in ihr Zimmer ein und dort erführ ich dann:
G7 a F C
Wer zu viel trinkt, ist leider oft nur noch ein halber Mann!
Ref: Der Teufel hat den ....
Intro: C F C F C
Ref: Der Teufel hat den ....
Intro: C F C F C
Version 04 /1.01 April 2004 717

BOLLE
JBO
G C D7 G
Bolle wollte letzten Samstag auf eine Party gehn
G C D7 G
Doch blieb ihm auf dem Weg dorthin sein Auto plötzlich stehn
D A7 D
Ein Laster kam von hinten, ist mit ihm kollidiert
G C D7 G
Aber dennoch hat sich Bolle ganz köstlich amüsiert
G C D7 G
Aber dennoch hat sich Bolle ganz köstlich amüsiert
Weiter gings auf Schuster's Rappen, das Auto war im Arsch

Eine Flasche Jägermeister war die Zehrung für den Marsch
Völlig Knülle hat er sich dann in der Hausnummer geirrt
Aber dennoch hat sich Bolle ganz köstlich amüsiert.
Das Haus war zwar das Falsche, doch bat man ihn herein
Eine Selbsterfahrungsgruppe hatte hier ihr Stelldichein
So hat er 18 Stunden in der Gruppe diskutiert
Aber dennoch hat sich Bolle ganz köstlich amüsiert.
Bolle war im Klinikum, der Blinddarm mußte raus

Mit 15 Kästen Kitzmann-Bier rief er die Party aus
Im Suff ham ihm die Ärzte die Beine amputiert
aber dennoch hat sich Bolle ganz köstlich amüsiert
Bolle kam nach seinem Tode ins Paradies hinein

Dort traf eine Schönheit mit goldnen Flügelein
Zwar hat der blonde Engel sich schon etwas gewehrt
aber dennoch hat sich Bolle ganz köstlich amüsiert.
Ihr fragt euch sicher alle: "Warum ist Bolle tot?"

Wir würden es gern singen, doch gibt's da ein Verbot
Wir dürfen es nicht singen es wurde uns zensiert
Aber hoffentlich hat dieses Lied euch dennoch amüsiert
Version 04 /1.01 April 2004 718

DIE HÄNDE ZUM HIMMEL
Kolibris
Intro: D~~~~~ G
G D
Wenn du heut' nicht in der Nicht alleine denn das will
Stimmung bist keiner
Lass doch alles so sein, wie es G C G
ist Uns gehört die ganze Welt
D
Wir wollen trinken, noch einen
trinken
G C G
Weil man die Sorgen dann
vergisst G
G Und an morgen wird heut nicht
Fühlst Du dich manchmal auch so gedacht
allein Wir feiern weiter die ganze
Glaub mir das brauchte gar nicht Nacht
zu sein D
D Lasst uns heben, einmal
Denn heute abend, gehn wir schweben
feiern A D G
A D G und dabei wird nur gelacht
Die ganze Welt ist ein Verein
D D
Und dann die Hände zum Himmel Und dann die Hände zum Himmel
G C G G C G
Komm lasst uns fröhlich sein Komm lasst uns fröhlich sein
D G D G
C G C G
Wir klatschen zusammen und Wir klatschen zusammen und
keiner ist allein keiner ist allein
D D
Und dann die Hände zum Himmel Und dann die Hände zum Himmel
G C G G C G
Komm lasst uns fröhlich sein Komm lasst uns fröhlich sein
D A D A
D G D G
G
Wir tun nur noch das was uns D#
gefällt Und dann die Hände zum Himmel
Tanzen, singen im Saal oder Zelt G# C# G#
Komm lasst uns fröhlich sein
Version 04 /1.01 April 2004 719
D# G# D# Bb
C# G# D# G#
D# D# Bb
Und dann die Hände zum Himmel D# G#
G# C# G# Wir klatschen zusammen und
keiner ist allein
Komm lasst uns fröhlich sein
WOCHENEND UND SONNENSCHEIN
G
Wochenend und Sonnenschein und dann mit dir im Wald allein,
D
G C G
G
Über uns die Lerche zieht, sie singt genau wie wir ein Lied,
D
alle Vögel stimmen fröhlich ein,
G C G
H7 D A D D7
G
D
G C G
H7 D A D D7
G
D
G C G
Version 04 /1.01 April 2004 720

BOLLE REISTE JÜNGST ZU PFINGSTEN
G C D7 G
1. Bolle reiste jüngst zu Pfingsten, nach Pankow war sein Ziel,
C D7 G
da verlor er seinen Jüngsten ganz plötzlich im Gewühl,
D A D
ne volle habe Stunde hat er nach ihm gespürt,
G C D7 G
aber dennoch hat sich Bolle ganz köstlich amüsiert,
C D7 G
aber dennoch hat sich Bolle ganz köstlich amüsiert.
G C D7 G
2. Zu Pankow gabs kein Essen, zu Pankow gabs kein Bier,
C D7 G
war alles augefressen, von fremden Leuten hier.
D A D
Nicht mal ńe Butterstulle hat man ihm reserviert. + REFRAIN
G C D7 G
3. Auf der Schönholzer Heide, da gabs ne Keilerei,
C D7 G
und Bolle gar nicht feige war mittenmang dabei.
D A D
Hat`s Messer rausgerissen und fünfe massakriert. + REFRAIN
G C D7 G
4. Es fing schon an zu tagen, als er sein Heim erblickt,
C D7 G
das Hemd war ohne Kragen, das Nasenbein zerknickt,
D A D
das linke Auge fehlte, das rechte marmoriert. + REFRAIN
G C D7 G
5. Zuhause angekommen, da gings ihm aber schlecht,
C D7 G
da hat ihn seine Olle ganz mörderisch verdrescht,
D A D
`ne volle halbe Stunde hat sie auf ihm poliert. + REFRAIN
Version 04 /1.01 April 2004 721

HEUTE BLAU, MORGEN BLAU
C G G7 C
1. Heute blau, und morgen blau, und übermorgen wieder,
F G G7 C
wenn wir dann in Stimmung sind besaufen wir uns wieder.
2. C - G - G7 - C
- F - G - G7 - C
C G G7 C
3. Heute blau, und morgen blau, und übermorgen wieder,
F G G7 C
wenn wir dann in Stimmung sind besaufen wir uns wieder.
HUMBA TÄTÄRÄ
G ~D ~ G D G
1. Ja, da geht's humba humba humba täterä, täterä, täterä,
Ja, da geht's humba humba humba täterä,

D G
da ruft der ganze Saal : "Dasselbe noch einmal!"
2. G ~ D ~ G - D - G
D-G
G D G D G
3. Und dann geht' s humba humba humba täterä, täterä, täterä,
Ja, da geht's humba humba humba täterä,
D G
da ruft der ganze Saal : "Dasselbe noch einmal!"
KORNBLUMENBLAU
C G C G
1. Kornblumenblau ist der Himmel am herrlichen Rheine,
G7 C
kornblumenblau sind die Augen der Frauen beim Weine.
C7 F
Darum trinkt Rheinwein, Männer seid schlau,
d C G G7 C -G
dann seid am Ende auch ihr kornblumenblau.
2. C - G - C - G
- G7 - C
C7 F
Darum trinkt Rheinwein, Männer seid schlau,
d C G G7 C
dann seid am Ende auch ihr kornblumenblau.
Version 04 /1.01 April 2004 722

MER LOSSE D'R DOM IN KÖLLE
G D
Mer losse d'r Dom en Kölle, denn do jehöt hä hin,
D7 G
wat soll dä dann woanders, dat hät doch keine Senn.
G7 C
Mer losse d'r Dom en Kölle, denn do es hä zo Hus,
G D D7 G
un op singem ahle Platz bliev hä och jot en Schoss,
C G D D7 G
un op singem ahle Platz bliev hä och jot en Schoss.
G D
1. Stell d'r für d'r Kreml stünd am Ebertplatz,
G
stell d'r für d'r Louvre stünd am Ring,
/ D
do wör für die zwei doch vell ze winnich Platz,
A A7 D
dat wör doch e unführstellbar Ding.
G D
2. Am Jürzenich do wör vielleich et Pentajon,
G
am Rothus stünd dann die Akropolis,
D
da wöss mer överhaup nit wo mer hinjon sollt,
A A7 D
und doröm es dat eine janz jewess. + REFRAIN
G D
3. Die Ihrestross die hiess vielleich Sixth Avenue,
/ G
oder die Nord-Süd-fahrt Brennerpass,
D
d'r Mont Klamott dä heiss op eimol Zuckerhut,
A A7 D
do köm dat Panorama schwer en Brass. + REFRAIN
G D
4. Jetz froch ich üch, wem domet jeholfe es,
G
wat nötz die janze Stadtsanierung schon,
D
do soll doch leever alles blieve wie et es,
A A7 D
un mir behalde uns're schöne Dom. + REFRAIN
(Orig. = Capo2) (Bläck Fööss)
Version 04 /1.01 April 2004 723

EIN PROSIT
D G DA D
1. Ein Prosit, ein Prosit der Gemütlichkeit,
G DA D
ein Prosit, ein Prosit der Gemütlichkeit.
D G DA D
2. Ein Prosit, ein Prosit der Gemütlichkeit,
G DA D
ein Prosit, ein Prosit der Gemütlichkeit.
NACH HAUSE GEH'N WIR NICHT
G D D7 G
1. Nach Hause, nach Hause, nach Hause geh'n wir nicht,
C G
bis dass der Tag anbricht, nach Hause geh'n wir nicht.
D D7 G
Nach Hause, nach Hause, nach Hause geh'n wir nicht,
C G D G
bis dass der Tag anbricht, ja, nach Hause geh'n wir nicht.
D D7 G
2. La la la, la la la, la la la la la la,
C G
la la la la la la, la la la la la la.
D D7 G
Nach Hause, nach Hause, nach Hause geh'n wir nicht,
C G D G
bis dass der Tag anbricht, ja, nach Hause geh'n wir nicht.
OH, WIE IST DAS SCHÖN
G C D G
1. Oh, wie ist das schön, oh, wie ist das schön,
D D7 G
so was hat man lange nicht gesehn, so schön, so schön.
G C D G
2. Oh, wie ist das schön, oh, wie ist das schön,
D D7 G
so was hat man lange nicht gesehn, so schön, so schön.
Version 04 /1.01 April 2004 724

SCHNAPS, DAS WAR SEIN LETZTES WORT
G D
1. Schnaps, das war sein letztes Wort,
A D
dann trugen ihn die Englein fort.
G D
Schnaps, das war sein letztes Wort,
A D
2. G - D - A - D
G-D-A-D
G D
3. Schnaps, das war sein letztes Wort,
A D
G D
Schnaps, das war sein letztes Wort,
A D
SO EIN TAG SO WUNDERSCHÖN WIE HEUTE

G C
1. So ein Tag so wunderschön wie heute,
D D7 G
so ein Tag, der dürfte nie vergehn.
D G C
Denn so ein Tag, auf den ich mich so freute,
D D7 G
und wer weiß, wann wir uns wiedersehn.
C G
Ach wie bald vergehn die schönen Stunden,
A D
wie die Wolken verwehn.
D7 G C
2. Ja, so ein Tag, so wunderschön wie heute,
D D7 G
so ein Tag, der dürfte nie vergehn.
D G C
Denn so ein Tag, auf den ich mich so freute,
D D7 G
und wer weiß, wann wir uns wiedersehn.
Version 04 /1.01 April 2004 725

WENN DAS SO WEITERGEHT
G C G
1. Wenn das so weitergeht bis morgen früh,
D D7 G
stehn wir im Alkohol bis an die Knie.
C G
2. Wenn das so weitergeht bis morgen früh,
D D7 G
stehn wir im Alkohol bis an die Knie.
WER SOLL DAS BEZAHLEN
C C7 F
Wer soll das bezahlen, wer hat das bestellt?
C G G7 C
Wer hat soviel Pinkepinke, wer hat so viel Geld.
C7 F
C G G7 C
Wer hat soviel Pinkepinke wer hat soviel Geld.
C C7 F
C G G7 C
Wer hat soviel Pinkepinke, wer hat so viel Geld.
C7 F
C G G7 C
Wer hat soviel Pinkepinke wer hat soviel Geld.
Version 04 /1.01 April 2004 726

WIR KOMMEN ALLE IN DEN HIMMEL
D G
1. Wir kommen alle, alle, alle in den Himmel,
D G
weil wir so brav sind, weil wir so brav sind.
C
Dort lässt uns der Petrus ein,
G
der sagt: "Ich lass gern euch ein !
D D7 G
Ihr wart auf Erden schon die reinsten Engelein!"
2. D G
La la la la la la la la la la la la la,
D G
la la la la la, la la la la la,
C G
la la la la la la la, la la la la la la la,
D D7 G
la la la la la la la la la la la la
D G
3. Wir kommen alle, alle, alle in den Himmel,
D G
weil wir so brav sind, weil wir so brav sind.
C
Dort lässt uns der Petrus ein,
G
der sagt: "Ich lass gern euch ein !
D D7 G
Ihr wart auf Erden schon die reinsten Engelein!"
Version 04 /1.01 April 2004 727

WIR VERSAUFEN UNSER OMA IHR KLEIN HÄUSCHEN
A D A
Wir versaufen unser Oma ihr klein Häuschen,
E A
ihr klein Häuschen, ihr klein Häuschen.
D A
Wir versaufen unser Oma ihr klein Häuschen,
D E A
und die erste und die zweite Hypothek.
JETZT TRINK'N MA NOCH A FLASCHERL WEIN
G D
1. Jetzt trink'n ma noch a Flascherl Wein, hollahiaho,
D7 G
es muss ja nicht die letzte sein, hollahiaho.
G7 C
Jetzt trink'n ma noch a Flascherl Wein, hollahiaho,
G D D7 G
2. G - D - D7 - G
- G7 - C G - D - D7 - G
G D
3. Jetzt trink'n ma noch a Flascherl Wein, hollahiaho,
D7 G
G7 C
Jetzt trink'n ma noch a Flascherl Wein, hollahiaho,
G D D7 G
Version 04 /1.01 April 2004 728

DÄNEN LÜGEN NICHT, Otto [1/96 oli.seyffert@t-online.de]
(C) (G) (C)

Ref: Häl, häl, häl, häl, häddelhäl, häl, häl.
(G) (F) (G)
Häl, häl, häl, häl, häddel häl häddelhäl.
(F) (G) (C)
Häddel häddel häl, häddel HÄL häl häl,
(G) (F) (C) (G) (C)
häl häl häl häl, häddel häl, häl, häl.
(C) (G) (C)

1. Du machst dich an, eine Dänin ran.
(G) (F) (G)
Da kommt ihr Freund, droht dir Prügel ahahan.
(F) (G) (C)
Sieh im Krankenhaus-spiegel dein Gesicht,
(G) (F) (C) (G) (C)
und du siehst ein, Dänen lügen nicht.
Ref
(C) (G) (C)

2. Eine Däne sagt, er kriegt Geld von Dir.
(G) (F) (G)
Du lachst ihn aus: warum grad von mihihir
(F) (G) (C)
doch sein Ballermann, überzeugt dich schlicht
(G) (F) (C) (G) (C)
und du siehst ein, Dänen lügen nicht
Ref
Version 04 /1.01 April 2004 729

KREUZBERGER NÄCHTE
G
1. Ich sitz schon seit `ner Stunde zienlich dumm
D
allein um einen Kneipentisch herum.

Ich trinke schnell, obwohl ich`s nicht vertrag,
D7 G
weil ich weder volle noch leere Gläser mag.

Da plötzlich setzen sich 6 Mann zu mir,
D
und bestellen lautstark: Bring`se mal drei Bier!

Ich seh schon doppelt, und das aus gutem Grund,
D7 G
denn in Eckkneipen geht es nun mal rund,
G D
Kreuzberger Nächte sind lang, Kreuzberger Nächte sind lang,
D7 G
erst fang`se ganz langsam an, aber dann, aber dann.
G
2.Jetzt fragt mich doch so`n Typ ob ich studier,
D
ich sag: Ja, Wirtschaftspolitik, drum sitz ich hier!
D7 G
Da sagt er, daß er von der Zeitung wär, und da wär er der Lokalredakteur.
Ein Rentner ruft : Ihr solltet Euch was schäm'n!
D
Ein anderer meint, das läge alles am System.

Das ist so krank wie meine Leber! Sagt ich barsch,
D7 G
die 12 Semester war'n doch nicht so ganz umsonst. + REFRAIN
G
3. Und wie immer erscheint dann diese Frau,
D
bei der sind auch nicht nur die Augen blau.
Ich sag: verschwinde, liebe Sünde, rasch von mir,
D7 G
in diesem Lied bleibt`s ausnahmsweise mal beim Bier.
Frühmorgens wach` ich auf, sechzehn Uhr zehn,
D
die ganze Welt scheint sich um mich zu drehn.

Nur im Magen fühle ich mich nicht so recht,
D7 G
eins von den dreißig Bierchen gestern war wohl schlecht. + REFRAIN + REFRAIN
(Gebrüder Blattschuß)
Version 04 /1.01 April 2004 730

An der Nordseeküstte -- Kllaus und Kllaus
DG
1. Damals vor unendlich langer Zeit,
DAD
da machten wir Friesen am Wasser uns breit.
G
Die Jahre vergingen wie Saus und wie Braus,
DAD
aber breit sehn wir Friesen auch heute noch aus.
ADG
An der Nordseeküste, am plattdeutschen Strand,
DGAD
sind die Fische im Wasser und selten an Land.
DG
2. Nach Flut kommt die Ebbe, nach Ebbe die Flut,
DAD
die Deiche, sie halten mal schlecht und mal gut.
G
Die Dünen sie wandern am Strand hin und her,
DAD
von Grönland nach Flandern, jedenfalls ungefähr.
ADG
DGAD
DG
3. Die Seehunde singen ein Klagelied,
DAD
weil sie nicht mit dem Schwanz wedeln können - so`n Schiet!
G
Die Schafe, sie blöken wie blöd auf dem Deich,
DAD
und mit schwarzgrünen Kugeln garnier`n sie ihn gleich.
ADG
DGAD
Version 04 /1.01 April 2004 731

DIE ALTEN RITTERSLEUT
JA, SO WARN DIE ALTEN RITTERSLEUT
C a
1. Zu Grünewald im Isartal, glaubt es mir, es war einmal,
d G G7 C
da ham edle Ritter g`haust, ja die hat`s vor gar nix graust.
C F G
Ja, so warn`s, ja, so warn`s, ja, so warn`s die alten Rittersleut,
C G G7 C
Ja, so warn`s, ja, so warn`s, die alten Rittersleut.
C a
2. So ein alter Rittersmann, hatte sehr viel Eisen an,
d G G7 C
die meisten Ritter, i muß sagn, hat deshalb der Blitz erschlagn.
C a
3. G`suffa hams and des net wia, aus die Eimer Wein und Bier,
d G G7 C
hams dann alles suffa ghabt, sans unterm Tisch drunt g`flaggt.
C a
4. Hatt der Ritter ein Katarrh, damals warn die Mittel rar,
d G G7 C
er hat der Erkältung trotzt, sich geräuspert und geschneuzt.
C a
5. Ritt ein Ritter auf seim Roß, war das Risiko sehr groß,
d G G7 C
hat ein Roß sein Hupfer do, lag im Dreck der gute Mo.
C a
6. Und der Ritter Kunibart, setzte sich verkehrt aufs Pferd,
d G G7 C
wollte er nach hinten sehn, braucht er sich nicht umzudrehn.
C a
7. Und das Ritterfräulein Stasi, war so bleich und schrecklich kasig,
d G G7 C
war ihr mal ein Knecht zuwider, senkt sie barsch die Augenlieder.
C a
8. So ein früheres Ritterweib war dem Ritter niemals treu,
d G G7 C
dem Ritter war es einerlei, er war ja auch nur halbe treu.
Version 04 /1.01 April 2004 732
C a
9. Und der Ritter Alexander rutsche einst auf dem Gelander,
d G G7 C
unten stand ein Nagel vor, heut singt er im Knabenchor.
C a
10. Zu Grünewalt die Rittersleut leb`n nicht mehr seit langer Zeit,
d G G7 C
nur die Geister von densölben spuken nachts in den Gewölben.
Version 04 /1.01 April 2004 733

ANITA ((Costa Cordalis)
D A
A7 G D - A
D A
Komm´ steig auf mein Pferd, sagte ich zu ihr, Anita, Anita.
A7 D
Fiesta ist heut´, die Stadt ist nicht mehr weit,
A D
mach dich schnell
D7 G
Ich seh dir an, da schlummert ein Vulkan.
D
Du wartest auf die Lie...be,
D7 E
Ich will sie wecken und alles entdecken,
A A7
was keiner bisher sah. Ohohohoho.
D A
2. Reite wie der Wind, bis die Nacht beginnt, Anita, Anita.
A7 D A D
Dann sind wir da und jeder soll es sehn, wie gut wir uns verstehn.
D7 A G D
A E A
D A
A7 G D - A
D A
Ich baue uns ein Nest, wo sich`s leben lässt, Anita, Anita.
A7 D A D
In Mexiko, denn nur bei dir allein, will ich immer sein.
D7 G
Um uns herum, da saßen sie ganz stumm
D
und machten grosse Au...gen.
D7 E
Die companeros mit ihren sombreros,
A A7
und nun gehörst du mir. Ohohoho
D A
4. Heute ist die Nacht nicht zum Schlafen da, Anita, Anita.
A7 D A D D7
Denn so ein Fest, gab es noch nirgendwo, hier in Mexiko. Yey!
A G D
A E A
D A
5. Ich fand sie irgendwo, allein in Mexico, Anita, Anita.
A7 G D - A
D A
Ich baue uns ein Nest, wo sich`s leben lässt, Anita, Anita......
(Orig. = Capo 3) (Costa Cordalis
Version 04 /1.01 April 2004 734

ANTON AUS TIROLL
Intro: | D | G | (Chor brüllt ”Anton!, Anton!”)
| G | Em | Bm | C D |
G
Ich bin so schön , ich bin so toll
D
Ich bin der Anton aus Tirol
Meine gigaschlanken Wadln
C
San a Wahnsinn für die Madln
GDG
Mei Figur a Wunder dar Natur
G
I bin so stoak und auch so wild
D
Ich treib es heiss und eisgekühlt
C
Wippe ich mit dem Gesäß schrein die Hasen SOS
GDG
Und wollen den Anton aus Tirol.
D
Blaue Pille, Sellerie des braucht so a Anton nie
A
Koa Tattoo und koane Scmäh
A koa Piercing, koa Juche
G
Bin koa Softie, bin a Tiger
AD
Girls, so an Typ wie mi des gab´s noch nie => Refrain:
2x | G | Em | Bm | C D |
D
Abends dann im Discostadl zoag i mi mit 15 Madl
A
Denn gewinnen kann nur i Ui, so schön woa i no nie.
GA
Lass alle Buam im Regen stehen Koana is so urig schön
D
Ahhh, bin i schön.
A
Ahhhh, is der schöN”
DA
Stoaka Bua, von dir kriag i net gnua
GAD
Komm her und mochs mit mir Du mein Tiroler Stier => Refrain:
AE
Lalalala lalalala lalalalalalalala
D
Lalalalalalala lalalalalalala
Version 04 /1.01 April 2004 735

AEA
Lalala lalalalalalala
Version 04 /1.01 April 2004 736

ALLE JAHRE WIEDER
C F C G C G Am Dm C G
1 . Al l e J a h r e w i e d e r kommt d a s C h r i s t u s k i n d
C F G Am F C G G7 C
a u f d i e E r d e n i e d e r, w o w i r M e n s c h e n s i n d .
2. Kehrt mit seinem Segen ein in jedes Haus,
C F G Am F C G G7 C
g e h t a u f a l l e n We g e n m i t u n s e i n u n d a u s .
3. Steht auch mir zur Seite, still und unerkannt,
C F G Am F C G G7 C
daß es treu mich leite an der lieben Hand.
AM WEIHNACHTSBAUM DIE LICHTER BRENNEN

C F C
1. Am Weihnachtsbaum die Lichter brennen,
Dm G C
wie glänzt er festlich, lieb und mild,
Dm G C
als spräch er: "Wollt in mir erkennen
Dm G C
getreuer Hoffnung stilles Bild!".
C F C Dm G C
2. Die Kinder stehen mit hellen Blicken, das Auge lacht, es lacht das Herz.
Dm G C Dm G C
O fröhlich seliges Entzücken! Die Alten schauen himmelwärts.
C F C
3. Zwei Engel sind hereingetreten,
Dm G C
kein Auge hat sie kommen sehn.
Dm C
Sie gehn zum Weihnachtstisch und beten
Dm G C
und wenden wieder sich und gehn.
C F C
4. Kein Ohr hat ihren Spruch vernommen,
Dm G C
unsichtbar jedes Menschen Blick,
Dm G C
sind sie gegangen wie gekommen,
Dm G C
doch Gottes Segen bleibt zurück
ES IST EIN ROS' ENTSPRUNGEN

Version 04 /1.01 April 2004 737
C F G C Am F C-G Am-G C
1. Es ist ein Ros' entsprungen aus einer Wurzel zart.
C F-G C - Am F C-G Am G C
Wie uns die Alten sungen, aus Jesse kam die Art
Am Dm G Am D G
und hat ein Blümlein bracht.
C F C G-Am F C Dm C G C
Mitten im kalten Winter, wohl zu der halben Nacht.
C F G C Am F C G-Am-G C
2. Das Blümlein, das ich meine, davon Jesaias sagt,
C F G-C-Am F-C G Am-G C
hat uns gebracht alleine Marie, die reine Magd.
Am Dm G Am D G
Aus Gottes ew'gem Rat
C F C-G-Am F C Dm C G C
hat sie ein Kind geboren wohl zu der halben Nacht.
C F G CAm F C -G Am G C
3. Das Blümelein so kleine, das duftet uns so süß;
C FG C-Am F C G Am G C
mit seinem hellen Scheine vertreibt's die Finsternis.
Am Dm G Am D G
Wahr Mensch und wahrer Gott,
C F-C G-Am F C Dm C G C
hilft uns aus allem Leide, rettet von Sünd und Tod.
C F G C Am F C-G Am- G-C

4. Wir bitten dich von Herzen, du edle Königin,
C F G C-Am F C G Am G-C
durch deines Sohnes Schmerzen, wann wir fahren dahin
Am Dm G Am D-G
aus diesem Jammertal.
C F C- G- Am F C Dm C G C
Du wollest uns begleiten bis an der Engel Saal!
(Michael Prätorius)
Version 04 /1.01 April 2004 738

IHR KINDERLEIN KOMMET
D A D
1. Ihr Kinderlein kommet, o kommet doch all,
A D
zur Krippe her kommet in Bethlehems Stall.
A A7 D G
Und seht, was in dieser hochheiligen Nacht
D A D
der Vater im Himmel für Freude uns macht.
D A D
2. O seht in der Krippe im nächtlichen Stall,
A D
seht hier bei des Lichtes hellglänzendem Strahl
A A7 D G
den lieblichen Knaben, das himmlische Kind,
D A D
viel schöner und holder, als Engelein sind!
D A D
3. Da liegt es, das Kindlein, auf Heu und auf Stroh,
A D
Maria und Joseph betrachten es froh.
A A7 D G
Die redlichen Hirten knien betend davor,
D A D
hoch oben schwebt jubelnd der Engelein Chor.
D A D
4. O beugt, wie die Hirten, anbetend die Knie,
A D
erhebet die Händchen und betet wie sie.
A A7 D G
Stimmt freudig, ihr Kinder, wer wollt sich nicht freun,
D A D
stimmt freudig zum Jubel der Engel mit ein!
Version 04 /1.01 April 2004 739

KLING, GLÖCKCHEN, KLINGELINGELING
C G G7 C
1. Kling, Glöckchen, klingelingeling, kling, Glöckchen, kling!
G C G G7-C
Laßt mich ein, ihr Kinder, sìst so kalt der Winter,
D D7 G a D D7-G
öffnet mir die Türen, laßt mich nicht erfrieren!
C G G7 C
Kling, Glöckchen, klingelingeling, kling, Glöckchen, kling!
C G G7 C
G C G G7 - C
Mädchen, hört, und Bübchen, macht mir auf das Stübchen,
D D7 G C D D7-G
bring euch viele Gaben, sollt euch dran erlaben!
C G G7 C
C G G7 C
G C G G7 - C
Hell erglühn die Kerzen, öffnet mir die Herzen,
D D7 G C D D7-G
will drin wohnen fröhlich, frommes Kind, wie selig.
C G G7 C
Version 04 /1.01 April 2004 740

KOMMET, IHR HIRTEN
C F C F C G C
1. Kommet, ihr Hirten, ihr Männer und Frau'n,
F C F C G C
kommet, das liebliche Kindlein zu schaun.
Am G
Christus, der Herr ist heute geboren,
C Am G
den Gott zum Heiland euch hat erkoren.
C G C
Fürchtet euch nicht!
C F C F C G C
2. Lasset uns sehen in Bethlehems Stall,
F C F C G C
was uns verheißen der himmlische Schall.
C Am G
Was wir dort finden, lasset uns künden,
Am G
lasset uns preisen in frommen Weisen.
C G C
Hal...le...luj...ah.
C F C F C G C
3. Wahrlich, die Engel verkündigen heut
F C F C G C
Bethlehems Hirtenvolk gar große Freud.
Am G
Nun soll es werden Friede auf Erden,
C Am G
den Menschen allen ein Wohlgefallen.
C G C
Ehre sei Gott.
Version 04 /1.01 April 2004 741

LASST UNS FROH UND MUNTER SEIN
C G G7
1. Laßt uns froh und munter sein und uns recht von Herzen freun!
C G C
Lustig, lustig, trallerallala, bald ist Nikolausabend da,
G C
bald ist Nikolausabend da!
C G G7
2. Dann stell' ich den Teller auf, Nikolaus legt gewiß was drauf,
C G C
G C
C G G7
3. Wenn ich schlaf', dann träume ich: Jetzt bringt Nikolaus was für mich.
C G C
G C
C G G7
4. Wenn ich aufgestanden bin, lauf ich schnell zum Teller hin.
C G C
G C
C G G7
5. Nikolaus ist ein guter Mann, dem man nicht genug danken kann.
C G C
G C
Version 04 /1.01 April 2004 742

LEISE RIESELT DER SCHNEE
C G C
1. Leise rieselt der Schnee,
F C
still und starr ruht der See,
G G7 Am
weihnachtlich glänzet der Wald :
Dm G7 C
Freue dich, Christkind kommt bald !
C G C
2. In dem Herzen ist`s warm,
F C
still schweigt Kummer und Harm,
G G7 Am
Sorge des Lebens verhallt :
Dm G7 C
Freue dich, Christkind kommt bald.
C G C
3. Bald ist heilige Nacht,
F C
Chor der Engel erwacht,
G G7 Am
hört nur, wie lieblich es schallt :
Dm G7 C
Freue dich, Christkind kommt bald !
Version 04 /1.01 April 2004 743

MORGEN, KINDER, WIRD’S WAS GEBEN
G D G D G
1. 1. Morgen, Kinder, wird's was geben, morgen werden wir uns freu'n!
D G D G
Welch ein Jubel, welch ein Leben wird in unsrem Hause sein!
C D G Em C D G
Einmal werden wir noch wach, heissa, dann ist Weihnachtstag!
G D G D G
2. 2. Wie wird dann die Stube glänzen, von der großen Lichterzahl!
D G D G
Schöner als bei frohen Tänzen, ein geputzter Kuppelsaal!
C D G Em C D G
Wißt ihr noch, wie voriges Jahr es am Heiligen Abend war?
G D G D G
3. 3. Wißt ihr noch mein Räderpferdchen, Malchens nette Schäferin ?
D G D G
Jettchens Küche mit dem Herdchen und dem blankgeputzten Zinn?
C D G Em C DG
Heinrichs bunten Harlekin mit der gelben Violin?
G D G D G
4. 4. Wißt ihr noch den großen Wagen, und die schöne Jagd von Blei?
D G D G
Unsre Kinderchen zum Tragen und die viele Nascherei?
C D G Em C D G
Meinen fleiß'gen Sägemann mit der Kugel unten dran?
G D G D G
5. 5. Welch ein schöner Tag ist morgen! Neue Freuden hoffen wir.
D G D G
Unsere guten Eltern sorgen, lange, lange schon dafür.
C D G Em C D G
O gewiß, wer sie nicht ehrt, ist der ganzen Lust nicht wert.
Version 04 /1.01 April 2004 744

O DU FRÖHLICHE
G C G C G
1. O du fröhliche, o du selige,
D A D G D A D
gnadenbringende Weihnachtszeit.
D7 G
Welt ging verloren, Christ ist geboren,
C G C G D G
fre....ue, freue dich, o Christenheit!
G C G C G
D A D G D A D
D7 G
Christ ist erschienen, uns zu versühnen,
C G C G D G
G C G C G
D A D G D A D
D7 G
Himmlische Heere jauchzen dir Ehre,
C G C G D G
Version 04 /1.01 April 2004 745

O TANNENBAUM
C G C
1. O Tannenbaum, o Tannenbaum,
G G7-C
wie grün sind deine Blätter!
F G
Du grünst nicht nur zur Sommerszeit,
G7 C
nein, auch im Winter, wenn es schneit,
G C
o Tannenbaum, o Tannenbaum,
G G7-C
wie grün sind deine Blätter!
C G C
G G7-C
du kannst mir sehr gefallen.
F G
Wie oft hat doch zur Weihnachtszeit
G7 C
ein Baum von dir mich hoch erfreut.
G C
O Tannenbaum, o Tannenbaum,
G G7-C
du kannst mir sehr gefallen.
C G C
G G7-C
dein Kleid kann mich was lehren.
F G
Die Hoffnung und Beständigkeit
G7 C
gibt Trost und Kraft zu jeder Zeit.
G C
O Tannenbaum, o Tannenbaum,
G G7-C
dein Kleid kann mich was lehren.
Version 04 /1.01 April 2004 746

SCHNEEFLÖCKCHEN, WEISSRÖCKCHEN
C G G7 C
1. Schneeflöckchen, Weißröckchen, da kommst du geschneit,
F G C
du kommst aus den Wolken, dein Weg ist so weit.
C G G7 C
2. Komm, setz dich ans Fenster, du lieblicher Stern,
F G C
malst Blumen und Blätter, wir haben dich gern.
C G G C
3. Schneeflöckchen, du deckst uns die Blümelein zu,
F G C
dann schlafen sie sicher in himmlischer Ruh'.
Version 04 /1.01 April 2004 747

STILLE NACHT, HEILIGE NACHT
G
1. Stille Nacht, heilige Nacht,
D D7 G
alles schläft, einsam wacht,
C G
nur das traute hochheilige Paar.
C G
Holder Knabe im lockigen Haar,
D D7 G - Em G D7 G
schlaf in himmlischer Ruh! Schlaf in himmlischer Ruh.
G
D D7 G
Hirten erst kundgemacht
C G
durch der Engel Halleluja
C G
tönt es laut von fern und nah:
D G - Em G D7 G
Christ, der Retter, ist da, Christ, der Retter, ist da.
G
D D7 G
Gottes Sohn, o wie lacht!
C G
Lieb aus deinem göttlichen Mund,
C G
da uns schlägt die rettende Stund,
D D7 G - Em G D7 G
Christ, in deiner Geburt! Christ in deiner Geburt.
Version 04 /1.01 April 2004 748

SÜSSER DIE GLOCKEN NIE KLINGEN
C G G7 C
1. Süßer die Glocken nie klingen als zu der Weihnachtszeit,
C7 F C G7 C
´s ist, als ob Engelein singen wieder von Frieden und Freud!
G C G C
Wie sie gesungen in seliger Nacht,
G C G C
wie sie gesungen in seliger Nacht,
C7 F C G7 C
Glocken mit heiligem Klang, klinget die Erde entlang!
C G G7 C
2. Oh, wenn die Glocken erklingen, schnell sie das Christkindlein hört,
C7 F C G7 C
tut sich vom Himmel dann schwingen, eilet hernieder zur Erd.
G C G C
Segnet den Vater, die Mutter, das Kind,
G C G C
segnet den Vater, die Mutter, das Kind,
C7 F C G7 C
C G G7 C
1. Klinget mit lieblichem Schalle über die Meere noch weit,
C7 F C G7 C
daß sich erfreuen doch alle seliger Weihnachtszeit.
G C G C
Alle aufjauchzen mit herrlichem Sang,
G C G C
alle aufjauchzen mit herrlichem Sang!
C7 F C G7 C
Version 04 /1.01 April 2004 749

VOM HIMMEL HOCH, DA KOMM ICH HER
G D C D G C D7 G D-Am Em
1. Vom Himmel hoch, da komm ich her, ich bring euch gute neue Mär,
C D Em A D G-D C G Em C - D G
der guten Mär bring ich so viel, davon ich singen und sagen will.
G D C D G C D7 G DAmEm
2. Euch ist ein Kindlein heut geborn, von einer Jungfrau auserkorn,
C D Em A D G D C G Em C - D G
ein Kindelein, so zart und fein, das soll euer Freud und Wonne sein!
G D C D G C -D7 G D-Am Em
3. Es ist der Herr Christ, unser Gott, der will euch führn aus aller Not.
Er will euer Heiland selber sein, von allen Sünden machen rein.
G D C DG C D7 G D Am Em
4. Des laßt uns alle fröhlich sein und mit den Hirten gehen hinein,
C D Em A D G D C G Em C D G
zu sehn, was Gott uns hat beschert mit seinem lieben Sohn verehrt.
G D C D G C D7 G D Am Em
5. Lob, Ehr sei Gott im höchsten Thron, der uns schenkt seinen eignen
Sohn.
Des freuet sich der Engel Schar, und singet uns solch neues Jahr.
(Martin Luther)
Version 04 /1.01 April 2004 750

GUTEN ABEND, GUTE NACHT
D A7
1. Guten Abend, gute Nacht, mit Rosen bedacht,
D
mit Näglein besteckt, schlupf unter die Deck.
G D A7 D
Morgen früh, wenn Gott will, wirst du wieder geweckt,
G D A7 D
morgen früh, wenn Gott will, wirst du wieder geweckt.
D A7
2. Guten Abend, gute Nacht, von Englein bewacht,
D
die zeigen im Traum dir Christkindleins Baum.
G D A7 D
Schlaf nun selig und süß, schau im Traum`s Paradies,
G D A7 D
schlaf nun selig und süß, schau im Traum`s Paradies.
Version 04 /1.01 April 2004 751

JINGLE BELLS
C
Jingle Bells, Jingle Bells, klingt es weit und breit –
F C D7 G
schön ist eine Schlittenfahrt im Winter, wenn es schneit.
C
F C G7 C
mach mit mir ńe Schneeballschlacht, denn nun ist Winterzeit!
C F
Ein kleiner weißer Schneemann, der steht vor meiner Tür,
d G C
ein kleiner weißer Schneemann, war gestern noch nicht hier!
C F
Und hinter´m Haus der Schlitten, der läd uns alle ein,
d G C
zur aller ersten Schlittenfahrt ins Winterland hinein!
C
F C D7 G
C
F C G7 C
C F
Durch den Winterwald saust der Schlitten schnell
d G C
Die Peitsche lustig knallt, Glöckchen klingen hell!
C F
Gelächter weit und breit aus aller Munde springt.
d G C
Wie schön ist doch die Winterzeit, wenn´s Schlittenlied
erklingt!
C
F C D7 G
C
F C G7 C
-----------------------------------
Version 04 /1.01 April 2004 752

JINGLE BELLS
C F
1. Dashing through the snow in a one-horse open sleigh,
G G7 C
oér the fields we go, laughing all the way.
F
Bells on bobtail ring, making spirits bright,
G G7 C
what fun it is to ride and sing a sleighing song tonight.
C F C
Jingle bells, jingle bells, jingle all the way,
F C D G - G7
oh, what fun it is to run in a one-horse open sleigh.
C
F C G G7 C
C F
2. A day or two ago, I thought I`d take a ride,
G G7 C
and soon Miss Fanny Bright was seated by my side.
F
The horse was lean and lank, misfortune seemed his lot,
G G7 C
we got into a drifted band and we, we got upset. + Refrain
C F C
F C D G - G7
C
F C G G7 C
Version 04 /1.01 April 2004 753

KOMMET, IHR HIRTEN
C F C F C G C
1. Kommet, ihr Hirten, ihr Männer und Frau'n,
F C F C G C
kommet, das liebliche Kindlein zu schaun.
a G
Christus, der Herr ist heute geboren,
C a G
den Gott zum Heiland euch hat erkoren.
C G C
Fürchtet euch nicht!
C F C F C G C
2. Lasset uns sehen in Bethlehems Stall,
F C F C G C
was uns verheißen der himmlische Schall.
a G
Was wir dort finden, lasset uns künden,
C a G
lasset uns preisen in frommen Weisen.
C G C
Hal...le...luj...ah.
C F C F C G C
3. Wahrlich, die Engel verkündigen heut
F C F C G C
Bethlehems Hirtenvolk gar große Freud.
a G
Nun soll es werden Friede auf Erden,
C a G
den Menschen allen ein Wohlgefallen.
C G C
Ehre sei Gott.
Version 04 /1.01 April 2004 754

LASST UNS FROH UND MUNTER SEIN
C G G7
1. Laßt uns froh und munter sein und uns recht von Herzen freun!
C G C
G C
C G G7
2. Dann stell' ich den Teller auf, Nikolaus legt gewiß was drauf,
C G C
G C
C G G7
3. Wenn ich schlaf', dann träume ich: Jetzt bringt Nikolaus was für
mich.
C G C
G C
C G G7
4. Wenn ich aufgestanden bin, lauf ich schnell zum Teller hin.
C G C
G C
C G G7
5. Nikolaus ist ein guter Mann, dem man nicht genug danken kann.
C G C
G C
Version 04 /1.01 April 2004 755

WINTER WONDERLAND
H
Sleigh bells ring, are you listenin'
F#
In the lane, snow is glistening
F#7 C#m F# E
A beautiful sight, we're happy tonight
C# F# H
Walking in a Winter Wonderland
H
Gone away is the blue bird
F#
In his place is the new bird
F#7 C#m F# E
He's singing our song, as we go along
C# F# H
Bridge:
Eb Bb Eb
In the meadow we can build a snowman
Eb Bb Eb
Then pretend that he is Parson Brown
F# C# F#
He'll say "Are you married ?", We'll say "No man,
F# C# F#
But you can do the job when you're in town."
H
Later on, we'll conspire
F#
As we dream by the fire
F#7 C#m F#7 E
To face unafraid, the plans that we made
C# F# H
Eb Bb Eb
In the meadow we can build a snowman
Eb Bb Eb
And pretend that he's a circus clown
F# C# F#
We'll have lots of fun with Mr.Snowman
F# C# F#
Until the other kiddies knock him down
H
When it snows, ain't it thrillin'
F#
Though you know, kids are chillin'
F#7 C#m F#7 E
We'll frolick & play, the Eskimo way
C# F# H
Walking in a Winter Wonderland (wo oh oh ...)
C# F# H
Version 04 /1.01 April 2004 756

DER QUINTENZIERKEL
Version 04 /1.01 April 2004 757

CHORDS
A or Amaj [0 0 2 2 2 0] (Db E A) : major triad

A or Amaj [0 4 x 2 5 0] (Db E A) : major triad
A or Amaj [5 7 7 6 5 5] (Db E A) : major triad
A or Amaj [x 0 2 2 2 0] (Db E A) : major triad
A or Amaj [x 4 7 x x 5] (Db E A) : major triad
A #5 or Aaug [x 0 3 2 2 1] (Db F A) : augmented triad
A #5 or Aaug [x 0 x 2 2 1] (Db F A) : augmented triad
A/Ab [x 0 2 1 2 0] (Db E Ab A) : major triad (altered bass)
A/B [0 0 2 4 2 0] (Db E A B) : major triad (altered bass)
A/B [x 0 7 6 0 0] (Db E A B) : major triad (altered bass)
A/D [x 0 0 2 2 0] (Db D E A) : major triad (altered bass)
A/D [x x 0 2 2 0] (Db D E A) : major triad (altered bass)
A/G [3 x 2 2 2 0] (Db E G A) : major triad (altered bass)
A/G [x 0 2 0 2 0] (Db E G A) : major triad (altered bass)
A/G [x 0 2 2 2 3] (Db E G A) : major triad (altered bass)
A/Gb [0 0 2 2 2 2] (Db E Gb A) : major triad (altered bass)
A/Gb [0 x 4 2 2 0] (Db E Gb A) : major triad (altered bass)
A/Gb [2 x 2 2 2 0] (Db E Gb A) : major triad (altered bass)
A/Gb [x 0 4 2 2 0] (Db E Gb A) : major triad (altered bass)
A/Gb [x x 2 2 2 2] (Db E Gb A) : major triad (altered bass)
A5 or A(no 3rd) [5 7 7 x x 5] (E A): root and 5th (power chord)
A5 or A(no 3rd) [x 0 2 2 x 0] (E A) : root and 5th (power chord)
A5 or A(no 3rd) [5 7 7 x x 0] (E A) : root and 5th (power chord)
A6 [0 0 2 2 2 2] (Db E Gb A) : major triad plus 6th
A6 [0 x 4 2 2 0] (Db E Gb A) : major triad plus 6th
A6 [2 x 2 2 2 0] (Db E Gb A) : major triad plus 6th
A6 [x 0 4 2 2 0] (Db E Gb A) : major triad plus 6th
A6 [x x 2 2 2 2] (Db E Gb A) : major triad plus 6th
A6/7 [0 0 2 0 2 2] (Db E Gb G A)major triad plus 6th, minor 7th
A6/7 sus or A6/7 sus4 [5 5 4 0 3 0] (D E Gb G A)sus4 triad plus 6th, minor 7th
A6/7 sus or A6/7 sus4 [x 0 2 0 3 2] (D E Gb G A) sus4 triad plus 6th, minor 7th
A7 or Adom 7 [3 x 2 2 2 0] (Db E G A) : major triad, minor 7th
A7 or Adom 7 [x 0 2 0 2 0] (Db E G A) : major triad, minor 7th
A7 or Adom 7 [x 0 2 2 2 3] (Db E G A) : major triad, minor 7th
A7(#5) [1 0 3 0 2 1] (Db F G A) : minor 7th, sharp 5th
A7/add11 or A7/11[x 0 0 0 2 0] (Db D E G A) major triad, minor 7th, plus 11th
A7sus4 [x 0 2 0 3 0] (D E G A) : sus4 triad, minor 7th
A7sus4 [5 x 0 0 3 0] (D E G A) : sus4 triad, minor 7th
A7sus4 [x 0 0 0 x 0] (D E G A) : sus4 triad, minor 7th
Aadd9 or A2 [0 0 2 4 2 0] (Db E A B) : major triad plus 9th
Aadd9 or A2 [x 0 7 6 0 0] (Db E A B) : major triad plus 9th
Aaug/D [x x 0 2 2 1] (Db D F A) augmented triad (altered bass)
Aaug/G [1 0 3 0 2 1] (Db F G A augmented triad (altered bass)
Ab or Abmaj [4 6 6 5 4 4] (C Eb Ab) : major triad
Ab #5 or Abaug [x 3 2 1 1 0] (C E Ab) : augmented triad
Ab/A [x x 1 2 1 4] (C Eb Ab A) : major triad (altered bass)
Ab/F [x 8 10 8 9 8] (C Eb F Ab) : major triad (altered bass)
Ab/F [x x 1 1 1 1] (C Eb F Ab) : major triad (altered bass)
Ab/Gb [x x 1 1 1 2] (C Eb Gb Ab) : major triad (altered bass)
Ab/Gb [x x 4 5 4 4] (C Eb Gb Ab) : major triad (altered bass)
Ab5 or Ab(no 3rd)[4 6 6 x x 4] (Eb Ab): root and 5th (power chord)
Ab6 [x 8 10 8 9 8] (C Eb F Ab) : major triad plus 6th
Ab6 [x x 1 1 1 1] (C Eb F Ab) : major triad plus 6th
Ab7 or Abdom 7 [x x 1 1 1 2] (C Eb Gb Ab) : major triad, minor 7th
Ab7 or Abdom 7 [x x 4 5 4 4] (C Eb Gb Ab) : major triad, minor 7th
Abdim/E [0 2 0 1 0 0] (D E Ab B) : diminished triad (altered
bass)
Version 04 /1.01 April 2004 758

Abdim/E [0 2 2 1 3 0] (D E Ab B) : diminished triad (altered
bass)
Abdim/E [x 2 0 1 3 0] (D E Ab B) : diminished triad (altered
bass)
Abdim/E [x x 0 1 0 0] (D E Ab B) : diminished triad (altered
bass)
Abdim/Eb [x x 0 4 4 4] (D Eb Ab B) : diminished triad (altered
bass)
Abdim/F [x 2 0 1 0 1] (D F Ab B) : diminished triad (altered
bass)
Abdim/F [x x 0 1 0 1] (D F Ab B) : diminished triad (altered
bass)
Abdim/F [x x 3 4 3 4] (D F Ab B) : diminished triad (altered
bass)
Abdim7 [x 2 0 1 0 1] (D F Ab B) : diminished triad, diminished
7th
Abdim7 [x x 0 1 0 1] (D F Ab B) : diminished triad, diminished
7th
Abdim7 [x x 3 4 3 4] (D F Ab B) : diminished triad, diminished
7th
Abm [x x 6 4 4 4] (Eb Ab B) : minor triad
Abm/D [x x 0 4 4 4] (D Eb Ab B) : minor triad (altered bass)
Abm/E [0 2 1 1 0 0] (Eb E Ab B) : minor triad (altered bass)
Abm/E [0 x 6 4 4 0] (Eb E Ab B) : minor triad (altered bass)
Abm/E [x x 1 1 0 0] (Eb E Ab B) : minor triad (altered bass)
Abm/Gb [x x 4 4 4 4] (Eb Gb Ab B) : minor triad (altered bass)
Abm7 [x x 4 4 4 4] (Eb Gb Ab B) : minor triad, minor 7th
Absus or Absus4 [x x 6 6 4 4] (Db Eb Ab) : no 3rd but a 4th from a major
triad
Absus2/F [x 1 3 1 4 1] (Eb F Ab Bb) : sus2 triad (altered bass)
Adim/Ab [x x 1 2 1 4] (C Eb Ab A) : diminished triad (altered
bass)
Adim/E [0 3 x 2 4 0] (C Eb E A) : diminished triad (altered
bass)
Adim/F [x x 1 2 1 1] (C Eb F A) : diminished triad (altered
bass)
Adim/F [x x 3 5 4 5] (C Eb F A) : diminished triad (altered
bass)
Adim/G [x x 1 2 1 3] (C Eb G A) : diminished triad (altered
bass)
Adim/Gb [x x 1 2 1 2] (C Eb Gb A) : diminished triad (altered
bass)
Adim7 [x x 1 2 1 2] (C Eb Gb A) : diminished triad, diminished
7th
Am [x 0 2 2 1 0] (C E A) : minor triad
Am [8 12 x x x 0] (C E A) : minor triad
Am/B [0 0 7 5 0 0] (C E A B) : minor triad (altered bass)
Am/B [x 3 2 2 0 0] (C E A B) : minor triad (altered bass)
Am/D [x x 0 2 1 0] (C D E A) : minor triad (altered bass)
Am/D [x x 0 5 5 5] (C D E A) : minor triad (altered bass)
Am/Eb [0 3 x 2 4 0] (C Eb E A) : minor triad (altered bass)
Am/F [0 0 3 2 1 0] (C E F A) : minor triad (altered bass)
Am/F [1 3 3 2 1 0] (C E F A) : minor triad (altered bass)
Am/F [1 x 2 2 1 0] (C E F A) : minor triad (altered bass)
Am/F [x x 2 2 1 1] (C E F A) : minor triad (altered bass)
Am/F [x x 3 2 1 0] (C E F A) : minor triad (altered bass)
Am/G [0 0 2 0 1 3] (C E G A) : minor triad (altered bass)
Am/G [x 0 2 0 1 0] (C E G A) : minor triad (altered bass)
Am/Gb [x 0 2 2 1 2] (C E Gb A) : minor triad (altered bass)
Am/Gb [x x 2 2 1 2] (C E Gb A) : minor triad (altered bass)
Am6 [x 0 2 2 1 2] (C E Gb A) : minor triad plus 6th
Am6 [x x 2 2 1 2] (C E Gb A) : minor triad plus 6th
Am7 [0 0 2 0 1 3] (C E G A) : minor triad, minor 7th
Version 04 /1.01 April 2004 759

Am7 [x 0 2 0 1 0] (C E G A) : minor triad, minor 7th
Am7(b5) or Ao7 [x x 1 2 1 3] (C Eb G A) : diminished triad, minor 7th
: half-diminished 7th
Am7/add11 or Am7/11 [x 5 7 5 8 0] (C D E G A) : minor triad, minor 7th,
plus 11th
Amaj7 or A#7 [x 0 2 1 2 0] (Db E Ab A) : major triad, major 7th
Amin/maj9 [x 0 6 5 5 7] (C E Ab A B) : minor triad, major 7th
plus 9th
Asus or Asus4 [0 0 2 2 3 0] (D E A) : no 3rd but a 4th from a major
triad
Asus or Asus4 [x 0 2 2 3 0] (D E A) : no 3rd but a 4th from a major
triad
Asus or Asus4 [5 5 7 7 x 0] (D E A) : no 3rd but a 4th from a major
triad
Asus or Asus4 [x 0 0 2 3 0] (D E A) : no 3rd but a 4th from a major
triad
Asus2 or Aadd9(no3)[0 0 2 2 0 0] (E A B) : no 3rd but a 2nd from a major
triad
triad
triad
Asus2 or Aadd9(no3)[x 0 2 2 0 0] (E A B) : no 3rd but a 2nd from a major
triad
Asus2 or Aadd9(no3)[x x 2 2 0 0] (E A B) : no 3rd but a 2nd from a major
triad
Asus2/Ab [x 0 2 1 0 0] (E Ab A B) : sus2 triad (altered bass)
Asus2/C [0 0 7 5 0 0] (C E A B) : sus2 triad (altered bass)
Asus2/C [x 3 2 2 0 0] (C E A B) : sus2 triad (altered bass)
Asus2/D [0 2 0 2 0 0] (D E A B) : sus2 triad (altered bass)
Asus2/D [x 2 0 2 3 0] (D E A B) : sus2 triad (altered bass)
Asus2/Db [0 0 2 4 2 0] (Db E A B) : sus2 triad (altered bass)
Asus2/Db [x 0 7 6 0 0] (Db E A B) : sus2 triad (altered bass)
Asus2/Eb [x 2 1 2 0 0] (Eb E A B) : sus2 triad (altered bass)
Asus2/F [0 0 3 2 0 0] (E F A B) : sus2 triad (altered bass)
Asus2/G [3 x 2 2 0 0] (E G A B) : sus2 triad (altered bass)
Asus2/G [x 0 2 0 0 0] (E G A B) : sus2 triad (altered bass)
Asus2/G [x 0 5 4 5 0] (E G A B) : sus2 triad (altered bass)
Asus2/Gb [x 0 4 4 0 0] (E Gb A B) : sus2 triad (altered bass)
Asus2/Gb [x 2 4 2 5 2] (E Gb A B) : sus2 triad (altered bass)
Asus4/Ab [4 x 0 2 3 0] (D E Ab A) : sus4 triad (altered bass)
Asus4/B [0 2 0 2 0 0] (D E A B) : sus4 triad (altered bass)
Asus4/Bb [0 1 x 2 3 0] (D E A Bb) : sus4 triad (altered bass)
Asus4/C [x x 0 2 1 0] (C D E A) : sus4 triad (altered bass)
Asus4/C [x x 0 5 5 5] (C D E A) : sus4 triad (altered bass)
Asus4/Db [x 0 0 2 2 0] (Db D E A) : sus4 triad (altered bass)
Asus4/Db [x x 0 2 2 0] (Db D E A) : sus4 triad (altered bass)
Asus4/F [x x 7 7 6 0] (D E F A) : sus4 triad (altered bass)
Asus4/G [x 0 2 0 3 0] (D E G A) : sus4 triad (altered bass)
Asus4/G [x 0 0 0 x 0] (D E G A) : sus4 triad (altered bass)
Asus4/Gb [0 0 0 2 3 2] (D E Gb A) : sus4 triad (altered bass)
Asus4/Gb [0 0 4 2 3 0] (D E Gb A) : sus4 triad (altered bass)
Asus4/Gb [2 x 0 2 3 0] (D E Gb A) : sus4 triad (altered bass)
Asus4/Gb [x 0 2 2 3 2] (D E Gb A) : sus4 triad (altered bass)
Asus4/Gb [x x 2 2 3 2] (D E Gb A) : sus4 triad (altered bass)
Asus4/Gb [x 5 4 2 3 0] (D E Gb A) : sus4 triad (altered bass)
Asus4/Gb [x 9 7 7 x 0] (D E Gb A) : sus4 triad (altered bass)
B or Bmaj [x 2 4 4 4 2] (Eb Gb B) : major triad
B #5 or Baug [3 2 1 0 0 3] (Eb G B) : augmented triad
B #5 or Baug [3 x 1 0 0 3] (Eb G B) : augmented triad
B/A [2 x 1 2 0 2] (Eb Gb A B) : major triad (altered bass)
Version 04 /1.01 April 2004 760

B/A [x 0 1 2 0 2] (Eb Gb A B) : major triad (altered bass)
B/Ab [x x 4 4 4 4] (Eb Gb Ab B) : major triad (altered bass)
B/E [x 2 2 4 4 2] (Eb E Gb B) : major triad (altered bass)
B/E [x x 4 4 4 0] (Eb E Gb B) : major triad (altered bass)
B5 or B(no 3rd) [7 9 9 x x 2] (Gb B): root and 5th (power chord)
B5 or B(no 3rd) [x 2 4 4 x 2] (Gb B): root and 5th (power chord)
B6 [x x 4 4 4 4] (Eb Gb Ab B) : major triad plus 6th
B7 or Bdom 7 [2 x 1 2 0 2] (Eb Gb A B) : major triad, minor 7th
B7 or Bdom 7 [x 0 1 2 0 2] (Eb Gb A B) : major triad, minor 7th
B7/add11 or B7/11 [0 0 4 4 4 0] (Eb E Gb A B) : major triad, minor 7th,
plus 11th
B7/add11 or B7/11 [0 2 1 2 0 2] (Eb E Gb A B) : major triad, minor 7th,
plus 11th
B7sus4 [x 0 4 4 0 0] (E Gb A B) : sus4 triad, minor 7th
B7sus4 [x 2 4 2 5 2] (E Gb A B) : sus4 triad, minor 7th
Baug/E [3 x 1 0 0 0] (Eb E G B) : augmented triad (altered
bass)
Baug/E [x x 1 0 0 0] (Eb E G B) : augmented triad (altered
bass)
Bb or Bbmaj [1 1 3 3 3 1] (D F Bb) : major triad
Bb or Bbmaj [x 1 3 3 3 1] (D F Bb) : major triad
Bb or Bbmaj [x x 0 3 3 1] (D F Bb) : major triad
Bb #5 or Bbaug [x x 0 3 3 2] (D Gb Bb) : augmented triad
Bb b5 [x x 0 3 x 0] (D E Bb) : flat 5th
Bb/A [1 1 3 2 3 1] (D F A Bb) : major triad (altered bass)
Bb/Ab [x 1 3 1 3 1] (D F Ab Bb) : major triad (altered bass)
Bb/Ab [x x 3 3 3 4] (D F Ab Bb) : major triad (altered bass)
Bb/Db [x x 0 6 6 6] (Db D F Bb) : major triad (altered bass)
Bb/E [x 1 3 3 3 0] (D E F Bb) : major triad (altered bass)
Bb/G [3 5 3 3 3 3] (D F G Bb) : major triad (altered bass)
Bb/G [x x 3 3 3 3] (D F G Bb) : major triad (altered bass)
Bb5 or Bb(no 3rd)[6 8 8 x x 6] (F Bb): root and 5th (power chord)
Bb5 or Bb(no 3rd)[x 1 3 3 x 6] (F Bb): root and 5th (power chord)
Bb6 [3 5 3 3 3 3] (D F G Bb) : major triad plus 6th
Bb6 [x x 3 3 3 3] (D F G Bb) : major triad plus 6th
Bb6/add9 or Bb6/9 [x 3 3 3 3 3] (C D F G Bb) : major triad plus 6th and
9th
Bb7 or Bbdom 7 [x 1 3 1 3 1] (D F Ab Bb) : major triad, minor 7th
Bb7 or Bbdom 7 [x x 3 3 3 4] (D F Ab Bb) : major triad, minor 7th
Bb7sus4 [x 1 3 1 4 1] (Eb F Ab Bb) : sus4 triad, minor 7th
Bbadd#11 [x 1 3 3 3 0] (D E F Bb) : major triad, augmented 11th
Bbaug/E [2 x 4 3 3 0] (D E Gb Bb) : augmented triad (altered
bass)
Bbdim/C [x 3 x 3 2 0] (C Db E Bb) : diminished triad (altered
bass)
Bbdim/D [x x 0 3 2 0] (Db D E Bb) : diminished triad (altered
bass)
Bbdim/G [x 1 2 0 2 0] (Db E G Bb) : diminished triad (altered
bass)
Bbdim/G [x x 2 3 2 3] (Db E G Bb) : diminished triad (altered
bass)
Bbdim/Gb [2 4 2 3 2 2] (Db E Gb Bb) : diminished triad (altered
bass)
Bbdim/Gb [x x 4 3 2 0] (Db E Gb Bb) : diminished triad (altered
bass)
Bbdim7 [x 1 2 0 2 0] (Db E G Bb) : diminished triad,
diminished 7th
Bbdim7 [x x 2 3 2 3] (Db E G Bb) : diminished triad,
diminished 7th
Bbm [1 1 3 3 2 1] (Db F Bb) : minor triad
Bbm/Ab [x 1 3 1 2 1] (Db F Ab Bb) : minor triad (altered bass)
Bbm/D [x x 0 6 6 6] (Db D F Bb) : minor triad (altered bass)
Bbm/Gb [x x 3 3 2 2] (Db F Gb Bb) : minor triad (altered bass)
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Bbm7 [x 1 3 1 2 1] (Db F Ab Bb) : minor triad, minor 7th
Bbmaj7 or Bb#7 [1 1 3 2 3 1] (D F A Bb) : major triad, major 7th
Bbmaj9 or Bb9(#7) [x 3 3 3 3 5] (C D F A Bb) : major triad, major 7th
plus 9th
Bbsus2 or Bbadd9(no3)[x x 3 3 1 1] (C F Bb) : no 3rd but a 2nd from a major
triad
Bbsus2/G [x 3 5 3 6 3] (C F G Bb) : sus2 triad (altered bass)
Bbsus4/Ab [x 1 3 1 4 1] (Eb F Ab Bb) : sus4 triad (altered bass)
Bdim/A [1 2 3 2 3 1] (D F A B) : diminished triad (altered
bass)
Bdim/A [x 2 0 2 0 1] (D F A B) : diminished triad (altered
bass)
Bdim/A [x x 0 2 0 1] (D F A B) : diminished triad (altered
bass)
Bdim/Ab [x 2 0 1 0 1] (D F Ab B) : diminished triad (altered
bass)
Bdim/Ab [x x 0 1 0 1] (D F Ab B) : diminished triad (altered
bass)
Bdim/Ab [x x 3 4 3 4] (D F Ab B) : diminished triad (altered
bass)
Bdim/G [1 x 0 0 0 3] (D F G B) : diminished triad (altered
bass)
Bdim/G [3 2 0 0 0 1] (D F G B) : diminished triad (altered
bass)
Bdim/G [x x 0 0 0 1] (D F G B) : diminished triad (altered
bass)
Bdim7 [x 2 0 1 0 1] (D F Ab B) : diminished triad, diminished
7th
Bdim7 [x x 0 1 0 1] (D F Ab B) : diminished triad, diminished
7th
Bdim7 [x x 3 4 3 4] (D F Ab B) : diminished triad, diminished
7th
Bm [2 2 4 4 3 2] (D Gb B) : minor triad
Bm [x 2 4 4 3 2] (D Gb B) : minor triad
Bm [x x 0 4 3 2] (D Gb B) : minor triad
Bm/A [x 0 4 4 3 2] (D Gb A B) : minor triad (altered bass)
Bm/A [x x 0 2 0 2] (D Gb A B) : minor triad (altered bass)
Bm/G [2 2 0 0 0 3] (D Gb G B) : minor triad (altered bass)
Bm/G [x x 4 4 3 3] (D Gb G B) : minor triad (altered bass)
Bm7 [x 0 4 4 3 2] (D Gb A B) : minor triad, minor 7th
Bm7 [x x 0 2 0 2] (D Gb A B) : minor triad, minor 7th
Bm7(b5) or Bo7 [1 2 3 2 3 1] (D F A B) : diminished triad, minor 7th
Bm7(b5) or Bo7 [x 2 0 2 0 1] (D F A B) : diminished triad, minor 7th
Bm7(b5) or Bo7 [x x 0 2 0 1] (D F A B) : diminished triad, minor 7th
Bm7/add11 or Bm7/11 [0 0 2 4 3 2] (D E Gb A B) : minor triad, minor 7th,
plus 11th
Bm7/add11 or Bm7/11 [0 2 0 2 0 2] (D E Gb A B) : minor triad, minor 7th,
plus 11th
Bmaj7/#11 [x 2 3 3 4 2] (Eb F Gb Bb B) : major triad, major 7th,
augmented 11th
Bsus or Bsus4 [7 9 9 x x 0] (E Gb B) : no 3rd but a 4th from a major
triad
Bsus or Bsus4 [x 2 4 4 x 0] (E Gb B) : no 3rd but a 4th from a major
triad
Bsus2 or Badd9(no3)[x 4 4 4 x 2] (Db Gb B): no 3rd but a 2nd from a major
triad
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Bsus2 or Badd9(no3)[x x 4 4 2 2] (Db Gb B) : no 3rd but a 2nd from a major
triad
Bsus2/E [x 4 4 4 x 0] (Db E Gb B) : sus2 triad (altered bass)
Bsus4/A [x 0 4 4 0 0] (E Gb A B) : sus4 triad (altered bass)
Bsus4/A [x 2 4 2 5 2] (E Gb A B) : sus4 triad (altered bass)
Bsus4/Ab [0 2 2 1 0 2] (E Gb Ab B) : sus4 triad (altered bass)
Bsus4/Ab [0 x 4 1 0 0] (E Gb Ab B) : sus4 triad (altered bass)
Bsus4/Ab [2 2 2 1 0 0] (E Gb Ab B) : sus4 triad (altered bass)
Bsus4/Db [x 4 4 4 x 0] (Db E Gb B) : sus4 triad (altered bass)
Bsus4/Eb [x 2 2 4 4 2] (Eb E Gb B) : sus4 triad (altered bass)
Bsus4/Eb [x x 4 4 4 0] (Eb E Gb B) : sus4 triad (altered bass)
Bsus4/G [0 2 2 0 0 2] (E Gb G B) : sus4 triad (altered bass)
Bsus4/G [0 x 4 0 0 0] (E Gb G B) : sus4 triad (altered bass)
C or Cmaj [0 3 2 0 1 0] (C E G) : major triad
C or Cmaj [3 x 2 0 1 0] (C E G) : major triad
C or Cmaj [x 3 2 0 1 0] (C E G) : major triad
C or Cmaj [x 3 5 5 5 0] (C E G) : major triad
C #5 or Caug [x 3 2 1 1 0] (C E Ab) : augmented triad
C b5 [x x 4 5 x 0] (C E Gb) : flat 5th
C/A [0 0 2 0 1 3] (C E G A) : major triad (altered bass)
C/A [x 0 2 0 1 0] (C E G A) : major triad (altered bass)
C/B [0 3 2 0 0 0] (C E G B) : major triad (altered bass)
C/B [x 2 2 0 1 0] (C E G B) : major triad (altered bass)
C/B [x 3 5 4 5 3] (C E G B) : major triad (altered bass)
C/Bb [x 3 5 3 5 3] (C E G Bb) : major triad (altered bass)
C/D [3 x 0 0 1 0] (C D E G) : major triad (altered bass)
C/D [x 3 0 0 1 0] (C D E G) : major triad (altered bass)
C/D [x x 0 0 1 0] (C D E G) : major triad (altered bass)
C/D [x x 0 5 5 3] (C D E G) : major triad (altered bass)
C/D [x 10 12 12 13 0] (C D E G) : major triad (altered
bass)
C/D [x 5 5 5 x 0] (C D E G) : major triad (altered bass)
C/F [x 3 3 0 1 0] (C E F G) : major triad (altered bass)
C/F [x x 3 0 1 0] (C E F G) : major triad (altered bass)
C5 or C(no 3rd) [x 3 5 5 x 3] (C G): root and 5th (power chord)
C6 [0 0 2 0 1 3] (C E G A) : major triad plus 6th
C6 [x 0 2 0 1 0] (C E G A) : major triad plus 6th
C6/add9 or C6/9 [x 5 7 5 8 0] (C D E G A) : major triad plus 6th and
9th
C7 or Cdom 7 [x 3 5 3 5 3] (C E G Bb) : major triad, minor 7th
C7sus4 [x 3 5 3 6 3] (C F G Bb) : sus4 triad, minor 7th
C9(b5) [0 3 x 3 3 2] (C D E Gb Bb) : diminished 5th, minor
7th, plus 9th
Cadd9 or C2 [3 x 0 0 1 0] (C D E G) : major triad plus 9th
Cadd9 or C2 [x 3 0 0 1 0] (C D E G) : major triad plus 9th
Cadd9 or C2 [x x 0 0 1 0] (C D E G) : major triad plus 9th
Cadd9 or C2 [x x 0 5 5 3] (C D E G) : major triad plus 9th
Cadd9 or C2 [x 5 5 5 x 0] (C D E G) : major triad plus 9th
Cdim/A [x x 1 2 1 2] (C Eb Gb A) : diminished triad (altered
bass)
Cdim/Ab [x x 1 1 1 2] (C Eb Gb Ab) : diminished triad (altered
bass)
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Cdim/Ab [x x 4 5 4 4] (C Eb Gb Ab) : diminished triad (altered
bass)
Cdim/D [x 5 4 5 4 2] (C D Eb Gb): diminished triad (altered
bass)
Cdim7 [x x 1 2 1 2] (C Eb Gb A) : diminished triad, diminished
7th
Cm [x 3 5 5 4 3] (C Eb G) : minor triad
Cm [x x 5 5 4 3] (C Eb G) : minor triad
Cm/A [x x 1 2 1 3] (C Eb G A) : minor triad (altered bass)
Cm/Bb [x 3 5 3 4 3] (C Eb G Bb) : minor triad (altered bass)
Cm6 [x x 1 2 1 3] (C Eb G A) : minor triad plus 6th
Cm7 [x 3 5 3 4 3] (C Eb G Bb) : minor triad, minor 7th
Cmaj7 or C#7 [0 3 2 0 0 0] (C E G B) : major triad, major 7th
Cmaj7 or C#7 [x 2 2 0 1 0] (C E G B) : major triad, major 7th
Cmaj7 or C#7 [x 3 5 4 5 3] (C E G B) : major triad, major 7th
Cmaj9 or C9(#7) [x 3 0 0 0 0] (C D E G B) : major triad, major 7th
plus 9th
Csus or Csus4 [x 3 3 0 1 1] (C F G) : no 3rd but a 4th from a major
triad
Csus or Csus4 [x x 3 0 1 1] (C F G) : no 3rd but a 4th from a major
triad
Csus2 or Cadd9(no3)[x 10 12 12 13 3] (C D G): no 3rd but a 2nd from a
major triad
Csus2 or Cadd9(no3)[x 5 5 5 x 3] (C D G): no 3rd but a 2nd from a major
triad
Csus2 or Cadd9(no3)[x 3 0 0 3 3] (C D G) : no 3rd but a 2nd from a major
triad
Csus2 or Cadd9(no3)[x 3 5 5 3 3] (C D G) : no 3rd but a 2nd from a major
triad
Csus2/A [x 5 7 5 8 3] (C D G A): sus2 triad (altered bass)
Csus2/A [x x 0 2 1 3] (C D G A) : sus2 triad (altered bass)
Csus2/B [3 3 0 0 0 3] (C D G B) : sus2 triad (altered bass)
Csus2/B [x 3 0 0 0 3] (C D G B) : sus2 triad (altered bass)
Csus2/E [3 x 0 0 1 0] (C D E G) : sus2 triad (altered bass)
Csus2/E [x 3 0 0 1 0] (C D E G) : sus2 triad (altered bass)
Csus2/E [x x 0 0 1 0] (C D E G) : sus2 triad (altered bass)
Csus2/E [x x 0 5 5 3] (C D E G) : sus2 triad (altered bass)
Csus2/E [x 10 12 12 13 0] (C D E G) : sus2 triad (altered
bass)
Csus2/E [x 5 5 5 x 0] (C D E G) : sus2 triad (altered bass)
Csus2/F [3 3 0 0 1 1] (C D F G) : sus2 triad (altered bass)
Csus4/A [3 x 3 2 1 1] (C F G A) : sus4 triad (altered bass)
Csus4/A [x x 3 2 1 3] (C F G A) : sus4 triad (altered bass)
Csus4/B [x 3 3 0 0 3] (C F G B) : sus4 triad (altered bass)
Csus4/Bb [x 3 5 3 6 3] (C F G Bb) : sus4 triad (altered bass)
Csus4/D [3 3 0 0 1 1] (C D F G) : sus4 triad (altered bass)
Csus4/E [x 3 3 0 1 0] (C E F G) : sus4 triad (altered bass)
Csus4/E [x x 3 0 1 0] (C E F G) : sus4 triad (altered bass)
D or Dmaj [x 5 4 2 3 2] (D Gb A): major triad
D or Dmaj [x 9 7 7 x 2] (D Gb A): major triad
D or Dmaj [2 0 0 2 3 2] (D Gb A) : major triad
D or Dmaj [x 0 0 2 3 2] (D Gb A) : major triad
D or Dmaj [x 0 4 2 3 2] (D Gb A) : major triad
D or Dmaj [x x 0 2 3 2] (D Gb A) : major triad
D or Dmaj [x x 0 7 7 5] (D Gb A) : major triad
D #5 or Daug [x x 0 3 3 2] (D Gb Bb) : augmented triad
D/B [x 0 4 4 3 2] (D Gb A B) : major triad (altered bass)
D/B [x x 0 2 0 2] (D Gb A B) : major triad (altered bass)
D/C [x 5 7 5 7 2] (C D Gb A): major triad (altered bass)
D/C [x 0 0 2 1 2] (C D Gb A) : major triad (altered bass)
D/C [x 3 x 2 3 2] (C D Gb A) : major triad (altered bass)
D/C [x 5 7 5 7 5] (C D Gb A) : major triad (altered bass)
Version 04 /1.01 April 2004 764

D/Db [x x 0 14 14 14] (Db D Gb A) : major triad (altered
bass)
D/Db [x x 0 2 2 2] (Db D Gb A) : major triad (altered bass)
D/E [0 0 0 2 3 2] (D E Gb A) : major triad (altered bass)
D/E [0 0 4 2 3 0] (D E Gb A) : major triad (altered bass)
D/E [2 x 0 2 3 0] (D E Gb A) : major triad (altered bass)
D/E [x 0 2 2 3 2] (D E Gb A) : major triad (altered bass)
D/E [x x 2 2 3 2] (D E Gb A) : major triad (altered bass)
D/E [x 5 4 2 3 0] (D E Gb A) : major triad (altered bass)
D/E [x 9 7 7 x 0] (D E Gb A) : major triad (altered bass)
D/G [5 x 4 0 3 5] (D Gb G A): major triad (altered bass)
D/G [3 x 0 2 3 2] (D Gb G A) : major triad (altered bass)
D5 or D(no 3rd) [5 5 7 7 x 5] (D A): root and 5th (power chord)
D5 or D(no 3rd) [x 0 0 2 3 5] (D A): root and 5th (power chord)
D6 [x 0 4 4 3 2] (D Gb A B) : major triad plus 6th
D6 [x x 0 2 0 2] (D Gb A B) : major triad plus 6th
D6/add9 or D6/9 [0 0 2 4 3 2] (D E Gb A B) : major triad plus 6th and
9th
D6/add9 or D6/9 [0 2 0 2 0 2] (D E Gb A B) : major triad plus 6th and
9th
D7 or Ddom 7 [x 5 7 5 7 2] (C D Gb A): major triad, minor 7th
D7 or Ddom 7 [x 0 0 2 1 2] (C D Gb A) : major triad, minor 7th
D7 or Ddom 7 [x 3 x 2 3 2] (C D Gb A) : major triad, minor 7th
D7 or Ddom 7 [x 5 7 5 7 5] (C D Gb A) : major triad, minor 7th
D7sus4 [x 5 7 5 8 3] (C D G A): sus4 triad, minor 7th
D7sus4 [x x 0 2 1 3] (C D G A) : sus4 triad, minor 7th
D9 or Ddom 9 [0 0 0 2 1 2] (C D E Gb A) : major triad, minor 7th
plus 9th
D9 or Ddom 9 [2 x 0 2 1 0] (C D E Gb A) : major triad, minor 7th
plus 9th
D9 or Ddom 9 [x 5 7 5 7 0] (C D E Gb A) : major triad, minor 7th
plus 9th
D9(#5) [0 3 x 3 3 2] (C D E Gb Bb) : augmented 5th, minor 7th
plus 9th
Dadd9 or D2 [0 0 0 2 3 2] (D E Gb A) : major triad plus 9th
Dadd9 or D2 [0 0 4 2 3 0] (D E Gb A) : major triad plus 9th
Dadd9 or D2 [2 x 0 2 3 0] (D E Gb A) : major triad plus 9th
Dadd9 or D2 [x 0 2 2 3 2] (D E Gb A) : major triad plus 9th
Dadd9 or D2 [x x 2 2 3 2] (D E Gb A) : major triad plus 9th
Dadd9 or D2 [x 5 4 2 3 0] (D E Gb A) : major triad plus 9th
Dadd9 or D2 [x 9 7 7 x 0] (D E Gb A) : major triad plus 9th
Daug/E [2 x 4 3 3 0] (D E Gb Bb)augmented triad (altered bass)
Db or Dbmaj [4 4 6 6 6 4] (Db F Ab) : major triad
Db or Dbmaj [x 4 3 1 2 1] (Db F Ab) : major triad
Db or Dbmaj [x 4 6 6 6 4] (Db F Ab) : major triad
Db or Dbmaj [x x 3 1 2 1] (Db F Ab) : major triad
Db or Dbmaj [x x 6 6 6 4] (Db F Ab) : major triad
Db #5 or Dbaug [x 0 3 2 2 1] (Db F A) : augmented triad
Db #5 or Dbaug [x 0 x 2 2 1] (Db F A) : augmented triad
Db b5 [x x 3 0 2 1] (Db F G) : flat 5th
Db/B [x 4 3 4 0 4] (Db F Ab B) : major triad (altered bass)
Db/Bb [x 1 3 1 2 1] (Db F Ab Bb) : major triad (altered bass)
Db/C [x 3 3 1 2 1] (C Db F Ab) : major triad (altered bass)
Db/C [x 4 6 5 6 4] (C Db F Ab) : major triad (altered bass)
Db5 or Db(no 3rd)[x 4 6 6 x 4] (Db Ab): root and 5th (power chord)
Db6 [x 1 3 1 2 1] (Db F Ab Bb) : major triad plus 6th
Db7 or Dbdom 7 [x 4 3 4 0 4] (Db F Ab B) : major triad, minor 7th
Dbaug/D [x x 0 2 2 1] (Db D F A) : augmented triad (altered
bass)
Dbaug/G [1 0 3 0 2 1] (Db F G A) : augmented triad (altered
bass)
Dbdim/A [3 x 2 2 2 0] (Db E G A) : diminished triad (altered
bass)
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Dbdim/A [x 0 2 0 2 0] (Db E G A) : diminished triad (altered
bass)
Dbdim/A [x 0 2 2 2 3] (Db E G A) : diminished triad (altered
bass)
Dbdim/B [0 2 2 0 2 0] (Db E G B) : diminished triad (altered
bass)
Dbdim/Bb [x 1 2 0 2 0] (Db E G Bb) : diminished triad (altered
bass)
Dbdim/Bb [x x 2 3 2 3] (Db E G Bb) : diminished triad (altered
bass)
Dbdim/D [3 x 0 0 2 0] (Db D E G) : diminished triad (altered
bass)
Dbdim/D [x x 0 0 2 0] (Db D E G) : diminished triad (altered
bass)
Dbdim7 [x 1 2 0 2 0] (Db E G Bb) : diminished triad,
diminished 7th
Dbdim7 [x x 2 3 2 3] (Db E G Bb) : diminished triad,
diminished 7th
Dbm [x 4 6 6 5 4] (Db E Ab) : minor triad
Dbm [x x 2 1 2 0] (Db E Ab) : minor triad
Dbm [x 4 6 6 x 0] (Db E Ab) : minor triad
Dbm/A [x 0 2 1 2 0] (Db E Ab A) : minor triad (altered bass)
Dbm/B [0 2 2 1 2 0] (Db E Ab B) : minor triad (altered bass)
Dbm/B [x 4 6 4 5 4] (Db E Ab B) : minor triad (altered bass)
Dbm7 [0 2 2 1 2 0] (Db E Ab B) : minor triad, minor 7th
Dbm7 [x 4 6 4 5 4] (Db E Ab B) : minor triad, minor 7th
Dbm7(b5) or Dbo7 [0 2 2 0 2 0] (Db E G B) : diminished triad, minor 7th
Dbmaj7 or Db#7 [x 3 3 1 2 1] (C Db F Ab) : major triad, major 7th
Dbmaj7 or Db#7 [x 4 6 5 6 4] (C Db F Ab) : major triad, major 7th
Dbsus2 or Dbadd9(no3) [x x 6 6 4 4] (Db Eb Ab) : no 3rd but a 2nd from a major
triad
Dbsus4/Bb [x x 4 3 2 4] (Db Gb Ab Bb) : sus4 triad (altered bass)
Ddim/B [x 2 0 1 0 1] (D F Ab B) : diminished triad (altered
bass)
Ddim/B [x x 0 1 0 1] (D F Ab B) : diminished triad (altered
bass)
Ddim/B [x x 3 4 3 4] (D F Ab B) : diminished triad (altered
bass)
Ddim/Bb [x 1 3 1 3 1] (D F Ab Bb) : diminished triad (altered
bass)
Ddim/Bb [x x 3 3 3 4] (D F Ab Bb) : diminished triad (altered
bass)
Ddim/C [x x 0 1 1 1] (C D F Ab) : diminished triad (altered
bass)
Ddim7 [x 2 0 1 0 1] (D F Ab B) : diminished triad, diminished
7th
Ddim7 [x x 0 1 0 1] (D F Ab B) : diminished triad, diminished
7th
Ddim7 [x x 3 4 3 4] (D F Ab B) : diminished triad, diminished
7th
Dm [x 0 0 2 3 1] (D F A) : minor triad
Dm/B [1 2 3 2 3 1] (D F A B) : minor triad (altered bass)
Dm/B [x 2 0 2 0 1] (D F A B) : minor triad (altered bass)
Dm/B [x x 0 2 0 1] (D F A B) : minor triad (altered bass)
Dm/Bb [1 1 3 2 3 1] (D F A Bb) : minor triad (altered bass)
Dm/C [x 5 7 5 6 5] (C D F A) : minor triad (altered bass)
Dm/C [x x 0 2 1 1] (C D F A) : minor triad (altered bass)
Dm/C [x x 0 5 6 5] (C D F A) : minor triad (altered bass)
Dm/Db [x x 0 2 2 1] (Db D F A) : minor triad (altered bass)
Dm/E [x x 7 7 6 0] (D E F A) : minor triad (altered bass)
Dm6 [1 2 3 2 3 1] (D F A B) : minor triad plus 6th
Dm6 [x 2 0 2 0 1] (D F A B) : minor triad plus 6th
Dm6 [x x 0 2 0 1] (D F A B) : minor triad plus 6th
Dm7 [x 5 7 5 6 5] (C D F A) : minor triad, minor 7th
Dm7 [x x 0 2 1 1] (C D F A) : minor triad, minor 7th
Dm7 [x x 0 5 6 5] (C D F A) : minor triad, minor 7th
Version 04 /1.01 April 2004 766

Dm7(b5) or Do7 [x x 0 1 1 1] (C D F Ab) : diminished triad, minor 7th
Dm7/add11 or Dm7/11 [3 x 0 2 1 1] (C D F G A) : minor triad, minor 7th,
plus 11th
Dmaj7 or D#7 [x x 0 14 14 14] (Db D Gb A) : major triad, major 7th
Dmaj7 or D#7 [x x 0 2 2 2] (Db D Gb A) : major triad, major 7th
Dmin/maj7 [x x 0 2 2 1] (Db D F A) : minor triad, major 7th
Dsus or Dsus4 [5 x 0 0 3 5] (D G A): no 3rd but a 4th from a major
triad
Dsus or Dsus4 [3 0 0 0 3 3] (D G A) : no 3rd but a 4th from a major
triad
Dsus or Dsus4 [x 0 0 0 3 3] (D G A) : no 3rd but a 4th from a major
triad
Dsus or Dsus4 [x x 0 2 3 3] (D G A) : no 3rd but a 4th from a major
triad
Dsus2 or Dadd9(no3)[5 5 7 7 x 0] (D E A): no 3rd but a 2nd from a major
triad
Dsus2 or Dadd9(no3)[x 0 0 2 3 0] (D E A): no 3rd but a 2nd from a major
triad
Dsus2 or Dadd9(no3)[0 0 2 2 3 0] (D E A) : no 3rd but a 2nd from a major
triad
Dsus2 or Dadd9(no3)[x 0 2 2 3 0] (D E A) : no 3rd but a 2nd from a major
triad
Dsus2 or Dadd9(no3)[x x 0 2 3 0] (D E A) : no 3rd but a 2nd from a major
triad
Dsus2/Ab [4 x 0 2 3 0] (D E Ab A) : sus2 triad (altered bass)
Dsus2/B [0 2 0 2 0 0] (D E A B) : sus2 triad (altered bass)
Dsus2/B [x 2 0 2 3 0] (D E A B) : sus2 triad (altered bass)
Dsus2/Bb [0 1 x 2 3 0] (D E A Bb) : sus2 triad (altered bass)
Dsus2/C [x x 0 2 1 0] (C D E A) : sus2 triad (altered bass)
Dsus2/C [x x 0 5 5 5] (C D E A) : sus2 triad (altered bass)
Dsus2/Db [x 0 0 2 2 0] (Db D E A) : sus2 triad (altered bass)
Dsus2/Db [x x 0 2 2 0] (Db D E A) : sus2 triad (altered bass)
Dsus2/F [x x 7 7 6 0] (D E F A) : sus2 triad (altered bass)
Dsus2/G [x 0 2 0 3 0] (D E G A) : sus2 triad (altered bass)
Dsus2/G [5 x 0 0 3 0] (D E G A) : sus2 triad (altered bass)
Dsus2/G [x 0 0 0 x 0] (D E G A) : sus2 triad (altered bass)
Dsus2/Gb [0 0 0 2 3 2] (D E Gb A) : sus2 triad (altered bass)
Dsus2/Gb [0 0 4 2 3 0] (D E Gb A) : sus2 triad (altered bass)
Dsus2/Gb [2 x 0 2 3 0] (D E Gb A) : sus2 triad (altered bass)
Dsus2/Gb [x 0 2 2 3 2] (D E Gb A) : sus2 triad (altered bass)
Dsus2/Gb [x x 2 2 3 2] (D E Gb A) : sus2 triad (altered bass)
Dsus2/Gb [x 5 4 2 3 0] (D E Gb A) : sus2 triad (altered bass)
Dsus2/Gb [x 9 7 7 x 0] (D E Gb A) : sus2 triad (altered bass)
Dsus4/B [3 0 0 0 0 3] (D G A B) : sus4 triad (altered bass)
Dsus4/B [3 2 0 2 0 3] (D G A B) : sus4 triad (altered bass)
Dsus4/C [x 5 7 5 8 3] (C D G A): sus4 triad (altered bass)
Dsus4/C [x x 0 2 1 3] (C D G A) : sus4 triad (altered bass)
Dsus4/E [x 0 2 0 3 0] (D E G A) : sus4 triad (altered bass)
Dsus4/E [5 x 0 0 3 0] (D E G A) : sus4 triad (altered bass)
Dsus4/E [x 0 0 0 x 0] (D E G A) : sus4 triad (altered bass)
Dsus4/Gb [5 x 4 0 3 5] (D Gb G A): sus4 triad (altered bass)
Dsus4/Gb [3 x 0 2 3 2] (D Gb G A) : sus4 triad (altered bass)
E or Emaj [0 2 2 1 0 0] (E Ab B) : major triad
E or Emaj [x 7 6 4 5 0] (E Ab B) : major triad
E #5 or Eaug [x 3 2 1 1 0] (C E Ab) : augmented triad
E/A [x 0 2 1 0 0] (E Ab A B) : major triad (altered bass)
E/D [0 2 0 1 0 0] (D E Ab B) : major triad (altered bass)
E/D [0 2 2 1 3 0] (D E Ab B) : major triad (altered bass)
E/D [x 2 0 1 3 0] (D E Ab B) : major triad (altered bass)
E/D [x x 0 1 0 0] (D E Ab B) : major triad (altered bass)
Version 04 /1.01 April 2004 767

E/Db [0 2 2 1 2 0] (Db E Ab B) : major triad (altered bass)
E/Db [x 4 6 4 5 4] (Db E Ab B) : major triad (altered bass)
E/Eb [0 2 1 1 0 0] (Eb E Ab B) : major triad (altered bass)
E/Eb [0 x 6 4 4 0] (Eb E Ab B) : major triad (altered bass)
E/Eb [x x 1 1 0 0] (Eb E Ab B) : major triad (altered bass)
E/Gb [0 2 2 1 0 2] (E Gb Ab B) : major triad (altered bass)
E/Gb [0 x 4 1 0 0] (E Gb Ab B) : major triad (altered bass)
E/Gb [2 2 2 1 0 0] (E Gb Ab B) : major triad (altered bass)
E11/b9 [0 0 3 4 3 4] (D E F Ab A B) : major triad, minor
7th, flat 9th, plus 11th
E5 or E(no 3rd) [0 2 x x x 0] (E B) : root and 5th (power chord)
E5 or E(no 3rd) [x 7 9 9 x 0] (E B) : root and 5th (power chord)
E6 [0 2 2 1 2 0] (Db E Ab B) : major triad plus 6th
E6 [x 4 6 4 5 4] (Db E Ab B) : major triad plus 6th
E7 or Edom 7 [0 2 0 1 0 0] (D E Ab B) : major triad, minor 7th
E7 or Edom 7 [0 2 2 1 3 0] (D E Ab B) : major triad, minor 7th
E7 or Edom 7 [x 2 0 1 3 0] (D E Ab B) : major triad, minor 7th
E7 or Edom 7 [x x 0 1 0 0] (D E Ab B) : major triad, minor 7th
E7/add11 or E7/11 [x 0 0 1 0 0] (D E Ab A B) : major triad, minor 7th,
plus 11th
E7/b9(b5) [0 1 3 1 3 1] (D E F Ab Bb) : diminished 5th, minor
7th, flat 9th
E7sus4 [0 2 0 2 0 0] (D E A B) : sus4 triad, minor 7th
E9 or Edom 9 [0 2 0 1 0 2] (D E Gb Ab B) : major triad, minor 7th
plus 9th
E9 or Edom 9 [2 2 0 1 0 0] (D E Gb Ab B) : major triad, minor 7th
plus 9th
Eadd9 or E2 [0 2 2 1 0 2] (E Gb Ab B) : major triad plus 9th
Eadd9 or E2 [0 x 4 1 0 0] (E Gb Ab B) : major triad plus 9th
Eadd9 or E2 [2 2 2 1 0 0] (E Gb Ab B) : major triad plus 9th
Eb or Ebmaj [x 1 1 3 4 3] (Eb G Bb) : major triad
Eb or Ebmaj [x x 1 3 4 3] (Eb G Bb) : major triad
Eb or Ebmaj [x x 5 3 4 3] (Eb G Bb) : major triad
Eb #5 or Ebaug [3 2 1 0 0 3] (Eb G B) : augmented triad
Eb #5 or Ebaug [3 x 1 0 0 3] (Eb G B) : augmented triad
Eb/C [x 3 5 3 4 3] (C Eb G Bb) : major triad (altered bass)
Eb/D [x 6 8 7 8 6] (D Eb G Bb) : major triad (altered bass)
Eb/Db [x 1 1 3 2 3] (Db Eb G Bb) : major triad (altered bass)
Eb/Db [x 6 8 6 8 6] (Db Eb G Bb) : major triad (altered bass)
Eb/Db [x x 1 3 2 3] (Db Eb G Bb) : major triad (altered bass)
Eb/E [x x 5 3 4 0] (Eb E G Bb) : major triad (altered bass)
Eb5 or Eb(no 3rd)[x 6 8 8 x 6] (Eb Bb): root and 5th (power chord)
Eb6 [x 3 5 3 4 3] (C Eb G Bb) : major triad plus 6th
Eb7 or Ebdom 7 [x 1 1 3 2 3] (Db Eb G Bb) : major triad, minor 7th
Eb7 or Ebdom 7 [x 6 8 6 8 6] (Db Eb G Bb) : major triad, minor 7th
Eb7 or Ebdom 7 [x x 1 3 2 3] (Db Eb G Bb) : major triad, minor 7th
Ebaug/E [3 x 1 0 0 0] (Eb E G B) : augmented triad (altered
bass)
Ebaug/E [x x 1 0 0 0] (Eb E G B) : augmented triad (altered
bass)
Ebdim/B [2 x 1 2 0 2] (Eb Gb A B) : diminished triad (altered
bass)
Ebdim/B [x 0 1 2 0 2] (Eb Gb A B) : diminished triad (altered
bass)
bass)
bass)
Ebdim/C [x x 1 2 1 2] (C Eb Gb A) : diminished triad (altered
bass)
Ebdim7 [x x 1 2 1 2] (C Eb Gb A) : diminished triad, diminished
7th
Ebm [x x 4 3 4 2] (Eb Gb Bb) : minor triad
Ebm/Db [x x 1 3 2 2] (Db Eb Gb Bb) : minor triad (altered bass)
Ebm7 [x x 1 3 2 2] (Db Eb Gb Bb) : minor triad, minor 7th
Ebmaj7 or Eb#7 [x 6 8 7 8 6] (D Eb G Bb) : major triad, major 7th
Ebsus2/Ab [x 1 3 1 4 1] (Eb F Ab Bb) : sus2 triad (altered bass)
Version 04 /1.01 April 2004 768

Ebsus4/F [x 1 3 1 4 1] (Eb F Ab Bb) : sus4 triad (altered bass)
Edim/C [x 3 5 3 5 3] (C E G Bb) : diminished triad (altered
bass)
Edim/D [3 x 0 3 3 0] (D E G Bb) : diminished triad (altered
bass)
Edim/Db [x 1 2 0 2 0] (Db E G Bb) : diminished triad (altered
bass)
Edim/Db [x x 2 3 2 3] (Db E G Bb) : diminished triad (altered
bass)
Edim/Eb [x x 5 3 4 0] (Eb E G Bb) : diminished triad (altered
bass)
Edim7 [x 1 2 0 2 0] (Db E G Bb) : diminished triad,
diminished 7th
Edim7 [x x 2 3 2 3] (Db E G Bb) : diminished triad,
diminished 7th
Em [0 2 2 0 0 0] (E G B) : minor triad
Em [3 x 2 0 0 0] (E G B) : minor triad
Em [x 2 5 x x 0] (E G B) : minor triad
Em/A [3 x 2 2 0 0] (E G A B) : minor triad (altered bass)
Em/A [x 0 2 0 0 0] (E G A B) : minor triad (altered bass)
Em/A [x 0 5 4 5 0] (E G A B) : minor triad (altered bass)
Em/C [0 3 2 0 0 0] (C E G B) : minor triad (altered bass)
Em/C [x 2 2 0 1 0] (C E G B) : minor triad (altered bass)
Em/C [x 3 5 4 5 3] (C E G B) : minor triad (altered bass)
Em/D [0 2 0 0 0 0] (D E G B) : minor triad (altered bass)
Em/D [x x 0 12 12 12] (D E G B) : minor triad (altered
bass)
Em/D [x x 0 9 8 7] (D E G B) : minor triad (altered bass)
Em/D [x x 2 4 3 3] (D E G B) : minor triad (altered bass)
Em/D [0 x 0 0 0 0] (D E G B) : minor triad (altered bass)
Em/D [x 10 12 12 12 0] (D E G B) : minor triad (altered
bass)
Em/Db [0 2 2 0 2 0] (Db E G B) : minor triad (altered bass)
Em/Eb [3 x 1 0 0 0] (Eb E G B) : minor triad (altered bass)
Em/Eb [x x 1 0 0 0] (Eb E G B) : minor triad (altered bass)
Em/Gb [0 2 2 0 0 2] (E Gb G B) : minor triad (altered bass)
Em/Gb [0 x 4 0 0 0] (E Gb G B) : minor triad (altered bass)
Em6 [0 2 2 0 2 0] (Db E G B) : minor triad plus 6th
Em7 [0 2 0 0 0 0] (D E G B) : minor triad, minor 7th
Em7 [x x 0 0 0 0] (D E G B) : minor triad, minor 7th
Em7 [0 x 0 0 0 0] (D E G B) : minor triad, minor 7th
Em7 [x 10 12 12 12 0] (D E G B) : minor triad, minor 7th
Em7(b5) or Eo7 [3 x 0 3 3 0] (D E G Bb) : diminished triad, minor 7th
Em7/add11 or Em7/11 [0 0 0 0 0 0] (D E G A B) : minor triad, minor 7th,
plus 11th
Em7/add11 or Em7/11 [0 0 0 0 0 3] (D E G A B) : minor triad, minor 7th,
plus 11th
Em7/add11 or Em7/11 [3 x 0 2 0 0] (D E G A B) : minor triad, minor 7th,
plus 11th
Em9 [0 2 0 0 0 2] (D E Gb G B) : minor triad, minor 7th
plus 9th
plus 9th
plus 9th
Version 04 /1.01 April 2004 769

Emaj7 or E#7 [0 2 1 1 0 0] (Eb E Ab B) : major triad, major 7th
Emaj7 or E#7 [0 x 6 4 4 0] (Eb E Ab B) : major triad, major 7th
Emaj7 or E#7 [x x 1 1 0 0] (Eb E Ab B) : major triad, major 7th
Emaj9 or E9(#7) [0 2 1 1 0 2] (Eb E Gb Ab B) : major triad, major 7th
plus 9th
Emaj9 or E9(#7) [4 x 4 4 4 0] (Eb E Gb Ab B) : major triad, major 7th
plus 9th
Emin/maj7 [3 x 1 0 0 0] (Eb E G B) : minor triad, major 7th
Emin/maj7 [x x 1 0 0 0] (Eb E G B) : minor triad, major 7th
Emin/maj9 [0 6 4 0 0 0] (Eb E Gb G B) : minor triad, major 7th
plus 9th
Esus or Esus4 [0 0 2 2 0 0] (E A B) : no 3rd but a 4th from a major
triad
triad
triad
Esus or Esus4 [x 0 2 2 0 0] (E A B) : no 3rd but a 4th from a major
triad
Esus or Esus4 [x x 2 2 0 0] (E A B) : no 3rd but a 4th from a major
triad
Esus2 or Eadd9(no3)[7 9 9 x x 0] (E Gb B): no 3rd but a 2nd from a major
triad
Esus2 or Eadd9(no3)[x 2 4 4 x 0] (E Gb B): no 3rd but a 2nd from a major
triad
Esus2/A [x 0 4 4 0 0] (E Gb A B) : sus2 triad (altered bass)
Esus2/A [x 2 4 2 5 2] (E Gb A B) : sus2 triad (altered bass)
Esus2/Ab [0 2 2 1 0 2] (E Gb Ab B) : sus2 triad (altered bass)
Esus2/Ab [0 x 4 1 0 0] (E Gb Ab B) : sus2 triad (altered bass)
Esus2/Ab [2 2 2 1 0 0] (E Gb Ab B) : sus2 triad (altered bass)
Esus2/Db [x 4 4 4 x 0] (Db E Gb B) : sus2 triad (altered bass)
Esus2/Eb [x 2 2 4 4 2] (Eb E Gb B) : sus2 triad (altered bass)
Esus2/Eb [x x 4 4 4 0] (Eb E Gb B) : sus2 triad (altered bass)
Esus2/G [0 2 2 0 0 2] (E Gb G B) : sus2 triad (altered bass)
Esus2/G [0 x 4 0 0 0] (E Gb G B) : sus2 triad (altered bass)
Esus4/Ab [x 0 2 1 0 0] (E Ab A B) : sus4 triad (altered bass)
Esus4/C [0 0 7 5 0 0] (C E A B) : sus4 triad (altered bass)
Esus4/C [x 3 2 2 0 0] (C E A B) : sus4 triad (altered bass)
Esus4/D [0 2 0 2 0 0] (D E A B) : sus4 triad (altered bass)
Esus4/D [x 2 0 2 3 0] (D E A B) : sus4 triad (altered bass)
Esus4/Db [0 0 2 4 2 0] (Db E A B) : sus4 triad (altered bass)
Esus4/Db [x 0 7 6 0 0] (Db E A B) : sus4 triad (altered bass)
Esus4/Eb [x 2 1 2 0 0] (Eb E A B) : sus4 triad (altered bass)
Esus4/F [0 0 3 2 0 0] (E F A B) : sus4 triad (altered bass)
Esus4/G [3 x 2 2 0 0] (E G A B) : sus4 triad (altered bass)
Esus4/G [x 0 2 0 0 0] (E G A B) : sus4 triad (altered bass)
Esus4/G [x 0 5 4 5 0] (E G A B) : sus4 triad (altered bass)
Esus4/Gb [x 0 4 4 0 0] (E Gb A B) : sus4 triad (altered bass)
Esus4/Gb [x 2 4 2 5 2] (E Gb A B) : sus4 triad (altered bass)
F or Fmaj [1 3 3 2 1 1] (C F A) : major triad
F or Fmaj [x 0 3 2 1 1] (C F A) : major triad
F or Fmaj [x 3 3 2 1 1] (C F A) : major triad
F or Fmaj [x x 3 2 1 1] (C F A) : major triad
F #5 or Faug [x 0 3 2 2 1] (Db F A) : augmented triad
F #5 or Faug [x 0 x 2 2 1] (Db F A) : augmented triad
F/D [x 5 7 5 6 5] (C D F A) : major triad (altered bass)
F/D [x x 0 2 1 1] (C D F A) : major triad (altered bass)
F/D [x x 0 5 6 5] (C D F A) : major triad (altered bass)
F/E [0 0 3 2 1 0] (C E F A) : major triad (altered bass)
F/E [1 3 3 2 1 0] (C E F A) : major triad (altered bass)
F/E [1 x 2 2 1 0] (C E F A) : major triad (altered bass)
F/E [x x 2 2 1 1] (C E F A) : major triad (altered bass)
F/E [x x 3 2 1 0] (C E F A) : major triad (altered bass)
F/Eb [x x 1 2 1 1] (C Eb F A) : major triad (altered bass)
F/Eb [x x 3 5 4 5] (C Eb F A) : major triad (altered bass)
Version 04 /1.01 April 2004 770

F/G [3 x 3 2 1 1] (C F G A) : major triad (altered bass)
F/G [x x 3 2 1 3] (C F G A) : major triad (altered bass)
F5 or F(no 3rd) [1 3 3 x x 1] (C F): root and 5th (power chord)
F5 or F(no 3rd) [x 8 10 x x 1] (C F): root and 5th (power chord)
F6 [x 5 7 5 6 5] (C D F A) : major triad plus 6th
F6 [x x 0 2 1 1] (C D F A) : major triad plus 6th
F6 [x x 0 5 6 5] (C D F A) : major triad plus 6th
F6/add9 or F6/9 [3 x 0 2 1 1] (C D F G A) : major triad plus 6th and
9th
F7 or Fdom 7 [x x 1 2 1 1] (C Eb F A) : major triad, minor 7th
F7 or Fdom 7 [x x 3 5 4 5] (C Eb F A) : major triad, minor 7th
Fadd9 or F2 [3 x 3 2 1 1] (C F G A) : major triad plus 9th
Fadd9 or F2 [x x 3 2 1 3] (C F G A) : major triad plus 9th
Faug/D [x x 0 2 2 1] (Db D F A) : augmented triad (altered
bass)
Faug/G [1 0 3 0 2 1] (Db F G A) : augmented triad (altered
bass)
Fdim/D [x 2 0 1 0 1] (D F Ab B) : diminished triad (altered
bass)
Fdim/D [x x 0 1 0 1] (D F Ab B) : diminished triad (altered
bass)
Fdim/D [x x 3 4 3 4] (D F Ab B) : diminished triad (altered
bass)
Fdim/Db [x 4 3 4 0 4] (Db F Ab B) : diminished triad (altered
bass)
Fdim7 [x 2 0 1 0 1] (D F Ab B) : diminished triad, diminished
7th
Fdim7 [x x 0 1 0 1] (D F Ab B) : diminished triad, diminished
7th
Fdim7 [x x 3 4 3 4] (D F Ab B) : diminished triad, diminished
7th
Fm [x 3 3 1 1 1] (C F Ab) : minor triad
Fm [x x 3 1 1 1] (C F Ab) : minor triad
Fm/D [x x 0 1 1 1] (C D F Ab) : minor triad (altered bass)
Fm/Db [x 3 3 1 2 1] (C Db F Ab) : minor triad (altered bass)
Fm/Db [x 4 6 5 6 4] (C Db F Ab) : minor triad (altered bass)
Fm/Eb [x 8 10 8 9 8] (C Eb F Ab) : minor triad (altered bass)
Fm/Eb [x x 1 1 1 1] (C Eb F Ab) : minor triad (altered bass)
Fm6 [x x 0 1 1 1] (C D F Ab) : minor triad plus 6th
Fm7 [x 8 10 8 9 8] (C Eb F Ab) : minor triad, minor 7th
Fm7 [x x 1 1 1 1] (C Eb F Ab) : minor triad, minor 7th
Fmaj7 or F#7 [0 0 3 2 1 0] (C E F A) : major triad, major 7th
Fmaj7 or F#7 [1 3 3 2 1 0] (C E F A) : major triad, major 7th
Fmaj7 or F#7 [1 x 2 2 1 0] (C E F A) : major triad, major 7th
Fmaj7 or F#7 [x x 2 2 1 1] (C E F A) : major triad, major 7th
Fmaj7 or F#7 [x x 3 2 1 0] (C E F A) : major triad, major 7th
Fmaj7/#11 [0 2 3 2 1 0] (C E F A B) : major triad, major 7th,
augmented 11th
Fmaj7/#11 [1 3 3 2 0 0] (C E F A B) : major triad, major 7th,
augmented 11th
Fmaj9 or F9(#7) [0 0 3 0 1 3] (C E F G A) : major triad, major 7th
plus 9th
Fsus or Fsus4 [x x 3 3 1 1] (C F Bb) : no 3rd but a 4th from a major
triad
Fsus2 or Fadd9(no3)[x 3 3 0 1 1] (C F G) : no 3rd but a 2nd from a major
triad
Fsus2 or Fadd9(no3)[x x 3 0 1 1] (C F G) : no 3rd but a 2nd from a major
triad
Fsus2/A [3 x 3 2 1 1] (C F G A) : sus2 triad (altered bass)
Fsus2/A [x x 3 2 1 3] (C F G A) : sus2 triad (altered bass)
Fsus2/B [x 3 3 0 0 3] (C F G B) : sus2 triad (altered bass)
Fsus2/Bb [x 3 5 3 6 3] (C F G Bb) : sus2 triad (altered bass)
Fsus2/D [3 3 0 0 1 1] (C D F G) : sus2 triad (altered bass)
Fsus2/E [x 3 3 0 1 0] (C E F G) : sus2 triad (altered bass)
Fsus2/E [x x 3 0 1 0] (C E F G) : sus2 triad (altered bass)
Fsus4/G [x 3 5 3 6 3] (C F G Bb) : sus4 triad (altered bass)
G or Gmaj [x 10 12 12 12 10] (D G B): major triad
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G or Gmaj [3 2 0 0 0 3] (D G B) : major triad
G or Gmaj [3 x 0 0 0 3] (D G B) : major triad
G or Gmaj [x 5 5 4 3 3] (D G B) : major triad
G or Gmaj [x x 0 4 3 3] (D G B) : major triad
G or Gmaj [x x 0 7 8 7] (D G B) : major triad
G #5 or Gaug [3 2 1 0 0 3] (Eb G B) : augmented triad
G #5 or Gaug [3 x 1 0 0 3] (Eb G B) : augmented triad
G/A [3 0 0 0 0 3] (D G A B) : major triad (altered bass)
G/A [3 2 0 2 0 3] (D G A B) : major triad (altered bass)
G/C [3 3 0 0 0 3] (C D G B) : major triad (altered bass)
G/C [x 3 0 0 0 3] (C D G B) : major triad (altered bass)
G/E [0 2 0 0 0 0] (D E G B) : major triad (altered bass)
G/E [x x 0 12 12 12] (D E G B) : major triad (altered
bass)
G/E [x x 0 9 8 7] (D E G B) : major triad (altered bass)
G/E [x x 2 4 3 3] (D E G B) : major triad (altered bass)
G/E [0 x 0 0 0 0] (D E G B) : major triad (altered bass)
G/E [x 10 12 12 12 0] (D E G B) : major triad (altered
bass)
G/F [1 x 0 0 0 3] (D F G B) : major triad (altered bass)
G/F [3 2 0 0 0 1] (D F G B) : major triad (altered bass)
G/F [x x 0 0 0 1] (D F G B) : major triad (altered bass)
G/Gb [2 2 0 0 0 3] (D Gb G B) : major triad (altered bass)
G/Gb [x x 4 4 3 3] (D Gb G B) : major triad (altered bass)
G5 or G(no 3rd) [3 5 5 x x 3] (D G): root and 5th (power chord)
G5 or G(no 3rd) [3 x 0 0 3 3] (D G) : root and 5th (power chord)
G6 [0 2 0 0 0 0] (D E G B) : major triad plus 6th
G6 [x x 0 12 12 12] (D E G B) : major triad plus 6th
G6 [0 x 0 0 0 0] (D E G B) : major triad plus 6th
G6 [x 10 12 12 12 0] (D E G B) : major triad plus 6th
G6/add9 or G6/9 [0 0 0 0 0 0] (D E G A B) : major triad plus 6th and
9th
G6/add9 or G6/9 [0 0 0 0 0 3] (D E G A B) : major triad plus 6th and
9th
G6/add9 or G6/9 [3 x 0 2 0 0] (D E G A B) : major triad plus 6th and
9th
G7 or Gdom 7 [1 x 0 0 0 3] (D F G B) : major triad, minor 7th
G7 or Gdom 7 [3 2 0 0 0 1] (D F G B) : major triad, minor 7th
G7 or Gdom 7 [x x 0 0 0 1] (D F G B) : major triad, minor 7th
G7/add11 or G7/11 [x 3 0 0 0 1] (C D F G B) : major triad, minor 7th,
plus 11th
G7sus4 [3 3 0 0 1 1] (C D F G) : sus4 triad, minor 7th
G9 or Gdom 9 [x 0 0 0 0 1] (D F G A B) : major triad, minor 7th
plus 9th
G9 or Gdom 9 [x 2 3 2 3 3] (D F G A B) : major triad, minor 7th
plus 9th
Gadd9 or G2 [3 0 0 0 0 3] (D G A B) : major triad plus 9th
Gadd9 or G2 [3 2 0 2 0 3] (D G A B) : major triad plus 9th
Gaug/E [3 x 1 0 0 0] (Eb E G B) : augmented triad (altered
bass)
Gaug/E [x x 1 0 0 0] (Eb E G B) : augmented triad (altered
bass)
Gb or Gbmaj [2 4 4 3 2 2] (Db Gb Bb) : major triad
Gb or Gbmaj [x 4 4 3 2 2] (Db Gb Bb) : major triad
Gb or Gbmaj [x x 4 3 2 2] (Db Gb Bb) : major triad
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Gb #5 or Gbaug [x x 0 3 3 2] (D Gb Bb) : augmented triad
Gb/Ab [x x 4 3 2 4] (Db Gb Ab Bb) : major triad (altered bass)
Gb/E [2 4 2 3 2 2] (Db E Gb Bb) : major triad (altered bass)
Gb/E [x x 4 3 2 0] (Db E Gb Bb) : major triad (altered bass)
Gb/Eb [x x 1 3 2 2] (Db Eb Gb Bb) : major triad (altered bass)
Gb/F [x x 3 3 2 2] (Db F Gb Bb) : major triad (altered bass)
Gb6 [x x 1 3 2 2] (Db Eb Gb Bb) : major triad plus 6th
Gb7 or Gbdom 7 [2 4 2 3 2 2] (Db E Gb Bb) : major triad, minor 7th
Gb7 or Gbdom 7 [x x 4 3 2 0] (Db E Gb Bb) : major triad, minor 7th
Gb7(#5) [2 x 4 3 3 0] (D E Gb Bb) : minor 7th, sharp 5th
Gb7/#9 [x 0 4 3 2 0] (Db E Gb A Bb) : major triad, minor 7th
augmented 9th
Gb7sus4 [x 4 4 4 x 0] (Db E Gb B) : sus4 triad, minor 7th
Gbadd9 or Gb2 [x x 4 3 2 4] (Db Gb Ab Bb) : major triad plus 9th
Gbaug/E [2 x 4 3 3 0] (D E Gb Bb) : augmented triad (altered
bass)
Gbdim/D [x 5 7 5 7 2] (C D Gb A): diminished triad (altered
bass)
Gbdim/D [x 0 0 2 1 2] (C D Gb A) : diminished triad (altered
bass)
Gbdim/D [x 3 x 2 3 2] (C D Gb A) : diminished triad (altered
bass)
Gbdim/D [x 5 7 5 7 5] (C D Gb A) : diminished triad (altered
bass)
Gbdim/E [x 0 2 2 1 2] (C E Gb A) : diminished triad (altered
bass)
Gbdim/E [x x 2 2 1 2] (C E Gb A) : diminished triad (altered
bass)
Gbdim/Eb [x x 1 2 1 2] (C Eb Gb A) : diminished triad (altered
bass)
Gbdim7 [x x 1 2 1 2] (C Eb Gb A) : diminished triad, diminished
7th
Gbm [2 4 4 2 2 2] (Db Gb A) : minor triad
Gbm [x 4 4 2 2 2] (Db Gb A) : minor triad
Gbm [x x 4 2 2 2] (Db Gb A) : minor triad
Gbm/D [x x 0 14 14 14] (Db D Gb A) : minor triad (altered
bass)
Gbm/D [x x 0 2 2 2] (Db D Gb A) : minor triad (altered bass)
Gbm/E [0 0 2 2 2 2] (Db E Gb A) : minor triad (altered bass)
Gbm/E [0 x 4 2 2 0] (Db E Gb A) : minor triad (altered bass)
Gbm/E [2 x 2 2 2 0] (Db E Gb A) : minor triad (altered bass)
Gbm/E [x 0 4 2 2 0] (Db E Gb A) : minor triad (altered bass)
Gbm/E [x x 2 2 2 2] (Db E Gb A) : minor triad (altered bass)
Gbm7 [0 0 2 2 2 2] (Db E Gb A) : minor triad, minor 7th
Gbm7 [0 x 4 2 2 0] (Db E Gb A) : minor triad, minor 7th
Gbm7 [2 x 2 2 2 0] (Db E Gb A) : minor triad, minor 7th
Gbm7 [x 0 4 2 2 0] (Db E Gb A) : minor triad, minor 7th
Gbm7 [x x 2 2 2 2] (Db E Gb A) : minor triad, minor 7th
Gbm7(b5) or Gbo7 [x 0 2 2 1 2] (C E Gb A) : diminished triad, minor 7th
Gbm7(b5) or Gbo7 [x x 2 2 1 2] (C E Gb A) : diminished triad, minor 7th
Gbm7/b9 [0 0 2 0 2 2] (Db E Gb G A) : minor triad, minor 7th
flat 9th
Gbmaj7 or Gb#7 [x x 3 3 2 2] (Db F Gb Bb) : major triad, major 7th
Gbsus or Gbsus4 [x 4 4 4 2 2] (Db Gb B) : no 3rd but a 4th from a major
triad
Gbsus2/Bb [x x 4 3 2 4] (Db Gb Ab Bb) : sus2 triad (altered bass)
Gbsus4/E [x 4 4 4 x 0] (Db E Gb B) : sus4 triad (altered bass)
Gdim/E [x 1 2 0 2 0] (Db E G Bb) : diminished triad (altered
bass)
Gdim/E [x x 2 3 2 3] (Db E G Bb) : diminished triad (altered
bass)
Gdim/Eb [x 1 1 3 2 3] (Db Eb G Bb) : diminished triad (altered
bass)
Gdim/Eb [x 6 8 6 8 6] (Db Eb G Bb) : diminished triad (altered
bass)
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Gdim/Eb [x x 1 3 2 3] (Db Eb G Bb) : diminished triad (altered
bass)
Gdim7 [x 1 2 0 2 0] (Db E G Bb) : diminished triad,
diminished 7th
Gdim7 [x x 2 3 2 3] (Db E G Bb) : diminished triad,
diminished 7th
Gm [3 5 5 3 3 3] (D G Bb) : minor triad
Gm [x x 0 3 3 3] (D G Bb) : minor triad
Gm/E [3 x 0 3 3 0] (D E G Bb) : minor triad (altered bass)
Gm/Eb [x 6 8 7 8 6] (D Eb G Bb) : minor triad (altered bass)
Gm/F [3 5 3 3 3 3] (D F G Bb) : minor triad (altered bass)
Gm/F [x x 3 3 3 3] (D F G Bb) : minor triad (altered bass)
Gm13 [0 0 3 3 3 3] (D E F G A Bb) : minor triad, minor
7th, plus 9th and 13th
Gm6 [3 x 0 3 3 0] (D E G Bb) : minor triad plus 6th
Gm7 [3 5 3 3 3 3] (D F G Bb) : minor triad, minor 7th
Gm7 [x x 3 3 3 3] (D F G Bb) : minor triad, minor 7th
Gm7/add11 or Gm7/11 [x 3 3 3 3 3] (C D F G Bb) : minor triad, minor 7th,
plus 11th
Gm9 [3 5 3 3 3 5] (D F G A Bb) : minor triad, minor 7th
plus 9th
Gmaj7 or G#7 [2 2 0 0 0 3] (D Gb G B) : major triad, major 7th
Gmaj7 or G#7 [x x 4 4 3 3] (D Gb G B) : major triad, major 7th
Gsus or Gsus4 [x 10 12 12 13 3] (C D G): no 3rd but a 4th from a
major triad
Gsus or Gsus4 [x 3 0 0 3 3] (C D G) : no 3rd but a 4th from a major
triad
triad
triad
Gsus2 or Gadd9(no3)[5 x 0 0 3 5] (D G A): no 3rd but a 2nd from a major
triad
Gsus2 or Gadd9(no3)[3 0 0 0 3 3] (D G A) : no 3rd but a 2nd from a major
triad
Gsus2 or Gadd9(no3)[x 0 0 0 3 3] (D G A) : no 3rd but a 2nd from a major
triad
Gsus2 or Gadd9(no3)[x x 0 2 3 3] (D G A) : no 3rd but a 2nd from a major
triad
Gsus2/B [3 0 0 0 0 3] (D G A B) : sus2 triad (altered bass)
Gsus2/B [3 2 0 2 0 3] (D G A B) : sus2 triad (altered bass)
Gsus2/C [x 5 7 5 8 3] (C D G A): sus2 triad (altered bass)
Gsus2/C [x x 0 2 1 3] (C D G A) : sus2 triad (altered bass)
Gsus2/E [x 0 2 0 3 0] (D E G A) : sus2 triad (altered bass)
Gsus2/E [5 0 0 0 3 0] (D E G A) : sus2 triad (altered bass)
Gsus2/Gb [5 x 4 0 3 5] (D Gb G A): sus2 triad (altered bass)
Gsus2/Gb [3 x 0 2 3 2] (D Gb G A) : sus2 triad (altered bass)
Gsus4/A [x 5 7 5 8 3] (C D G A): sus4 triad (altered bass)
Gsus4/A [x x 0 2 1 3] (C D G A) : sus4 triad (altered bass)
Gsus4/B [3 3 0 0 0 3] (C D G B) : sus4 triad (altered bass)
Gsus4/B [x 3 0 0 0 3] (C D G B) : sus4 triad (altered bass)
Gsus4/E [3 x 0 0 1 0] (C D E G) : sus4 triad (altered bass)
Gsus4/E [x 3 0 0 1 0] (C D E G) : sus4 triad (altered bass)
Gsus4/E [x x 0 0 1 0] (C D E G) : sus4 triad (altered bass)
Gsus4/E [x x 0 5 5 3] (C D E G) : sus4 triad (altered bass)
Gsus4/E [x 10 12 12 13 0] (C D E G) : sus4 triad (altered
bass)
Gsus4/E [x 5 5 5 x 0] (C D E G) : sus4 triad (altered bass)
Gsus4/F [3 3 0 0 1 1] (C D F G) : sus4 triad (altered bass)
Version 04 /1.01 April 2004 774

Dieses Buch entstand in nun fast 2 jähriger Arbeit. Jagdfieber und
Freude an der Musik haben mich nicht eher ruhen lassen, bis das
letzte Lied gefunden und die beste Version eingetragen war.
Vieles hab ich aus dem Internet gezogen, dank dafür an Gert Guitar,
Ernesto und Manny's Songarchiv, sowie den unendlich vielen Usern aus
den Tauschbörsen.
Manches hab ich selbst gemacht, damits bei mir etwas songtauglicher
wird.
Den größten Dank an Alex, die größte Inspiration Musik zu machen

auch wenn es bei mir nie so klingen wird ;-).
Dank auch an Joe, was haben wir schon gesungen und gespielt….
Dank an den Rest, der mich ertragen und nicht erschlagen hat.
Dieses Buch kann man nicht kaufen. Es wird nur ausgewählten Personen
verschenkt. Habt Spaß und verbreitet Freude, auch wenn der Ton mal
nicht richtig getroffen ist.
Diese Songs wurden ausschließlich zum Wohle der Musiker gesammelt

und dienen nur zum privaten Gebrauch. Kauft Musikbücher und Cds'….
Günter Beier
----------------------------------
gesaugt von:
`&'
#
# www.guitarsongs.de
_#_ Webmaster@guitarsongs.de
( # )
/ O \
( === )
`---'
Respekt für diese Arbeit !
Ich danke Günter Beier ganz herzlich, dass er mir dieses super
zusammengestellte Songbook quasi für Euch zum Downloaden geschickt
Version 04 /1.01 April 2004 775
hat. Da ich Günter von Spam-Mails schützen möchte, könnt Ihr etwaige
Fragen oder was auch immer an webmaster@guitarspace.de richten.
Die Mails werden dann sofort weitergeleitet.
Manny
Version 04 /1.01 April 2004 776

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DES MEGADING

STAND APRIL 2004

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Refr. I've been thru the desert on a horse with no name...

Refr. I've been thru the desert on a horse with no name...

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Sweet Loretta Martin thought she was a woman,

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A A/G (3x222x) C D E A A/G

A A/G (3x222x) C D E A A/G

A A/G D/F# (2x023x) Fmaj7 G A A/G

A A/G D/F# (2x023x) Fmaj7 G A A/G

A A/G D/F# (2x023x) Fmaj7 G A A/G

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2. Everywhere the people stare

3. How can I even try

4. How could she say to me

Ref.: Hey ! You've got ...

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Well shake it up baby now, twist and shout

Come on come on come on come on baby , now work it on out

Well work it on out , you know you look so good

(break) ||: C F G F :|| x4

Well shake it up baby now, twist and shout

Come on come on come on come on baby , now work it on out

Well shake it up baby now, twist and shout

Come on come on come on come on baby , now work it on out