Professional Documents
Culture Documents
ISBN 0-8165-0949-2
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Contents
ProIoguc.FromthcMdcmbutoBroadvay
PARI ONE
rOccssua1nays|s
. AspcctsofSaoraRituaIandShamanism.AnApproachtothc
1
OataofRituaI 19
2. RituaIAspcctsofConictControIinAfricanMicropoIitics 43
3. Mukana, Boys'Circumcision.TcPoIitics
ofaMon-PoIiticaIRituaI 53
4. AnAnthropoIogicaIApproachtothc!ccIandicSaga 71
5. Thc!ccIandicFamIySagaasaGcnrcof Mcaning-Assignmcnt 95
6. ConictinSociaIAnthropoIogicaIand
PsychoanaIyticaIThcory.LmbandainRiodc)anciro 1 19/
7.
Proccss,Systcm,andSymboI:AMcv
AntI
ropoIogicaISynthcsis 151
Vlll CONTENTS
PAkT TWO
cr|Ormanccand1xQcrcncc
8. ThcAnthropoIogyofPcrformancc
9. pcricnccandPcrformancc:Tovards
aMcvProccssuaI
AnthropoIogy
O. !magcsofAnti-TcmporaIity:AnssayinthcAnthropoIogy
ofpcricncc
PAkT THkEE
hc1ran
. Body, Brain,andCuIturc
2.ThcMcvMcurosocioIogy
piIoguc.ArcThcrcLnivcrsaIsofPcrformanccinMyth,RituaI,
andOrama:
BibIiography
!ndc
PAkT IOUk
Hc|crcnccAatcra
77
2O5
227 ,
249
275 r
29
3O5
319
Prolo
g
ue:
From te Ndembu to Broadway
hcnVictorTurncrdicdin 983
hcvasinthcfuIIsvingofaproductivcIifc. CurdayshadbccomcsofuII
|or both of us that aIthough it vas my roIc to coIIcct his papcrs for
pubIication,!hadnotbccnabIctovorkonthcmforsomctimc.Movvc
dL abIc to prcscnt thc hrst oftvo voIumcs ofscIcctcd cssays, choscnto
rcprcscnt thc dcvcIopmcnt ofhis idcas on proccss thcory. Thc hrst si
chaptcrs arcbascd on cthnography: it vas fromhcIdvorkthatVicdrcv
thcory, fromthcgrassrootsthathcrcspcctcdsomuch.
Ashis principaI coIIaboratorin cvcry hcId that Vic cpIorcd, ! rccaII
l Iifc togcthcr at onc IcvcI as a scrics ofstorics about thc cvcnts that
wcrc stcps inhis dcvcIopmcnt. For his rcadcrs itvasascricsofidcas, for
mcitvasaIifc.
!t vas just aftcr WorId War !! in Britain. Vic and ! vcrc Iiving in a
8sycaravan, for a propcr homc vasunobtainabIcduc to thc Gcrman
0ombing. Hovcvcr, vcvcrc dctcrmincdnottobcvithoutbooks, sovc
wouIdvaIkfourmistoRugbyTovntovisitthcpubIicIibrary,vhccIing
d pramcontainingtvoIittIcboys, FrcddicandBobbic.Vichadbccninthc
army in thc IovIy rank ofa conscicntious objcctor, digging up unc-
p|odcd bombs. Hc continuaIIyvorkcd vithIaborcrs and Iikcd thcir typc
2 PROLOGUE
ofintcraction. HccvcnscarchcdthroughbookstohndmorconsuchrcaI
Iifcintcraction. AtthcIibraryhcfoundComin i Ae in Samoa byMargarct
McadandTe Anaman Islanders byA. R. RadcIiEc-Brovn,andhcrcaIizcd
that tribaI Iifc vas cvcn morc dovn to carth, ccrtainIy morc sociaIIy
intcgratcd, than that ofthc British private soIdicr. ! rcmcmbcrVic as hc
rcad Te Andaman Islanders suddcnIy rcsoIving. "!' m going to bc an
anthropoIogist."
Soitvasdccidcd. First,hcvcntbacktoschooIatLnivcrsityCoIIcgc,
London, forhisB.A. inanthropoIogy. AtthistimcVicbcgantorcadKarI
MarandthinkaboutthcdiaIcctic-thccsscnccofproccss.!tsohappcncd
thatMaGIuckman,profcssorofsociaIanthropoIogyatManchcstcrLni-
vcrsity, aIsouscdMarism, cspcciaIIyin Te Economy i the Central Barotse
Plain (94), vhichVicrcadaIoudto mcvhiIc Ivas scvingthcchiIdrcn's
cIothcs. I savthc scnsc ofthis kind ofanthropoIogy and bcgan to Iook
forvardtohcIdvork. !tvasMa, ononcofhisprcambuIationsinscarch
ofgood graduatc studcnts for his ncv dcpartmcnt at Manchcstcr, vho
spottcd Vic and oEcrcd to arrangc a grant vith thc Rhodcs-Livingstonc
!nstitutc, Zambia, forhcIdvorkinanAfricantribc.Vic agrccdgIadIy. Hc
vouIdbc abIc to avoid static formaIismbyvorking out ofManchcstcr.
Hcvas assigncdthc Mambvc tr:bc, a pcopIcin thc midst ofchangc, to
study cconomics, but it so happcncd that Vic ncvcr arrivcd at thc
MambvchomcIand. WhiIchcvas atthc !nstitutchcrcccivcdatcIcgram
fromMa. "SuggcstyouchangctoMdcmbutribcMorthvcstcrnProvincc
much maIaria ycIIov fcvcr pIcnty ofrituaI." Vic consuItcd mc. "Cf
coursc," ! said. !kncv thc sidcofVic that IovcdthcvorId ofsymboIs-
buthovdidMaknov"Wc'IImanagc,"! said, "Wc'IIgctshotsandtakc
quininc." And ! arrangcd an intcrvicv vith a doctor, vho gavc mc thc
drugsandpIcntyofgoodadvicc.
Sohcrcvcvcrcin Mukanza ViIIagc, making hutcounts, viIIagc and
gardcnmaps, gcncaIogics,rcscarchingpcrsonaIbudgcts,andmostimpor-
tant, Icarning thc Mdcmbu Ianguagc. This vas thc "out traiI," sung in
poctry byKipIing, vcboththriIIcdtothc cpcricncc. Wc uscd tomuttcr
to cach othcr in AIdcrshot acccnts, vhcncvcr thcrc vas a rituaI in thc
viIIagc. "Thc drums, Carstairs, thc drums| " I vouId rcpIy, bIocking my
cars dramaticaIIy, "By gad, Fothcringay, thc drums| Thcy'rc driving mc
mad| "Thcnvc'dgooutandjointhcm.
Ouring thc ycars ofhcIdvork, Vic's training and background camc
intopIay. HchadbccncposcdtothcvorkofBronisIavMaIinovskiand
RadcIiEc-Brovn, andhad Icarncd thatRadcIiEc-Brovnvas a pionccr in
his timc, forhchadbrokcn avay frompurc cthnography to found atruc
sociaI anthropoIogy. And nov that vc vcrc in thc GcId vc apprcciatcd
cvcn morc Ma's dynamicdiachronic approach, proccssanthropoIogy in
|act. Ma had bcgun to outlinc somc o|thc dctaiIs supporting his thcory,
such ;1s the prcscncc o|cross-cutting tics between dividcd scction1 o|a
FROM THE NDEMBU TO BROADWAY
sociaI group, and thc countcrvaiIing tcndcncics that corrcctcd othcrvisc
harsh or dysfunctionaI systcms. Vic vas Iooking forjust this. Hc vas
intcrcstcd inthccvcntsofIifc, proccsscshc couIdvatchunroIIing. Thus
vc aimcd in thc hcId for an ctrcmcIy cIosc-up vicv ofproccss, a vicv
informcd by Vic's groving knovIcdgc ofMdcmbu sociaI structurc and
rcguIaritics. Thc striving of thc Mdcmbu-thcir consciousncss, thcir
activity-sccmcd to ramify into innumcrabIc compIcitics at vhatcvcr
|cvcI of aEairs thcy vcrc cngagcd in, vhcthcr it vas disputcs ovcr
matriIincaI dcsccnt and succcssion, probIcms of sIavcry, sociaI changc,
marriagc, chicftainship, orrituaI.Thc organicintcrconncctions ofhuman
|ifc vcrc visibIc in motion, in opcration. Vic did n _ nIy_J__
thcatcr gqr,_Hc Iovcd sitting in thc mcn's hut
h th
aIabashcs, hc
knc
_
atthc"pIays"hcobscrvcdvcrcscrious-andthatvcourscIvcsin
Vcstcrn socicty shouIdbcmorcintimatcIyconccrncdvithourfcIIovs, as
thcMdcmbuvcrc.
InthcsccondycarofhcIdvork,onccvchadstartcdtofocusonrituaI,
on ritcs ofpassagc, on Mdcmbu avarcncss about thcir ovn rituaIs and
aboutthcspirit vorId, thcthcoryoffunctionaIism,thatthcscrituaIs vcrc
dcsigncd as somc kind ofaII-purposcsociaI gIuc and rccctcd structuraI
pattcrns,bcgantoIookinadcquatc.Wc hadbccnrcadingMcycrFortcsand
hisvorkonthcTaIIcnsi,vhichindccdportraycdadynamcsystcm,butas
|ortcsshovcdit, onccntircIy rcvoIving around sociaI structuraIrcquirc-
mcnts. Cncdaythc sccncisimprintcd onmy mind-vcvcrcvaIking
.cross an oId viIIagc sitc vhcrc Mukanza ViIIagc uscd to bc (for thc
Ndcmbu movc thcirviIIagcs cvcry hvcorsiycars). Mo vcstigc ofvaIIs
l housc timbcrs rcmaincd,justa vidc strctcbofsand vhcrc grcv IittIc
wi|d roundcucumbcrsandmossy ovcrs. VicstartcdtotaIk. HovcouId
thc rituaIvc vcrc studying (it vas Chihamba, in vhich vc vcrc bcing
initiatcd as noviccs) bc an cprcssion ofsociaI structurc !fcprcssion
wcrc aII that vas nccdcd, vhy did such compIc cuIts ofam icton as
|'hihambaspringintocistcnccThcrcvasnocaIIforsuchctraordinary
phcnomcnainthccistingsociaI systcm. SociaIgIuc maybcnccdcd, but
not this cuIturaI marvcI. RadcIiEc-Brovn's thcory vas not cnough. Hc
8|W cuIturcmcrcIy as a dcrivativc ofsociaI structurc. RaIph Linton, thc
^mcrican anthropoIogist (I936), vas right, for hc considcrcd thc sociaI
systcm to bc part ofthc totaI cuIturc. It vas somcthing ncv for Vic to
dicst,anditbccamcforhimashiftincmphasis. HcnccdnotcpIainthc
iidd|ing taIk ofthc dcmgod in Chihamba, andthccuriousvay artihcc
wasmingIcdvithbcIicL cvcnin thcvcrymakingofthccontraptionthat
oprcscntcd thc god, as an cprcssion ofthc sociaI structurc. Hc couId
now ctcndhishcIdintopsychoIogy andrcIigion.HcvouIdstudyrituaI
symho|sinthcirovnright-butofcourschcvouIdnotncgIcctto rccog-
nizc them as factorsin socia| action, "apositivc forcc in an activity hcId"
(I97.20).
4
PROLOGUE
FieIdworkbecameourdeIight. ArrivingatadistantviIIagewewouId
be greeted by the whoIe ouIation, shaking hands and thumbswith us
and cIaing. I wouId hnd the women's kitchens, whiIe Vic sat in the
meeting hutwiththe men. IfyouIistenedyou couId hear thewarmdee
buzzofvoicesoverthebeer caIabashes.TheyIikedVic.Thewomentook
me to visit their girI initiate in her secIusionhut, whiIe our own three
chiIdren Iayed around the cooking hres. n the way home Vic and I
discussed the going-into-secIusion ceremony of the revious week.
What'sinteresting,"saidVic, isthenameofthesotwhereshewasIaid
downunderthemiIktree.'ThePIaceofDeath.'Thenshebecomesa'baby,'
andiscarriedbackwards into hersecIusionhut. She'ssacred, and mustn't
touchtheearth.''Thehut'ssacredtoo.Herwhitebeads~her'chiIdren' ~
areintheroofShemustn'tIooku.''AndsowewouIdgoon,testingout
ideasandIisteningforcIuestoheIinterretation.
WhenwereturnedfromtheheId,weenteredthetheoreticaIenviron-
ment ofthe Manchester SchooI, functionaIism. Max took Vic aside and
warnedhimthathisdissertationhadtobeonthesociaIorganizationofthe
Mdembu(whichaearedasSchism and Continuity in 957) . OntiIyou've
mastered that, you're in no osition to anaIyze rituaI." Max had a very
intensereIationshiwithhisstudents,arewardingbutsometimesuncom-
fortabIe one for those that feIt his tensions. For reference he gathered
aroundhimthosewhochangedhimandushedhimonacourseoftheory
thathewasaboutto adotanyway. That coursewasthefurtherdeveIo-
mentofrocesstheory.ItwasA.L. EsteiniII)who gaveMaxtheidea
ofIawasrocess,henceMax'sbookThe judicial Process (955)~anideafor
whichhewas ready. SociaIrocess was inthe air continuaIIy from Max
himseIf, who was a foIIower of Marx and the diaIectic rather than
RadcIi6e-Brown's structuraIism. Most strongIy ofaII, rocess emerged
from Vic's work. Vic by temerament was oosed to formaIism and
structure, whetherBritish or French. Heenjoyedwhat was earthy, what
wasfecund,growing,seminaI.ManyweretheconversationsbetweenBiII
Estein,Max, andVic. MaxwasaSouthAfrican, acoIoniaI,notwedded
totradition,freshwithideas,notseeking aftertherestigeofthedoubIe-
barreIedRadcIi6e-Brown. nenightin 955, whenIwas nursing asick
chiId, Vic and BiII went o6to the Victoria Arms. They both had be.en
struggIingwiththeirdissertations.We hadamassedheasoffacts,hgures,
mas,andgeneaIogies,buttheyweregettingstaIeonus.Wasthistheright
soiItoroduce aIiving account?Nic andBiII d:ank thc: bcc: and f:om
what I can gather cursedaway at the imossibiIity ofgrafting the quan-
titivemethodontoMaIinowski'sIiving ta!c" mcthod. Vicddnotwantto
submt tabIcs o|:cgu!a:tcs IIust:atcd by apt |itt|c storcs. He saw the
Ndembu system fo: whattwas.|u||ofanomaIcs,thcfault lines that btcd
confl ict. On his desk Ivy m:ny field reports of confict, recorded under
FROM THE NDEMBU TO BROADWAY ]
Max'sinstructions.TheseoccasionsofconicthadtroubIedtheMdembu
bitterIy~Iong,comIex,reeated,reverberatingconicts,notIittIestories.
Thetermextendedcase"wasanunderstatement.AtsomeointaIongthe
deveIoing rocess ofconict, the ideaIs that the Mdembu truIy sought
wereoftenreveaIed.
To exIainVic'searforsociaIIifeasaIay, itwouIdheItogobackto
hischiIdhood. His mother was anactress,andusedtorehearseherIinesin
|ront ofhis high chair. His head was fuII ofIines and verses ofoetry.
ncewhenhismothertookhimtothe dairyformiIk, whereacrowdof
resectabIe GIasgow matrons in coaI scuttIe hats were waiting to be
served, wee Victor suddenIy shriIIed out. For lust of knowing what
shouIdnotbeknown,wetakethegoIdenroadtoSamarkand! "AIIthecoaI
scuttIe hats turned around. Lust? Wha's the wee Iaddie taIkin' aboot?
Lust?"Hismothergothimoutofthererettyquick.
Dramawas in his5Iood. He wasreared on Shakeseare, AeschyIus,
Shaw, FIecker,Ibsen.Ibsen'sIayswereIikeMdembutroubIecases,outof
cachofthemshonesome emerging truth, thatthe courageoIMorawasa
goodinitseIfthattheiousBrandwasossessedbyademon,notGodas
hethought. Vicwasreoccuiedwiththecharacterofhis oIdfriend, the
sorcerer Sandombu, and with the odd ersonaIity ofKamahasanyi, both
marginaIcharacters made suddenIy centraIasthe focus ofconmct. Their
storiesandtherituaIsinvoIvedinthemwerefascinatingtotheMdembu~
these events were their greatroduct.Anewtermwas needed. Vicand
iIIwiththeirbeer mugsbeforethemwrestIedwiththerobIem. SociaI
drama,'' saidVic. fcourse."Returninghomehewroteouthisaerfor
Max'sseminarnext day, introducingthenew concet. Mextmorninghe
madethewearisomejourney southbybus to themid city, thenachange
ofbuses andtwomiIes southintherushhourtothedustyseminarroom.
Vith controIIedexcitementhe read the story ofSandombu. and he ana-
lyzedits stages~breach, crisis, redress, reintegration~the sociaIdramaas
the window into Mdembu sociaI organization and vaIues. Mow you see
theIivingheart.Maxsat,hishandsfoIdedontoofhisbowedbaIdhead.
Vhen it was over he raised his head, his eyes burning. You've got it|
That'sit."
Vic camehomeradiant. Hehadbroughthis dissertation to Iife after
a||. He quickIy hnishedit, and then very raidIy it was ut into ress
production, forMaxrecognizedits vaIue and had no troubIe at aII con-
vncing Manchester Oniversity Press ofthe same. I was conscrited to
drawuthetabIes, to correctthemendIessIy, tout togethersatisfyingIy
cor+IcxgeneaIogies~whiIeaIIthetimebothofusfeItimatienttowrite
the gi:I'sintiation, Chhamba, andotherrituaIrocessesoftheMdembu.
AtIastthctimc camc |o: Vc to rcturtohsrcviousnsghtat the
o|dstc o|Mukanza Vl!agc, ha rcso!vc to study ttuaI symbo|sn thcr
e PROLOGUE
own right, then an aImost untouched shere. Bothofus worked on the
symboIic system untiI we understood it as one understands a Ianguage,
though thiswas aIanguageofthings, ofreIationshis, ofatterns,never
quitetransIatabIeintowords. VicbegantowriteanddeIiveranumberof
aersexIainingtheanaIytictooIsweweredeveIoingfordeaIingwith
symboIs. These incIuded the concet ofthe dominant and instrumentaI
symboI, the condensation of meanings and muItivaIence ofa symboI
(derivedfromEdwardSair, I934),theuni6cationofdisaratesignihcata
withinasymboI,itsoIarizationintoideoIogicaIandorecticoIes(derived
from Freud), and the manifest, Iatent, and hidden senses ofasymboI. In
"Chihamba, theWhiteSirit.ARtuaIDramaoftheMdembu" (hrstub-
Iished in I962) he wrote, '^t one time I emIoyed a method ofanaIysis
essentiaIIy derivedfromDurkheimviaRadcI6e-Brown. I consideredthe
sociaI function of Chihamba with reference to the structuraI form of
Mdembusociety. ButthismethoddidnotenabIemetohandIethe com-
Iexity, asymmetry, and antinomy which characterize reaI sociaI roc-
esses, ofwhich rituaI erformances may be said to constitute hases or
stages. I foundthat rituaI action tended thereby to be reduced to amere
secies ofsociaI action, and the quaIItative distinctions between reIigion
andsecuIarcustomandbehaviorcametobeobIiterated.The rituaIsym-
boI,Ifound,hasitsownformaIrinciIe. ItcouIdbenomorereducedto,
orexIainedby,anyarticuIarcategoryofsecuIarbehaviororberegarded
as the resuItant ofmany kinds of secuIar behavior, than an amino-acid
moIecuIarchaincouIdbeexIainedbytheroertiesoftheatoms inter-
Iinkedbyit.ThesymboI,articuIarIythenucIearsymboI, andaIsotheIot
ofarituaI,hadsomehowtobegrasedintheir secihc essences. Inother
words, the ce_raI aproach to
fI)vi
"
g
'
I
7"
i
F'
i
'
g
natureofaturbuIentsocieywhichcanhecharactemzedmore becom-
bIish
&m) . Icr:
_
-see tLecon
_
`Hc
@
weshouIdtakenof
themessa
[,,|!
i[_
.
:may seem a Iong Iea from the Mdembu to Broadway, but Vic
deIightedinhndingthethreadthatconnectedthemtogether.Hedidnot
regard the rituaI oftheMdembu as show, rather, their mode oferfor-
mance suggestedtohim thathe shouIdIook attheerformance ofother
societies. Hetraced theerformancerocess. Inthe ast webeganwith
an initiation to our sociaI dramas, and a consummation, not mereIy a
beginning and an end, becausewiII andemotionare invoIved as weII as
meresequencesorevencognitiverocesses. . . . Butnow. . . theaterandcuI-
turaI erformances are the exIoring antennae by which we move for-
ward" (unubIished manuscrit) . (.
an
.""
arenashavetak
theIiminaIspacethat
beIongedtorituaI, theyfr_
=,ofe
nrIromitsmndanc u1eveIof
,\t.,--.-tgenevated, eEectivenits ownright,hIcht:cd
+a1hc+:cnbod .
> --
^^^ - -~~- .,.
, may-repre
.
-
sent
-
so
c
l
et
a
rticu1ating principles of social organization. The domi
nant symbol of the girl's puberty ritual among the Ndembu, for instance,
is a tree which exudes a white latex when cut. As a religious symbol this
tree ranges in meaning from "mother' s milk" (primary sense) to
"matriliny" (a much more abstract significance). Other symbols may rep
resent social groups, cateories, or social positions (in a per during system).
Furthermore, performance of rituals may make visible specifc struc
tural aspects of the situation to which they refer, as, for example, the local
or tribal hierarchy of authority or patterned opposition between the sexes.
And to obtain an adequate understanding of a given performance, the
investigator must take account of the idiosyncratic relations obtaining
between particular groups at that time. Relations between village pressure
groups may, for example, influence the allocation of roles in a particular
performance of ritual. These considerations entail the collection of sys
tematic data about the social .eld in which ritual is observed. (Although I
write as an Africanist about Indian data, I would like to stress that we have
many common problems and must fnd common methods of tackling
them if social anthropology is to develop a genuinely scientifc basis.)
The methods I shall use to interpret certain features of Saora ritual
have been fruitfully applied by anthropologists to the study of societies
with widely difering ethnic and cultural backgrounds. I hope that this
will serve as an adequate excuse for my presumption in analyzing Indian
data although I have never done feldwork in India.
Let me try to show with the help of three examples how Elwin might
have clarifed certain features ofSaora ritual ifhe had made a prior analysis
of the social system. On p. 4II,he cites the case of two brothers who livd
together with their father, until his death, when each set up a separate
establishment. Shortly after one of the brothers had built his new house,
he became very ill. He summoned a diviner-shaman, who ascribed his
illness to the afiction of three gods. These gods had been regularly wor
shipped by his father, and his brother had painted an ikon (i.e., a sacred
drawing, on an inner house-wall, dedicated to gods and spirits) in their
honor. The shaman, impersonating the three gods, declared to the sick
SACRA RITUAL AND SHAMANISM 21
man that "this man's father used to worship us, and so did his brother. So
long as he lived with them he joined in the worship, but now that he has
separated from them, he neglects us. If he wishes to recover he must honor
us in his house also." The patient begged the shaman to paint an ikon to the
gods, sacrifced a goat before it, and we are told that he recovered from his
illness.
In this case, reference is made to no less than fve categories of social
relationship: father-son, brother-brother, shaman-patient, shaman-god,
moral ofender-god. Indeed, the shaman performed two roles that in
Saora society are often undertaken by diferent individuals, those of
diviner and doctor. Does Elwin supply us with sufcient background
material to enable us to put these relationships in their relevant structural
context? Unfortunately he does not, for his main interest in this case is in
Saora iconography. We do learn, however, from the introduction to the
book, that the "one essential unit of the Saoras is the extended famly
descended from a common male ancestor." But it is impossible to discover
whether "the extended family," called birinda, is really a paternal extended
family or a patrilineage with internal segmentation, or whether the same
term covers both meanings. Again, Elwin says next to nothing about the
modes of succession and inheritance, whether these are dominantly adel
phic (along a line ofbrothers) or flial (from father to son). He does indeed
mention that a man's "paddy felds are divided among the sons," but on
the other hand he cites a murder case (on p. 539) in which "a youth named
Turku killed his paternal uncle Mangra in a dispute over a feld." On the
following page he mentions how quarrels over the inheritance of a palm
tree from which wine is made "often lead to tragedy, for these trees are the
most cherished of a Saara's possessions." An uncle killed his nephew in
one such dispute and in another a nephew killed his uncle. I presume that
the term "uncle" in these cases refers to "father's brother," although Elwin
does not make this clear. From these cases, it would appear that there was
no clear rule of inheritance, and that the death of any man with property
was the prelude to sharp disputes between persons belonging to several
categories of his close paternal kin. In the ritual case mentioned earlier,
one may not be far of the mark in inferring that the brothers had quar
relled, since the shaman states that the patient had "separated" both from
his father and from the brother who had continued to worship his father's
domestic gods. It may very well have been that the brothers had disputed
over their share of the inheritance, and that the brother with the superior
share had continued to worship his father's gods. But Elwin does not tell
us this, nor does he tell us whether the patient was the elder or the
younger brother.
In view of the widespread belief in tribal societies that spirits and
gods frequently afict the living with illness and misfortune to punish
22 PART I : PROCESSUAL ANALYSIS
them, whether for quarrelling openly with their kin or for harboring
malignant wishes against them, it seems feasible in this instance that the
shaman, using the idiom of mystical a:f iction, was in fact redressing a
breach of the customary norms governing behavior between seminal
brothers. At the same time, the ritual he performed would seem to have
had the efect of restating and reanimating the value set on patriliny. For
the patient's recovery was made dependent on his consenting to worship
his father's gods. After the ritual both brothers worshipped the same gods,
and were presumably reconciled.
One learns further that it is believed that the gods actively intervene
to punish breaches between living kin and to maintain the continuity
through time of patrilineal ties. The shaman mediates between gods and
men and makes the wishes of gods known to men. One is led immediately
to inquire whether the shaman may not perform a structural role of great
importance in the day-to-day adjustment or adaptation of Saora society,
since it would appear that one of his tasks is to reestablish the social order
after disputes have led to the breaking of certain of its relationships. For
example, in the case cited, patriliny is asserted as an axiomatic value. Now,
patriliny is a principle that apparently governs a number of quite distinct
sets of relationships in Saora society. It appears to govern domestic rela
tionships in the household. But it also seems to articulate households that
are spatially distinct and may even belong to diferent quarters and vil
lages. In ritual, patriliny is asserted as a unitary value that transcends the
diferent kinds of relationships governed by patrilineal descent, and also
transcends the conflicts of interests and purpose that in practice arise
between paternal kin. This case also leads one to inquire whether the
position of shaman may not be structurally located outside the local or
kinship subdivisions of the Saora social system. The shaman may well
have no structural links to either of the parties in a dispute. It is also
possible that he has the permanent status of an "outsider" or "stranger"
who has little stake as an individual in any of the ordered arrangements of
secular society. He appears to mediate between persons or groups as well as
between gods and ancestors, on the one hand, and the living, on the other.
And as he mediates he mends not only the idiosyncratic tie that has been
broken, but also adjusts a far wider set of relationships that have been
disturbed by the quarrel. Let me give another illustration of the redressive
role of one of these functionaries, this time of a female shaman,
o
r
shamanin, to use Elwin's term. Incidentally, it is worth noting in connec
tion with this concept of the shaman as an outsider that shaminins out
number shamans, although in secular political and social life women rarely
occupy positions of authority or prestige.
This second case is dominantly concerned with afnal relationships,
although the patrilineal basis of Saora society is an important factor in the
events described. A man's wife ditd :md a year afterwards a glrcame "of
SAORA RITUAL AND SHAMANISM 2
her own accord" to live with the widower. She fell ill, and her illness was
attributed by a diviner-shamanin to the frst wife's spirit. It would seem,
although Elwin does not mention this, that the husband had married the
girl before she became ill. The shamanin, reputedly possessed by the spirit,
declared to her, "What are you doing in the house I made? I was there frst,
and you have entered it of your own accord, and have never given me a
thing."
On the shamanin's advice the husband instituted a ceremony of
friendship (addin) to bring his two wives, the living and the dead,
together. Another shamanin acted as ofciant, and said to the husband
speaking as the spirit, "Why did you bring this woman into my house? I
had a little sister; she was the girl you should have married. She would
have looked after me properly." The husband replied, "But that was the
very girl I wantea to marry. I went to her father's house for her. But the
old man made such a fuss that we quarrelled. Then this girl came. She
works well; you ought to be pleased with her." The shamanin, acting in the
character of the dead wife, agreed to make friends with the new wife, and
gave the latter a cloth and bracelets (supplied by the husband) in token of
ritual friendship. Two funerary priests, dressed up to represent the two
wives and carrying bows and arrows, then mimed the antagonsm of the
two wives, while bystanders threw ashes over them. In Africa the throw
ing of ashes might have represented in some tribes a symbolic "cooling"
of the anger, but Elwin does not explain the signifcance of this act for the
Saora. In the end the funerary priests drank together, embraced and
fondled one another, thus dramatically portraying the end of the dispute.
From these events we may infer that the Saora practice the sororate.
Indeed, Elwin states elsewhere that they do, and also that soro
;
po
i
,
-
gyny is not uncommon. In this respect the Saora resemble many other
patrilineal peoples. The data also show that the bond between seminal
sisters is highly valued. It would also appear that most marriages are
arranged, for the second wife is blamed for coming to live with the wid
ower c her ow accord. Her action, it is implied, disregarded the values
attached to the sororate (a form of marriage that maintains the structural
relations between patrilineal groups), to the relationship between sisters,
and to the custom of arranging marriages. The husband tries to defend the
new wife by claimng that he had tried to fulfll Saora norms by marrying
his deceased wife's sister. Her father was in the wrong, he suggested, for
"making such a fuss" that they quarrelled. If Elwin had been interested in
sociological problems he would have inquired more closely into the con
tent of this alleged quarrel, which might conceivably have thrown light on
the nature and functions ofbridewealth among the Saora. One would like
to know, for example, whether a w
mostpart,Iarge,"long-estabIishedintheirpresentsites, andbuiItinthe
mostdif6cuItandinaccessibIesites thatcanbeimagined."ButEIvingives
usIittIeindicationastopreciseIyhow IargetheseviIIagesare.Hehasmade
no attemptto discuss inquantitativeterms suchfactors asthemagnitude
and mobiIity ofviIIages, and the residentiaI mobiIity ofindividuaIs
throughviIIages. We canobtainno informationabouttheaverage magni-
tude ofa SaoraviIIage or ofthe rate ofviIIage size. He does mention
tantaIizingIy thatshiftingcuItivationmeansthatsomeSaoraviIIagesare
very smaII, vithonIythree or fourhouses, high in the hiIIs, IoneIy and
remote,butconvenientforthesviddens"~byvhichtermhemeansash-
gardens. But he hasjust previousIy vrittenthat "Saora viIIages in fact
rcsembIeestabIishedCondorSanta|settIementsratherthantheroughand
28 PART I : PROCESSUAL ANALYSIS
ready camps ofBaigasandKonds, for vhomshifting cuItivationmeans
shifting homes (p. 39). He does mention that in three ofthe Ganjam
poIiticaIsubdivisionscaIIedMuttas thereare04viIIages.Nov there are,
according to EIvin, about 60,000HiII Saorain Ganjam, Iiving in eight
Muttas. Putting these 6gures together, and making the admittedIy risky
assumptionthat three-eighths oftheGanjamHiII SaoradoinfactIivein
thethree Muttas hementions,vemay guessthattheaverageviIIagepopu-
IationintheseMuttas isabout26.lnaIaterchapterentitIed,TheCostof
ReIigion, EIvin mentions that
.ssumption that psychic conict in the individuaI prepares him for the
latcr task ofdivininginto the conicts in society. Such psychic conict
|tsclfmaybereIated,asvehavespecuIated,tothesociaIfactofexogamy. _
1hcdiviner-eIectvandersabouttheviIIageandoutintothevoodsdanc-
| ogand singing.Thismaybesaidto representhis disamIiationfromthe
orJcredIifeofviIIagesociety. DreamsandiIInessesofthesesortstypicaIIy
OtCU during adoIescence for diviners-eIect ofboth sexes. When the
J|cted person consentsto marryhistuteIary,herecovershisheaIthand
jo|scand enters onhisvocationas adiviner.HethenreceivesadditionaI
| r. |ningfromaccrediteddiviners,vhoarefrequent|yhiscIosepaternaIor
matcrnaIkin.
ThroughconversionthedivinerachievesasociaIIyrecognizedstatus
I
(
|I8 a sacredoutsidcr.Butthcquestionremains.vasheorsheinanysense,
eighborhoods,andchiefdomsreveaIthateachdispute
tc
ac
ivities ofaIIt
|omest
c,
tionsthatinvoIvegroupsoflargespanandgreatrangeandscope
arereIativeIy fev. Whentheyoccur, hovever, theroIes,interactions, and
behavioraI styIe that constitute them tend to be more formaIized than
thoseofsubgroupbehavior.TegradientofformaIitymayextendfrom
themeredispIayofetiquetteandpropriety, throughceremoniaIaction,to
the fuII-bIovn rituaIization ofbehavior. Even vhen situations deveIop
spotaneousIy, outofquarreIsorceIebrations, theyrapidIyacquireafor-
mahzed orstructuraIcharacter. MostanthropoIogistshaveobservedthat
inhecourseofviIIagequarreIs,thecontendingfactionsdrav apart,con-
sohdatetheirranks, and deveIop spokesmenvho presenttheir cases in
terms ofa rhetoric that is cuIturaIIy standardized. Situations, too, have
rather cIearIy de6ned termini. the investigator can observe vhen they
beginandend.
Thusasocietyisaprocessthatispunctuatedbysituations,butvith
mtervaIs betveen them. Much behavior that is intersituationaI from the
perspective of the videst eective group may, hovever, be situationaI
|romtheperspectiveofitssubgroups.ThusanucIearfamiIymayhaveits
ovnsituationaIseries,itsfamiIycounciIs,itsactsofvorshipdevotedtoits
Lares atqueenates,''its
sdisutes,th
mountofdataintheformofextendedcasehistories,andthusvasabIeto
| ollovthevicissitudesofasociaIgroupovertime.lnseveraIpublicationsl
have, inapreIiminaryvay,indicatedhovlthink suchdiachronicstudies
-houId bemadein thecontext ofviIIageorganization,butherel vouId
. -to re
ofsiuauo
slvanttodescribeembracedthemembership
ofaIItheseresidentiaIurutsandvasconcernedviththe decisiontohoId
and the
ghoutmuchofthedryseason(fromMaytoAugustorSeptember),
andmvoIvesseveraIofthevicinage'sseniormenasomciants.
To act as an omciant is anindex ofstatus. Theprocess ofseIecting
rituaIomciantsis,inthesenseempIoyedbysuchschoIarsasLevy(952),
Easton(959),andFaIIers(965),poIiticaI,foritisconcernedvithmak-
i
importantrituaIroIes,butthesefourarethemorobjectsof
competitivetmportance.)
ln the vicinage l am speaking about, the decision to hoId
--+
hcganvithadecisionofthepeopIeofMachamba, SaIadFarm andToveI
| 'arm o
.
caII a
in
ge.
t the
vicinagecounciI,hovever,NyaIuhanastrongIyopposedtis sIate vhen
its composition vas hinted at, fear ofNyaIuhana'sprestige and sorcery
restrainedtheMachambabIocfromadvancingitopenIy.
NyaIuhana's prestige vas the product of severaI
fact
rs. First,
.
the
headmanvas acIose reIative ofthe senior chiefandhved mthat chiefs
reaIm. He vas, moreover, in theIine ofdirectmatriIineaI descentfrom
severaI former senior chiefs,one ofvhomfoundedhisviIIage. Hevas a
counciIIorinthe seniorchiefs courtandcouIdberegardedashisrepre-
sentative in the vicinage, aIthough he had no institutionaIized poIiticaI
authority over its members. Second, he haaIready
acted as sponsor of
tvo previous mukanda ceremonies in theviIIage. Third, he had actedas
seniorcircumciser, asveIIassponsor,intheseandinotherperformances
ofmukanda invariousNdembuvicinages.
With such a formidabIe area ofquaIi6cations for seniorrituaIroIes,
vhy vas it that Machamba and his coterie ventured to aspre t
usur
ditionaI
expertise, incIuding maIevoIent magic. He had, moreover, msisted
n
beingpaidthedcferenceduetoachieflnshort,herepresentedtheanren
.
Many others in the vicinage no Ionger adhered to its norms and
vaIues, and some of them~incIuding Machamba, SaIad, ToveI, and
Wukeng'i~hadvorkedasIabormigrantsinthetovnsofthehenNorth-
ern Rhodesian copperbeIt. Wukeng'ihad Ieft NyaIuhana's viIIage partI
/
toemancipatehimseIffromtheIatter'straditionaIism,andothrssavthi
successfuIbreakavayasasignthattheoIdmanhadbecomea has-been.
Furthermore theMachambacIusterhadaIvaysresentedthedepositionof
theirheadm.nfromthepositionofgovernmentchief"hoIdingthathe
vasthe6rstNdembuchieftobesoinstaIIed andthathisfaIIvasdueto
the machinations ofthe senior chief and his cIose matrikin, incIuding
NyaIuhana.
.
. .
_
Thus a mixture ofmodern and traditionaI considerations impeIIed
themto use the occasion ofmukanda as abid to restructurethevicinage
prestige system AIso, they opposed NyaIuhana'
penin
day of
tasaninuentiaIstranger),the
roIe ofsenior circumciser vas stiII un6IIed. The Machamba faction stiII
supported Sampasa, and it imported another autochthonous headman
|ro
then
xtvicnage,vithvhoseviIIagetheyvere|inkedbymarriage,
tocircumcisebesideSampasa.lnaddition,theyhadpIayedsohardonthe
|cars ofWukeng'i for the safety ofhis three sons, the eIdest ofvhom
wouIdbecircumcisedbyNyaIuhana, thathesecretIysupportedSampasa
againsthismother'sbrother.
The afternoon and night before circumcision (vhich occurs some
|ours after davn) constitute an important rituaI situation for Ndembu.
Thecircumcisers setupashrineanddispIaytheirIodgemedicinebaskets
tbc initi
nds' p
dttio
aIsongsanddrumrhythmsisheId. TraditionaIsym-
l
ohsmsan+ntes,withtheobservanceoftraditionaIfoodandsexprohibi-
|+ons,donunatethescene,foratime,theoIdLundacuItureisparamount.
ln thissituationaIcontext(situation2),headmanNyaIuhanamadean
| mpassioned speech in vhich he stressed the danger to the initiands of
uysticaI povers that might become active if peopIe vere to cherish
grcdges in thcir hearts againstone another, iftaboos verebroken, and
c-pccia||y if openquarreIing vereto breakout. He emphasized thatthe
]C PART I : PROCESSUAL ANALYSIS
rituaIoEciantsmustcooperatevithoneanotherifourchiIdren'vereto
passsafeIythroughthemysticaIdangersofmukanda.
lheardmuchgrumbIing againstNya|uhanaaroundthebeerpotsof
theMachamba facuonduringthenight, and expressions offears ofhis
sorcery ifthey shouId oendhim, it seemed he vas getting the upper
hand. Tedramaticmomentcame nextmorning (situation3), vhenthe
boysvereritua|IysnatchedbyaIodgeomciantfromtheirmothers,taken
beneathasymbolicgatevayoutofthedomesticreaImoftheirchiIdhood,
andbornecryingtothesecretsiteofcircumcisioninthebush.
LittersofIeaveshadbeenpreparedfortheboys,eachIitterattendedby
acircumciserandtvoassistants.Teseniorinitiandvasbornetothesite,
andquickasthought,NyaIuhanarushedtothemudyi tree beneathvhich
this initiand vas to be circumcised, inaugurating the rite. Hebeckoned
vith his hand and croaked. Kud'ai (Take him to me''). (ActuaIIy his
vork vas neat and eective, and the boys he operated on aIIrecovered
veIl)
ThisterminatedthesituationinNyaIuhana' sfavor. SocioIogicaIIy,he
had succeeded in reasserting his status, and not onIy his status but the
Ndembuvay ofIife,infaceofthe oppositionofthe modernists. He
hadaIsovindicatedthecIaimoftheroyaImatrilineagetomoraIauthority
overthevicinage.ThefactthatnoonechaIIengedhiscIaimtoactassenior
circumciserindicatedthattraditionaINdembuvaIues,atIeastinthistype
ofsituation, vere coI|ecuve representations that stil had considerabIe
povertocompeIassent. Furthermore, onythree circumcisers operated:
NyaIuhana, Sampasa, and yet another member ofthe senior chief's
matriIineage,vhoresidedinanotherchiefdom.TedefeatofMachamba
factionvascompIete.
OnIy a brief anaIysis is needed to put this case in its theoreticaI
perspective.TedisputebetveenNyaIuhanaandMachambamaybestbe
understood not in terms of synchronic structure but in terms ofthe
dynamicpropertiesofthevicinagesociaI6eIdandin terms ofthesitua-
tiona|series.
Whenthesituationvasde6t:edpoIiticaIIy, itseemedthatMachamba's
factionmightsucceedinatIeastnominatingtheseniorcircumciser, since
theyverenumerica|Iysuperiorandbetter organizedandcouIdappealto
thoseeIementsmostsensitivetomodern changes. Butvhenthesituation
vas de6ned rituaIIy, and vhen severaI rituaI situations foIIoved one
another immediateIy, traditionaI vaIues became paramount, and
NyaIuhana pIayed on the reIative conservatism ofNdembu tomaintain
andevenenhanceastatusdathadpoIiticaIimpIications.
The outcomc ofthis particuIar dispute process vas a|so anindex of
the degreetovhichNdembuvere sti|| committedto pre-European vaI-
CONFLICT CONTROL IN AFRICA ]I
es.Tisconse
naIIy,
^
e may venu
e, as a e
sp
op-
erties are studied as 6eId properties, and not as the properties ofeither
organismorenvironment,takenseparateIy.Theovofeventsvithinthe
6eId aIvays is directedto somecxtentbythcreIationsbctveenthe outer
andinncrstructurcs.
MKA, BOYS
'
CIRCUMCISION ]]
AccordingtoLevin, abasictooIforthe anaIysisofgoup Iifeisthe
representationofthegroupanditssettingasa'sociaI6eId.'Anyeventor
happeninginthis6eIdhevievsasoccurringin,andbeingtheresuItofa
totaIityofcoexistingsociaIentities,suchasgroups,sub-groups,members,
barriers, channeIs ofcommunication, etc. This totaIity has structure,
vhichheregardsasthereIativepositionoftheentities,vhicharepartsof
the6eId.
.
lreaIizedafterreadingLevinthatthebehaviorlhadbeenobserving
durmgMukandabecame,toaIargeextent,inteIIigibIeifitvasregardedas
occurringinasociaI6eIdmadeup,ontheonehand,ofthegenericbeIiefs
andpracticesofMukandaand,ontheother,ofitsspeci6csociaIsetting.ln
practicethesemajorsetsofdeterminantscouIdnotbecIearIydemarcated
fromoneanother. Sincethepredominantactivityvithinthis6eIdvasthe
performance ofa protracted rituaI it seemed appropriate to caII it the
rituaI 6eId ofMukanda. What, then, vere the major properties and
reIationshipsofthatrituaI6eId?
First, thespatiaIIimits oftherituaI6eIdhadtobe considered. These
vereuid,varyingfromsituationtosituation,butcorespondingapprox-
imateIytotheboundariesofavicinage,vhichlhavede6nedeIsevhereas
adiscretecIusterofviIIages.AIItheboystobecircumcisedcamefromthe
vicinage, andthemajorityoftheof6ciants.AtthegreatpubIicceremonies
that preceded and terminated Mukanda proper, hovever, peopIe from
severaIvicinages, andevenchiefdoms, attended, andduringonephaseof
the secIusion period, masked dancers from the Iodge visited viIIages in
adjacent vicinages. Teboundary oftherituaI6eIdvastherefore vague
andvariabIe.NevertheIess,formostoftherituaItheeffectiveboundaryof
therituaI6eIdtendedtooverIaptheperimeterofthevicinage.
NovtheNdembuvicinagehascertaingeneraIpropertiesvhichcru-
ciaIIy affect the structure ofthe rituaI 6eId of any performance of
Mukanda.ltconsists, asvehavesaid, ofanumberofviIIages~anything
|rom tvo to over a dozen, separated fromone another by variabIe dis-
tancesof6ftyyardsto acoupIeofmiIes.FevoftheseviIIagesareinter-
linked by matriIineaI ties, that is, by the dominant principIe ofdescent.
MostofthemhaveonIyshorthistoriesofIocaIsettIementandhavecome
|romothervicinagesorchiefdoms.SuchviIIagessoonbecomeinterIinked
by acompIexnetvork ofmarriages, and af6nity assu
esapoIiticaI sig-
uihcance.SincemarriageisviriIocaI,andmostmarriagesoccurvithinthe
vicinage, most viIIages rear as their seminaI chiIdren'' thejunior
matriIineaI membersofthe otherviIIages. l mentionthisbecauseitisan
|mportant feature ofMukanda that fathers protect and tend their sons
duringcircumcisionand secIusion. The father-sonIinkvhichis cruciaI
f(>r thcintegrationofthevicinageisaIsostressedintherituaIcustom.
As I have shovn in Schism and Continuity in an Afican Society (1957),
j PART . PROCESSUAL ANALYSIS
vicinagesareunstabIegroupings,forviIIagesfrequentIy spIitthroughtime
and vander overIand. The spIit-off section or migrant viIIage often
changes its vicinage af6Iiation. These characteristics ofthe vicinage, its
instabiIity andtransience, render impossibIe poIiticaI controI by any one
headmanovertheothers. NocIearIy dominantcriterion existstovaIidate
suchauthority. AsinothersetsofNdembusociaIreIations,ve6ndrather
the coexistence and situationaI competition ofseveraI principIes vhich
confer prestige but not controI. Thus in each vicinage there are usuaIIy
tvoormoreviIIagesvho cIaimmoraIpreeminenceover the others, each
advancingitscIaimbyvirtueofasingIecriterion.OneviIIage,forexam-
pIe,mightcIaimseniority onthe groundsthatithasresidedforaIonger
time in the territory occupied by the contemporary vicinage than any
otherviIIage. lts cIaimmaybecounteredbyaIater-arrivingviIIagevhose
Iineage core is cIoseIy reIated to the Ndembu senior chiefor to the
government subchiefofthe area (vhichincIudes severaIvicinages). The
conict betveen them is pertinent to the anaIysis ofMukanda, for the
headmansponsoringthisrituaItherebyobtainsgeneraIrecognitioninand
outside his vicinage as its moraI Ieader, ifnot as its poIiticaIhead. Thus,
everyMukandaisprecededbyfactionstruggIesfortherighttosponsorit.
Eachimportantheadman tries to expIoithis ties ofkinship, af6nty, and
friendshipvithmembersofotherviIIagestostrengthenhisfoIIoving.He
may aIso attempt to vinthe favor ofhis IocaI chief vho must ritu
IIy
inaugurateMukanda. OntheoutcomeofthisstruggIedependsthespeci6c
aIIocation ofrituaIroIes, for the most important faII to members ofthe
victor'sfaction.
ln deIimiting the rituaI 6eld, the structure ofthe viIIage and the
pattern ofinterviIIage reIationships have aIso to be considered. ViIIages
arethemajorIocaI subdivisions ofthevicinage, andmustbeconsidered
both in terms oftheir interdependence vith that vider grouping, and
vith regard to their degree of autonomy vithin it. Furthermore, they
mustbeexaminedfromthestandpointbothoftheirinterdependencevith
andindependencefromeachother,thatis,oftheirreIationshipvithstruc-
turaIIyequivaIentgroups.
Membership ofviIIages heIps to shapethecomposition ofthe rituaI
assembIy atMukandaandisanimportantfactorinthe disputesthatarise
inthesecuIarintervaIsbetveen sacredphasesandepisodes. lndeed,yhat
ismoreimportantthanthe generaI characteristics ofviIIage structure in
this kind ofrituaI isthe speci6c content ofintraviIIage and interviIIage
reIationships during the period ofMukanda. This content incIudes the
contemporary interests, ambitions, desires, and goaIs ofthe individuaIs
andgroupingsvhoparticipatein such reIationships. ltaIsoincIudespat-
terns ofinteractioninheritedfromtheimmediate past. personaI grudges,
memories ofsituations ofbIood vcngeance, and corporatc rivaIrics ovcr
NKA, BOYS
'
CIRCUMCISION ]]
property orover the aIIegiance ofindividuaIs. lnothervords, vhenve
anaIyzethestructureofasociaI6eIdvemustregardascruciaIproperties
oftat 6
Id not
.
onIy spatiaI reIations and the framevork ofpersisting
reIationshipsvhichanthropoIogistscaIIstructuraI,"butaIsothedirected
en
itie
s"
at anygiventimeoperativeinthat6eId, thepurposiveactivities
'
fmdividuaIs
andgroups,inpursuitoftheircontemporaryandIong-term
mterestsandaims.
One asp
ct
cIassi6caton.Mukandahastheprominentcharacteristicofexpressing
mits symbohsmand roIe-pattern not the unity, excIusiveness, and con-
stancyofcorporate groupsbutrathersuchvidespreadcIasses as men"
" '' Id " hId "
'
"
omen, e ers, c i ren, the married," theunmarried," circum-
isedanduncircumcised,"andsoon.Suchcategoriescutacrossandinter-
I
nktemembersipsofcorporategroups.lnasensetheyrepresent,vhen
ntuahzed,theutut
"
andcontinuity ofthevidestsociety, sincetheytend
torepresentth
utuversaIconstantsanddierentiaeofhumansociety,age,
sex, andsomaticfeatures.Byemphasizingtheseinthe sacred contextofa
great pubIic rituaI, the divisions and oppositions betveen corporate
groups,andbetveenthetotaIsociaIsystem,vievedasacon6gurationof
groups, and aIIor anyofitscomponentgroups, are pIayeddovn'' and
forced out ofthecenterofrituaIattention. Ontheotherhand thecate-
goricaIreIationshipsarerituaIizedinopposedpairs(menandvmen oId
andyo
ng, circumcisedanduncircumcised,etc.),andinthisvayat-ans-
erenceis
adefromstruggIesbetveencorporategroupstothepoIariza-
tion ofsociaI categories. But it must be emphasized that Mukanda is
donatIy
epressiverituaI,notarituaIofrebeIIionoranactingoutof
sociaIIyiIhcitimpuIses.OnthevhoIe,conictisexcIudedfromthestere-
otypedbehaviorexhibitedinrituaI events. Onthe onehand thesevere
physi
aI situatio
ciaIcat
gonestocooperate.HarshpenaItiesareexacteduponthosevho
dtsobey ntuaI omciants, and dreadfuIsupernaturaIsanctions arebeIieved
to punish taboobreaking. By thesemeans the opposition betveen sociaI
ategoriesiscon6nedvithinnarrovIimts,andintherituaIsituationtheir
i i:terdependence,r
therthantheirmutuaIantagonism,isemphasized.
lthoughspeci6ccorporategroupsdonotreceivedirectexpressionin
t|c ntuaIcustoms ofMukanda, certain typicaI kinship reIationships are
v
sctibed
.
a powet neld, the boundaties ofwhich wete toughly cotet-
nunouswitan dembuvicinage, containing villages ofvatious sizes,
smeofwchclarmedmotalleadetshipofthevicinagebyvatiousctite-
na, ndwhicweteintetlinkedwithoneanothetbyties ofkinshipand
aHtutyovan
ble
numbetandemcacy lhavediscussedothetgtoupings
and telationships m the sttuctute ofthis powet neld. (See also Tutnet
I97.I5I-279.)
,
Now the decision to petfotm Mukanda convetted this powet neld
tntoafotceneld.(Hete,ofcoutse,lamnotusingthetetmspowetand
fotce aspolitical scientistsnotmallyusethem. Rathettheycottespond
roughly
to
-
potency and 'act.) Iewin dennes fotce as a tendency to
loco
oti
whetelocootiontefetstoatelationofpositions atdiet-
enttimes. Whatdoesthis
eanfotusinanalyzingMukanda?ltmeans,
ontheoneh
.
and,thatt
vanouscomponentgtoupingsputtheitpowet
t
tsofategionofNdembusocietywhichhasbeendistutbedbythe
gtowmg up of a latge numbet ofboys. Too many unclean'' (an
bulakutooka) o
)
saehan
ingatound"thewomen'skitchens.Notenough
yothsatesiti
gmthevillagefotum(chota) andpatticipatinginitsadult
oings-on.lttsmthegenetalintetestofmanyvillagestobtingtheseboys
mto the adultfold and thus to cottect the obsttuctions inthe coutse of
teg
mcitcumcisedNdembumalesatebothuncleanandimmatute,thenatutal
|ncteaseofsuchpetsonsmustleadtoanumeticalimbalance andalsoto
an ibalance in social inuence, between men and women. Fotuncit-
cumcisedboysbelongtothewomen'sspheteofactivitiesandtheitattach-
aenttothisspheebecomesgteatetastimepasses.Atanygiventimethe
ocleatc
stobey
theit eldets fulnll the notms govetning each categoty ofkmship tela-
tionship, admay be punished fot disobedience by any male seniot to
them.Tbeycanalsobeamictedbythespititsasindependen
petsonsot
s
teptesentativesofsttuctutedsubgtoupingsofN dembusoci
ty. ltheteis
anundueptepondetanceofuncitcumcisedboys,thetefote,mavillage
ot
inavicinage,thetemaynotbeenoughinitiatedboystopetfotmtouu
e
tasks ofvillagemaintenance, andthetemayeist atendency fo
nc
it-
cumcised boys to become incteasingly less amenable to the disciplme
whetebysttuctutaltelationshipsatemaintained.Ptolongedattachmentto
mothet and to the women
dy
citcumcisiontheeeminacyoftbechildissymbolicallytemovedwithit.
Thephysicalopetationitselfissymbolicofachange
fsocial
tatus.
Thus thete ate two main categoties offotces m the ntual neld of
Mukanda associatedwithtwotypes ofgoals. One typeofgoaliscon-
cetnedw.ththemaintenanceofthettaditionalsttuctuteofNdembusoci-
ety.Themeansemployedisaboundedsequenceoftitualc
sto
sditected
to the cottection ofa deviationaty dtift towatd numencal imbalance
betweensociallytecognizedcategotiesofNdembu.Ndembuthemselves
donot fotmulate the situation at this level ofabsttaction. They say that
theteatemanychildten (atwanst) inthevillageswhohavenotbeencut
(ku-ketula) ot citcumcised (kwalama ot kwadika), and sothe eldets of
the
vicinagefeelthat it would be goodto citcumcise them. Ptessed
.
alittle
futthetNdembuadmitthatitisinconvenientiftheteatemanyuncncum-
cisedboysinavillage,fotcitcumcisedmenmaynoteatfoodcooedona
nte usedfot cooking suchboys
thets and
the male childten ofsistets fotmthe ptincipal unit in foundmg a ne
village andinothetcontetsalso theptincipleoftheunityofbtothetsis
sttong|y sttessed. We have seen that oldet btothets ot patallel cousins
ftequently act as guatdians (ayilombwejt) f
t thei
Y
ounget tothets ot
cousinsintheseclusionpetiod following cncumcision. lnthiswaythey
MKA, BOYS
'
CIRCUMCISION I
ate
.
btought into a close, helpful telationship with theituniot siblings,
whichtosomeetenthelpstoovetcometheiteatlietcleavage.
CustomatybeliefsaboutthefunctionofMukanda,then,givetisetoa
situ
tion o
,
fboth motal and physical discomfott when thete ate many
uncitcumcisedboysinavicinage. ltisthis feeling ofdiscomfott, associ-
atednodoubtwithanietyonthepattoftheitfathetsaboutwhethetthe
boysatebecomingtoo closelyattached to theitmothets, andwithittita-
tion among the men genetally that thete ate so many undisciplined
youngstetsatound,thatsetstheptevailingtoneofvicinagelife.lnsuchan
atmosphetethesuggestionbyatesponsibleadultthatMukandashouldbe
petfotmed is teceived with a cettain amount oftelief although this is
t
k,unottusively,theyatethebettetabletoputsuetheitpetsonaland
sectionalaims.lftheyfeelthatcustomis,onthewhole,beingupheldand
obsetved, they ate bettet ableto ptedict the outcome ofactivities setin
ttaintoachievetheitpatticulatgoals.Theymaywellfeelthatthetotality
ofsocialintetactionsinwhichtheypatticipateinovetlappingtimecycles
hasaftamewotk. Cettainactionsandttansactionsateobligatoty,how-
evetonetoustheymayseemtotheindividualswhopetfotmthem.lfthese
leftundoneotatedoneinadequately,theftamewotkcannolongetbe
tehed upon as a safeguatd and standatd ofgenetal social intetcoutse.
| osecutityandinstabilitytesultwhentheintetactionsthtoughwhichctu-
c|alsttuctutalcustomsatemaintainedandeptessedfailtepeatedlytobe
jetfotmed.NowMukanda,asstatedabove,isamechanismbuiltintothe
system ofcustoms which give a measute offotm and tepetitiveness to
Ndembu social intetactions lt is a mechamsm which tempotatily abol-
| shes
ofnotmotchallengestovaluesbuttathetasdtiftawayftoma
stateofidealcomplacencyotequilibtium.Othetkindsofmechanismthan
Vukanda, bothutal and titual, ate indeed availableinNdembu cultute
|it
tetessin
&
bteaches ofnotms. Mukanda, like tituals in many othet
societies which ate connected with thesociobiological matutation of
|oad categoties ofindividuals, is a cottective tathet than a tedtessive
oechanis
ld.
lndividuals and gtoups seeinMukandanot only ameansofcottectmg
andadustingthewidetftamewotkoftheitsocial
,
telatonshipsb
tal
oof
augmentingtheitownptestigeotestablishingtheitclaimt
ttamnghts
insubsequentseculat andtitualsituations.Theyalso
seem
tanoppot-
tuuitytoteducetheptestigeanddamagethefututeclaimsofnval
,
s.
value
.lf
oneweteinapositiontoeamineevetyitemofpublicbehaviotdutmg
thepetiodandinthesiteofMukanda, onewouldundoubtedlyndthat
one class ofactions was guided by the aims and values ofMukanda,
anothetclassbyptivateandsectionalsttivings,whileyetanothettepte-
sented a seties ofcomptomises between these alttuistic and selsh
tendencies. And ifone couldhave access to theptivate opinions ofthe
patticipants, it couldptobablybeinfettedthatideals andselnshmotives
conftontedoneanothetineachpsychebefotealmostevety act. My own
obsetvationsandtecotdsofafew conndentialconvetsationswouldlend
suppotttothispointofview.
. .
lt must be cleatly undetstood that l am not positmg a simple di-
chotomybetweenideals," asembodiedinthecustomsofMukanda, and
selnshotpattisanintetests,"aseptessedincettainkindsofbehaviot.Fot
the ptinciples themselves, consciously tecognized ot implicitly obeyed,
whichgovetnsocialintetactionatenevet, inanysociety, sointettelated
thatthekindofbehavioteachinstigatesfallshatmoniouslyintoplacewith
behaviot accotding toothet ptinciples.Evenwhete each ptinciple con-
ttolsasepatateneldofactivity,nevetthelessactivityneldsateintetcal
ted
by individuals putsuing theitlife-goals. Whetevet aptinciple leaks mto
an, asitwete, alienactivityneld,itmodinesthebehaviotofpetsonswho
putsuetheitaimsinthatneld.ltoftenhappensthatinptacticethei
ttud-
ing ptinciple, highly valued in its otigina a
ses a
sttonget inuence on behaviot than the ptmciple notmally d
tmna
nt.
Thus theptinciple ofmattiliny, which should govetnonly telationships
atisingftom descent inthecase ofmattied Nembu wo
en, some
imes
ouststheptincipleofvitilocality as adetettmnantofrestdence .
.
lwnte
.
as
thoughlhavepetsoninedptinciples,butthisismetelyaconvetuentdevice
fot eptessing avety comple intettelation ofvatiables. ln te
ality, t
n-
sions within individuals and between gtoups genetate behaviot which
tendets alteady established ptinciples opetative ot inopet
ative. But
n
whetebehaviotisptincipledandis notentitely self-seekmg, theptmci-
ples that suppott it may be disctepaut aud iuduce the actots to putsue
MKA, BOYS
'
CIRCUMCISION
mutually inconsistent ot even conttadictoty aims at the same time and
with tegatd to the same people. lt is atguable that without a cettain
loosenessofntotdisctepancybetweenitsptinciplesofotgauizationthete
wouldnotbesuch athingasasociety. Asocietyisessentiallyawhole
hietatchy of cottective and adaptive activities, in which each mote
inclusive activity cottects ottedtesses the deuections ot bteaches ofthe
activitybelowitinthehietatchy.Buttheteisnevetinthishietatchysuch
athingasthetadicalcottectionofdeviationotthecompletetestotationof
bteach.Biopsychologicalneedsanddtivesontheonehand, andetetnal
sociocultutalstimuliontheothet,ensutetheimmottalityofdistutbancein
eachsociety. Buttheactivities thatmakeup a society atepattetned by
custom, andpattetnonly emetges in cottective and adustive situations.
Societyisaptocess, aptocessofadaptationthatcannevetbecompletely
consummatedsinceitinvolvesasmanyspecializedadaptationsastheteate
specializedinuencesintheenvitonmenttobemet, asHetbett Spencet
wtoteacentutyago. Anessentialfeatuteoftheptocessthatissocietyis
the disctepancyamongits sttuctutingptinciples.Thesttugglesbetween
petsonsandgtoupsthatateptovokedbysuchdisctepancycontinuallycall
intoplaythecottectiveandadaptiveactivitieswhosehietatchysummates
humansociallife.
1etitualneldofMukanda,then,ehibitscettaintelativelyconstant
ptopettiesandtelationships,suchasitsspatialcootdinatesandcustomaty
ptinciplesofsocialotganization.ltalsoehibits,aswehaveseen,dynamic
ptopetties in the fotm ofaim-ditected chains ofactivities. These aim-
ditectedactivitiescanbeenvisagedasfotceneldswhichovetlapandintet-
penettate. The citcumcision titual itself with its aims ofputifying and
confetting socialmauhoodonuncitcumcisedboys, establishes one such
|otceneld.1ekindsoftelationshipswhichatehandledbythistitualtend
tobecategoticaltelationships,andtheovetteptessionofcotpotatetela-
tlonshipsisconcomitantlysupptessed.Ptivateandsectionalaimssetupan
antitheticalfotceneld.lnthisneldtheunitsofsttuctuteandsttuggletend
tobeustthoseunitsandtelationshipswhichatesupptessedbythetitual,
thatis,thoseofacotpotatechatactet.Thismeansthatsincethetecanbeno
|lcitadmIssionofthetensionsbetweencotpotategtoups,behaviotindica-
tlveofsuchtensionswasonthewholeecludedftomthesactedepisodes
o|Mukanda. But it could be cleatly obsetved in the seculat intetvals
|ctweensuchepisodes, andinthosetegionsofthetitualneldwhichhad
oot beensactalized. ltispethapshatdlycottecttospeakofseculatand
sacted"behaviotinthetitualneldofMukanda.Allbehaviotlobsetved
lotheneighbothoodofthemaintitualsitesandbetweentiteswasditected
by thete|ations between the sttuctutal and dynamc components ofthe
iot.t|neld.Behaviotcharacteristicothesocial telationshipssupptessedby
ri tual custom outished outside the utisdiction o such custom And
6| PART I : PROCESSUAL ANALYSIS
titualcustomitselfwasmodinedandevendistottedftomtheidealpattetn
whichonecouldelicitftomtheaccountsoftitualspecialistsundetplacid
intetviewconditions. ltwasmodiedbytheputposiveactivitiesofpet-
sonsandgtoupsotganizedaccotdingtothevetyptinciples teptessedby
ovett titual custom. ShIfts in the balance ofpowet between sttuctutal
componentsofthepowetneldofthevicinageatetefettabletothefotce
neldofintetestswhIcheettedptessuteonthesttuctuteoffotcesditected
towatdtheendofthetitualptopet Thetewetetegions ofthetotalneld
whetethe sttuctutesofthetwomaotfotceneldstendedtocoincide,but
thete wete also tegions ofsttess and disctepancy between them The
methodsofanalysiswhIchhavebecomeestablishedinanthtopologycan-
notptovideadequateconsttuctstoeplainthetelationships betweenthe
intetactingfactotswhichdetetminesuccessiveandsimultaneouseventsin
a behaviotal eld ofthis type. lf on the one hand, one absttacts that
behaviot which can cleatly be classined as titualIstic, that is, ptesctibed
fotmalbehaviotnotgivenovettotechnologicaltoutinebuthavingtefet-
encetobeliefsinmysticalagencIes, onegainspossessionofasetofdata
useful ptimatily in compatative cultutal analysis. One can compate the
obsetved titual behaviot with othet obsetvations ofthe same kind of
titual, andwithinfotmants'accountsofthatkindoftitual. Ftomthese
obsetvationsandaccountsonecanconsttucttwotypesofmodels. Ftom
tepeated obsetvations ofthesamekind oftitualonecanmaketentative
statementsaboutitstealpattetnatagiventime,theaccutacyofthismodel
vatyingwiththenumbetofobsetvedinstances. Ftominfotmants'state-
ments one can make a similat model ofthe ideal pattetn. Then, ifone
wishes, one can estimate the degtee and kind ofdeviance between the
specincinstanceandbothtypesofmodels.
lfontheothethand,oneabsttactsthekindofdatathatonecanlabel
as sttuctutal, that is, teasonably telated to the constant and consistent
telationshipsbetweenpetsons, gtoups, andcategoties, onegainsposses-
sion ofdata pettinent to the consttuction oftwo simlat models at a
dietentlevelofabsttactionftomthepaitofcultutalmodels.
Ftomthentstpaitofmodelsonecandemonsttatethatdeviationeists
betweenspecincinstanceandtealandidealnotmativepattetns, andshow
whetepteciselyitoccuts,but onecannotshowwhy itoccuts,whatatethe
causativefactotsbehindit.Fto:nthesecondpaitofmodelsonecanehibit
whichfeatutesofthesttuctuteofthetotalsocialsystemteceiveeptession
inthegivenkindoftitual.Whetedeviationeistsbetweenidealandteal
pattetns,one canspeculatewhethetthIsis due to theinttinsicnatuteof
titual,whichpethapsalwaysallowsinitssymbolicpattetnahighdegtee
ofleewaytoaccommodatelocalandsituationalvatiationsinthesttuctute
ofthegtoupspetfotmingit,otwhethetsocia|changeisthefactottespon-
siblefotmatkeddivetgence.ltisofthevetyessenceofsttuctuta|analysis
MK/ BOYS
'
CIRCUMCISION 6
thatittegatdsasittelevantitemsofbehaviotwhichatenevetotseldom
tepeated,theunIqueeventsofwhichsociallifeisfull. Yetitmaybeust
suchitemsofbehaviotwhichhavethehighestsignincancefotthestudyof
so
ie
.
tyteg
tdedasaprocess. Afutthetobectiontothekindofabsttacting
activttywhichleadstotheftamIngofmodels,oftenonassumptionsbot-
towedftomthestudyoftwodimensionalngutes,isthatthesttuctutaland
cultutalmodelscannotbecompatedwithoneanothet,fottheybelongto
dietentplanesofanalysis.
ltisdoubtfulwhethetftuitfulptoblemscanstillbeposedintetmsof
the
.
c
matical a
ormal,hasdistinctadvantagesover amodelwhichpre-
d| ctsonednection ofchange only~that whichrestoresthesystemto a
teadystate.Clearly, thenascentdisciplineofpoliticalanthropologymust
|odconceptswhichtakefullyintoaccountchangesofthestateofnelds,
dl sequilibria,anduncertaintiesofsystemicsurvival.
+
A Atropologca Approach
to te Iceladc Sa
g
a
his atticle isessentially a ttibute
tothegteatestlivingBtitishanthtopologist,PtofessotEvans-Ptitchatdof
OfotdUnivetsity,whoin 1950 hadthetemetitytodeclateinhisMatett
Iectute, in face ofthesttuctutal-functionalistotthodoyofmost ofhis
colleagues,thathetegatdedsocialanthtopologyasbeingclosettocettain
kindsofhistotythantothenatutalsciencesvans-Ptitchatd1950: 198).
This view ptovoked a stotm ofptotest ftom the maotity ofBtitish
anthtopologists,whoheldtothepositionfotmulatedbythelatePtofessot
Radclie-Btownandhisfollowets,includingEvans-Ptitchatdinhiseat-
|letdays,thatthebehaviotandintetpetsonaltelationshipsobsetveddut-
lng eldwotk by anthtopologists should be absttacted inthe fotm of
sttuctutal telationships between social positions and gtoups and these
sttuctutaltelationshipsshould)futthetbeabsttactedinthefotmofsepa-
tate systems. economic, political, kinship, etc. van Velsen 1967: 130).
Compatisonbetween such timelessandabsttactsttuctuteselicitedftom
the tich vatiety ofcultutesin dietentpatts ofthe ptimitive wotldwas
Hcprinted with permission of Tavistock Publications, Ltd., from The 'anslation Culture,
edited by T. L Deidchnan, Copyright 1971 .
7!
]2 PART I : PROCESSUAL ANALYSIS
thought to be in thotough accotdance with scientic method. Histoty,
accotding to RadclIe-Btown, in societies without wtitten tecotds ot
aboutwhichwtittendocumentsbyalieninvestigatotswetenot available,
could nevet be anything but conectutal histoty. Such guesses wete
almost wotthless and much time and enetgy could be saved, as both
Radclie-BtownandBtonIslaw Malinowski assetted, ifsttess wete laid
oneposingthefunctionalintetconnectionsbetweensocialpositionsand
institutionsastheyeistedintheethnogtaphicptesent,inthehete-and-
nowofanthtopologicalinvestigation,oteven,aswehaveseen,inatime-
lessmilieuofsttuctutaltelationships.lndigenoustalesaboutthepastwete
considetedpseudo-histotyotmyth,and, atleastinMalinowski'sview,
had the main socialfunction ofptoviding achattet andustincationfot
contemporar institutions andtelationshipsbetweenpositions andgtoups.
Muchundetstanding ofthe natute and functioning ofcettain kinds of
socialsystemwasundoubtedlyobtainedbytheuseofthisso-calledsyn-
chtonic method. But it led to a widesptead devaluation ofhistotical
teseatchbyBtitishanthtopologists, evenwheteanabundanceofwtitten
documentswasavailable, asinWestAfticaandlndia, foteample. Since
Evans-Ptitchatd'sMatettIectutein I950, andevenmoteptonouncedly
sincehis SimonIectuteatManchestetUnivetsity in I90, thettendhas
beeninconsidetable measute tevetsed. A stteamofhistotical studies by
anthtopologists,patticulatlyinAfticanttibalhistoty, hastushedftomthe
ptesses in the past few yeats. Ptofessot]an Vansina, now at Wisconsin
Univetsity, hasevenbeenabletoshowushowthefotmetlydespisedotal
ttadition can be handled as teliable histotical evidence, ifit is ctitically
assessedintelationto othet soutces ofknowledge about the past, as he
wtitesI95.7 -8),
Otalttadition] . . . hastobetelatedtothesocial
.
andpolitic
sttuc-
tuteofthepeopleswhoptesetveit, compatedwiththettaditions of
neighbotingpeoples,andlinkedwiththechtonologicalindcati
:nsof
genealogiesandage-setcycles,ofdocumented contactswithlitetate
peoples,ofdatednatutalphenomenasuchasfaminesandeclipses,and
ofatchaeologicalnnds.
He also tecommends the compatative use oflinguistic evidence ibid..
I80 -8I). Vansina, whose neldwotkwas conducted ftom I952to I90,
was undoubtedly inuenced by Evans-Ptitchatd's I950 Matett Iecture
andby the conttovetsy that followed it, andpethaps evenmotepowet-
fullybyEvans-Ptitchatd'shistoticalstudy, publishedinI949, Te Sanusi o
Cyrenaica. AtecentBtitisheampleofEvans-Ptitchatd'spetvasiveinu-
enceisthepublicationofavolumeofhistoticalstudiesbyanthtopologists
entitledHistor and Social Anthropolo Iewis I968).lntheUnitedStatesthe
gteat Califotniananthtopologist,A.I. Ktoebet, alsosttessed,evenbefote
APPROACH TO THE ICELANDIC SAGA ]
Evans-Ptitchatd, the impottance fot anthtopology ofthe histotical
apptoachKtoebet I935.558),andthetecentbookAn Anthropoloist Look at
Histor SingetI9)isatestimonytohissustainedintetestinthemattet.
When l heatdPtofessotEvans-Ptitchatd delivethis SimonIectute
'nthtopology and Histoty I9I), atthe Univetsity ofManchestet i
I90ltemembetbeingdeeplyimptessed,andoddlymoved,whenhesaid
ibid. .I3).
Anantht
9
pologi
.
calttni
g,includingneldwotk,wouldbeespecially
yal
abl
utionsandmodesofthoughttesembleinmanytespectsthoseof
thesimpletpeopleswestudy. Fotsuchpetiodsthehistotiansttuggles
to detetmi
.
ne a people' s mentality ftom a few tets, and
anthtopologists cannot elp wondeting whethet the conclusions he
dtawsftomthemttulyteptesenttheitthought.
loteample, CananOfotddonwotkhimselfintothemindofasetfof
LouisthePious? ibid..I4).lwasimptessedbythisbecauseitwaslatgely
thtoughstudyinganeatlypetiodofhistotythatlhadbecomeaddictedto
anthtopology. This petiod was the lcelandic Commonwealth ftom
|ngoltssettlementatRey[avikinA.c. 874toA.D. I22whentheicelan-
dets oftheitownfteewillinsolemnpatliamentmadeatteatyofunion
withtheKingofNotwayinwhichtheyaccepted,atlast,hissuptemacy.l
|ad come gteen to thesewhitepastutes as anundetgtaduateustbefote
wotldWat!! when ! studiedundetPtofessot Chambets, Dt.Batho, and
|r. Hitchcock,allofwhomhadbeenstudentsofV1 Ket,authotofEpic
and Romance I97)and Te Dark Aes, whosetulingpassionwaslcelandic
| |tetatute.lwasmovedbyEvans-Ptitchatd'swotdsbecausetheytevived
|i:r meandmadesuddenlypalpablenotonlymyyeatsofneldwotkamong
||cNdembu ttibesmen ofCenttal Aftica, but also nights in theBtitish
NtmywhenlhadteadE.V Gotdon'sAn Introduction to Old Norse-full of
jotcntettactsftomthelcelandicsagas~bytotchlightundetmyblankets
| ocvadethesetgeant's baleful eye. Onmytetutn to civilianlife, itwas
jattly a desite to wotk in a live society not too dissimilat to ancient
|ce|and thatmademe switch ftomEnglish to anthtopology. ButEvans-
|t| tchatd vividly tevealed to me the possibility of applying my
+ot|topological epetience and thinking to the vety litetatute that had
s:.:tmeinditectlytoAftica.
lndeed, in this case it was not at all a mattet ofdetetmining a
jcole's mentality ftom afw tets my emphasis). The tets hete ate
I I miyandtichandfullofthevetymatetialsthatanthtopologiststeoicein
w|covouchsaedtothembyinfotmantsintheneld.lshallsaysomething
+|outt|enatuteandte|iabilityofthesetetsinamoment butwouldntst
| l |c to ma
k
e c
l
ear w|y t|ey ate o theotetical concet: to me ln my
]q PART I : PROCESSUAL ANALYSI S
Aftican wotk l had ptoposed toanalyze some impottant events which
atose invillagelife, and which l called social dtamas, as possessing a
tegulatlytecuttingptocessionalfotm otdiachtonicptonle~inothet
wotds ctisis situations tended to have a tegulat seties ofphases. They
usuallybeganwithabteachoftuleotnotmandled,typically,toatapidly
tamifyingcleavage,btingingaboutoppositionbetweenthelatgestgtoups
thatmaybeinvolvedinthedispute,itmaybebetweensectionsofavillage
otsegments ofachiefdom. lnNdembusociety,thesmallttibalgtoupin
Zambiallived amongfottwo andahalfyeats, cleavageisaccompanied
by a set ofadustive and tedtessive ptocedutes, tanging ftom infotmal
atbittationtoelabotatetituals,thattesulteithetinhealingthebteachotin
publictecognitionofitsittemediablechatactet.lhaddetivedtheptoces-
sionalfotmofthesocialdtama ftomdatalhadcollecteddutingeld-
wotkamongtheNdembuofZambia(fotmetlyM Rhodesia).Thesedata,
ifnot 'histotical' in type, wete at least mictohistotical, in that they
telatedto chains and sequences ofevents ovet a time, howevetlimited,
tametthanto eventscoeisting at agiventime. Alatgepattofmy data
consistedofditecttepotting,butlwasfotcedattimestotelyonaccounts
byinfotmantsofhappeningsinthevillagepast.lmadeavittueofneces-
sitybyplacinginananalyticalcenttalpositionthevetybiasofmyinfot-
mants.Fotthemainaimofthe'socialdtama'isnottoptesentateputedly
obective tecital ofa seties ofevents, it is concetned, tathet, with the
dietentintetptetationsputupontheseevents,andthewayinwhichthese
eptess nuanced shifts ot switches in the balance ofpowet ot ventilate
divetgent intetests within common concetns (Epstein 1967:228) . My
intentionwasthatiffactsweteeaminedftomdietentpointsofview,
anddiscussedwithdietentinfotmants,theetendedcasewouldtakeon
a multidimensional aspect. the individual patties would be mote than
mete names but become chatactets in the tound whose motives would
becomeintelligiblenotonlyintetms ofpetsonalityottempetament,but
alsointetmsofthemultipletolestheyoccupysimultaneouslyotatdiet-
enttimesinthesocialsttuctuteotinttansientfactionalgtoupings.lnall
this thetewasmenotionthatsocialeventsatespunintocomplepattetns
ovettimebycustomandwill,andespeciallybyconmctsofcustomsand
willsandcollectivewishesandneedstotesolvethoseconicts. ltwasnot
longbefote lbeganto look fotcompatable datainothet societies, fot
l
wasconvincedthateachsocietyhadits ownvatiantofthe social dtama
fotm. Each society's social dtama could be epected to have its own
style,too,itsaestheticofconmctandtedtess,andonemightalsoepect
thattheptincipalactotswouldgivevetbalotbehaviotaleptessiontothe
values composing ot embellishing that style. l was not in favot of
absttactingsepatatesttuctutalsystems,economic,political,kinship,legal,
etc"ftomtheunitatyyetphasedmovementof the socialdrama.Adistinct
APPROACH TO THE ICELANDIC SAGA ]]
aim ofthis study was to compate the ptoles ofdtamas in dietent
societies, taking into account such aspects as theit degtee ofopen-
endedness,theitptopensitytotegtession,theemciencyoftheittedtessive
ptocedutes,theabsenceofsuchptocedutes,thedegteetowhichviolence
otguileweteptesentinctises,andmanymotebesides.Yetwhenlwtote
mybookthetewasadeatmofsuchinfotmationeceptinthewotks of
someofmycolleaguesintheCenttalAfticaneld~andeventheteitwas
notsystematicallyptesentedottelatedtotelativelyconstantfeatutesofthe
socialcontet. But ifctoss-cultutal studiesappeatedto beout,ctoss-
tempotalstudieswetefeasible.Thewtitingsofhistotiansatebulgingwith
socialdtamas,nattativesofsuccessiveeventsthatcanbenttedwithout
Ptoctustean violence into the schemas outlined eatliet. But l was not
sumciently temetatioustotacklethe dataptesentedandhandledbypto-
fessionalhis!otians. Tenl suddenlytemembetedmyeatly ptedilection
fotlcelandiclitetatute~indeed,itcouldwellhave setved as the uncon-
scious, ot, at anytate, pteconscious model fot the social dtama. l had
teadmostofthesagasavailableinEnglishttanslationandhadoncehada
smattetingofOldNotsethatcouldbetevived,ifnecessaty.Andthesagas
wetenothingbutconnectedsequencesofsocialdtamas.Ftomthemcould
also beinfetted, so l thought, manyfeatutes ofancient lcelandic social
sttuctuteandeconomics~enoughtoptovideapteliminatyftamefotthe
phasedevelopments.
Themotelthoughtaboutusingthesagasascollectionsofdatacom-
patable to my Aftican etended cases, the bettet l liked the notion. lt
seemedtome,too,thatsincethetewas anabundanceofnativewtitings
telatingtothesettlementandeatlyhistotyoflceland (asVigfussonand
|owellpattlysubtitletheitOriines Islanicae) itmightevenbepossibleby
eaminingthesagasinptopettime-sequencetoplotthesuccessivestages
ofthe development ofeective adustive and tedtessive ptocedutes and
thisftomthevetyfoundationoflcelandicsociety. lcelandicscholatswill
teadilypetceivehownavelwasandhowlittlelthenknewoftheagged
and tteachetous tettain oflcelandic saga otigins and datings. Nev-
ettheless, l amstillcondent that, withdue ptecaution, anthtopologists
can make a positive conttibution to lcelandic studies, and in doing so
shatpen meit own undetstanding ofsocial ptocesses~fot thtough the
saga medium lcelandic society is potttayed as in constant change and
1evelopment,thoughwithcettaintepetitiveandcyclicalaspects.
Befote eamining a saga as a set ofsocial dtamas, which may be
tegatded as both indices and vehicles ofchanges in the sttuctute and
jetsonneloft|:esocial atenastowhichtheytefet,letmesketchinbtiey
omethingofthesalient lcelandicsettingsinspaceandtime.lcelanditself
coutainsabout40,000 squatemiles-one-ffth aslatgeagainaslteland~
but eccpt for the narrow strip of co:st "between fell and foreshore" and
] PART I : PROCESSUAL ANALYSIS
along sevetal tivet valleys thete ate few places suitable fot settlement.
Hugeokulls ot ice mountains back most ofthe coast. lceland contains
ovetahundtedvolcanoes,aquattetofwhichhavebeenactiveinhistotical
times, elds oflava covet hundteds ofsquate miles and hot sptings ot
geysets ate numetous. ln btief about si-sevenths oflceland's atea is
unptoductive, wild, and inhospitable, batten cold tock intetmittently
lacedwithinnette.OwingtothepositionoftheGulfStteam,howevet,
the climate, consideting the latitude (3-7 M), is quite mIld and
humId. The weathet seems to have been tathet bettet duting the saga
petiod,fottheteisnomentionofoatingicetothesouthatthetimeof
the ntst settlement. Thete appeat, too, to have been tichet natutal
tesoutces in wood and pastute. Shottage ofwood was, nevettheless, a
constantptobleminthesagas. MenwouldvoyagetoNotway otBtitain
toloadup withbuilding-timbet, andsomeofthebitterestfeuds,suchas
Nal's Saga, beganwithquattelsbetweenthtallsovettheptecise bound-
aties ofwoodlands. Today, apattftomsmallstands ofmountainash and
bitch,theteishatdlyanywoodlandtospeakofinlceland.
The eatly settlets took land atound thecoast, sailingwithouthaste
ftom one cteekotbay to anothettond good unoccupied land. Many
sagasmentionquattelsovetlandonlyafewgenetationsaftetthisotiginal
land-taking. lt has been calculated that about 5000 such settlements
wete tecotded in the so-called colonizing petiod between A.D. 870 and
930. Many ofthese tecotds appeatintheLannab, aneatlymastet-
pieceofhistoticalscholatship, byAtiThotgilsontheWise, acleticwho
wtoteinthentst halfofthetwelfthcentuty. Sincethesettletsoftencame
withmattiedchildtenandsetvants,itislikelythatbyA.D. 930something
like30,000 -50,000people(thelatget nguteisSit GeotgeDasent'sesti-
mate)wetelivingonabout,000squatemIlesofutilizableland,muchof
whichwassheepandcattlepastute.Thteehundtedyeatslatet, dutingthe
so-calledStutlungAge, ithasbeenestimatedbyEinat C Sveinssonthat
thetotalpopulationwasabout70,000 -80,000(SveinssonI953.72).By
thattimethetewasmuchvagtancy,andmentionismadeoflatgenumbets
ofitinetant seasonal ot day-labotets. lt seems likely that the cattying
capacityoftheland, otctiticalpopulationdensity,hadbeeneceeded,in
telationtothemeansofsubsistenceandcultivablepetcentageoflandthen
available.Theptesentlcelandicpopulationofabout200,000,abouthalfof
which lives inReykavik, depends latgely upon commetcial shing fot
sale in theintetnational matket, and could not sutviveon fatmng and
small-scaleshingalone.But it would seemthat during themainsaga
petiod,atoundthetutnofthentstmIllenmum,thetewasalteadyptessute
onland, ot at any tateon cettain categories ofscatce tesoutces, such as
woodlandandpastute,andthatthisptessutewasonemaotsoutceofthe
conicts desctibed inthe sagas |n tetms ofpersonal|ties, and such values
ashonorandshame.
APPROACH TO THE ICELANDIC SAGA ]]
Whydid the settlets come to this bleakislandin the tst place and
whete did they come ftom? The answets to these questions shed much
lightonthefotmofthe social dtamasinthe sagalitetatute.1eemIgta-
tionftomNotway, whetemanyoftheeatliestsettletscameftom(though
some came inditectly, stopping fot a while in Scotland, lteland, the
OtkneysotShetlandsbefotemovingon)wasundettakenbymanychief-
tainsandkinglingstoescapetheovet-tuleofKingHataldFaithait,who
soughttoimposecenttalizedmonatchicaltuleonallNotway.AsWP.Ket
hadsaid(I97.58) .lcelandwascolonizedbyapickedlotofNotwegians,
bypteciselythoseNotwegianswhohad. . .sttengthofwillinthehighest
degtee.HepointsoutthatpoliticalptogtessintheMiddleAgeswasby
way ofmonatchy,butsttongmonatchywasconttatytothettaditionsof
GetmanIa,andinNotway, acounttyofgteatetentandgteatdiHculties
ofcommunIcation,theambitionofHataldFaithaitwastesistedbynum-
betsofchieftainswhohadtheitownlocalfollowingandtheitownfamIly
dignity to mainta|nintheit tths and dales.The ntst lcelandets,infact,
wete inttactable, teactionaty atistoctats who tefused to make them-
selves tenants otvassalsofanyking.Thispoliticalandspatialdisengage-
mentmadethemahighlyself-consciousgtoup,who,asKetsays,began
theit hetoic age in a commonwealth founded by a social conttact
(ibid..59).lndividualscametogethettoinventasetof lawsandtottyto
setuputalptocedutestomakethemwotk,itwasnotthemovementofa
gtoup alteady possessed ofaoint polity. The tesult was that, again in
ket's wotds, this teactionaty commonwealth, this fanatical teptesen-
tativeofeatlyGetmanicuseandwont,ispossessedofacleatnessofself-
consciouness,ahatdandpositivecleatnessofundetstanding,suchasisto
|cfoundnowheteelseinthe Middle Ages andvetytatelyat allin any
jolity (ibid.). Ftom the anthtopological point of view this self-tecog-
aizantclatitythatKetcalls dtylighr' makesthemecellentinfotmants
a|outthegtowthoftheitinstitutions~assetoftomthoseofNotway-
aadabouttheitcumulatingtelationswithoneanothet.
AsA.MatgatetAtenthaswelleptessedit(I94.vi).
in the founding days, thesoveteignpowetlayin thehands ofthe
oiar, chieftain-ptiestswhofulnlledbothpoliticalandteligiousfunc-
tions.Agoii's authotityetendedovetthosewhopaidduesandwot-
shipped at his temple. ln echange fot this ptivilege and thegoi
totection, thesefollowets pledgedhimtheitallegianceand suppott.
Thesequitenaturallywetethefatmetsandneighbotsinhisimmedi-
atevicinity.Thenumberof goar waslimItedandthetitlewasgenet-
ally hereditaty. The fatmers tesetved the tight to choose the gooi
whom they wished to follow, but loyalty to a cettain one usually
becamemoreotlesshab|tual.Thetelationshipwasthusoneofmutual
ttust and agreement~the o|d Germanic code ofloyalty between
ch|ea|n and followers. The years ofthe Commonwealth saw the
cstabl|shmentof theA|||i|qt.o930),ademocrat|cparl|amentw|th a
]8 PART I: PROCESSUAL ANALYSIS
sttongatistoctaticbase.Thego;ar automaticallybecamemembetso
thetulingbodiesofpatliament(thelegislatuteandtheudicatute)and
a Iawspeaket was elected to tecite the laws at the meeting ofthe
Athin whIchtookplaceonceayeatontheplainsofThingvellitinthe
southwest of the countty As time went on, the gooi's obligations
becamemotepoliticalthanteligious,hispowettettitotial.
Thetewasnocentta|izedauthotity ovetandabovethegooar. TheAthin,
and the local Tins fot each ofthe Quattets into which lceland was
divided, hadno punItivesanctionsbehindthem,menmet thete to seek
compensationfotwtongothomicide,butthetewasnootganizedstateto
backtheitclaimswithfotceevenwhenplaintisweteawatdedcompen-
sationceaseasema|m~indeed, asweshall see, muchdependedonhow
manysuppottetsaplainticouldgettotidewithhim toThingvellitot
tectuitonthatspot,ifhewetetohaveahopeofevenobtainIngaheating. *
Thisweakness inthepolitico-legalsttuctute~due to the self-conscious
independence ofemgratistoctats who had edcenttalizedmonatchy-
leftmuchleewayfotintetnalandlocalizedfeuds,and,intheStutlungAge
patticulatly,ledtopowetpoliticsonalatgescaleandpetsonalaggtandize-
mentbythetichattheepenseofthesmallfatmets.ltmaywellhavebeen
ditectlyduetothelackofcenttalizedpo|Iticalauthotitythatlcelandetsput
somuchsttessonpetsonaldignity, honot, andloyalty, andespeciallyon
theobligationsofkinship.Sincethecouttshadno mandatetocatty out
sentence, onehadto takethelaw into one'sownhands. One tesult was
thatevenfanciedslightsmightleadtobloodshedandhomicide, fotthis
sectotofthecultutebecame,asitwete,ovetloadedwithvalueemphasesto
compensatefotthelackofsanctionedlegalptocedutes. ltwasleftto the
plaintihimselfto enfotce outlawty, nnes, and settlements, and a good
dealofthesagalitetatuteistakenupbyaccountsofhowthesethingswete
done.Theteonecancleatlyseethatiftoomuchislefttopetsonalhonot,
dishonotabledeedsoftentesult.Thettagedyofthe Commonwealthisthe
gtadualcottuptionintoo|igatchy ofitsownptincipleofhonotable, atis-
toctaticindependenceftomsuptemeovetlotdship~anddoubtlessthetet-
tainwithits natutal battiets to easy communication was a factot hete,
thoughitmustbe saidthatNotwaywasequally tuggedyet genetated a
kingship
How fat may the sagasbetegatded as tecotded histoty tathetthan
histotical ction, aswotks ofcteative imaginationinspitedby the past?
*In practice the system worked out as a balance of power between districts and landholders;
a majority decision of the Thin could only be enforced if you had power on the winning
side. If you had not, the decision was unrealistic and probably some excuse was found to
alter it.
APPROACH TO THE ICELANDIC SAGA ]
Theptoblemisatealone,fotthoughthesagasputpotttotellof theninth,
tenth, and eleventh centuties, they wete actually composed inthe thit-
teenthcentuty, thetutbulentAgeoftheStutlungs.Anthtopologistsmay
wellsuspectthatsevetalimpottantsocialandpoliticalaspectsofthat age
have been foisted by the sagamen upon the eatliet events. Sveinsson
(1953:2) has eloquently desctibed the Stutlung petiod (named aftet an
impottantlineage).
Bythistimethepowetoftheindividualchieftainshasmultiplied,one
manmaytuleentite distticts otquattets . . . Someofthe chieftains
ate possessed ofgteatetwealth thantheit gtandfathets dteamed of
othetsmustptovidefottheitinitialestab|Ishmentbyfotciblemeans.
Aconsidetablenumbetofthecommonpeopleatedestitute. . . . P
istestlessmotion.lneatlietdays. . . amanmightsendtotheneatest
fatms fot help ina ght with othets ofthe same disttict othostile
visitots ftom aneighboting one. Nowfotces ateleviedftomwhole
quattetsfotepeditionsintoothetsectionsofthecountty.lnsteadof
skitmishestheteatepitchedbattles.
OnemIghtcommentonthisthatNal's Saga, whichptofessestodesctibe
eventsatoundA.D. 1000, alsotellsoffotces. . . leviedftomwholequat-
tets," foteample,thefollowetsof FlosiwhocametobutndownNal's
homestead and household wete dtawn ftom the southetn and eastetn
quattets Ontheothethand,vittuesateetolledinthesagasabouteatly
timeswhichappeattohavegtowntatnishedintheStutlungAge,petsonal
|ntegtityamongthem.Hete,again,anthtopologistsmightsuspectthat,as
|nRomanaccountswtittenintheEmpiteabouttheRepub|ic,aptocessof
|dealizingthepastwasgoingon.Thusbothptesenttealityandidea|Iza-
tionmayhave distotted the pictute ptesented by the sagas ofthe eatly
Commonwealth. Ontheothet hand, the Stutlung histoty itsel( wtitten
by Stutla almost contempotaneously with its events, has the fotm and
v|vidnessofthesagasabouteatliettimesAsWP.Kethassaid(1967:252):
TheptesentlifeinStutla'stimewas,likethelifeofthehetoicage, a
petpetual conict ofptivate wills, with occasional and ptovisional
teconciliauons.Themodeofnattativethatwassuitablefotthehetoic
stotiescouldhatdlyfailtobetheptopetmodefotthecontempotaty
factionsofchiefs,hetoicmoteotless,andsoitwasptovedbyStutla.
Vyownviewisthatthetewetesomanymaotcontinuitiesbetweenthe
car|ietandlatetyeatsoftheCommonwealth,atthebasiclevelsofkinship
and tettitotial otganIzation, mode ofsubsistence, fotms ofadudication
and atbittation, and notms govetningtelationsbetweenindividualsand
toups, that sagas tteating ofboth the eatliet and latet petiods canbe
tegatdedequally asmodelsofandfotlcelandicsociallifeasitlastedovet
evetal ccnturies. l do not think we have as anthtopologists to concern
se PART I : PROCESSUAL ANALYSIS
outselves too much with the ptoblem ofwhethet thete was a highly
developedotalattofsaga-tellingbefotethesagaswetewtittendown(the
so-called Fteeptosetheoty), ot whethet the sagas wete ftom the outset
delibetatewotksofatt,makingconsidetableuseofwtittensoutces(such
as Ati'sLandndmabo') aswellasotal ttaditions(theso-calledBookptose
theoty).1ewtittensagasatecleatlymastet-ptoducts oflcelandicsoci-
ety, whichftomthebeginning containedatelativelyhighptopottionof
litetate men, and we canthus tegatd them as authentic eptessions of
lcelandic cultute. ln many ways, too, eatly lcelandets ate the best
anthtopologistsoftheitowncultute,theyhavethesobet,obectiveclatity
aboutmenandevents that seems tobelongtotheAgeofReasontathet
than the Age ofFaith. When they show, in saga fotm, how institu-
tionscameintobeinganddisputeswetesettled,l aminclinedtobelieve
that they wete tepotting facts. Nevettheless, the sagamen ate not
sociologica|ly conscious ofthe conttadictions anddisctepancies intheit
own ptinciples ofotganIzation, and tegatd the conicts . sttuggles
tesultingftomthemastheeectsofeithetFateotpetsonalmalice.And,as
in today's Aftica, though to a lesset etent, witchctaft is sometimes
invokedtoeplainmischance.ltshouldalsobesaidthatthoughthesagas
wetewrittenwe|lwithintheChtistianetainlceland,manywete about
pte-Chtistian times and customs. Moteovet, in the thitteenth centuty
mostsagaswetewtittennotbyleatned cleticsbutbylaymen.AtiThot-
gilsson,whoseeacthistoty . . . ptecedesthefteetandmoteimaginative
stoties, andsupp|iessomeofthemwiththeitmattet,whichtheywotkup
intheitown(lesssttict)way(Ket I97.248),wasindeedaptiest,buthe
wtote inthe twelfth centuty, which intetvenes between the times pot-
ttayedinthesagasandthetimeoftheitwtiting.Othetptiestswtotesagas
andhistotiesaftetAtiandinhissobetmannetinthetwelfthcentuty.By
thethitteenthcentutyitisevidentthatsomectucialchangehadoccutted
in the telationships between Chutchmen and laity. To undetstand this
changewemustgobacktothebeginningoftheChtistianetainlceland.
lceland'sconvetsionto Chtistianitywaschatactetistically ptagmatic. As
nattatedinNal's Saga and Ati's fslendingabo', it tesolvesinto acollective
decisiontakenattheAlthinginA.D. I000toacceptChtistianityinotdetto
pteventatadicalcleavageinlcelanditselfbetweenChtistiansandpagans,
andtofacilitatettadeandavoidconictwiththepeoplesofEutope,mot
ofwhombythatdatehadbeenconvetted. lndividualsmightcontinueto
sacticetotheNotsegodsinptivate~andthiswasstatedinA.D. I000by
theIawspeaketThotgeittattheAlthing~aslongastheitpublicwotship
was Chtistian. One consequence ofthis was that, although otganized
paganismnevettevived,asPtofessotTtville-Pettepointsout(I953.8),
neithet wete paganideas ecotiated as diabolic. The noblet pagan stan-
datds ofconduct, which gave the |euds moral statute, continued to be
APPROACH TO THE ICELANDIC SAGA sr
eective~suchasdren-skapr, manlyecellence,otasenseofhonotSuch
ethics, ofcoutse, did little to make peace, and, as Sveinsson has said
(I953.I29), onesagacould outweigh ahundtedsetmons. Manyofthe
gooar, ot chieftain-ptiests, wete otdainedas Chtistian ptiests, and con-
tinued to eetcise both sacted and seculat functions, though sactedness
wasnowintetptetedinChtistiantetms. Ptiests, andevenbishops, could
and did matty and taise famIlies. lt took quite a while fot Rome to
eetciseeectivecenttalizedauthotity ovettheisolatedlcelandicChutch
outtheteinUltima1ule.lnthepetmissivetwelfthcentuty, accotding
toEinatSveinsson(ibid. . II- I7),
meninholyotdets,theotdainedchieftainsnotleast,wetetheleadets
intheintellectuallifeofthecountty,andtheycombined,inoneway
ot anothet, anative andfoteignway ofthinking, these leatnedmen
natutallywetethetsttoemploywtiting.But. . . thetewetealsoat
thistimeanumbetoflaymenwhowetebutlittleaectedby eccle-
siasticalinuences andlivedandmovedinnativeleatning.By I200
knowledge ofteading and wtiting had become not uncommon, at
leastamongthechieftainclass . . . (and,also,appatentlyamongsome
giftedcommonets). . . Theteisnoteasontosupposethatlitetacyhad
declinedby I200, inthevety sptingtime ofthe saga-wtitingofthe
laity, and . . . was fatmotewidespteadin lceland than abtoad. But
ust at that time, atound I200, the ecclesiastical and the seculat
sepatate.
TheChutchotdetsptieststo giveup chieypowets, enoinscelibacyon
them, andingenetaltaisesthemaboveothetmenassactincingptiestsin
tetmsofthedennitionsoftheIatetanCouncilofI2I5.
TheChutchthtustsawaythelaity, asitwete,andthespititandtaste
oftheseculatchieftainsptevail.Thelaitynowusetheitknowledgeof
wtiting to eptessthatspitit. Theyinhetitthectitical spitit ofthe
twelfth centuty(eemplinedbyAti),anditbecomesoneoftheptin-
cipalfotcesintheintellectual|ifeofmanyofthem,wheteasaboutthe
same timethe Chutchencoutages venetation ofsaints andbeliefin
mitaclesandthusbecomesthemainpillatofbeliefinthematvellous.
Thelitetatuteofthe nationundetgoes gteatchangesinthe tutn-of-
the-centuty genetation. The antique style, the style ofthe twelfth
centuty, which has a cettain vety agteeablecletical avout, is now
replaced by the pute and limpid classical saga-style, which thus
belongstotheStutlungAge,whileinthehandsofmonksandzealous
cleticsthecleticalstylemovestowatdswhatwasfashionableabtoad.
long-windedthetoticandsentimentalptoliityateitschatactetistics
|tomnowon.
|1espite a cleatly detectable anticletical and chauvinistic note in Einat
Svclusson'sworkgenerally, lthinkthatbehetemakesthepointwellthat
| hrprosesagasaremainlythcproduct o|laymen o|the chietain class."
&z PART . PROCESSUAL ANALYSIS
This sttuctutal petspective may pattly account fot the intetest in and
knowledge ofpagan mattets shown in the sagas and fot theit almost
putely paganattitudesto conduct~l say almost' because inNal's Saa
patticulatly thete ate cleat matks of Chtistian, even hagiogtaphical,
inuuences.
The maotsagas, then, ate the ptoducts ofStutlungalay and chief-
tainlylitetatethought,teectingonthewtittendepositofttaditionsabout
theeatlygenetauons ofthe Commonwealth and, no doubt, on theotal
ttaditionsofgteatfamiliesaswell. Suchthought, kindledby cteativete
andendeavotingtogivemeaningtoanagefullofouttage,hasgivenusa
seties ofpeetless social dtamas which yield us insight into the innet
dynamIcs oflcelandic society befote its disasttous submIssion
to the
NotwegianCtown.
The sagal wish to eamineinanthtopological tetms is Te Sto o
Burt Nal, tecentlydesctibedbyPtofessotTutville-PetteofOfotdUni-
vetsity,inhislnttoductiontotheEvetymanIibtatyeditionofSitGeotge
Dasent'sclassicalttanslation,asthennestoflcelandicsagas,and. . . one
ofthegteatptosewotksofthewotld (I957.v). ltsauthotseems tohave
livedinthelatethitteenthcentuty andtohavebeen aleatnedmanwho
hadteadnot only mostoftheknown sagas butmanylost ones as well.
Tutville-Pette(I957.vii)believesthattheoutlineofthestotyisundoubt-
edlyfoundedonfact, andthechiefeventsdesctibedtookplaceinthelast
yeatsofthetenthcentutyandthetstoftheeleventh.Theauthotcleatly
livedmuchofhislifeinsouthetnlceland,fothisknowledgeofitsfeatutes
isintimate.Nal's Saga isptesetvedinsomenfty otsitymanusctipts,the
oldestofwhichdate ftomthentstyeatsofthefoutteenthcentuty. ltmay
besaidto bethefne jeur ofthesagaage andtheculminationoflcelandic
litetatute. ltis also thepatadigmatic social dtamaofthe lcelandicCom-
monwealth,containingifnottesolvingallitsconttadictions.
]e|'sSeye
Nal's Saga isananthtopologicalpatadise. ltsvetyliabilitiesintheeyes
ofmostlcelandicscholats,whotendtobelitetatyhistotiansotctitics,ate
anthtopologicalvittues. WP.Ket, foteample( I97.I85)points outthat
thelocalhistoty,thepedigteesofnotablefamilies,atefeltasahindtance,
ina gteatet ot less degtee, by all teadets ofthe Sagas, as apteliminaty
obstacletocleatcomptehension.Butheisteadytoadmit,supetbscholat
thathewas,thatthebestSagasatenotalwaysthosethatgivetheleastof
theit spacetohistoticalmattets, tothegenealogiesandfamily memoits"
(ibid..I85). Ofcoutse, anthtopologists, withtheitptacticalimmetsionin
small-scale societieswith multiplex social relationships, thatis, whete
APPROACH TO THE ICELANDIC SAGA &
pe
leintetactwiththesamesetsoffellowstoachievesevetalputposes,
famihal, ptoductive, educational, teligious, otganizing (Gluckman
I95.5)
.'
attach gteat impottancepredsely to genealogical connections,
fot kinship as such, in societies ofthis type, isoften the spine ot main
ttunk ofatticulation ofmany kinds ofsocial telationships, economic
domestic, political, and so on. Social telationships ate othetwis
undietentiated, fottheteislittle scopefotspecialization, andkinship, as
Gluckma
says (ibid..54)involvesagenetalobligationonpeopletohelp
andsustnoneanothet,whatevetmaybethepteciseneldofactivity.Kin,
ofcoutse, fallintodietentcategotiesoftelationshipsbybitth,mattiage,
andevenfostetage
whichentailvatyingobligations.Withthispeculiatity
ofthe anthtopologicalapptoachinmind,itwillsutptiseno onethatthe
Notse sagas have nevet been comptehensively studied in tetms ofthe
kinship systems so completely deployed in the so-called family sagas,
such
.
as th
.
eLaxdaela Saga (whichfollows a set oflinkedand contiguous
localized|neagesovetmanygenetationsftomthentstsettlement andin
hichtypesanddegteesofkinshipandaHnityctuciallyinuence
behav-
iot), Haward's Saga, vtzdaela Saga, andNal's Saga (to citebutafew).Fot
fewwhoteadtalesptimatilyfotlitetatyenoymentwouldundettakesuch
hatdywotk|
.
lthas
.
oft
beenpointedouthowinthesagasgteatheedispaidto
patticulatmdividualsandhow themystetiesofindividuallifeatehinted
at.This sttess shouldbecomplementedbyastudyofthe socialpositions
9
ccupiedbyindividualsinkinship,tettitotial,andpoliticalsttuctutes,and
H thetolesplayedby theminwhat anthtopologists call action-sets-
quasi-gtoups that emetge in tesponse to the putsuit ofpatticulat and
limitedgoals~inthelcelandiccase,foteample,infeudsandlitigations.
Ftomthispointofviewintuitionandpetsonalsensibilityshoubebut-
ttes
edby aco
lconsidetationofthegenealogiesandsocialgeogtaphies
sonchlysuppedusbythesagamen. lam,ofcoutse,innowayatguing
thatthebehaviotofthesagaactotsisdetermined by, otistheef ct q, social
factots such as genealogicalposition, systemsofvalues,institutionalized
politicaltoles, and thelike. l amonly sayingthatthese actots entetinto
telations w
d__htistiaattitudes to
.
'
-
ci
, i
ws
e actually hve H atena agj:o_utsue
theit ami ot1iR them, and how, thtough signicant
chodebyimpottantindividualsgroups,theatenasttuctutemay
itselfbe,ge
_ ----.
..
. < W
-N.fal'-Saga, as it has come down to us, quite natutally leaves the
sttuctuteandptopetties ofeldandatenaimplicit~cleatly, itsintended
audienceisepectedtohaveknowledgethtough petsonal epetience of
theinstitutionalizedbackgtoundandthekindsofvaluesandmotivesthat
inuence and apptaise deeds. But, fot the anthtopological investigatot,
neld-atena''ismotethanametebackgtound,itisatheoteticalconsttuct,
developedoutofthestudyofmanysocietiespossessingwidelydivetgent
cultutes.Fottheaudienceandactotslcelandic,otevenNotdiccultuteisa
natutal backgtound, !celandic society metely the way men live.
Anthtopologistsknowthatothetmenliveinquiteothetways, andtheit
APPROACH TO THE ICELANDIC SAGA ' 8S
taskistoshowhowthispatticulatlcelandicatenaisconsttuctedintetms
thatwouldallowfotcompatativestudywiththeatenasofothetcultutes.I
havesaidthatkinshipwasanimpottant,almostitteducibleptincipleof
lcelandic social otganization, butthis does not tell us what the specic
tules oflcelandic kinship ate, ot how kinship is connectedwith othet
sttuctutalptinciples.
Anthtopologists who tty to study ptocess and histoty without
accountingfotsttuctutalconsidetationsateustasone-sidedasthettadi-
tionalsttuctutalistswhoneglectedptocessandhistoty.Thuswecanleatn
much about the lcelandic sagaftom Radclie-Btown, whom we eatliet
notedasoneofthefathetsofBtitishsttuctutalism.lnthelnttoductionto
Afican Systems c Kinshi and Marriage (Radclie-Btown& Fotde 1950), he
has pettinent things to say about Teutonic kinship whichbeat on Nal's
Saga (whichhementions butmisspells| thoughhistefetenceisalmost the
only onein anthtopologicallitetatute to lceland). Hepoints outhow in
someTeutonic societies at least, thete eistedlatgehouse-communities
undettheconttolofahouse-fathetothouse-lotd,ofthetypeofwhatitis
usualtocallthepattiatchalfamily. Sonscontinuedtolivewiththeitfathet
undet his tule and daughtets usuallyoinedtheithusbands elsewhete a
fotm known as 'vitilocal mattiage' VT. ] . But although the pattilineal
ptinciplewasgenetalotusual,itwasnotalwayssttictlyadhetedto.Thus
in . . . Nyal's Saga sic] the house-community ofold Nyal included not
onlyhiswifeBetgthotaandhisthteemattiedsonsbutalsoadaughtet's
busband, and, with childten, men-setvants, and othets, the household
aumbeted some nfty petsons" (ibid.:I7- I8) . But while the cote ofthe
|ocal gtoup was a gtoup ofpattilineal kin, in mattets concetning blood
vengeance andwergild, whichistheindemnitythatistequitedwhenone
jetson kills anothet, awidet tange ofkinsmen wasinvolved. This was
what the Anglo-Saons called the sib, denned by Radclie-Btown as
computablecognatictelationship fotdenitesocialputposes.One'ssib
i nAnglo-SaonEngland, ot inlceland, was not a gtoup but a tange of
jetsons focused on oneself lfonewas killed the sib would teceive the
wergild otindemnity.
Commonly, theinnetcitcleofanindividual'ssib includedhis fathet
mdmothet,hisbtothetandsistet,andhissonanddaughtet.Beyondthat
vat|ous degtees ofkin wete tecognized. Anglo-Saons appeat to have
| ocludedwithinthesib allthedescendantsoftheeightgteat-gtandpatents.
JhcsituationinNal's Saga isfaitlyueible.Muchseemstodependinthis
society ofindividualistsonwhethettheptincipalkinsmanofavictimof
aoo|cide, on teceiving wergild, makes a petsonal decision to divide it
a| r:ongothetmembetsofthedeceasedman'ssib otnot.Abigmanwillget
h| ownway. Thosewho seekvengeance fotaslaying, howevet, fotm a
varcd bai:d, hardly equivalent to a sib, but united by divetse ties of
8 PART I : PROCESSUAL ANALYSIS
kinship, aHnity, neighbothood, political aHliation and ftiendship. Hete
politics, otbettet,politicking, tathetthankinshipdutiesalone, seems to
playthemaottole. Onemustetssuppottftomanyquattetwheteitmay
behad.Butthefactthatawidetangeofkin, onboththekillet'sandthe
victim'sside, atemadevisibleateachhomicide,isanimpottant atena-
chatactetisticofoldlcelandicsociety. Howmanyactuallyentettheeld
ofputposivewergild otvengeanceactiondependsonmanyothetfactots,
political, economic, andpsychological. Such factots becomeappatentas
thesocialdtamassucceedoneanothettomakeupatlastthetotalsaga.
Othetatenachatactetisticslshouldmentionatetettitotialandpoliti-
cal otganization. Since we have ftom Ati infotmation about the ntst
land-taking, wecanplottheptocess oftettitotialsettlement.Thetst
settletssoughtoutthewillofthegodsbythtowingintotheseaust o
lcelandthesactedpillatsofthehighseat(ondvei), btoughtftomNotway
andwatchingwhetethey dtiftedashote. Netthey viewedot kenned
thelandbyclimbingtheneatestpointofhighgtound.Aftetthattheland
wastitually hallowed bysuttoundingitwithatingofbonntes. Hal-
lowedlandbecamethesettlet'sownanditsboundatieswetethenmatked
bynatutalotattinciallandmatksotbeacons.Thenetstepwastodemat-
catehouseandfatmbuildings,andtown'othomeelds.Thechieuings
who wetentst settlets built aHqot temple fot the gods, whete blood
sacticeswetemadeatimpottanttitualsandfestivals.Theseptiest-chiefs
wete the ntstgoaar, whomwe mentioned eatliet. Theit ntst step, aftet
settlement, was to allot pottions ofland to kinsmen, followets, and
ftiends~as istoldatlength inAti'sLandndmab andtheLaxdaela Saga.
Thentst ttacts wete so huge that plenty was left fot followets ofthe
ptiest-chieftains. Astimewentonandlandbecameoccupied,thepowet
of thegoaar wasoftenmuchteduced,sincetheitfollowetswetefteetostay
otgo.AsinNewGuineatoday amongtheso-called bigmen,agoai's
inuence depended on such things as physical sttength, petsonal fame,
andskillat atms,ustasmuchasonbitthandinhetitedwealth.Aman's
powetmightwanewithage,feudswouldtaketollofhischildtenandkin,
whileyoungetgoaar mightwainpowetandinuuenceatoundhim.The
vetyatttibutewhichgavehimmostfame, genetosityinptovidingfeasts
fothisownpeopleandothetneighbots, andhelpingthemtopaydebts
andwergild, mightbethatwhichimpovetishedhimmostdecisively. Giv-
ingtowinandkeep followetsdepleteswealthandlosesfollowets.Ths
much depended on a man's ptesent achievements and less on his past
glotiesotfamilyfame.Themainsanctionagainsthisabusinghispowets
wasthathisThingmenmightleavehistempleandoinanothetgoli's.
Tegoli had the tight tocalltogethet the Tins, otmeetings ofthe
people, at stated times, todiscusspublicbusinessand whete suits at law
mightbetakenup.Asptiesthe hallowedthcThit. and ptoclaimedpcacc
APPROACH TO THE ICELANDIC SAGA 8]
whileitwasinsession,hewaschiefmagisttateptesidingovetthemeet-
ing,henamedudgesandsupetintendedtheptoceedings.lnsummaty,he
wasleadetofthedisttictofhis goli-ship, givingptotectionintetutnfot
allegiance.Butanothetman,ifsttongenough, couldbuildanewtemple
inhis disttictand subvett hisfollowets.Thepossessionofatempleand
petsonalpowet,basedonnumbets,otganization, andtesoutces, weteall
heneededasatitletohisoHce. Oneeventeadsofgobi-ships beingbought
andsold.
Thepictutewehaveat aboutthe endofthentstfewgenetationsof
occupationisofanumbetoflittleptiest-chiefdomsalltoundthecoastof
theisland,undetthe inuence, tathet thanthe powet, ofgoaar, who at
statedtimesconvened theit adhetents and tetainets to meetings fotthe
settlement ofmattets ofcommon concetn. Alongside thegoaar wete
impottantseculathouseholdheads,someofwhomaspitedtogoai-hood.
Each Tin ot meeting was independent ofthe othets, and quattels
betweenthemcouldonlybesettledbytteatyotbattle~asbetweensov-
eteign powets. Hete the localgobi teptesented the community in what
may betetmedits foteigntelations and ttied to come to a settlement
with his fellowgoaar. But even when Ul ot made a code oflaws fot
!celand, and Gtim Goatbeatd his btothet found a southetn site at
Thingvellit fot an Althing ot genetal assembly oflcelandets in A.D.
929-930,onecannotassettthatanlcelandicstate hadcomeintoeistence.
Lven at theAlthin almost evetything depended not on the law code-
thoughthiswasmanipulatedinlitigationtogiveaglossoflegitimacyto
the actsofpowetfulmenandtoenlist suppott ftomtheuncommitted-
|utonhowmuchfotceamancouldmustetwhenitcametoashowdown.
| ssuesand gtievances couldbeventilatedattheAlthing butthesettlement
o|issueswaslefteectuallytothepatties concetnedandmencontinued
to seek theittightsbypoint and edge (med odde ok eg o), as Nal once
|amented.
Nal's Saa ismainly amattetofpointandedge'' despiteNal'sown
creationofaFifthCoutt,tobeheldattheAlthing tosteetthelawandset
ML atpeace. Ihavecountedthekillingsin[e|~they amountto94in
tbc330pagesoftheEvetymanEdition. Sometakeplaceoutoflceland,
cut most ateintimately connectedwiththe chainoffeudsthat compose
tbc saga. One wondets how teliable this ngute is when one considets
Svc|nsson'scomment(I953.72)thatthenumbetofmenkilledinbattleot
exccuted between I208and I20 (inthe so-called tutbulenr' Stutlung
^gc) has been computed at atound 350 ot about 7 pet yeat~in a total
jojulationof70,000ot80,000.Quitepossibly,themotesanguinatysagas
aadasonefunctionthatofthecautionatytale~theywatnedagainstwhat
i i t |ght happen ifpeople did not tespect the tules ofkinship and neigh-
borhood relations. |n rcality, many mote feuds may have been settled
88 PART I : PROCESSUAL ANALYSIS
peacefully than bloodily. Butthe etremsm ofNal's sagathrows into
highreliefthenormalandtting.ThereisinthecaseofNal'shousehold
whatmIghtbecalledanalmostunnatural stress on, oroverevaluationof
thefather-sonbond, attheepenseofothersib andamnalties,whichare
radically undervalued, as where Nal's sons kill their almost saintly
foster-brother Hauskuld, thegooi, whom Nal himselfhad set up in his
omce.Nal'ssons,evenaftermarriage,continuetoresidenotonlyontheir
father'slandbutinhis veryhomestead.Thissolidaritywas onecauseof
theirdeaths~hadtheynotlivedtogetherandfoughttogethertheywould
nothavebeenburnedtogether. (Te family that yearns together, burns
together.)
TheplotofNal's Saga maybedividedintothreeparts,eachaseparate
narrative, yet interlinked like the phaes ofa great ritual. The rst
describestheheroicdeedsathomeandabroadofGunnarofIithend,and
howhiswifeHallgerdaandNal'swifeBergthoranearlysettheirhouse-
holdsagainstoneanother,byeggingontheirthrallsandservantstokill
oneanother.Bergthoraeveninvolvesher sons inthekillings at last. But
Nal and Gunnarremainnrmfriendsandsettlethehomicidesbywegild
notretaliation.The nrstpart endswiththekilling ofGunnarinhis home
afterhavingbeeneiledforaseriesofkillingsinself-defense.Thesecond
section begins when Nal's oldest son helps Gunnar's son avenge his
father'sdeath,andcontinues,throughachainofkillings,counter-killings
andattemptsatsettlementandreconciliation,totheburningofNal,his
wife, children, a grandchild, and many servants in their homestead, by
Flosi,whohastakenupthetaskofavengingHauskuldtheGooi's death.
Flosi is accompanied by many who seek vengeance on Nal's sons for
kinsmenslainbythem.Thennalpartnarratestheretributioneactedon
theBurnersbyKari,Nal'sson-in-law, whosewifeperishedintheames.
KariharriestheBurnersoverlcelandandevenpursuesthemoverthesea,
he slays Gunnar Iambisson, a Burner, at the very feast-board of]arl
SigurdoftheOrkneys.Thesagavirtuallyendswiththereconciliationof
FlosiandKari,whogoesontomarryFlosi'sbrother'sdaughter,andhasa
sonbyherwhomhecallsFlosi.
W P. Ker remarks (1967:190) ofNala: lt carries an even greater
burdenofparticularsthanEyrbyga (anotherfamIlysaga),ithastakenup
intoitselfthewholehistory ofthesouth country oflcelandinthehetoic
age. The south country mentionedisthe arena for the neld ofsocial
relationsformedbytheultimateconfrontationbetweentheBurnersand
Nal's faction at theslaying ofHauskuld. lndeed, since Nal's burning
raised suits in two Quarter Courts and thenin the Fifth Court ofthe
Althin itcouldbesaidtohavehadalllcelandasarena.Strangely,although
itdealsprimarilywithkillingsbetweenthepatrilinealresidential corcs of
house-communities," the saga's main sequencc ofcvcnts bcgins with 3
APPROACH TO THE ICELANDIC SAGA 8
quarrel between unrelated women, Bergthora and Hallgerda, and ends
withreconciliationbetweenunrelatedmen,KariandFlosi.
Kari,thoughunrelatedbybirthtoNalandhisblood-kin,indeed,not
evenanlcelanderbutanOrkneyman,islinkedbymarriagetothem,asis
Bergthora, Nal's wife. Hallgerda is linked by amnity to the opposite
faction, as is Flosi. Thus connections by marriage may serve as either
disruptiveorunitivefactorsintherelationsbetweenhouse-communIties
andsetsoflinkedhouse-communities.lnthecaseofthewomenwhoare
incorporatedintopatrilinealcore-groupsbyviri-localmarriageandspend
mostoftheirpost-maritallivesintheirhusbands'communIties,risingto
the status ofmatriarchs, concern for the honor oftheselocal, particu-
laristicgroupsbecomesarulingpassion.Theyarenotconcernedwiththe
wider groupings, suchasDistrict, Quarter, or lceland, but fomentlocal
conmctswiththeirsharptauntingtongues. Butmen,throughtheirpar-
ticipationinuridicalandlegislativeactiononawiderscalethanthelocal,
may eert their inuence as in-laws to reconcile disputing house-
communIties rather thaneacerbatetheirenmties. Evenwhenthey are
inImical tobothparties to a dispute, likethesinisterMordValgardsson,
whoprovokesNal'ssonstokillHauskuldbydeceitfulwords,ill-wishing
menhavetocouchtheirmischievousintentionsinthehoneyedlanguage
ofthe common good. But the womenhave no suchinhibitions. When
HallgerdahiresBrynolftheUnrulyto cause troubleamongBergthora's
servants, early in the saga, she says to him (referring to At|I, one of
Bergthora'smen). lhavebeentoldthatAt|iisnotathome,andhemust
bewinningworkonThorofsfell.Hewascuttingwoodthere.]
Whatthinkestthoulikeliestheisworkingat?saysBrynolf
'tsomethinginthewood,shesays.
Whatshallldotohim?heasks.
Thoushallkillhim,saysshe.
Nevertheless the killings ofservants for which these women are
tesponsible are relatively smallbeer.Thebulkofthesagaisma up of
|ong social dramas.
s social dra
heth'breach ou
lU ular or - verneons isusuay akilling, thene p ase,
'_isis sees the mobilization o_factions, either to take revenge am
tcfendagainstit, or to seekcompensation,ifoe
|
|a
Thc li retta
vas prcsidcd ovcr by thc Lav Spcakcr (li siumaor) . Hc vas cIcctcd for
thrccycarsandvasrcquircdtoknovthcIavfrommcmory,cvcntorccitc
itinitscntirctybcforcthcgcncraIasscmbIyduringhisthrcc-ycartcrmof
omcc-anothcrcxampIcofthcrcmarkabIcmcmoricsofmcninprcIitcratc
cuIturcs. A court consisting ofthirty-six mcmbcrs vas aIso cstabIishcd.
This vas Iatcr dividcd into four indcpcndcnt courts, caIIcd district or
quartcrcourts, oncfor cachquartcr ofthccountry. To bcvaIid,thcvcr-
dictsofthcsccourtshadtobcunanimous.ThusmanycascscouIdnotbc
scttIcduntiIaFifthorHighCourt(mtard6mr) offorty-cightmcmbcrsvas
cstabIishcdshortIy aftcrA.D. !OOO. CfthcscmcmbcrsonIythirty-sixvcrc
to participatc at any onc timc injudging a casc. !fthc Oistrict Courts
faiIcdto achicvcunanimity, anappcaIcouIdbccarricdtothcHighCourt,
vhcrcasimpIcmajoritycouIdprovidcadccision.
MuchofthctroubIcin !ccIandic socicty vas ductothc factthatthc
!ccIandcrs crcatcd a IcgisIativc andjudiciaI authority on an isIand-vidc
basis,butvcrcunabIctogivcittccthbydcvcIopingcomparabIccxccutivc
andadministrativcauthority. Thc vcry drivc forindcpcndcnccthatIcdtp
thchrstscttIcmcntcontinucd to impcIthcIcadinggooar and othcr chicf-
tainsvhocouIdacccptaforumfordiscussionbutnotanauthorityvhich
couIdovcrruIcthcirviII.Wc viIIsccmanycascsofIitigationanddcscrip-
tionsofactsofvcngcanccinEyrbyga. !tiscIcarthatifaIitigantsuccccdcd
in having a condcmnatory scntcncc passcd against his opponcnt in thc
Quartcr Court or cvcn High Court, it vas his ovn rcsponsibiIity to
cxccutc it, thcrcvasnopoIiccforcc, nornationaIpcnaIsystem. Thc rcsuIt
THE SAGA AND MEANING-ASSIGNMlNT III
vasthatmattcrs vcrc scttIcd, asthcprovcrbhadit, by"point andcdgc,"
that is, by povcr and strcngth. !ndccd, thc courtjudgmcnts thcmscIvcs
vcrc somctimcs dictatcdbythc numbcrofrctaincrs andinucntiaI aIIics
onc couId gct to ridc vith onc to thc GcncraI AsscmbIy. SchoIars havc
commcntcdvondcringIythat"thcroIcvhichpovcrandvioIcnccpIaycd
in Iitigation prcscnts a sharp and strangc contrast to thc formaIism and
subtIctyvhichvcrcdcvcIopcdinIcgaIproccdurc"(HaIIbcrg,P.,pp.89).
!nmy articIc!shovcdhovthcabscnccofccntraIizcdpoIiticaIandcxccu-
tivc povcr Icd to thc scIf-dcstruction ofthc !ccIandic CommonvcaIth,
rcndcring itvuIncrabIctointcrnaI disintcgration asvcIIas cxtcrnaI prcs-
surcsfromMorvay.
Thc ruIc vasthatcvcry ninth farmcr or b6ndi (aIIIandvas frcchoId)
hadtogovithhishqooi, shortcncdtogooi, "pricst-chicftain'(or"tcmpIc-
chicf") to thc GcncraI AsscmbIy ifthc Iattcr so dcsircd. !fthcy staycd
homc thcy had topay thc cxpcnscs ofthosc travcIing to thcAlthing. My
vifcand!hadbccnvorkingonpiIgrimagcandits somctimcsambiguous
conncctions vith communitas. Thc annuaI trip to thc GcncraI AsscmbIy
couId bc conccivcd as a sort ofpiIgrimagc, an cxhibition of !ccIandic
antistructurcasvcII as a sourccofstructurations (vhich, hovcvcr, vcrc
oftcnabortcd). AtthcAlthing thcIcadingmcnofthccountrymct, andthc
Tinvellir sitcbccamcthchcartof!ccIand'scuIturaIIifc.AsPctcrHaIIbcrg
vritcs(p. 9). ". . . anintcnsivcactivityunfoIdcd,vhichvasnotrcstrictcd
to omciaI busincss. !n thcir frcc timc thc young mcn compctcd in baII
gamcs,vrcstIing, andsvimming.Bccrparticsvcrcgivcnforfricndsand
acquaintanccs. Pocts and storytcIIcrs contributcd to thc cntcrtainmcnt.
From aII indications thc asscmbIy aIso pIaycd an important roIc in thc
disscminationofncvs,pcrhapsinaccrtaindcgrcctothcartofrcIatingthc
ncvs.Thcrcarcvariousrcfcrcnccsto!ccIandcrsvho,havingjustrcturncd
homcfromabroad, rcIatcdthc' saga' ofthcirtravcIstothcAsscmbIy." Wc
found simiIar fcaturcs at piIgrimagc ccntcrs not onIy at major Christian
shrincs but aIso in thosc ofothcrrcIigions. Thckcy roIc ofthcgooar, or
tcmpIc-ovncrs,in!ccIandgivcsthis annuaIasscmbIymorcthanaIittIcof
3 rcIigious charactcr, sincc thcgooar vcrc thc kcrncI ofthcAlthing. This
titIc is dcrivcd fromgod vhich, as in AngIo-Saxon and ngIish mcans
"god," pcrhaps uItimatcIy conncctcd vith Sanskrit hu, "to invokc thc
gods." Thcgooar not onIy had chargc of tcmpIcs, but aIso had sccuIar
authorityinthcirdomains,caIIcdgodord, vhichaIsostandsforthciromcc.
1hcyhad authority in vhat vas in cEcctthconIy administrativcunitin
|ccIand.Thcgoli vasthcchicftainofthcdistrict, andthoscsubjccttohim
NLL caIIcd his thingmcn. But thcir rcIationship to him vas quitc frcc.
huc,thcypromiscd to accompany and supporthim, andhc promiscdto
protcct thcm and takc up thcir Iav suits. But if thcy fcII out or thcir
rll:ltionship cooIcd,c| and thingmcn couId dissoIvc thcir ticby mutuaI
====e er 4wwn00UAL &N&Ll0
conscnt. A farmcr ofoncgodord cou|d scck thc protccton ofthcodi of
anothcr, thc phrasc s "to dccIarc oncscIfnto thc thng" ofthc Iattcr.
CorrcIatvcIy, thcgoli vas frcctoacccptorrcfuschm.Thsmcantthatthc
godord vasnotstrctIy atcrrtoraIunt,rathcrtvasacontractuaIunionof
thngmcnundcrthcprovsonaIpoItco-rcIgousauthorty ofagoli. Thc
go(i's authorty, povcr, andnucncccouIdvaxorvanc accordngtohs
nitatvc andpopuIarty. ThconcvththcbggcstfoIIovng usuaIIy had
thcbggcstsay, bothIocaIIy andaIsovhcntcamcto scttIing cascs at thc
MatonaIAsscmbIy, thcAlthin. Thcgodord vashcrcdtarynthcory,mostIy
nthc patrIinc, but thc sagas mcntonmany cascs nvhchgodords vcrc
soId, tcmporarIy transfcrrcd, or cvcn dvdcd and hcId n partncrshp.
TruIy !ccIandvasacoIIocatonofndvduaIists-atIcastthcIcadngmcn
and vomcn vcrc such, thraIIs and poor farmcrs vcrc, hovcvcr, qutc
dcpcndcnt on thcrgolar and mastcrs. vcry ycar, bcforc thc A/thin n
)unc,thcgo(is hcIdthc"sprngasscmbIcs"athomconthcrgodords. Thrcc
authortcs comp
.
rscd onc asscmbIy or thng. !t s gcncraIIy thought thc
LI jotand Grm Goatbcardvho sct up thc hrstAlthin nA.D. 93O mod-
cIcdtsconsttutononsmiIarmootsnMorvay.
Te Eyrbyggya Saga as a
Sequence of Social Dramas
Most sagas narratccvcnts that took pIacc bctvccn1-1. 93O and A.D
IO3O,thoughframcdasItcraturc,schoIarsmostIyagrccthatmanyofthc
cvcntsrccountcdnthcmarc nothcttous, vhIcothcrshavc bccnndc-
pcndcntIy vcrhcd to bchistorcaIIy rcIabIc. !n any cvcnt, vhcthcrfac-
tuaIIy corrcct or not, thc sagas manifcst for us thc proccssuaI form of
socaIconctandthckcysymboIsvhchmadcsuchstruggIcsmcanngfuI
for contcmporary !ccIandcrs. !t s sgnihcant, too, that most sagas vcrc
vrttcn n thc thirtccnth ccntury durng thc SturIung Agc. ! mcntoncd
thcpcRcIatonasadynamicntcrpIay ofpastandprcscntrcIatonshps,
cvcnts, vaIucs, and symboIs-hcrc thc SturIung Agc and thc Saga Agc.
FortunatcIy, vc can rcad about thc SturIung Agc n a uniquc, dctaiIcd,
contcmporary vork, Sturluna Saa. This dcscrbcs thc hstory of!ccIand
durng thc tvcIfth and thrtccnth ccnturcs. Most oft vas vrttcn by
s,
gtoups,otcategotiesondietentsidesofadominantcleavageotsubsidi-
aty cleavage in the total social system studied (ttibe, ptovince, village,
family, and so on) ot inone ofits patts Ma Gluckman sees sttuggles
atisingoutofwhatheseesasce|c|~ofintetestotloyaltyotallegianceot
valueinthesystem.Con0icts,inhisview,canbetesolvedinthepattetnof
theptevailingsystem,whathecallscontradictions cannot,butleadsteadily
to tadical changes ofpattetn (Gluckman 1958:46). The second type of
con0ictcanbestbeanalyzedbypsychologists. Heteadistinction should
bemadebetweennotmalandneutotic emotionaldistutbanceThetst
involves aconscious choiceofloyaltiesotintetestssuchascanbeteadily
detectedinthedesctiptive dataofanthtopologistsThesecondtelatesto
unconsciousconuictlnTe Ego and the Id, Fteudwatnedagainstdetiving
neutosesftomacon0ict,tout simple, betweentheconsciousandtheuncon-
scious,tegatdingit tathet asptoceedingftomthe antithesisbetweenthe
cohetent ego and the teptessed wish which is split offftom it ln The
Question i Lay Analysis, heelabotatedonthisbysuggestingthattheessence
ofaneutosisconsistsinthefactthattheegoisunabletofulnllthefunction
ofmediatingbetweentheid andteality. lnthispapet lwillsuggestthat
the cultutal symbols ofUmbanda in some measute substitute fot the
feeblenessoftheegointhusmediatingHowevet, somecosttothecohe-
sionofthetitualcommunityis incutted, since actotswho might othet-
wisehavetemainedsociallyunviablethtoughneutosishavebeenableo
manipulatesuchcultutalsymbolstofutthettheitintetestsin social con-
0icts.GezaRoheim(1968:74) wtotethatthedietencebetweenaneutosis
and asublimationis evidently the social aspect ofthephenomenon. "A
neutosis isolates, a sublimation unites l would ptefet, in this papet, to
think ofaneutosis as sealing oanindividualftomsocialcontentionin
his/het enclosed domain ofpsychological conuict But tbe psychic
defense system," wbicb Robeim and, atet him, Mclotd Spito wou|d
UMBANDA IN RIO DE JANEIRO I2I
identifywithcultute,teptesentedinthispapetbythetitualandmythic
symbols ofUmbanda,intendetingtheUmbandistnotmal,enableshim
to entet into social con0ict with gusto. Out data will ptovide us with
somebasisfotconsidetingthetelationshipbetweenso-calledmadness
and so-called notmality ot cultute, fot Umbandists have theit own
dennitionofmadness,whichlthinkyoumaynndintetesting.
Velhofounditusefultousemyconceptofsocialdtama''(seeChap-
tet 9, pp 215 -221 ; Chaptet 10, pp. 230 -232; and Epilogue, pp
291 -292) inattemptingtoaccountfotthedistutbancesandctiseswhich
she obsetved in the social life ofthe cult-centet l had developed this
fotmulafothandlingsituationsoftecuttentcon0ictdutingmyneldwotk
among the Ndembu people ofnotthwestetn Zambia My obsetvations
wete made in small villages whose cotes wete clustets ofmattilineal
kinsfolkButlhavesincefoundthe sameptocessualfotmin societies of
muchgteatetcompleityandscale.Asocialdtamabeginswith abteach
oftegulatnotm-govetnedsocialtelations, signalizedby apublic ttans-
gtession ofa salient tule notmally binding on membets ofthe gtoup
beingstudied.Thismaybeanovettuoutingofalawotcustomtomake
inevitableatestingpoliticalptocess, otitmaytesultftomanoutbutstof
allTh_ t of
_
elationsot
social tecogtuittepatable bteachbetween the contesting patties
Redtession sor:tmal
atbittati
'+9
solve
cettainkmds ofctisis, t
_
p ;itual Muchofmy
data consisted tdnct tepotting, but l was alteady halfway towatds
psychologicalmodes ofeplanationwhen l wasfotced at times~teluc-
tantly,then,duetomyDutkheimianbackgtound~totelyontheaccounts
ofmyinfotmants Soonl tealizedthatitwastheitvetybiasthatwasof
centtal impottance Fottheaimofthe socialdtamais not to ptesent a
seemingly obective tecitalofa seties ofevents, it is concetned, tathet,
withthe dietentintetptetations put upon thoseevents, andthewaysin
whichthesegivesubtleeptessiontodivetgentintetestsotswitchesinthe
balanceofpowetlnow considetthatsuchintetptetationsatethemselves
inuencedbyunconsciousfactots~wishes, anieties, ego-defensemech-
anisms~whichateinaccessibletotheteseatchmethodsandtechniquesof
socialanthtopology. Thestudyofsocialdynamics, asopposedto that of
social and/ot cognitive sttuctute, necessatily involves psychological
approachcs. Asocialdtamaengendetsasociopsychical neld fotwhose
I22 PART PROCESSUAL ANALYSIS
"cvcnts" thcrc arc cIcarIy scvcraI dimcnsions ofintcrprctation, ranging
fromthcbiochcmicaI, physioIogicaI, andncuroIogicaI, tothcpsychoIogi-
caIand socioIogicaI. achtypcof:ntcrprctationansvcrssomcprobIcms,
butnotaII.LikcMaGIuckmanandIyOcvons,inthcir!ntroductionto
Closed Systems and Open Minds: The Limits q Naivet in Social Anthropolo
(!964), ! havc aIvays hcId that oncmust bcscrupuIousIy cIcar invhich
dimcnsion oncis opcrating. For actionsmayhavcdiEcrcntsignihcanccin
thc diEcrcnt dimcnsions. For campIc, a smiIc may bc a tokcn ofsociaI
amityinasocioIogicaIanaIysisandovcruyrcspondcd to assuch,butfor
thc dcpthpsychoIogist may bc asign ofrcprcsscdaggrcssionvhichviII
havc bchavioraI conscqucnccs for thc actor Iatcr on. McvcrthcIcss, and
cspcciaIIy vhcn onc is dcaIing vim rituaI symboIs and bcIicfs as thc
contcntofsociaIforms, thcanthropoIogistcannotcscapcthcfactthatthc
intcractions hc obscrvcs as thcy dcvcIop arc constanuy bcing shapcd by
intrapsychic factors and cannot bc cpIaincd avay as mcrc conformity
vith ctcrnaI cuIturaI norms. As McIford Spiro has vrittcn. "SociaI
bchavior. . . ismorcIikcIytobcthccndproductofachainofintcracting
psychoIogicaIcvcnts, incIudingimpuIsc (id), cuIturaIandpcrsonaI vaIucs
(supcrcgo), conct bctvccn thcm, and dcfcnsc against conct, vhich
onIythcncvcntuatcsinbchavior"(incd.GcorgcSpindIcr !978.356).Most
ofthc timc, bchaviorthc cnd product ofthis chaindocs conform to
norms, but in sociaI dramas, thc controIs vhich cnsurc this arc oftcn
brokcnandonccncountcrsthcbchavioraImanifcstationofthosc"discon-
tcnts"FrcudsavassoimportantforsociocuIturaIdynamics.
VcIho cpcricnccdsomc dimcuItics inattcmptingto appIythc sociaI
drama modcI to hcr study ofLmbandistas in conict. My modcI vas
dcrivcdfromthcstudyofAfricanviIIagcs,inasmaII-scaIcsocictyvhcrc
thc kinship systcm providcd a structuraI framc for anaIyzing thc rcg-
uIaritics ofthc sociaI proccss. Such a socicty has vcII-dchncd group
boundaricsvithacorrcspondingIymarkcdprohIcinthcdcvcIopmcnt of
sociaIcvcnts.VcIho'scuIt ccntcrvascmbcddcdin a compIcurbanm-
icu.!tsmcmbcrsvcrcdravnfrommanyvaIksofIifc,somcvcrcdchncd
in BraziIian tcrms as "bIack," somc as "vhitc", diEcrcnccs ofcIass and
cducation manifcstcd mcmscIvcs during thc drama, in short thcir Iifc
cpcricnccsvcrcgrcatIydivcrsc.Again,unIikeAfricanviIIagcrs,thcydid
notIivctogcthcrbutinvariousurbanIocaIitics.vcninthcirrituaIprac-
ticcsthcydiEcrcd, coming fromdiEcrcntcuIt ccntcrs, thcy hadidiosyn-
craticvicvsonhovthcritcsshouIdbcpcrformcd, for Lmbandahasno
authoritativcIiturgicaImanuaI.Morcovcr,thccuItccntcrvasthccrcation
ofvoIuntary action. !n African vilIagcs, kin tics rcsuIt from birth and
invoIvc cuIturaIIy spccihc rights and obIigation: status-roIcs arc ascribcJ
rathcrthanachicvcd. AviIIagchcadmanis rituaIIy invcstcd vith ccrtain
povcrs, priviIcgcs and capacitics, and vith Icgitimacy, in thc cuIt ccntcr
UMBANDA IN RIO DE JANEIRO I2
Icadcrship tcnds to bccharismatic and to cmcrgc from succcssfuI mcdi-
umistic pcrformancc. A viIIagc is thc sccnc ofits mcmbcrs' totaIIifc, of
thcir cconomic, domcstic, rcIigious, poIiticaIand Icisurc activitics. A cuIt
ccntcris onIy activcvhcnits mcmbcrs havchnishcd vork at mcir gco-
graphicaIIy scattcrcd occupations. Thcir intcractionis, as it vcrc, singIc-
strandcd, simpIc, notmuItipIcasinthc casc ofviIIagcrs vho pcrform
most ofthciractivitics viththc samc sct ofpcopIc, a group ofkin and
amncs. As GIuckman hasvrittcn. "!n thcvcry conditions ofaIargc city,
IookcdatincontrasttotribaIsocicty, thcvariousroIcs ofmostindividuaIs
arc scgrcgatcdfromoncanothcrsinccthcyarcpIaycdondiEcrcntstagcs"
(!962.35). Cnc vouId, thcrcforc, on this argumcnt not cpcct to hnd
conict on thc scaIc in vhich it cistcd in VcIho's cuIt ccntcr, sincc,
GIuckmancontinucs,"inmodcrnsocictynotonIyarcroIcsscgrcgatcdbut
aIsoconictsbctvccnroIcsarcscgrcgatcd"(GIuckman !962:38).Furthcr,
GIuckman argucs that rituaI is so frcqucnt and fundamcntaI in tribaI
socicty "bccausc mcn and vomcn . . . pIay so many ofthcir purposivc
roIcsviththcsamcsctoffcIIovs.achactionis [thusj chargcdvithhi
moral import. Aman'sactionsasvorkcrarcnotscgrcgatcdfromhisactions
asfathcr bybcingpIaccdina diEcrcntbuiIdingvith a spcciaIizcd sct of
fcIIovs. Hisachicvcmcntas afarmcrdirccuyaEcctshispositionasfathcr,
as brothcr, as son, as husband, as pricst, or as vorshippcr. That is, thc
moraIjudgmcntonamanvho ncgIcctshisvorkasacuItivatorappIicsto
hisrcIationvithhisvifc,hisbrothcrs,hischicLhissubsistcnccgroupasa
vhoIc.ConvcrscIy, ifamanquarrcIsvithhisvifcorhisbrothcrthismay
aEcctthcirabiIityto coopcratcinfarming.vcryactivityischargcdvith
compIcmoraIcvaIuations, anddcfauItstrikcs not at isoIatcd roIcs but at
thc intcgraI rcIations vhich contain many roIcs. ! mink that it is this
compound ofmoraI cvaIuation andthc sprcading cEcctofbrcac
_
ofroIc,
vhich accounts for thc vay rituaIs arc attachcd to so many changcs of
activityintribaIsocicty"(GIuckman !968.28).
GIuckmansccmsto bcsayingthatrituaIs in tribaI socictyarcfunc-
tionaIcquivaIcnts ofspatiaI scparation inmodcrn socicty, for itis rituaI,
not spacc, vhich scgrcgatcs roIcs from onc anothcr vhcn rcIations arc
muItipIc." RituaI hcrc sccms to bc a mcchanism ofthc sociocuIturaI
mainstrcam, in no vay a Icisurc activity sct apart for voIuntaristic par-
ticipation. Mov ! am going to prcscnt VcIho's data vhich documcnts a
highIcvcIofconicttakingpIacconvhatGIuckmanvouIdcaIIa"scgrc-
gatcdstagc''thatis,thccuItccntcrinacompIcurbanizcdsocicty(notc
thc thcatricaI mctaphor) . Why shouId rituaIizcd conictbcshovcd oEon
tothisstagcor"arcna"Lctmcstatchcrcatthcoutsct,sothatyoucanscc
vhat ! am up to immcdiatcIy and arc put in a position to raisc vaIid
objcctionsaboutmyhandIingofVcIho'sdata,that!havcconcIudcdonthc
basiso|cthcrstudicsthatsociocuIturaIactiviticscan bcroughIydividcdin
Iz| PART PROCESSUAL ANALYSIS
aII cuIturcs bctvccnthosc vhich corrcspond vith thc inicative moodof
vcrbs andothcrs vhichhavc many ofthc propcrtics ofthc subjunctive or
optative mood. This distinction bccomcs morc cIcar-cut as socictics
dcvcIopinscaIcandcompIcxityandspcciaIization,butaIrcadyitcxistsin
tribaI socictics, bctvccnpragmatic andrituaI activitics. Thc diEcrcnccis
bctvccn vhat is cuIturaIIy dchncd as "vhat is" and "vhat miht be,"
bctvccnvhatcommonscnscprcscntsas "causcandcEcct," "rcaIity," and
vhatmayrcprcscntarangcofpIausibIcorfancifuIaItcrnativcstothctricd
and tcstcd. Thcsc may rangc from scicntihc hypothcscs, thc domain of
"as-iL" vhich viII bc cxposcd to vigorous cmpiricaI rcaIity-tcsting, to
fantasticaI or utopian aItcrnativcs, vhcrc vishcs prcdominatc ovcr prac-
ticaIcxpcricncc.ThisdistinctionmakcspossibIcthcvicvthatincompIcx
socictics thc arts, incIuding Iitcraturc and thcatcr, scicncc, in its crcativc
aspcct ncccssitating hypothcsis, and rituaI, both rcIigious and sccuIar,
vhichoftcn"pIays"mctaphoricaIIyviththcfactorsofsociocuIturaIcxpc-
ricncc, bccomc thc Icgitimatc diaIccticaI partncrs of"factuaIity," thc
domain of pragmaticaI handIing of historicaI "rcaIity" in any givcn
cuIturc. This provocativc dichotomy bctvccn fact and pIay, indicativity
and subjunctivity, at thc cuIturaIIcvcImakcs possibIc, ifnotincvitabIc, a
sort ofpIuraI rccxivity in socictics, vhcrcby a community ofhuman
bcings sharing a tradition ofidcas and customs may bcnd cxistcntiaIIy
back upon itscIfand survcy its cxtant condition not soIcIy in cognitivc
tcrms but aIso by mcans oftropcs, mctaphors, mctonyms, and symboIic
conhgurations, vhichmaygivcit somccxistcntiaI scnsc ofvhcrcitrcaI-
isticaIIy,cthicaIIy,orprophcticaIIystandsvithrcfcrcncctoitsovnpast,its
aspirations,anditsrcIationstoothcrsociocuIturaIgroups.Thcopposition,
indicativclsubjunctivc, is not prcciscIy homoIogous vith thc distinction,
consciouslunconscious, in dcpth psychoIogy, but inasmuch as thc sub-
junctivc is dccIarativcIy opcn to thc inucnccs ofviIIing, dcsiring, and
fccIing, dcfcnscs against unconscious drivcs and idcas arc to that cxtcnt
rcduccd in scopcand cmcacy, aIIoving unconscious phcnomcna, opcnIy
orincongcniaIdisguisc,tocmcrgcintopubIicvisibiIity. Thisinsightinto
thcIinkbctvccnthcsubjunctivcandcmotionstaIIicsrcmarkabIyviththc
Iink bctvccnthc right ccrcbraI hcmisphcrc and thc Iimbic systcm taIkcd
about in Chaptcr IIofthis book.j What may bc causc foridiosyncratic,
privatc rcprcssion, may not bc causc for pubIic, gcncraIizcd rcprcssion,
thatvhichconvuIscsanindividuaIvithpainfuIaEcct,mayhavcahcaIing
functionvhcnmythoIogizcdasadatumofasubjunctivcgcnrcofcuIturaI
pcrformancc. A pIcasurc sharcd may bc a pIcasurc doubIcd, but an
"unpIcasurc" sharcdmaybcan "unpIcasurc" haIvcd, orcvcncxtinguishcd
bythccIicitation ofsympathy, thccxpcricnccofvhat !havc caIIcd com-
munitas,vhichisrcIatcdncssamongindividuaIsvithoutjudgmcntaIity.
UMBANDA IN RIO DE JANEIRO Iz]
Mycasc, as against GIuckman's, is that a rituaI systcmin a modcrn
urban sctting, such as Lmbanda, is a rccxivc institution, vhat CIiEord
Gccrtz has caIIcd "a mctasociaI commcntary," aIbcit onc actcd outrathcr
thanintcIIcctuaIizcd,vhcrcby thc "atomizcd" citizcns (inBraziIthcscarc
oftcnIabormigrantsfromruraI arcas to thccitics) actoutin symboIic or
mctapho
ocations ofthc Virgin Mary, (2) the line c Xan8, a maIc Cria,
whosccu|tthrovcoriginaIIyamongb|acksofYorubaorigininthcrcgions
o| Pcrmtnbuc,A|agoas, and Scrgipc,rcprcscntingthundcr,tcmpcsts,and
. .
Iz8 PART I : PROCESSUAL ANALYSIS
Iightning, and thc hrc Iatcnt in stonc (CxaIa is "thc hrc ofhcavcn")-
Xang isportraycdbyanimagcofthc crusty CathoIic Saint)cromc, (3)
the line < Oxosse or ofCabocos-Oxosse is oftcnspokcn ofas a "guidc" and
rcprcscnts indigcnous or ruraI symboIic typcs, othcrvisc rcfcrrcd to as
CabocIos, a tcrm ofAmcrindian origin. Thc BraziIian vritcr OiIson
Bcnto (I979) spcaksofthisIincinIiadcan tcrms asthc"hicrophany of
ccoIogy."!tisthcprimordiaIland, asyctunravishcdbyhistory.Cxosscisa
conscrvcr, rcIatcdtovcgctation and thchcaIingpropcrtics ofhcrbs. His
ovn "phaIanx" is knovn as )urcma, (4) the line < Ogum, a maIc orixa
rcprcscntingvarandportraycdbyanimagcofthcnovdcmotcdCathoIic
Saint Gcorgc. His physicaI manifcstation is that ofa strong man vith a
svordinhishand.Hcdanccsasifhcvcrcridingonhorscback,(5)the line
< the Old Blacks (Prctos VcIhos). !ndividuaIIy thcsc havc namcs prcccdcd
by "Grand-Oad" or "Grandma" (vovos e vova) or "uncIc" or "aunt' (tios e
tias) . A pcrson posscsscd by an CId BIack vaIks vith a stooping gait,
somctimcs supportcdby a canc, and spcaks inarambIing fashion. Thcsc
cx-sIavcshavcbccnagcdmcdicincmcnorhcaIcrsoragcdvarriors.Thcir
ccramic imagcs rcprcscnt thcm as cIdcrIy BIacks vith vhitc hair and
country-styIc vhitc cIothcs. !nvariabIy thcy smokc pipcs. !n CcntraI
AfricancurativccuItsanccstraIspiritsactasagcntsofam iction,butvhcn
propitiatcd,thcybccomcasourccofbIcssing.!nAfricaanccstraIspiritsarc
associatcd vith particuIar famiIics, Iincagcs, and cIans. But undcr Mcv
WorIdconditions,thcscspccihcIinkagcsvcrcIiquidatcdvhcnsIavcsvcrc
scparatcdfromthcir kinsfoIkand fcIIovtribcsmcn, andvhatvasIcft of
thc Iincagc anccstors vas a "symboIic typc," to usc Oon HandcIman's
tcrms, rcprcscnting " anccstorhood." Thc CId BIacks arc gcncraIizcd
anccstorsinLmbanda,and,indccd,inKardccism,thcycanposscssWhitcs
as vcII as BIacks, (6) the line < the Child (Criana). Thc ChiId is an orixa
vhich stands for archctypaI ChiIdhood. Mcmbcrs ofthis Iinc arc aIso
caIIcd"chiIdrcnofIbcji,"AfricantvindciticsassociatcdviththcCathoIic
saints Cosman and Oamian, vhosc ccramic imagcs rcprcscnt thcm. As
individuaI "cntitics" thcytakcnamcs inthcdimnutivc, suchasPcdrinho
("IittIcPctcr"),)oaozinho("IittIc)ohn''), andsoforth,(7)the line <Exu. x
or Lcba is an cntity vho rcprcscnts both good and cviI. Thc namc is
cIcarIy dcrivcd from that ofthe Yoruba and Fon Trickstcr God shu-
Lcgbaorshu-Icgba.!had discusscdshuinanarticIc!vrotconmyth
and symboI for thcInternational Encclopedia < the Social Sciences somcycars
ago.LittIcdid ! thinkthcnthat! vouIdmcctx facc to facconc night
andbctoIdthat!hadhim "onmy shouIdcr! "And, Iatcr stiII, that !vasa
"Son ofx," a dubious distinction as vc viII scc! !n BraziI CathoIic
pricsts somctimcs idcntify x vith thc OcviI, vhiIc dismissing
LmbandaitscIfas"dcviI-vorship."HisccramicimagcccrtainIyrcprcscnts
himasamanvithgoats' |cct,pointed cars, somctimcscIutchingatridcnt,
oftcn cIadin ared and b|ackcapc, and wearing a siIk top-hata diabo|ic
UMBANDA IN RIO DE JANEIRO Izp
dandyinshort' Buthcis aIsoportraycdas amanvith abarcchcst. Cnc
justcannotpinxdovn!!spcakofx,butxsarcusuaIIythoughtof
inthcpIuraI. Thcir "namcis Icgion." Whcnthcy cntcrthctcrrciro, thcy
taIk and gcsticuIatc obsccncIy, uttcr picrcing crics and stridcnt pcaIs of
Iaughtcr . BccauscthcsymboIictypcxisambiguous,bcingatonccgood
and cviI, his manifcstations and rcfractions may uncxpcctcdIy bccomc
dangcrousandpovcrfuI.ThcrcIationshipofmcnandvomcntothcxs
isaIvays ariskyonc, forthcsctrickstcrscandupcthcir"chiIdrcn'' (asthc
mcdiums oforixas arc caIIcd), tcIIingthcmoncthingbutdoing anothcr.
Thc xs (as in Wcst Africa) arc thc Iords ofthc crossroads and ofthc
gravcyard, vhcrcoEcringsarcmadc to thcm. Cncofthctypcsofrcfrac-
tions ofxisx ofthcTvo Hcads. His imagc vas promincnt among
thcimagcs onthcaItarofthctcrrcirovcvisitcd.Hcvcars arcdcapc and
carricsatridcnt. Cncofhishcadsisthatof)csus,thcothcrofSatan. Asa
CathoIic saint hc is somctimcs rcprcscntcd as Saint Pctcr, in thc doubIc
scnscofgatc-kccpcranddcnicrofhisLord.xsarccustomariIydividcd
intotvotypcs. "xsofLight,"dcscribcdas"supcrior"and"turncdavay
from'mattcr'." "xsvithoutIight"arc"Icsspurc,"and"cIoscrtomattcr."
ThcyhavctobccontroIIcdorthcyviII"produccconfusioninthcvorks"
(as Lmbandist rituaIs arc caIIcd). Thcy arc ruIcdby thc xs ofLight.
Thcycanbcuscdtovorkharm against pcopIc. Assuchthcyarcthcmain
"cntitics"in Quimbanda, thc rcvcrsc sidc ofLmbanda. !ts rituaIsarcthosc
of"bIackmagic."AsyouviIIhavcnotcd, thisdivisionamongxsisan
attcmpt to rcsoIvc thc ambiguity ofthis hgurc. !n Wcst Africa, shu-
Lcgba is an cxpIicitIy phaIIic dcity. in BraziI his phaIIicism is partIy
rcprcsscd.
ach ofthc scvcn "Iincs" has its chicfand his or hcr subordinatc
cntitics. ach "Iinc" is subdividcd into scvcn "phaIanxcs," cach vith its
ovn chicfandsubordinatcs,thcvhoIcgroupbcingundcr thchcgcmony
ofthcIinc chicf OI cxampIc, inthc Linc of!cmanja,thcvatcrgoddcss,
oncphaIanxiscommandcdby!ansa,afcmaIcorixavhodanccsbaIancing
a cup or vincgIass in hcr hand. Shc vcars a giIdcd crovn ringcd vith
pcarIs. Hcr CathoIicformisthcimagc ofSantaBarbara. Anothcr phaIanx
in !cmanja's "Iinc" is Mamac Cxum's. Mamac Cxum is a fcmaIc orixa,
rcprcscntcdasavccpingvoman,oftcnasthcCathoIicMatcrOoIorosa.
ach"Iine'is associatcdvithaIocaIity(sca,forcst, crossroads, andso
on), acoIor, aday ofthcvcck, andstipuIatcdkindoffood. Thcrcis aIso
thc catcgory oforixa cruzado, "intcrscctcd orixa," vhich dchncs an orixa
vhobcIongs totvo Iincs at thc samc timc. ForcxampIc, aCabocIo may
bc "crosscd"vithx, hc may bc haIfCabocIo and haIfx. This givcs
grcatc
ibilitytothcsystcm.
LmbandistasaIsospcakof"nationsofCandombIc"amongthcinvisi-
bIc cntitics. Thcsc i ncl ude Qucto, ]cjc, Mag (or Yoruba), AngoIa,
t
o|oco, Cambinda,
Fina||y, Aparcida
cssis
righthcrc.ithcryouIaydovnthatruIcoryougctout.Youv:IIgct
out bccausc ! viII gct anothcr pai- or mc-dc-santo, for things arc
impossibIcasthcyarc."
Thc tvo got up, and thc pai-dc-santo startcd thc scssion vith thc
usuaI draving ofan orixa's symboI bcIov thc aItar in vhitc chaIk.
MarioapproachcdmcaboutsomcfacuItybusincssatthcLnivcrsity.!
couIdnotgraspvhathc saidfor !vastryingtohgurcoutvhatvas
happcningaroundmc. !rcpIicdrathcrIaconicaIIy, butvhcn!gIanccd
atthcaItar,!savabIazcofhrc.Amcdiumrantoputitout,puIIingoE
thcburning aItar cIoth. Ouc to thc hcat, an Lmbandist ncckIacc or
rosary,knovnas"guidc,"brokcinpicccsscattcringthcsmaIIbcadsaII
ovcr thc room. Thc mcdiums cd. Whcn thc hrc vas cxtinguishcd
thcy Iookcd at thc brokcn rosary vith fcar. Sonia, thc ncv IittIc
mothcr, said to mc, "Scc hov strangc it is! Whatcvcr couId havc
happcncd"Thcpai-dc-santo, Pcdro, unpcrturbcdbythchrc, hnishcd
draving his Lmbanda sign, stood i:p, and said. '^II this is bccausc
somconccamctothctcrrcirovithahothcad."[Thcconscnsusamong
mcdiums vas that thc hrc vas a sign ofvar bctvccn Mario and
Pcdro,inothcrvords,thatastatcofdcmandacxistcdbctvccnthcm. j
Aftcr this cpisodc a typicaI Sunday scssionbcgan. But an important
changc took pIacc. Mario rcccivcd his Pomba-Gira ("WhirIing
Oovc"), thcviId, gypsy fcmininc form ofx, and staycdvithhcr
untiIthccndofthcscssion.HccxpIaincdtomcaftcrvardsthatPcdro
askcd for hcr to "protcct thc gira" (thc scssion) . From that timc
onvard Mario's Pomba-Gira pIaycd a Icading roIc in thc scssions
[VcIho I975.67 -68j .
Thcmcdiumsnow began to take sides. Most of the ofce-holders in
the spiritual hierarchy supported Pedro, while a small group, known as
UMBANDA IN RIO DE JANEIRO I|I
"ManucI'sLittIc Gang," incIuding thrccmcdiums, asvcII as mcrc ducs-
paying associatcs, supportcd Mario, arguing that thc tcrrciro ought to
"havcordcr."Thcyvcrc aIso conccrncdthatthcmoncyPcdro andothcr
mcdiums had obtaincd from consuItations vith nonmcdiumistic cIicnts
shouIdbcaccountcdforanddividcdfairIyamongthcgroup.But,tothcir
surprisc, Mario supportcd Sonia, thcIittIcmothcr,vho shouIdhavc dcaIt
vith this, thc rcsuIt bcing that ManucI's LittIc Gang quit thc tcrrciro,
dccIaring that Mario vas "dishoncst'' and vantcd to "takc controI of
cvcrything himscIf" ! undcrstand thatManucIhad aIvays bccnMario's
rivaI,andhadaIargcdurabIcfoIIovingvhichhadaccompanicdhimfrom
thc tcrrciro in Bishop Strcct. !n thosc days Mario had bccn cIosc to
Aparcida and ManucI's gang had hopcd to bcncht fromhcr counscI in
thcncvcuItccntcr.But,inavay, Mariohadditchcdhcrinan attcmptto
fuIhIhisovnambitionsforIcadcrship.
Mariohadnovinanoddfashion,isoIatcdhimscIffromthcgroup.As
hc toId Yvonnc VcIho. "Thcy arc ignorant pcopIc totaIIy dominatcd by
Pcdro and scarcd ofthc dcmanda. But ! havc no fcar, for my guidcs arc
strong and! acuIturcdpcrson. ! amonahighcuIturaIIcvcIandhavc
nothing to Icarn from Pcdro. Thc group is obscsscd vith Icarning from
him. Thcy havc no conhdcncc in thcir ovn rcsourccs. Thcy arc onIy
sccurc vhcn thcy arc 'in santo' . Lnposscsscd thcy knov nothing. But !
can cvcn changc thc structurc of Lmbanda rituaI for thc bcttcr-not
bccausc ! havcmorc cuIturc, but aIso duc to thc intuitivc povcr ofmy
guidcs,vhoarcfromthcCricntaIIinc" (VcIho I975.I4O).Hc is hcrcrcfcr-
ringtothcinucnccofthcosophy andothcrAsian-bascdrcIigionsvhich,
asinCaIiforniaandothcrpartsofthcLnitcdStatcs,arcacquiringconsidcr-
abIcrcIigiousprcstigcviththcfaiIurcoftraditionaI)udco-Christiansym-
boIs and norms among, particuIarIy, thc young-and thc avcragc agc of
LmbandaadhcrcntsisinthcmiddIctvcntics. ForMario,thcmainthing
about thc "CricntaI Iinc" vas that it vas opposcdto thc traditionaI Iincs
IinkcdtoAfricainLmbanda.ThcIinc of"xs vithoutLight''vouIdbc
contrastcdbythoscintcIIcctuaIsorscmi-intcIIcctuaIsIikcMariovhohavc
rcccntIy takcn up thc manifoIdIitcraturc onastcrnrcIigions nov bcing
transIatcd into Portugucsc, vith HindulBuddhist thought, andvouIdbc
dcsignatcdas '^fricanvitchcraft" (for cxampIc,thcscvcn "dark" Iincsof
Quimbanda).
AIIkindsofstrangccvcntsfoIIovcd,vhich!viIInotvcxyouvith,
so abcrrant thcy arc to our scicnti5c tradition. vcn psychoanaIysts
bccomc uncomfortabIc confrontcdby fantasics thathavcbccomc cuItur-
3Ily standardizcd rathcr than cmcrgc in sccrccy from individuaIs undcr
controIIcd conditions. ! viII not mcntion thc various hrc ordcaIs Pcdro
and Mario imposed on one another, nor the constant posscssion of Mario
by his female gypsy guide. Sufce it to say that Mario's fnancial power
ove-r the property which provided the terrciro's material basis prevailed,
I|z PART I : PROCESSUAL ANALYSIS
buthcvasvirtuaIIyabandoncdbyaIIthcmcdiumsthrccmonthsaftcrthc
tcrrciro hc sponsorcd bcgan, though rcmaining thc tituIar hcad ofthc
housc and yard. Thc notc ! rcaIIy vant to concIudc onis vhat sccms to
havc bccnhappcning in Mario's "mind" or "psychc," insofar as VcIho's
Iifchistorygivcsusacccsstothisobscurcdimcnsion.
Both Mario and Pcdro sccmto havc had unusuaIrcIationships vith
thcirmothcrs-afactnottobcignorcdinvicvofthc cIosc "stargroup"
rcIationship bctvccn a mac-dc-santo and hcr "chiId" in Lmbanda. But
vhiIcPcdro dupIicatcd his mothcr'sphysicaI paraIysis, Mario's conncc-
tion vith thc mothcr hc abandoncd to go to Rio from thc farm sccms
morccompIicatcd.
AIthough shc docs not mcntion his pIaccinthc sibIing ordcr, VcIho
tcIIsusthatMario vas oncofnincchiIdrcn-vhiIcPcdroapparcntIyhad
onIyafcv sibIings. Mariovcnt toIivcvith amothcr'sbrothcrvhcnhc
hrstmovcdtoRio.WomcnmcantaIotinhisIifc.Foratimchcstaycdvith
various fcmaIc cousins. Hc taught himscIf typing, shorthand, ngIish,
Frcnch,andpasscdaIIhis tcstsinmatricuIationcxccptmathcmatics.Math
nrstintroduccdhimtoLmbanda,oddIycnough,forafcmaIcfricndmadc
him consuIt a pai-dc-santo in LmbandainLaranjciras, a suburb ofRio.
This mantoIdhimthat "hchadthc grcat protcctionofCgum," andit so
happcncd that thc coIIcgc vhcrc hc vas to do his math tcst vas just
oppositcachurchdcdicatcdtoSt. Gcorgc-vhoisthcCathoIicmodaIity
ofCgum,godofvarandbIacksmithing.AccordingtohisaccountabIack
boy cmcrgcd fromthc church,just aftcrhchadIit a candIcto CgumlSt.
Gcorgc, and handcd him a shcct ofansvcrs to thc qucstions hc Iatcr
cncountcrcdinhismathcxam-vhichnaturaIIyhc passcd! Thisvasnot
cnough to dispcI Mario's skcpticism about Lmbanda, so hc toId VcIho,
but having said this hc vcnt straight onto spcak ofhis mothcr. Hcsaid
that itvas nov cIcartohimthatshcvas cIairvoyant. Asmcdiumspos-
scsscd by CabocIos or CId BIacks do, shc smokcd tvo chcroots cvcry
night, and sav "cvcrythingthat vas going tohappcn." ShcIovcdMario
bcstofhcrchiIdrcn,cvcnthoughhcstuttcrcd and did notIikc toridcor
hoc Iikchis brothcrs. Hc vas onIy tcn vhcn shc dicd. !t vas not Iong
bcforchcdrcamcdabouthcr. Shc satonthccdgcofhisbcdandgavchim
vhat hc thought vas advicc, but hc vas so scarcd hc couId ncvcr
rcmcmbcrit.Latcr,vhcnhcvasinRio, anLmbandistmcdiumtoIdhim
that his Iatc mothcr vas in a statc knovn as enostada, in thc tcchnicaI
vocabuIaryofLmbandaandsimiIar spiritistcuIts. This,initsIitcraIscnsc,
mcans "dcpcndcnt, Icaning against, proppcd up." !t mcant, so it vas
cxpIaincd tohim,thathcr spirithadbccomc "passionatc" (apaixonada) or
had "faIIcn in Iovc" vith him, and had bccomc "dcpcndcnt" on mattcr
(enostado na materia) . Ocpcndcncc (encosto) occurs vhcn a dcad pcrson's
spiritnccdssomcthing,cspcciaIIypraycrstoobtainIight |a) .Thcgnostic
UMBANDA IN RIO DE JANEIRO I|
componcnt in Lmbandais cIcarhcrc, as it is in thc distinctionbctvccn
xs vith and vithout "Iight." Thc Iiving pcrson onvhomit "fastcns
itscIf" isboth "confuscd" or "troubIcd" (atrapalhada) andhcIpcd (by spir-
ituaIadvicc)vhcninthisstatc.ButMariorcmaincdskcpticaIaboutsuch
intcrprctations,thoughhcvasshakcnvhcn, duringanLmbanda scssion
hc vas pcrsuadcd against his incIination to attcnd, a voman ncar him
"rcccivcdthcspiritofhismothcr,cricd,andsaidshcfcItthctastcofbIood
inhcr mouth," forhismothcrhaddicdofanintcrnaIhcmorrhagc. Mcv-
crthcIcss,hcstiIIhcIditaIItobc"buEooncry" (alhafada). "WhatvouId!,
astudcntofsocioIogy,bcdoingtobcIicvcinthatstu6"hctoIdVcIho.
Mario, atthattimc,vas amictcdbothbybcingcross-cycdandhaving
astuttcr. HchadbccnhospitaIizcdinAugust I97I foranopcrationonhis
right cyc, but vhiIc in bcd, rcccivcd "pinpricks" (a!netadas), a "spirituaI
varning"(aviso) thathcshouIdIcavc.Hcdidso,thcnconsuItcdAparcida,
vhovouIdIatcrbccomcthcmac-dc-santovchavcbccndiscussing. Shc,
or rathcr hcr CId BIack Woman, connrmcd that hc had a dcpcndcncy
from his mothcr and drcv it out (tirou o enosto). Sincc thc spirit vas
"sccking Iight," shcadviscdhimtoIight acandIc forhcrandmakc somc
praycrs. Fromthcnon, hisstuttcringdiminishcdandhcvasindistinctIy
bcttcr gcncraI hcaIth. Aparcida urgcdhim to "vork" in Lmbanda and
"vcar thc vhitc cIothcs" (a mark ofthc Lmbanda mcdium). Hcr CId
BIackWomanaIsoimprovcdhis cycsight,hctoIdYvonncVcIho.Though
unconvinccdthathisimprovcmcntvas ductosupcrnaturaIinucnccs,hc
bcganto scnsc strangcthings. ForcxampIc, vhcnhcvcnttoascssionas
hchadtakcntodoing,hccouIdnothcarasongordrumrhythmdcdicatcd
to anorixa(um ponto), vithoutfccIingtotaIIy "disconncctcd" (desliado), as
ifhc vcrc "in anothcr vorId." Hc vas "cxtinguishcd," "svitchcd oE"
(apagado). Latcr,hcacccptcdAparcida'sinvitationto"makcanobIigation"
in thc voods to thc CabocIo, or Rcd !ndian spirits. Whcn hc bcgan to
vatchavatcrfaII,hcbcgantofccIascnsationofcmptincss, asifhcvcrc
cntircIy Iost. Aparcida vas bcing riddcn by hcr CabocIo, Scrra Mcgra,
aftcr vhom thc tcrrciro vouId bc namcd, and "hc" caIIcd Mario and
pIaccd "his" handsonMario's. MariotoIdVcIho. '^tthatmomcnt ! sav
no morc . . . itvasthc hrst timc thishad happcncd tomc. ! didnotjust
'rcccivc' ,!sprangup(pulava). !fcItvibrations.!tvasIikcancIcctricshock.
Thc morc thc CabocIo scizcd hoId ofmc, thc morc !jumpcd. ! did not
controImyscIL ! fcII and bccamcbcsidcmyscIf" (VcIho I975.IOO). Aftcr
that hc bccamc a rcguIar attcndcr at thc scssions ofthc Bishop Strcct
tcrrciro,putonthcvhitccIothcs,andvithintvomonthsvas "rccciving
normaIIy"-notc that to rcccivc is cIassihcd as "normaI" bchavior in
Lmband
dimyprcscncc ashisprssor
on-
hrm Mario's status as a utuvcrs:ty studcnt. Thc group apprcciatcd
this,but,ncvcrthcIcss,Mario's'having studicd' hadncgativcimpIica-
tions, foritcouIdmakchimproudand dcsirctoknovmorcthanthc
pai-dc-santo.ThcrcvasaconictbctvccnthcIattcr'scsotcricgnosis
and Mario's acadcmicknovIcdgc. Acrisis camcvhcn!intcrvicvcd
Mario on tapc, and committcd thc cthnographic gaEc offaiIig-to
inform Pcdro-vho vas charincd by vhat hc thought vas an
undcrmining ofhis ritua| authority. Mario nov bcan to condcmn
thc group as bcing "ignorant knov-nothings." Hcc|ittIdPcdro's
UMBANDA IN RIO DE JANEIRO I|
cxpcrtisc, saying that "vhcnyou'vcbccnadrummcrintcrrcirosfor
tvcIvcycars,youcan'thcIppickingupsomcknovIcdgcofthcmagic
(sic) ofthc tcrrciro." Hc, on thc contrary, had "morc cuIturc," his
guidcsvcrcfrom"thcCricntaIIinc,fromamorcadvanccdbranchof
cuIturc." Hcvas ccrtainthathccouIdbccomcthc chicfofatcrrciro
andcouId"modifythcstructurcofanLmbandarituaIforthcbcttcr."
!t must bc cIcar by this timc that Mario vas a highIy compctitivc
pcrson, dcspitc, orasAIfrcd AdIcrvouIdhavc argucd, onaccountofhis
disabiIitics, his stammcring, his poor vision. Cnc of ninc sibIings, his
mothcr's favoritc son, and obviousIythcmostintcIIigcntmcmbcrofhis
ruraIfamiIy, hc had sctout tobccomc a pcrsonofimportanccinthcbig
city. CIdcrvomcn,hismothcrandascricsofmothcrsurrogatcs,incIud-
ing Aparcida and pcrhaps Yvonnc hcrscI( pIaycd important roIcs in
dctcrminingthcdircctions takcnbybis carccr. ThcrcisobviousIymuch
ambivaIcncc in his attitudc tovards thcm. Hc had a probIcmin ridding
himscIfofhis mothcr's spirit "vho had bccomcdcpcndcnt'' onhim and
passionatcfor him. Shcrcprcscntcdpcrhaps, intcraIia, thc hoIdhis ruraI
background stiII cxcrtcd onhim. Mcxt, hc turncd to Aparcida forhcIp,
andvasnotcontcntuntiIhchadrcntcd ahouscforhcrInvhichtopIay
hcrroIcasakindofmothcr,amac-dc-santo.!nhisovnroIcofprcsidcnt,
compIcmcntaryandcquaItohcr,pcrhapshccouIdcvcnscchimscIfashis
surrogatc mothcr's spousc, thus fuIhIIing in Icgitimatc, cuIturaI disguisc
his CcdipaI vish. Aparcida's madncss, hovcvcr, quashcd that rcIa-
tionship. PovcrfuI fcmaIc hgurcs, hovcvcr, sccmcd ccntraI to his ovn
aspirations. AsvcshaIIscc, ifhc couId notcntcrinto arcIationsbipvith
onc, hchadthcroutcopcntohiminLmbandabcIicfandrituaIofidcnti-
fyingvith afcmaIcguidc. Thisturnsccms conncctcdvithhistacitdcci-
sionto abandonbis "urban, civiIizcd, univcrsity studcnt's"posc tovards
Lmbanda, and try to bcat thc pai-dc-santo at his ovn gamccsotcric
cuItic gnosis and tcchniqucs ofposscssion. Lct mc rcturn to VcIho's
narrativc.
!n thc carIy days ofthc ncv tcrrciro, Mario rcccivcd mostIy maIc
guidcs, for cxampIc. tvo CabocIos, namcIy thc Covboy (Boiadeiro)
)oaoMcnino("LittIc)ohn') andHisHonorScvcnStarsofthcast,an
CId BIack,PaiBcncdito ofAngoIa, aChiId Spirit, Pcdrinho da Mata
("LittIc Pctcr of thc Wood"), a Pomba-Gira Gypsy (ciana), caIIcd
SaIomc, Cgum Scvcn Stars, and an x, His Honor Scvcn Cross-
roads(ScuSctcncruziIhada).His "frontguidcs"(uias de.ente), that
is, his most important orixas, vcrc Xango and Mamac Cxum a
fcmaIc phaIanx commandcrin thcIincof!cmanja,MamacCxumis
rcprcscntcd on Lmbandist aItars as a vccpin voman, and as a
Christiansanta,asthcMatcrOoIorosaj .
MariocxpIaincd tomcthat in Lmbandathcrcarc scvcn cosmic
forcc or Iincs, and that thcrc aIvays cxists a duaIity, mascuIinc and
I| PART PROCESSUAL ANALYSIS
fcmininc. ConscqucntIy, amcdium(maIcorfcmaIc) aIvaysrcccivcs a
"fcmnnc cntity" and a "mascuIinc cntity." Hc said that hc Iikcd to
rcccivc thc Covboy bcst, and at hrst this vas thc onc hc rcccivcd
most. Hc cxpIaincd. "WhiIc ! am an individuaI ofgrcat scnsibiIity,
indccd aImost ofa fcmininc scnsibiIity . . . ! hnd that ! havc vithin
mcatruIymascuIincforcc.ThisiscxtcriorizcdthroughthcCovboy
guidc,vithvhom!fccImostathomc . . . Thchrstguidctogivcmc
adviccvasthcCovboy,bymcansofadrcam. . . "
Hcsaidthatat this stagchchadno dcsirctorcccivcthcPomba-
Gira. "Shc is cxtrcmcIy fcmininc," hc said, "and ! did not fccI Ikc
rcccivinghcrvcII.But!vasstcadiIycomingtothcconcIusionthatit
vouId bc ncccssary for mc to rcccivc hcr morc oftcn. Mot onIy
bccauscofvhat shccouIddo for othcrsbutaIsobccauscofvhatshc
couIddoformcpcrsonaIIy." Hc didnotvant torcccivchcrbccausc
"automaticaIIy, ifshcisfcmininc, !bccomccEcminatc, andthat' sjust
thcprobIcm.MostpcopIcncvcrcomctosccmcasaman.Tcythink
ofmcascEcminatc,cvcnaftcrshchasgonc. . . andindccdshccauscs
a scrics ofdisturbanccs.)ustbccausc shcis vcry!cmininc, shc Iikcs
Ionghair.SimiIarIyshcIovcsjcvcIry. ShcvantscIothcs. Lasttimcshc
camc, shcordcrcdmctotakc oEthcshirt!hadfromthcPrcto-VcIho
and shcvounda cIoth aroundmybrcasts (meus peitos) ." ! askcdifthis
didnotconictviththcCovboy, sincchcvasmascuIincHcrcpIicd.
"ach forcc has its ovn modc ofbcing (manir de ser) . . . vhcn !
rcccivcthcCovboy!ammascuIinc,vhcn!rcccivchcr,!takconhcr
appcarancc. !f! didnotrcccivc acosmicforcc,hovcouId!fromonc
momcnttoanothcrchangcmyidcntity. . . "
Mario rationaIizcd his frcqucnt incorporation vith SaIomc by
pointingoutthatshcvasthconcvhoorganizcdthcIcsscrguidcs.Shc
musthavcbccnanuisanccforPcdro, sinccshcvouIdnotstopriding
hcr "horsc," Mario, throughoutancntirc scssion, andtricdto dictatc
thccourscofcvcntsinaamboyantvay.
As thcconictbctvccnMario andPcdro grcv, thcPomba-Gira
strippcdMarioofhisvhitcmcdium'sshirt,rcpIacingitbyarcdcIoth.
Hc vas obIigcd to buy a vinc gIass from vhich shc sippcd cham-
pagnc. Mcxt,hcboughtcarrings,braccIcts,andahcadcIothofcoIorcd
siIk, in vhich vcrc caught up, gypsy-styIc, innumcrabIc goIdcn
mcdaIs.Athrst,hisdancingvassuEandIimitcdinmovcmcnt,buthc
bcgantochorcographitmorccIaboratcIy. YvonncVcIhopicturcshim
forusvhirIing aroundinhis "giras,"vithIonghair, vrappcdinsiIk
cIoth,vithjingIingbraccIctsandcarrings.jWhcnpossesscd,hcspokc
inacuIturcdvoiccandvcrysIovIy, usingancducatcdvocabuIary,in
contrastviththcothcrPomba-Giras,vho "sputtcrcdanduscd crudc
Ianguagc."
Cnc day, vhcn Mario vas incorporatcd vith his Pomba-Gira,
shc askcd mc. "What diEcrcncc do you scc bctvccn this matcriaI
(materia) hcrc,thchorscinthctcrrciro andinthc(univcrsity)facuIty"
!rcpIicdthatthcyvcrctvodiEcrcntthings. ShcIookcdmcinthccc
and said. "You don't undcrstandin thc Icast. ThismatcriaIhcrc (t
UMBANDA IN RIO DE JANEIRO I|)
horsc) is thc samc, onIy it has a IittIc ofmc in it, a portion ofmy
pcrsonaIity." ! thcn askcdvhy shc onIy "dcsccndcd" in thc tcrrciro.
Shc rcpIicd. "This is my tcrra a pIay on vords, indicating both
"carth," vithimpIicationsof"naturc"as against "artihciaIity,"andthc
cuItccntcritscIq.Hcrc!cancomcandnooncisgoingto
cscarcdby
my matcriaI. Iscvhcrc pcopIcjust don't undcrstand. Hcrc is my
tcrra,my trucground, thcrc ! ncvcrfcIt athomc. ! vorkIikc this, as
yousccmcdoing,bccausc!fccIathomc" [VcIho I975.IO2-4j .
Much ofvhat ! vrotc i nthc hrst part ofthis papcr appIics hcrc.
CIcarIy,Mario,inhisPomba-Girapersona, isstatingthataIargcpartofhis
rcaI Iifc is in vhat ! caIIcd "thc subjunctivc mood" ofcuIturc, and that
much frccdomfromconstraint cxists inthc sociaI modcs toIcratcd thcrc.
Hcrc, too, cuIturc andpcrsonaIity arc in agrccmcnt, for BraziIian cuIturc
has oftcn bccn charactcrizcd as rich in gcnrcs ofcuIturaI pcrformancc,
invoIvingrcvcrsaIorinvcrsionofthc sociaI and poIiticaI structurcs. Fur-
thcrmorc,itisapointofhonorinCarnavaI, forcxampIc,thatoncshouId
cxprcssinpubIic onc's fantasics-indccd,thcPortugucsctcrmforaCar-
navaI costumc isfantasia. !n CarnavaI thcrc is a good dcaI of trans-
vcstitism.mcncvcnhavcsiIiconimpIantsinthcirbrcastsfor grcatcrvcr-
isimiIitudc. But thcsc rcvcrsaIs arc rcstrictcd to institutions dchncd as
fcstivity, pIay (incIuding thc compIcx symboIism associatcd vith socccr
matchcs), orthcmadncss(loucura) ofMardiGras. !nthcIifc ofcvcryday,
machismo prcvaiIs, postfcudaI and burcaucratic hicrarchics organzc thc
famiIy, busincss, industry, thc miIitary, and so on. RuIcs ofctiqucttc and
poIitcncssappcartoinvoIvcdistancing,thcrcvcrscofthcfrankIyintimatc
bchaviorfoundinthc subjunctivcmoodgcnrcs. Thisisbccauscthcrc arc
cIaboratc ruIcs for svitching fromindicativctosubjunctivcbchavior and
vicc vcrsa. RcccntIy much discomfort has bccncauscdin Sao PauIo and
Campinasvhcn"gays"formcdthcirovnsambaschooIsandbIocos dur-
ing CarnavaI and introduccd thcir scxuaI rcaIity into thathgurativc and
symboIic domain, thcrcby rcvcaIing it as a cuIturaI dcfcnsc-mcchanism
againstindicativcIyiIIicitimpuIscs.
At thcIcvcIofMario's psychosomatic"idiovcrsc''-touscThcodorc
Schvartz' stcrmfor "thcdistributivc aspcct ofcuIturc," orthctotaIsctof
impIicit constructs ofcach individuaI in a cuIturaI systcm, vc can, !
bcIicvc,sccinthcPomba-GiraasymbolicarchctypcvhichpropsMario's
vcakcgo-dcvcIopmcntincrisisandsoIvcs-atIcastforatimchisprob-
IcmsinrcIationtofcmininityandauthority. Cnccansaythathismothcr's
"dcpcndcncc" onhiminthcLmbandadiomrcaIIy rcprcscntshisdcpcn-
dcncc upon his mothcr, a dcpcndcncc on mothcr hgurcs vhich pro-
grcssivcIy is rcduccd as it is transfcrrcd from mothcr to rituaI mothcr
(Aparcida)totcachcr mothcr (Yvonnc) , untiIhc himscIf, asPomba-Gira,
I|8 PART I : PROCESSUAL ANALYSIS
is transformcd into a kind ofanti-mothcr. Thc Pomba-Gira is thc "bad
vomanofthcvorId" as againstthcvirtuousnurturantprotcctrcssofthc
domcsticfamiIy. MariopcrhapscouIdonIyobtainhis indcpcndcnccfrom
his various "dcpcndcncics," notbybccoming fuIIy amanbutbybccom-
ing,inthcsubjunctivcmoodvhcrcfantasics arcobjcctivatcd, adiEcrcnt,
cvcnoppositckindofvomantothcscricsof"mothcrs."!tisaIsopossibIc
that his connivancc in thc "kiIIing," that is, cxpuIsion of his rituaI
"mothcr" (Aparcida) cxpcditcd his fcmininc idcntihcation, for idcntih-
cationoftcnfoIIovsthcIossofaIovcdobjcct.
But in achicving this partiaI rcsoIution ofhis pcrsonaI probIcms
MariosccmstohavcbccomcaIoscrinthcsociaIdrama,for, inthccnd,hc
drovc avay not onIy thcpai-dc-santo, Pcdro, butaIso aII thc othcrmcdi-
umsfromthctcrrciro,vhoscIcsscc, ofcoursc,hcrcmaincd.!nthctcrrciro
hc had thought tohavc foundhis star-group, his subjunctivc star-group,
butinstcadhcsuccccdcdinaIicnatingitsothcrmcmbcrs,pcrhapsbccausc,
morcthanthcothcrs,hchadbroughtintothcpubIic domaininthc sym-
boIicguiscofdcmandamanyofthcunconscious conictsofchiIdhoodin
thcBraziIianIovcr-cIass famiIythatvouIdhavc othcrviscIaindormant
in thc vorId of "indicativc-mood" groups to vhich thc Lmbandists
bcIongcd.
!havcnotgivcnyouabIov-by-bIov accountofthcdcmandavhich
dcvcIopcd bctvccn Mario and Pcdro, incIuding such cxotica as hrc-
ordcaIs and scIf-stabbings, sincc ! havc aIrcady ovcrburdcncd you vith
dctaiI. Sumcc it to say that in succcssivc scssions, thc hostiIity bctvccn
thosctvobccamccvidcnttoaII. !nthcrcIigioushicrarchy, Pcdro, though
hisjunor, vas Mario's "fathcr" (pai) . Thc group that bcganin dcmanda
cndcdindcmanda,andinaIIitsstagcs, itsctrituaI"parcnts"againstrituaI
"chiIdrcn." !nthc cnd, Pcdro andmostofthc othcrsIcft ostcnsibIy ovcra
hnanciaIissucSoniathcIittIcmothcrhadbccnahundrcdcruzcirosshort
aftcraddingupfccspaidbycIicntstomcdiumsforconsuItations. Shchad
oEcrcd torcpaythis sumfromhcr ovnpockct tothcjoint funds. Pcdro
vantcdaIIthcconsuItationfccstobcdividcdup amongthcmcdiumsand
not put in thc tcrrciro'sjoint account. SquabbIing arosc. Mario ordcrcd
thccxpuIsionofaIImcdiumsvhotookPcdro'ssidc. HccxpIaincdthisin
mysticaI tcrms, hc said that his main orixa, Cgum (St. Gcorgc) had
dcfcatcdthcdcmandaagainsthim, as St. GcorgchadsIainthcdragon. But
soonthctcrrciro hadtobccIoscddovn, for onIythcprcsidcntrcmaincd
vith oncvomanhcIpcr, a non-mcdium namcd ZiIda, Mario' scoIIcaguc
on thc univcrsity facuIty. Yvonnc hcrscI( by hcr ovn account, cIcarIy
tookthcsidcofthoscvhomMariocxpcIIcd. "Whcn!saidgoodbyctothc
othcr mcdiums, thcy obscrvcd that ! vas in thc grip ofcmotion, though
Pcdro's sistcr hcsitatcd to say so aIoud" (VcIho 1975:80). AnthropoIogists
UMBANDA IN RIO DE JANEIRO I|p
rarcIydcscribcthcirovnfccIings sohoncstIy, prcfcrringtoposcoftcnas
cognitivcmachincsforvhichthirdpcrsonIanguagcisappropriatc.
Hov, thcn, may an anthropoIogist, vorking in coIIaboration vith a
psychoanaIyst, handIc this kind ofdata vhich cIcarIy is )anus-faccd-
Iooking dircctIy at both discipIincs ! havc madc somc amatcurish sug-
gcstionsaIongthcIincsofpsychoanaIyticintcrprctationofportionsofthc
bchaviorobscrvcdbyVcIho. !knovthatthcscarcinadcquatc. !knovthat
!am capabIc, hovcvcr, ofhandIingthc sociaIand cuIturaI contcxts ofthc
dramas dcscribcd. CbviousIy, somc division ofIabor vouIdbcdcsirabIc.
SociocuIturaIsystcmsarc, aftcraII,atthcIcvcIofobscrvation,quitcdiEcr-
cntfrom, thoughintcrdcpcndcntvith,psychicaIormcntaIsystcms.Thcy
invoIvcdiEcrcnt kinds ofsustcntativc proccsscs andhavc diEcrcnt dcvcI-
opmcntaI mcchanisms. !ndccd! Iamcnt thc Iack ofadcquatc sociaIstruc-
turaI contcxtuaIization ofVcIho's tcrrciro in thc contcmporary BraziIian
socicty, vith its muItitudinous probIcms ofcIass stratihcation, cthnicity,
Iabormigration, urbanization, poIiticaIcontroI, and soon. And !vondcr
about thc typicaIity ofhcr group ofmcdiums. !s thc Lfc ofthc avcragc
tcrrciro rcaIIy as short as thrcc months ! vouId aIso havc dcsircd morc
informationaboutthccxtant sociaI structurc ofthcgroup, itsbasicorga-
nizing norms and pcrdurabIc rcIationships, and, in addition, its division
intotransicnt aIIianccs andfactions (informationonthcscisprovidcdbut
notsystcmatizcd),forbothpcrsistingstructuraIformsandrccurrcnttypcs
ofconict and scIf-scrvingintcrcsts tcnd to bc stcrcotypcd in thcrituaI
symboIism. McvcrthcIcss, ! stiIIrcgardhcr book asvcryncarIya tour dc
forcc. PsychoanaIysts couId makc a dccisivc contributionto thc study of
sociocuIturaI hcIds such as thcsc by cntcring into a vorking hcId part-
ncrship vith anthropoIogists. For cxampIc, our undcrstanding ofsuch
dramatispcrsonac as Aparcida, Mario,Pcdro, Sonia, Marina, Lcda, and
thcIikc,vouIdhavcbccnimmcasurabIycnhanccdifithadbccnpossibIc
tobringthcmrcguIarIyintocIincaIintcrvicvsituations,duringandaftcr
thccvcntsdcscribcd-cvcnthoughthccvcntsthcmscIvcsvouIdthcnhavc
takcn a radicaIIy diEcrcnt turn. Cnc vondcrs, of coursc, ifthc cvcnts
vouId havc foIIovcd thc coursc dcscribcd had Yvonnc VcIho not bccn
prcscntmostofthctimc!
FinaIIy, it has somctimcs bccn argucdby anthropoIogicaIIy oricntcd
psychiatrists suchasJ AdcoycLambo andAri Kicv thatpaticnts shouId
bc rcfcrrcd to traditionaI practitioncrs to compIctc thcir thcrapy, in
cuIturcsvhcrcsuchrituaImodcsofthcrapyarcstiIIagoing conccrn. But
VcIho'sdatashovthatvhcnPcdrovasinsistingthathismcdiumsshouId
pcrform vorks Iasting through thcnght scvcraInights a vcck to rcsist
and dispcI thc dcmanda Iaid on thc group by Aparcida, thcy aII had
probIcms in thcir daiIy vork and somc cxpcricnccd accidcnts bccausc
r,e PART I : PROCESSUAL ANALYSIS
thcyvcrccxhaustcd. !nindustriaIizing socictics,itis cIcar that thcWcst-
crnnotionof"thcindividuaIin gcncraI" asthcsourccofrationaIchoicc
hasrcpIaccdthc corporatcgroupasthcrcsponsibIc, cvcncthicaIunit, and
thatitisnotrcaIIyfcasibIctoturnthccIockbacktocuIturaIformsthatarc
appropriatc to prcindustriaI and nonurbanizcd socictics. Thc cgo has to
achicvc its ovnstrcngth assistcdbythchndings ofarationaIIy oricntcd
cuIturc, it canno Iongcr rcIy on forms, cvcn as bcautifuIIy and potcntIy
numinous as thosc ofthc subjunctivc subcuIturc ofLmbanda, to kccp
ncurosisatbayorsubIimatcitintosociaIIyviabIcbchavior.
7
Process, System and Symbol
A New Antropologica Synthesis
j ust bcyond our prcscnt horizon, !
Iikc tothink, Iic thcOcIcctabIc !sIands. But ! thinkthat anthropoIogists
viII rcach thcm onIy ifthcy rcvcrsc thc proccss ofhssion into sub-
discipIncs, cach vith its avcsomcjargon, vhich has charactcrizcd thc
history of anthropoIogy in thc past dccadc or so, and movc tovard a
rcncvcdfusionvhichviIIIcadto discussionofananimatcdsortamong,
say, thc bioIogicaL ccoIogicaL structuraL scmiotic, scmioIogicaI, "ctic,"
"cmc," cthno-this and cthno-that, kinds ofanthropoIogists. Cur cxpuI-
sionfromvarious coIoniaIrcscarch dcns maybcan opportunity rathcr
than a Ioss. Wc can nov takc stock-and aIso asscss our rcIationship, in
thisbrcathingspacc,toothcrcntrcnchcdscicnccsandhumanitics.
AnthropoIogyshouIdnotinchfromIookingatcrcativcartandIitcr-
aturc in compIcx socictics, but aIvays as thcscrccct uponthc "tidcs of
history"vhichformthcirproccssuaIcontcxts.TcxtsnotonIyanimatcand
arc anmatcdbycontcxtsbutarcproccssuaIIyinscvcrabIc fromthcm.Thc
Reprinted with permission of Daedalus, Journal of the American Academy of Arts and
Sciences, Discoveries and Interpretations: Studies in Contemporary Scholarship, vol. 1 , Summer
1 977, Doston, Massachusetts.
ISI
I]2 PART I : PROCESSUAL ANALYSIS
arts arc gcrmanc to thccbbs and ovs ofhumanundcrstanding asthcsc
avakcn or fadc at givcn momcnts on thc scaIc of gIobaI history, thc
scicnccs shov anthropoIogy thc constraints ofthc human condition. !n
tcrms approvabIc by WiIIiam BIakc, vc osciIIatc bctvccn "singIc" and
"fourfoId"vision, butncithcrisinappropriatctous,cxhaustsus,orcannot
bcscriousIystudicd.
\' My pcrsonaI vicv is that anthropoIogy is shifting from a strcss on
conccptssuchasstructurc,cquiIibrium,function,systcmtoproccss,indc-
tcrminacy,rccxivityfroma"bcing"toa"bccoming"vocabuIary-but
vithatcndcrpcrpctuativcrcgardforthcmarvcIoushndingsofthoscvho,
tcachcrs ofthc prcscnt gcncration, committcd thcmscIvcs to thc discov-
crics of "systcms" of sociaI rcIations and cuIturaI "itcms" and "com-
pIcxcs."ThcvaIidIyncvncvcrncgatcsthcscriousIyrcscarchcdimmcdiatc
_ pastinanyscicncc,itincorporatcsitin"avidcrorbitofrccovcrcdIav." ` `
As TomKuhnand othcrshavcshovn,thc sociopoIiticaI situationin
anydiscipIincdhcId ofknovIcdgc, vhcthcr cIassihcd as a scicncc ornot,
cxhibits thc conicts ofproccssuaIity (as our !taIian coIIcagucs, IitcraIIy
transIating, put it). ActuaI pcrsons rcprcscnt thcorcticaI stanccs. CIdcr
pcrsons command strongcr positions in thc microcosmographia aca-
dcmica-pcrsonstraincdandvorkingvaIuabIyincarIicrpcriodsthanthc
prcscnt.Youngcrpcrsonsarcdoingthccxpcrimcnts, thchcIdvork. Para-
digmssupportcdbythc"goodoIdboys"arcchaIIcngcdbyncvfacts,ncv
hypothcscs groundcd in thcm. AnthropoIogy is prcscntIy cxpcricncing
thisstrcssrathcrsharpIy.
Thc discipIinc ofanthropoIogy undoubtcdIy sharcs this criscs vith
othcracadcmicdiscipIincs.To my possibIy naivcuropcancyc, strcsson
thcindividuaIasthcgrant-scckingunit,on"chapsrathcrthanmaps,"has
virtucs ccrtainIy, but it aIso makcs for thcorcticaI fragmcntation. And
bchinditisoftcnacovcrt,unhcaIthycoIIcctivism.Forccrtainofthcmajor
dcpartmcnts ofanthropoIogy in thc Lnitcd Statcsshova kinship to thc
city statcs ofantiquity. ach dcpartmcnt spcciaIizcs in a ccrtain kind of
anthropoIogy (cthnoscicncc, symboIic anthropoIogy, ccoIogicaI anthro-
poIogy, appIicd anthropoIogy, ctc.), and it vouId bc aboId studcnt vho
succcssfuIIyobtaincdsupportforvhathistutorsconsidcrcdan"advcrsary
position''intcrmsofhisgrantproposaIorthcsisrcscarch.
ThiscombinationofamythofindividuaIismand arcaIityofdcpart-
mcntaI thcorcticaI oricntation oftcn tcnds to crcatc for imaginativc stu-
dcnts thc cIassicaIBatcsonian doubIc-bind situation. Thcir bcst thoughts
maybctaboocdandthcirintcgrityundcrmincdby"city statc"shibboIcths
in thcvay ofconccpts and styIcs tovhich thcymustrcndcr at Icast Iip
scrvicc to obtain support from nationaIIy and IocaIIy prcstigious dcpart-
mcntaI facuIty. Studcnts oftcn sccm to suEcr from thc guiIt of "scIf-
bctrayaI"vhich pursucs thcm cvcn intothcir feldwork in |ar pIaccs. I
am sure th|s |s not an opt|maI cond|tion for feldwork. For thcy have to
PROCESS, SYSTEM, AND SYMBOL I]
proccssthcir hcIdvorkinto Ph.O. disscrtations acccptabIcbythcir spon-
soringdcpartmcnts.
CncrcmcdyvouIdbctoscckmcanstoovcrcomcthcovcrspcciaIiza-
tionofdcpartmcntsandthcatomismoffunding.Mypapcrindicatcsthata
ncv brcakthrough in anthropoIogy dcpcnds upon a scrious sustaincd
cEort by thc proponcnts of scvcrcIy scgrcgatcd subdiscipIincs (vho
bcstovonthcirstudcntsthccmbIcmsofthisscgrcgationas"profcssionaI
compctcncc")torcIatcthcbcsthndingsof thcirscparatcdycars.Thcmajor
fundingagcncics,thcMSF,M!MH,SSRC,FordFoundation,andsoforth,
shouIdbcapproachcdtoprovidcthcbasis forascricsof"summit'' mcct-
ingsamongthcIcadcrsofthcvariousmodcsof"anthropoIogizing." Monc
ofthc major think-tanks (PaIo AIto, Princcton, ctc.) has promotcd this
immcnscvorkofcoIIcctivcrccxivity. MotthatconfcrcnccsaIonccando
this, but thcy arc signaIs that thc rcconstitution of anthropoIogy at a
highcrIcvcIundcrthcacgisofproccssuaIismisundcrvay. Cthcrviscthc
ccntrifugaIdrift,indccd,thcsuicidaIsparagos, viIIgoonandon.
Thc dcvicc ofcncouraging rcprcscntation on thc facuItics ofccrtain
dcpartmcntsofaIIthcmajorsubhcIdsofcurrcntanthropoIogytcndstobc
apaIIiativcrathcrthanarcmcdyifitisnotcognizantIyandauthoritativcIy
rcinforccd by thc sharcd undcrstanding ofthc discipIinc that such spc-
ciaIization must bc accompanicd by authcntic intcgration undcr a major
paradigm vhosc Iincamcnts havc bccn indicatcd by thc acknovIcdgcd
crcativcIcadcrsofthctotaIdiscipIinc.
AIthoughitmaynotbcpossibIctopointtoadchnitivcbrcakthrough,
cxcmpIihcdby asingIc book or articIc, inthc pastdccadcorsoinvorId
anthropoIogy, onc can makc a fair casc for a gcncraI discipIinary drift
tovard a thcorcticaI synthcsis to vhich proccssuaI studics havc IargcIy
contributcd. Hovcvcr,proccssthcoryisnoIongcr Iinkcd, as inits carIicr
hcyday, vith L. GumpIovicz's notion (I963.2O3) that "man's matcriaI '
nccd is thcprimc motivc ofhis conduct'', it nov rccognizcs thc critica
importanccofmcaning and symboIing. Furthcrmorc,itsthcorcticaIfocu
e. Gar6nkeIarguesthateventhepracticaI,mun-
dane activitiesofmembers ofsociocuIturaI groups are reexive at the
common senseIeveI, becausethe sociaI existence ofamember'sexperi-
encescanbeestabIishedonIythroughtheirtypi6cation,throughtheeo;t
ofreIatingtheiruniquenesstothevorIdofmeaninggeneratedandtrans-
mitted by the group. For these schoIars Durkheim's famous attempt to
snc m and extern_ _that i_qjy_q_|_@gd_cc it@
ocessuaIa.le phenomenological anthropology, dcrcihcscol|ec-
\\
PROCESS, SYSTEM, AND SYMBOL ISS
tive representations into the_p eaton
.
lt is notenoughtomaketaxonomies or inventories ofjuraI norms and
cuIturalvaIues, based on formaI statements by informants. Wc have to
deveIop strategies for ascertaining hov the actors deaI vith discrepant
norms. vhat aretheirstandards ofappropriateness,hovthey assess the
respective veighings ofstated and unstated ruIes, in sho
' "
ProcessuaIanaIysishasrecentIybeenconsiderabIyadvancedbySaIIy
FaIkMoore's EpiIogue toSymol an Politics in Comunal Ideolo (1976).,1
MooreproposesthattheunderIyingquaIityofsociaIIifeshouIdbecon-
sidered QJ oItblI,al;ute 1ndeunay'' buch mdete-
mnacyisonlypartiaIIyreducedbcuItureandorganizedsociaIIife, the
patterned aspects ofvhI ma nce at:d contain eIe-
ments ofinconsistency, ambiguity, discontinuity, contradiction, paradox,
andconmct(p.232) . Shegoes,infact,furtherthanSchutz,Gar6nkeI, and
other phenomenoIogicaI socioIogists, vho seem to 6nd some system,
vocabuIary, andsyntaxincommonsense. Heretheyshareviththestruc-
turaI-functionaIists some notion ofthe priority ofdetermnacy. Moore,
hovever, arguesthatevenvhereruIesandcustomsexist,indeterminacy
may be produced by the manipuIation ofthe internaI contradictions,
inconsistencies,andambiguitiesvithintheuniverseofreIativeIydetermi-
nateeIements(p. 233 )
o]
rn
not
thcm.
HistoricaI hindsight oftcn rcvcaIs a diachronic prohIc, a tcmporaI struc-
turcincvcnts, butthis structurc cannotbcundcrstoodinisoIation from
thc scrics ofsynchronic prohIcs vhich composc thc structurcofa sociaI
hcId atcvcrysignihcantpoint ofarrcstofthctimcov. ProccssuaIstud-
ics, as Moorchasshovnus, donotrcpIaccarcscarchfocus onrcguIarity
andconsistcncy.Thcymay, hovcvcr, givcuscIucstothcnaturcofforccs
ofsystcmic maintcnancc cvcn as thcy shcd Iight on thc countcrvaiIing
forccs ofchangc. _ _a ] am ycI|jarc pJ(c
phcnomcnoIogicaIcritiqucofsulir
tionaIismthatitrcihcssociaI
+ m.I.ag
,
,_
ci
1
j
t
=mbc:s
arcmait tJq pq ;IonI and thusmaking sociaIIifcacohcrcntand
rcc>
j
::+|:yn J wayt
_
t)rIincs t
occnstructcd naturc of
aII rcaIity-a vicv particuIarIy dcvcIopcd in thc vork o|GarhnkcI, |oI-
PROCESS, SYSTEM, AND SYMBOL I])
Ioving Schutz (vith HusscrI shadoving both!).But scicntists of"Man,"
anthropoIogistsin thc strict scnsc, musthnd "intcrcsting" notonIyvhat
GarhnkcIironicaIIytcrmsthc "unintcrcsting" "commonpIacc" cvcntsand
activitics in sociaI Iifc, invoIving constant ncgotiations about typifying
conductin cndIcss constructionsofcommon scnsc, but aIsovhatisgcn-
uincIyintcrcsting,cxtraordinary,rarc-"sparc, originaI, strangc." Pcrhaps
anthropoIogistsarcinabcttcrpositionthansocioIogistsinthisrcspcct,for
thcirhcIdvork is conductcdorhas bccn untiI rcccntIy-mostIy among
popuIationshaving somctimcs vidcIy diEcrcnt cuIturcs fromthcir ovn.
Thc common scnsc ofthosc vhom thcy study from thc outsct sccms
cxtraordinary thoughordinarycnoughtothcirsubjccts. SocioIogists, on
thc othcr hand, sharc undcrstandings vith thcir subjccts bccausc thcy
sharcthcircuIturcandhavc tovorkhardattransforming thc takcn-for-
grantcdintoafascinatingobjcctofstudy.AnthropoIogists,scnsitizcdfrom
thc outsidctothcaIicnncssofmany ofthc symboIs andmcanings sharcd
bythoscthcyinvcstigatc,oftcngoontodiscovcrvhatiscxtraordinaryby
anyrcckoning.ThcprofcssionofanthropoIogyhasinitsarchivcssomany
variant organizations ofcommonpIacc cvcryday activitics, cvcry onc of
vhich no doubt sccmingIy cxotic or bizarrc as apprchcndcd from thc
standpoint ofthc othcrs, that it is Icd to probcbcncath this surfacc Iaycr
ofrccxivity for proccsscs and mcchanisms ofa gcncraIIy human typc.
Frcnch structuraIism, vhoscIcading anthropoIogicaIcxponcntis CIaudc
Lcvi-Strauss, attcmptcdthis task.Bob SchoItchas succinctIy summarizcd
,
Lcvi-Strauss's argumcnt. "conscious, cmpiricaI, and cthnographic phc-
nomcna arc assumcd to bc thc concrctc and comparabIc rcaIizations of
comparabIc,andunivcrsaIstructurcs"obSchoItcI973.68O).
Tvo commcnts may bc madc hcrc. First, Lcvi-Strauss's datcs are
dravnfromcompIctcdtcxtssuch as mythsandcuIinaryrccipcs. Sccond,
thcncuroIogicaIandphysicochcmicaIbascsofhumanbchaviorarccIcarIy
notcxhaustcdbygcncticaIIyhxcdcnduringncuronaIpathvaysbuthavca
highpotcntiaIforinnovativcbchavior.vcnifthcrcarcinhcritcdgcnctic
structurcsofcognition,catcgoricsorcngrams,itisnotimpossibIcthatat
IcvcIsofmcntaIity at Icast as dccp thcrc is acapacityforpIastic, adaptivc,
andmanipuIativcbchaviorin rcsponsc tochangingcircumstancc. !nothcr
words, proccssuaI potcntiaImaybcprcconstitutcdin thcphysicochcmicaI
in|rastructurc. !nanycvcntboth structuraI and proccssuaIfoundationsin
. IS8 PART I : PROCESSUAL ANALYSIS
bioIogyremainasyetunveri6ed.lvishonlytomakethepointthatveare
notheredeaIingvith a behavioraI surface cravlingvithprocesses con-
trastedvithdeepunconsciousstructures. lndeed,itmightbepossibleto
reversetheorderofdepthandregardthestructuresinferabIeincoIlections
ofmythsandkindredphenomenaasconvenientmeansoforderingcollec-
tiveexperiences arising from thecontestationofdeep processes ofreg-
ularization and situationaI adjustment. PhenomenoIogists might even
argue that structural arrangements (binary Iogic, split representation,
mediation, and the rest) provide boundary conditions qamt:g that
^
h__,]}|orgrantcd,.ed conceptions that make up the
actor'sstockofknovIedge, ecoIogicalsettings,commonIinguisticusage,
( andbiophysicaIconditions(A.CicoureI,seeFiImeretaI. I972.2I). From
thisperspectivethestructuraloppositionsandtransformationsdetectedby
Levi-Strauss in the concrete Iogic" ofmythical narratives may not so
muchprovide clues to fundamental cognitive constraints as represent a
convenient andsimplisticcoding ofitems ofcommonsenseknovledge.
We mustlookeIsevhereforintimationsofhumandepth.ltisherethatve
mustturnoncemoretotheinvestigationofprocesses,butnovtoproc-
esses heavily investedvithculturaI symbols, particuIarly thoseofrituaI,
drama,andotherpoverfuIperformativegenres.
Van Gennep vas the 6rst schoIarvho perceivedthat theprocessuaI
formofritualepitomzedthegeneralexperienceintraditionalsocietythat
sociallifevasasequenceofmovementsinspace-time,invoIving aseries
ofchanges ofpragmaticactivity and a succession oftransitions in state
andstatusforindividualsandculturalIyrecognizedgroupsandcategories.
CertainIyhevasaheadofhistime, otherinvestigativeprocedureshadto
bedeveIopedbeforehisdiscoverycouldbecomethefoundationofsaIient
hypotheses. He might be compared vith Hero of Alexandria, vho
describedthe 6rst knovn steamenginein I2OM.. LnIike]ames Watts's
modeInineteenhundredyearslateritperformednousefulvork, merely
causing a globe to vhirI, but not a vorld ofinvention to turn! Van
Gennep,afolkIorist, hadvhatheconsideredanaImostmysticaIinspira-
tionasheattemptedtoelicittheprocessualstructureoftvotypesofrite.
thosevhichmark,and,inindigenousthought,bringaboutthepassageof
anindividuaIorsociaIcategoryfromoneculturalstateorsocialstatusto
anotherinthecourseofhis,her,ortheirlifecycIe,andthosevhichmark
cuIturalIy recognized points in the passage oftime (6rst fruits, harvest,
mid-summer, nevyear, nev moon, solstice, orequinox) . Hefoundthat
rites de passage, vievedcross-cuIturalIy, hadthreeprincipaIstages.rites of
separation,margin(orlimen = threshoId),andreaggregation.Theduration
and compIexity ofthese stages varied according to type ofrite, though
initiatory rites tended tohave aprotracted IiminaI stage. Max Gluckman
hastakenvanGenneptotask|orstrcssingthemechanismso|ritualrather
PROCESS, SYSTEM, AND SYMBOL I]
thantherolevhichvhoIeceremoniesandspeci6critesplayintheorder-
ing and reordering ofsocial relations (GIuckman I962.
|
). Hovever,
descriptive social anthropology had notin van Gennep'stime provided
thehoIisticcharacterizationofsocialsystemsvhichvouldhavemadethis
possibIe, vhereas the coolness displayedbyDurkheimandhis schoolto
vanGennep'svorkmusthavediscouragedvanGennepfromattempting
torelatehisprocessualdiscoverytotheearlystructuraI-functionalistfor-
mulations oftheAnnee socioloique group. AmericanschoIarsvereamong
the6rsttonotethetheoreticalsigni6canceofvanGennep'sdiscovery.As
early as I9
|
2 . O. Chappell and C. S. Coon (I9
|
2) had attempted to
discuss his anaIysis ofrites ofpassage in a framevork ofequilibrium-
maintenance theory, and had addeda fourth category, rites ofintensi6-
cation,vhichhad astheirmaingoalthestrengthening ofgroup unity.
).W Whitingandl.L.ChiId(I953),FrankWYoung(I965),andSoIonJ
KimbalI(I96O), areamongthosescholarsvhohaveinrecentyearsseen
therelevanceofvanGennep'sformulationfortheirvorkinvaried6elds.
KimbaIl has noted hov van Gennep vent beyond his analysis ofthe
triadicprocessualstructureofritesofpassagetoaninterpretationoftheir
signi6cance for the expIanation ofthe continuing nature ofIife. Van
Gennep,continuesKimbaIl,believedthatritesofpassageviththeirsym-
boIic representation ofdeath and rebirth iIIustrate the principIes of
regenerative reneval required by any society (KimbaIl I968.II3). The
present author, stimuIated during his 6eldvork by Henri]unod's use of
van Gennep's interpretative apparatus for understanding Thonga rituaI
gunod I962 [I9I2 - I3j),cametoseethattheliminalstagevasofcrucial
importancevithregardto this process ofregenerativereneval. lndeed,
van Gennep sometimes called the three stages preIiminal, liminal, and
postliminaI, indicating that importance. But he never folloved up the
implicationsofhisdiscoveryoftheliminaIbeyondmentioningthatvhen
individualsorgroups areinaliminaIstateofsuspension, separatedfrom
their previous condition, and not yet incorporated into their nev one,
theypresentathreattothemseIvesandtotheentiregroup,requiringtheir
segregationfromquotidianIifeinamilieuhedgedaroundbyrituaIinter-
dictions. In I963, vhile avaiting a visa to live in America, suspended
bctveen cuItural vorlds, I vrote a paper, later to be pubIished in the
Proceedings i the American Ethnoloical Society fr I, vhosetitleexpresses
whatformeisthedistinctivefeatureofliminality.BetvixtandBetveen.
The Liminal Period in Rites de Passage" (I96
|
). Liminars, vhomay be
iuitiandsor novices inpassagefromonesociocuIturaI stateandstatus to
auother,orevenvhoIepopulationsundergoingtransitionfromonequad-
rautofthc soIar year to another in a great pubIic ceremony, are neither
hrc uor thcre",they arcbctvixtandbetveenthepositions assignedand
arraycdby law, custom,convention, andccrcmoniaIVanGcnncppointed
IC PART I : PROCESSUAL ANALYSIS
tothemanysymbolsof birth,death,andrebirthfoundinthelimnalstage
inmanysocietiesandreligions.Butformetheessenceofliminalityisto
be found in its release from normal constraints, making possible the
deconstructionoftheumnterestingconstructionsofcommonsense,the
meaningfulness ofordinary life, discussed by phenomenological
sociologists,intoculturalunitsvhichmaythenbereconstructedinnovel
vays, some ofthembizarreto the point ofmonstrosity (fromthe actors'
ovn emc perspective).Limnalityisthedomainoftheinteresting,or
ofuncommon sense.Thisisnot to saythatitis totally unconstrained,
for insofar as it represents a de6nite stage in the passage ofan initiand
fromstatusAto statusB inaritualbelonging to atraditionalsystemor
sequenceofrituals,liminalitymustbearsometracesofitsantecedentand
subsequent stages. To use Robert Merton's terms, some symbols must
accordviththe manifest'purposesoftheritual(totransformaboyinto
aman,agirlintoavoman,adeadpersonintoanancestralspirit,etc.).But
othershavethelatenr'capacitytoelicitcreativeandinnovativeresponses
fromtheliminarsandtheirinstructors.Thestudyofmasksandcostumes
in AfricanandMelanesianinitiation rituals, vhether ofpuberty or into
secret societies, demonstrates theimaginative potential unlockedbylim-
inality,formaskers(representingdeities, arch-ancestors,territorialguard-
ian spirits, or other supernaturals) typically appear in liminal sites
sequestered from mundane life. Among the Ndembu ofZambia, for
example,themakishi, masked6gures,saidtobeancientancestors,ofave-
someshapeandpover, arebelievedbyboy novices secluded inthebush
camps duringtheMukanda ritesto spring fromtheblood-soakedsitein
the deepbushvhere theyhadrecentlybeen circumcised.Thevoodcar-
versvhocreatethemasks, thoughtheyportray alimitedrangeoftypes
(the Foolish Young Woman, the Crazy One, the Wise Old Chief the
FertilityBinder, etc.),displayaviderangeofpersonalaestheticinitiative
ingeneratingvariantforms.
ln other vords, thereis an aspect ofplay in liminality. Huizinga's
Homo Ludens (I955
isensestructuresintopIausibIesembIances ofnaturaIsystems.
ere,
mthedangerousreaImofchaIIengetoaIIestabIishedjuraI-poIiticaI,
kmship, and otherstructures, itis necessary, aboveaIL to maintain, even
throughtheIiminaIstage, astrongthreadofcommonsense-icaIIycon-
structedorder.Thisisoftenrepresentedbysacra, carefuIIyconceaIedand
seIdom reveaIed symboIs and con6gurations of symboIs, vhich are
exposedonIyonrareIiminaIoccasions.TheyrepresenttheaxiomaticruIes
andde6nitionsofthecuIture~usuaIIyonethathasbeenveIIconsoIidated
by continuous occupancy ofa singIe territory over a goodIy period of
time.lnsuchreIativeIyhomogeneouscuIturaIgroupsvhereunderstand-
ings are videIy and deepIy shared, the IimnaI periods ofrituaI have
episodesinvhichtheaxiomsandprincipIes vhich governmundaneIife
have soIemn representation in myths and symboIs vhich do not con-
traveneorcriticizethemundaneorder(asIudicconstructionsoftendo)but
presentit as basedin theprimordiaI cosmogonic process. Here rituaI is
IesspIaythanvork, andthecuIturethathas suchIiminaIity tends to be
nonreexive as veII as nonadaptive. Where reIigious systems and their
rituaIs arebackedbysuperiorpoIiticaIforceandpoverthey tend toIose
theirIudicinnovativenessandvariabiIity,forthesuccessofasingIeform
tendstoreducetheneedto carryastoreofaIternativeforms.Thatthis
ay e shortsighted is sedom
, suchas' `
rituaIandcarnivaIdisguiscs, probabIybcIonghcrc. Atany ratconcmight
cIassifyordinary, quotidianIifcasindicativc, cvcnmuchofccrcmoniaIor
rituaI. But onc vouId havc to rcckon IiminaI proccsscs s
bjunctivc or
optativc,forthcyrcprcscntalternatives tothcpositivcsystcmsofcconomic,
IcgaI,andpoIiticaIactionopcratingincvcrydayIifc.Butifthcindicativcis
"brcad,"mankind"docsnotIivcbybrcadaIonc."!tsccmsthatthcdiaIcctic
bctvccn is and may be, cuIturaIIycIaboratcdinto thc distinctionbctvccn
prc- andpost-IiminaI, onthconchand, andIiminaI,onthcothcr,formsa
continuous human sociaI proccss, invoIving bioIogicaI, ccoIogicaI, and
sociocuIturaIfactors,andmadcrccxivcbythcscarchformcaningraiscd
abovccommonscnsctoahighcrpovcr.
Thc grcat sociaI thinkcrs havcindicatcdadrift, trcnd, ordircctionin
cuIturaIhistory,vhich,vhcthcritmaybccaIIcdprogrcssivcorrcgrcssivc,
atanyratcindicatcsascricsofIincardcvcIopmcnts.HcnryMainchypoth-
csizcd a modaI shift "from status to contract," Ourkhcim a movc from
"mcchanicaI"to "organic"soIidarity, MarxandngcIspostuIatcd astagc
of"primitivc communism" subvcrtcd by thc dcvcIopmcnt ofproductivc
|orccs vhich gcncratcd c|ass oppositions around thc issuc o| propcrty.
PROCESS, SYSTEM, AND SYMBOL I]
Privatc propcrty, in its turn, gcncratcd thc notion ofindividuaIity and
cIcvatcd it to phiIosophicaI rcspcctabiIity, cvcn as it assurcd thc
impovcrishmcnt and aIicnation ofthcmasscs ofmankindvho hadno
propcrtyothcrthanthcir"Iabor-povcr"toputtouscincarningaIiving.
Thcyprcdictcd,in HcgcIian fashion, an aboIition ofprivatc propcrtyand
cIass ovncrshipofthcmcansofproductionbyarcgcncratcdcommunism
among thcpropcrtyIcss masscs, organizcdironicaIIyand diaIccticaIIy~
by thc vcry mcans ofproductionfrom vhich thc ruIing cIasscs dcrivcd
thcirprohts,vhich, dircctcdbyancIitccognizantofthcIavsofhistoricaI
dcvcIopmcnt, thatis, thcCommunistParty, vouIdovcrthrovthcinstru-
mcnts ofcIasshcgcmony, armyand poIicc forccs, and rcstorc at ahighcr
matcriaIIcvcIthcprimordiaIcommunismvhichvasmankind' sbcstprc-
cIassstatc.
MajorsociaIthinkcrshavcpositcdadcvcIopmcntaIscqucnccintypcs
ofsociocuIturaIsystcmsinvhichcmphasisshiftsfromthccoIIcctivity as
thc cEcctivc moraIunitto thcindividuaI. ThisisparaIIcIcdby a groving
strcss onachicvcdasagainstascriptivc status, andbyancvcrmorcprccisc
division ofIabor in thc domains ofcconomics and sociaI controI. Thc
obIigatorycomponcntinsociaIrcIationshipyicIdsto thcoptionaIorvoI-
|\
untaristic, status givcs vay to contract. Corporatc groups constructcd
on thcmodcIofkin tics arc rcpIaccd as cEcctivc sociaI ccntcrs ofaction
by associations ofthosc having Iikc intcrcsts. RationaI and burcaucratic
organization Iords it ovcr groups bondcd by tics to IocaIity. Thc city
prcvaiIs ovcr thc ruraI hintcrIand. !ndustriaIization has dccisivcIy spIit
vork fromIcisurc by its "cIocking in and out" dcviccs and has rcscrvcd
pIayforthcIcisurcsphcrcvhcrcinvorkiscompIcmcntcdorrcvardcd().
'
Oumazcdicr I962). RituaI vhich, particuIarIy in its IiminaI stagc, con-
taincdbothvorkandpIay(manytribaIsocicticsspcakofrituaIactivityas
vork, forccrcmonicsarcpartofthcongoingproccssofthcvhoIcgroup)
novbccomcsaIcisurcactivity. Morcovcr,itsIiturgicaIstructurcs acccntu-
atcthcsoIcmnandattcnuatcthcfcstaIaspccts, ascodcsformoraIbchavior
bccomcincrcasingIyintcrnaIizcdas "conscicncc." WhcnitIoscsitscapac-
ity to pIay vith idcas, symboIs, and mcanings, vhcn it Ioscs its cuIturaI
cvoIutionaryresiIicncc,rituaIccascs tobcancEcctivcmctaIanguagcorn
\'
agcncyofcoIIcctivcrccxivity.
Somc anthropoIogists, and
atve
edin
thegenesisand elaboration ofestheticmedia,eachofvhichtakesasits
pointofdeparture a component subgenreoftraditionalritual.Thus the
dramatic scenario~frequently theenactment ofasacrednarrative~nov
becomesaperformativemodesuigenerisbreedingamultiplicityofplots
l`
most ofvhich are far from sacred! Song, dance, graphic and pictural
representation,theseandmore,brokenloosefromtheirritualintegument,
becometheseedsofconcertmusic,ballet,literature,andpainting.lfritual ,
mightbecomparedtoamirrorformankind,itsconversionintoamulti-
plicityofperformativeartsgivesusahallofmagicmirrors,eachreecting
thereectionsoftheothers, andeachrepresentingnotasimpleinversion
ofmundane reality, but its systematic magni6cation and distortion, the
ensemblecomposingareexivemetacommentaryonsocietyandhistory
asthey concernthenatural and constructed needs ofhumankindunder _ __
givenconditionsoftimeandplace.
ThefragmentationofacollectiveIiturgicalvork,suchasritual,paves
the vay for thelabeling ofspeci6c esthetic vorks as theproduction of
individuals.But,infact,alIperformativegenresdemandanaudienceeven
as they abandonacongregation. Most ofthem, too, incarnatetheir plots
or scores in the synchronized actions ofplayers. lt is only formally that
these esthetic progeny ofritual maybedescribedasindividual creations.
Evensuchformsasthenovelinvolve apublishingprocess and areading
process, both ofvhich have collective and initiatory features. A great
opportunityisopeningupforscholarsinbothsocialsciencesandhuman-
itiesvhoareinterestedinthereexiveordialecticalrelationshipbetveen
common sense processes in the getting and spending" (biocultural-
ecological)dimensionsofsocioculturaIlifeandthepopularandhighper-
formative genresvhichcontinually scrutinize,criticize,subvert,uphold,
and attempt to modify the behavior ofthe personnel, their values,
activitiesandrelationships,centrallyconcernedviththemaintenanceand
management ofthoseprocesses, or vhich make statements, informs at
leastasbizarreasthoseoftribal limnality, aboutthequalityoflifeinth
societiesthey monitorundertheguiseofentertainment''~atermvhich
Iiterallymeansholdingbetveen,thatis,Iiminalizing.lnsteadofstudy-
ing socioeconomicprocessesinisolationfromthese magic mirrors, or
dramatic types as texts in vacuo, it is possible to envision a creative
collaboration among literary critics, anthropologists, sociologists, histo-
rians, art historians, philosophers, historians ofreligion, and other kinds
ofscholars, on the shared hcld of the relationship, say, betveen Noh,
PROCESS, SYSTEM, AND SYMBOL I)
Kabuki, Kyogen, Bunraku, andother]apanesetheatrical genres, andthe
social and cultural history of]apan at the time ofgenesis and in the
successive periods ofdevelopment and decline of these genres~alvays
vith the stress onthe reciprocal relationship betveensocialprocess and
dramaticmediumundervaryingconditionsoftimeandplace.Aformida-
ble undertaking? But a greatone. The same might be said ofdynamic
studies ofElizabethan and Stuart drama, Greek high and lov comedy,
the commediadell'arte, thetheaterofthe absurd, andthe theater ofcru-
elty, notmerely insocioculturalcontextbutinlivereexiverelationship
to the uctuant problems of their times~in terms of competent,
dynamic sociologicalandanthropological analysis, bothsynchronic and
diachronic.
ln a recent appraisal ofmodern social anthropology Sir Raymond
Firthhas commented onitsinvard-turning dispositioninthe sensethat
modern anthropology is concerned not solely vith the behavior ofthe
populationsinvestigatedbutmainlyvith their models forperceivingand
interpreting their materials and generating their behavior, vith their
modes ofthought, not modes ofaction (975.8). The positionthat l am
presenting, onthecontrary, stressesattentiontotherelationshipbetveen
modesofthoughtandofaction.Furthermore,ifmodelsaretobeconsid-
ered, lvoulddravonrecentvorkontherole ofmetaphorinassigning
meaning to socialbehavior, conduct, andaction, and argue that, atleast
implicitly, many socioculturalsystems,insofarastheymaybeconsidered
tobesystems, areoriented,throughthecumulativeeectoftheirperfor-
mative genres, to vhat l have calledroot pardims. Tese are not merely
cognitiveclustersofrulesfromvhichmanykindsofsocialactionscanbe
generated, but represent consciously recognized (though only on occa-
sionsofraisedconsciousness)cuIturaImodelsofanaIlusive,metaphorical
kind,cognitivelydelimited,emotionallyloaded,andethicallyimpelled,so
as to give form to action in publicly critical circumstances. Such root
paradigmsareoftenbasedongenerallyacceptednarrativesofclimaxesin
the careers ofreligious or political leaders, having thus an existential
rather than merely morally edifying character, and often emphasize the
primacy ofsocial over individual goals vhen choices appear betveen
thcseinextremesituations,tothepointofendorsingpersonalsacri6cefor
others.Keydecisionsinthelivesofreligiousfounders, suchasGautama,
Moses,]esus, andMohammed, andofpoliticalleaderssuchasLeninand
Gandhi,areportrayedasexemplarythroughaviderangeofperformative
gcnres,andformanalmostengrammaticcomponentofsocialization.Bio-
cultural anthropologists might regardthis stress on sacri6ce ofselffor
societyas possessing survival value at the transcultural species level.
WhenWC shftourperspcctivetothatofthepcrformativegenres,vemay
Nee these paradigmatic acts in terms ofsuch loadcd" valucs as supreme
\
I8 PART I : PROCESSUAL ANALYSIS
Iove,compassion, andheroism.ltmaybethatoutfututetaskasscientists
ofthe human condition is to estabIish a set ofconcepts occupying a
IiminaIgroundbetveenobjectiveestimationofvaIuesptomotingspecies
sutvivaIandsubjectiveresponsetostitringexempIi6cationsofseIf-sacti-
6ceforgtoupsurvivaI.
lfone is to be as boId as the editor ofDaedalus vouId have us in
assessingvhethetornotbreakthtoughs havehappenedin anthtopoIogy,
onevouIdhave to tecord that the potentiaIity fotamajotbteakthrough
exists today. lt may be that such a breakthrough is possibIe onIy inthe
Lnited States, for British, French, and other European and third vorId
anthropoIogy, pattIy through the Iimited number oftheir practitioners,
tendto bemorehomogeneous andcommittedto the pursuit ofagreed-
upon goaIs-sttuctutaIism and neo-Matxismin France, sophisticated
sttucturaI-functionaIism and conicttheotyin Btitain, andthepoIiticaI
evaIuationofaIIestabIishedmetropoIitantheoriesintheThirdWorId.ltis
onIyintheLnitedStatesthatathousandovershavetruIybIossomed
in a tigorous theoreticaI vay, because ofthe huge size and cognitive
individuaIismofthe subcontinent, vheteeachmajordepartmentmaybe
Iikened to anautonomous HeIIenic city state~vhete each, through the
diaspotaofits gtaduates, has animbus ofsateIIites, both individuaIs and
gtoups. The outcome has been that a numbet ofperspectives on the
human condition, each technicaIIy and theoreticaIIy ofexceIIent quaIity,
have sprung up in virtuaI independence of one anothet. One thinks at
once of cuItutaI anthtopoIogy, sociaI anthropoIogy, symboIic anthro-
poIogy, ecoIogicaI anthropoIogy, biocuIturaI anthropoIogy, phenome-
noIogicaI anthropoIogy, structutaIist anthropoIogy, biocuIturaI ecoIogy,
IegaIandpoIiticaIanthropoIogies,pIusthemanyhybtidizationsbetveen
anthropoIogy andothetschoIarIy approaches. anthtopoIogicaIIinguisucs
andethnographyofspeaking,theusesofsystemstheoryinatcheoIogicaI
reseatch, Marxist approaches in anthtopoIogy, appIications of the
socioIogyofknovIedgetoanthtopologicaIdata,andothers.
Mysuggestionisthat,insteadofvotkinginblinkers,anthropoIogists
andschoIarsin adjacentdiscipIines intetestedIncross-cuIturaI ptobIems
shouIdmakeanearnest(andIudic) attemptatmutuaIempathy~earnest
inthesensethatthediscipIinesmentionedabove,andsigni6cantothets,
mightbetreatedat Ieast as auni6ed6eIdvhoseunity mighthavesome
thing to do vith the systems theory viev that there are systems and
systemicreIauonssofundamentaIthattheyoccurinmanydierentIiving
and even inorganic phenomena. This vouId not be to reduce the dis-
tinctive features ofthediscipIines entering into the 6eId to some bIand
interactionaIaverage,butvouIdrespectthenaturaIindependenceofeach
vithintheir dynamic interdependcncc. ltvouIdalsoteptcscnt astruggIc
PROCESS, SYSTEM, AND SYMBOL Ip
againstdiscipIinatychauvinism.FotexampIe,vuIgarMarxistsandothets
vho have pIaced theit faith in the ptimacy ofeconomic forces and reIa-
tions, couId not imperiaIisticaIIy cIaimthatvays ofthinking about and
appteciating man's reIationship to the cosmos and his felIovs vere, by
de6nition, atransmittedIoadof faIseconsciousness~falseatIeastuntiI
thedefeatofaIIadversatiesoftheproIetatiat.Rather,theyshouIdhoIdthe
evaIuationofthenatureandmagnitudeofproductiveforcesandthecon-
mctingcIassesresuItingftomthemasatIeastasprobIematicasideoIogy.
Why somuch,sofast,and sovastefuIlyempIoyed?TheperspectivaIviev
from the infrastructute may be at Ieast as faIse as any supetsttucturaI
cosmoIogy.Whatisrequiredisa6tm, schoIarIy, yetimaginativegrasp of
thetotaIphenomenaptoducedbyManaIiveandWomanalive.ltisstrange
thatboththe HegeIian and Marxist Iogics shouId conceptuaIize diaIectic
souncompromisingIyfromthepositive andstructuraIistpositionofthe-
sis. lt is not so much a question ofthe content of a process ofseIf-
transformation being made up ofopposing factors or forces as ofany
cognitiveorjutaIIynormativestructutationofhumanptocessesandreIa-
tionshipsencounteting, astheindicativeconfrontsthesubjunctivemood
inverbs,avirtuaIIyunIimitedtangeofaIternativevaysofdoingthingsot
teIating peopIe. Limits maybe set, ofcourse, by biotic orecoIogicaI and
oftenbyhistoricaIconditions. Butfot thediaIecticaInegationveshould
perhaps substitute liminality, a pIuraIity ofaIternatives rather than the
tevetsaIorinversionoftheantecedentcondition. Moreover,themototof
histoticaI diaIectic is not so much a matter of quantitive increments
cumuIating to a quaIitative change as deIibetate fotmuIations ofhuman
thoughtandimagination~oftenmadeinIiminaIsituations, suchasexiIe,
ptison, or even in an ivoty tovet-6tst ptesenting, and then perhaps
backedupbyorganizedaction,anevvision.LiminaIityisamajorsource
ofchangeratherthantheembodimentofaIogicaIantithesis.Scienceisnot
mocked~butthenneitherisart. lfvhathasbeendurabIyregardedasthe
intetesting by the infotmed opinion ofthousands ofyeats ofhuman
attentioncannotbeincotporatedinto the serious studyofmankind, then
thatstudyissuteIyinthe hands ofthe phiIistines-the bourgeois and
theboIshevik ofL H. Lavrence~vho vere sointent on securing by
|otce generaI assent to their opposed vievs on the nature ofmateriaI
ptoperty (onesaid ptivate shouIdbethebasicIabeI, theothet pubIic)
thattherichness andsubtIetyofhuman immateriaI cuIture(especiaIIy,
oncmight add, itsIiminaI constructions) escapedthisTveedIedum-and-
TcedIedeepaitofdedicatedmateriaIists.
, WhatisneededinanthropoIogyisvotkundettheaegisofawider orbit
.jjrecovered law in vhich speciaIists in its hithetto separate subdiscipIines,
blologlcal, ccoIogical, sociaI, and cuIturaI anthtopoIogy, utiIize systems
`
t)e PART I : PROCESSUAL ANALYSIS
theoty to integtatetheitnds andteseatch ptocedutes in asingleneld,
sttess the ptimacy ofptocessual apptoaches, incotpotate what phe-
nomenologistshavetosayaboutthenegotiationofmeaning,andtemain
awateofthepowetfultoleofsociocultutal limina|ityinptovidingcondi-
tionsfotteuection,ctiticism,tapidsocialization,thepostulationofvatiant
modelsofandfotconductandsociaIotganization,andthetefotmulation
ofcosmologiesteligiousandscientinc.
\!
Signsoftenewedintetestinptocessualandsystemstheotyaboundin
thetecentlitetatute.lfoneglancesthtoughtheatticlesinAnnual Rie c
Anthropolo fot I975onends]aneF Collietwtiting.Iegalptocessesate
socialptocesses.Iaw. . .isanaspectofongoingsociallife," andsofotth,
andhetatticleispeppetedwithitems ofptocess"vocabulatyandwith
tefetences to the legal handling ofconuict as ftamed by etended-case
analysis(I975.I2I). E.A.HoebelintheUnitedStates(I954),followinghis
classical use ofthe casemethod (Ilewellyn and Hoebel I94I), andMa
GluckmaninBtitain(I955a)maybesaidtohavebeenamongthepioneets
ofptocessualanalysisthtough theit studies oflaw as social ptocess, as
Co|liet tecognizes. Fted J Plog in Systems Theoty in Atcheological
Reseatch" shows how ptocessual thought is inuuencing the new atch-
eology whete it is inttinsically l|nked to genetal systems theoty. The
intetestin genetal systems theotyin atcheologyhasbeeneptessedpti-
matily by 'ptocessual atcheologists' and has been a component ofthe
' systemicapptoach'thattheseatcheologistshaveadvocated"(I975.207).
A. P. Vayda and B.] McCay, in theit essay New Ditections in
EcologyandEcologicalAnthtopology" (I975.298 -99)ineectsuppott
SallyMoote's view thatptocessesoftegulatization, ptocesses ofadust-
ment, and the factot ofindetetminacy must be takeninto account in
studying sociocultutal populations, when they attempt to tescue the
notionofhomostasis ftomitspteviousassociationwithconceptsofstatic
equilibtia and unchanging systems. They cite Slobodkin as empha-
sizingthatsomeptopettiesofhomeostaticsystemsmustattimeschange
so as tomaintainothet ptopetties that ate impottant fot stayingin the
eistentialgame~. . . e. g.tesilienceandwhatmightbedesctibedasuei-
bleenoughto changeintesponsetowhatevethazatdsandpettutbations
is
+u.vfrs r.ctur.I-(nctin>sp-
.
t
P^99-9l9
machines.
! _ v
resent authot has fot some time ttied to analyze titual pto-
cessually in a numbet ofsettings, tanging ftom Aftican ttaditiona|
societies to medieval and modetn pilgtimages in sevetal universalistic
teligions. Ritual studies ledh|minto the analysis ofritual symbols and,
l ater, of social symbols i n general .
.
)i
.
Yl
_
?
f
.
.
n
stigation, which
i)
me
is concetned
p
tet
ti mw
ds
s
oum)ptoce
ismwhosesymbo
s mete
c
ough it my,
et cettam condi~
;t
le.Ra
des
itholdthegenetau
"
es
;iteofcultute
ansttuctute,patticularlyinitslitmnalstage.enc_yn
iag `
-
st
.. ~
als
.
t
"lr
wot estur
situation utnetI97.I9).
means,wethTutnetI98.29). , .
^
t .
ana
!! d embedseanin
Th
s
_
mb
;
_
,
t
i
s so
taphotic/met
nymi
by t
en
`
(symbol-veh
cle)
m
signstltenbe no lik-Bcss. Signs ate almost alws otganized in
cIt_, wheteas ymbols, pattictlatly domt symbols
(wch pteside oveto anchot entite titual ptocesses), ate ,_
__mea
ns notab_lu_d, ng])tpqy th sa
fotevetyonewo agteesaa,ticulats;;iet (outwatdfotm")has
s.1evsigniedsbed bcollectiver.:J oId
ss. o_JaIs,.++,, _(
cigutiliing, one ofts , >Iau0ardzcdodcpfasso-
ciation to bting new concepts yitmits ma nt c orbItiietaphotical
tccorucmn)oby including it within a comple ofinitially ptivate
antaies. Such ptivate consttuctions may become patt ofpublic het-
ineneutics ot standatdized intetptetations ptovided that the semantic
manipulatothassuHcientpowet,authotity,ptestige,otlegitimacy(e.g.,he
may be a shaman, ptophet, chief ot ptiest) to make his intetptetation
stlck.PoliticalsymbolshavebeenanalyzedinsimilattetmsbyA. Cohen
( I 974), R. Fitth (I973), A. Iegesse (I973), and V Tutnet (I974), among
others.
Theanthtopologicalstudyofsymbolicfotms and ptocesses andthe
functions of symbolism has generally thrived in the past decade. Where it
h:s been infuenced by linguistics or structuralism the stress Ius been on
I]2 PART I : PROCESSUAL ANALYSIS
theeliciting ofabstract systemsofsymbols andmeanings fromcultural
products(myths,kinshipnomenclatures,iconographicforns,xT nota:-'
onotnes,tctson customs dravn from native informants by question-
,, naires, etc.) . Processualism, on theother hand, demands akindof6eld-
vork in vhich the investigator becomes involved vith central socio-
cultural
[
rocesses. He recognizes his ovnroleinocia!:tetatmn v
rm and tries to account for thebiases this may impart to his
subsequentanalyses. Symbolicanalysishererestsondatageneratedinthe
heat ofaction in ritual, legal, formal, informal, interpersonal, domestic,
ludic, solemn, and so forth, processes to vhich the anthropologist has
becomepartyandprivy. Suchdataarequitedierentfromthoseobtained
by astanceofdetachment. This stanceisbest forthe takingofmeasure-
ments(gardens,hutsizes)orthecountingofheads(villagecensus-taking),
butvorstforcomingtoanunderstanding(itselfaprocess)ofhov actors
perceive,generate,andnegotiatemeaning,usingvordsandsymbols.The
present author has suggested that there are natural units ofsociocultural
process,vhichtendtohave,Iikeravrites de passage, atemporalstructure,
vithsuccessivephasescumulatingtoatleastatemporaryresolution.The
duration,internalstructuring, andstyleofprocessualunitsareinuenced
by biotic, ecological, and cultural variables vhich must be empirically
investigatedineachpopulationundersurvey.Extendedcasehistoriesmay
containasequence ofseveralprocessualunits ofdierenttypes, ranging
fromthosevhichmaximizecooperationto thosevhich maximze con-
ict.Dierentkindsandintensitiesofsocialcontrolfunctionsarebrought
intoplay. Whatisrequiredisavorkablecross-culturaltypologyofpro-
cessualunits.Forit isintheanalysis ofthe social drama' (I957.9I -93)
and the social enterprise (Firth I964) that ve recognize the merit of
SallyMoore's comment. '^nanthropology exclusively focused on clear
regularitiesofform,symbol,andcontent,andtheirpresumedcongruence
(vhether 'structural,' 'cultural,' or 'processual' in orientation) is leaving
outfundamentaldimensions.Thenegotiablepartofmanyreal situations
liesnotonlyintheimperfect6tbetveenthesymbolicorformalleveland
thelevelofcontent,but alsointhemultilicit_oIIrnatw: . 30.maU-.
ingvithineach,vhichmay_, ;gp
,
u |tnter-
ndidualsorgroupsmayexaggeratethedegreof
otde ottliqua]ty oindeterminacy intheir situations for myriad rea-
sons (Moore I975.233). Hovtheydo this, andvhy, canbeascertained
only ifthe investigator has also become an actor in the 6eld ofliving
reIationships. There are risks in not staying aloot ofcourse, but the
acquisitionofknovledgehasalvaysbeenbesetbydangers,herephysical
asvellasintellectual!
In concIusion, it may be permissible to indulge in a fev personal
opinions and speculations. ClearIy, the great breakthrough or paradigm
PROCESS, SYSTEM, AND SYMBOL I]
shifthasnotyetoccurred,ifbyparadim vemean,vithThomasKuhn,an
acceptedexampleofactualscienti6cpractice-vhichincludeslaytheory,
applicationandinstrumentationtogethervhichprovidesthemodelsfrom
vhichspringcoherenttraditionsofscienti6cresearch(Kuhn I962.IO, 4I).
Buttherearesignsofconvergenceamonghithertoisolatedsubdisciples,as
mentionedabove.lfthesecanbeunitedinasinglevork,eitherbyasingle
mnd, or by a team ofinterdependent specialists, then the reexivity
among biological, ecological, social, and cultural anthropologists, sys-
temcally relating their concepts (and modifying them mutually in the
process)inrelationtoabodyofbothphenomenologicaIlyandempirically
generated data, may produce a paradigm comparable in its ovn vay to
those from vhich have sprung coherent traditions ofnatural science
research.Buttoachievethisgoalanthropologistsvillhavetosinkcertain
unimportantstructuraldierences,andprocessuallyachievearelationship
ofcommunitas vith one another, a relational quality offull unmediated
communication, even communion, betveen de6nite and determinate
identities. Such communitas vould essentially be a liminal phenomenon,
consisting ofa blend ofhumility and comradeship~such as one sees
among limnars in the ritual process in simple societies onthe edge of
thevorId.
PART TWO
Performance and Experience
o
Te Antropolog ofPerformance
oryears, lhavedreamedofaIib-
erated anthropoIogy. By Iiberated" l mean free from certain prejudices
that have become distinctive features ofthe Iiterary genre knovn as
anthropoIogicaI vorks," vhether these are 6eId monographs, com-
parative studies, or textbooks. Such features have incIuded. a systematic
humzng_ofthe h__q|_cts ofstudy, regarding them as the
bearersofanimpersonaIcuIture," orvax tobeimprintedvithcuIturaI
patterns," or as determined by sociaI, cuIturaI, or sociaI psychoIogicaI
forces," variabIes," or pressures" of various kinds, the primacy of
vhichisstiIIcontestedbydierentschooIsorcoteriesofanthropoIogists.
Briey, thisgenreapesnaturaIscienti6ctreatisesinstyIeandintention~
treatisesvhichreec tpermd ofvecenturiesvhich
in theWestisknovnasthe modern era." Themodernisnovbecoming
part ofthe past. ArnoId Toynbee coined the term postmodern," lhab
Hassan has givenit vide prominence, and a recent book, Perfrmane in
Postmodern Culture (I977) editedby theIateMicheIBenamou, attemptsto
giveitgreaterspeci6city.!donotIiketheseIabeIs,butitiscIeartomethat
there has been vhat Rchard PaImer, (in an articIe in theBenamou voI-
ume, Tovards a Postmodern Hermeneutics ofPerformance"), caIIed a
"postmodern turn" takeninrecentthinkingvhichishavingaIiberating
e0ectonar:thropoIogy,asonmanyotherdiscipIines.Premodern,modern,
I)8 PART I I : PERFORMANCE & EXPERIENCE
postmodern-thesearecrudeandineIegantterms forthenamingofcuI-
turaIerasofdisparateduration.ButtheymaygiveusapreIiminarypur-
chaseonthedataonperformancevhichviIIformthestapIeofthisessay.
PremodetnprentsadistiIIationorencapsuIation ofmanyvorId-
viewsandomoIogiesbeforeand,Iater,outsidethespeci6cemergencein
Westernconsciousness, about 6ve centuries ago, ofthe modernperspec-
tive. lndeed, the Sviss cuIturaIhistorian]ean Gebser hoIds that it vas,
quiteIiteraIIy,theriseofperspectivevhich,asPaImervrites,isthekeyto
modernity.HesummarizesGebser'sargumentasfoIIovs.
PerspectivespatiaIizesthevorId,itorientstheeyeinreIationtospace
inanevvay . . . itrepresentsa' rationaIizationofsight' (WiIIiamM.
lvins). . . . PerspectiveIeadstothefoundingofmathematicaIgeome-
try, vhich is the prerequisite for modern engineering and
odern
machinery. . . forsteadiIyincreasingnaturaIisminEuropeanpictoraI
representation (but aIso for its pureIy schematic and IogicaI ext
n-
sions) . . . bothare due to the grovth and spreadofmethods vhich
haveprovided symboIs, repeatabIe ininvariant for
for
epresent
-
tionofvisuaIavareness,andagrammarof perspectivevhichmadeit
possibIe to estabIish IogicaI reIations not onIy vithin the system of
symboIsbutbetveenthatsystemandthe forms andIocations ofthe
objectsthatitsymboIizes. . . thecombinationoftheabstractednessof
numbersassymboIsthatmeasure,vithperspective,avayofreIating
thosenumbersassymboIstothevisuaIvorId,Ieadstoasenseofspace
asmeasured, asextendingoutvardfromagivenpoint,uItimateIythe
vorId is measurabIe-epitomized in GaIiIeo's maxim, 'to measure
everythingmeasurabIeandtomakevhatisnotmeasurabIecapabI
of
beingmeasured'[thisattitudeisstiIIcommonamonganthropoIogists,
thus GeorgeSpindIerremarks in the book he edited, Te Makin q
Pscholoical Anthropolo (!978.!97-98),veveretaught.ifitappens
you can countit''j .ThespatiaIization ofvisionhas
etaphysicaIand
epistemoIogicaI impIicatio
s . . . the
overe
phasis o space a
d
extensiondividesthevorIdmtoobservmgsubectandaIienmatenaI
objects. . . vordsareseenas
mer
esign
frthemateriaI
b]ectsinthe
vorId. . . timeitseIfisperceivedmspatiahzedterms. . . itisregarded
as measurabIe, as a Iinear succession of present moments . . . the
perspectivaImodeImakesmanthemeasureandmeasurerofaIIthngs
. . . technoIogizedrationaIityharmonizesviththeprotestantethic~
God pIaces his bIessing on the ind-iduaIistic, competiti
erson
(impIicitIy maIe) vhoexercisesrestrntand represses de
nesmthe
interestofmore'rationaI'goaIs.poverandcontroI. . . History,per-
ceivedas astraightIinethatnevercircIesbackonitseIfbecomesthe
storyofman'sgraduaIseIf-improvementthroughtheexerciseofrea-
son[SpindIer !978.22-25].
WhatSpindIerdrevattentiontovasthemoderncIimatcof thought
invhichmyanthropoIogicaItrainingtookpIace. ltvasacIimatcinvhich
THE ANTHROPOLOGY OF PERFORMANCE I)p
academic discipIines had cIearIy de6ned boundaries vhich one trans-
gressedatone'speriI.boundaryambiguityvas,inMaryDougIas'vords,
a form ofpoIIution, much interdisciplinary vork vas regarded as an
abomination. Within anthropoIogy there vas a tendency to represent
sociaIreaIity as stabIe andimmutabIe, aharmoniouscon6gurationgov-
ernedbymutuaIIycompatibIeandIogicaIIyinterreIatedprincipIes. There
vasageneraIpreoccupatiovithconsistet:cyaudcongnence _ And-n
ts vere avare that there generaIIy are dif-
Tesc idnorms andreaIbehavior, mostoftheitm+eIs of
society andc Iture tended to be based upon ideoIogy
rather
than upon
soal-e |g)a;o accountthe diaIeticaIrelai\iIetveen
:hese. AIIthis foIIovsfromtheperceptionofreaIityinspatializedterms
',too,didthestudyofstatisticaIcorreIationsbetveensociaIandcuIturaI
variabIessuchasve6ndinG.P. Murdock'sSocial Structure (949).lnaII
this vork, as SaIIy Moore has pointed out in her book Law Process
(!978.36).WhetherideoIogyis seenas anexpressionofsociaIcohesion,
orasasymboIicexpressionofstructure,vhetheritisseenasadesignfora
nevstructureorasarationaIizationforcontroIofpoverandproperty,the
anaIysisismadeintermsof .t" (itaIicsmine).
During my 6eIdvork l became disiIIusioned vith the fashionabIe
stress on6t and congruence, sharedbyboth functionaIism and dierent
typesofstructuraIism. lcameto see asociaI systemor6eIdratheras a
set ofIooseIy integrated processes, vith some patterned aspects, some
persistences ofform, but controIIed by discrepant principIes ofaction
expressedinruIesofcustomthatareoftensituationaIIyincompatibIevith
oneanother.ThisvievderivedfromthemethodofdescriptionandanaIy-
sis vhich l came to caII sociaI drama anaIysis. ln fact this vas thrust
uponmebymyexperienceasa6eIdvorkerinthecentraIAfricansociety
oftheNdembuofNorthvest Zambia. lnvarious vritings lhavegiven
exampIes ofsociaI dramas and their anaIysis. More to thepoint for this
essay, since ve viIIbe deaIing vith the anthropoIogy ofperformance, l
vouIdIiketobringtoyourattentionamanofthetheater'sdiscussionof
my schema. He is Rchard Schechner, professor ofdrama at Nev York
Lniversity'sSchooIoftheArts, and directorofTePerformanceGroup,
an avant-gardetheatercompany. Ashe seesit (inthe chapter Tovards a
Poetics ofPerformance, Essas on Perfrmance Teory, I70I7, pages
20- !23).\itorTurneranaIyses'sociaIdramas'usintheatricaItermi-
noIogy to describeqbpm QI cisis siti;ations. Tbese situations~
arguments, combats, rites ofpassage~are inherentIy dramatic because
participantsnotonIydothings,theytryto show others what the are doin or
have done; actions take on a 'performed-for-an-audience' aspect. Erving
Godman takes amoredirectIyscenographic approachin using the the-
atricaI paradigm. He beIieves that aII sociaI interaction is staged~peopIe
I8o PART I I : PERFORMANCE & EXPERIENCE
preparebackstage,confrontothersvhiIevearingmasksandpIayingroIes,
use the main stage area for the performance ofroutines, and so on. For
both Turner and Goman, the basic human pIot is the same. someone
begins to moveto a nev pIace in the sociaI order, this moveis accom-
pIishedthroughrituaLorbIocked,ineithercaseacrisis arisesbecauseany
changein status invoIves areadjustment ofthe entire scheme, this tead-
justment is eected ceremoniaIIy-that is, by means oftheater. ln my
book, Drama, Fields, and Metaphors (pp. 37 -41), l de6ne sociaI drama as
unitsofaharmonicordisharmonicsociaIprocess,arisinginconictsitua-
ions (See aIso Chapter 9, pp. 215 -221; Chapter
and
iIo ue, p
p. 291
- '
con.eg1)
(
reac ofreguIarnorm-governed sociaIreIations,2)
1s1 uring vhich there is a tendency for the breach to viden. Each
IiccrisishasvhatI novcaIIIiminaIcharacteristics,sinceitisathresh-
oId(limen) betveenmoreorIessstabIephasesofthesociaIprocess,butitis
not usuaIIy a sacred Iimen, hedged around by taboos and thrust avay
fromthe centers ofpubIicIife. On the contrary, it takes up its menacing
stanceintheforumitseIfyng,asitvere,darestherepresentativesoforder
o grappIe vith it, 3)
;
Jr
;
;
;
;;
ranging from personaI advice and
nformaImediationorarbitrationtoformaIjuridicaIandIegaImachinery,
and,toresoIvecertainkindsofcrisisorIegitimateothermodesofresoIu-
tion, to the performance ofpubIic rituaI. Redress, too, has its Iimina
features, its being betvixt andbetveen, and, as such, furnishes a dis-
tancedrepIicationandcritiqueofthe eventsIeadingup to andcomposing
the crisis.ThisrepIicationmaybeintherationaI idiom ofthejudicia
process,rinthemetaphoricaIandsymbq.iomofarituaIprocess,4)
the nah`econsists either ofthe rtatiof the disturbed socia
rth
ci
aI rec
'
gnition and ation of1
[
repa
bl;
-s
"
Tii
etveenthecontejing,pzries.
~-~,>
FirstIetcommentonthe dierencebetveenmyuse oftheterm
rituaIandthede6nitionsofSchechnerandGomnan.By andIargethey
seemto mean by rituaIa standardizedunit act, vhichmay be secuIar as
veII as sacred, vhiI\ meaq_rfor[c pp
pe~of
RituaIorme,asRonaIdGrimesputsit,i_nsrgt_
perontraneeaIngmajorcIassi6cations,categories,andcontradictions
IcultutaIprocesses.ForSchechner, vhatlcaIIbreach, theinaugurat-
,
ingeventmasociadama,isaIvayseectedbyarituaIorrituaIizedactor
move.Thereis sometruthinthis. ForexampIe,inthevery 6rst sociaI
dramalpresentinmy bookonNdembusociaIprocess, Schism and Conti
nuity, a series ofsociaI dramas focused on one individuaI ambitious of
the pover and inuence that goes vith the oEce ofviIIage headman,
this protagonist, Sandombu, dramatizes" to others i n his ccctive
sociocuIturaI feld that hc is veary o| vaiting |or the oId headman, his
THE ANTHROPOLOGY OF PERFORMANCE 8
mother'sbrotherKahaIi, todie,byostentatiousIyrefrainingfromgiving
himportions ofmeat appropriatetoKahaIi' sstatus, age, andreIationship
after he had kiIIed an anteIope. This refusaI to foIIov custom might be
regarded as a rituaIized act as veII as a transgression ofa custom vith
rituaIimpIications,forthedividingofasIainanimaIimpIiesthesharingof
sacredsubstanceheIdtoconstitutematriIineaIkinship. The symboIismof
bIoodhasastrongcorreIationvithmatriIineaIkinship,especiaIIyviththe
procreative aspect ofmotherhood, and there are many rituaIs connected
both vith matriIiny and the hunting cuIts vhich contain symboIs for
blood. But l vouId prefer the terms symboIic transgression'-vhich
mayaIsocoincidevithanactuaItransgressionofcustom, evenofaIegaI
prescription-torituaIintheframeofphase1 (Breach) ofasociaIdrama.
What is more interesting to me than the de6nition ofrituaI is the
connection estabIished by Schechner betveen sociaI drama and theater
andtheusemadeofthetheatricaIparadigmbyGomanandmyseIfFo-
Goman, aIIthevorId'sastage,thevorIdofsociaIinteractionanyvay,
andisfuIIofritualacts.Forme thedramaturgicaIphasebeginsvhencrises
ariseinthedaiIyovofsociaIinteraction.Thus,ifdaiIyIivingis akindof
theater, sociaIdramais a kind ofmeta-theater, that is, a dramaturgicaI
IanguageabouttheIanguageofordinaryroIe-pIayingandstatus-mainte-
nancevhichconstitutescommunicationinthequoudiansociaIprocess.In
othervords,vhenactorsinasociaIdrama,inSchechner'svords,tryto
shov others vhat they are doing or have done, they are acting con-
sciousIy, exercisingvhatCharIesHocketthasfoundtobeafeaturepecu-
Iiar to human speech, reectiveness orreexiveness, the abiIityto com-
municate about the communication system itseIf(Hockett 1960). This
reexivityisfoundnotonIyintheeruptivephaseofcrisis, vhenpersons
exert theirviIIs andunIeashtheiremotions to achievegoaIsvhichuntiI
that time have remained hidden or may even have been unconscious~
herereexivityfoIIovsmanifestation-butaIsointhecognitiveIy domi-
nantphaseofredress,vhentheactionsoftheprevioustvophasesbecome
thesubjectmatterforscrutinyvithintheframeprovidedbyinstitution-
aI forms and procedures-here reexivity is present from the outset,
vhether the redressive machinery be characterized as Iegal, Iav-Iike,
orrituaI.
You must have noticed hov Goman, Schechner, and I constantIy
stress process and processuaI quaIities. performance, movement
staging
pi,edIessiveacoo.-..scl:is,.+reIntegtation. To ,- d, :|i
s
- ' '
e
r~
ra
l
i
ati
, ,-apsl the
'0000 o|the essenceo
the modern.
I8z PART I I : PERFORMANCE & EXPERIENCE
AIthough thcrc is a major dicrcncc bctvccn Iinguistic and
anthropoIogicaIdchnitionsofpcrformancc,somcthingofthcchangcfrom
modcrn to postmodcrn vays ofthinking about sociocuIturaI probIcms
canbcaptIyiIIustratcdby considcringdmundLcach'srcccntattcmptto
appIy thc Iinguist's vocabuIary to mattcrs anthropoIogicaI in his articIc,
Thc !nucncc ofCuIturaI Contcxt on Mon-VcrbaI Communication in
Man'' (Hindc !977.32! -22). Lcachvritcs thatthcanthropoIogist'scon-
ccrn is to dcIincatc a framcvork ofcuIturaI competence in tcrms ofvhich
thcindividuaI's symboIic actions canbc sccn to makc scnsc. Wc canonIy
intcrprct individuaIperfrmance in thc Iight ofvhat vc havc aIrcady in-
.
fcrrcd about compctcncc, but in ordcr to makc our originaI infcrcnccs
aboutcompctcnccvchavctoabstractastandardizcdpattcrnvhichisnot
ncccssariIyimmcdiatcIy apparcntinthc datavhicharc dircctIy acccssibIc
to obscrvation.' , )pccd this compctcncc-pcr-
:
,
r
c
y(
d
g-!tIn 1 Y|
a
pIc, vc caII spcakingngIish." !tvasOcIIHymcsvhopointcd out thc
hiddcn Mco-Iatonism
or
Lcach'scssayjustquotcd.Hcisvriting(p. 58)ofthrccstagcsofidcaIiza-
tion''inouridcntihcationofthcravdata"ofIanguagc-bchavior. Firstof
aII," hc says, vc discount aII ' sIips ofthc tonguc,' mispronunciations,
hcsitationpauscs, stammcring,stuttcring,etc.; inshort,cvcrythingthatcan
bc dcscribcdas a 'pcrformancc phcnomcnon'." Hcthcn gocs on to dis-
count''(p.59)accrtainamountofthcsystcmaticvariationbctvccnuttcr-
anccsthatcanbcattributcdtopcrsonaIandsociocuIturaIfactors."
Thc postmodcrn t('' _I ;r>'U1...}10
cs
.
thp;''pcrfor
ancccrrorsandhcsitationphcnomc-
na" through crso n sq]Ituraacurs'`
o * tbscgrcgatin
cm'' ttanc'` ])@|
i
@ [}]
t
' `
c
9P
t
9
p
c
P
cn
'-
(nc
!
r
cc
'-
-'
ir
ci
aticaIstru
rc.
ro
cc
tton ot seIfH c
gc r rama, \uId.nov
T c to U c ccntcr O and hcrmcncuticaI attcntion .
t
c
''' * +! l P7.
and
vouIdaIsopcrccivcgcnuincnoveIty, crtcncss, sabIctocmcrgcfrom
ccmcr!orm situation, from vhat Durkhcim in bu
bcstmoinct:t) caIIcd sociaI c6crvcsccncc,'' cxcmpIihcd for him in thc
g(:ctin _ Ouw~~8ymbO8 and n:eanings by thc aoi.: .::.e:, :|
THE ANTHROPOLOGY OF PERFORMANCE I8
pc
'
c
t
'_ {9
u
i
9,,hat vas oncc considcrcd
''contaminatcd," p orr:scuus,' impurc" is bccoming thc focus of
postmodcrnanaIyticaIattcntion.
With rcgard to thc structurc-proccss dichotomy mcntioncd carIicr,
vhich is simiIar, if not idcnticaI, to othcr oppositions madc by
anthropoIogists. idcaI norms-rcaIbchavior, mcchanicaI modcIs-statis-
ticaI modcIs, structurcorganization, idcoIogy-action, and so forth,
SaIIyMoorchasmanypcrtincntthingstosayinLaw Process.
Shcisavarcthat,asMurphyhasargucd, !tisthcvcryincongrucncc
ofour conscious modcIs, and guidcs for conduct to thcphcnomcna of
sociaIIifcthatmakcsthatIifcpossibIc"(Murphy !97!.240),butaIsoinsists
thatordcrandrcpctitionarcnotaIIiIIusion,noraII 'mcrc' idcoIogy, nor
aII hctivc schoIa Iy modcIs, but arc obscrvabIc [and ! vouId add oftcn
mcasurabIcj on a bchavioraI IcvcI, as vcII as in hxcd idcas" (p. 38). Shc
proposcsthatsociaIproccsscs shouIdbccxamincdintcrms ofthcintcr-
rcIationshipofthrcccomponcnts:thcproccsscsofreulrization, thcproc-
csscsofsituational atustment, andthcfactorofineterminacy" (p. 39).Thisis
rcaIIy arcvoIutionary movc onSaIIy Moorc'spartfor shcischaIIcnging
thc !dcaIist formuIations ofhcr prcstigious contcmporarics. Likc Hcr-
acIitus shc is insisting that thc cIcmcnts (in hcr casc, thc sociocuIturaI
cIcmcnts) arcincontinuaIuxandtransformation, andsoaIsoarcpcopIc.
LikcHcracIitus, too, shcis avarc thatthcrcis aIso astraintovards ordcr
andharmony, aloos, vithinthcvariabiIity, anintcnt, as)amcsCIncyputs
it (!972.5)to transformhumanvariabiIityfrommcrcchaosanddiscon-
ncction into signihcant proccss." This is, in c6cct, vhat thc rcdrcssivc
phascinasociaIdrama(thcproccssuaImicrocosm)attcmptstodo,andfor
vhat,incompIcxcuIturcs, thcIiminoidpcrformativc gcnrcs (scc Turncr
!982.20 -60)arcdcsigncd.
Moorc'scxpcricnccasapracticingIavycrundcrIicshcrvicvthat(p.
39) sociaIhfc.prcscntsanaImostcndIcssvarictyofhncIydistinguishabIc
situationsandquitcanarrayofgrossIydi6crcntoncs.!tcontainsarcnasof
continuouscompctition. !tprocccdsinacontcxtofancvcr-shiftingsctof
pcrsons, changing momcnts in timc, aItcring situations and partiaIIy
improviscdintcractions.stabhshcdruIcs, customs, andsymboIicframc-
vorkscxist,butthcyopcratcinthcprcscnccofarcasofindctcrminacy,or
ambiguity, of unccrtainty and manpuIabiIity. Crdcr ncvcr fuIIy takcs
ovcr, nor couId it. Thc cuIturaI, contractuaI, and tcchncaI impcrativcs
aIvaysIcavcgaps,rcquircadjustmcntsandintcrprctations tobcappIicabIc
to particuIar situations, and arc thcmscIvcs fuII ofambiguitics, inconsis-
tcncics, and oftcn contradictions." But Moorc docs not scc cvcrything
sociaI asamorphousorasunboundcdinnovationorIimtIcssrcintcrprcta-
tion. Shc sccsthatcommonsymboIs, customarybchaviors, roIc cxpccta-
tions, ruIcs, catcgorics, idcas and idcoIogics, and rituaIs and formaIitics
r&
4
PART I I : PERFORMANCE & EXPERIENCE
sharcd by actors do cxistandframc mutuaI communication andaction.
Butshc is cIaiming that thc hxingandframng ofsociaIrcaIityisitscIfa
proccssorasctofproccsscs.WhcrcasanthropoIogistsIikcFirthandBarth
havccontrastcdstructurc and proccss arth sccs proccss as a mcans of
undcrstanding sociaI changc), Moorc sccs structurc as thc cvcr-to-bc-
rcpcatcdachicvcmcntofproccsscs ofrcguIarization.Asshcvritcs(Moorc
978.40 -4).
Thc vhoIc mattcr contains a paradox. vcry cxpIicit attcmpt tohx
sociaI rcIationships or sociaI symboIs isby impIication arccognition
that thcy arcmutabIc. Yct at thc samc timc such an attcmpt dircctIy
struggIcsagainstmutabiIity,attcmptstohxthcmovingthing,tomakc
it hoId. Part of thc proccss of trying to hx sociaI rcaIity invoIvcs
rcprcscnting it as stabIc orimmutabIc or at Icast controIIabIc to this
cnd, at Icastfor a timc. RituaIs, rigidproccdurcs, rcguIar formaIitics,
symboIic rcpctitions ofaII kinds, as vcII as cxpIicit Iavs, principIcs,
ruIcs, symboIs, and catcgorics arc cuIturaI rcprcscntations ofhxcd
sociaI rcaIity, or continuity. Thcy rcprcscnt stabiIity and continuity
actcdoutandrc-cnactcd,visibIc continuity.Bydintofrcpctitionthcy
dcnythcpassagcoftimc,thcnaturcofchangc, andthcimpIicitcxtcnt
ofpotcntiaI indctcrminacy in sociaI rcIations. [Whcthcr thcsc proc-
csscs ofrcguIarization arc sustaincd by tradition or Icgitimatcd by
rcvoIutionary cdict and forcc, thcy act to providc daiIy rcgcncratcd
framcs, sociaI constructions ofrcaIity, vithin vhichj thc attcmpt is
madc to hx sociaI Iifc, to kccp it from sIipping into thc sca of
indctcrminacy.
But as Moorcpoints out, hovcvcr tight thc ruIcs,in thcir appIication
thcrc is aIvays a ccrtain rangc ofmancuvcr, ofopcnncss, ofchoicc, of
intcrprctation, ofaItcration, oftampcring, ofrcvcrsing, oftransforming"
(978.4). !nbricf vithin thc cuIturaI and sociaI ordcrthcrc is a pcr-
vasivc quaIity ofpartiaI indctcrminacy" (Moorc 978.49). Proccsscs of
situationaIadjustmcntinvoIvcboththccxpIoitationofindctcrminacicsin
sociocuIturaIsituationsandthc actuaIgcncrationofsuchindctcrminacics.
Cr thcy may bc conccrncd vith thc rcintcrprctation or rcdchnition of
ruIcs and rcIationships. By rcgarding a hcId ofsociocuIturaI rcIations,
vhich may incIudc nctvorks and arcnas as vcII as rcIativcIy pcrsisting
corporatc groups and institutions, as a pIuraIity ofproccsscs, somc of
rcguIarization (or relementation as Moorc [978] prcfcrs to caIIthcm. sc
pagcs2 -3, 8,2,29),othcrsofsituationaIadjustmcnt,Moorcproposcsa
modcIofsociaIrcaIity asbasicaIIy uidandindctcrminatc, thoughtrans-
formabIcforatimcintosomcthingmorchxcdthroughrcguIarizingproc-
csscs.Thisisaframcvork,"shchoIds, usabIcinthcanaIysisofparticuIar
situationsandthcirdctaiIcddcnoucmcnt, andcquaIIyusabIcinthcanaIy-
sis of Iargcr-scaIc phcnomcna such as institutionaI systcms" (Moorc
THE ANTHROPOLOGY OF PERFORMANCE r&y
978.52). Shc varns that vhcthcr thc proccsscs arc unchanging or
changingisnotthc dichotomy proposcd. Proccsscs ofrcguIarization and
proccsscs ofsituationaI adjustmcntmay each [itaIics mincj havc thc c6cct
ofstabiIizing or changing an cxisting sociaI situation and ordcr. What
isbcingproposcdis thatthc compIcxrcIationship bctvccn sociaIIifcand
its cuIturaIrcprcscntationmaybc casicr to handIc anaIyticaIIy ifthc in-
tcrIocking ofproccsscs ofrcguIarization, proccsscs ofsituationaI adjust-
mcnt, and thc factor ofindctcrminacy arc takcninto account" (Moorc
978.52 53).
MyovnvorkformanyycarshadincIincdmcinasimiIarthcorcticaI
dircction.Thisdircctionistovardspostmodcrnvaysofthinking. CIcarIy
thc factor ofindctcrminacy has assumcd grcatcr importancc in today's
vorId. HistoricaI cvcnts havc pIaycd thcir part. vars, rcvoIutions, thc
hoIocaust, thc faII and fragmcntation of coIoniaI cmpircs. But scicntihc
dcvcIopmcntsinmanyhcIdshavchcIpcdtoundcrmincthcmodcrnvicvs
oftimc, spacc, mattcr, Ianguagc, pcrson, and truth. Proccsscs ofrcg-
uIarization arc stiII potcnt in poIitics and cconomics, capitaIistic and
sociaIistic burcaucracics andIcgisIaturcs stiII attcmpt to hx sociaIrcaIity.
!nthcscicnccsandhumaniticsvorkisstiII donc vithinthcconstraintsof
prcstigious paradigms" (in Thomas Kuhn's scnsc). !n thc poIiticaI mac-
rocosmsharp divisionscontinuctocxistfostcrcdby thcrcguIatoryproc-
csscs ofnationaIism and idcoIogy. McvcrthcIcss, thcrc is dctcctibIc an
cxtcnsivc brcakdovn ofboundarics bctvccn varIous convcntionaIIy
dchncdscicnccsandarts,andbctvccnthcscandmodcsofsociaIrcaIity. !n
sociocuIturaIstudicsthcspatiaIityofmodcrnthought, dcpcndcntonvhat
RichardPaImcr caIIs onc-pointpcrspcctivc," shovs signs ofgivingvay
to muItipcrspcctivaI consciousncss, a hcId vith scvcraI variabIcs. Thc
notionofsocicty asancndIcsscrisscrossingofproccsscsofvarious kinds
and intcnsitics iscongrucntvith this vicv. Timcis coming tobcsccnas
an csscntiaI dimcnsion ofbcit:g as vcII as muItipcrspcctivaI, no Iongcr
mcrcIyasaIincarcontinuumconccivcdinspatiaItcrms.
With thcpostmodcrndisIodgcmcntofspatiaIizcdthinking and idcaI
modcIsofcognitivcandsociaIstructurcsfromthcirpositionofcxcgcticaI
prccmncncc,thcrcisoccurring amajormovctovardsthcstudyofproc-
csscs, not as cxcmpIifyingcompIianccvith ordcviationfromnormativc
modcIs both ctic and cmc, but aspcrformanccs. Pcrformanccs arc ncvcr
amorphousoropcncndcd, thcyhavc diachronic structurc, abcginning, a
scqucncc ofovcrIappingbutisoIabIcphascs, and ancnd.Butthcirstruc-
turc is not that ofan abstract systcm, it is gcncratcd out ofthc diaIcc-
ticaI oppositions of proccsscs and of IcvcIs of proccss. !n thc modcrn
consciousncss, cognition, idca, rationaIity, vcrc paramount. !n thc
postmodcrn turn, cogmtionisnotdcthroncdbutrathcrtakcsits pIaccon
I8 PART I I : PERFORMANCE & EXPERIENCE
an cquaI footing vith voIition andahcct. Thc rcvivaI ofvhat has bccn
tcrmcdpsychoIogicaIanthropoIogy,"cxcmpIihcdinTe Makin q Psycho
loical Anthropolo cditcd by Gcorgc SpindIcr, is, in my vicv, not uncon-
ncctcdviththisvicvofproccssandpcrformancc, ofvhichthcunitsarc
totaIhumanbcingsinfuIIpsychoIogicaIconcrctcncss,notabstract,gcncr-
aIizcd sociocuIturaI cntitics, but cach, inThcodorc Schvartz's tcrm, an
idiovcrsc" vith his/hcr individuaI cogntivc, cvaIuativc, and ahcctivc
mappings of thc structurc ofcvcnts and cIasscs ofcvcnts" (SpindIcr
I978.4IO)inhis/hcrsociocuIturaIhcId.!fSchvartz'sformuIationsccmsto
bcdcrivcdfromthcproductsofproccsscsofrcgIcmcntation,andhcnccto
bc somcvhat abstract, thc notion ofidiovcrsc is a vaIuabIc onc, for it
postuIatcsthatacuIturchasitsdistributivccxistcnccasthcsctofpcrson-
aIiticsofthcmcmbcrsofapopuIation,"thusaIIovingforncgotiationand
disputcovcrvhatshouIdbcauthoritativc orIcgitimatcinthatcuIturc,in
othcr vords, for sociaI dramatic action (SpindIcr I978.423 -24) . As
Schvartz vritcs. ThcmodcIofcuIturcas a sctofpcrsonaIiticsdocsnot
prccIudc conict, rathcr thc incIusion ofthc dihcrcnccs as vcII as thc
simiIariticsamongpcrsonaIiticsinthccuIturcmakcs sociaIcoordinationa
ccntraI rcscarch probIcmimpIicdby thismodcI. OihcrcnccsmayIcadto
conict or compIcmcntarity. Thc pcrccptions ofcommonaIity or dihcr-
cncc arc thcmscIvcs construaIs vhich, at timcs, may mask thcir oppo-
sitc'' (SpindIcr I978.432).Thisvicv ofSchvartz's ofa cuIturc as consist-
ingofaIIthcpcrsonaIiticsofthcindividuaIsconstitutingasocictyorsub-
socicty, hovcvcr boundcd," is cntircIy consistcnt vith SaIIy Moorc's
proccssuaI position, sinccitaIIovs scopc for thc cocxistcncc ofproccsscs
ofrcguIarization (ovcraII sociaI coordination') and situationaI adjustmcnt
(con0ct," masking ofcommonaIity or dihcrcncc," and situational modcs
ofsociaIcoordination).SchvartzisaIsoavarcofindctcrminacy."
A givcn pcrsonaIity (thc individuaI' s vcrsion and portion of his
cuIturc)isnotncccssariIyrcprcscntativcinastatisticaIscnsc,noristhc
approximationto somcccntraItcndcncythcaspcctofcuIturcstrcsscd
by a distributivc modcI. Rathcr, this modcI cmphasizcs thc vhoIc
array ofpcrsonaIitics, thc constructs thcy bring to and dcrivc from
cvcnts,andthcirstructuringotcvcntsinconstruct-oricntcdbchavior.
CcntraIity (or typicaIity) vouId not ncccssariIy bc prcdictivc or (it
may cvcn bc ncgativcIy corrcIatcd vith) thc contribution ofa giycn
pcrsonaIityto thc structuring ofcvcnts. It is essential, then, to emphasize
that although individual personalities an their conitive-evaluative-qf ctive con
structs q exeriene are the constitutent q culture, the may be discreant and
coricted amon (and within) themselves or with central tendencies or confgur
ations in the overall population q personalities comprisin a culture or subculture
[itaIics mncj. SimIarIy thc constructs ofthc individuaI viII vary in
thc adcquacy vith vhich individuaIs anticipatc and conduct thc
courscofcvcnts(SpindIcr !978.432) .
THE ANTHROPOLOGY OF PERFORMANCE I8)
!fpcrformancc sccms thcn to bc a Icgitimatc objcct of study for
postmodcrn anthropoIogy, it sccms appropriatc thatvc shouId cxamnc
thcIitcraturcon typcs ofpcrformancc. Wc nccdnot conhncourscIvcsto
thc cthnographicIitcraturc. !fmanis a sapicnt animaI, a tooImaking ani-
maI, a scIf-making anmaI, a symboI-using animaI, hc is, no Icss, a pcr-
forming animaI,Homo perfrmans, not inthc scnsc, pcrhaps,that a circus
animaImaybca pcrforming anmaI, butinthc scnscthatmanis a scIf-
pcrforminganimaI-hispcrformanccsarc, inavay, riexive; inpcrform-
inghcrcvcaIshimscIftohimscIfThiscanbcintvovays.thcactormay
comc to knovhimscIfbcttcr through actingorcnactmcnt, or onc sct of
human bcings may comc to knov thcmscIvcs bcttcr through obscrving
and/orparticipatinginpcrformanccsgcncratcdandprcscntcdbyanothcr
sct ofhuman bcings. !n thc hrst instancc, rccxivity is singuIar though
cnactmcnt may bc in a sociaI contcxt, in thc sccond casc, rccxivity is
pIuraIandisbascd onthc assumptionthatthough, formostpurposcs,vc
humansmaydividcourscIvcsbctvccnWc andThcy,orgoandAItcr,Wc
and Thcy sharc substancc, and go and AItcr mrror cach othcr prctty
vcII-AItcraItcrsgonottoomuchbuttcIIsgovhatbotharc'
Whcn vc scan thc rich data putforthby thc sociaI scicnccs and thc
humanitics on pcrformanccs, vc can cIass thcm into sociaI" pcrfor-
manccs(incIudngsociaIdramas) andcuIturaI"pcrformanccs (incIuding
acsthctic orstagcdramas). As! saidcarIicr, thcbasicstuhofsociaI Iifcis
pcrformancc, thc prcscntation of scIfin cvcryday Iifc" (as Gohman
cntiucdonc ofhis books). ScIIisprcscntcdthroughthcpcrformancc of
roIcs,through pcrformanccthatbrcaksroIcs, andthrough dccIaring to a
givcnpubIicthatonchasundcrgonc atransformationofstatcandstatus,
bccn savcd or damncd, cIcvatcd or rcIcascd. Human bcings bcIong to a
spccics vcII cndovcd vith mcans of communication, both vcrbaI and
nonvcrbaI, and, inaddiuon, givcnto dramaticmodcs ofcommuncation,
to pcrformanccs ofdihcrcnt kinds. Thcrc arc various tyes ofsociaI pcr-
formanccandgenres ofcuIturaI pcrformancc, andcach has its ovnstyIc,
goaIs, cntcIcchy, rhctoric, dcvcIopmcntaIpattcrn, and charactcristic roIcs.
ThcsctypcsandgcnrcsdihcrindihcrcntcuIturcs,andintcrmsofthcscaIc
andcompIcxityofthcsociocuIturaIhcIdsinvhichthcyarcgcncratcdand
sustaincd. ButIctus takc aIookfor avhiIc at somcthcorics ofcommu-
nication, particuIarIy nonvcrbaI communication, bccausc thc gcnrcs vc
shaII study in this cssay, rituaI, carnivaI, thcatcr, spcctacIc, hIm, and so
forth, contain ahighproportion ofnonvcrbaI symboIs. MonvcrbaI com-
munication is a topic vhch forccs us to givc hccd to vhat cthoIogists,
primatcsocioIogists,andothcrscicntists ofanimaIbchaviorhavctosay. !
havcmyscIfaIvaysargucdforthcimportanccofbioIogicaIcomponcntsin
symboIism, sincc ! scc thc pIanctTcrra as csscntiaIIy a singIc dcvcIoping
systcm, bascd, in its vitaI aspcct, on ccIIuIar structurcs vhich dispIay a
I88 PART I I : PERFORMANCE & EXPERIENCE
rcmarkabIc uniformity in dihcrcnt gcncra and spccics ofIiving things. !
am surcthat a bioIogist from outcr spaccvouIdhndthcvarious Tcrran
Iifc-forms to bc madc ofsimiIar stuh a pIanctary kinship group, from
bioIogicaI amocba to high-cuIturaI products Iikc thc vorks ofHomcr,
Oantc and Shakcspcarc, Lconardo andBccthovcn. Mankind dihcrs from
most othcr kinds" in thc dcgrcc ofits scIf-consciousncss, its cvoIving
rccxivity, madcpossibIc by Ianguagc and thc diaIcctic thcn madc man-
datorybctvccnIinguisticandbioIogicaImodcsofrcspondingtocnviron-
mcntsofvaryingkinds.
!nanarticIccntitIcd FormaIAnaIysis ofCommumcativcProccsscs"
(Hindc I977.3-35) , O. M. MacKay uscs thc information-systcm
approach"inordcrtoundcrstandvhatisgoingoninnon-vcrbaIcommu-
nication.HisdctaiIcdargumcntrcsuItsinasimpIcmodcI.
_goal-directed (g-d) _interpreted as g-d
Non-verbal signals
`non-goal-directed not interpreted as g-d
MacKay argucs that communication'' in thc strict scnsc onIy occurs
vhcnthcoriginatorofanonvcrbaIsignaIA's actionis goaI-dircctcdto a
rccipicnt B. Cnc must usc a morc ncutraI cxprcssion, hc argucs, vhcn
thcrcis no goaI-dircctcdncss orintcntion' (fromintendere arcum in, Latin
for to drav a bov at," impIying A's scIcction ofB as a targct'). For
cxampIc,vcmaysimpIy saythatB pcrccivcsvhatcvcr hc docsaboutA,
orthatinformationovsfromAtoB.HcgivcsscvcraIcxampIcs ofhov
to distinguish communication propcr frommcrc pcrccption or informa-
tionov. Supposc," hcsays, that inthcBoy Scouttcnt, A, poor fcIIov,
turnsouttohavcsvcatyfcct,B' sintcrnaIstatcofrcadincssisIikcIytobc
vcry dihcrcnt according to vhcthcr hc pcrccivcs A as an unsuspccting
suhcrcr oras oncvhoknovshis oIfactoryarmamcntand has thcaim of
stimuIatingBvithit'' (Hindc I977.2O).CnIythcsccondcascvouIdcon-
stitutccommunication. MacKaydistinguishcsbctvccnin such a way andin
order to. ForcxampIc, ancv-bornbabycricsin such a wa andin order to.
Latcr on, it may Icarn to cry in order to gct attcntion'' (Hindc I977.24).
MacKay cIaimsthathismodcIraiscsavhoIcscricsofscicntihcqucstions
forfurthcr rcscarch. !nthis casc, thc qucstionisposcdasto vhat arcthc
stagcsbyvhichthcbaby'scryinginsuchavay as" dcvcIopsintocrying
inordcrto" gct attcntion. Whatkinds ofbchavioraI situation mightbc
diagnostic ofthc prcscncc and naturc ofcvaIuativc fccdback upon thc
actionconccrncd. . . andsoon" (Hindc I977.24) .
THE ANTHROPOLOGY OF PERFORMANCE I8p
RobcrtHindchascriticizcdMacKay'smodcI,thoughmainIyfromthc
vicvpoint of an cvoIutionary bioIogist. Thcsc scicntists havc (Hindc
I977.88) tcndcd to focus on thc distinction bctvccn bchavior vhich
appcars to havcbccomc adaptcdin cvoIution for a signaI function, and
thatvhich docsnot . . . [Butj bchavior adaptcd for asignaIIingfunction
mayormaynotbc' goaI-dircctcd'tothatcnd.!ndccd,somcsuchbchavior
maybcgoaI-dircctcd in a scnsc, but tovards broadcasting signaIs rathcr
than tovards ahccting thc bchavior ofa particuIar individuaI. Furthcr-
morc, bchavior vhich is goaI-dircctcd tovards ahccting thcbchavior of
othcrsmaybcidiosyncraticandnotadaptcdthroughproccsscsofnaturaI
scIcctiontothatcnd." McvcrthcIcss,MacKayissayingsomcuscfuIthings
about human communication vhich may bc appIicd to pcrformancc
thcory.
!fvc takc into account thc Frcudian modcI according to vhich
humanpcrsonaIityconsistsofscvcraIdihcrcntiatcd,butintcrrcIatcdstruc-
turcs (e.g id, supcrcgo, cgo), invoIving unconscious, prcconscious, and
consciousIcvcIsofavarcncss, vc may conjccturcthatnonvcrbaI signaIs
maybcgoaI-dircctcdbyunconscious id vishcs and dcsircs ofthc scndcr
and intcrprctcd cithcr consciousIy or unconsciousIy by thc rcccivcr in
tcrmsofsomcintcrnaIgoaIcritcrionofhis/hcrs. SimiIarIysignaIsmaybc
cmittcd fromthcsuperego, or normativc-prcscriptivc systcmofthc scndcr
to a rcccivcr vhomayintcrprct thcm at thc cognitivc-pcrccptuaI or eo
IcvcI-or at thc unconsciousIcvcI by id or superego structurcs. Thcrc may
aIso bc conictvithinthc pcrsonaIity ofthc rcccivcr ovcr thcintcrprcta-
tionofthc nonvcrbaIsignaIonbothIcvcIs andinandbctvccnthc struc-
turcs. A voman's smIc mght bc intcrprctcd, for cxampIc, by a maIc
rcccivcr as atonccpoIitcncss, invitation, andtcmptation,vith thc consc-
qucntprobIcmas to vhichvas rcaIIy intcndcd, and ifsovhatsignaIto
cmit in rcsponsc. Hov nonscnsicaI, cvcn arch, thc communication
cnginccring"typcjargonsounds!
SociaIandcuIturaIpcrformanccisinhnitcIymorccompIcxandsubtIc
than thc nonvcrbaI communication ofanimaIs. !ts mcssagcs arc through
both vcrbaI and nonvcrbaI mcdia, and its vcrbaI mcdia arc varicd and
capabIcofcommunicatingrichandsubtIcidcasandimagcs.Thismaybca
goodopportunity to discuss somcofthcapproachcsvhich!havcfound
uscfuI as conccptuaIundcrpinningforthcanaIysisoftypcsand gcnrcs of
pcrformancc.
!n thc hrst pIacc, thc Wcstcrn anthropoIogicaI tradition has movcd
vcII avay fromthc studyofvhat O. H. Lavrcncc caIIcd man aIivc," or,
bcttcrtoday, manandvoman aIivc." !t sharcd thc Wcstcrnpassionfrom
PIato on, (cvcn somc aspccts ofHcracIitus, his backing ofthc Logos, for
cxampIc) |or cxpIanation via modcIs, framcs, paradigms, compctcncc,
IC PART I I : PERFORMANCE & EXPERIENCE
Ians, bIuerints, reIiminary reresentations, hyotheticaI or styIized
reresentations. Inractice,thiswayofthinkingrestsonthereaIoIiticaI
owerofe6ectingwhatonerooses,making one's archetypes work by the
ef ctive application c frce. The Western hiIosohicaI tradition~PIato,
AristotIe, Descartes, HegeI, Kant, to name but a few, and aII the
anthrooIogicaIstructuraIisms~ishookedonthisbeIiefinredetermined
orderings. Inmyview thereissuchathingas naturaI" or sociaI" Iaw,
communitas rests on Buber's I-Thou and essentiaI We." Extreme indi-
viduaIism onIy understands a art ofman. Extreme coIIectivism onIy
understandsmanasaart. CommunitasistheimIicitIaw ofwhoIeness
arisingoutofreIationsbetweentotaIities.ButcommunitasisintrinsicaIIy
dynamic, never quite being reaIized. It is not being reaIized reciseIy
because individuaIs andcoIIectivitiestry to imose their cognitive sche-
mata on one another. The rocess ofstriving towards and resistance
againstthefuI6IIment ofthenaturaIIawofcommunitas necessitates that
the unit ofhistory and ofanthrooIogy (which takes into account the
sociocuIturaI schemata) and aIso the unit oftheir anaIysis is drama, not
cuIture or archive. And certainIy not structuraI reIationshi. Structure is
aIways anciIIary to, deendent on, secreted from rocess. And erfor-
mances, articuIarIy dramatic erformances, are the manifestations ar
exceIIenceofhumansociaIrocess.
In saying these things I reveaI myseIf an adherent ofthat eis-
temoIogicaI radition which stresses what WiIheIm DiIthey caIIs Iived
exerience[F_ iIthe_expericohere
eenentonthe@ti@ _ ct
vitiItismadeuofnotonIyourobservationsandreactions,butaIso
(; yjqniotknowIedge, whichiscognitiveinessence)of
mankid, exressednotonIyin custom andtraditionbut aIso ingreat
vfart.ThereisaIivingandgrowingbodyofexerience, atradition
ofcommunitas, so to seak, which embodies the resonse ofour whoIe
coIIective mind to our entire coIIective exerience. We acquire this
wisdomnotbyabstractsoIitarythought,butbyarticiationimmediateIy
orvicariousIythroughtheerformancegenresinsociocuIturaIdramas.
IwiIInowcaIIattentiontothedistinctionbetweensuchstaticmodeIs
forthoughtand actionas cosmoIogies, theoIogies, hiIosohicaI systems,
ethicaIsystems, andideoIogies, andwhatDiItheycaIIsaWeItanschauung.
The formerarestatic,theIatter isdynamic. And since DiIthey insiststhat
exerience is equaIIy woven from the three strands ofthought, feeIing,
and wiII, aWeItanschauung has, Iike a rism, a triIe struc:urc Ths tt
cnsiss mstofa Jltbild, thatis, a body ofknowIedge and beIiefabout
whatiscognitiveIytakentobethereaIworId", secondIy, onthisisraised
aset ofvaIuejudgments exressing the reIationoftheadherents to their
wor|d and thc meaning (Bedeutur) which thcy hnd in it. (DiIthcy sccs
THE ANTHROPOLOGY OF PERFORMANCE II
vaIueasdominantIyformedbya6ect.)ThrdIy, thisset,inturn,suortsa
moreor Iess coherentsystemofends, ideaIs, and rinciIes ofconduct,
which are the oint ofcontactbetweenthe WeItanschauung andraxis,
thesociocuIturaIinteraction,makingitaforceinthe deveIoment ofthe
individuaI, and, through him, ofsociety at Iarge. This Iast comonent
reresents the action ofthe wiII, the connative asect ofsystematized
exerience. The oint is that for DiIthey th
.
is not a
ermanent, 6
^
d (ructure oteternaI ideas tut itIreesents at any
give
PI
'
s
pl
cInsoIutiono Ie." Mc ss .
, , `
tosthsteriesandaradoxesthatsurroundthegreatcrises
ofbirth,mating, anddeath,theseasonaIround, anditseriIsofdrought,
ood, famine, and disease, the endIess battIe ofman's rationaI activity
against the forces and necessities ofnonhuman nature, the neverending
task ofsatisfying with Iimited means his unIimited aetites, the ara-
doxes ofsociaI controI in whch a erson's or grou's IoyaIty to one
Iegitimate cause, or moraI rinciIe, automaticaIIy renders them disIoyaI
to others equaIIy vaIid~in summary, the whoIe mystery ofhumanity in
theworId. WeItanschauungen, then, arebuiItu asmuchontroesason
reasons,asmuchonmetahorsandsynechdochesasonconcets.Whatis
unknownisguessedatontheanaIogyof theknown,whatisunInteIIigibIe
isexIainedonthe anaIogy oftheinteIIigibIe. ButWeItanschauungenare
continuaIIy subject to revision, their ersoni6cations and metahors are
much more mutabIe than cognitive constructs. Their forms di6er as the
coIIective exeriences underIying them di6er, in ways conditioned by
cIimate,toograhy, history, technoIogicaIinvention, andbythegeniusof
rareindividuaIs. I am sumcient ofa cuIturaI Darwinist to suose that
there is a kind ofcometition among WeItanschauungen, whereby the
6ttestsurviveandareseIectedtoreceivedetaiIeddeveIomentatthehands
ofsuccessive generations. ParticuIar eriods ofhistory and articuIar
cIustersofsocietiesandnationsbecomedomnatedandcharacterizedbya
articuIarWeItanschauung.
B(_schauungen, !ike aB oIschatmotivatshn
ete o(
eIta geest st1h)eemodes.
Thesearvbathe
I
te
caI
ith which
"
e aII h
e to
come
.
s
t
o
s a
s
c
i
tt
e
,o..-. and unexpectcd accdcnts are due to the agency ofinvisibIe,
transhuman owers or beings, and in each WeItanschauung the idea of
such owers is graduaIIy eIaborated by mythoIogicaI fantasy and the-
oIogicaIsecuIation. Since, soDiIthey argues, aWeItanschauungmustgive
meaningtotheracticaIIife,the question ariseshowwe aretoorder and
systematize our reIations with these unseen owers. In SaIIy Moore' s
terms means mustbefoundtoreduce the indetermInacy oftheir action
andtoreguIarizetheirreIationswithus.Therefore,saysDiIthey,rimtive
societies generate over time a system ofsymboIic ideas and ractices, a
rituaIsystem,whicheventuaIIygivesriseto andcomesunderthecontroI
ofagrouorcIass ofriestIy reguIators. DiItheyfurthersuosesthatas
societiesincreaseinscaIeandcomIexity somethingIikethenotionofan
inner Iife" deveIos and individuaIs ofgenius, shamans, rohets, and
mystics emerge who beginto deveIo a reexive system of doctrine
which reinterrets traditionaI rituaI and mythoIogy in terms ofinner
exerience. Today anthrooIogists wouId demur. They beIieve that
shamans, and other tyes ofinsirationaI reIigious seciaIists, are more
rominentinhunting andgatheringsocieties,consideredsimIer, thanin
societies with weII deveIoed agricuIturaI systems, in which caIendricaI
cuIts, suervised by riests, and with cognitiveIy weII-deveIoed cos-
moIogies are domInant. However, DiIthey is correct in suosing that
rohets, shamans raised to a higher ower tend to emerge when reIa-
tiveIystabiIizedagricuIturaIsocietiesareseriousIythreatenedbyoIiticaI
andcuIturaIchange.Mystics, ontheotherhand,mayemergeinresonse
tothegrowingbanaIityofrituaIisticactioninweII-bondedsocietieschar-
acterizedby the absenceofvariety, Iet aIone change, overmanygenera-
tions. Viewed from the reIigious standoint, auu_ _the
meangofvisib[estobedete_edyitsreIationtoa.un
worId Q oic
ace and dcveIon:cnt, t i l--.-...;that indivdua1s
andgrous,throughcuIticobservancesandsoIitaryrayerandmeditation
shouId 6nd meaning and vaIue to be derived from messages credibIy
transmItted from the unseen worId through various media. rophecy,
visions, aaritions, mIracIes, heroic acts offaith such as martyrdoms,
divination, augury, and other extraordinary rocesses and henomena.
EthicaIstandardsarebeIievedtoberomuIgatedbyinvisibIeowers,they
areutbeyondtherangeofhumanwisdomandcreativity.
DiItheyconsidersthatthe@eti__ arti|
ygp]gwhichcanbe
detected in many Wc|tanschauungcn, is not onIy dicrcnt from thc
THE ANTHROPOLOGY OF PERFORMANCE I
reIigious, but aIso antitheticaItoit.Theartist tries tounanif in
termsofi
.'
er
t
ethou htsand
___, +,,.
.,,.+u,_@
yiyI:emeaningof].HeisaIert
t s,notmereIysight, anditisinintenseandcomIexsensory
codesthatheattemtstogiveerformativereaIitytothatmeaning. Heis
oftena6erceoonentoftheory,articuIarIycognitivetheory. Hescorns
tocontributetohiIosohy.Yet, forananthrooIogist,giventoinference,
a WeItanschauung is fairIy easiIy inferrabIe from esthetic roduction.
Esthetics, incomIex cuItures, areervadeq_ee
_.ThestyIe and
content ofnoveIs,Iays, and oems reveaIwhat Geertz has caIIedmeta-
sociaI commentary. InIiterature ofaII tyes writers directIy or through
theircharactersroIiferateinreexive generaIizations,whichnevertheIess
sto short ofcognitiveIy eIaborated theories.Thestraintowards system,
aradoxicaIIy, seems to bestrongestinreIiterate orbareIy hterate agri-
cuIturaIcuItures, andintheheadsofsohisticatedIiterateurbanizedindi-
viduaIs ofWestern high cuItures. Artists tase their readers or viewers
withworkswhichtheIattertret as tp prpest:tioiofrcaIi
\hh Ihey
comparewiththerestoftheirexerienceandarecompIIed to
rr| 9
ng
,.=1moIVeItanschauung, one
;y, caves cIosct to |be _g ie t]]grpund o1 aII vaIid
knowIedge.
dIng toTIthey,thc hiIosophedir|pinboth the man of
reIigion andthe artist.
. i,
AI os
a
ie
b
ca
systemwhosestructurendproertiecanIehebca d
stabIeseForDiIt, tbissciee
ics,andsohyarewhatheregardse s
cvcryItansct, \ roosc to transIate these
cpistcmo|gica|mcdiaintocu|tura|mcdia,thatis, suchinstitutionsasrituaI,
c+miva|,thcatcr,|itcraturc,h|m,spcctac|c,andtcIcvision.
Iq PART I I : PERFORMANCE & EXPERIENCE
ButDiIthey,withhisCetmanassionfotcIassi6cation,andhisscien-
tist'sdtiveto comatative study, toceeds to cIassify WeItanschauungen
intothteetyes.PetsonaIIy, ItegatdthistaxonomicftenzyofDiIthey'sas
acuItute-bounddeniaIofhisownttueosition,asweshaIIsee.fotwhat
he sees asseatatetyes ate oftentocesseswhichhave di6etent chatac-
tetistics at di6etent times. MevettheIess, his tyes ate usefuI heutistic
devices, heIing us to 6nd outwayinto anew sociocuItutaI 6eId." fot
DiIthey, WeItanschuungen may be cIassihed into thtee btoad tyes. I)
naturalism; 2) the idealism c feedom; and3) objective idealism. MatutaIismsees
thectitetionofthegoodIifeeithet inpleasure otpower, bothtegatdedby
DiIthey as tetesentingtheanimal side ofhuman natute. InteIigion this
tetesents anassettion ofthe cIaims ofthewotIdandthe esh and to-
cIaimsatevoItagainstothet-wotIdIiness, even,insomeinstances, against
teIigionitseIfastheeitomeofothet-wotIdIiness. Inatt,natutaIismtakes
Iationstooneanothet,secuIationaboutot
seatch fot uItimate otigins is htmIy tejected. MatutaIism, in DiIthey's
sense, is associated with sensationaIisminhiIosohy, the beIiefthat aII
knowIedge is acquited thtough the senses, the abiIity ofthe btain and
netves to teceive and teact to stimuIi. In ethics MatutaIism is eithet
heJcn|s||t~thatis,itconceivesthatIeasute,vatiousIytegatdedintetmsof
THE ANTHROPOLOGY OF PERFORMANCE I]
the hainess ofthe individuaI ot ofsociety, is thetinciaI good and
toet aim ofaction~ot teaches liberation thtough enIightenment and
the desttuctionofiIIusion~faIseetcetions, concetions, otintetteta-
tions,atticuIatIyunscientihcnotionsandtescientihctejudicesetsist-
ing thtough ttadition. In his Introduction to Wltanschauunslehre, DiIthey
mentions Democtitus, Ptotagotas, Eicutus, Luctetius, Atistius,
HuIme, feuetbach, Buechnet, MoIeschott, andComte as tetesentatives
ofthishiIosohy(KIubackI9I4 -36.75- II8) .
ThesecondtyeofWeItanschauung,theideaIismoffteedom,isbased,
DiItheyteIIsus,onoutinnetexetienceoffteewiIIandwasthecteative
concetionofthemindofthehiIosohetsofAthens."Thisintettetsthe
wotId in tetms ofpersonality; its exonents ate etvaded to the tis of
theit hngetsbytheconsciousnessoftotaIIydisagteeingwithnatutaIism"
(KIubackI9I4 -36.6I,62).Theitbasictemiseisthattheteexistsinmana
motaI wiIIwhichwe canknow to beftee ftomhysicaI causation, this
wiII is bound, not hysicaIIy but motaIIy, and thetefote fteeIy, to othet
wiIIsinasocietyofmotaIetsons. fotmanyoftheseideaIistsoffteedom
theteIationsbetween these etsons isheId to deend uon an absoIute,
ftee, etsonaI agent, in othet wotds, Deity, Cod. In teIigion, this
WeItanschauung aeats astheism, inatticuIat, Chtistiantheismwhete
the fundamentaI temise ofnatutaIism, that ex ni
hi
lo nihil ft, nothingis
madeftom nothing," that is, somethin, fot examIe, is etetnaI, is contta-
dicted by the docttine ofcteation ex nihilo. In att, and this is what has
ettinence fotoutIatetstudy ofmodetndtamaftom an anthtooIogicaI
etsective, the ideaIism offteedom emetges as the concetion ofthe
wotId as a theatet ofhetoic action," fot examIe, in the wotks of
CotneiIIeandSchiIIet. CotneiIIeIikedtosetuhistoticaIIyttuebutsut-
tising situations that fotced a numbet ofchatactets into action and in
whichtheindividuaI,thtoughhishetoicandmagnanimousdecisions,his
heinousctimes,othistenunciations,toveshisowetsofttanscendency.
CotneiIIe favotedwhatiscaIIed the ethics ofgIoty," bywhichtheheto
convinceshimseIfandseekstoconvinceothetsofhisseIf-ossessionand
suetiotityofsitit.fteedomofthewiIIaeatsintheeIucidationofthe
heto's innet conicts as weII as gteatfeats wheteby he tties to teconciIe
his wiII and his assions in otdet to achieve his goaI. Some hetoes
tationaIizetheitmotiveswhiIeactinginbadfaith~asoutceofitony. fot
SchiIIet the attist's toIeis to show the motaI gtowth oftheindividuaI
ittedagainstthenecessitiesofteaIity.TheideaIismoffteedomotetson-
aIity, in DiIthey'sview, deveIoed inhiIosohy ftomtheconcetionof
teason as a fotmative owet in Anaxagotas, PIato, and AtistotIe, to the
medievaI concetion ofa worId govetnedby the etsonaItovidence of
Cod,andthenceinKantand fichte totheideaofasuetsensibIewotId of
Ip PART I I : PERFORMANCE & EXPERIENCE
vaIues,whicharereaIonIyinandfortheinhnitewiIIwhichositsthem.
DiIthey hnds among its modern reresentatives Bergson, the Meo-Kan-
tians,andtheragmatists.
The third tye ofWeItanschuung, objective ideaIism, is based, says
DiIthey, ona contemIative and a6ective attitude to exerience. We read
ourownfeeIingsandmentaIactivitiesintotheexternaIworId,regarding
it as a Iiving whoIe which continuaIIy reaIizes and enjoys itseIfin the
harmony ofits arts, we hnd thedivineIife oftheWhoIeimmanentin
every art, and rejoice to hnd ourseIves insymathy with this Iife. This
WeItanschauung, he goes on, emerges in the Pantheism ofIndian and
Chinese reIigion, in art its most notabIe exonent is Goethe. The eis-
temoIogy ofthisthirdtye ofhiIosohy Iays emhasis oninteIIectuaI
intuition"~the intuitive gras ofthe whoIeness ofthings. DiIthey hnds
(amIes ofit in Stoicism, in Averroes, Bruno, Sinoza, Leibnitz,
Shaftesbury,ScheIIing,HegeI,andSchIeiermacher.
" "'
DiIthey argues inDie Drei Grundfrmen der Systeme in der ersten Ha!s I
]ahrhunderts ( 1959 [ 1921 ]) that the history ofrecent hiIosohy can be
described and eIucidated in terms ofa conict between the three tyes.
Since WeItanschauungen are more thanmereIy cognitive structures, but
arewaysofIookingattheworIdandIife,inwhichcognitive,a6ective,and
voIitionaI eIements are bound together and aIike are rimary, they are
seIdomfoundintheir ure form, oftenhybridize, andmustbeseized as
Iivedexerience.
But I do not want to become invoIved in DiIthey's hiIosohicaI
secuIations inthis essay, onIy to give you a notion ofhow his generaI
aroachtocuIturaIdynamicsrovidessomereinforcementformyviews
ontheanthrooIogyoferformance.AsIinsistedearIier,thetruIy son-
taneous" unit ofhuman sociaI erformanceisnot roIe-Iaying sequence
in aninstitutionaIized or cororate grou" context,it is thesocial drama
which resuIts reciseIy from the susension of normative roIe-Iaying,
andinits assionate activity aboIishes theusuaI distinction between ow
andreection, sinceinthesociaIdramaitbecomesamatterofurgencyto
become reexive about the cause and motive ofaction damaging to the
sociaI fabric. It is in the sociaI drama that WeItanschauungen become
visibIe,ifonIyfragmentariIy, asfactorsgivingmeaningtodeedsthatmay
seemat hrst sight meaningIess. The erformative genres are, as it wer,
secreted from the sociaI drama and in turn surround it and feed their
erformedmeaningsbackintoit.
The sociaI drama is an erution from the IeveI surface ofongoing
sociaI Iife, with its interactions, transactions, recirocities, its customs
makingforreguIar, orderIy sequencesofbehavior. ItisroeIIedbyas-
sions, comeIIed by voIitions, and it overmasters at times any rationaI
considerations.YetreasonIays amajorroIcin the settIcment o|disutcs
THE ANTHROPOLOGY OF PERFORMANCE Ip)
which take the sociodramatic form, articuIarIy during the redressive
hase~thoughhereagainnonrationaIfactorsmaycomeintoIayifrituaIs
areerformed (erformancehere beinginterms ofreguIarizingrocess)
toredressthedisutes.
'.
c
.'
'
ni
e
Ithey caIIedIivedexe
isiscIearIyshowninthecharts|-J.::
sociaI drama. AIthough aII these sychoIogicaI rocesses coexist during
everyhaseofasociaIdrama,eachhaseisdominatedbyoneortheother.
IndetaiIed anaIysis it wouIdbeossibIe to demonstratehow the verbaI
and nonverbaI symboIic codes and styIes emIoyedby the actors corre-
sond to some extent with the rimacy of a articuIar sychoIogicaI
tendency. For examIe, in the hrst hase~Breach~a6ect is rimary,
though an eIement ofcognitive caIcuIation is usuaIIy resent, and the
transgressor'swiII to assert ower or identity usuaIIy incites the wiII to
resisthisactionamongreresentativesofthenormativestandardwhichhe
hasinfringed.ThestageofCrisisinvoIvesaIIthreeroensitiesequaIIy, as
sides are taken and ower resources caIcuIated. Quite often, however,
whenasociaIheIdis dividedintotwocamsorfactions,onewiIImanifest
initswordsanddeedsthemoreromanticquaIitiesofwiIIingandfeeIing.
ne thinks immediateIy ofthe American CiviI War, the American and
French RevoIutions, the ]acobite rebeIIions of 1715 and 1745, and the
Mexican Insurgentiaof1810. AIItheseare onthe scaIe ofmacrooIitics,
butmystudies ofmcrooIiticaIsituations directIy amongthe Mdembu,
and indirectIy from anthrooIogicaI Iiterature, indicate that a simiIar
dichotomy exists on the smaII scaIe order. As mentioned, a cognitive
emhasistingessociaIattemtstoremedydisorder,thoughhrstwiIImust
beaIiedtoterminatetheoftendangerouscontextationinCrisis.Cogni-
tionreignsrimariIy injudiciaI and IegaI redressiveaction.Wheresuch
action faiIs, however, to command sumcient assent, wiII and emotion
reassert themseIves. This reassertionmay roceed in oosite directions.
ntheonehand,theremaybereversiontoCrisis, aIIthemoreembittered
by the faiIure ofrestitutive action. nthe other hand, there may bean
attemttotranscendanorderbasedonrationaIrinciIesbyaeaIingto
that orderwhichrests on atradition ofcoexistence among the redeces-
sorsofthecurrentcommunity, whethertheseareconceivedasbioIogicaI
ancestorsorbearersofthesamecommunaIvaIues.Thiskindofordering
isbetterregarded as the crystaIIization of jointexerience,handeddown
in striking or otent cuIturaI forms and symboIs, and bears rather the
characteroforexis(feeIingandwiIIing)thanrationaIIanning.Thuswhen
|cgaIrcdrcssfaiIs, grousmayturntoactivitieswhichcanbedescribedas
"ritua|izcd,"whethcrthcse"rituaIs"areexressIyconnectedwithreIigious
bcIics or not. Anti-reIigious statcs and socictics havc thcir rcdrcssive
Ip8 PART I I : PERFORMANCE & EXPERIENCE
ceremonies,sometimesinvoIvingubIicconfessionbythoseheIdreson-
sibIeforbreachingthenormsortransgressingthevaIuesofsocietaItradi-
tion. LegaIactionitseIf ofcourse, isheaviIyrituaIized.Butinthesemore
fuIIy rituaIized rocedures what is being introduced into situations of
crisis isthenonrationaI, metahoricaIIy organic" orderofsocietyitseIf
feItratherthanconceivedastheaxiomaticsourceofhumanbonding. Itis
thesociaIwiII."TheotencyofrituaIsymboIsisweIIrecogmzedbythe
antagonistsinthehase ofCrisis. InDramas, Fields, and Metaphors, I show
hovintheMexicanInsurgenia, HidaIgoseizedthebannerofurLady of
GuadaIuetoraIIy theeasants,whiIeViceroyVenegasofSainendowed
ur Lady ofRemedios with a 6eId marshaII's baton to strengthen the
IoyaItyoftheeoIeofMexicoCity.
In the 6naI stage, the Restoration of Peace, which entaiIs either a
reestab|ishment ofviabIe reIations between the contending arties or a
ubIicrecognitionofirrearabIeschism, cognitivecriteriatend to come
uermostagain,ifonIyinthesenseofarationaIaccetanceofthereaIity
ofchange.EverysociaIdramaaIters, inhoweverminscuIeafashion, the
structure (by which term I do not mean a ermanent ordering ofsociaI
reIationsbutmereIyatemorary mutuaIaccommodation ofinterests)of
the reIevant sociaI heId. for examIe, oositions may have become
aIIiances,andviceversa.HighstatusmayhavebecomeIowstatusandthe
reverse.MewowermayhavebeenchanneIedintonewauthorityandoId
authority have Iost its Iegitimacy. CIoseness may have become distance
and vice versa. formerIy integraI arts may have segmented, formerIy
indeendent arts may have fused. Some arts might no Ionger have
beIonged to the heId after a drama's termination, and others may have
enteredit.SomeinstitutionaIizedreIationshismayhavebecomeinformaI,
some sociaI reguIarities become irreguIarities or intermittencies. Mew
normsandruIes mayhavebeengeneratedor devised duringtheattemts
to redress conict, oId norms may have faIIen into disreute. Bases of
oIiticaIsuortmayhaveaItered.ThedistributionofthefactorsofIegit-
imacy may have changed, as did the techniques (inuence, ersuasion,
ower, etc.) forgainingcomIiancewith decisions. Theseconsiderations,
andmanymore, have to berationaIIyevaIuatedby the actorsina sociaI
drama, in order thattheymay take u the threads ofordinary, reguIar,
custom- andnorm-boundsociaIIifeoncemore.
fromthe standoint ofreIativeIy weII-reguIated, more or Iess accu-
rateIy oerationaI, methodicaI, orderIy sociaI Iife, sociaI dramas have a
IiminaI"orthreshoId"character. TheIattertermisderivedfromaGer-
manic base which means thrash" or thresh," a Iace where grain is
beatenoutfromitshusk,wherewhathasbeenhiddenisthusmanifested.
ThatiswhyinmyhrststudyofsociaIdramasinMdembusociety, Schism
and Continuity, I described the sociaI drama as a Iimited area oftrans-
parencyonthcothcrwiscopaqucsur|acc o|rcgu|ar, uncvcntt| socia| |i|c.
THE ANTHROPOLOGY OF PERFORMANCE Ipp
In the sociaI drama Iatent conicts become manfest, and kinshi ties,
whosesignihcanceisnotobviousingeneaIogies,emergeintokeyimor-
tance. . . Throughthe sociaIdramaweareenabIedto observethecruciaI
rinciIes ofthe sociaI structure in their oeration, and their reIative
dominance at successive oints intime" (Turner I957.93). Manifestation,
toreverttothe thrashing"metahor, isthe grain" and husk" ofsociaI
Iife,ofthevaIuesandantivaIues,ofthereIationshisofamityandenmity,
which are reveaIedinthe oftenassionateactionofthe sociaIdrama, and
thegrain'ofmanfestationthusbecomesartofacommunity'sreexive
store,itsknowIedgeofitseIfstoredinthebinsofIegaIrecedent,common
knowIedge,andevenrituaIsymboIism~ifthedramaisredressedbyrituaI
means.
LetmemakethesimIeointagainthatIregardthesociaIdrama"as
theemiricaI unit ofsociaIrocessfromwhichhasbeenderived, andis
constantIybeingderived,thevariousgenresofcuIturaIerformance.ne
hase ofthe sociaI dramainarticuIar deserves attention as agenerative
source ofcuIturaI erformances. This is the Redressive Phase, which, as
we have seen, inevitabIy invoIves a scanning ofand reection uon the
revious events Ieading u to the crisis that has now tobedeaItwith. I
havementionedIegaIandjudiciaIrocesses ashavinganimortantIace
here and that these are often highIy formaIized and rituaIized. As SaIIy
Moore andBarbaraMyerho6utitinSecular Ritual (1977:3): CoIIective
rituaIcanbeseenasaneseciaIIydramaticattemttobringsomearticu-
IarartofIifehrmIyanddehniteIyintoorderIycontroI. ItbeIongstothe
structuring side ofthecuIturaI/historicaIrocess." Since Iawisconcerned
with orderIy controI, IegaI and reIigious rituaI have much in common.
nedi6erenceisthatinIawcognitiverocessesassumeriority, whiIein
reIigion orectic rocesses revaiI, though both have simiIar rocedures
invoIving reetition, conscious acting", styIization (as Moore and
Myerho6utit.actionsorsymboIsusedareextraordinarythemseIves,or
ordinary ones are used in an unusuaI way, away that caIIs attention to
them and sets them aart from other mundane uses" [I977.7j), order
(coIIectiverituaIisbydehnition anorganizedevent,bothofersonsand
cuIturaI eIements, having a beginnng and an end, thus bound to have
someorder. Itmaycontainwithinitmoments oforeIementsofchaosand
spontaneity, but these are in rescribed times and Iaces," [Moore and
Myerho61977:7]); evocativeresentationaIstyIeofstaging" (coIIective
rtuaIsareintendedtoroduceatIeastanattentivestateofmnd,andoften
an even greater commtment ofsome kind," [Secular Ritual 1977:7]), and
havcsociaImessage"andmeaning."
These formaI characteristics ofcoIIective ceremony or rituaI" are
Hcar|y transferrabIc to other gcnres, and are shared with, for examIe,
thcatcrand gamcs.Lawandrc|igiousritua|,secnasaair,however,canbe
distinguishcd |romothcrkinds o|pcr|ormativc gcnrcs, Mycrho0argucs,
zoo PART I I : PERFORMANCE & EXPERIENCE
in the area ofmeaning ande6ect." Shesees coIIective ceremony (Iaw-
rituaI) asacontainer, avehicIethathoIdssomething. It givesformtothat
which it contains~for rituaI is in art a form, and a form which gives
meaning(byframing")toitscontents.TheworkofrituaI(andrituaIdoes
work," as many tribaI and ost-tribaI etymoIogies indicate) is artIy
attributabIe to its morhoIogicaIcharacteristics. Its mediumisart ofits
message.Itcancontain'' aImostanything,foranyasectofsociaIIife,any
asect ofbehaviororideoIogy, may IenditseIftorituaIization, as theIate
Professor S. F MadeI argued in Nupe Reliion in I954 (. 99). And as
Myerho6oints out, onceanevent orerson orthing has been utinto
therituaIformandmoderecognizedbyagivencuItureithasatradition-
Iike e6ect' whether erformedfor the hrst or thousandth time" (Moore
andMyerho6I977.8).Shedescribessuchaonce-and-onIyevent,agrad-
uation ceremony in an urban sociaI center for the aged. The graduation
combines many eIements from the severaI cuIturaI backgrounds ofthe
members to make a unique comosite (bricoIage") . . . Though er-
formedonIyonceitissuosedto carry thesameunreectiveconviction
asanytraditionaIreetitiverituaI,to symboIizeforthearticiantsaIIthat
they share in common, and to insist to them that it aII hts together by
uttingittogetherasoneerformancc'(MooreandMyerho6I977.8 -9).
HereIwouIdtakemiIdissuewithMyerhostermunreective."IwouId
seesucharituaI,whichthecontextofherbookshowstohavebeenitseIfa
haseinacommunaIsociaIdrama,asinvoIvingrtection ontheastmyths
andhistory ofthegrou' scuIture QudaismandYiddishkeit) .The tradi-
tion-Iike" ceremony was,intermsofherownanaIysis, ane6orttohave
that ast make sense in thesituauon oftheir ecuIiar coIIective resent"
(MooreandMyerho6I977.9).
BothreIigious rituaIandIegaIceremony aregenres ofsociaIaction.
They confront robIems and contradictions of the sociaI rocess,
dimcuIties arising in the course ofsociaI Iife in communities, cororate
grous, or other tyes ofsociaIheIds.They are concernedwithbreaches
ofreguIar norm-governed reIationshis, invoIving actionofthe sortwe
wouId caII in our cuIture crime, sin, deviance, o6ense, misdemeanor,
injury,tort, damage, andsoforth. Inadditiontotheredressofimmediate
issues,thereconciIiationoftheartiesinvoIved, and,inextremecases,the
condign unishment, eIimination, or ostracism ofinverterate o6enders,
IegaIandreIigiousrituaIsandceremoniesarewhatMoorecaIIsadecIara-
tion against indeterminacy" (Moore and Myerho6 I977.I6). Through
"form and formaIity they ceIebrate man-made meaning, the cuIturaIIy
determinate, the reguIated, the named, and the exIained. . . . RituaIis a
decIarationofformagainst indeterminacy,therire indeterminacyisaIways
resent in the background ofany anaIysis ofrituaI. Indeed thcre is no
doubt that any anaIysis o| sociaI Iitc must takc account o| thc dynamic
rc|ation bctwccn thc |ormcd and "thc i ndctcrminatc" (Moorc and
THE ANTHROPOLOGY OF PERFORMANCE zoI
Myerho6I977:I6- I7). fcourse,whatissociocuIturaIIy indeterminate
maybebioIogicaIIy, even sociobioIogicaIIy determinate, oranindetermi-
natehaseofsociaIrocessmayresuItfromcontradictionbetweenrinci-
Ies or ruIes, each ofwhichwouIdroduce systematic sociaI actionifit
wereconcededanunimededvaIidity.Thusbeingagoodsoi'maymean
being a bad citizen," iffamiIy IoyaIty obstructs civiIjustice. Whenwe
examine some IceIandic famiIy sagas we wiII seehow confused states of
a6airs,crisesofconscience,arisefromsociostructuraIcontradictions.
MycontentionisthatthemajorgenresofcuIturaIerformance(from
rituaItotheaterandhIm) andnarration(frommythtothenoveI)notonIy
originateinthe sociaIdramabutaIsocontinuetodrawmeaningandforce
fromthe sociaI drama. Iuseforce" hereintheDiItheyan sense. forhim,
Krq, force" meant something di6erent in the humanistic studies from
what it means in naturaI science. Inthe human studies, force means the
inuence which any exerience has in determining what other exeri-
ences shaIIsucceed it. Thus amemory has force insofar as it a6ects our
resentexerienceandactions.AIIthefactorswhichtogetherIeadutoa
racticaIdecisionare forces, andthedecisionitseIfis aforceinsofar asit
Ieadstoaction.Thiscategory,soconceived,isanexressionofsomething
weknowinourownIives. InnaturaI science, DiItheyargues,itisdi6er-
ent. There the concet offorce is not drawn from exerience ofthe
hysicaIworId,butrojectedintoitfromourinnerIife, anditisboundu
withtheidea ofIawsofnatureandhysicaInecessity,towhichthehuman
studies o6ernoaraIIeI. Inother words, inthenaturaIsciences force" is
used metahoricaIIy, in hysics the dehnition offorce as the form of
energy that uts anobject atrest into motion or aIters the motion ofa
movingobject''derivesuItimateIyfromhumaninnerexerienceofacting
vigorousIy and e6ectiveIy, of controIIing, ersuading, or inuencing
others.
Thusthe force" ofa sociaI dramaconsistsinitsbeinganexerience
or sequence ofexeriences which signihcantIy inuences the form and
functionofcuIturaIerformativegenres. SuchgenresartIyimitate" (by
mimesis), therocessuaIformofthe sociaIdrama, andtheyartIy, through
reection, assign meaning"toit.WhatdoI mean''bymeaning"here?I
am awareoftheformidabIe ambiguities ofthisterm, and ofthecontro-
versiessurroundingit.To mean'is,initssimIeIexicaIdehnition,tohave
in mind, tohavean oinion, tointend, anditderivesuItimateIy fromthe
|ndo-Euroean base maino-, from which are derived, C E. maenan, and
GCrmanmeinen, aIIofwhichsignify tohaveanoinion."BroadIyseak-
ing, a meaning" is what is intended to be, or infactis, signihed, indi-
catcd, rc|erred to, or understood." But in the context ofthe humanistic
studics, I wou|d prc|cr to Iook at the term, again inuenced by DiIthey,
somcwhat as |o||ows. I |a givcn human co| lcctivity scans its rcccnt or
mcrc distant history~usua||y through thc mcdiation o|rcprcscntativc
zoz PART I I : PERFORMANCE & EXPERIENCE
6gures, such as chronicIers, bards, historians, or in the IiminaI Iens of
erformativeornarrativegenres~itseekstohndinitastructuraIunityto
whosetotaIcharactereveryast,cuIturaIIystressed, coIIectiveexerience
hascontributedsomething.IfthereIevantagentsofreexivitygofurther
andseektounderstand*andinterret(deuten) thestructuraIunityoftheir
ast sociaIIife,toexIoreindetaiIthecharacterandstructureofthewhoIe
and the contradictions made by its various arts, we must deveIo new
categories to understand the nature oftheir quest. neis meaning, which
DiItheyemIoysintwoways.Thehrstdehnesthemeanin ofaartasthe
contributionitmakestothewhoIe."ThewhoIe"herewouIdseemtobea
comIexofideas and vaIues akin to CIi6ord Geertz'snotionsofworId
view" (itseIfakinto DiIthey's Jltbild) and ethos (or moraI system) . The
resuItant character of the whoIe is aIso said to ossess meaning"
(Bedeutun) orsense (Sinn).
DiItheythrowsinforgoodmeasurethecategoriesofvalue (Wert) and
end (Zweck) orgood (Gut), andrcIatesthemaIongwithmeanin tothethree
structuraI attitudes ofconsciousness" cognition, a6ect, and voIition,
mentionedearIier.Thus,thecategoryofmeaning arisesinmemor, inconi
tion ofthepast (i.e. meaning is cognitive, seIf-reexive, oriented to ast
exerience, and concernedwith negotiating about ht' between resent
andast,asthehenomenoIogicaIsocioIogistsIikeGarhnkeIandCicoureI
mightsaytoday).Thecategoryofvalue arises,accordingtoDiIthey, domi-
nantIyfromfeeIingora6ect,thatis,vaIueinheresintheqf ctive enjoyment
ofthepresent. The category ofend (goaI orgood) arises from volition, the
ower orfacuItyofusingthewiII, whichrefersto thefuture. Thesethree
categories, saysDiIthey,areirreducibIe,Iikethethree structuraI attitudes,
andcannotbesubordinatedtooneanother.
MevertheIess, for DiIthey, vaIue, end, and meanng are not ofequaI
vaIueinsofar astheymayberegarded asrinciIesofunderstanding and
interretation. He dehnes vaIue, for examIe, as beIonging essentiaIIy to
an exerience ina conscious resent. Such conscious resence, regarded
ureIyasresentmoments, totaIIyinvoIvestheexerience.Tisistrueto
the extent that the resent moments have no inner connectionwith one
another, at Ieast ofa systematic, cognitive kind. They stand behind one
anotherintemoraIsequence, and, whiIethey maybecomared as vaI-
ues" (havingthesameeistemoIogicaIstatus),theydonotform,sincethey
are quintessentiaIIy momentary, qua vaIues, transient, anything Iike a
coherentwhoIe,iftheyareinterconnected,theIigaturesthatbindthemare
*Dilthey uses the term rstehen, around which numerous methodological and theoretical
controversies have raged since the late nineteenth century, especially when it has been
contrasted with the German term, Wissen, "knowing, acquaintance," which is conceived as
denoting a form of conceptual activity peculiar to the physical sciences but which
sociological positivists believe is also applicable to the data of the social sciences.
THE ANTHROPOLOGY OF PERFORMANCE zo
ofanothercategory.AsDiItheyseesit, FromthestandointofvaIue,Iife
aearsasaninhniteassortmentofositiveandnegativeexistence-vaIues.
It is Iike a chaos ofharmonies and discords. Each ofthese is a tone-
structurewhich hIIs a resent, buttheyhave no musicaI reIation to one
another."DiIthey'sview ofvaIuehenomenadi6ers,markedIy, ofcourse,
fromthatofmanycontemoraryscientists.RobinWiIIiamssumsutheir
osition quite weII. It seems aII vaIues containsomecognitiveeIements
. . ., thattheyhaveaseIective ordirectionaIquaIity, andthattheyinvoIve
some a6ective comonent . . . When most exIicit and fuIIy conce-
tuaIized, vaIues become criteria forjudgment, reference, and choice.
When imIicit and unreective, vaIues nevertheIess erform qthey
constituted grounds for decisions in behavior" (WiIIiams 1968:283).
WiIIiamsdoesnotanaIyzesohneIyasDiIthey,hegivesvalue cognitiveand
conative attributes which DiIthey reserves for other categories. The
advantageofDiIthey'sosition,itseemstome, residesinthearticuIating
(asweIIasreexiveandretrosective)characterheassignstomeanin. The
category ofend orgod, for examIe, shares the Iimtation ofvalue, and,
indeed,forWiIheImDiIthey,deendsuonit.ItcanshowIifeasaseriesof
choices between ends, but hnds no unity in this sequence of choices.
OItimateIy, itisonIythecategoryofmeaning thatenabIesusto conceive an
intrinsic qf nity between the successive events in li, andaIIthatthecategoriesof
vaIue and end can teII us is caught u into this synthesis. Moreover,
DiItheyteIIsus,sincemeaningissecihcaIIybasedontheconitive attitude q
memory, andhistoryismemory,"meaningisnaturaIIythecategorymost
roertohistoricaIthought" (DiIthey 1927:201 -2, 236). IwouIdadd, to
socio-rocessuaIthoughtaIso.
Mow I see the sociaI drama, in its fuII formaI deveIoment, its fuII
hase structure, as a rocess ofconverting articuIar vaIues and ends,
distributedoverarangeofactors,intoasystem(whichmaybetemorary
orrovisionaI)ofsharedorconsensuaImeaning.Teredressivehase,in
which feedback is rovided by the scanning mechanisms ofIaw and
reIigiousrituaI,isatimeinwhichaninterretationisutuontheevents
Ieadingutoandconstitutingthehaseofcrisis.Herethemeaningofthe
sociaIIifeinformsthearehensionofitseIf,theobjecttobearehended
entersintoanddeterminesthe arehendingsubject.SocioIogicaIandan-
throoIogicaIfunctionaIism,whoseaimistostatetheconditionsofsociaI
cquiIibrium among the comonents ofa sociaI system at a given time,
cannotdeaIwithmeanin, whichaIwaysinvoIvesretrosectionandreex-
ivity, aast, ahistory. DiIthey hoIds that the category ofmeaningis aII-
pcrvading inhistory. The storyteIIer, at the simIestnarrationaIIeveI, for
cxamIe, "gains his e6ectby bringingout thesinicant moments inaro-
ccss. Thehistoriancharacterizes men at signi6cant, turningointsin Iife
(L:|cos+eoJag eo~what I wouId caII "criscs") as fuII of meaning, in a
dchnitc eBect of work or a human bcing uon thc gcncraI dcstiny hc
20
4
PART I I : PERFORMANCE & EXPERIENCE
recognizes the meanin ofsuch aworkorsuch ahumanbeing" (DiIthey
1927:234) . Meaning istheonIy categorywhich grass thefuIIreIationof
the art to the whoIe inIife. Inthe category ofvalue, or againin that of
good oren, some asect ofthis art-whoIe reIation is ofcourse made
visibIe,butthesecategories are,asDiItheyinsists, abstractandone-sided,
and,hehoIds,wecannotthinkofthemwithouthnaIIyencounteringsome
brutefact,someemiricaIcoexistenceofexeriences,whichthesecatego-
riesdonotheIustoresoIveintoaIivingwhoIe.Itisatthisointthatwe
shouId invoke the comrehensive category ofmeaning, a category by
dehnitionincIusive,IayinghoIdofthefactorsmakingforintegrationina
given situation or henomenon, and the whoIe, the totaI sociocuIturaI
henomenon, becomes inteIIigibIe, ofwhich vaIue and end were but
asects.MeaningisarehendedbyIookingbackoverarocessintime.
We assess themeaningofeveryart oftherocessbyitscontributionto
thetotaIresuIt.
Meaningis connected with the consummati o{p;pccs_
bounduwit
--
e
.9
ea
P
ng
.9` -.,, .
givenfactocesscannotbeassesseduntiIthewhoIerocessisast.
Thus,tbc meamngofa man's1in, atidmcaH `momcm init, bccomc
manifesttoothersonIywhenhisIifeis ended. Themeanng ofhistoricaI
rocesses, forexamIe,civiIizationaIrocesses suchasthedecIineandfaII
oftheRomanemire,isnotandwiIInotbeknownuntiItheirtermnation,
erhasnotuntiItheendofhistory itseIf ifsuchanendtherewiIIbe. In
other words, meaning is retrosective and discovered by the seIective
action ofreexive attention. This does not, ofcourse, revent us from
makingjudgments, both quick and studied, about the meaning ofcon-
temoraryevents,butevery suchjudgmentisnecessariIyrovisionaI,and
reIative tothe momentinwhichit is made. It rests artIy onthe ositive
and negative vaIues we bring to bear on events from our structuraI or
sychoIogicaIersective,andfortheendswehaveinmindatthetime.
Theencounterofast andresentinredressiverocessaIwaysIeaves
oen the questionwhether recedent (Moore's rocesses ofreguIariza-
tion') or the unrecedentedwiII rovide the terminaI meaning" ofany
robIem situation. At every moment, and eseciaIIy in the redressaI of
crises,themeanngoftheastisassessedbyreferencetotheresent, and
oftheresentbyreferencetotheast,theresuItantmeaningfuI"decisio
modihesthegrou'sorientationtoorevenIansforthefuture, andthese
inturnreactuonitsevaIuationoftheast.Thusthearehensionofthe
meaning ofIife is aIways reIative, and invoIved in eretuaI change. Of
course, cuIturaI devices, such as reIigious dogmas, oIiticaIconstitutions,
suernaturaIsanctionsandtaboosagainstbreakingcruciaInorms,attemt
to hx orcrystaIIize meaning, but, as we said earIier, these are subject to
maniuIationandamendment.
V
Experience and Performance
Towards a New Processual Athropology
n my rofessionaI Iife as an an-
throoIogist, theterms fcIon' and structure" have had aImost taI-
ismanicvaIue.Bothareborrowings fromotherdisciIines.functionfrom
bioIogy and mathematics, structure from architecture, engineering, and
Iinguistics. I amnotgoingto Iinger onIains ofcontentionIitteredwith
somany broken sears.Toomuchtimeis wasted onnegativeoIemics. I
wouIdIike to revive our abidinganfhrooIogicaI concernwithexeri-
ence." We have not borrowed this term from other human studies, it is
ecuIiarIy ourown. IthasIongbeen thejest ofanthrooIogists that heId
exerience"equaIsourritedeassage."Butthisremarkisnometahor,
it describes a true sychoIogicaI assage from one way ofseeing and
understanding to another, a assage not vouchsafed to those who hoId
hard to the vaIues, meanngs, goaIs, and beIiefs they have grown u to
thinkofasreaIity.FewothersarerofessionaIIycommittedtoenteringthe
|ifcstream ofconsecihcs with di6erent, often deeIy di6erent, cuIturaI
traditions for a considerabIe stretch of time, during which they are
cnjoinedtorenderthemseIvesvuInerabIetothetotaIimactnotjustofthe
othcr cuIturc but of the intricate human existences of those they are
"hircd" to study." Good" heIdworkers are those who are reared to
havc good "tris," that is, suscnd as far as ossibIc thcir own sociaI
2U
zo PART I I : PERFORMANCE & EXPERIENCE
conditioningin order to have sensory and mentaIknowIedge ofwhat is
reaIIy haening around and to them. Ifthey oen themseIves in this
way~andIearningnotonIytheIanguagebutaIsothenonverbaIcodes of
communication askey to theoeningrocess~theymayweIIbetrans-
formedby6eIdworkexerience.MotaIIexerienceistransformative,did
not J S. EIiot write. to have the exerience but miss the meaning?"
'
ExeriencemustbeIinkedwitherformancefortheretobetransforma-
tion.Meaningisgeneratedintransformativerocessasitsmainfruit.But
whatdoI meanbytheseterms?
Isusectthatmostofthosewhohavereadmywritingsregardmeas
essentiaIIy an ethnograher, a describer ofarticuIars, who is, never-
theIess, given to making occasionaI generaIizations~one ofmy favorite
critics wouIdsaycvergeneraIizations~fromthesets ofdataIhave studied
(Mdembu rituaI and oIiticaI rocesses, Gisu circumcision rites, iI-
grimagesinMexicoandIreIand,andsoon).SomeofthesegeneraIizations
seem to have been found usefuI~even outside anthrooIogy~but the
criticismremainsweII-foundedthat Ihave not set outsystematicaIIythe
eistemoIogicaIfoundationsofmyinferences.TheIaintruthisthatIam
rejudicedagainstsystem-buiIding, thoughseducedbyit.theeIeganceof
asumma entrances,withaIIIogicaIIoohoIes cIosed,eachartcrafted to
sustainthewhoIe,thewhoIeahierarchyofconsistentIyinterreIatedIogicaI
eIements, who couId resist the temtation to make ofaII he knows or
might conceivabIy know such acrystaIIine ediface? But I am not reju-
dicedagainstattemtsto6ndthesystematicinnature andcuIture.Every
societyhasitssetsofinterreIatedideas, rinciIes,rocedures, norms,and
the Iike. But the Iife, the animating force, the source ofvitaIity that we
exerienceasbioticand sociaIbeings continuaIIy destroys and createsaII
tyes ofsystems, rendering even the most aarentIy marmoreaI and
enduring ofthem, even the oIdest rocks, rovisionaI, evanescent, and
oen-ended. A commonhumandeIusion isthatthe very-sIowIy-chang-
ingisthetimeIess~even,cognitiveIy, theaxiomatic. fearofchangeisthe
motherofthestructuraIistgods. Change, forthem,isaniIIusion,amatter
ofaIteringagiven setofobjectsin agrou, amatterofermutationnot
mutation.Death,theterminationofIifeforstructuraIists, isina sensethe
IegisIator ofIife. for Iife is essentiaIIy transitionaI, it asires to aIter, to
modify, to transform. bioIogicaI evoIution is its changing series of
footrints in the rocks (mereIy sands) oftime. It onIy seems to be
reetitive because organisms are brief and conscious organisms, our-
seIves,denyourbrevitybyadoringgeneraI,universaI,and"eternaI"Iaws.
But it is the Iust for Iife that drives us to roose such Iaws in the hrst
Iace.asMietzchewrote,"Aile Lust will Ewikeit."
Iam, therefore,infavorofbuiIdingIifeandtheexerienceofIifeinto
anydisciIinedaccountofhumanaEairs,whcthcrinarticuIarsocicticsor
A NEW PROCESSUAL ANTHROPOLOGY zo)
concerningwhatisknownaboutoursecies generaIIy. Besurethat Iam
noiconocIastinthis,forIIovetheiconicsystemsandsystematiciconsthat
the incessant doing and thinking ofmy own kind have imrinted and
Iandscaedonminds.EachisacIue, asign, ofasecies-secihcinteriority
wecanfathominnootherwaythanthroughitsmostwidesreadandits
rarest manifestations, its tooIs and customs, its oems and imagings, its
raxisandhiIosohy. ItrequiresaMoses,aBuddha, a]esus, aHomer, a
Dante,andaShakeseare,toreveaItouswhathasbeeninsideusaIIaIong.
We are a secies whose members must heI one another to understand
whatitisthatourseciesis]r,whatitmeans. EachindividuaIexeriences
IifetoobrieytocommunicatetohiscoevaIsandsuccessorstheconscious
}tives ofthatexerience~though somehavemorefuIIy thanothers
the gift ofenetrative communication.ButweIearn fromeachother not
mreIy howtosurvive,oorIyor sumtuousIy, buthowtohndmeaning
i
oursinguIarIives andinourintersubjectiveIifewiththosewhoseIife-
sansoverIaourown.We IearnthatitisnotmereIyafuIIbeIIyorawarm
skininwinterorabIissfuIcouIationthatmakesforafuIIIifebutaIsothe
abandonment (sacrihce") of ersonaI goaIs for the sake ofsignihcant
others (sometimes known as Iove") which makes for satisfaction, even
whenweknowthatourownuniqueIifehastobesnuEedoutforthesake
ofafamiIy, acIan, atribe, anation, areIigion, or some simiIarimage of
ongoinghumanitasr our secies, "meamng" is entwinedwithinter- .
subjectivity, how wno feeI, and desire one another. ur means of
communication (Ianguages, cuIturaI codes) are saturated, whether we
know this or not, with the exeriences ofour rogenitors and forerun-
ners. But these codes can never bere-exerienced unIessthey are eri-
odicaIIy, oratIeastoccasionaIIy,er]rmeJ. We havetotrytore-exerience
in erformance, whether as rituaI, festivaI, theater, or other active
modaIities ofreIigion, Iaw, oIitics, or art, as best we can, the sociaIIy
bequeathed sarksofIivesnowbioIogicaIIy extinguished. TuIes, rubrics,-
commandments, codes, reguIationsIieheavyonus,unIess`wecanrender
them resiIient once more in the heat ofsociaI action, transformed into
guideIines rather than dogmas. (In LincoIn's sense. the dogmas ofthe
guietastareinadequatetothestormyresent".)
Dilthey' s "Structures ofExperience"
obSchoIte,inahnestudyofCIaudeLevi-Strauss'structuraIanaIy-
s s( 1 973: 692), ointedoutthatthemaindiEerencebetweenstructuraIism
md hc:omcnoIogyordiaIccticsis cIcar. "forstructuraIism,inteIIectre-
Odc raxisnot vicc vcrsa." Hc citcs]can PouiIIon's summary o|thc
paradigmatic diBcrcnccs. "ForLcvi-Strauss, [anthroo|ogyj is aqucstion
zo8 PART I I : PERFORMANCE & EXPERIENCE
ofdiscovering 'mentaI circuits,' universaI Iaws about the functioning of
thesiritwhich,inthe6naIanaIysis, wouIddeenduoncertaincerebraI
mechanisms,inshort,itisaquestionofhndingthematterbehindmanand
notafreedominhim.neisthereforedeaIingwithtworadicaIIyoosed
concets ofthe reIation ofconsciousness to reaIity. for Sartre, con-
sciousnessofoneseIfand ofthings discoversitseIfinraxis and, forthis
reason,itisanunderstandingofreaIity.diaIecticsisconstitutive.forLevi-
Strauss, consciousness, whether ure inteIIectorracticaI consciousness,
has no such riviIege, it thinks it understands the reaI, but its truth is
mereIy functionaI. reasonisaIways constituted. Inthehrst casethereIa-
tionshitothereaIisbeforemeandthereaIiscontemoraneouswithme,
inthesecondthisreIationshiisbehindmeandthereaIisIesstheobjectI
think than the condition ofthe fact that I think it. In the hrst case the
reIationshiis estabIishedbyraxis,nthe seconditisreveaIedbystruc-
ture"(SchoIte1973:692 -93).
SeveraIcommentsareinorderhere. Intheastdecademany discov-
eriesaboutcerebraIfunctioninghavebeenmadethroughneurobioIogicaI
research (see . 249 -89; aIso d' AquiIi et aI. 1979 and Konner 1982).
AIso,anundeniabIeamntyexistsbetweenstructuraIismasdehnedabove
andwhatPauIRicoeur( 1963:9) has caIIed "aKantianunconscious,"thatis,
"acategoricaI,combinatoryunconscious."RicoeurquaIihesthisbyoint-
ingoutthat,unIikeKant'snotionofmnd,thestructuraIunconsciousis"a
categoricaI system without reference to a thinking subject, that is why
structuraIism,qua hiIosohy,deveIosakind ofinteIIectuaIism[whichisj
thoroughIy anti-reexive, anti-ideaIist, and anti-henomenoIogicaI. This
unconscioussiritmayaIsobesaid [to be] homoIogoustonature,erhas
itevenisnature"(SchoIte 1973:647). Sincethis"seIf-objectifying,system-
atic-reIationaI, andsynthetica priori inteIIect" (SchoIte 1973:647) isheIdto
beaneuroIogicaIandunconsciousentity,itremainsanunrovenassum-
tion untiI very much more detaiIed exerimentaI work has been done
whichisaimedatdiscIosingreIationshis,forexamIe,betweenthefunc-
tionaIbisymmetry and asymmetry ofbrainorganizationandercetion,
cognitive and Iinguistic rocesses, emotion, and ersonaIity. My hnaI
commentonPouiIIon'ssummationofGaIIo-structuraIism~thatittriesto
discover universaI Iaws about the functioning of the sirit (I'esrit
humaine), which arethemseIves deendent on thenature ofthecentraI
nervous system, thus constitutingthewhoIerojectasasortoftranscen-
dentaImateriaIismstandingKant'stranscendentaIideaIismonitshead, as
it were~wouId be that such an am is truIy to restrict anthrooIogicaI
research to texts, artifacts, and mentefacts, roducts ofhuman activity,
ratherthan man and woman aIive, theroducersofsuch forms. It is thus
concerned with tiderows rathcr than tidcs, the Iimits reached by human
cncrgics at the momcnt o| thcir cxhaustion, not thosc cncrgics in |u|I
roduction.Thcscscts o|roductsarcthcnrobcdinthchoc o|Bnding
A NEW PROCESSUAL ANTHROPOLOGY zop
inthemimIicit systems ofruIes. The troubIeisthat this sortofanaIysis
resuoses a corse, and the "Iimit or outward bound o| Energy"
(WiIIiamBIake) somehow becomestheIawgiver, deathrevaiIs over Iife,
entroyaIwaysincreasesandavaiIabIeenergydiminishesinacIosedsys-
tem,the"universe'' ofhumancuIture. Whether or notthisvisionofthe
futiIityofaIIendeavorwiII uItimateIy rove correct,itfaiIstoaccountfor
the dynamic comIexities ofcuIturaI exerience discovered by heId
anthrooIogistsandformingthestaIeoftheirenterrise.
Levi-StrausshasaIwaysbeenhrmIyoosedtoexerience,whichhe
seems to confound with that vuIgar emiricism whichis based onrac-
ticaI exerience without reference to scientihc rinciIes. In Tristes
Tropiques, for examIe, he damns henomenoIogy for assuming "a con-
tinuity between exerience and reaIity . . . To reachreaIity wemust hrst
reudiate exerience, even though we may Iater reintegrate it into an
objectivesynthesisinwhich sentimentaIityIays noart." nemightask
here why exerience shouId necessariIy invoIve "sentimentaIity." BIake,
forexamIe, thought ofexerience as contrastedwith "innocence." ne
sometimeswonderswhetherLevi-StraussisthesentimentaIisthere,when
he raises rimtive cuItures for their "harmony" and "cooIness,'' whiIe
civiIizedsocietiesarereressive,exIoitive,and"hot."HeIooksback,with
Rousseauesqueromanticismtoanage of"innocence,'' whichresumabIy
wouId be favorabIy contrasted with our "entroic" Ioss ofinnocence. It
wouIdseemthathis"quarreIiswithTimeatIast,andHistoryitswayward
chiId,"bothofwhomare"cheerfuIIydismantIingmiIIionsandmiIIionsof
structures and reducing their eIements to a state in which they can no
Iongerbeintegrated"(Levi-Strauss 1955:397). Sincemost"tribaI"or"re-
industriaI" societies remain for us in the "structurabIe" forms ofeth-
nograhicreortsortextsdictatedtoWesternethnograhersbythemost
inteIIigentof"nativeinformants,'' andnotintheformofreortsofsociaI
dramas,extendedcasehistories,Iife-histories ofindividuaIs, biograhies,
autobiograhies,orchronicIeso|cuIturaIIystressedastevents,itisossi-
bIe for structuraIists to osit a goIden age, or rather crystaIIine age of
structuraI forms, reosing on universaI rinciIes of rationaIity, and
hence, as Geertzwrites, "in thegreat tradition offrench moraIism, of
virtue." The many-IeveIIed messiness ofhuman sociaI Iife may notbe a
"faIIen"state.However,afteraII,itmaybe|ife,Ieben, elan vital, behaviorthat
resonds more faithfuIIy tothe true characterofthe centraInervoussys-
tcm (fuII as it may be ofstiII unused evoIutionary otentiaI) than the
cerebraI modeI of the structuraIists resonds to the Iaws they hnd
"bcneath" or "behind"IinguisticandcuIturaIsymboI-,sign-,andsignaI-
systcms.
Lcvi-Strauss has dismissed thc distinction between Geistes
wlssethafen, usua|Iy transIatcd as "human studics"oddIy cnough, thc
Gcriwn word was oriina|Iy a trans|ation o|]ohn Stuart Mi||'s "mora|
2IC PART I I . PERFORMANCE & EXPERIENCE
sciences" ~and Naturwissenschqften, naturaI sciences, as mythicaI" and
irrationaI" (!967.!6). As we have seen, he refers to found his own
methodonanaturaIisticbasis."Butthosearoachesthat stressdynam-
ics,rocess,andmeaning-for-manhaveanawkwardhabitofnotremain-
ing dismissed by French thought-structuraIists." The negIect to which
Durkheim'sAnnie Socioloique schooI subjectedvanCenne has not been
continued by the worId community ofschoIars in the human studies."
Rather his death" at the hands ofthe structuraIist sacrihcateurs" has
roven mereIy a hase in his iminaI regeneration and uItimate reag-
gregation" to the worId ofcreative schoIarshi. A simiIar hay fate
shouIdbefaIIthede facto originatorofthedistinctionbetweenthehuman
and naturaI science studies. I refer, ofcourse, to WiIheIm DiIthey,
described by R. C. CoIIingwood, who areciated but faiIed to com-
IeteIy understand him (as an anmrooIogist will be abIe to do) as the
IoneIy and negIected genius" (!977:!7!). Life'' (Leben) and exerience"
(erleben, IiteraIIy, Iivingthrough"), arekey concetsinDiIthey'sattemt
torovide an eistemoIogicaI and methodoIogicaIbasisfor ahumanistic
science ofthe individuaI and the intersubjective sociocuIturaI domain.
DiItheyremained oosed toanyaroachthatabstracts fromthe given
continuities ofIife, as whenhereferredto HusserI, with whominmany
ways he agreed, as a true PIato, who hrst concetuaIIy hxes the things
that become and ov and then adds the concet ofow" (quoted by
Ceorg Misch !957.cxii). When I hrst encounteredDiIthey' swork some
6veorsoyearsagoitbecameIaintomethatherewasahiIosoherwho
hadvitaIizingmessagesforananthrooIogywitheringonthestructuraIist
vine. CommentatorsinEngIish onDiIthey' sworkhavebeenfew asyet.
Mostofthem~HerbertHodges, H.P.Rickman,RudoIhMakkreeI, and
Richard H. Brown, for examIe~have been hiIosohers. TransIations
have been rare. Hodges' exceIIent book, The Philosophy o Wilhelm Dilthe
( !952) , is eered with transIated extracts and arahrases from
DiIthey's Collected Urk (Gesammelte Schrien [hereafter GS foIIowed by
voIume and age numberj), which now amount to seventeen voIumes.
WiIIiamKIuback transIated GS (VIII.22O -26), which he entitIed The
Dream" forhisbook,Dilthe's Philosophy o Histor (!956.!O3 -9). Stehen
A. Emery and WiIIiam T. Emery transIated GS (V.339 -4!6) for their
bookTe Essence o Philosophy (!969).AnunknowntransIatorcontributeda
range ofseIections from GS (VII) to the bookedited and introduced by
H.P. RickmanentitIedPatter Meanin in Histor: Touits on Histor and
Society (!962). Fredric]amesontransIated GS (V.3!7-3!)as JheRiseoI
Hermeneutics" (!972.229 -44). WiIIiamKIuback andMartinWeinbaum
incIuded atransIation ofGS (VIII.75 - !!8)intheir bookDilthe's Philoso
phy o Existence (!957). ). ). KuehI transIated GS (VII.2O5-2O) as Thc
OnderstandingofOthcr Pcrsons and Thcir Lifc-Exprcssions"in Theories
A NEW PROCESSUAL ANTHROPOLOGY 2II
o Histor: Readins in Classical and Contemporar Sources, edited by Patrick
Cardiner (!959). MakkreeI incIudes many transIations from the Collected
Urks in his comIex,stimuIatingargumentforthecentraIityofDiIthey's
aesthetic writings and their hiIosohicaI imIications for his theory of
history. Ihave the Collected Urs athandfor transIations, butmy own
knowIedgeofCermanisinsumcienttoexIoreindetaiIthehistoricaIand
Iiterary case studies which aroach most cIearIy to anthrooIogicaI
modesofanaIysis.TheGesammelte Schri fen cryouttobetransIatedinfuII.
their imact on sociaI thought wouId be resounding. In !976, H. P.
Rickman edited, transIated, and introduced the widest seIection of
DiIthey' sworkyet,butcIearIythewhoIeoeuvremustbemadeavaiIabIein
EngIish.
MevertheIess, enough DiIthey has Ieaked into EngIish, and he has
beenweIIenoughinterreted,toenabIemetomakeaIausibIecasewith
its aidforananthrooIogy ofexerience"inmeDiItheyansense,modi-
6edsomewhatbyrecentanthrooIogicaIresearchincuIturaIerformance
andsymboicaction. InDiIthey' stheoryofknowIedgethereisnoa priori.
HodgesexIainshisositionveryweII.
AIIthought-structuresariseoutofexerience,andderivetheirmean-
ingfromtheirreIationtoexerience.Thereisno timeIessworId" of
meanings, or essences, or rationaI rinciIes, there is no cIear-cut
distinction, such as is drawnby the Cerman Meo-Kantians, or the
ItaIianMeo-ideaIists, or CoIingwood, between therationaIIeveI of
exerienceandtheirrationaI,thesirit"andthesyche,thereisno
metahysicaI subject' or transcendentaI seIf" such as is found in
orthodox Kantianandost-Kantiantheories of knowIedge. There is
onIy the human being, the mind-body unit (pschophysische Einheit),
IivinghisIifeininteractionwithhishysicaIandsociaIenvironment,
andoutofthisinteractionaIIexerienceandaIIthoughtarise(Hodges
!952:XVIII -XIX).
LikeananmrooIogistinthe6eIdDiItheybegins,sotoseak,in media
res. He makes the obvious oint that wefeeI and think immediateIy we
|ive through" (erleben) our own thoughts and feeIings, exerience them
dircctIy. But experience is not, as the structuraIists assert, invertebrate,
assigned its reaIity," so to seak, by conformity to a coherent set of
i ntcIIectuaIrinciIes.DiItheywritesofstructuresofexerience." These
arc not cognitive structures, though they contain thinking. They aIso
i nvove emotions and voIitions, in other words they are structures of
act|on. ItisimortanttorcaIizethatforDiItheyanErlebnis, anexerience,
is not an immediate, seIf-encIosed unity since it carries within it direct
rc|ationswiththcpast. neErlebnis isdistinguishabIefromanotherinthat
|| h 8pccihc|unctioninrc|ationtothcIifcofanindividuaIoragrouas
d who|ccvcry cxpcric
"
cc is a part oawho|c. As wc sba||scc, cxpcri-
2I2 PART I I : PERFORMANCE & EXPERIENCE
ence is contrasted with Iife" (leben) inbeing inherentIy structuraI, nota
ow ofehemeraImoments (MakkreeI I979.388). As MakkreeI writes.
"[Erlebnis] istruIytemporaIandyetitcontainsadynamcstructuraIunity
whichaIIowsthemomentaryvaIueofthepresent to become ameaningfuI
presence" (I979.389).HecitesDitheytothee6ect.
The quaIitativeIy determinate reaIity which constitutes Erlebnis is
structuraI. To besure, itowsintimeandisexerienced as sequen-
ciaI, [but the concretej temoraI reIations init can be arehended.
That whichis reserved as aforce inthe resent, receives thereby a
ecuIiarcharacterofresence(Prisenz). AIthoughitconstitutesaov
Erlebnis is a dynamic unity, and this not onIy objectiveIy, but inour
consciousness(GS VI.3I5).
MakkreeIcommentsthatErlebnis, wheninterretedasaresence,"is
abIeto structureIifewithouthxingit."Atensionis setu inany given
exerience between the determinate character ofwhat is heId to be the
ast~regarded as a source ofthe reaIity ofthe resent (Iike the roIe of
ancestraI sirits in tribaI reIigion)~and the indeterminacy ofthe future,
whichkeesoentheossibiIitiesinreIationtowhichthesignihcanceof
Erlebnis wiII change and makes it subject to reinterretation (MakkreeI
I979.39O).WhatischaracteristicofeachErlebnis isextendedbyDiItheyto
thenature( lsen) ofman,whichhedecIarestobebestimmt-Unbestimmbares,
thatis, something determinate but nondeterminabIe, enduring but not
6xed" (MakkreeI I979.39I). AsDiIthey himseIfuts it. ImIicit inthis
isthat any change incororatinginuences fromwithout onthe centraI-
ized context ofIife is at the same time determined by this Iife itseIf"
(GS VII.244).
Thought, ofcourse,hasaroIetoIayintherocessuaIstructuringof
exerience, and it is in connection with thought that the di6erence
between Kantianism and Lvi-Straussian structuraIism and DiIthey's
aroachbecomes cIear. Hodges is a reIiabIe guide here. Kantianism, he
says,beginsbydeducing" therinciIes ofthought as thea priori forms
ofaIIossibIeexerience,andthendecIaresobjectstobereaI"orobjec-
tive''insofarastheyformacoherentsystemwithintheserinciIes.vert-
Iy or imIicitIy, Levi-Strauss and his structuraIist foIIowers takethe same
osition. DiIthey, aswehave seen, makes Iivedexerience" therimary
reaIity, andhnds,Hodgeswrites(I952.65)thereaIityevenoftheexternaI
worIdintheIivedexeriencesofactionandreactionwhichsignaIizeour
dynamicinvoIvementwiththenot-seIf Tought enters in, o course, but only to
clari fy and interate what is given in lived exerience" (itaIics mine). DiIthey
himseIfcIaimedthathisconstantaimwastoestabIishatheoryofknowI-
edgeonreaIist or criticaIIyobjectiveIines", and in so oing, incontrast
wththeidcaIisticdoctrineofrcason, I ddnotgobacktoana priori o|thc
A NEW PROCESSUAL ANTHROPOLOGY 2I
theoreticaI understanding or ofracticaI reason, founded on aure seIf
buttothestructuraIreIationsinthementaI(pschischen) system,whichcan
beactuaIIyointedto(die aufzeibar sind)" (GS VII.I3n.).Thought,forhim,
istheinterreterofIivedexerience" (Hodges I952.66).
During my hrst heId exerience," which is recorded in my book,
Schism and Continuity in an 4ican Society (I957),IcanseenowthatIwasa
DiItheyanaIIaIong.PerhasthiswasartIybecauseIhad, riorto heId-
work,encountereddiaIecticsthroughMarx, thenthrough HegeI, as weII
asearIierfromKierkegaard,whoaIsogavemesomegroundinginwhatI
afterwards found was existentiaIhiIosohy." But it shouId notbe for-
gottenthatDiItheybynomeansrejectedmanyasectsofositivismand
emiricism,bothofwhichstrongIyinuencedtheBritishanthrooIogicaI
tradition known as structuraIism-functiona|ism." Heinsistedthatwhat
couId be objectiveIy described and quantihed shouId be objectiveIy
describedand quantihed. Butaddedto thisrequirement,eseciaIIyinthe
study ofhistoricaI and sociaI data, was the need to exIorethe interior
structures ofexerience, how an event or Iinked series ofevents was
receivedby our consciousness. At resent, I wiII not raise the Freudian
critiqueofDiIthey, thatheignores the forces atworkintheunconscious
syche.IwiIIsayinassingthat,eseciaIIyinhisworkonaesthetics,and
in the study ofwhat he caIIs objecuvated mind (objectiver Geist) and
exressions" (Ausdrucken), IiteraIIy what has been squeezed or ressed
out," thatis ofsubjective and inter-subjectiveexerienceas acommem-
orabIeresuItant ofsomekey Iived through" exerience, DiIthey recog-
nized the saIience ofunconscious exerience. Indeed, from his ersec-
tive,itismainIythroughtheinterretation,andIatercomarativestudy-
Ieading to exIanation~of such "cuIturaI" exressions that we can
deveIo a vaIid sychoIogy. Introsection by individuaIs is notenough,
sincereressionbIockso6fromeventhemosthonestseIf-araisaI Iarge
areas ofthe sychicaI system. Such areas, however, become visibIe,"
objectivated, in human mentifacts and artifacts, to the scrutiny ofthird
arties, uninvoIved as they are in the emotionaI causes oftheir authors'
reressions. When sociaIunits~grous, communities, consociations~sig-
nihcantIymodify tradition, generate a new tradition, squeeze out' and
authenticateanewsymboIshaedbyanewmetahorwhichenIargesthe
bounds ofmeaning" (a term we shaII consider in detaiI), unconscious
rinciIesareaIso at work, asweII asreconscious ones. These, too, are
avaiIabIe tothatretrosectiveanaIysis(akinto DiIthey' sNacherleben, re-
cxcriencing,restoringtheast") whichwasforhimthehighesttaskof
understanding." Nacherleben must notbeconfused, as somehaveconfused
it,with cmathy," atermusedbyAmericananthrooIogistsmeaningthe
ab|ityto share in another'scmotions or feeIings. For DiIthey, re-exeri-
cncing invoIvcs ntcrretaton, and intcrrctation invoIvcs Iacng an
2Iq PART I I : PERFORMANCE & EXPERIENCE
Erlebnis insociocuIturaIandindividuaIsychicaIcontextwhenseekingits
meaning retrosectiveIy. This is how DiIthey rendered Kierkegaard's
maxim. we Iive forward andunderstandbackwards." MakkreeI under-
stands DiIthey to be saying that whereas Iife and exerience move on
intothefuture,ourattemtstounderstandthemIeadbackintothehistor-
icaIast''(MakkreeI I979.328).
DiIthey'snotionscamethenasheadystu6toananthrooIogistwhose
cIoseassociationwiththe |ife" ofanMdembuviIIageIedhimto formu-
Iate the major unit ofsociaI rocess he observed as an internaIIy seg-
mented sociaI drama." SociaI Iife aeared to him as an aIternation of
dramatic"andnon-dramatic"sequencesofevents,thewhoIeamounting
tothatstriofsociaI exerience" directIyaccessibIetotheinvestigator~
who was himseIf directIy and indirectIy, an actor" inthe dramas, and a
articiantinthesmootherassagesofsociaItime.
CIearIy sociaI dramas are a sub-category ofErlebnisse, de6ned by
DiIthey as thatwhichinthe stream ofIifeforms aunity inthe resent
becauseithasaunitarymeaning. . . Goingfurther,onemayaIsocaIIeach
encomassing unity ofarts ofIife bound together through a comon
meaning for the course ofIife an 'exerience'~even when the severaI
arts are searated from each other by interruting events" (R. Brown
I978.42). According to Brown, Erlebnis suggests neither mereIy exeri-
ence (for which the conventionaI German term is Erahrun), but the
invoIvementin,theIivedexerienceofsomewhoIeunitofmeaning~as,
for examIe, a work ofart, a Iove a6air, a revoIution'' (I978.4I), and, I
wouIdadd,asociaIdrama.
Before I discuss sociaI dramatistic anaIysis inthe Iight ofDiIthey's
thought, I shouId further attemt to cIarify DiIthey's formuIation, a
structureofexerience." DiItheyhadthe characteristicWesternthinker's
reoccuationwithtriads (forinstance,ego,id, suerego,binaryoosi-
tion + mediation, thesis, antithesis, synthesis, roduction, distribution,
consumtion~truIyDumeziIisnotmocked!).newayofgrasingwhat
hemeansbyErlebnis isby thereIationsamongthree sets ofterms, eacha
triad.Theseare. meaning (Bedeutun) orsense(Sinn), vaIue(Wert), andend
(Zweck) or good (Gut); ast, resent, andfuture, andcognition, a6ect, or
feeIing, andvoIition, describedas structuraI attitudes ofconsciousness."
Putbriey, thecategoryofmeanin arisesinmemor, inconition ofthepast, .
andiscognitive, seIf-reexive,orientedtoastexerience,andconcerned
withwhat henomenoIogicaI socioIogists might caII negotiation' with
theht"betweenresentandast. Thecategoryofvalue arisesdominantIy
fromfelin, that is, itinheresin the cf ctive enjoyment ofthepresent. The
categoryofend (goaIor good) arisesfromvolition, the oweror facuIty of
using the wiII, which refers to thefuture. These three categories, says
DiIthey, areirreducibIe, asarethe structuraIattitudes, and cannotbesub-
ordinatcd to onc anothcr. MakkrcH, indccd, takcs Rickman to task |or
A NEW PROCESSUAL ANTHROPOLOGY 2I]
making meaning" their commondenominator" (I979.38I). OItimateIy,
it isonIythecategoryofmeanin that enabIesusto conceive an intrinsic
amnitybetweenthesuccessiveeventsinIife, andaIIthatthecategoriesof
vaIue and end can teII us is caught u into this synthesis" (Hodges
I952.273).
Erlebnisse maybeindividuaI or sociaI (intersubjective). We shaIIcon-
siderthereIationshiostuIatedbyDiItheybetweenersonaIexerience,
autobiograhy biograhy, and history resentIy. Here I want to make
tentativeIinkagesbetweenDiIthey'smodeIandtherocessuaIstructureof
sociaI drama. Like Erlebnisse, sociaI dramas are oen-ended, not her-
meticaIIyseaIed.they referto antecedent dramas, andtheir denouements
areneverquiteconcIusive.MevertheIess,sociaIdramas,sincetheyiminge
uon ubIic attention, do have distinguishabIe beginnings~though in
cuIturesmarkedbyextremeoIiteness,itmaybeonIytheirmemberswho
candetectthem. TyicaIIy, asociaI drama has fourhases, each ofwhich
hasitsownstyIe,temo,andduration,thoughthesevarycross-cuIturaIIy
asweIIaswithineachsociety,betweendi6erentkindsofgrousandIeveIs
oforganization.
Phase I. The 6rst hase is Breach ofreguIar norm-governed sociaI
reIations,signaIedbythe infractionofaIaw, aruIe, acontract, acode of
etiquette, in fact, any reguIation for action authorized by the grou or
community. Such a breachmay be remeditated and deIiberate, Iike the
BostonTea Party or amiIitary invasion. r it may be a sontaneous or
uncontroIIabIe act, an unwitting word by a diIomat, a crime passionel, a
border exchange ofrie-6re. Whether it is a erformative utterance, a
chanceword, oranact ofcaIcuIatedvioIence,ifthe sociaIcircumstances
arerie"fordrama,thenexthasebegins.
Phase Z. Crisis foIIows breach as other persons and subgrous take
sidesfororagainstthe ruIe-breaker. factions becomevisibIeorarenewIy
formed. CoaIitions are made. Reresentatives oftradition or Iaw and
order" try to seaI o6 the breach before it sreads wideIy enough to
threaten the grou's structuraI or cuIturaI survivaI. faction Ieaders use
various stratagems andIoys"torecruitfoIIowersand stigmatizeoo-
nents. Attemts aremade to settIeoId scores. for sociaIdramas, asmen-
tionedabove,arenotisoIatedeventsbutfoIIowothersinvoIvingsubstan-
tiaIIythesamesetsofreIations,withoverIaofersonneI. CrisisisusuaIIy
one ofthoseturningoints or moments ofdanger and susense whena
truestateofa6airsisreveaIed,wheniIIusionsarediseIIedandmaskstorn
o6or madeimossibIe to don. Itis a test ofthe strength ofIoyaIty and
duty. Ifcrisis ersists, ersons have to take sides in terms ofdeeIy
cntrenched moraI imeratives and constraints, often against their own
interests or rediIections. for many it can be akey Iearning exerience,
but it can drivc others to dcspair. Sincc thc "reciprocaI vioIence" (to use
RcnCGlrard'stcrms),vcrba| and/orhysica|, rc|cascdin crlslstcndstobc
zI PART I . PERFORMANCE & EXPERIENCE
contagious,thosewhocIaimtoIeadthegrouseektoaIyredressiveand
adjustive mechanisms toend the crisis, enaIize, disciIine, orotherwise
unIshroveneace-vioIators, reconciIecontending arties, assign com-
ensationto those su6ering Ioss in crisis, and, aboveaII, to restore con-
hdenceinthemeanings,vaIues, andgoaIsdehningthegrouasaerdur-
ing sociocuIturaI entity. Sometimes Ieadershi Ioses its Iegitimacy and
eithernewersonneIseektoreIacetheoIdorrevoIutionariesfocustheir
actiononrestructuringtheoIiticouraIorder.
Phase J. But ifthe majority ofits membersindicate that the existing
sociaI order andits ideoIogicaI or cosmoIogicaI suorts are stiII deeIy
meaningfuI for them, it is IikeIy that they wiII accet the arresting of
contestative action roosed or imosed by oIiticaI, IegaI, or reIigious
authorities, as weII as the inauguration ofredressive rocesses and ro-
cedures. These may be institutionaIized, formaI, and ceremonious, or
informaI, ersonaI, and advisory. A greatrange ofredressiverocedures
areavaiIabIe,fromsecuIarto sacredrituaI,fromsociaIIysanctionedforce,
di6useridicuIe, toriestIycurse and anathema. Whatisimortant about
Phase 3 isits refexivity. Init thedIsturbed sociaIgrou turnsbackuon
itseIf and whether its seIf-scrutiny be through the judiciaI rocess in
courts ofIaw or divination into urortedIy magicaI or suernaturaI
causesofsociaIuheavaI, anattemtismadetoassignmeanin towhathas
haened, to articuIate events in a way thatmakessense. This is where
DiIthey'sviewshave been heIfuI to me, articuIarIyhis notionthat the
category ofmeaningcandojusticetoatemoraIcontinuum" (MakkreeI
!979.382). YouwiII recaIIthat, for DiIthey, vaIue is deeIy imIicatedin
the resent, and unIike theAmerican socioIogicaI sense ofthe term, is
dominatedbyfeeIing, whereas goaI, end, orurose areoriented to the
futureandareessentiaIIyvoIitionaI.
neofDiIthey'sbest-knownpassagesishisformuIationofthenature
ofvalue. ItisfromtheCollected Wrks ( GS VII.2OI-2) .
FromtheersectiveofvaIue,Iifeaearsasaninhniteassortmentof
ositive and negative vaIues ofexistence (Daseinwerten). It is Iike a
chaos ofharmonies and discords. Each ofthese is a tone-structure
(atternofchord)thathIIsapresent moment,butthesechordshaveno
musicaIreIationshi to oneanother. The category ofendor urose
which arehends Iife from the ersective directed towards the
future, deends uonthat ofvaIue. From it, too, the totaIity ofbfe
(Zusammenhan des Lebens connectedness,hangingtogether-nessof
assing one's Iife") cannot be constructed. For the reIations ofur-
oses (ends) to one another are restricted to those ofossibiIity,
choice,andsubordination.
Life,inotherwords,canbeviewed,fromthisstandoint,asaseriesof
choicesbetweenends, or,aIternativeIy, asthesubsumingofeverythingto
A NEW PROCESSUAL ANTHROPOLOGY zI)
a singIe end~in the hrst instance, nounity, no interdeendence, canbe
foundinthesequenceofaIternatingchoices,inthesecond,thecomIexity
ofIife,incIudingitsambiguityandtherobIemofcometing,equaIIyIicit
choices,isreduced.wiIIanddesirerevaiI,notmeanin. DiItheygoesonto
saythatonythecategoryofmeaningovercomesthemerejuxtaosition
andthemeresubordinationoftheartsofIife" (.2O2).
MakkreeIcommentsthat forDiIthey the vaIuecategorygivesatoo
disersedview ofreaIity. ThroughevaIuationwemayenjoytherichness
ofexerience(andareciateitsmuItiIicity)butIoseanysenseofunity.
Te variety ofIife can onIy be heId together by a nexus ofmeaning"
(I979.38I -82). Ifone adots DiIthey' s standoint, one can indeed see
thatinthecontext ofsociaIdrama,Phase2, Crisis, isindeeda chaos of
harmonies and discords . . . with no musicaI reIation to one another."
Each erson, arty, and factionstrivesto maximize its gratihcations," to
advance its owninterests, and to minimize andretard thoseofits oo-
nents. Each certainIy has its own uroses~rimariIy that ofsecuring
ower and/or authority, but aIso ofestabIishing Iegitimacy~and means
are devised~tactics, strategies, Ians~to attain their ends, but each is
bIind,sotoseak,tothetotaIdomainofinterdeendentinterestsofwhich
itis aart. DiIthey consistentIy dehnes meaning as areIationshiwhich
arts haveto awhoIe.Tushe sees meaning asintrinsicaIIy structured,"
sinceitimIiesa circumference, boundedness, internaIartition, and the
uItimate asweIIasimmediateconstraintsindigenoustosuchacondition.
Meaning, we have aIso seen, is connected with a reexive reIation
betweenimmediate, Iived-inexerience andastexerience, whichmay
taketheformoferetuatedcustoms,Iaws,andothercuIturaIinstitutions,
that is, Ausdricken, exressions" ofobjectivated mind." r the res-
ence"oftheastinthemeaning-assigning,andeventhemeaning-gener-
ating (semiogenic?) contemorary situationmay be reresented not by
coIIectivereresentations,"butmoreuidIybythememories oftheIiv-
ingasthey attemttoreIateresentdeedto accetabIe recedent. InIaw,
the redressivemachineryofthejudiciaIrocessstrikingIy iIIustrateshow
meanIngfuIness" is systematicaIIy imosedinaretrosectiveframing of
eventsonthecrisisthatroducedthem,therebyrenderingitinteIIigibIeto
the arties invoIved and hence manageabIe. Its disrutive otentiaI has
been,sotoseak,defused.).WPeItasondehnesthejudiciaIrocessas
asetofinterreIatedrocedures androIesfordeciding disutesbyan
authoritativeersonor ersonswhosedecisionsarereguIarIyobeyed.
ThedisutesaretobedecidedaccordingtoareviousIyagreeduon
set ofrocedures and in conformity with rescrIbed ruIes. As an
incidcnt, or consequence, of their disute-deciding function, those
who decidc make authoritativestatements ofhowthe ruIes are tobc
apIicd,andthesestatcmcntshavcaroscctivegcnera|izedimacton
zI8 PART I I : PERFORMANCE & EXPERIENCE
the behavior ofmany besides the immediate arties to the disute.
Hence the judiciaI rocess is both a means of resoIving disutes
betweenidenti6abIe and seci6edersons and arocess for making
ubIicoIicies(I968.283).
ThejudiciaI rocess, then, sifts me chaos ofositive andnegative
existence-vaIues," that is, by the cross examination of witnesses, and
throughitsjudgesbringstobearthevariousnormscurrentinasociety, its
IegaIast,"onavarietyofdisutes,eachofwhich,asMaxGIuckmanhas
often argued, isotentiaIIyunique. Thejudges'taskisto give whatthey
consider to be 'ustice"~wemightcaIIit meaning" inthe resent con-
text~in the case before themby seIecting and combining ruIes drawn
fromawidereertoireandaIyingtheminterms ofacuIturaIIy accet-
abIeIogic.AarentIydisaratearts"arecarefuIIyarticuIatedtoforma
systemofmeaningaIicabIetothedisute.Ingivingdecisionsthathave
a rosective generaIized imact on the behavior ofmany besides the
immediatearties to thedisute," thejudges formuIateasetofnew ends
forthegrouatIarge.
AII societies have somekind ofjudiciaI rocess, butoftenitcoexists
with reIigious and magicaI rocedures for resoIving crises. Wherever
invisibIe, transhumanbeings and/or owers are regarded as the 6rst and
6naI causes oferceivedhenomena and rocesses, such entities may be
regarded as cruciaIIy invoIved in sociaI dramas, both as causes of
untowardeventsandasroviders ofremediesforthem,ifaroachedby
theroer cuIturaI means~incIuding divination, rituaI,rayer, sacrihce,
seIIs,andothermagicaIrocedures.
Inmyown 6eIdwork among the Mdembu ofZambia, I found that
judiciaI mechansms tended to be invoked where conmct was overt and
rationaIinvestigationintothe motives andactionsofthe contending ar-
ties was obviousIy ossibIe. RituaI mechanisms (here divination into the
hiddenmotivationsofwitchesorancestorsirits,foIIowedbytheerfor-
mance ofrituaIs of amiction to exorcise famiIiars or Iacate ancestraI
wrath)tendedtobeemIoyedwhenconictwasatadeeerIeveI. ften
deeconictsurfaced as death or severeiIIness,beIievedtobedueto the
secret, maIevoIent action of Iiving witches. IIIness was regarded as
ancestraIunishmentfordiscordin the community. IIIness, accident,bad
Iuck at hunting, reroductive disorders, and death are aII symtoms of
hidden,moraIdisordertowhichwhatweregardasthenaturaIorder"is
sensitiveIyresonsive.PartofthetotaIrituaIrocess,incIudingdivination
by various means, such as the use ofaaratus and symboIicobjects and
mediumistic trance, and the ubIic confession of secret grudges before
imrovised shrines, invoIves retrosective and reexive scrutiny ofthe
actions ofthose cIose to the dcccased or sick erson. This amounts to
cstabIishing a sort o|taIIy or invcntory of thc current IcvcI of covcrt
A NEW PROCESSUAL ANTHROPOLOGY zIp
divisiveness ofthe grou. RemediaI action, oftenin the form ofconciI-
iatorymovesbetweenhithertoveiIedantagonists,"orattemtstoremove
grudges,may takeIaceintheaftermathofrituaIerformance. InsmaII-
scaIesocieties,withaIimtedeconomicbase,thereisracticaIsenseinW
H.Auden'swemustIoveoneanotherordie."AhighdegreeofotentiaI
cooerativenessandreadinesstosharehassurvivaIvaIue.
In most sociaI systems, the basic structuring rinciIes (caste, cIass,
age- and sex-categories, ruIes ofsuccession andinheritanceand theIike)
arediscreant,even,atcriticaItimes, contradictory. Itiswhentheycannot
bejudiciaIIyorrationaIIyresoIvedthatonemostoften6ndsreIigio-mag-
icaI rocedures and redressive mechanisms deIoyed, ways ofassigning
meaning to actions which seem aII the more uzzIing because they are
initiated and conducted by men andwomen who are sure thatthey are
actingnotonIyinteIIigentIybutaIsomoraIIyandvirtuousIy,andyet, the
grouistornbystrife| ItseemsthateveryhumansociaIgrouhasitsown
sociaI unconsciousness," beIow the IeveI of its rationaI controI and
knowIedgeofcause-and-e6ect.ThedeveIomentofcross-cuIturaI,cross-
temoraI,andtrans-societaIcomarative studieshashadtheaimofover-
coming to some extent the emc and IuraI subjectivity ofsingIe grou
introsection. Marx, for examIe, hoed to eIicit the generaI Iaws of
motion'' underIying successive formations ofsociety" by his vision of
radicaIcontradictionbetweentheforcesofroduction'andthereIations
ofroduction' at certain nodaI oints" ofhistoricaI deveIoment. He
attained this vision after carefuI historicaI and comarative studies of
majorsociocuIturaIsystems. ItisossibIe, however, that undertheinu-
enceofnineteenth-centuryrejudicesdrawnfromoIiticaIeconomyand
bioIogy, he faiIed to notice that the forces ofroduction," controIIed
tyesandsourcesofenergyandthetechnoIogiestheyenergize,arethem-
seIvesimregnatedwithmeaning,"withtheconstant,creativestruggIeto
reIateasttechnicaIdesigns,Iayouts,bIuerints,Ians,rojects,charts,and
so on, to ney unrecedented sociaI and ersonaI cocmcevoked often
by technoIogicaI change itseIf The new exerience has cognitive, aEec-
tive, andconative asectsandstrivestobe articuIated inverbaIand non-
verbaI codes (incIuding the erformative arts). Hence the characteristic
Western'' dichotomy between economic base" or substructure" and
ideoIogicaI suerstructure" mayin the endrovetobesomewhat mis-
Ieading in an exhaustive comarative ersective. For the tooIs may be
chargedwithideas"andtheideasimagedintechnicaImetahors.
To rcturntoourstudyofsimIergrous.rituaImechansmsareoften
caIIeduonwhenthecausesofsociaIcrisisseemtobebeyondthescoeof
IcgaI arbitramcnt or commonsensicaI adjustmentofanytye.Theinvisi-
b|cowcrsarchcIdrcsponsibIe,andsincetheycannotbebroughttocourt,
thcymustbccxorciscd,pIacatcd,orgivcnsacrihccs.ThisincvitabIybrings
22C PART I I : PERFORMANCE & EXPERIENCE
the cosmoIogicaI system into the sociaI drama, the attemt to assign
meaningintermsofmythsandscrituresconcretizedanddramatizedin
rituaI rocesses. Current troubIes are rituaIIy reIated to root aradigms
embedded in etioIogicaI myths concerning the origin ofhuman fraiIty,
divisiveness, aggressivity, and remedies assigned for these by God, the
gods, ancestors, rimordiaIIawgiversor other categories ofauthoritative
and often numinous entities. In a sense, the etty IocaI quarreIs are eIe-
vatedtotheIeveIofristine,generativeeventsandrevitaIizetheowersof
such events. The resent troubIes are, so to seak, dehistoricized, and
given semiternaImeaning. Moteverykindofredressive or curative rit-
uaI, ofcourse, exemIihes or contains the whoIe cosmoIogy, but each
refers to that art ofit which is considered to confer meaning on the
events constituting the grou'sorindividuaI'samiction. Certain gods or
sirits seciaIize in certain troubIes or aiIments. Certainmyths describe
thehabitsofcertaindemonsandhowtodeaIwiththem.Inmanyartsof
AfricaitisthoughtthatifnaturaIdisasters,rangingfromindividuaIiIIness
to Iague, strike whiIe a grou or community is 6IIedwith suressed
interersonaItensions,thebreaches inhysicaIorderare symtomaticof
sociaI and moraI disorder, and hence can onIy be deaIt with by rituaI
means.
Phase 4. AfterthedeIoymentofIegaIorrituaImechanismsofredress,
thereiseitherreversiontocrisis (Phase2) oraccetanceofdecisionsmade
bythoserecognizedasIegitimatereresentativesofthegrou.FuIIacce-
tanceentaiIstherestorationofeace,ofnormaIreIations."Thegroucan
now go aboutitsusuaIbusiness oncemore, gettingandsending,beget-
tingandroducing.IfsomesignihcantsgmentdoesnotaccetthesettIe-
mentroosed,itmaysIito6fromtheoriginaIgrou, andsettIeor set
u sho" eIsewhereunderanew setofruIesorafreshconstitution.This
may be on the scaIe ofa few viIIagers moving a few miIes from their
former site orthe exodus ofan entire eoIefrom a nationaI territory. I
havecaIIedthishasere-intration or recoition i irremediable schism.
TherecanneverbeacomIetereIicationofthesociaIstatebeforethe
sociaI drama decIared itseIf Former aIIies may have become oonents.
MewaIIegianceswiIIhavebeenmade. Factionsmayhaveshiftedsizeand
ower.LeadersmayhaveIostorgainedIegitimacythroughtheirdeedsin
the drama. Loversmayhave discovered they arenoIongerorhavenevr
beenIovers.Formersourcesofauthorityorowermayhavebeeneroded,
new resourcesmayhavebeentaed,withnew Ieaders to controIthem.
The seeds ofanew sociaI dramamayhavebeensown, eveniuthe soiIof
theresoIutionoftheresentcrisis.Mothingremainsermanentinhuman
a6airs. What the functionaIists caIIed equiIibrium" is no more than a
transientbaIanceofower,orevenamomentofgeneraIexhaustion,arest
between confrontations. MevertheIess, some sort ofsociaI "cIimax" has
A NEW PROCESSUAL ANTHROPOLOGY 22I
beenattained, or better, achieved, sincemuch time, e6ort, andingenuity
have gone into the resoIution ofcrisis. In African societies, the fact of
cIimax of outcome is sometimes ceIebrated by a rituaI which enjoins
coIIaboration on the rinciaI adversaries in the antecedent drama. The
roundofexeriencethatisasociaIdramaisthuscomIeted.
Te Meaning of "Experience'
Exerience" is a word with a tenacious edigree in Western ety-
moIogy. I am weII aware ofthe dangers oftracking a word back to an
earIiereriodinthehistoryofaIanguage,orasitaearedinsomeaIIied
or foreign Ianguage from which it may have Iong ago been borrowed.
Manywords,andmorethanwords,amxes,hrasesandotherforms,have
undergone strange changes inthe wear and tear oftime, even reversaIs,
which eoIe Iike Freud, attunedto the ambivaIences ofmeaning, have
attributedtothedriveswhichconsciousIyformuIatedkeytermssostren-
uousIy reressed. So we hnd that our word I," to game or sort,"
derivesfromtheAngIo-Saxon tostrikeorcIa,'
,
henceplea, ahght,a
battIe." Gregory Bateson mighthave been gIad ofthis reversaI. PIay is
now a rituaIized, not a IethaIbattIe. But exerience," Iike Iove," goes
back, without many modihcationsinconnotations, to anIndo-Euroean
root, Iove" totheIndo-Euroeanbase|a|h~whenceaIsoIibido," Iief"
Iust' ,exeriencetoper, orpar, toattemt,venture,risk."
LetmehrstquoteWebsterandinterIardcomments.Webstertracesthe
noun from MiddIe EngIish through Id French to the Latin termEx
perientia, to which the modern AngIo-American senses, triaI, roof
exeriment'areaIIocated.Websterassignshvemajormodernmeaningsto
exerience. The hrst is the act ofIiving through an event or events.
ersonaIinvoIvementinorobservationofeventsastheyoccur.
Both traditionaI facets ofanthrooIogy are here engaged. articia-
tionandobservation~science"foranthrooIogistsinvoIvesboth,butwe
areseIdomfatedhonestIytoencountertheirmutuaIinvoIvement.Exeri-
ence is, therefore, from its incetion ambiguous, being in ow" with
intersubjective events and yet being detached from" or out ofow"
with them. ur ambiguityis, inaway, irresoIubIe. To beIoyaI, existen-
tiaIIy, aramountIy, and a6ectiveIy, to the grou we study (and exeri-
ence"mostvividIy, erhasmorethanwehaveeverexeriencedournataI
societies),istodeartfrom,evenbetray,"thecomarativestancewehave
adoted as cross-cuIturaI sociaI scientists." To be IoyaI to the Western
Euroean modeI ofobjective comarison, is often to deny what we,
immersedsomctimesforyearsinthe other" cuIture,havecometoknow
o|itsindcfcasib|cuniquct\css.Excricnccas Iivingthrough" aneventor
zzz PART I I : PERFORMANCE & EXPERIENCE
events takes us back, before henomenoIogy or existentiaIism in their
deveIoed modern forms, to WiIheIm DiIthey, who, though unaware
ofevencontemorary deveIomentsinthehistoryoftheconcetofcuI-
ture by Boas and his foIIowers, nevertheIess was concerned not onIy
with Iived through" exerience, but aIso withitserduringobjecti6ca-
tions," thosehanded-downinscribed forms we now caII comonents of
cuIture."
Thesecondsenseofexerience,"accordingto Webster,is anything
observedorIived through." This is DiIthey'smeaning, aIready discussed
earIier.
Webster'sthird senseofexeriencehastwoarts.neisaIIthathas
haened to one in his Iife to date," and the other, everything done or
undergonebyagroup, eoIeingeneraIetc."
Exerience cIearIyinvoIvesbiograhy, Iife-history, case-history, and
IocaI, tribaI, nationaI, and unversaI history. The anthrooIogist's heId-
workhastobesensitivetothesemodesofreectionuonindividuaIand
cororateexerience.HemustaIsobeawareofthenarrativestructuresof
thesegenresinhisowncuIturaItraditionifhewishestocommunicatethe
modesofothertraditionstoWesternschoIarsandscientists.
Webster'sfourth dehnitionraises therobIemofhowtocoIIectIife-
historyandhowtoevaIuateautobiograhyevenmoresharIy. "Efct ona
erson ofanything or everything that has haened to him, individual
reaction toevents,feeIings,etc."
SeveraI anthrooIogists have recentIy aid considerabIe attention to
thecoIIectionofersonaI documents inthe 6eId, onethinksimmediateIy
ofBarbara Myerhou PauI Rabinov Renato RosaIdo, and Vincent Cra-
anzano, whoinhis book, Tuhami: Portrait o a Moroccan ( 1980:8 -9), had
theseaImostDiItheyanremarkstomake.
Liketheautobiograhyandthebiograhy, theIifehistoryandthecase
history areIiterary genres, and, as such,they shae aarticuIarre-
seIectedrangeofdataintoameaningfuItotaIity.Theyreectnoton|y
the more suer6ciaI concerns ofa articuIar historicaI eoch or a
articuIartraditionbut aIso, and more imortantIy, themorefunda-
mentaIattitudestowardandevaIuationoftheerson,oftime,nature,
thesuernaturaI,andinterersonaIreIations. . . Thecasehistory,Iike
thebiograhy, resents aview ofthe subjectfromtheersectiveof
a
outsider,itbearstheimress ofanarratorwhomayevenernut
htmseIftheIuxuryofobjectiveIy"anaIysingandevaIuatinghissub-
ject.TheIifehistory,Iiketheautobiograhy, resentsthesubjectfrom
his own ersective [here I wouId say, the subject's subjunctive
mood"ofseIf-araisaI,themoodofdesiringandfeeIing, andas-if"
which often revaiIs over his indicative mood," his concern with
factuaIityj . It di6ers from autobioraphy in that it is an immediate
resonse to a demand osed by an ther and carries within it thc
A NEW PROCESSUAL ANTHROPOLOGY zz
exectationsofthat ther. Itis,asitwere, doubIy edited. duringthe
encount
r itseIfa
thc qu
st
ons
.
osed by the ther reect certain generic
exectatmns wtthm hts own cuIture but the very question ofIife
history itseIfmaybe an aIien construct for the subject and cause in
hima|ienatingprise de conscience (awakeningtoconsciousness).
Webster's hfth dehnition ofexerience" aIies directIy tothean-
throoIogist'sownexerience. (a) activitythatincIudestraining,observa-
tionofractice,andersonaIarticiation,(b)theeriodofsuchactivity,
(c)knowIedge,skiII,orracticeresuItingfromthis."
AnanthrooIogist'straining,|ikerehearsaIfortheubIicerformance
ofa Iay, shouId erhas incIude some rearation for the exerience of
6eIdwork. Ihavesuggested eIsewhere thatart ofthe trainng ofheId-
workers might incIude deriving Iayscrits from the best descritive
ethnograhies,referabIy ofsociaI dramas (ofthe sort, forexamIe, re-
sentedbyMa|inowskiinCrime and Custom), andencouragingthetrainees
to enactthem, asfar asossibIeusingthesymboIs, seechidioms, tech-
noIogy, dress, insignia, and so forth, ofthe cuIture to be visited. The
kinshi, oIiticaI, economc, and rituaI roIes occuied by indigenous
actorsinthesociaIdramashouIdbecarefuIIydesignedinaccordancewith
the best ethnograhies avaiIabIe. Te meaning ofactions and events for
membersofthecuIture,itsvaIuesandends,shouIdbeunderIined. Sucha
Iay~orforeIay,"ifyouIike~suchare-exeriencewouIdbevaIuabIe,
evenifitturnedoutthat actuaIheIdworkeventuaIIycaIIedinto question
themeaning"ofthewhoIeerformance.AttheveryIeast,otentiaIheId-
workerswouIdbegintogroe,inamorethancognitiveway, towardsan
exerientiaI or insideview" ofthe other cuIture.TheywouId aIso Iearn
something about reexivity, since they wouId be Iearning about them-
seIves andtheirownvaIueandmodes ofassignngmeaningevenasthey
attemted to gras and ortray those ofthe other grou. What DiIthey
caIIs a reaI transosition' ofmnds~one way in which he dehnes the
term Verstehen, understanding, comrehension," one's mind engaging
another'smind,"IatertakenubyMaxWeberinaratherdi6erentsense~
shouIdnotbeseenastheI-It objectivity"ofthenaturaIsciences,butasan
intersubjectivereIationshibetweenIandThou.
But vaIid knowIedge of others is not to be won mereIy through
introsection (the if-I-were-a-horse-what-wouId-I-do-when-con-
fronted-with-a-tence" aroach). Moris it gained by some direct meta-
physicaI communication, some mysticaI articiation, with the mind,
conscious or unconscious, ofthe ther. DiIthey anticiates modern an-
throo|ogyinseeingthatknowIedgeofothers(andhence,asLevi-Strauss
has so rightIy said |or years about human cognitivc structurcs, ofour-
22q PART I I : PERFORMANCE & EXPERIENCE
seIves) is best achieved through exegesis ofthe objecti6cations," the
exressions," theAusdricken ofthatothermind, exressions that canbe
foundinthesociohistoricaIworId,theworIdofIaw, oIitics,art,reIigion,
ofIanguageandgesture,andarticuIarIyfortheheId worker,oftheshared
communityofexerience initsIiving (andhencemicrohistoricaI) asect.
ItwouIdgreatIyassistthedeveIomentoftheanthrooIogyofexerience
ifheId workersketinmindtheossibiIity ofscritingthesociocuIturaI
actions encomassing theminto scenarios reroducibIeinthe cIassroom
ordramaworksho.
DiIthey's ossibiIity ofintercuIturaI reexivity, though a sustained
focus on enetrating another mentaIity by interretation ofits cuIturaI
exressions,restsontwoassumtions.neistheabidinganthrooIogicaI
ostuIate ofthe sychoIogicaI unity ofhumankind. sychoIogicaI dif-
ferencesbetweenouIations are ofdegree notkind. Thesecondisthat
mentaIcomonentsareIinkedincomIexwaystocuIturaIexressionsso
thatwemayIearnmoreaboutourown mindsfromthem thanbyintrosec-
tion, fortheseexressions exressunconsciouscontentsoften deniedto
ersonaIintrosection. DiIthey arguesthatunderstanding ( Verstehen) ro-
ceedsfromIived-throughexeriences.AIivedexerienceisabasicunitof
meaning having its inner attern ofconnected eIements. rstehen is a
rocess, ahermeneuticcircIing,whereby the essentiaIrecirocaIinterac-
tion ofthe arts and the whoIe ofthe Iived exerience, the Erlebnis, is
hnaIIygrased.
PerhasthisisnomorethantosaythatknowIedgeiscontextuaI,and
thatunderstandingisarocessofcIarifyingandextendingorexanding
thecontextuaIreIationshisofthemeaningunitunderstudy, madeuasit
isbothofobjectihcationsandimmediateintersubjectiveexeriencesofthe
!-Tou, Essential H tye. Here I wiII reeat what I said in discussing
Craanzano's Tuhami, that heIdworkers shouId focus their rofessionaI
attention far more than they have hitherto done on erformances, nar-
rative,Iifehistories,casehistories,biograhies,and,indeed,ersonaIdoc-
uments ofaII kinds. To Iay or re-Iay meaning-units ofa dynamic
cuIture,itssociaIdramasandoIiticaIcauses ce?bres, isamodeofverstehen,
ofintercuIturaIunderstanding.Itis,too,aformof"exeriment," aterm,Iike
exerience," derived fromthe Latin exeriri, to try, test." Here we need
notsIavishIy foIIow the modeI ofeighteenth-century naturaI science. By
exerimentI mean something moreIike the modern exerimentaI the-
ater." The di6erences between exerimentaI anthrooIogy and exeri-
mentaItheaterare,however,imortant.TheformerdoesnotIeaveanyof
the sociaI factors which intIuence what haens imIicit, taken for
granted, unmeasured. Before such anthrooIogicaI exerimenting is
undertaken, each form ofsociaI reIationshi and the structure ofeach
grou and subgrou invoIvedhas been carefuIIy dcscribcdand ana|yzcd.
A NEW PROCESSUAL ANTHROPOLOGY 22]
HowfarrinciIesoforganizationare indeendentof or deendenton,
one anotherhasbeenassessed. There is no shirking ofstatements ofthe
obvious,thereIevantdemograhicandecoIogicaIarametersofthemean-
ing-unit under investigation, and the Iike, since, as GIuckman wrote in
Politics, Law an Ritual (1965:302): the robIem ofexIaining what is
obviousisoftenthemostdimcuItinscience."Thus,to beexIicitandto
Iabor at accurate dehnition means avoiding in one reIiminary charac-
terization ofthe heId setting the evocative and metahoricaI devices and
troes ofthe Iaywright and noveIist. This awareness oftyicaIity and
reetitivenessisaIwaysthebackgroundofanyattemttoscritandenact
sociaIdramas.
Desite thesenecessary emiricaI andositivistmethodsintrinsicto
the anthrooIogy ofexerience, theanthrooIogy ofexerience is aIso
sensitive to evidences, as in works of art and reIigion, ofexressions
(Ausdriicken) ofwhathavevariousIybeencaIIedeak-exeriences,"oetic
visions, exeriences ofwhat the exeriencers sometimes caII a higher
reaIity," or mysticaI exeriences. TheIifethatis Iivedthrough" in such
exeriences and even in those humbIer kinds associated with what
CsikszentmihaIyiandMacAIoonhavecaIIedow"iserhasuncatur-
abIeinany exression."TruIytoexerienceistoknowwirhoutsaying,"
though aradoxicaIIy such knowIedge ressesinsistentIy out to the Iight
ofcuIturaIday.SiIencemothers eIoquence. neofthebestexressions of
thisaradox, orcreative doubIe-bind, isaoemofKabir's (transIatedby
RobertBIy)towhichBarbaraMyerho6recentIydrewourattention.
ThereisnothingbutwaterinthehoIyooIs.
Iknow, Ihavebeenswimminginthem.
AIIthegodsscuItedofwoodorivorycan'tsay aword.
IknovIhavebeencryingouttothem.
TheSacredbooksoftheEastarenothingbut words.
IIookedattheircoversonedaysideways.
WhatKabirtalks ofisonIywhathehaslived through.
IfyouhavenotIivedthroughsomething,itisnottrue.
Thefactremainsthatsomeexressionsaremore re-IiveabIethrough"
than others. bjectihcations of great artists, hiIosohers, or rohets
seem to have a caacity to make the hearer or reader re-exerience the
crcator's exerience, are more Iimid to Iife's inner movement. Conse-
quentIy, any anthrooIogy of exerience must take such utterances
scriousIy, notdismissingthemto some structured, eIite cuIture." Vision
o|tcn aImost immediateIy converts into simIe concreteness without
mcdiatirgIcvcIs ofdecIining abstraction. Aoet'sintuitionmaybemore
avai|abIctoacasant thantoahiIosoher.We maybetter 6ndourwayto
"intc||igiblcs"through "scnsibIcs"thanthroughconccts.
22 PART I I : PERFORMANCE & EXPERIENCE
A continually repeated word of the naturallanguage is worthy of this
kind of attention, though with caveat that etymological shifts of meaning
may deform or denature supposedly original stem-meanings. So, what
have been the etymological vicissitudes of experience, highly suspect in
purist cognitive circles?
Scholars trace the word right back to the hypothetical Indo-European
base per "to attempt, venture," whence the Greek, peira, xego, "experi
ence," whence we also derive "empirical," and the Old English,faer, "dan
ger," from which we derive our modern word "fear." More directly,
"experience" derives, via Middle English and Old French, from the Latin
exerientia, denoting "trial, proof experiment," and is itself generated from
experiens, the present participle of experiri, "to try, test," from ex
"out"+base per as in peritus, "experienced," which is, of course, related to
periculum, "danger" or "peril." Etymologists like Skeat relate the Greek
peirao, 1EL Q&w, "I try" to perao, xego,"I pass through." If culture is really
to be regarded as the crystallized secretion of once living human experi
ence, (which is still capable ofliquefaction back into similar if not identical
lived-through experience under favorable conditions, like the reputed
miracle ofSaintJanuarius' dried blood), then we may perhaps see the term
"experience" in its connotational penumbra at least, as preconsciously, if
not unconsciously, linked with rites de passage, with danger, with "faring"
or travel and "ferrying," its Anglo-Saxon form, and with "fear" and
"experiment," which is, of course, "test, trial, the action of trying any
thing, or putting it to proof" (Oxford English Dictionary). Thus, experi
ence is a journey, a test (of self of suppositions about others), a ritual
passage, an exposure to peril, and an exposure to fear. Does this not sum
up to something akin to fieldwork, even to pilgrimage, which is, again
etymologically, a journey "through fi elds" (per agros), a peregrination?
Anthropological fieldwork surely deserves its very own kind of exeriential
theor, its own edifice of practical, yet poetical, knowledge.
1
Ima
g
es of At-Temporat
An Essay in te
Antropology ofExperience
he jagged, cacophonous title of
this essay must jar on ears expectant of a disquisition on immortality. By
"anti-temporality," I denote that which is opposite in kind to being tem
poral, that is, pert lining to, concerned with, or limited by time. By "time"
I provisionally accept the frst definition ofered by the Oxford English
Dictionary: '^ limited stretch or space of continued existence, as the
interval between two successive events or acts or the period through
which an action, condition or state continues: a fnite portion of 'time' ."
Here, however, I would detect a certain ambiguity in the phrase, "interval
between two successive events or acts," for such intervals may, in many
societies, be culturally detached from natural or logical sequentiality and
formed into a domain governed by anti-temporality. Here the very defin
ition of time implies its opposite. Indeed, I will argue that human cultural
time, which is history, can only proceed meaningfully by generating, by
cultural fat, rituals and other genres of cultural performance, which deny
quotidian systems of measuring or reckoning the passage of time any
Reprinted from the Harvard Theololca/ Re11(ew 75 (2):243 -65.
zz8 PART I I : PERFORMANCE & EXPERIENCE
existential grounding. "Time" itself as all dictionaries attest, is a multi
valent term. For example, it can be regarded as unbounded, an indefinite,
continuous duration, "the measure of changeable things" as Aristotle said,
or as in Robert Blair's Grave, "Think we, or think we not, Time hurries on
With a resistless, unremitting stream." Here time is evanescence itself,
unsystematized, often "implacable," even "insupportable," as Baudelaire
wrote of "life," which he sometimes saw as antithetical to the poet's
vision. But time may also be seen as a period in the existence or history of
the world; an age, epoch, or era. For example, Mircea Eliade's illud tempus
refers to a mythical, cosmogonic time when the manifest cosmos took
shape in a succession of events, waves, vibrations, or divine acts and deeds.
This was the .rst time, the primavera of the world, when its conditions,
instrumentalities, and powers were laid out, as it were, in their pristine
vulnerability yet naked puissance. Eliade has argued, persuasively, that
major' rituals, viewed cross-culturally, aspire to annihilate measurable
temporality, and evoke, in order to reinstate, that generative time ofbegin
nings, to draw on its unfailing, unstinted, and ineradicable efcacies, to
redress the failures of the present "time," to purify it of its stains, sins, and
stigmata, and to restore the primaveral past as paradigmatic reality. For
getting of declension from, pollution of the constitutive cosmogonic
time, is characteristic of the religious narratives central to many cultures.
Yet most cosmogonies intimately involve the chaos from which they
are often deemed to have come. Chaos is the confused, unorganized state
of primordial being, wanting in order, sequence, organization, or predict
able operation, which is often thought to "precede" (if precedence is possi
ble in pretemporality) cosmos, though as such mystics as Eckhart and
Boehme have asserted in the Western tradition, in a way entirely unex
plained, "a will to manifestation," and hence, I suppose, order, "arises in
the abyss," in the timeless time before time. The cosmogonic motive has
never been explained-why there should have been an embryonic (and
this very term implies temporality) Logos in Chaos escapes the greatest
intellects, including Aquinas-though Boehme sees the impulse by which
"the Nothing became Something" as Love, which should be adored rather
than understood, a matter of revelation rather than comprehension, the
true first Mover, that moves Dante' s "Sun and the other stars," the
uncaused Cause.
I am an anthropologist, not a theologian or a mystic, and make no
claim to understand such high matters. I have done feldwork among
African villagers and Mexican and Irish countrymen, with some brief
glances at the rituals of Brazilian and Japanese townsmen. I have read quite
widely in anthropological descriptive literature. From these direct and
surrogate experiences I have developed some working hypotheses given
probability by experimental and comparative evidence, if not conclusively
IMAGES OF ANTI-TEMPORALITY zzp
established, after the manner of natural science, as a set of laws. Some of
these bear on the subject of anti-temporality. In the frst place, I conceive
human life to be dominantly social life and to be fundamentally in flux, in
motion. That is, human beings are not smoothly nude, enclosed subjec
tivities, but from conception are prepositional entities, projecting lines and
plugs and covered with sockets, metaphorically speaking, which represent
potential relationships: with, against, into, for, of among, inside, outside,
above, below one another. In brief men and women come into existence
connected with, opposed to, or disconnected from one another: "I-Thou is
the frst word uttered"; "no man is an island"; "we are all members of one
another," both as members of natural species and Erik Erikson's cultural
"pseudo-species." Thus, we tend to form groups, whether by ascription
through kinship and neighborhood, or by choice, through friendship or
common tasks or interests. But groups are neither simple nor enduring:
they are composite, consisting ofleaders and led, factions, segments, coali
tions of sub-groups, dividing and uniting with reference to ever-chang
ing issues and interests. Members leave them; recruits join them. The
prepositions change over time: those we are "with" or "for" today may
become those we are "against" or moving "away from" tomorrow. Time
makes friends foes, foes friends, lovers indiferent, divorces spouses and
espouses divorcees. Groups split, like cells in nature, and splice with the
splinters from other groups. Our sociability is mutable though we yearn
for permanence. We also seek to rest our restless minds in meaningfulness.
Later we shall consider some of the implications of bonding and dissever
ing through language, which for human beings has superceded genetically
implanted instinct as the ground of attraction and repulsion. For, through
language, we impute meaning to fux and endeavor to order and border
indeterminacy. This is never fully successful for, as Sally Falk Moore has
written: "Order never fully takes over, nor could it. The cultural, contrac
tual, and technical imperatives always leave gaps, require adjustments and
interpretations to be applicable to particular situations, and are themselves
full of ambiguities, inconsistencies, and often contradictions" (Moore and
Myerhof 1975:220).
As an anthropologist, I have to resist the temptation to foreclose the
issue even by means of the most enlightened solutions handed to us in the
traditions of the great salvation religions. I have to ground what I will say
in my own feld experience and that of my fellows who for varying
periods of time have dwelt among members of cultures other than their
own and have been professionally as well as personally committed to try
to understand their lives and persons and the flow and ebb of their mutual
relationships.
It has been a fact of my experience in many societies, including our
OWD, that the life of perdu ring groups is punctuated, de temps en temps, by
zo PART I I : PERFORMANCE & EXPERIENCE
what I have called "social dramas." Time, that is to say, does not fow
together altogether evenly, uneventfully. Would that it did, for I am not a
combative, polemical person! If life on earth replicated Dante's Paradiso I
would be content. I am not molded after Dostoevsky's "underworld
man'' with the "cynical and sneering face." Yet I cannot, corrupted by
science, reject what is most evident. What is most clear is that all social
groups, including monasteries, ashrams, and dojos, let alone university
departments and university committees, give birth to social dramas,
"tensional irruptions," as my friend, the Polish sociologist Stanislaw
Andrzejewski, once called them.
Kurt Levin, the psychologist, divided social "time" into "harmonic"
and "aharmonic" phases. The aharmonic phases, I have found, respond
well to Aristotle's paradigm for tragedy. Empirically, though, I have found
them fairly regularly to have four phases, the acts of the social drama (see
Chapter 9, pp. 214 -221). They often begin with a visible breach in one
of the major expectable regularities of group living. This may be deliber
ate, or it may be spontaneous, such as a criminal or passionate outbreak, or
perhaps a cry of outraged virtue against persistent injustice. Whatever the
motive, the group has to take cognizance, for the breach or norm takes
place in some visible, public arena, "cannot be hid," and challenges its
main assumptions of unity and continuity. The second phase "crisis,"
represents a turning point in group living, a moment of choice, in which
sides must be taken-even abstention from choice is a "position'' -and
conflict is apt to be contagious. Factions emerge, whether traditional or
new-born round an unprecedented issue, coalitions are formed, scape
goats pointed to, degrees of opposition-from harsh words to physical
violence-are mooted and/or resorted to; if things are left to themselves
the crisis may manifest that ultimate dichotomous cleavage which thinkers
from Zoroaster to Marx saw as the problem confronting all human
attempts at group unity, empirical or metaphysical.
The third phase begins when those considered representative of the
unity and continuity of the group-whether religious, political, economic
or familial, or all combined-use their authority and legitimacy to isolate
and constrain the spreading conflict within the bounds of law or religion
or both. Here unity puts forth all its strength against the breach of norm
promulgated by the peace-disturber and judges the case according to
traditional legal standards, exonerating or penalizing the parties not only
by those standards but also in accordance with the judges' assessment of
contemporary reality which can always modify and elasticize standards.
When law proves to be inadequate because the contending parties can
convincingly appeal to cultural principles that are logically contradictory,
though equally upheld, magical and even religious procedures (ranging
from ordeal and divination to complex rituals propitiating ancestral spirits
IMAGES OF ANTI-TEMPORALITY zI
or deities) may be prescribed, in which members of the conficting parties
are enjoined to cooperate, having in preliminary rites purifed their hearts
or, as many societies say, livers of animosity towards one another.
Religion, in the mode of faith, flies toward unity, despite material causes
that deny it. But historical religions beget doctrinal terms which inflexibly
determine modes of unity and exclude those who fnd themselves, for a
variety of causes, unable to accept them. Here culture, as discriminatory,
would seem to reject the unity of nature, if indeed, the inter-breeding
capability of diferent human stocks would indicate natural afnity.
The third phase of social drama, that is, application of legal or
religious means, in formal fashion, to the persons and issues of crisis, may
succeed or fail in its endeavor to restore peace or at least equilibrium to
social relationships in the group, however large or small, from family to
international community. Success or failure is, of course, of equal ana
lytical relevance. Success indicates that despite individual or subgroup
critiques, the center can hold; failure demonstrates that the extant "struc
ture" is rejected deeply by present experience of social reality. Both are
diagnostic of"the human condition'' in a given space-time continuum.
The fourth and last stage of this "strange eventful [yet all too familiar]
history" is the outcome, whether this be some attempt to restore or recon
stitute the group, the community that has been lacerated, even broken, by
those who have denied its perduring meaningfulness,or an acceptance of
its splitting, even its spatial severance. Obviously, when human beings
gaze upon other human beings, unmasked by pressured events, nothing
can afterwards be quite the same, with regard to relationships, as it was
before the social drama began. Perhaps Blake wrote truly when he said,
"In heaven the art of living is forgetting and forgiving," but usually on
earth, living together is more "the art of die possible." People are now
aware of what was hidden before, but they also know that they must
continue to cooperate if the group is to continue, economically politically,
or in other ways, and that new terms must be created in which this
cooperation can be carried on realistically. Every social drama entails a
loss of innocence, compensated for by a gain in experiential knowledge.
To be honest, let us look at our own lives. Do we not, even freed from the
constraints of kinship, incumbent upon our tribal brothers, feel deeply,
libidinally, or aggressively committed to some group, whose values and
norms frame our own sense of self our own feeling of identity? Even
recluses, or hermits, are such through disappointments, or perhaps see
themselves as members of an ideal society, absent from earth, and an
invisible church. Let us call such a group, whether it be the local philatelic
society, a set of close friends, even a university committee, our personal
"star group." For many the star group may afectively replace the elemen
tary family, the family in which one was raised. For that very reason its
22 PART I I : PERFORMANCE & EXPERIENCE
internal relationships, particularly those of authority and control, become
highly ambivalent and emotionally charged beneath the surface of man
ners and civility, and are liable to manifest themselves periodically in
social dramas. Voluntary associations may become tightly closed commu
nities for their "star groupers." Rituals are devised to call a halt to crisis,
redress wrongs, air grievances, find remedies that enable the group to
continue.
I must admit that I fnd the third phase of social drama, redressive
ritual and symbolic action, the most interesting one, for in it I fnd the
seeds of practically all those ramifying genres of cultural performance that
"wage contention with their time's decay," to cite Shelley. In pre-industrial
societies, what we in the West have come to distinguish as the "natural"
order, the "social" order, and the "moral" order, are often perceived as a
single order, and when a social drama arises it may well involve events,
such as the sickness or death of group members, which we would regard
as irrelevant to the pragmatic issues at stake. Just as the apparition of
Hamlet' s father's ghost indicated that "something is rotten in the state of
Denmark," so does the coincidence of what we call "natural disaster" with
social confict (for example, competition for high ofce, chieftainship or
village headmanship) indicate in many pre-industrial communities the
arousal of the puntive wrath of ancestral spirits against the dissension of
their living descendants who are thus spurning the heritage of unity and
order bequeathed to them, or the hidden presence of lethal witchcraft
directed by the living against the living, often close kinsmen against close
kinsmen-the "nearer in blood, the nearer bloody," as Shakespeare
declaimed in Macbeth. I have often observed complex rituals performed
during the third phase of social dramas during which, in incidents of
divination, confession, exhortation, and prayer, it was clear that the com
munity was thoroughly and seriously examining its corporate sel Hid
den grudges and tensions were being brought to light, related by the
elders and sages to models of ideal behavior, and, as the ritual process
continued, reconciliation was being sought between the living and the
ancestors, and among the living themselves. Ritual was at once a process of
plural reflexivity, an inventory of the current state of social relationships,
and an attempt to assign meaning to untoward events. At the social level it
was an endeavor to purify relationships of envy, jealousy, hate, undu
possessiveness, grudges.
Social structure is provocative of competition and conflict, even as it
restrains its public expression. Social and political systems contain ofces,
high, medial, and low; chains of command; bureaucratic ladders. There
are systems of promotion, rules, and criteria for status elevation and deg
radation, laws concerning the protection, disposal, transference, and
inheritance of property, and succession to public ofce. There arc social
IMAGES OF ANTI-TEMPORALITY 2
controls over sexuality and reproductive capacity, rules governing mar
riage and prohibitions on incest and adultery. In this many-leveled,
ordered, and sanctioned feld, individuals may fnd it hard not to envy
their neighbor's good fortune, covet his ox, ass, lands, or wife, strive with
him for ofce, compete with him on the promotion ladder, become greedy
or mserly, or succumb to despair at their own lack of success. But when a
member of say, a Central or East African village group riddled with
conflict was stricken down by illness-and the victim was usually not one
of the main antagonists but an innocent member, perhaps a child, at any
rate some kind of scapegoat-and his/her afiction was divined as
ancestral wrath against the total community's divisiveness or as the malig
nancy of a witch in one or another of its contending factions, ritual was
performed for which a cardinal rule was that the entire group had to
cooperate, as ofciants or congregation, in the healing process. This meant
not only external purifcation, by lustrations and prayers, but also cleans
ing of the heart/liver by public confession of grudges against community
members. By such means the ancestral shades might be placated and per
suaded to remove the afiction. Ritual also involved remembering the
ancestors, and, indeed, restoring the past, to some extent and selectively, a
past which had once been or they had supposed to have been their present.
In many pre-industrial societies, cosmogonic myths, or fragments
thereof may be recited or enacted during such "rituals of afiction," as I
have called this genre to distinguish them from rites of passage, seasonal
celebratory rites, rites of intensifcation, and other modes of worship or
veneration. In rituals of afiction, there is a strong element of reflexivity,
for through confession, invocation, symbolic reenactment and other
means, the group bends back upon itself so to speak, not merely cog
nitively, but with the ardor of its whole being, in order not simply to
remember but also to remember its basic relationships and moral imper
atives, which have become dismembered by internal confict. We do not
have here a dispassionate moral stocktaking of the community's joint and
several declensions from an objective set of ethical standards, though
clearly such a stocktaking is a component in the ritual process. But it
would be more correct to think of a ritual of afiction as a passionate
attempt to heal the breaches caused by social structural confict and com
petition and by egotistical or factional strivings for power, influence,
wealth, and so forth by reviving feelings of an underlying bedrock commu
nitas, a generic human relationship undivided by status-roles or structural
oppositions, which is also vouched for by myths and histories stressing
the unity and continuity of the widest group to which all belong by birth
and tradition. Here a culturally structured social antistructure, an anti
temporal stretch of ritual time, opposes and ameliorates the divided, all
too temporal world of institutionalized social structure, recognized as
2q PART I I : PERFORMANCE & EXPERIENCE
ncccssary,ifpoIityandcconomyarctovork,butscnscdaIsoasthcforkcd
rootofaIIsociaIsundcrings.
Bricysummarizingthc argumcnt so far, thcn, vcrcgardthcsociaI
proccssvithinagivcncommunity,frompairorfamIytonationandcvcn
intcrnationaI hcIds ofintcrdcpcndcncc, commcrciaI, profcssionaI, or
poIiticaI, asthatvhichmovcs throughundramatic and dramatic pcriods,
harmonic and disharmonic phascs. Thc sociaI dramais an isoIabIc pro-
ccssivc form, procccding from brcach, through crisis, thcn attcmptcd
rcdrcss, to its cIimax or satiation in rcncvcd cquiIibration ofkcy rcIa-
tionships or thc sociaI rccognition ofirrcmcdiabIc schism. Cfcoursc,
thcrcisnoccrtitudcconccrningthcoutcomc,faiIurctorcdrcsscanrcani-
matc crisis. !n situations ofrapid, cspcciaIIy catastrophic sociaI changc,
rcdrcssivc dcviccsmaysimpIy faiI, sIncc conscnsus about mcanings, vaI-
ucs,andgoaIs-rcIigious,poIiticaI,orcconomicmayhavcbrokcndovn,
and muItipIc idcoIogics, hcrcsics, and outIooks may mobiIizc substantiaI
groups against thc banncrs oforthodoxy and tradition. Such situations
may prccipitatc radicaI structuraI rcforms, and cvcn rcvoIution, vhcn
basicmodcsofframingarcrcformuIatcd,andhcnccncvmcansofrcdrcss
arcauthoritativcIydccrccd.
But in thc majority ofprc-industriaI tribaI socictics, this kind of
brcakdovn ofrcdrcss docs not occur, though thc intrusion and subsc-
qucnt ovcrIordship ofadvanccd socictics can prccipitatc thosc criscs in
tribaI socictics vhich gcncratc miIIcnarian movcmcnts, attcmpts to
rcvitaIizc traditionaIbcIicfs andrcIationships, somctimcs by syncrctizing
vhat arc pcrccivcd as thc povcrs of thc conqucrors' rcIigion vith thc
chthonianpovcrsofthcconqucrcdIand. But,myargumcnthcrcsupposcs
arcIativcIy hrmIy framcdtribaIordcr, invhichthcthirdphasc ofsociaI
dramasrcguIarIy cmpIoys divination andrituaIsofaMictionasmcansof
rcdrcssingorrcsoIvingcrisisbyassigningacccptcdcosmoIogicaImcaning
to cvcnts ofIocaI or scctionaI signihcancc. Such rituaIs oftcn posscss,
thoughinbricfcrand truncatcdform, thcstructurcofvanGcnncp'srites
de passage: (1) ritcs ofscparation dctaching thc rituaI subjcct from quoti-
dian, sccuIar rcaIity, andoftcninvoIvingsymboIs ofkiIIing and dcath, (2)
ritcsofmarginorIimcn,oftcninvoIvingthcsubjcct'ssccIusioninaspcciaI
hut, shcItcr, or cavc, vhcrc formcr ruIcs no Iongcr appIy and ncv oncs
rcmaininabcyancc, astatcatonccIibcratingandtcrrifyingforthcsubjcct,
vhoisaIsoaninItiandintocuIticmcmbcrship,and(3) ritcsofrc-aggrcga-
tion, in vhich thc subjcctis rcturncd to thc mundancrcaIm, rcstorcdto
hcaIthandintcgrity.SinccthcvhoIccommunty,particuIarIythosccIoscst
tothcsubjcctbykinship, amnity, fricndship, orsharcdintcrcsts,notonIy
participatcs in thc rituaI ofamictionbut aIso, in varying mcasurc, must
obscrvc taboos on cating ccrtain foods and on scxuaI activity, it may bc
said to sharc thc subjcct's passagc from iIIncss to hcaIth, |rom soIitary
IMAGES OF ANTI-TEMPORALITY 2]
ncar-dcath to sharing again thc communaI Iifc proccss. ! am aIIoving
myscIfin this taIk thc Iuxury ofbroad gcncraIization sincc in various
books and papcrs ! havcIaborcd aImost obscssivcIy ovcr vhat WiIIiam
BIakc caIIs thc minutc particuIars," minutcIy obscrvcd cthnographic
dctaiIsofsociaIandsymboIicaction.
RituaIs of a6Iiction spring fairIy immcdiatcIy from contcmporary
conicts.Thcyarc,inascnsc,obIIqucIyrcmcdiaI.ButothcrtypcsofrituaI
arcprophyIactic, gcncricaII-purposcattcmptstoforcstaIIconictsarising
fromthcdcadIysins ofmcncntrappcdinandcontroIIcdby sociaIstruc-
turc.VanGcnncpbroadIydistinguishcdthrccmajortypcsofrituaIinprc-
industriaIsocictyofvhichthcthirdvouIdincIudcrituaIsofaMiction."
HccaIIcdhiscIassihcation
rhythmic inthc scnsc thatitbcginsbyconsidcringthchumanhfc, thc
principaIobjcctofourintcrcst,fromitsbcginnIngtoitscnd, thcnthc
cycIc ofthc ycar, and IastIy thc manifcstation ofvarious activitics
divcrging in dircction yct aII radiating from Man as thc ccntcr of
cncrgy. Thisrhythm,vhichis rcctiIincarin thc hrstdata scrics, thcn
cycIic inthcsccond, is aItcrnatinginthcthird. Forhcrc thc actionis
dircctcd from subjcct to objcct, thcn rcbounds back from objcct to
subject(vanGcnncp 1937, quotcdinBcImont 1974:98).
Van Gcnncpishcrc,infact,distinguishingbctvccnthoscritcsofpassagc
vhichmarkthcnodcsofindividuaIdcvcIopmcntinanyhumanIicfrom
bcginning to cnd, varying chronoIogicaIIy from cuIturc to cuIturc, but
markingchangcsofstatandstatus,fromvomb totomndthoscritcs,
vhich oftcninvoIvc popuIar fcstivaIvithdramatizcd status, gcndcr, and
agc rcvcrsaIs, and RabcIaisian cmphascs on cataboIism and fccundity,
vhich mark nodcs in thc gri;)ucycIcor caIcndar such as soving,
hrst fruits, and mainharvst fthc stapIc crop, oin thc soIsticcs, orthc
intcrscctionofsoIar,Iunar,nd/orVcnusiancycIcs. hefcr-
ringtohumandcvcIopmcnaQg, on.mdvoarc)
byqpt, }q_ g(zgg) gs gyoIs matcriaIizcd
as
r_p)n(in ms, mqin- yqIcs, ripg uttcran(c, gcsrc,
an
c-movcmc hQyQ s!0py and 4n)thcr 0 f
sacraIcommuncation-or a(Iast asmuch2$ thc cdcrs dcsircnovs to
|wi t|inocy oir itiatio Somc ofns arc
tdcricd
omthatportionofsignIhcantsociaIcxpcri
ncc
c,
t
Imost s hrtorn, and thc oIdcst forms ofthcatcr havc much in
commonvith rituaI. Thcatcr, though, brcaks thc unity ofthc congrcga-
tion vhich is rituaI's charactcristic pcrformativc unit, convcrting totaI
obIigatory participation into thc voIuntary vatching ofactors by an
audicncc. Such duaIism and distancing crcatc thcpossibiIity ofcritiquc.
Thc vhoIc group is not so dircctIy invoIvcd in thc inncr and outvard
transformationofonc ormorc ofits mcmbcrs,throughthcinvocationof
supcrnaturaIpovcrs,fromoncstatcof invardandsociaIbcingtoanothcr.
Rathcr, thcgods and hcrocs thcmscIvcs, asin Grcck and)apancsctragcdy
and comcdy, may bc turncd to ambiguity, and thc possibiIity ofsub-
junctivccvaIuationofvhatvastribaIIymostsacrcdandbcyondqucstion
maybcaIivcIyitcmonthccuIturaIagcnda.
AsananthropoIogist! amuncasy at somuchgcncraIization. Lctmc,
thcrc|orc, givc a dctaiIcd cxampIc ofthc prcscncc ofanti-tcmporaIity in
CricntaI thcatcr. Ouring a visit to )apan in 1981, l hcard a |ascinating
lccturcby Pro|cssorGunji ofthcMationaIThcatcro| )apan, on thc roots
o|such gcnrcs as M, Bunraku (Puppct Thcatcr), and Kabuki in Shinto
z]8 PART I I : PERFORMANCE & EXPERIENCE
ritual and cosmology, but it is not with these that I would begin. Two
fascinating papers by Farley Richmond (1980; Richmond and Richmond
1980) make cogent use of van Gennep's and my analyses of rites of
passage, and are concerned with Kutiyattam, one of the oldest forms of
theater in India, traceable back to the tenth century A.D. Richmond does
not, as I would have done, place a specifc performance in its social,
cultural, and political processual contexts in a well studied community.
But he presents us with a symbological analysis of a transitional form
between ritual and theater which has held its own for a thousand years.
The plays-on mythical and epic themes-are written in Sanskrit and
Prakrit, languages known and understood by a only a few priests and
scholars who witness the performances. The local language Malayalam is
incorporated into the show by the clown character (Vidusaka) who
improvises and expounds on the text at great length.
He speaks in a relatively realistic manner in contrast to the other
characters who chant their verses and dialogue according to pre
scribed rules of execution. The actors use a highly complex system of
gesture language to interpret the text; however, the meaning of this
language too is known to a very few spectators. The eye and facial
movements are also highly stylized, removing the form further from
the understanding of the layman (Richmond 1980:2).
You will recognize in this opposition between actors and clown the
opposition typical of ritual liminality in initiations between the peren
nially sacred and the perennially sacrilegious, between illud tempus and the
scandalous news of the day. This is how Richmond describes the clown:
Ancient texts . . . describe him as a hungry Brahmin, friend and
companion of the chief character, having a hump back, protruding
teeth, and a bald head with a long strand of hair. He carries a crooked
stick and walks with a limp.
In the course of time the Kutiyattam actors have taken this fgure and
expanded his role to that of a central character in the dramas in which
he appears. They have done so at the expense of the text but to the
sheer delight of the audience . . . According to tradition, he must
recite in Sanskrit, repeat the words of his hero companion in Prakrit
and enlarge upon their meaning in Malayalam. Armed with the tool
of direct communication with the audience, the clown has been
invested with unusual power. It is said he may criticize members of
the audience, as well as society as a whole, with impunity . . . so
powerful is his license that even kings have restrained themselves
from taking ofense at his remarks. One of the highpoints of a . . .
performance is his satire on the aims of Hindu life. In four successive
evenings he holds forth entirely alone upon the stage, often improvis
ing for six hours at a stretch, wittily chastising society and prominent
individuals with his barbed invectives. Because of his freedom to
IMAGES OF ANTI-TEMPORALITY z]p
criticize all members of society, regardless of their social rank and
caste, the audience experiences a unique sense of communitas. In this
the clown serves as a leveller of society. It is no wonder then that the
clown role may be played only by the eldest and most respected
members of the actor community (who, incidentally, belong to a mar
ginal . caste called Cakyars . . . the mother being of one caste and
father of another, whose line was traditionally carried on as a result of
a plea to the king to allow them to adopt children who were illegiti
mate, born of a union of a Brahmin woman and a non-Brahmin man).
A quick wit, excellent grasp of Sanskrit literature, Hindu philosophy,
and religious practices, and perception of the weaknesses and foibles
of mankind are necessary accomplishments before an actor dares
assume the role . . . We have an in-between fgure who mediates
between the world of the play and the world of reality, given the
utmost license to criticize, and given the power to pollute absolutely if
its power is challenged (Richmond 1980:11 - 12, 13).
The clown pollutes, apparently, by removing his headdress; this brings
the performance to an abrupt halt, polluting the entire temple in which it
takes place. You may say that the clown's role hardly exemplifes the anti
temporality of the liminal domain, since it involves detailed commentary
on the conduct and mores of contemporary personages. Nevertheless this
commentary is really what Geertz would call a "meta-commentary" since
it takes place within a frame which, as we shall see, is basically religious
and composed of cosmological symbols. The clown is what we have
earlier called a "symbolic type" and has something numinous about him.
He sees history sub specie aeternitatis, an eternal vision not without rough
humor, reminding us ofPuck's gleeful aside to Oberon: "Lord, what fools
these mortals be." The illusions of time are judged by eternal truth, the
cosmic as comic.
The contrast between time and anti-time is quite clear when we look
at the setting, the theatrical space, the costumes, and the actors in Kutiyat
tam. Performances are set in temple theaters (kuttambalam) situated in front
and to the right of the main shrine within the precincts of Hindu temples.
Such temple theaters, as the Richmonds make clear, are patently micro
cosms, sacred structures replicating the eternal cosmos.
The kuttambalam is considered an aa or limb of the vastapurusa or
'personage' of the temple. Let us examine the word vastaurusa. The
vastapurusamandala is a ritual diagram or plan which guides the form or
existence of a sacred place-in this instance the Hindu temple and, by
extension, the kuttambalam. The diagram (mandala) is not an archi
tect's blue print. It is not a ground plan to be followed during con
struction. Rather, it is a yantra. Professor Stella Kramrisch, in her
scholarly opus, The Hindu Tmple, defnes the word yantra as a "geo
metrical contrivance by which any aspect of the Supreme Principle
may be bound to any spot for the purpose of worship." This sense of
-
"binding" or "tyii1g down" is J theme which is played upon with
2qC PART I I : PERFORMANCE & EXPERIENCE
many variations in respect to space and time. The word vastu means
site or residence. In the context of the word vastapurusamandala it means
boundaries of existence, boundaries of space, the boundaries of an
ordered universe, the boundaries, in this instance, of the temple or
kuttambalam. As the universe is the outward manifestation of the
Divine Essence, so is the temple, and by extension, the kuttambalam,
the outward form of the Divine Cosmic Essence, Purusa. Who is
this Purusa? The Purusa of the Rig Uda is the creator god. In the
Brahamanas he is known as Prajapati. In a famous hymn to Purusasakta
we are told how the world was fashioned by the gods by sacrificing
this primordial giant. The sun sprang from his eyes, the moon from
his mind; from his breath the wind sprang forth and Indra and Agni
from his mouth. The four castes (varnas) too are equated to parts of his
enormous being-the brahmins to the head, the kshatriyas to the arms,
the vaishyas to the thighs and the shudras to the feet. The universe was
thus created and both cosmic and social order came into being at this
sacrifce. Purusa/Prajapati is the thirty-fourth god, he who contains all
the others in his being. He is all there was, is, and will be. Tus he is
both the sacrifcer and the sacrifced, the victim and the god. Through
sacrifce he brings into being the cosmos. Through death, there is life.
The humblest and the most exalted of Vedic sacrifces recreate this
great death and birth of the cosmos. When, out of chaos, violence, and
sacrifce the universe comes into being, it takes on shape and becomes
ordered, and out of the vast nothingness, space is circumscribed. So
also the building of a temple theatre and the performance of the
Kutiyattam. But these sacrifces, that original moment and act of crea
tion is captured (Richmond and Richmond 1980:1 -3).
You may have noticed how, in a complex metaphorical way, the cos
mogony implicit in these arrangements of sacred and theatrical space (the
two overlap) is homologous with the movement of the social drama from
the phase of crisis to that of redress, when indeterminacy is reordered.
Here the contemporary unruliness is directly connected to primordial
chaos and redress to cosmos construction. An appropriate setting for a
play which mediates between immemorial sacred tradition and contempo
rary social reality! I do not want to deploy here the full range of the
Richmonds' argument that the Kutiyattam performance "is regarded as a
visual sacrifce in honor of the deity and the stage charged with cosmic
signifcance." They have gone into great detail: for example, relating the
squareness of the stage to the Hindu notion that "totality is symbolized as
'four-squared'," and that the square,
with its four directions of North, South, East and West, encompasses
the cyclical movement of the rising sun in the East and its setting in
the West. . . . Therefore the square stage is a microcosm of the uni
verse. The gods and the planets have their abode here. On the ceiling
of the stage their image is carved. They take their residence there,
IMAGES OF ANTI-TEMPORALITY 2qI
protecting the stage and the performance, ensuring that the "visual
sa
rifce" (chakshu
ch men can fly, demons can change their shape at will, a world in
which supernatural powers and insights are commonplace, a world
we mortals cannot enter, it is no wonder that the characters dress in
apparel that looks totally diferent from that which we wear. There is
no attempt made to recreate a specifc historical period either, for the
characters are beyond the concept of time and space-they are cosmic
fgures, fgures not of this profane world (Richmond and Richmond
1980:7).
Lest we should think this South Indian genre of cultural performance
exotic, let us recall our own electronic attempts in flm and television, in
the so-called "science fction' and "horror movie" genres, to body forth
just such liminal "worlds" of gods, demons, shapeshifters, and curiously
clad o
cosmeticized people. I do not need to dwell on the etymological
link between cosmetic and cosmos. The Kutiyattam actor transforms him
self into a cosmic being by the application of skillfully arranged cosmetics.
As is often the case in folk drama, the stage has no scenery, in contrast to
Western dramatic realism where almost every item of property or scenery
akes a specifc statement about the characters and places them in a given
time frame. Kutiyattam is not set in historic time, but the "timeless time"
of the drama is created by the actors by means of manifold conventions.
For example, images of time and space are conveyed by actors to the
audience through a symbolic gesture-language. Thus, in a traditional per
formance, a passage of dialogue is repeated three times.
First the actor chants te Sa
J
skrit lines and executes the stylized
gestur
s
.
for each word, mcludmg nouns, pronouns, verbs, adjectives,
prepositiOns a
t
d s
?
forth. Then the gesture text is repeated with a
marked reductlon H tempo and an exaggeration of eye movements
and facial expressions. All this is done to the accompaniment of the
drums. The passage is chanted once again with gesture accompani
ment. What would take only a few minutes to recite in western real
istic theater often requires more than half an hour to perform in
Kutiyattam. By freing the spectacle of historical reference points, o|
2q2 PART I I : PERFORMANCE & EXPERIENCE
realistic detail, of the drama of everyday life, the Kutiyattam takes on
epic proportions assuming a scale appropriate to the cosmic world
(Richmond and Richmond 1980:8).
I see that I have dallied overlong over this case study, which in many
ways exemplifes other South, South-East, and East Asian types of theater.
Clearly, Kutiyattam is the firstborn child of ritual, perhaps even a younger
sibling. Nevertheless, though still oriented to the sacred, it is already (as
Jane Harrison might have said) an "exhibition,'' "something shown,'' an
emergent from true ritual liminality, which engrosses its participants exis
tentially, catching them into the inner momentum of a society' s life.
Already there is an element of voyeurism, an increase in reflexivity,
especially in connection with the hypertrophy of the vernacular clown,
and the split between actors and audience. Cognitive detachment is grow
ing: the spectators witness divine, demonic, heroic, and anti-heroic deeds
and their denouements; they are no longer kinetically engaged in them.
The ritual fow is broken; the possibility of questioning and even rejection
is being mutely mooted.
As theater becomes increasingly separated from its ritual and cos
mological moorings, it will become less transformative, less initiatory,
more a presention of models which are expected to revivify fdelity to the
religious meaning they convey. But what T. S. Eliot calls "the shadow" has
already fallen between "the experience" and "the meaning." Certainly the
clown scofs, lampoons, and judges people's foibles, crimes, sins, and folly
from the perspective of the ideal model. But his license to criticize moves
the principle of criticism into the wings of the action. Unthinkable though
that might presently seem, the model itself may be doubted. Truly, he
comes dangerously near to doing this. According to the Richmonds,
at one point he parodies the four aims of Hindu life (urutharsas) by
misconstruing them to be license for overindulgence rather than self
control. He identifes them as enjoyment of sexual pleasure, gorging
oneself on food, making oneself averse to sexual pleasure after having
enjoyed it, and rendering service to the king and making money by
doing so. On one day alone, he requires eight to nine hours to elabo
rate on the numerous types of hosts in Kerala, on the preparation for
cooking various delicacies of diferent communities. He compares oe
dish to a beautiful woman and proceeds to devour it with relish
(Richmond and Richmond 1980:9).
The clown is obviously a symbolic type, and hence timeless. He is
partly the voice of the cosmology which frames his action, condemning
the foibles of the time, casting down the mighty, and at the same time
representing what Mikhail Bakhtin might have called "the people's sec
ond world," the racy and earthy folk meta-commentary on Home> hier-
IMAGES OF ANTI-TEMPORALITY 2q
archicus. He represents a sort of sacred secularity, whose ridiculing of
solemn pretension by "stunning unpretension'' (to borrow Emily Dickin
s
n's
al. The germ of reflex1v1ty always present in the social drama develops
mto theology and jurisprudence in the perduring primary genres, to some
extent impoverishing their performative aspects. But with industrializa
ti
.
urbanization, spreading literacy, labor migration, bureaucracy, the
dlVlSlon of the leisure sphere from the work sphere, the growth of the
market and money economy, the cleavage in each of us between the
coosng
_
"individual" and the structurally ascribed "persona," the profes
slOnalizatlOn of the arts, the former integrity of the orchestrated religious
gestalt th
he
_
us
has been accompanied by secularization. Traditional religions,
theu ntuals denuded of much of their former symbolic wealth and mean
ing, hence their transformative capacity, persist in the leisure sphere but
have not adapted well o modernity, save at the cost of relinquishing their
2qq PART I I : PERFORMANCE & EXPERIENCE
healing and inspiriting numinosity. Modernity perhaps means, inter alia,
the exaltation of what I have called culture's "indicative mood."
But in what some have seen as the "post-modern turn," there are signs
of a return to subjunctivity and a rediscovery of cultural transformative
modes particularly in some forms of theater. I have vividly in mind a
performance of Euripides' Bacchae I saw in Japan which was directed by
Tadashi Suzuki, which combined traditional ritual and dramatic kinetic
and oral "languages" with the innovative use of alternate Japanese and
English dialogue by a Japanese and American cast. Pentheus, the doubting
and eventually dismembered king, was played in English. Cadmus also
spoke his lines in English, as did a messenger. Dionysius was played in
Japanese by Kayoko Shiraishi, a widely acclaimed actress of genius, who
also played Agave, Pentheus' mother. The Bacchae themselves had no
dialogue, and the chorus was half and half English and Japanese. A
reviewer, writing under the initials D. R., for the Tokyo Japan News (14
September 1981), wrote, quite justly, that
the astonshing conversations in Japanese and English create a height
ened sense of theater which is as rare as it is impressive. The two
characters understand each other, but. we understand only one of
them. One is a mortal and the other is a deity. If we do not under
stand, say, Japanese, the deity is really god-like in his incomprehen
sibility. If we do not understand English, the all-too-human ruler is
even more human in his agonized attempts to make us understand. It
works either way, or both, and the result is perhaps the kind of ritual
theater that Euripides had in mind . . . . total incomprehensibility
makes for boredom, but half incomprehensibility keys us up, awakens
our sense of wonder, makes us give all our attention-in short creates
ritual theater. The director knows this very well: music, processions,
dances, declamations and that very special sense of the inexorable
which is perhaps what Greek drama was originally about.
Thinking the production over, I wondered whether perhaps the Cath
olic rejection of Latin and the Anglican muting of King James' biblical
' English may not be remedied by a post-modern turn towards combining
the archaic with the modern languages or dialects in liturgy-not simply
assigning the modern language to the resacralized clown (who is now seen
'
as a legitimate model for religious action in various Christian denomina- .
tions), as in Kutiyattam, but putting temporality (including signifcant
moments of Church history) into living dialogue with anti-temporalty,
through the alternate use of signifcant liturgical languages. At any rate the
dismemberment of traditional religious ritual may be a prelude to its
creative re-membering, which is not merely the restoration of some past
intact, but setting several formative "pasts" in living relationship, through
symbolic action, to our fullest experience of the present.
IMAGES OF ANTI-TEMPORALITY 2q]
Ritual must recover much of what it has lost to its multiple progeny,
the many genres of cultural performance, which in the frames of play and
entertainment have in fact often been entrusted with the refexive, eval
uative, redressive, and semiogenetic tasks once undertaken by religious
ritual. In complex cultures with developing electronic media it might be
possible to view the ensemble of performative and narrative genres, not as
a single mirror held to nature, but as a hall of mirrors. Today we can draw
our metaphors from science. In the December 1980 issue of the Scientic
American, David Emil Thomas shows how the mirror image is not always a
faithful reflection, but can be inverted, its handedness reversed, or dis
torted in other ways by such forms as plane, convex, concave, convex/
cylindrical, concave/cylindrical, saddle, or matrix mirrors, while images
can be reflected from one to another of these varied types. In similar
fashion the multiple performative genres bounce the "real world" prob
lems, issues, and crises of our social dramas-from political causes ce?bres
to marital and familial disputes-from one to another, giving diverse
images, transformed, magnifed, refracted in terms characteristic of each
,
genre, then flashed on to another better able to scrutinize other aspects of
those problems, and so forth.
A complex social process may require complex forms of performative
self-scrutiny. In this hall of mirrors, which has its origin perhaps in the
third stage of social drama, though varyingly elaborated in diferent
cultures, the reflections are manifold, distorting, dwarfng, bloating, dim
ming the faces peering into them, provoking not merely thought, but also
strong emotions, and perhaps the will to change. The flaw, the ugliness,
may be in the mirror, the means through which we represent the world
and ourselves in order to evaluate them, inducing people to fnd perhaps
simpler and clearer cultural modes of reflecting experience.
But, in any case, it seems that there is a dynamic relation between
social drama and the ensemble of expressive cultural genres, such that
each, to quote Ronald Grimes, is the "dialectical dancing partner" of the
other. What is unconscious and implicit in one may be conscious and
explicit in the other, and perhaps humankind may only advance in under
standing, and hence also even technically and organizationally, by fully
recognizing this yin-yang type of dynamic interdependence. If one
defnes "immortality" as "that which is destined to persist through the
ages," this "dialectical dance" between event and cultural mirrorings may
be called "immortal." The difculty here is that humankind has found a
sure way to terminate itself by means of Weaponry derived from its sour
knowledge of nuclear fssion and fusion, for matter is easier to probe to
the root than spirit and can be put to baser uses. Thus, the "immortality of
man" may be delusory, not only individuals but the species may be mortal,
a word equivalent, as the dictionary tells us, to "Iutman."
z| PART I I : PERFORMANCE & E XPERIENCE
Eternity or eternal life is another matter-or is it? Here I must lamely
admit that in considering the mechanisms of the human social and cultural
dramas, I have omitted the meaning-content of the ritual process as it is
utterly manifest in many religions. The complex temporality of all the
social and cultural processes I have been discussing demands a moment of
experienced eternal life as its cogntive and ontological counterstroke, the
factor constructive of processual meaningfulness. And here I will con
clude with a salto mortale, a leap of faith, which you may construe, accord
ing to your varied lights, as a coda, a non sequitur, or a capstone of my
argument. In the tradition of positivist anthropology in which I was
raised, the reading of Friedrich Von Hiigel was considered worse than
pornography. But now I will venture to conclude with a paragraph from
his book Eternal Li: A Study q Its Implications a Applications. You may
deduce from it my secret thoughts about what I have openly said:
Eternal Life, in the fullest thinkable sense, involves three things-the
plentitude of all goods and of all energizings that abide; the entire
self-consciousness of the Being Which constitutes, and Which is
expressed by, all these goods and
>
energizings; and the pure activity,
the non-successiveness, the simultaneity, of this Being in all It has, all
it is. Eternal Life, in this sense, precludes not only space, not only
clock-time-that artifcial chain of mutually exclusive, ever equal
moments, but even duration [here Von Hugel glances at Henri
Bergson, whom in so many ways he deeply admires], time as actually
eperienced by man, with its overlapping, interpenetrating successive
stages. But Eternal Life precludes space and clock-time because of the
very intensity of its life. The Simultaneity is here the fullest
expression of the Supreme Richness, the unspeakable Concreteness,
the overwhelming Aliveness of God [perhaps, in a nontheistic setting,
like Zen Buddhism, one could speak of satori here, the sudden
enlightening flash that this, here, is the Great Eternity, or as William
Blake might have put it in our Western way, jlove
the pdwiQ.. l! of'Ie/
'
.th gpgzpy _ _ d1.alism; and is at
the opposite pole
t
rom all empty unity, all mere being-any or all
abstractions whatsoever (von Hiigel 1912:383) .
In the general anti-temporality or contra-temporality or meta-tem
porality of social dramatic redress, the continuous sense of limitation and
inadequacy, the frustratedness of historical experience, are often intuite
as the very means in and through which historical humankind apprehends
increasingly (but only if he opts to do so) the counterstroke of simul
taneity, spontaneity, infnity, and pure action of that quintessence of anti
temporality which has been called absolute timelessness, Eternity.
PART THREE
Te Bran
11
Body Bran, and Cutre
he present essay is for me one of
the most difcult I have ever attempted. This is because I am having to
submit to question some of the axioms anthropologists of my genera
tion-and several subsequent generations-were taught to hallow. These
axioms express the bele!hUll. | n Lhaios!hcresult o.socia
co.r.iti_
:
f;d
vvery great deal of it is, but gradually it has been
borne home to me that there are inherent resistances to conditioning. As
Anthony Stevens has written in an interesting book which seeks to recon
cile ethological and Jungian approaches: ''ny attempt to adopt forms of
social organization and ways of life other than those which are characteristic
i our species must lead to personal and social disorie
n
tation" (italics added;
Stevens 1982:24). In other words, our species has distinctive features,
genetically inherited, which interact with social conditioning, and set up
certain resistances to behavioral modifcation from without. Further,
Robin Fox has argued: "If there is no human nature, any social system is as
good as any other, since there is no baseline of human needs by which to
judge them. If indeed, everything is learned, then surely men can be
taught to live in any kind of society. Manis at the mercy of all the tyrants
Reprinted with permission of the Joint Publication Board of Zeeme| Re|[|ei c
rlitirc,vol. 1 8, HO. 3 (September 1983).
2]C PART III: THE BRAIN
who think they know what is best forhim. Andhow canhe Iead that
they arebeing inhumanifhe doesn'tknow what being humanisin the
6rstIace?" (fox1973:13). neofthosedistinctivehumanfeaturesmaybe
aroensitytotherituaIizationofcertainofourbehaviors, fromsmiIing
andmaternaIresonsivenessonwards.
..ofRitualization
In]une 1965, Itookartinadiscussionon rituaIization ofbehavior
inanimaIsandman' organizedby Sir]uIianHuxIeyfortheRoyaISociety
and heId~erhas aroriateIy~in the Iecture haII ofthe ZooIogicaI
Society ofLondon, neartheMa inTerraces, wherethemonkeysreveI.
The hardcore" oftheconference consisted ofzooIogistsandethoIogists,
HuxIey, Konrad Lorenz, R. A. Hinde, W H. Thore, Desmond Morris,
M M. CuIIen,F W Braestru,I.EibI-EibesfeIdt,andothers. SirEdmund
Leach,Meyerfortes, andIsokeuforBritishanthrooIogyinde6ning
rituaI,butbyno meansasunanmousIyastheethoIogistsdidinde6ning
rituaIization. ther schoIars reresented other disciIines. sychiatrists
incIudedErikErikson, R.L Laing, andG. Morris Carstairs. SirMaurice
BowraandE.H. Gombrich soke abouttherituaIizationofhuman cuI-
turaIactivities, dance, drama, andart.BasiIBernstein, H.EIvinandR. S.
Peters discussed rituaI in education andDavidAttenborough shared his
ethnograhic 6Ims on the Kava ceremony in Tonga and Iand-diving in
Pentecost,MewHebrides.
ThenonethoIogists generaIIy acceted Leach's ositionthat it can-
notbetoostrongIyemhasizedthatrituaI,intheanthrooIogist'ssense,is
in no way whatsoever a genetic endowment ofthe secies" (Leach
1966:403). I tookuno ubIicositionat thattime, since Iwas secretIy,
even guiItiIy imressed by ge ethoIo_sts' de6nition o rituaIization'
'" .!
a
9!P'Y!
ma
i!tI9)@(|
a-
'
(pnofep(ionaIIy
notivated bebavioj,undertI:eteocressureo|
naturaIseIectionsoas,(a)toromotebctteat:doreunambi:oussgnaI
I
!
h Io ,Io:ra- andinter-seci6caIIy, () to serve as moreemcient
stimuIators orreIeasers ofmoreemcientatternsofactioninotherindi-
viduaIs, (c) to reduce intra-seci6c damage, and (d) to serve as sexuaI or
sociaI bonding mechanisms" (HuxIey 1966:250) . ActuaIIy, much of
HuxIey'sdehnitionisbetteraIIedanaIogicaIIytothosestyIizedhuman
behaviors we might caII communIcative," such as manners, decorum,
ceremony, etiquette,oIitedisIay, the ruIesofchivaIry (whichinhibitthe
inictionononeanotherofdamagebyconsecihcs) than torituaIroer.
BODY, BRAIN, AND CULTURE 2]I
IiuspbIcatIons have suggested that ;t vas a tranir
t!
a!i
!
e pe pcereveaIingmajorcIassincatIons,cagories, andcontra-
dictit:sofcuIturaIrocesses."IntheseresectsitmIghtconceivabIyfuIhII
fourth function, that ofserving as sexuaI or sociaI bonding
mehanisms,"bytransformingsociaIand_rs_onII(e-cycs(bi|initia-
tion,aarriage,death)intooccasionswheresymboIsandvaIuesreresent-
ingtheunityandcontinuityofthetotaIgrouwereceIebratedandreani-
mated. The cuIturaI rituaIs which seem most to embody something
resembIing HuxIey's de6nition of rituaIizationre seasonaI, agri-
cuIturaI, fertiIity, nerary,
and eaIin
(ransitipn.
:
W
le
.
ceremny is
nked
with sociaI states. Performances of mtuaI are dtstmcttve hases m the
sociaIrocess,whereby grousandindividuaIs adjusttointernaIchanges
andadattotheirexternaIenvironment.
eyer fortes, inuenced by Sigmund freud, de6ned rituaI at the
Lonon conference as rocedureforrehendingthe occuIt, thatis, hrst,
forgrasingwhatis,foraarticuIarcuIture,occuIt(i.e.,beyondeveryday
humanunderstanding,hidden, mysterious)intheevents andincidents of
eoIe'sIives, secondIy, forbindingwhatis so grasedbymeans ofthe
rituaIresources and beIiefs avaiIabIeinthat cuIture, and thirdIy, forthus
incororating what is grased and bound into the normaI existence of
individuaIs and grous" (fortes 1966:411). This formuIation might weII
identifysychoanaIyticaIcIinicaIrocedureasrituaIrocess.fortesmakes
hisfreudianamIiationquitecIearwhenhegoesontowritethat_
0 . `!P99
d
9P.9|9[P
s
7-
o
I
7
t
ic
I
se;ise) forces ofindividuaI action and existence, and their sociaI equiv-
s, the irreducibIe factors in sociaI reIations (e.g., the mother-chiId
nexus, at one end ofthe scaIe, the authority ofsociety at the other). By
bringingthem,suitably disguised, orsymboIizedintangibIemateriaIobjects
andactions,intotheoenofsociaIIife,rituaIbindsthemandmakesthem
manageabIe''(itaIicsadded,fortes1966:413).
OnIike Leach, fortes sees rituaI more as the handIing ofotherwise
unmanageabIe ower than the communication ofimortant cuIturaI
knowIedge. for fortesirreducibIe ambiguities and antinomies aremade
vsibIe andthus accessibIeto ubIic andIegitimatecontroI~aosition to
which withimortantuo d 6c ions I myseIfhave subscribed g ]_
Lea t en:phsis;nrtI `s coiti
-
|
. '.'1l |I
(I' \ ' ' ,
it s chatact
fm
tbc.c,rcar:onofthc
andthatthis actofcteationismythoIogizedas$ Iist ofnames attachedto
\ \.'= '' ..
~
etsons,Iaces,ammAs,andthmgs.ThewotIdiscteatedbythetocessof
cIassi6cationandtheteetitionofthecIassihcationofitseIfetetu
knowIedgewhichit incototates"(Leach 1966:405). RituaIsuuIticoded
=
suasionandtheethoIogistsintheitconcetoftituaIizationottituaIIayin
the emhasis ofthe fotmet on tituaI as Ieatned, cuItutaIIy ttansmitted
behaviot, inttinsicaIIy Iinked with the deveIoment ofIanguage, and of
theIattet on tituaI as geneticaIIy togtammed behaviot with imottant
nonvetbaIcomonents.
The Neurobiology of the Brain:
Culturetype and Genotype
Theyeats assed. I continued to tteattituaI essentiaIIy as a cuItutaI
system. MeanwhiIe exciting new hndings wete comng ftom genetics,
ethoIogy, and neutoIogy, atticuIatIy the neutobioIogy of me btain. I
foundmyseIfaskingastteamofquestionsmoteotIessaIongthefoIIow-
ing Iines. Can we enIatge out undetstanding ofthe tituaI tocess by
teIatingittosomeofthesehndings?AftetaII,canweescaeftomsome-
thingIikeanimaItituaIizationwithoutescaingoutownbodiesandsy-
ches,the thythms andsttuctutes ofwhichatiseontheitown?AsRonaId
Gtimes has said, They ow with otwithout outconscious assent, they
ate utteted-excIamations ofnatute and out bodies" (Gtimes 1982:36). I
aIsoaskedmyseIfmanyofthequestionstaisedbyRaIhWendeIIButhoe
inhisattoftheinttoductiontothe Setembet 1983:213 issueofZygon
eseciaIIy, foIIowingEdwatdC WIson,whatisthenatuteoftheaIIeged
chain," andhowIongisit,bywhichgeneshoIdcuItutaIattetns,incIud-
ing tituaIattetns, to usethe idiom ofsociobioIogy, on Ieash"?This, it
seemedtome,iswhetetheneutobioIogyofthehumanbtainbeginstobe
teIevant.
We shaIIhave occasionto Iook at the hndings ofPauI MacLean, the
neutoanatomst, againIatet, butsomething shouId be said now about his
wotk on what might be caIIed atchaic" sttuctutes ofthe human btain.
His eatIy wotk deaIt with what is caIIed the Iimbic system, an evoIu-
tionatiIyancientattofthebtainconcetnedwiththeemotions,ctadIedin
ot neat the ftinges of the cottex. In a 1949 aet he suggested that the
Iimbic system is the majot citcuit that wouId have to bc nvoIvcd in
sychosomaticdiseases, such asgasttointcstinaIuIcctscauscdby social or
BODY, BRAIN, AND CULTURE 2]
sychoIogicaI sttess, a now wideIy acceted hyothesis sinceithasbeen
demonsttatedthatthissystemconttoIs theituitaty gIandat thebase of
thebtainandtheautonomicnetvous systems, whichintutnconttoI the
visceta" (Konnet 1982:147). He futthet toosedin 1952 that the ftontaI
Iobes ofthe cetebtaI hemishetes, shown to be the seat ofthe highest
humanfacuIties, suchasfresiht and concern fr the consequences and meanin q
events, mayhave these functions and othets by virtue q intimate connections
between the .ontal lobes and the limbic system" (itaIicsadded,Konnet 1982:147).
HeteweseethatthehighestandnewestottionofthecetebtaIcottexhas
bynomeansdetacheditseIfftomanancient, timitive"tegion,butfunc-
tionsasitdoesteciseIybyvittueoftsteIationshitotheoIdemotionaI
citcuitty" (Konnet 1982:147) . Latet, WaIIe Mauta, a ceIebtated neu-
toanatomst, has tefetted to the ftontaI Iobes as the neocottex ofthe
Iimbicsystem" (Mauta 1971:167 -87). As MeIvin Konnet concIudes.]ust
asothetattsof thecottexhavebeenidentihedasthehighestteott-and-
conttoIcentetsfotvision,heating,tactiIesensation,andmovement, sothe
ftontaI Iobes have emetged as the highest teott-and-conttoI centet fot
theemotions" (Konnet 1982:147). Thus evoIutionatiIytecentand atchaic
attetns ofinnetvationintetatticuIate, and the fotmetisIiant to condi-
tioningwhiIetheIattetisquitetesistant.
PauI MacLean'swotk, and teIated studies byjasonBtown, taisethe
question neatIy fotmed by Buthoe. What is the toIe ofthe btain as an
otgan fotthe atotiate mixing ofgenetic and cuItutaI infotmationin
thetoduction ofmentaI, vetbaI, ototganicbehaviot?Buthoe taises fut-
thetimottantquestions.To whatextentistheIowetbtain,incIudingthe
Iimbic system and its behaviot (to continue the metahot) , on a vety
shott Ieash" undet the conttoI ofthe genotye? (Konnet uses the tetm
geneticaIIyhatdwited.")Inothetwotdsisgeneticinhetitanceadehnitive
inuence hete? The cotoIIaty wouId seem to tun as foIIows. To what
extent is the uet btain, eseciaIIy the neocottex, which is the atea
tesonsibIein mammaIs fotcootdinatonand fothighetmentaIabiIities,
on a Ionget Ieash in tetms ofconttoI by the genotye ot genome, the
|undamentaI constitution ofthe otganism in tetms ofits heteditaty fac-
tots? Does sociocuItutaIIy ttansmitted infotmation take over conttoI in
humankind and, ifso, what ate the Iimits, ifany, to its conttoI? Does the
gcnotyetakeaetmanentbackseat,andissociaIconditioningnowaIIin
aII?TheictutethusbuiItufotmewasofakindofdual control Ieadingto
what Buthoe caIIs a seties ofsymbiotic coadatations between what
m ght bccaIIedcuItutetyes and genotyes. MacLean'shyothesisabout
the anatomicaI teIations ofthe ftontaI Iobes to theIimbic system is cet-
tain|y suggcstvc hetc. SubscqucntIy, MacLeanwent futthet and gave us
hi s mt:dHo|the "ttuncbran."(AswcshaIIscc|atct,J. P. Hcnryand l. N.
StCphCns[ 1 977) have argucdthatthe domnantor|c|tccrcbra|hemisphere
2q PART I I I : THE BRAIN
represents a fourth and phylogenetically most recent system peculiar to
our species.) According to his model, MacLean sees us as possessing three
brains in one, rather than conceiving of the brain as a unity (see Fig. 1).
Each has a diferent phylogenetic history, each has its own distinctive
organization and make-up, although they are interlinked by millions of
interconnections, and each has its own special intelligence, its own sense
of time and space, and its own motor functions (MacLean 1976). MacLean
postulates that the brain evolved in three stages, producing parts of the
brain which are still actively with us though modifed and inter
communicating.
The frst to evolve is the reptilian brain. This is the brain stem, an upward
growth of the spinal cord and the most primtive part of the brain, which
we share with a vertebrate creatures and which has remained remarkably
unchanged throughout the myriads of years of evolution. In lizards and
birds this brain is the dominant and controlling circuitry. It contains nuclei
which control processes vital to the sustenance of life (i.e., the car
diovascular and respiratory systems). Whereas we can continue to exist
without large portions of our cerebral hemspheres, without our reptilian
brain we would be dead! What MacLean did was to show that this "struc-
MCMAMMALIAM
!_. 1. MacLcan's thrccbrains[a|tcrMacLcan I 73).
BODY, BRAIN, AND CULTURE 2
ture" or "level," as some term the reptilian brain, whether in reptiles, birds,
or mammals, is not only concerned with control of movement, but also
with the storage and control of what is called "instinctive behavior" -the
fixed action patterns and innate releasing mechanisms so often written
about by the ethologists, the genetically preprogrammed perceptual
motor sequences such as emotional displays, territorial defense behaviors,
and nest-building. According to ]. Brown, reptilian consciousness at the
sensory-motor level is centered on the body itself and not diferentiated
from external space; yet it constitutes, I suppose, a preliminary form of
consciousness. The reptilian brain also has nuclei which control the
reticular activating system, which is responsible for alertness and the
maintenance of consciousness. It is a regulator or integrator of behavior, a
kind of trafc control center for the brain. Reptiles and birds, in which the
corpus striatum seems to be the most highly developed part of the brain,
have behavioral repertoires consisting of stereotyped behaviors and
responses: a lizard turning sideways and displaying its dewlap as a theat,
or a bird repeating again and again the same territorial song. I am not
suggesting that mammals have no such behavior-clearly many have
much-but rather that birds and reptiles have little else.
MacLeans "second brain" is the one he calls the paleo-mammalian or
"old mammalian brain." This seems to have arisen with the evolution of
the earliest mammals, the monotremata, marsupials, and simpler placentals
such as rodents. It is made up of those subcortical structures known as the
midbrain, the most important components of which are the limbic system,
including the hypothalamus (which contains centers controlling homeo
static mechanisms associated with heat, thirst, satiety, sex, pain and plea
sure, and emotions of rage and fear), and the pituitary gland (which
controls and integrates the activities of all the endocrine glands in the
body). The old mammalian brain difers from the reptilian brain generally
in that it is, as the neuroanatomist James Papez defines it, "the stream q
felin," while the older "level" is the "stream q movement." The hypo
thalamic and pituitary systems are homeostatic mechanisms par excellence;
they maintain normal, internal stability in an organism by coordinating
the responses of the organ systems that compensate for environmental
changes. Later, we shall refer to such equilibrium-maintaining systems as
"trophotropic," literally "responding to the 'nourishing' (troph mainte
nancc of organiC' systems," "keeping them going," as opposed to the
"ergotropic" or aroused state of certain systems when they do "work"
(er,Ron), "put themselves out," so to speak These trophotropic systems, in
Stevens' s words,
not on|y maintain a critical and supremely sensitive control of hor
monc |cvc|s hormoncs, otcoursc, being substanccs tormcd in somc
organ o|thc body, usua||y a g|and, and carricd by a body uid to
z] PART I I I : THE BRAIN
another organ or tissue, where it has a specific efect] , but also balance
hunger against satiation, sexual desire against gratification, thirst
against fuid retention, sleep against wakefulness. By this evolution
ary stage, the primitive mammalian, the major emotions, fear and
anger, have emerged, together with their associated behavioral
responses of fight or fight. Conscious awareness is more in evidence
and behavior is less rigidly determined by instincts, though these are
still very much apparent. The areas concerned with these emotions
and behaviors lie in the limbic system, which includes the oldest and
most primitive part of the newly evolving cerebral cortex-the so
called palaeocortex . . . . In all mammals, including man, the midbrain is
a structure of the utmost complexity, controlling the psychophysical
economy and many basic responses and attitudes to the environment.
An animal deprived of its cerebral cortex can still find its way about,
feed itself slake its thirst, and avoid painful stimuli, but it has
difculty in attributing function or "meaning" to things: a natural
predator will be noticed, for example, but not apparently perceived as
a threat. Thus, accurate perception and the attribution of meaning
evidently requires the presence of the cerebral hemispheres (Stevens
1982:264 -65).
The neo-mammalian or "new mammalian' brain, the third in MacLeans
model, corresponds to "the stream of thought' proposed by Papez and
achieves its culmination in the complex mental functions of the human
brain. Structurally, it is the neocortex-the outer layer of brain tissue or that
part of the cerebrum which is rich in nerve-cell bodies and synapses.
Some estimate there to be 10,000 million cells. Functionally, it is responsi
ble for cognition and sophisticated perceptual processes as opposed to
instinctive and afective behavior.
Further questions are triggered by MacLean's model of the triune
brain. For example, how does it fit with Freud's model of the id, ego, and
superego, with Carl Jung's model of the collective unconscious and arche
types, with nco-Darwinian theories of selection, and especially with
cross-cultural anthropological studies and historical studies in com
parative religion? One might further ask with Burhoe: to what extent is it
true that human feelings, hopes, and fears of what is most sacred are a
necessary ingredient in generating decisions and motivating their imple
mentation? This question is connected with the problem of whether it is
true that such information is necessarily filtered through the highly genet
ically programmed areas in the lower brain, the brain stem, and the limbic
systems. Further questions now arise. For example, if ritualization, as
discussed by Huxley, Lorenz, and other ethologists, has a biogenetic foun
dation, while meaning has a neocortical learned base, does this mean that
creative processes, those which generate new cultural knowledge, might
result from a coadaptation, perhaps in the ritual process itself of genetic
and cultural information? Wc also can ask whether the neocortex is the
BODY, BRAIN, AND CULTURE z])
seat of programs largely structured by the culture through the transmis
sion of linguistic and other symbol systems to modify the expression of
genetic programs. How far, we might add, do these higher symbols,
including those of religion and ritual, derive their meaning and force for
action from their association with earlier established neural levels of ani
mal ritualization? I will discuss this later in connection with my field data
on Central African ritual symbols.
Hemispheric Lateraization
Before I examine some recent conjectures about the consequences for
the study of religion of a possible coadaptation of cultures and gene pools,
I should say something about the "lateralization' (the division into left and
right) of the cerebral hemispheres and the division of control functions
between the left and right hemispheres. The work of the surgeons P.
Vogel, J. Bogen, and their associates at the California Institute of Tech
nology in the early sixties, in surgically separating the left hemisphere
from the right hemisphere to control epilepsy by cutting the connections
between the two, particularly the inch-long, quarter-inch-thick bundle of
fbers called the corpus callosum, led to the devising of a number of tech
niques by R. W Sperry (who won a Nobel Prize in 1981), Michael
Gazzaniga, and others, which gained unambiguous evidence about the
roles assumed by each hemisphere in their patients (see Fig. 2). In 1979, an
important book appeared, edited and partly authored by Eugene d' Aquili,
Charles L Laughlin, and John McManus and entitled Te Spectrum q
Ritual: A Bioenetic Structural Analysis. In an excellent overview of the liter
ature on ritual trance from the neurophysiological perspective, Barbara
Lex summarizes the fndings of current research on hemispheric later
alization. She writes: "In most human beings, the left cerebral hemisphere
functions in the production of speech, as well as in linear, analytic thought,
and also assesses the duration of temporal units, processing information
sequentially. In contrast, the specializations of the right hemisphere com
prise spatial and tonal perception, recognition of patterns-including
those constituting emotion and other states in the internal mlieu-and
holistic, synthetic thought, but its linguistic capability is limited and the
te
pu callo
um whtch
.
connect
the hemispheres appears to
be nonfuncttonal at btrth. Thus, H early hfe, each hemisphere appears
z]8 PART I I I : THE BRAIN
Left hemisphere
Right hemisphere
_ Corpus
callosum
Fig. 2. The corpus callosum seen from above after partial removal and
dissection of both cerebral hemispheres (from Stevens 1982).
to participate in all of learnng. It is only when, for some unknown
reason, the left side of the brain takes the lead in manipulating objects,
and the child begins to speak, that the first signs of asymmetry are
discernible. At this time the corpus callosum is gradually beginning to
function. For a number of years, learning of diverse sorts appears to
occur in both hemispheres, but there is a gradual shift of dominant
motor functions to the left hemisphere, while visual-spatial functioqs
art presumably migrating to the right. . . . The division of labor
grows increasingly marked, until, in the post-adolescent period, each
hemisphere becomes incapable of executing the activities that the
other hemisphere dominates, either because it no longer has access to
its early learning, or because early traces have begun to atrophy
through disuse (Gardner 1975:386).
D' Aquili and Laughlin hold that both hemispheres operate in solving
problems "via a mechanism of mutual inhibition controlled at the brain
BODY, BRAIN, AND CULTURE z]p
stem level." The world "is approached by a rapid functional alternation of
each hemisphere. One is, as it were, fashed on, then turned of; the second
flashed on, then turned of The rhythm of this process and the predomi
nance of one side or the other may account for various cognitive styles
[one thinks of Pascal's contrast between '['esprit de geometrie' and '['esprit de
fnsse' ] , from the extremely analytic and scientifc to the extremely artistic
and synthetic" (d'Aquili and Laughlin 1979:174). These authors and Lex
then make an interesting attempt to link the dual functioning of the
hemispheres with W R. Hess's model of the dual functioning of what are
termed the ergotropic and trophotropic systems within the central ner
vous system, as a way of exploring and explaining phenomena reported in
the study of ritual behavior and meditative states (Hess 1925). Let me
explain these terms. As its derivation from the Greek ergon (work) sug
gests, ergotropic is related to any energy-expending process within the
nervous system. It consists not only of the sympathetic nervous system,
which governs arousal states and fight or flight responses, but also such
processes as increased heart rate, blood pressure, sweat secretion as well as
increased secretion of catabolic hormones, epinephrine (a hormone
secreted by the medulla of the adrenal gland, which stimulates the heart
and increases muscular strength and endurance), and other stimulators.
Generally speaking, the ergotropic system afects behavior in the direction
of arousal, heightened activity, and emotional responsiveness, suggest
ing such colloquialisms as "warming up" and "getting high." The
trophotropic system (trophi, in Greek, means nourishment-here the idea
is of system-sustaining) includes not only the parasympathetic nervous
system, which governs basic vegetative and homeostatic functions, but
also any central nervous system process that maintains the baseline sta
bility of the organism, for example, reduction in heart rate, blood pressure,
sweat secretion, pupillary constriction, as well as increased secretion of
insulin, estrogens, androgens, and so on. Briefly, the trophotropic system
makes for inactivity, drowsiness, sleep "cooling down," and trancelike
states (Gellhorn and Kiely 1972).
Developing the work of Hess, d' Aquili and Laughlin propose an
extended model, "according to which the minor or nondominant hemi
sphere [usually the right hemisphere] is identified with the trophotropic or
baseline energy state system, and the dominant or major hemisphere
[usually the left] that governs analytical verbal and causal thinking is
identifed with the ergotropic or energy-expending system" (d'Aquili and
Laughlin 1979:175). They present evidence which suggests that when
either the ergotropic or trophotropic system is hyperstimulated, there
results a ''spillover" into the opposite system after "three stages of tuning,"
often by "driving behaviors" employed to facilitate ritual trance. They also
usc the term "rebound" from one system to the other; they fnd that when
the
-
left hemisphere is - stimulated beyond a certain threshold, the right
zo PART I I I : THE BRAIN
hemisphere is also stimulated. In particular, they postulate that the rhyth
mic activity of ritual, aided by sonic, visual, photic, and other kinds of
"driving," may lead in time to simultaneous maximal stimulation of both
systems, causing ritual participants to experience what the authors call
"positive, inefable afect." They also use Freud's term "oceanic experi
ence," as well as "yogic ecstasy," also the Christian term unio mystica, an
experience of the union of those cognitively discriminated opposites, typ
ically generated by binary, digital left-hemispherical ratiocination. I sup
pose one might also use the Zen term satori (the integrating fash), and one
could add the Quakers' "inner light," Thomas Merton's "transcendental
consciousness," and the yogic samadhi (Mandell 1978:80).
D'Aquili and Laughlin believe that though the end point of simul
taneous strong discharge ofboth the ergotropic and trophotropic systems
is the same in meditation and ritual, the former begins by intensely stim
ulating the trophotropic system through techniques for reducing thought
and desire in order to maintain "an almost total baseline homeostatis"
(d' Aquili and Laughlin 1979:176). This results in "spillover" to the
ergotropic side, and eventually to strong excitation of both systems. Rit
ual, on the other hand, involves initial ergotropic excitation. The authors
have previously speculated that causal thinking arises from the reciprocal
interconnections of the inferior parietal lobule and the anterior convexity
of the frontal lobes, particularly on the dominant, usually left side, and is
an inescapable human propensity. They call this brain nexus "the causal
operator" and claim that it "grinds out the initial terminus or frst cause of
any strip of reality" ( d' Aquili and Laughlin 1979:170). Tey argue that
"gods, powers, spirits, personifed forces, or any other causative ingre
dients are automatically generated by the causal operator" ( d 'Aquili and
Laughlin 1979:170). Untoward events particularly cry out for a cause.
Hence "human beings have no choice but to construct myths to explain
their world," to orient themselves "in what often appears to be a
capricious universe." Cause-seeking is "inherent in the obligatory func
tioning of the neural structures." We are, indeed, back, via neurobiology it
would seem, to Aristotle's "frst cause that is uncaused" or "Prime Mover
unmoved"! We humans cannot do otherwise than postulate frst causes to
explain what we observe. They write, "since it is highly unlikely that
humankind will ever know the first cause of every strip of realty
observed, it is highly probable that humankind will always create gods,
powers, demons, or other entities as frst causes" (d'Aquili and Laughlin
1979:171).
Myths present problems to the verbal analytic consciousness. Claude
Levi-Strauss has made us familiar with some of these problems: life and
death, good and evil, mutability and an unchangeable "ground of being,"
the one and the many, freedom and necessity, and a few other perennial
"posers" (Levi-Strauss 1 963, 1 963, and 1 964). Myths attempt to expl ain
BODY, BRAIN, AND CULTURE zI
away such logical contradictions, but puzzlement remains at the cognitive
left-hemispherical level. D'Aquili and Laughlin argue that ritual is often
performed situationally to resolve problems posed by myth to the analytic
verbalizing consciousness. This is because like all other animals, man
attempts to master the environmental situation by means of motor behav
ior, in this case ritual, a mode going back into his phylogenetic past and
involving repetitive motor, visual, and auditory driving stimuli, kinetic
rhythms, repeated prayers, mantras, and chanting, which strongly activate
the ergotropic system (d'Aquili and Laughlin 1979:177). Ergotropic excit
ation is appropriate because the problem is presented in the "mythical"
analytical mode, which involves binary thinking, mediations, and causal
chains arranging both concepts and percepts in terms of antinomies or
polar dyads. These are mainly left-hemispheric properties and connect up,
in the authors' view, with the augmented sympathetic discharges men
tioned earlier: increased heart rate, blood pressure, sweat secretion, pupil
ary dilation, increased secretion of catabolic hormones, and so on. If excit
ation continues long enough the trophotropic system is triggered too, with
mixed discharges from both sides, resulting often in ritual trance. Lex
writes that "driving techniques [also] facilitate right-hemisphere domi
nance, resulting in gestalt, timeless, nonverbal experiences, diferentiated
and unique when compared with left-hemisphere functioning or hemi
sphere alternation" (Lex 1979:125). One solution, if it can so be termed, of
the Sphinxian riddles posed by myth, according to d' Aquili and Laughlin,
is that "during certain ritual and meditation states, logical paradoxes or the
awareness of polar opposites as presented in myth appear simultaneously,
both as antinomies and as unifed wholes" (italics added; d' Aquili and
Laughlin 1979:177). There is an ecstatic state and a sense of union, brief in
ritual, prolonged in meditation, where culturally transmitted techniques
and intense personal discipline sustain the peak experience. One is aware
of paradox, but rejoices in it, reminding one of Soren Kierkegaard' s joyous
celebration of the paradox of the cross as the heart of Christianity.
The problem therefore is resolved in d' Aquili and Laughlin's view not
at the cognitive, left-hemispheric level but directly by an experience
which is described by the authors as inefable, that is, literally beyond
verbal expression. Presumably the frequent embodiment or embedment
of the myth in the ritual scenario, either verbally in prayer or song, or
nonverbally in dramatic action or visual symbolism, continues to arouse
within the ritual context the "cognitive ergotropic functions of the domi
nant hemisphere" (d' Aquili and Laughlin 1979:177). If the experiences of
participants have been rewarding-and ritual devices and symbolic
actions may well tunc a wide range of variant somatic, mental, and emo
tional propensities in a wide range of individuals (amounting to the well
known redundancy of ritual with its many sensory codes and multivocal
symbols)-faith in the -cosmic and moral orders contin0d in the myth
zz PART I I I : THE BRAIN
cycle will obviously be reinforced. A. J. Mandell argues in "Toward a
Psychobiology of Transcendence" that "transcendent consciousness, sug
gested by William James to be the primary religious experience, is a
neurochemically and neurophysiologically defnable state, an imperturba
ble hypomania . . . . blissful, empathic, and creative" (Mandell 1978:1).
Play
It is clear that all this refers to the serious work of the brain, as distinct
from "play." Full ergotropic, left-lemisphere behavior tends to be dra
matic, agonistic behavior. I am not too happy about some authors' ten
dency to localize mental functions somewhat specifcally in cortical
regions rather than in interrelational networks, but there does seem to be,
broadly speaking, something in the division of labor between the hemi
spheres, in the diferent work they do. The term "ergotropic," as we have
seen, is derived from the Greek ergon, "work" and tropos, "a turn, way,
manner." It represents the autonomic nervous system in the mode of work,
as a sympathetic subsystem, whereas the trophotropic system (from the
Greek trophe "food, nourishment'') represents the autonomic nervous sys
tem in the mode of sustentation, as a parasympathetic subsystem responsi
ble for producing a balance of functions and of chemical composition
within an organism. This, too, is a kind of difused work, less focused and
mobilized, less intense than the ergotropic functions. But where does
"play" play a part in this model? One seldom sees much mention of play in
connection with brain neurophysiology. Yet play, as we have seen in the
previous essay, is a kind of dialectical dancing partner of ritual and eth
ologists give play behavior equal weight with ritualization. D'Aquili and
Laughlin hardly mention the word.
The hemispheres clearly have their work to do, and the autonomic
nervous system has its work to do. The one makes for social dramas, the
other for social routines. Whether normally functioning or intensely stim
ulated, the components of the central nervous system seem to have clearly
assigned, responsible, interdependent roles to perform. One might specu
late that at the neurobiological level play might have something to do with
the sensitization of neural structures of an interface type, like the limbic
system at the core of the brain, which is known to be intimately associated
with the expression of emotion, particularly with the experience of plea
sure, pain, and anger. We will return to this later.
As I see it, play does not ft in anywhere particular; it is a transient and
is recalcitFant to localization, to placement, to fxation...a joker in the
neuroanthropological act. Johann Huizinga, and Karl Groos before him,
dubbed it a free activity, but Huizinga, Roger Caillois, and many after-
BODY, BRAIN, AND CULTURE z
wards have commented on the enclosure of playing within frames of
"arbitrary, imperative, and purposely tedious conventions" (Caillois
1977:189). Playfulness is a volatile, sometimes dangerously explosive
essence, which cultural institutions seek to bottle or contain in the vials of
games of competition, chance, and strength, in modes of simulation such
as theater, and in controlled disorientation, from roller coasters to dervish
dancing-Caillois' "ilinx" or vertigo. Play could be termed dangerous
because it may subvert the left-right hemispheric regular switching
involved in maintaining social order. Most defnitions of play involve
notions of disengagement, of free-wheeling, of being out of mesh with
the serious, "bread-and-butter," let alone "life-and-death," processes of
production, social control, "getting and spending," and raising the next
generation. The neuronic energies of play, as it were, lightly skim over the
cerebral cortices, sampling rather than partaking of the capacities and
functions of the various areas of the brain. As Don Handelman and
Gregory Bateson have written that is possibly why play can provide a
metalanguage (since to be "meta" is to be both beyond and between) and
emit metamessages about so many and varied human propensities, and
thus provide, as Handelman has said, "a very wide rae of commentary
on the social order" (Handelman 1977:189). Play can be everywhere and
nowhere, imitate anything, yet be identifed with nothing. Play is "tran
scendent" (to use Edward Norbeck's term), though only just so, brushing
the surfaces of more specialized neural organizations rather than existing
apart from them or looking down from a godlike height on them. Play is
the supreme bricoleur of frail transient constructions, like a caddis worm's
case or a magpie's nest in nature. Its metamessages are composed of a
potpourri of apparently incongruous elements: products of both hemi
spheres are juxtaposed and intermingled. Passages of seemingly wholly
rational thought jostle in a Joycean or surrealist manner with passages
flleted of all syntactical connectedness. Yet, although "spinning loose" as it
were, the wheel of play reveals to us (as Mihaly Csikszentmihalyi has
argued [Csikszentmihalyi:1975]) the possibility of changing our goals
and, therefore, the restructuring of what our culture states to be reality.
You may have guessed that play is, for me, a liminal or liminoid mode,
essentially interstitial, betwixt-and-between all standard taxonomic
nodes, essentially "elusive'' -a term derived from the Latin ex for "away"
plus ludere, "to play"; hence the Latin verb eludere acquired the sense of"to
take away from someone at play," thus "to cheat'' or "to deceive." As such
play cannot be pinned down by formulations of left-hemisphere think
ing-such as we all must use in keeping with the rhetorical conventions of
academic discourse. g_ ;t__|, on n.r ft!i.9Q, nq s it
. !l 'rely vegetative, nor is it just "having fun"; it also has a good deal o
(
crgotropic and agonistic aggrcssivity in its odd-jobbing, bricol(e style. As
z| PART I I I : THE BRAIN
Roger Abrahams has remarked, it makes fun of people, things, ideas,
ideologies, institutions, and structures; it is partly a mocker as well as a
mimic and a tease, arousing hope, desire, or curiosity without always
giving satisfaction (Abrahams:pers. comm.). It is as much a refexive inter
rupter as an inciter of what Csikszentmihalyi has described as fow states.
Like many Trickster fgures in myths (or should these be "antimyths," if
myths are domnantly left-hemisphere speculations about causality?) play
can deceive, betray, beguile, delude (another derivation ofludere "to play"),
dupe, hoodwink, bamboozle, and gull-as that category of players known
as "cardsharps" well know! Actually, Walter Skeat derives the English verb
. "play" itself from the Anglo-Saxon pleian, "to strike or clap"; the Anglo
Saxon noun plea means not only "a game, sport," but also, commonly, "a
fght, battle" (here again with ergotropic implications).
Play, as stated earlier, draws its materials from all aspects of experi
ence, both from the interior milieu and the external environment. Yet, as
Handelman writes, it has no instrumental potency; it is, we might put it, a
"shadow warrior," or Kagemusha; (see Akira Kurasawa's flm, Kagemusha) .
For this very reason, its range of metacommunication is great; nothing
human escapes it. Still, in its own oxymoronic style it has a dangerous
harmessness, for it has no fear. Its lightness and feetingness protect it. It
has the powers of the weak, an infantine audacity in the face of the strong.
To ban play is, in fact, to massacre the innocents. If man is a neotenic
species, play is perhaps his most appropriate mode of performance.
More than that, it is clear, as Konner points out, play is educative. The
most intelligent and long-lived mammals have developed it most fully
the primates, the cetacea, and the terrestrial and aquatic carnivores. "It
serves the functions of exercise, of learning about the environment and
conspecifcs, and, in some species, of sharpening or even acquiring funda
mental subsistence and social skills." Opportunity for observation of a
task in the frame of"play" while or before trying to do it has been "shown
to improve the rate oflearning it in a number of mammals in experimental
settings" (Konner 1982:246 -47). Play, then, is probably related to the
higher cerebral centers-not forgetting its connection also with arousal
and pleasure-particularly in rough and tumble games, where the limbic
system is clearly engaged. Yet serious violence is usually controlled objec
tively and culturally by rules and subjectively by inhibitory mechans,s
of perhaps a diferent type from the Freudian superego or ego-defense
mechanisms, although perhaps play does defend consciousness from some
of the more dangerous unconscious drives.
Finally, play, like other liminal phenomena, is in the subjunctive
mood. What does this mean? The subjunctive desig
n
ates a verb form or set
of forms used in English to express a contingent or hypothetical action. A
contingent action is one that may occur but that is not likely or intended.
BODY, BRAIN, AND CULTURE z]
Subjunctivity is possibility. It refers to what may or might be. It is also
concerned with supposition, conjecture, and assumption, with the domain
of "as-if" rather than "as-is." (Hence, there must be a good deal of left
hemispheric activity in play, linguistic, and conceptual activity, but done
for its own sweet sake.) ''s-is" refers to the world of what culture recog
nizes as factuality, the world of cause and efect, expressed in the "in
dicative mood" -which indicates that the denoted act or condition is an
objective fact. This is par excellence the world of the left cerebral hemisphere.
The world of the right hemisphere is, nevertheless, not identical with the
world of play either, for its gestalt grasp of things holds for it in the sense
of a higher reality, beyond speculation or supposition. Play is a light
winged, light-fngered skeptic, a Puck between the day world ofTheseus
and the night world of Oberon, putting into question the cherished
assumptions of both hemispheres, both worlds. There is no sanctity in
play; it is irreverent and is protected in the world of power struggles by its
apparent irrelevance and clown's garb. It is almost as though the limbic
system were itself endowed with higher intelligence, in a kind of car
nivalesque reversal of the indicative situation.
However, since play deals with the whole gamut of experience both
contemporary and stored in culture, it can be said perhaps to play a similar
role in the social construction of reality as mutation and variation in
organc evolution. Its fickering knowledge of all experience possible to
the nervous system and its detachment from that system's localizations
enables it to perform the liminal function ofludic recombination of famil
iar elements in unfamiliar and often quite arbitrary patterns. Yet it may
happen that a light, play-begotten pattern for living or social structuring,
once thought whimsical, under conditions of extreme social change may
prove an adaptive, "indicative mood" design for living. Here early theories
that play arises from excess energy have renewed relevance. Part of that
surplus fabricates ludic critiques of presentness, of the status quo, under
mning it by parody, satire, irony, slapstick; part of it subverts past legit
imacies and structures; part of it is mortgaged to the future in the form of
a store of possible cultural and social structures, ranging from the bizarre
and ludicrous to the utopian and idealistic, one of which may root in a
future reality, allowing the serious dialectic of left- and right-hemi
spherical functions to propel individuals and groups of individuals from
earth to heaven and heaven to earth within a new indicative mood frame.
But it was the slippery Trickster who enabled them to do it, and he/she
modestly, in Jacques Derrida's ludic words, "erases the trace."
The experiments of James Olds and Peter Milner, at the California
Institute of Technology from 1953 onwards, on stimulating by implanted
electrodes the hypothalamus of the brains of rats, including the parts
radiating from the hypothalamus like spokes (neural pathways to the
z PART III : THE BRAIN
oIfactory and Iimbic systems, the setaI areas, amygdaIa, etc.), seemto
have abearing on the Ieasures ofIay, butI have notfoIIoweduthis
avenueofinquiry(OIds 1976).
Further Questions on the Brain:
Religion, Archetypes, and Dreaming
Byindirectionsweseekoutdirections.ThisIongdigressiononhemi-
shericaI IateraIization,Iay, andcuIturaIsubjunctivitybringsmebackto
some ofBurhoe's questions that have been vexing me. How does this
ictureofbrainfunctionngandofthecentraInervoussystemaccordwith
distinctive features ofthe varied reIigious systems that have survived to
this ointin time and exerted aradigmaticinuence onmajor societies
and cuItures? Here we couId rohtabIy comare Eastern and Western
reIigions and theirvariations. Can somebedescribed as emhasizing in
their cosmoIogies, theoIogies, rituaIs, meditativetechniques, iIgrimages,
and so on, right-hemshericaI roerties or Ieft-hemshericaI dom-
nance?DosomeemhasizerituaIswhiIeothersstressmodesofmeditation
andcontemIationastheir centraIrocessesofworshi?Againhowdoes
thisictureht withdescritions ofthevarieties ofreIigiousexerience
thathavebeennotedbyWiIIiam]amesandhis successors?WouIditbea
fruitfuIenterriseto fosterexerimentaIworkonthevariedgeneticand
exerientiaI structurings ofhuman brains which might throw Iight on
asects ofreIigious exerience andmotivation?We wiIItake abriefIook
Iaterinthsessayatsomeinteresungguessworkby]ungiansinreIationto
thisrobIem. ConverseIy, canweiIIuminate,throughcross-cuIturaIcom-
arison, the caacity ofcuIturaIIy shaed systems ofrituaI, symboIs,
myths,andrationaIstructurestoroduceviabIetyesofreIigiousexeri-
ence in the geneticaIIy varied ouIation ofbrains? Here much more
detaiIed descritive work in the study ofdiEerent kinds ofrituaI in a
singIereIigioussystem,asweIIascrosscuIturaIandtranshistoricaIstudies
ofrituaIsystemsisimerative.Somanyquestions,sofewanswers.Butwe
canonIydofruitfuIresearchifwehrstasktherightquestions.
MaturaIIy, the hndings ofneurohysioIogists have rovoked many
secuIations from members ofother disciIines not directIy concerned
with the brain and its workings. The notion ofthe triune brain ro-
oundedbyMacLean,forinstance,hasencouraged]ungiansychoIogists
tocIaimthataneuroIogicaIbasishasbeenfoundforthecoIIcctiveuncon-
scious and its archetyes. One ]ungian, Anthony Stevens, has been
imressed by the work ofP. FIor-Henry and ofG. E. Schwartz, R. ].
Davidson,andF Maer(FIor-Henry 1976; Schwartz,Davidson,andMaer
BODY, BRAIN, AND CULTURE z)
1975). The Iatter showed that humanemotionaIresonsesaredeendent
onneuronaIathwaysIinkingtheIimbicsystemofthemidbrain(the oId
mammaIianbrain)witharietaIandfrontaIareasoftherighthemshere.
FIor-Henry found that this whoIe comIicated right-hemisheric/Iimbic
aEectionaIsystemisunderthesurveiIIanceandcontroIoftheIeft,Ireeat,
ofthe le frontaIcortex.This Iends additionaItestimony to theviewthat
the Iefthemishere (via the corus caIIosum or the Iarge cabIe ofnerve
hberswhichconnectthetwo cerebraIhemsheres, functioningto trans-
mit information between the hemisheres and to coordinate their
activities) can reress or inhibit the activities, eseciaIIy the emotionaIIy
tonedactivities (whicharethevitaIconcernofsychiatrists), oftheright.
Inmy discussion ofthe ossibIe neuronaIbaseofIay, you wiII recaII, I
guessedat aconnectionbetweenthemidbrainandhumanuerbrain. If
FIor-Henry is correct in suosing a Ieft-hemishere inhibiting eEect,
mghtnottheroensitytoIayresuItfromatemoraryreIaxationofthe
inhbitory eEect, erhas through the focusedcuIturaImeans offramng
andarousaI?
AIIthisIeads Stevensto secuIateratherinterestingIyabout thereIa-
tionshi ofvarious sychicaI rocesses recognized by deth sychoIogy
towhatisknownabouttheneurohysioIogyofthebrain.HisviewsaIso
bear on the quesuons I have been raising about the ossibIe nature of
reIigion as at once a suergenetic and a suerindividuaI agency deveI-
oed fromthe coadatation or integration oftwo semiautonomous sys-
tems. These are, in Burhoe's terms, hrst, basic genetic information and
its bioIogicaI exression, articuIarIy in the Iower IeveIs ofthe brain,
whose genetic rograms are not sovery diEerent from those in roto-
human homnids, and, second, the secihcaIIy human generation ofa
Iiving sociocuIturaIsystemwheretheIearningowersoftheuerbrain
radicaIIy modify the commonhuman gene ooI, resuItinginenormous
cuIturaIandhenoticaIvariation, thatis, variationinmanifest charac-
teristics. Sve "VhiIe it may weIIIe that sychic rocesses
beIpngng.mI) pp::I'Feconscious roceed in the right
heinsI:cre, it seems r
habIethat
rt n g,,3;
4})
s
}
t(,ift
@ g? IaI iatin a a
name,uust havc thHr onaI substrateIocaed
inthe phyIogeneticaIIy
muchoIderartsofthebrain"(Stevens1982:265 -66).
, .
i
''
t
rmi
''
oIog
F
(according to tevnss dehnition) are innate n::rchic
yossessing thc caacity to initiate, controI, and mediate the common
bchavioraI characteristics and tyicaI exjeriences ofaII human beins
i rrcsectiveofcuIturaIdierences' (Stevens 1982:296). ]unghimseI(who
rcjccted thc view that humankind was a bIank sIate or a tabula rasa on
z8 PART I I I : THE BRAIN
whichexeriencewasrenataIIy (thatis,exeriencebeginsinthewomb,
andcommunicationbetweenMotherand chiIdcorreIateswiththedeveI-
omentofneuronaIathwaysinthefetaIbrain [seeTreuarthanI947])and
ostnataIIy inscribed, heId that our secies is born with numerous re-
disositionsforerceiving,feeIing,behaving,andconcetuaIizinginar-
ticuIarways.Asheutit.
|@ |p=nexetience,norwouIdexeriencebeossibIeataII
withouttheinterventionofasubjectiveatitude. Whatisthis subjec-
tive atitude?tyjqIss pf Inntc.psy,cc.strU
vich aIIows man tohaveexerIences ofthiskinq. Thusthe whoIe
nature ofthe human maIe resuoses woman, both hysicaIIy and
sirituaIIy. Hissystemistunedintowomanfromthestart,justasitis
rearedforaquitede6niteworIdwherethereiswater,Iight, air, saIt,
carbohydrates, etc. The form ofthe worId into which he is born is
aIready inborn in him as a virtuaI image. Likewise arents, wife,
chiIdren, birth, and death
s
|
ectiveI
) in such tIng}[, dr-,
w ipoetry,ttirigand_
od
aIities.
]
_ |,, _ (
t
!
e
!
e, teFe
ninearche
}Y _
p
theGod
278 PART I I I : THE BRAIN
and its mediation that underlie computer construction and programming.
The main diference between the paleo-Hegelian myth-making aborig
ine and the modern scientist, according to Levi-Strauss, is that uncon
scious process in the former is conscious in the latter, and is applied by the
scientist to diferent subject-matter, in his case to the material world. This
position prompted Paul Ricoeur to characterize Levi-Strauss's position as
"Kantanism without a transcendential subject." Others have spoken in
this connection of a "Kantian unconscious," that is, a "categorical, com
binatory unconscious." Ricoeur argues that, unlike Kant's notion of mind,
the structural unconscious is "a categorical system without reference to a
thinking subject." Perhaps the subject is, as Leach has suggested, a gener
alized esprit humaine. Yet, in a sense, both Levy-Bruhl and Levi-Strauss are
correct. Here we may revert once more to work on the neuroanatomy of
the brain. Ever since Sperry did his Nobel Prize-winning research on
commissurotomy, the split-brain operation which severs all direct connec
tions between the two hemispheres of the forebrain, as pointed out in an
earlier essay, there has been a growing food of research on the functions
of the left and right cerebral hemispheres, and, indeed, on the relationship
between components of the archaic brain (brain stem and limbic system)
and the developed human upper brain. Previous to this research, it was
thought that the right hemisphere was unspecialized and subordinated to
what was called the "dominant' left (in most right-handed and even in
about half ofleft-handed individuals). But, as Barbara Lex (1972:125) puts
it: ''mple evidence, carefully garnered from study of normal individuals,
as well as of patients in whom the cerebral hemispheres have been sur
gically disconnected by transection of the intermediary neural structures
(the corpus callosum and anterior commissure), documents the existence
of two distinct modes of thought. Bogen summarizes the impact of these
new fndings: 'Our present recognition is that the hemispheres are not as
much "major" or "minor" as that they are complementary, and that each
hemisphere is capable of thinking on its own, in its own way. ' " Many
tests have shown that while the left hemisphere is better at using language
and making logical deductions, the right hemisphere is better at perceptual
and construction tasks, such as map-reading, block design, and picture
comprehension. The right is also better at holistic or confgurational per
ception, such as one uses when recognizing a face (certain lesions in the
right hemisphere lead to the condition known as prosopagnosia, inability
to recognize faces, Greek prosopon), which may, however, merely be the
sign of a genetic difculty in making fine discriminations. The right can
synthesize fragmentary sensory information into complete percepts, rec
ognizable sensations received by the mind through the senses. The left
brain is much more adept at analyzing and breaking down information
into temporal sequences. Computers tend to be modeled almost
THE NEW NEUROSOCIOLOGY 279
exclusively on left hemispherical properties, it would seem. So far the
other brain regions have not been replicated. Can we anticipate a com
puter with a complex limbic system? The Russian neurophysiologist Luria
contrasted the left hemisphere's sequential processing with the simultaneous
perceptual processing of the right. Some researchers mark the diference
by calling those who operate under the dominant infuence of the left
brain "divergent'' thinkers-whose ranks would include those who stress
specifc details and how tings difer from one another-botanical tax
onomists, for example. There is some clinical evidence that the "obses
sional" or "compulsive" type of personality, nose down to detail, could be
associated with hypertrophy ofleft hemispheric activity. The right-hemi
spherically dominant types, to the contrary, tend to seek out universal
characteristics, common denominators, underlying the immense phe
nomenological richness of nature and culture. Obviously in normal
human beings both sides continuously collaborate, but these emphases are
in the long run palpable and visible in accurate biographies. Thinking is
thus not solely a function of the left-hemisphere, but is, to paraphrase L
H. Lawrence, "a brain in its wholeness wholly attending."
Musical appreciation, which calls on Gestalt perception rather than
logical analysis-except, notoriously in the case of musicologists-is
linked with the right hemisphere. There should be added here Arthur
Deikman's notion that the left is the "active" hemisphere, the right the
"receptive." The left "does," the right "is"; the former is energetic and
purposive, the latter "witnesses." There is clearly a danger here of falling
into the left hemisphere's own favorite trap of organizing the attributes of
the hemispheres in terms of binary opposites, pluses and minuses. It seems
to be more the case that diferent qualities of awareness are to be associated
with the left and right brains. Some researchers have described these in
computer terminology (which, again, to my mind denatures the dif
ference) as li-brin diital codication, that is discursive, verbal, and logical
processes, as against right-brain analoic codication, that is, nondiscursive,
nonverbal and eidetic, designating visual images that are unusually vivid.
Joseph E. Bogen (1969) previously quoted, approves of the formulation
and writes: "Where propositional thought, that is, thought containing
expressions in which the predicate afrms or denies something about the
subject, is typically lateralized to one hemisphere, the other hemisphere
evidently specializes in a diferent mode of thought which may be called
appositional." Appositional means literally "put side by side," but Bogen
pref;rs to leave its meaning vague. He says that since much of the right
hermsphere is still terra inconita, the full meaning of "appositional" will
only
:
merge as we gain further understanding of its capacities through
cxpcnmcnt. Hc says the di stinction seems to be, crudely and meta
phorically, like that between the "head" and the "heart," which as Pascal
z8o PART I I I : THE BRAIN
observed, "has its reasons whereof reason is ignorant" (la coeur a ses raisons
que la raison ne connait pas).
Back, then, to myth and the opposition between U:vy-Bruhl and
Levi-Strauss. Modern cerebral neuroanatomy suggests that both are cor
rect and that it is not a question of the evolutionary development of a
logical from a prelogical mode of thinking. Rather, Levy-Bruhl, in his
analysis of myth, seizes on what we now know to be right-hemispherical
contributions to this genre, "mystical participation'' among actors, sym
bols, and the like. Levi-Strauss, on the other hand, asserts that the binary
logic of myth (even though embedded in unconscious processes) is of the
same type as that of modern science and is as rigorously applied. He may
reduce, in one respect, diachrony to synchrony, but the underlying logic in
myth, he would hold, proceeds in a linear and logical, and not in a Gestalt
holistic, manner. It is this left-hemispheric reductionism (or "imperi
alism") which perhaps provoked from Mary Douglas the sweetly mali
cious comment: "It seems that whenever anthropologists apply structural
analysis to myth they extract not only a diferent but a lesser meaning"
(1975:166). She is perhaps suggesting here that what Bogen called the
"appositional" richness of the right-hemispherical contribution to this
narrative has been "commissurotomized," denuding it of its creative
potential. She saw more of this potential in Augustine's "antitypical"
interpretation, where he saw Noah's being mocked as a prefiguration of
the mockery of Jesus after the scourging at the pillar by the Roman
soldiers.
On the other hand, Levy-Bruhl was quite put out when he received a
rapturous letter from the Belgian poet
E
mile Verhaeren, whose work had
included a profound critique of urbanized man caught up in the toils of les
villes tentaculaires, the "tentacular towns." Verhaeren had just read La Men
talite Primitive, supposedly a positivistic analysis of primitive humankind's
emotional, personal understanding of the world and its supernatural
causes, thus an "earlier stage" in the evolution of consciousness. "You have
shown me, master, just how we poets of modernity grasp the world," cried
the ecstatic poet. Clearly, this mode of consciousness was still alive, not
surpassed! To a major extent this was right-brain thinking, though inev
itably transformed into left-brain sequences of words and empowered by
sources deep in the archaic brain. Putting it simplistically, Levi-Strauss's .
left hemispheric approach does not replace but complements Levy
Bruhl's right hemispheric approach to myth and the mentality or thinking
behind it.
This brings me to the depth psychologists, who, in their explanations
of myth-which we have to relate cross-culturally to ritual, even when in
any given society one or the other is attenuated, even virtually absent
regard the unconscious "psyche" or "mind" (terms now returning, appar-
THE NEW NEUROSOCIOLOGY z8I
ently, to favor) as the supreme source of mythic symbols and their drive to
cultural and public expression. Their stance is the opposite of those we
have been considering, which rooted myth in cognitive attempts to
explain humankind's insoluble dilemmas as each culture construes them:
Why death? Why evil? Why multiplicity and unity? Why not immortality?
Why man and woman? Why (the question in Levi-Strauss's classical analy
sis of the Oedipus myth) does the human race originate from the earth as
the ancient Greeks supposed (the notion of chthonic origin) and yet
clearly is the result of human reproduction, as experience demonstrates?
Do we originate from One or Two? True to his Durkheimian background,
as Leach has written, Levi-Strauss sees myth as "thinking itself" in men
and women rather than being thought by individual men and women and
then socially disseminated. A sort of over-consciousness, an over-mind,
an esprit humaine is posited, language personifed and hominiform.
The depth psychologists invert the source of myth, making of it an
emergence from the unconscious of psychological needs and wishes pic
tured and played out in the bizarre, often incestuous, murderous, and
cannibalistic deeds of the cosmogonic gods and society structuring
culture heroes. Nevertheless they, too, posit a transpersonal, yet oddly
hominiform entity, of a universal character, a sort of "underworld" esprit
humaine, as the supreme author or architect of the mythic in all cultures. As
the poet Rilke wrote, "Speak not of this one nor of that-It's Orpheus
when there's song"-one poet in all poets, rising from the underworld.
Freud, as we know, in his topographical model, assumed that there is in all
humans an "unconscious" which is at once a source of innate drives (e.g.,
the longing for immortality-as in Nietzsche's phrase "Aile Lust Will
Ewiheit" ) and a repository of experiences and feelings repressed into the
unconscious, often from earliest infancy. The conscious ego is that part of
the psyche, derived phylogenetically from the unconscious, which experi
ences the outside world through the senses, organizes the thought proc
esses rationally, and governs actions. Normally it is unaware of the desires
and conficts present in the unconscious, due to a set of unconscious
defense mechanisms which protect it from the upwelling of painful or
anxious feelings associated with the repressed material. However, in addi
tion to neurotic and psychotic symptoms, there are three major ways in
which the unconscious drives are disguised and allowed some measure of
conscious expression. These are dreamng, daydreaming, and the making
of myths. It is of the essence of Freud's position that these masked and
cloaked desires are to be regarded as "illusions," and that religion should
be included among such illusions-as witness his book, Te Future i an
Illusion, which is for him the future of religion, and his characterization of
myths as "the fairy tales of religion." He drew a parallel between the
psychoanalytic therapeutic process in which the patient is assisted by the
z8z PART I I I : THE BRAIN
analyst to discriminate between real and fantasied happenings, and
thereby to develop a strong healthy ego attuned to the environment and
no longer browbeaten by the superego, the largely unconscious enforcer
of unnaturally rigid moral standards, and the historical process of secu
larization through science which will "see through" all mythic guises by
tracing their real source in the panhuman unconscious. In a way, his
position complements that of Levi-Strauss: Freud's afrms the need for
the emergence and liberation of a strong rational ego from unconscious
constraints and now able to cope with inner and outer stresses and strains;
Levi-Strauss's afrms the existence of such a rational consciousness
beneath the apparently fanciful outward trappings of myth. Both, in their
own ways, represent left hemspheric hegemony, if not imperialism, and
would deny real value to the creative aspects of right hemispheric
functioning.
As I mentioned earlier, Jung is a depth psychologist whose views
seem, on the whole, partly consonant with the new neurological discov
eries, and have in fact recently received some reinforcement from them;
ironically, since it was Freud who began his career as a neumlogist, and
indeed coined the term agnosia to refer to any failure in the recognition of
objects, whether at the earlier stage of form perception or the subsequent
association of percepts to meaning. Like Freud, Jung insisted that myths
are powerful expressions of the unconscious and preconscious psyche,
just as dreams and daydreams are. But he made a further distinction,
repudiated by Freud's followers, between the "personal unconscious,"
which he equated with Freud's unconscious, and the "collective uncon
scious," which all human beings share regardless of culture, ethnicity,
gender, and time. Modern Jungians, like Anthony Stevens, E. Rossi, and
J. P. Henry, speculate that the personal Freudian unconscious is mainly
lodged in the processes of the right hemisphere, while the neuronal sub
strate of the Jungian collective unconscious they would locate in the phy
logenetically much older parts of the brain, the brain stem and limbic
system.
However, the Jungian archetypes, those genetically transmitted active,
living dispositions, that perform and continually influence our thoughts
and feelings and actions, though welling up from the archaic reptilian and
paleomammalian bra
i
n segments, obviously have each a complex a1d
widely ramifying neurological substrate, connecting the lower brains with
the cerebral hemispheres (see Stevens 1982:262 -67). Since they emerge as
imager in dreams and myths, it is possible that they are processed by the
right hemisphere, but since they can also emerge in the form of words,
concepts, and language, they do not escape the infuence of the left hemi
sphere. Henry and Stephens (1977) conclude from their survey of neu
rophysiological evidence that not only can the left hemisphere inhibit
communication from the ri ght, but also that both hemispheres may be
THE NEW NEUROSOCIOLOGY z8]
capable of suppressing communications from the limbic system which is
concerned with emotionally toned activities. Jungian therapy sees its task
as integrating and balancing the diferent mental systems, whose cerebral
substrates the neurologists are beginning to discover. The emergence of
archetypes, especially the mandala symbol, in dreams and art therapy,
plays a major role in the maturation process of patients, known as "indi
viduation." Thus Jung did not take the view that dream and myth symbols
disguise repressed material, but that the collective unconscious is the
repository of life-giving and unifying archetypal symbols-"symbols"
because they clothe what are essentially "protoplasmic patterns" in imag
ery and ideas supplied by the upper brain and gleaned from the ego's
experience in his/her natural and cultural environment.
How far is it true that the upper cortex is the seat of programs mainly
structured by culture through the transmission of linguistic and other
symbol systems to modify the expression of genetic programs? And how
far do these higher symbols (of myth and ritual) derive their meaning and
force for action from their association with earlier-established neural lev
els of animal nature? The conficts among the scholars I have listed con
cerning whether myth is rational or irrational in character or whether it is
located in conscious or unconscious thinking must surely yield to the new
fndings of the neurobiologists who are attempting to answer these and
similar questions. Research now shows that we have in efect four semi
autonomous centers, the extremely archaic brain stem, the limbic system,
and the left and right hemispheres. The frst two are on a tight genetic
leash, the last two on a longer leash. It would appear that all goes well if
the four are in harmony.
Somehow, I am irresistibly reminded of William Blake's Prophetic
Books, in which the four brains seem to correspond to some extent with
his "Four Zoas," "forms of life," whom he calls Urizen, Los, Luvah, and
Tharmas. Urizen, who is the reasoning power, has strongly left-hemi
spheric attributes; Los, "the Eternal Prophet," the creative power, has right
hemispherical attributes, despite the fact that he is sometimes equated with
time, and his wife or "Emanation'' Enitharmon, with space; Luvah, the
erotic and passionate Zoa, the "King of Love," but who is also identifed at
times with "red Ore," "the King of Rage," and who is less distinctly
human than the frst two, has limbic system characteristics. Before the Fall,
Luvah is the cupbearer of the Eternals, serving among them "the wine of
eternity" (Blake 1965, Te Fur Zoas [ 1797) :385). Afterwards he becomes
Love's "contrary," the "spiritual Hate from which springs Sexual Love'
(lake 1965, Jerusalem [1804] :201). While Tharmas, "Lord of the Waters,"
in "the World of Tharmas, where in ceaseless torrents His billows roll,
where monsters wander in the foamy paths" (The Fur Zoa5315)-some^
times called the "Parent power, darkening in the West (The H|+rZoas:297),
and associatech the sense of touch-seems to represent the primordiAl
28
4
PART I I I : THE BRAIN
element from which all life arises, the "stream of motion'' associated by
some neurologists, for example, Paul MacLean, with the brain stem's
functions. Tharmas is also called "father of worms & clay" (Te Four
Zoas:325), terms that seem to link him with elementary forms. In Blake's
personal myth, the Fall is an extraterrestrial event, which occurs when the
Zoas become involved in a kind of power struggle, and each is displaced
from or voluntarily renounces his proper function, claiming that of
another. Disorder reigns; harmony is lost. In particular Urizen, the
ratiocinating and regulative power, who, according to Blake, should be
essentially the articulator and orderer of the productions of the others,
tries to be their master and submit all to "the stony Law" which judges
without mercy or love and rests on moral condemnation and punish
ment-superego characteristics which some researchers associate also
with the left hemisphere. The original balance, the paradisial state, is
destroyed and each Zoa follows his own selfsh interests, with the possible
exception of Los, who retains in some measure even after the Fall the
"Human Form Divine" and continues to be associated with artistic
creativity. When the Zoas are creatively coactive they appear, as Blake
says, "as One Man' (sometimes personifed as ''lbion''), the archetypal
Man, similar to the Adam Kadmon of the Kabbalists, although from
another perspective they appear as an infnite multitude. Humankind is
both One and Many, depending, as, Blake might say, "On the Organ that
beholds it." In the state Blake calls Forgiveness ("Mutual Forgiveness of
each Vice . . . Such are the Gates of Paradise"), a state that involves self
sacrifce through love rather than sacrifce of others as victims to perpetu
ate the "Stony Law" (which began to operate when the pristine operant
unity broke down), the original unity of the Zoas is restored, and the long
sleep of Albion, "the Sleeper on the Rock of Ages," is ended. Los emerges
at the end ofBlake'sjerusalem as a kind of Messiah-fgure, identifed with
Jesus as Blake saw him, the archetypal "artist'' : "& Albion knew that it was
the Lord the Universal Humanity, and Albion saw his FormA Man. &
they conversed as Man with Man, in Ages of Eternity.!nd the Divine
Appearance was the likeness & similitude of Los" (Blake 1965, Jerusalem
[ 1804] :253), as though humanity will ultimately be redeemed through art
which, of course, was Blake's own calling, both as painter, poet, and
engraver. But at that ultimate moment when, as he puts it, "Generatio11 is
swallowed up in Regeneration," he also places Science-no longer self
isolated from human life-represented by Newton, Bacon, and Locke, in
one triumphal chariot equal to the one in which he has placed Milton,
Shakespeare, and Chaucer, representing Art, the two together exemplify
ing Forgiveness and the restoration of human wholeness or perfection
Uerusalem:254). If Blake's vision is a sort of "projection' from the inte
riority of the cerebra-nervous system, t
h
is would suggest that the ideal
THE NEW NEUROSOCIOLOGY 285
state is one of perfect, uninhibited communion and communication
between the four "brains" as characterized by Paul MacLean.
Blake's vision is curiously akin here to Jung's. Jung distinguished
between the Sel and the Ego. By Selhe meant the entire archetypal system
of the unconscious; it was for him a concept vital for understanding
inividuation, the process of personality development which leads to the
fullest possible actualization of the Sel in a given individual. As Jung puts
it: "Individuation means becoming a single, homogenous being, and, in so
far as 'individuality' embraces our innermost, last, and incomparable
uniqueness, it also implies becomng one's own self self realization' (Jung
1953 -78: vol. 7, para. 266). Jung's Self is like Blake's Four Zoas in
harmony. He defnes it thus: "The Self is not only the center but also the
whole circumference which embraces both conscious and unconscious; it
is the center of this totality, just as the Ego is the center of the conscious
mind" (Jung 1953 -78: vol. 12, para. 44). Stevens considers the Self to be
the psychic aspect of the genome, which is the complete genetic constitution
of an organism, the entire genetic programming characterising the species.
Rossi, Galin, and others locate eo-consciousness in the left hemisphere.
But this may be a reflection of the left-hemispheric imperialism written
into Western culture. Consciousness is surely not located in a specifc area
of the cerebrum, but is a complex process dependent on a network of
multitudinous neuronal structures, some hierarchically arranged, others
not. Roger Sperry concludes that consciousness is a property of brain
circuitry and brain chemistry working as a whole. That is why it may be
somewhat misleading to talk of"reptilian" and "mammalian' brains. Since
all the major brain components are intricately interconnected, together
they make up the human brain, thus even the brain stem and limbic system
are "humanized," "made over" to the human condition Uust as Blake
personifed each of the four Zoas), tinctured and invested with what
comes to them and is taken from them by the higher centers. Con
sciousness and unconsciousness then are dynamic systems in constant
interaction, whose events occur in both hemispheres, but in the West
culture has come to decree that dominance should be assigned to the left
hemisphere's "structuring" properties. So the dictatorship of Blake's
Urizen over the other Zoas may represent the cultural reinforcement of a
natural propensity, not a pure fact of nature. Blake's slogan rt against
Empire" may have been part of his attempt to restore the balance, like his
emphasis on the equality of painting and drawing with written text, in his
work.
Both Jung and Blake see wholeness as something to be achieved. It is
to be achieved by an acceptance of the interdependence of all the neuro
psychic centers. Somehow human beings seem to have power to inhibit or
resist the fow of consciousness and afect through all the systems. HeDce
.....
R
.
. f ecogmtwn o
Irreparable Schism
Ritual Processes
(divination,
afiction rituals,
prophylactic
rituals,
embedded or
independent
sacrifice, etc.)
Separation Limen or Margin
--.
Rites of
Reaggregation
1. Communication of
sacra (sacerrima) ,
secret symbols
of community's
unity and
continuity
a. Exhibitions of
objects
b. Instructions
(myths , riddles,
catechisms)
c. Actions (enactment
of myths, dance,
dr:uas , etc.)
I
2. Ludic decon
struction and
recombination
of familiar
cultural
configurations
3. Simplification
of social-structural
relationships
a. Absolute authority
of elders over
juniors
b. Communitas among
initiands
Fig.J.Thcrclationshipbctwccnsocialdramaandritualproccss.
2q EPILOGUE
itself a story about itself in the course of which it brings to life "its
Defnite and Determinate Identity" (to cite William Blake). Here, mean
ing, in Wilhelm Dilthey's sense, is engendered by marrying present prob
lems of the living present to a rich ethnic past, which is then infused into
the "doings and undergoings" (to quote John Dewey) of the local commu
nity. Some social dramas may be more "defnitional" than others, it is true,
but most social dramas contain, if only implicitly, some means of public
rfexvity in their redressive processes. For by their activation groups take
stock of their own current situation: the nature and strength of their social
ties, the power of their symbols, the efectiveness of their legal and moral
controls, the sacredness and soundness of their religious traditions, and so
forth. And tis is the point I would make here: the world of theater, as we
know it both in Asia and America, and the immense variety of theatrical
sub-genres derive not from imitation, conscious or unconscious, of the
processual form of the complete or "satiated" social drama-breach, crisis,
redress, reintegration, or schism-but specifcally from its third phase, the
one I call redress, especially from redress as ritual process, rather than
judicial, political, or military process, important as these are for the study of
political or revolutionary action. Redressive rituals include divination into
the hidden causes of misfortune, personal and social conct, and illness
(all of which in tribal societies are intimately interconnected and thought
to be caused by the invisible action of spirits, deities, witches, and sor
cerers); they include curative ritual (which may often involve episodes of
spirit-possession, shamanic trance mediumship, and trance states among
the patients who are subjects of ritual); and initiatory rites connected with
these "rituals of afiction." Moreover, many of those rites that we call
"life-crisis ceremonies," particularly those of puberty, marriage, and death,
themselves indicate a major, if not altogether unexpected breach in the
orderly, customary running of group life, after which many relationships
among its members must change drastically, involving much potential and
even actual conflict and competition (for rights of inheritance and succes
sion to ofce, for women, over the amount of bridewealth, over clan or
lineage allegiance). Life-crisis rituals (and seasonal rituals, too, for that
matter) may be called "prophylactic," while rituals of afliction are
"therapeutic." Life-crisis rituals portray and symbolically resolve arche
typal conflicts in abstraction from the milling, teeming social life which.
characteristically and periodically throws up such conficts. Society is,
therefore, better equipped to deal with them concretely, having portrayed
them abstractly.
All these "third-phase" or "frst-phase" (if we are talking about life
crises) ritual processes contain within themselves what I have in several
writings called a liminal phase, which provides a stage (and I used this
term advisedly when thinking about theater) for unique structures of
UNIVERSALS OF PERFORMANCE 2]
experience (a translation of Dilthey's Erlebnisse "living-through") , in mi
lieus detached from mundane life and characterized by the presence of
ambiguous ideas, monstrous images, sacred symbols, ordeals, humilia
tions, esoteric and paradoxical instructions, the emergence of "symbolic
types" represented by maskers and clowns, gender reversals, anonymity,
and many other phenomena and processes which I have elsewhere
described as liminal. The limen, or threshold, a term I took from van
Gennep's second of three stages in rites of passage, is a no-man's-land
betwixt-and-between the structural past and the structural future as
anticipated by the society's normative control of biological development.
It is ritualized in many ways, but very often symbols expressive of ambig
uous identity are found cross-culturally: androgynes, at once male and
female, theriomorphic fgures, at once animals and men or women, angels,
mermaids, centaurs, human-headed lions, and so forth, monstrous com
binations of elements drawn from nature and culture. Some symbols rep
resent both birth and death, womb and tomb, such as caverns or camps
secluded from everyday eyes. I sometimes talk about the limnal phase
being dominantly in the "subjunctive mood" of culture, the mood of may
be, might-be, as-if hypothesis, fantasy, conjecture, desire, depending on
which of the trinity, cognition, afect, and conation (thought, feeling, or
intention) is situationally dominant. We might say, in terms ofbrain neu
robiology, that here right-hemispheric and archaic brain functions are
very much in evidence and probably culturally triggered by ritual action.
"Ordinary" day-to-day life is in the indicative mood, where we expect the
invariant operation of cause-and-efect, of rationality and commonsense.
Lirnality can perhaps be described as a fructile chaos, a fertile noth
ingness, a storehouse of possibilities, not by any means a random
assemblage but a striving after new forms and structure, a gestation proc
ess, a fetation of modes appropriate to and anticipating postlirnal exis
tence. It is what goes on in nature in the fertilized egg, in the chrysalis, and
even more richly and complexly in their cultural homologues.
Theater is one of the many inheritors of that great multifaceted system
of preindustrial ritual which embraces ideas and images of cosmos and
chaos, interdigitates clowns and their foolery with gods and their solem
nity, and uses all the sensory codes, to produce symphonies in more than
music: the intertwining of dance, body languages of many kinds, song,
chant, architectural forms (temples, amphitheaters), incense, burnt of
ferings, ritualized feasting and drinking, painting, body painting, body
marking of many kinds, including circumcision and scarifcation, the
application of lotions and drinking of potions, the enacting of mythic and
heroic plots drawn from oral traditions. And so much more. Rapid
advances in the scale and complexity of sOc
i
ety, particularly after indus
trialization, have passed this unifed liminal confguration through the
L
C
v
c
C
'C
o
F
C
.T
v
u
'C
C
C
v
UNIVERSALS OF PERFORMANCE 2]
analytical prism of the division oflabor, with its specialization and profes
sionalization, reducing each of these sensory domains to a set of entertain
ment genres fourishing in the leisure time of society, no longer in a
central, driving place. The pronounced numinous supernatural character
of archaic ritual has been greatly attenuated.
Nevertheless, there are today signs that the amputated specialized
genres are seeking to rejoin and to recover something of the numinosity
lost in their sparas, their dismemberment. Truly, as John Dewey has
argued, the aesthetic form of theater is inherent in sociocultural life itself
in what ! call "social drama" and Kenneth Burke calls "dramas of living,"
but the reflexive and therapeutic character of theater, as essentially a child
of the redressive phase of social drama, has to draw on power sources
often inhibited or at least constrained in the cultural life of society's
"indicative" mood. Te deliberate creation of a detached, still almost
sacred liminal space, allows a search for such sources. One source of this
excessive "meta-" power is, clearly, the liberated and disciplined body
itself with its many untapped resources for pleasure, pain, and expression.
Here, the experimental theater ofJerzy Grotowski, the Becks, Joe Chaikin,
Richard Schechner, Peter Brook, Tadashi Suzuki, and Squat Theater in
New York City has its growing importanc. :nother source draws on
unconscious pr
?
cesses, such as
ay be
sive pha
e,
where the contents of group experiences (Erlebnisse) are rephcated, dls
membered, remembered, refashioned, and mutely or vocally made mean
ingful (even when, as so often in declining cultures, te meaning is th
t
there is no meaning as in some Existentialist theater). True theater lS
experience of "heightened vitality," to quote John Dewey a
ain (McDer
mott 1981:540). True theater "at its height signifies complete mterpene
ra
tion of self and the world of objects and events." When this happens m a
performance, there may be produced in audience and ac
ors alike wh
t
d'Aquili and Laughlin (1979:177) call in reference both to ntual and medl
tation a "brief ecstatic state and sense of unon (often lasting only a few
seconds) and may often be described as no more than
_
a shiver
unnin
_
g
down the back at a certain point." A sense of harmony w1th the uruverse 1s
made evident, and the whole planet is felt to be communitas. This shiver
has to be won, achieved, though, to be a consummation, after working
through a tangle of conflicts and disharmonies. Theater best of al
exemplifies Thomas Hardy's dictum: "If a way to the better the
e be, 1t
exacts a full look at the worst." Ritual or theatrical transformatlon can
scarcely occur otherwise. Problems and obstacles (the "crisis" stage of
social dramas) challenge our brain neurobiology into full arousal, a
d
culture supplies that aroused activity with a store of preserved soc1al
experiences which can be "heated up" to supply the current hunger for
meanng with reliable nutrients.
. .
I have had to defend myself against such trenchant cr1t1cs as my
former teachers Sir Raymond Firth and the late Max Gluckman, who
accused me of unwarrantably introducing a model drawn from literature
(they did not say Western literature, but clearly they had th
Aristotelian
model of tragedy in mind) to throw light on spontaneous soc1al processes,
which are not authored or set in conventions, but arise from clashes of
interest or incompatible social structural principles in the give and take
?
f
everyday life in a social group. Recently, I have taken heart from an artl
cle by Cliford Geertz, "Blurred Genres: The Refiguration of Social
Thought," which not only suggests "that analogies drawn from the
humanities are comng to play the kind of role in sociological understand
ing that analogies drawn from the crafts and technology hav
long plyed
in physical understanding" (Geertz 1980a:196), but also g1ves qualifed
approval to the "drama analogy for social life" (Geertz 1980a:172). Geertz
numbers me among "proponents of the ritual theory of drama" -as
against "the smbolic action approach" to drama which stresses "the afnities
of theater and rhetoric-drama aspersuasion, the platform as stage"
(Geertz 1980a:172), associated with Kenneth Burke and developed by
Erving Gofman. He writes: "For Turner, social dramas occur 'on all
levels of social organization from state to family. ' They arise out of con-
UNIVERSALS OF PERFORMANCE zpp
flict situations-a village falls into factions, a husband beats ife, a
region rises against the state-and proceed to their denouement through
publicly performed conventionalized behavior. As the confict swells to
crisis and the excited fuidity of heightened emotion, where people feel at
once more enclosed in a common mood and loosened from their moor
ings [a good description of "ergotropic" behavior] , ritualized forms of
authority-litigation, feud, sacrifice, prayer-are invoked to contain it and
render it orderly [trophotropic response]. If they succeed, the breach is
healed and the status quo, or something resembling it, is restored; if they
do not, it is accepted as incapable of remedy and things fall apart into
various sorts of unhappy endings: migrations, divorces, or murders in the
cathedral. With difering degrees of strictness and detail, Turner and his
followers have applied this schema to tribal passage rites, curing cere
monies, and judicial processes; to Mexican insurrections, Icelandic sagas,
and Thomas Becket's difculties with Henry II; to picaresque narrative,
millenarian movements, Caribbean carnivals, and Indian peyote hunts;
and to the political upheaval of the Sixties. A form for all seasons."
The last comment arises from Geertz's insistence in several of his
writings that the social drama approach focuses too narrowly on "the
general movement of things" (italics added) and neglects the multifarious
cultural contents, the symbol systems which embody the ethos and eidos,
the sentiments and values of specic cultures. He suggests that what he calls
the "text analogy" (Geertz 1980:175) can remedy this, that is, textual
analysis attends to "how the inscription of action is brougt about, what
its vehicles are and how they work, and on what the fixation of meaning
from the fow of events-history from what happened, thought from
thinking, culture from behavior-implies for sociological interpretation.
To see social institutions, social customs, social changes as in some sense
'readable' is to alter our whole sense of what such interpretation is
towards modes of thought rather more familiar to the translator, the
exegete, or the iconographer than to the test giver, the factor analyst, or the
pollster" (Geertz 1980a:175 -76). The inscriptions may be usefully sub
jected to structural analysis; but, in a sense, and often, they are like the
shucked of husks of living process, tiderows left by the receding sea,
useful signs, indicators, markers, pointers, readings, crystallizations. But
their vitality has gone elsewhere-it is found in the drama process.
One answer I could make to Geertz would be simply to reiterate
certain features of the social drama approach. He mentions "ritualized
forms of authority-litigation, feud, sacri
f
ce, prayer" that are used "to
contain (crisis) and to render it orderly." Such forms may crystallize any
culture's uniqueness; they are forms for particular seasons. They dominate
the third stage of the social drama which can compass immense vari
abilities. For my part I have, indeed, often treated the ritual and juridical
OO EPILOGUE
symbol systems of the Ndembu of Western Zambia as text analogues. But
I have tried to locate these texts in context of perfrmance, rather than to
construe them from the frst into abstract, dominantly cognitive systems.
However, Geertz does, in fact, concede that many anthropologists today,
including himself use both textual and dramatistic approaches, according
to problem and context. His book entitled Neara (1980b), on the drama of
kingship in Bali, exemplifies his dual approach. Some of these misunder
standings and apparent contradictions can be resolved if we examine the
relationship between the two modes of acting-in "real life" and "on
stage" -as components of a dynamic system of interdependence between
social dramas and cultural performances. Both dramatistic and textual
analogies then fall into place.
Richard Schechner and I represented this relationship as a bisected
figure eight laid on its side (see Fig. 5). The two semicircles above the
horizontal dividing line represent the manifest, visible public realm. The
left loop or circlet represents social drama, which could be divided into its
four main phases: breach, crisis, redress, positive or negative denouement.
The right loop represents a genre of cultural performance-in this case, a
stage of "aesthetic" drama (though it would be better to say the total
repertoire of types of cultural performance possessed by a society) . Notice
that the manist social drama feeds into the latent realm of stage drama; its
characteristic form in a given culture, at a given time and place, uncon
sciously, or perhaps preconsciously, infuences not ony the form but also
the content of the stage drama of which it is the active or "magic" mirror.
The stage drama, when it is meant to do more than entertain-though
entertainment is always one of its vital aims-is a metacommentary,
Social Drama
Stage Drama
Fig. 5
.
The interrelationship of social drama and stage drama.
UNIVERSALS OF PERFORMANCE OI
explicit or implicit, witting or unwitting, on the major social dramas of its
social context (wars, revolutions, scandals, institutional changes) . Not
only that, but its message and its rhetoric feed back into the latent pro
cessual structure of the social drama and partly account for its ready
ritualization. Life itself now becomes a mirror held up to art, and the
living now perfrm their lives, for the protagonists of a social drama, a
"drama of living," have been equipped by aesthetic drama with some of
their most salient opinions, imageries, tropes, and ideological perspectives.
Neither mutual mirroring, life by art, art by life, is exact, for each is not a
planar mirror but a matricial mirror; at each exchange something new is
added and something old is lost or discarded. Human beings learn
through experience, though all too often they repress painful experience,
and perhaps the deepest experience is through drama; not through social
drama, or stage drama (or its equivalent) alone, but in the circulatory or
oscillatory process of their mutual and incessant modifcation.
If one were to guess at origins, my conjecture would be that the
genres of cultural performance, whether tribal rituals or TV specials, are
not, as I have said, simply imitations of the overt form of the completed
social drama. They are germinated in its third, redressive phase, the refex
ive phase, the phase where society pulls meaning from that tangle of
action, and, therefore, these performances are infnitely varied, like the
result of passing light through a prism. Te alternative versions of mean
ing that complex societies produce are innumerable. Within societies there
are diferent classes, ethnicities, regions, neighborhoods, and people of
diferent ages and sexes, and they each produce versions which try pain
fully to assign meaning to the particular crisis pattern of their own society.
Each performance becomes a record, a means of explanation.
Finally, it should be noted that the interrelation of social drama to
stage drama is not in an endless, cyclical, repetitive pattern; it is a spiraling
one. The spiraling process is responsive to inventions and the changes in
the mode of production in the given society. Individuals can make an
enormous impact on the sensibility and understanding of members of
society. Philosophers feed their work into the spiraling process; poets feed
poems into it; politicians feed their acts into it; and so on. Thus the result is
not an endless cyclical repetitive pattern or a stable cosmology. The cos
mology has always been destabilized, and society has always had to make
eforts, through both social dramas and esthetic dramas, to restabilize and
actually produce cosmos.
PART F OUR
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the
unconscious; 213;251, 281 -82
Friendsh
i
p ritual, 23
Funerary rites, 36, 40-41
Galileo, 178
Galin, D, 285
Gallostructuralism, 208, 275
Ganjam, 26, 28, 29
Gardner, Howard, 257 -58
Garfnkel, Harold, 154, 1 55, 157, 202
Gay samba schools, 147
Gazzaniga, Michae, 257
Gebser,Jean, 178
Geertz, Cliford, 165, 202, 209; on
metasocial commentary, 125, 193, 239;
on ritual theory of drama, 298 -99; on
text, 299; Neara, 300
Geisteswissenschqten (human studies),
209 -10
Genealogies, 32; fctitious, 24 -25
Gennep, Arnold van, 158 -60, 210, 295; and
rites of passage, 234, 238
Genome, 285
Girard, Rcnc,21 5
L/:/oqgo, 1 14
322 INDEX
Gluckman, Max, 83, 225, 298; Closed Systems
an Open Minds, 122; Te Economy i the
Central Barotse Plain, 2; on process, 170;
on rituals of rebellion, 68; role in
Schism and Continuity, 5; as teacher, 4;
on urban roles, 123; on van Gennep,
158 -59
Godord (domain of temple owners), 1 11,
112
Gods, 36; Saora, 20, 21, 24
Goiar, Icelandic chieftain-priests, 86;
disputes between, 92, 1 14; role of
77 -78, 86-87, 1 1 0-12
Gofnan, Erving, 131, 179-80, 181, 187
298
Gombrich, E. H, 250
Gordon, E. V, 73
Grathof, Richard, 235
Greek drama, 92
Grene, David, 97
Grettir' Saga, 98, 101, 1 14
Grettir the Strong, 101
Grimes, Ronald, 165, 180, 245, 252
Grim Goatbeard, 87, 112
Groos, Karl, 262
Grotowski, Jerzy, 297
Guarkumboi (funerary shaman), 36
Gudmundsson, Bardi, 104
Guerra de Orixa, 119, 149
Gumplowicz, L, 153
Gunji, M., 237
Gunnar ofLithend, 88, 89, 92, 107
Gunnlaugs Saga, 105
Hallberg, Peter, 1 1 1
Hallgerda, 88 -89, 92
Handelman, Don, 128, 131, 135, 236, 263
Harald Fairhair, king of Norway, 77, 109,
1 14, 1 1 5
Hardy, Thomas, 298
Harvest festivals, 35
Hauskuld, 88, 90, 91
Haward' Saga, 83
Hefner, Philip, 1 1
Hegel, Georg, 165, 190, 213
Helgafell, 1 14, 115
Hemispheres of neocortex, 6; functions of
295; and structure and liminality 1 1 ;
and unconscious processes, 267. See also
Lateralization of the brain
Henry,). P., 253, 269, 282-83
Heraclitus, 183, 189
Hermannsson, Halldor, 1 17
Heroic time, 98, 99, 101 -3
Hess, R., 259
Heusler, Andreas, 103, 104
Hidalgo, Miguel, 198
Hinde, Robert, 189, 250
Hindu: life parodied, 242; temples, 239 -40
History, anthropology and, 71 -73; in the
sagas, 78 -79
Hockett, Charles, 181
Hodges, Herbert, 210, 211 - 13
Hoebel, E. A., 170
Homer, 99, 100, 105 -6
Homosexuality, 136
Honor, 81, 1 14
"Horse'' (Umbanda medium), 127, 133
Hiigel, Friedrich von, 246
Huizinga, Johann, 160, 262
Husser!, Edmund, 1 54, 1 57, 210
Huxley, Julian, 250, 251, 256
Hymes, Dell, 182
Jansa, 129
Ibsen, Henrik, 164
Iceland, 75 -77, 109 - 10; arena
characteristics in, 86; Christian era in,
80-81 ; golden age in, 106;
government of 1 10; kinship
nomenclature, 1 1 5- 16; law in, 78;
paganism in, 82; political system of
77 -78; settlement of 77; virilocal
marriage in, 85; women in, 116
Icelandic saga, 73 - 118; dating of 79,
100- 101 ; "dry light" style of 77;
freeprose or bookprose in, 96, 103 ~7
as genre of meaning-assignment,
95 - 1 18; as history or fction, 78 -79;
and individualism, 98, 1 14; social
dramas in, 97, 107-8, 112 - 17; ty0
of 77, 96-97; and superstition, 95
Icelandic sagas: Egil's Saga, 104, 105;
Eyrbygya Saga, 96, 98, 107 - 17; G/sla
Saga, 1 14; Grettir' Saga, 96-97, 98,
1 14; Gunnlaugs Saga, 105; Haward'
Saga, 83; Kormak's Saga, 1 14; Laxdaela
Saga, 83, 98, 108; Laxdaela Saga, author
of 108; Laxdaela Saga, bookprose,
96 -97, 104, 105; Laxdaela Saga, land
apportionment in, 86; Nal' Saa, 79,
82 -93, 98, 1 14; Nal' Saga as book
prose, 104; Nal' Saga and Christianity,
80; Nal' Saga, feud in, 76; Na/ Sta1
Gunnars story in, 107; Njal' Saa,
killings in, 87; Njal' Saga, plot of 88;
Sturluna Saga, 84, 1 12; Sverrl Saa,
104; Vatzdaela Saga, 83
Iemanja, 127
lwilu (place of dying), 270
Ikishi (masked fgure), 160
Iliad, 100, 106; dating of 99
INDEX 323
Il/ud tempus Mircea Eliade's defnition of 228,
238
Indeterminacy as defned by Moore,
155 -56, 161, 183 -85, 200-201
Indian temple theater, 238 -43
Indicative and subjunctive moods, as
expressive of cognitive possibilities,
124, 126, 147, 164, 295
Inhibition, in alternate hemispheres,
258 -59
Insanity. See Madness
Institute for African Studies, 2, 53
Intersystemic analysis, 153 -54
Iranian-Turanian stuggle, 102
f
slendingabO, 80, 109
Ivins, William M, 178
Jadu. See Saora, ritual branches of
James, William, and the "law of
dissociation," 161 ; on theories of
religious experience, 262, 266
Japanese theater, 167, 237
Jati. See Saora, ritual branches of
Jouvet, Michel, 269
Judicial process as defned by
anthropologists, 217 -18
Jung, Carl, 235, 249, 266; archetypes of 256,
267 -68, 271, 282 -83; and collective
unconscious, 256, 282; on
individuation, 285, 286; on myth,
282 -83; and the Self 15, 285 -88
Junod, Henri, 8, 159
Kabbalists, 284
Kabir, 225
Kafumbu, 46, 49
Kagemusha, 264
Kant, Immanuel, 190, 195, 208, 212, 278
Kapferer, Bruce, 131
Kari, 88, 89
Kebra Nagast, 99
Ker, P, 73, 91 ; on colonization of Iceland,
77; on epic poetry, 98; on history and
epic, 80; 6n Nal's Saga, 88, 92; on
sagas, 80, 82; on Sturlung Age, 79
Kierkegaard, Soren, 213, 21 261
Kiev, Ari, 149
Kimball, Solon T, 159
Kings' sagas, 101, 107
Kluback, William, 210
Konner, Melvin, 208, 253, 264
Kormak's saga, 1 14
Kramrisch, Stella, 239
Kroebcr, A. L., 72 -73
Kropotkin, P'ctra, 1 53
Kshatriyas, 102
Kuehl, J.J., 210
Kuhn, Thomas, 152, 173, 185
Kurasawa, Akira, 264
Kuruksetra, 99
Kutiyattam theater performance, 238 -243;
and the clown, 15, 238 -39, 242-43;
languages in, 238
luttambalam temple theater, 239
Laing, R. D, 250
Lambo, JAdeoye, 146
Landnamabo', Te Boo if Settlements, 76, 86,
108, 109
Languages, in Kutiyattam, 238
Laughlin, Charles D, 257, 258 -60, 276, 277,
278
Lawrence, D. H., 1 89, 279
Laxdaela Saga. See Icelandic sagas, Laxdaela
Saga
Leach, Edmund, 250, 278; on cognition and
classifcaton, 251 - 52, 277; on
competence, 182
Leadership, in Umbanda, 1 23
Leda, 1 38-39
Legesse, A., 171
Levine, Donald, 97, 99 - 100
Levi-Strauss, Claude, 207 - 10, 223, 260; on
evolution, 277, 278; left hemispheric
hegemony of 282; on myth, 158, 280;
on the nature-culture distinction, 162;
Oedipus analysis of, 281; on
phenomenology, 209; on
structuralism, 157 21 2
Levy, Reuben, 98 -99, 101 -3
Levy-Bruhl, Lucien, 277, 278, 280
Lewin, Kurt: on feld theory, 8, 54-55, 59,
65, 68; on social time, 230
Lex, Barbara, 257, 259, 261, 278, 297
Liestol, Knut, 104, 106
Life-crisis rituals, 294
Limbic system, 252 -53, 256, 267; and
orectic pole of symbols, 270 -71
Liminal phase in rites of passage, 294-95
Liminality, 1 59, 160 - 1, 234, 236; and the
dialectic, 169; frst explorations of 8;
and van Gennep, 158 -60, 234, 295;
and Junod, 8, 159; ludic recombination
in, 265; and monsters, 161 ; of play,
263; and theater, 16; and variability
and free play, 14, 160, 162
Liminoid, 1 17; defned, 8, 1 17n
Linton, Ralph, 3
"Lived-through" experience, Diltheys
theory of 14, 21 1 - 13, 221 -22, 224
Lord, Albert, 105 -6
Lorenz, Konrad, 250, 256
324 INDEX
Ludic recombination, 265
Luria, A. R., 279
Lyons,], 182
MacAloon, John, 131, 225
McCay, B. J, 161, 170
Machamba, 46 -50
MacKay, IM., 188, 189
MacLean, Paul, on the brain, 252 -56, 270,
284, 285
McManus, John, 257
McNeill, H, 99
Madness: Apare<ida's, 133, 134, 135;
cultural, 40, 41; at shamanic
conversion, 37; Umbanda view of 121
Maer, l, 266-67
Mahabharata, 102; dating of 99, 100
Maine, Henry, 164
Makkreel, Rudolph, 210, 212, 214
Malinowski, Bronislaw, 2, 72, 120, 162, 223,
288
Mamae Oxum, 129, 145
Manchester school of anthropology, 4
Mandell, Arnold J., 260, 262
Marginality: ofSandombu and
Kamahasanyi, 5; in Victor Turners life,
7 -8
Marina, 132, 135, 136
Mario, 132, 135, 137-49; life history of
142 - 145
Marriage: arranged, 23; hypergamous, 38;
rules, Saora, 27; to spirits, 24, 40, 41
Marxists, 169
Marx, Karl, 2, 164, 213, 219, 230
Matriliny, 58; and male circumcision, 55; as
determinant of residence, 62;
symbolized, 20
Mead, Margaret, 2
Meaning, 190, 201, 203 -4, 214, 217; and
cerebral cortex, 256
Meaning assignment, 95 -1 18, 154, 155,
216, 232, 301
Mediums, 127, 130, 133; in trance, 135, 136
Meissner, Rudolph, 103 -4
Merton, Robert, 160
Merton, Thomas, 260
Metalanguage, 163
Metasocial commentary, 125, 193, 239
Micropolitics, 43 -51
Midbrain, limbic system, 256
Milk tree, 269-71. See also Mudyi tree
Milner, Peter, 265 -66
Mirroring, 301
Models, structural and ritual, 64
Monsters, liminal, 161
Moore, Sally Falk, 183 -85, 186, 192, 199,
229; on indeterminacy, 155; on
regularization and situational
adjustment, 156, 161, 170, 183 -85,
204
Morgan, Lewis Henry, 115
Morin, Alexander, 8
Morris, Desmond, 250
Mother: archetype of 271 ; attachment to,
before circumcision, 59 -61; milk of
symbolized, 20
Mudyi tree, "mother's milk," 20, 48
Mukanda (circumcision), 47 -50, 53 -69;
constructional elements of 66 -68;
corrective rather than redressive ritual,
61 -62; as cybernatic mechanism, 59;
feld constructs and their properties in,
65 -68; goals of 66 -68; imbalance of
unclean boys before, 59; independence
after, 60; ofciants, 47; ritual feld of
55; taboos of 57; unconscious goals of
66 -67
Mukanza Village, 2, 113
Muller, Max, 277
Multivocal symbols, 261
Murdock, (. P, 179
Mwinilunga, 46
Myerhof Barbara, 199, 200, 222, 225,
292 -93
Mystics, 228
Myth, 220, 261, 287 -88; and causal
operator, 260, 276; embedded in ritual,
261
Nadel, S. l,200
Nago, 'oruba, 129
Narrative time, 98
Naturalism, 194 -95
Naturwissenschqen, natural sciences, 210
Nauta, Valle, 253
Ndembu, 2-3, 113, 179, 197; boys'
circumcision, 43 -51, 53 -69; girl's;
intitiation examined neurobiologically,
269-71 ;judicial mechanisms, 218;
language, 2; makishi masked fgures,
160; puberty ritual, 20; social dramas
of 121, 180-81; village life, 214
Neckel, (ustav, 104
Neo-Kantians, 196
Neomammalian brain, 256
Neurobiology, 252 -57; and anthropology,
1 1
Nietzche, Friedrich, 206, 281
Njal, 98, 107; friendship with (unnar,
88- 89; household of 85; peace
seeking, 90-91, 92 -93
Njal' Sqa. Sec Icelandic sagas, N]e|'Saqa
INDEX 325
Nomenclature, descriptive system of
1 1 5 - 16
Nominalism, 194
Nordal, Sigurdur, 104
Norway, 77, 1 06-7, 109
Nyakyusa peoples, 40
Nyaluhana, 46 -50; qualifcations for role
in circumcision, 48
Nyampasa, 46, 49
Obaluae, 1 34
Objectiver (eist, objectivated mind, 213
Odyssey, 100, 106; dating of 99
Ogum, 128, 145, 148
Olaf the Vhite, 1 16
Old Black, 128, 133 -34, 137
Old Black Voman, 134, 143
Old Norse, 73, 75
Olds, James, 265 -66
Olney, James, 183
O
ndvegi, high seat, 86
Organization, discrepant principles of 34,
63, 179
Orixa, gods or spirits, 1 19, 127 -29, 130,
137
Osmundsen, Lita, 9
Otto, Rudolph, 42
Outsider, status of 22, 25, 31, 40
Oxala or Zambi, 127
Oxosse, 128
Paleomammalian brain, 255
Palmer, Richard, 177, 185
Palsson, Herman, 108
Papez, James, 255
Paradigms, academic, 152, 153, 173, 185;
root, 167, 220
Paradox, as antinomy and whole, 261, 289
Parent-child relationship, 57-58
Pascal, Blaise, 259, 279 -80
Patriliny, Saora, 22, 28
Pedro, 132, 137-38
Peltason, J. V, 217 -18
Performance: anthropology of 177 -204;
diachronic structure of 185; of
ethnographies, 223; and the
postmodern, 182
Peters, R. S., 250
Phenomenology, 154-55
Plato, 189, 190, 195, 210
Play, 162, 262 -66; and fact, 124; frame, 163
Plog, Frederick T., 170
Plural rehexiVityg l 0J
Point and edge, in Icelandic disputel, !7, 1 1 1
Pomba-cin, 1 40, 145, 1 46 -48
Pouillon, Jcun, 207 -H
Power feld, 59, 68
Pressel, Esther, 144
Priest and shaman, 35 -36. See also Buyya
Process: in defnition of society, 34, 43, 63;
in essays ofVictor Turner, 12; frst
development of theory of 2 -3; of
society's adaptation to environment,
63; theory of and performance, 10;
social, 4, 6; versus structure, 158
Processual analysis, 65, 152, 155, 158,
170,171
Prosopagnosia, 278
Protestantism, 68
Psychoanalysis, 1 19, 149
Psychologists, and confict, 120; depth,
280-81
Psychology: to analyze Chihamba, 3; social,
122
Queen of Sheba, 99
Quimbanda, 129, 135, 141
Rabinow, Paul, 222
Radclife-Brown, A. R., 2, 3, 6; structuralism
of 4, 71, 85
Ramanujan, A. K., 97
Realism, 194
Rebound stimulation. See Brain, cortical
hemispheres of the
Redfeld, James, 97
Redressive action (as a phase of social
drama), 203, 216 -20, 230-31,
232 -35, 243, 294, 298
Refexivity, 154, 166; arrests flow, 132; and
flow (distinction abolished), 196; and
literature, 193; plural and singular, 163,
187, 232; public, 294; of redressive
phase, 216; as society viewing itself
124; in speech, 181
Regularization, social, 156, 161, 170,
183 -85, 204
Reintegration (as a phase in social drama),
220-21, 231
Relationships: afnial 22 -24; breach of
180 -81, 197, 215, 230; idiosyncratic,
20, 23; parent-child, 57 -58
Religion, 191 -92, 228 -29, 231 -35,
245 -46; and the brain, 267, 272;
Chihamba, in feld of 3, 6; and social
structure, 20, 32, 41 -2
Reliion i an Indian Tribe, The, 1 2; reviewed,
19 -42
Reptilian brain, 254 -55
Reykjavik, 73, 76
Richmond, Farley, 238 -43
Rickman, I P., 2 1, 1 1 , 214
z INDEX
Ricoeur, Paul, 208, 278
Rites of passage, 158 -9, 172; liminal phase
in, 294-95
Rites qPassage, The, Turner\ frst encounter
with, 7 -8
Ritual: of afiction, 233, 294; and ceremony,
251 ; confict in, 36-37; and dispute,
alternated, 35, 44; data necessary for
understanding, 32 -33, 53 -54;
dynamic interdependence of, 54, 63;
"fash" in, 1 1, 260; Fortes\ defnition
of 251; knowledge, 289; Leach's view
of 251 -52; and liturgy, 276 -77;
multigenred, 237; and myth, 276; of
Ndembu girls initiation, 269 -71;
nonludic types as nonadaptive,
162 -63, 165; periodic, 34; as phase of
social process, 6; politically integrative
function of 37; as process, 218 -19;
prophylactic, 294; of redress, 232 -25;
redundancy in, 261 ; "spillover" efect
(neocortical) in, 260; as transformative
performance, 251 ; tuning of brain in,
259; values of 50-51
Ritualization, theories of 250-52
Roheim, Geza, 120
Role allocation in ritual, 20, 47-51, 122
Root paradigms, 167 220
Rosaldo, Renate, 222
Rossi, E., 268 -69, 282, 285
Sacra, 162
Sacred instruments, 239 -40
Saga: freeprose versus bookprose, 96,
103 -7; history or fction, 78 -79;
Kings', 101, 107; Kormak's, 1 14;
literary quality of 104-5; style, 77,
80, 81, 96-97. See also Icelandic saga
Saga Age, 112, 113
Salad Farm, 47, 48
Samadhi, 260
Sampasa, 46 -4 7 49-50
Sandombu, 180 -81 ; as marginal, 5
Sanskrit, 238, 239
Santo, flhos de, 130
Saora peoples: aristocrats and commoners,
38; assimilated, 26; ritual among, 12,
19 -42; ritual branches of 26 -27;
social structure of 28, 33 -34
Sapir, Edward, 6
Sartre, Jean-Paul, 208
Satori, 246, 260
Sawiyembi, 46
Schechner, Richard, 9, 179 -80, 181, 297,
'
300
Schiller, Johann von, 195
Scholte, Bob, 157, 207, 208
Schutz, A., 154, 155, 157
Schwartz, G. E, 266-67
Schwartz, Theodore, 147 186
Self identity of, 134; presentation of
186-87
Shahnameh, 100, 101 -2; dating of 98 -99
Shakespeare, William, 161, 232
Shaman: abnormality of 38, 42; childhood
and adulthood of 40; structural role
of 22, 25 -26, 37, 41 ; Dilthey on, 192;
dreaming, 37; funerary, 36; as
mediator, 22, 24; original conversion
of 37; as outsider, 31, 37 -38;
recruitment, and origin in social
structure, 39; as vocation, 40
Shamanin (female shaman), 22
Shame, 1 14
Shelley, Percy Bysshe, 232
Shojai, Donald, 97
Shrines, 35
Sib, 85 -86
Silverstein, Michael, 288
Simmel, Georg, 32, 292
Situational adjustment, 156, 161, 170,
183 -85
Skarpheddin, 90-91
Snorri Goii (the Priest), 108, 1 14, 1 18
Snorri Sturluson, 104, 105, 108, 1 13, 1 16
Social drama, 6, 84, 196 -97; in diferent
societies, 74-75; Icelandic, 97,107-8,
112 - 17; as life cycle, 43, 45; liminal
character of 198; Ndembu, 180-81 ;
"performed for an audience," 179;
phases of 89, 121, 180, 203, 215 -21,
230 -32, 243, 275, 291 -92, 294, 298;
psychological dimensions shown in,
84, 122; and sagas, 86, 89; with stage
drama, 300-301; as subcategory of
Erlebnisse, "lived-through" experience,
214; and theater, 181. See also Breach of
norms, Crisis, Reintegration
Social life, 45 -51, 65
Social structure, 126, 232 -34; Ndembu, 3,
53
Sociologists, 157
Sonia, 133, 135, 141, 148
Sparagmos, 166, 243, 297
Spectrum q Ritual, The, 11
Sperry, HW, 257 278, 285
Spillover efect, 259
Spindler, George, 178, 186
Spirits, 21; genealogy, 24; marriages of 40,
41
Spiro, Melford, 122
Srinivas, M. P,34
Stanislavski, Constantin, 10
Star group, 125 -26, 148, 2J1 -J2
INDEX z)
Steiner, Lcorc,VV
Stcphcns, .M., 25J, 269, 282 -83
Stevens, Anthuny, 249, 255 -56, 266, 285;
on archetypes, 267, 268, 282
Story gBumt Ntll, The, 82
Stranger, role of 22
Structural mays 64 -65
Structural-functionalism, 71, 156, 213
Structuralism, 1 71 -72, 213
Structural relationships, 59
Structure, 156, 205; nonadaptive, 163. See
also Social structure
Sturla Thordarson, 79, 112
Sturlung Age, 76, 78, 113; confict in, 79, 90,
97; sagas written in, 106, 109, 112
Sturlufa Saa, 84, 112
Subjunctive mood, 167 243 -44, 295;
healing function of in culture, 124; "if
,
"
10, 264 -65; Umbanda in, 125, 126,
147; unconscious phenomena emerged
in, 124
Superego, 286
Sutton-Smith, Brian, 9
Sveinsson, Einar L,76, 79, 81, 87, 104, 105
Sverri' Saga, 104
Swartz, Marc, 8, 84
S
)
mbol: analysis of 6, 171 ; bipolar,
2
69 -73; design, 137; dominant, 269;
mudyi, milk tree, mother's milk, 20,
269 -271; representing social
categories, ,square, representing
totality, 240
Symbolic types, 235 -36, 242
"Synchronic Method," 72
Tabula rasa theory, 267 271
Tallensi peoples, 3
Terreiro (cult center), 119, 127; Bishop
Street, 134, 135, 136, 143; routinization
of 134 -41 ; urban setting, 122
Theater, 9 - 10, 166-67 294, 295, 297;
derived from ritual, 237, 242
Theosophy, 127, 141
"Thing," meeting of the people, 78, 86, 87
Tingvellir, 78, 86, 87 110
Thorgeirr, 80
Torgilsson, Ari. See Ari Thorgilsson
ThorolfMostur-Beard, 114 -1 15, 1 16
Thorvaldsson, Gizur, 109
Thorpe, VH., 250
Thor\ Ness, 1 15
Thorstcinn, 97, 1 01
Time, 227 -28
Thwcl Fum, 47, 4H
Tance, 25, 1 30, 1 35 - 147
Tlck1ter, 1 02, 2M, 265
Tiune brain, 254 -56
Trophotropic system, 255, 259 -62
Tshombe, Moise, 51
Turner, Edith, 1 -5, 7 -9, 1 1
Turner, Rory, 1 1
Turner, Victor: development of theory by,
1 - 11 ; and Dilthey, 213; feldwork
method of 12
Turner, Victor, works: "Betwixt and
Between: The Liminal Period in Rites
de Passage," 8, 159, 160 -61 ; "Body,
Brain, and Culture," 6, 11, 15;
"Chihamba, the White Spirit: A Ritual
Drama of the Ndembu," 6 -7; Dramas,
Field, and Metaphors, 198; The Frest q
Sybol: Aspects qNdembu Ritual, 13, 59;
"Frame, Flow, and Refection," 130;
Political Anthropolo, 8; The Ritual
Process: Structure and Anti-Structure, 8;
Schism and Continuity in an Afican
Society: A Study qNdembu Vllage Li,
4-5, 56 -7, 113, 198 -99, 213; "Three
Symbols ofPassage in Ndembu
Circumcision: An Interpretation," 13
Turville-Petre, E. LG., 80, 82, 110
Tutelaries, 24, 26, 37
Ullendorf Edward, 99
Umbanda, 14; African gods of 129-30;
African influence on, 127; dramatis
personae, 132-33, 149: eclectic
makeup of 127 141; experiential efect
of 131 -32; hierarchy in, 130; "lines"
in, 127; modern and traditional
members of 138 -41 ; sessions of, 127;
subjunctive mood of 125, 126, 147; as
surrogate family, 126; symbolic
designs in, 137; trance in, 130; women
in, 144
Umbanda, supernatural beings in: Boiadeiro
(Cowboy), 145, 146; Caboclo (Red
Indian), 128, 143, 145; Child, Children
(Sts. Cosmas and Damian), 128, 145;
Exu (the Devil and Jesus), 128 -29;
Iansa (Sta. Barbara), 129; Iemanja
(Virgin Mary), 127; Maae Oxum
(Mater Dolorosa), 129, 145; Obaluae
(St. Lazarus), 134; Ogum (St. George),
128, 145, 148; Old Black, 128;
133 -34, 137; Old Black Woman, 134,
143; Oxala, 127; Oxosse
(Amerindian), 127; Pomba-Gira
(gypsy), 140, 145, 146 -8; Xango (St.
Jerome), 1 27 -28, 145
Lh|iimystlca, 260
VAlue (lrt), 202 -4, 2 1 4, 21 6- 1 7
Vnn Dulteneu,J., 97
/
z8 INDEX
van Gennep. See Gennep, Arnold van
Vansina,Jan, 72
Utzdaela Saa, 83
Vayda, A. P, 161, 170
Velho Maggie, Yvonne, 14, 1 19, 122, 132,
139, 144, 145, 148 -9
Tllel, 104
Verhaeren,
E
mile, 280
Trstehen (understand), 202n, 223, 224
Vicinage: council, 47 -48; ofMukanda,
55 -56; Ndembu, 45 -46
Vidusaka clown,238-39, 242 -43
Vigfssen, Gudbrand, 75, 1 13, 1 17
Village histories, 32
Villages: size of, related to confct, 28 -29;
structure of, 28 -29
Violence, ritualized, 292
Virilocal marriage, 62, 85
Vogel, P, 257
Voluspa, 104
Wadyang'amafu, 46-47, 49
Walsh, David, 156
Wax, Rosalie, 95
Weber, Max, 223
lltanschauun (world view), 14, 96, 97, 108,
190-96
Wergild (indemnity), 85, 86
l#rt (value), 202-4, 214, 216 - 17
Whiting, ]. W, 159
Williams, Robin, 203
Wilson, Edward C,252
Women: as shamans, 22; in Umbanda, 144
Wukeng' 46-49
Xango, 127 -28, 145
Yeshaq of Aksur 100
Yogic ecstasy, 260
Young, Frank , 159
Zuesse, E. M, 130
Zweck (end), 202, 214
Zygon, 1 1, 252