From 1842 to 1849, Bauer was active in political journalism and historical research on theEnlightenment and the French Revolution. He argued against the emancipation of Prussian Jewsin 1842-43, seeing this proposal as a political legitimation of particular religious interests. Hewas the object of polemical attacks by Marx and Engels in
The Holy Family
(1844) and
TheGerman Ideology
(written in 1845-46). With his brother Edgar, Bauer founded theCharlottenburg Democratic Society in 1848, and stood unsuccessfully for election to the Prussian National Assembly on a platform of popular sovereignty.Remaining in Prussia after the defeats of 1848-49, Bauer continued to produce work of biblicalcriticism and political analysis. He wrote in the mid 1850's for
Die Zeit
, a government-sponsorednewspaper, in which his anti-liberalism took a conservative turn. He contributed articles onEuropean affairs to other newspapers, such as
Die Post
, the
Kleines Journal
, and the
New York Daily Tribune
. From 1859-66 he collaborated with F.W.H. Wagener on his conservative
Staats-und Gesellschafts-Lexikon
, editing almost all 23 volumes, and writing numerous articles, severalwith anti-Semitic themes. In 1865 he acquired a small farm in Rixdorf, on the outskirts of Berlin.He died there in April 1882.
2. Bauer's Writings, 1829-50
Bauer was a prolific writer, publishing a dozen substantial books and over 60 articles between1838 and 1848 alone, but no critical edition of these works exists. They included analyses of Hegel, the Bible, modern theologies, the Enlightenment, and the French Revolution and itsaftermath. The interpretation of Bauer's work is problematic for several reasons. Because of anonymous, pseudonymous, and collaborative publication, some attributions are disputed; anddivergences exist between Bauer's published texts and private correspondence. In the anonymous
Trumpet of the Last Judgement
(1841) and
Hegel's Doctrine of Religion and Art
(1842), Bauer spoke not in his own voice, but in the ironic guise of a conservative critic of Hegel, attributing toHegel his own revolutionary views.Three lines of interpretation of Bauer can be distinguished. These focus on his early work; hislater writings have attracted little critical attention. The first sees Bauer as a radical subjectivist,whose social and religious criticism was closer to Enlightenment rationalism than to Hegel (Sass,1978; Brudney, 1998). The second, largely influenced by Marx, insists on Bauer's abandonmentof the Hegelian left after 1843 (Rossi, 1974; Pepperle, 1978). The third emphasizes thecontinuity throughout the Vormärz of Bauer's thought and of his republicanism, based on theHegelian idea of the unity of thought and being (Moggach, 2003, 2006).Bauer's prize manuscript of 1829,
De pulchri principiis
, presented the unity of concept andobjectivity as the central idea of Hegel's idealism. It examined this unity as expressed in art,comparing Hegel's aesthetic theory to Kant's Third Critique. The manuscript supplemented thecriticisms of Kant from Hegel's Berlin Aesthetics lectures with the logical analysis of categories provided by the 1827
Encyclopaedia of the Philosophical Sciences
. Bauer argued that while theCritique of Judgement attempted to bridge thought and being, and thus opened the way to Hegel,it reproduced the antinomies characteristic of the first two critiques. Kant's synthesis failed, sincehe continued to define the concept as merely subjective, and the object as the unknowable thing-in-itself, transcending the cognitive power. Self-consciousness, or the subject of thetranscendental unity of apperception, was likewise impervious to cognition from the Kantianstandpoint. In Hegel's syllogisms of the idea, objectivity attained rational form, while the conceptacquired an explicit, material existence. Beauty, life, and idea were moments in the processwhich constituted the actuality of reason. As the immediate unity of thought and objectivity, artillustrated the inexhaustible fecundity of the philosophical Idea. The manuscript underlined the
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