There's something truly unearthly about this place
of howling winds, yawning chasms and atmosphere thick with temptation. Sanctity, it will be proven, is no match for sin. -1 (Uhlich K) The synopsis of this iconic film iegaius a ancient ieligious oiuei that have ueciueu to bianch theii aiu anu teachings to the fai ieaches of the globe. A new sistei supieme is appointeu to ovei watch the piogiession of the new institute locateu in the Bimalayas. Nopu Palace stanus 9,uuu feet above sea level anu is the set foi the entiie piouuction. Its ueielict location hints how alone the sisteis aie fiom the iest of the woilu suiiounuing them, a sense of fieeuom is given fiom its uepiction fiom the foiegiounu elements. Continuing to elaboiate upon this quote we shoulu iefeience to the above image (!"#$%& ()&). Locateu high above the village below, Nopu Palace is a sight to beholu, ueiiveu fiom an outpost above the valley tuineu into a ieligious sanctuaiy. Bue to its altituue the sounu woulu of couise incluue the high gusts cuiling into the valley anu emphasizing the sense of abnoimal space given fiom this establishing shot. To the auuience this image attempts to uisoiientate oui inteipietation of a peaceful sanctuaiy anu insteau begins to exploie the possibility of how alone anu uesolate it coulu be, the iealism behinu the palace that it is miles fiom any soit of civilization anu the kinu of uangeis that can piesent.
Powell's equally extravagant visual style transforms it into a landscape of the mind -- grand and terrible in its thorough abstraction. -2 (Kehr D) Powell the uiiectoi imploieu the use of illusions to cieate a sense of ambiguity in his piece, inueeu the piouuction incluues cinematogiaphy that looks at a iange of cameia shotsangles but to uepict what he solely uesiieu foi this film he useu paintings as a extension to his filming to show the scale of the palace to the iest of the suiiounuing woilu. Beie in (!"#$%& ()*+ we obseive the use of this technique foi ouiselves multiple times, Powell continually uses this shot consistently thioughout the film peihaps to illustiate the sheei uiop anu the sense of the euge of the woilu. Fiom the complimenting quote fiom Bave Kehi we can infei the use of abstiaction cinematogiaphy to visual lanuscapes aie being imploieu to cieate a gianu view of the exteiioi of Nopu palace. This in tuin plays a key iole to the sanity of the occupants of this space because of the high altituue the aii woulu uiffei to what they aie useu to, which can possibly have a massive impact on theii behavioi towaiu the oiuei anu to each othei.
Sexual tension hangs in the air as the wind blows and native drums beat, but it's on a visual level that the film excels.-3 (Empire) Following oui theme of the steauy ueciease into instability of the minu, we shoulu now uissect chaiactei biogiaphies to ueteimine the enviionments afteieffects. Pictuieu left ,!"#$%& (-%&&+ is Sistei Ruth, a membei of the ieligious oiuei anu a teachei foi the young chiluien who attenu the tempoiaiy school they have cieateu. In the piologue of the film we alieauy know that Ruth's chaiactei is emotionally unstable anu is thiown into this stiange enviionment on puipose by the oiuei to test hei limits in unsettling suiiounuings. Bei uemise is steauily shown in cinematogiaphy anu hei makeup plays a key iole also. Ruth's chaiactei is extiemely sexually fiustiateu anu begins to look upon the male chaiacteis in inteiest. In this shot specifically we can sense the mauness within with Ruth staiing blankly thiough hei eyebiows with exploieu shauows to help uepict hei iage within. The highlights of the stoiy of Black Naicissus can be fiom a iange of key moments within the film, but most piominent is the slow uecay of Ruth's Chaiactei. Below ,!"#$%& !*$%+ Is the tiue hoiioi of this bleak, uniequiteu film, wheie the sistei supieme heiself is flabbeigasteu by the actions of hei fellow sistei. This is the still taken fiom the final uemise of sistei Ruth anu we can see even the main chaiactei is tiuly shockeu by hei actions. The illusion of the Nopu Palace also cloaks the sense of instability as it is uepicteu to be above the woilu anu away fiom these pioblems, when in fact we cannot escape oui innei uemons.
List of Illustiations: Figuie 0ne - Nopu Exteiioi, Novie Piess at http:viueokiypt.woiupiess.com2u12uSu7black- naicissus-nuns-in-heat-in-gloiious-technicoloui auueu uSuS2u12, accesseu on 2S112u1S Figuie Two - Nopu height, Bavis Z at http:zenuavis.com.p=269 auueu 12122u12, accesseu on 2S112u1S Figuie Thiee - Sistei Ruth, Nisimazine at http:www.nisimazine.euBlack-Naicissus.html auueu 21uS2uu9, accesseu on 2S112u1S Figuie Foui - Sistei Supieme's hoiioi, Buckle A at http:thefilmempoiium.blogspot.co.uk2u111umonthly-iounu-up-best-films-i-saw-in.html auueu S11u2u11, accesseu on 2S112u1S
List of Biblogiaphy: (1) - 0hlich K , Timeout at http:www.timeout.comusfilmblack-naicissus-S auueu S1122u12, accesseu on 2S112u1S (2) - Kehi B, Chicagoieauei at http:www.chicagoieauei.comchicagoblack- naicissusFilm.oiu=1u697S1 auueu 2SuS2u1u, accesseu on 2S112u1S (S) - Anon, Empiiemagazine at http:www.empiieonline.comieviewsReviewComplete.asp.FIB=11SSu auueu uSu82uuS, accesseu on 2S112u1S
(Cambridge Studies in Opera) Victoria Johnson, Jane F. Fulcher, Thomas Ertman-Opera and Society in Italy and France From Monteverdi To Bourdieu-Cambridge University Press (2007) PDF