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Studies in Hispanic Cinemas: Volume: 4 | Issue: 2

Studies in Hispanic Cinemas: Volume: 4 | Issue: 2



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Published by Intellect Books
The journal is dedicated to the study of Spanish-speaking cinemas. Our target readership includes students, teachers and scholars. The journal is written in English to maximize the opportunities for contact between academic disciplines such as Media, Film Studies, Latin American and Post- colonial Studies, as well as Hispanic Studies, thereby encouraging an inter-cultural and inter-disciplinary focus.
The journal is dedicated to the study of Spanish-speaking cinemas. Our target readership includes students, teachers and scholars. The journal is written in English to maximize the opportunities for contact between academic disciplines such as Media, Film Studies, Latin American and Post- colonial Studies, as well as Hispanic Studies, thereby encouraging an inter-cultural and inter-disciplinary focus.

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Published by: Intellect Books on Aug 19, 2009
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Studies in
ISSN 1478-0488
 o l   u m e  o  u  u m b  e w o 
i  n t   el  l   e c  t   J   o un a l   s 
i  l  m  S  t   u  d i   e  s 
Mark Allinson
School of Modern LanguagesUniversity of LeicesterLeicester LE1 7RH, UKTel: +44 (0)116 252 2663 (direct)Tel: +44 (0)116 252 2683 (office)email: mark.allinson@le.ac.uk
Marvin D’Lugo
Clark University
Barry Jordan
De Montfort University, Leicester
Kathleen Vernon
Stony Brook, New York
Reviews Editor
Santiago Fouz-Hernández
School of Languages and CulturesUniversity of DurhamElvet Riverside, New ElvetDurham DH1 3JT, UKTel: +44 (0)191 334 3455Fax: +44 (0)191 334 3421email: santiago.fouz@durham.ac.uk
Studies in Hispanic Cinemas
Volume 4 Number 2 2007
Studies in Hispanic Cinemas
(SHC) is a new refereed, academic journal,written in English and aimed at scholars, teachers, students and devo-tees from all over the world whose focus is on Spanish-speakingcinemas. While seeking to attract students, teachers and scholars inHispanic Studies and Hispanic Cultural Studies, the journal is alsodirected at colleagues working in contiguous fields (Latin AmericanStudies, Modern Languages, European Cinemas, Postcolonial Studies,Media, Film and Communication Studies etc.), thereby stressing theimportance of an inter-cultural and inter-disciplinary focus.SHC wishes to encourage and receive publishable work in the fol-lowing areas of Hispanic Film Studies: Film as text, representation,history, theory, modes of production and reception, star and perfor-mance studies and in relation to Alternative, Third, Independent,Avant-garde forms as well as regional and local film practices.Papers of up to 6000 words are invited on topics related to theabove issues or on any aspect of Hispanic cinemas. Submissions inSpanish are welcome but if accepted we request that such texts also besubmitted in English translation.
Editorial Board
Michael Chanan – Roehampton University Jo Labanyi – New York UniversityMarina Díaz López – Universidad Autónoma de MadridSteven Marsh – University of MissouriChris Perriam – Manchester UniversityAlfredo Martínez Expósito – University of Queensland
Advisory Board
Peter EvansCatherine GrantSusan Martín-MárquezKathleen NewmanZuzana PickDeborah ShawPaul Julian SmithRob Stone
Printed and bound in Great Britain by4edge, UKISSN 1478-0488
Studies in Hispanic Cinemas
is published three times per year by Intellect,The Mill, Parnall Road, Bristol, BS16 3JG, UK. The current subscription ratesare £30 (personal) and £210 (institutional). Postage for each volume is freewithin the UK, £5 within the EU, and £10 outside the EU. Enquiries andbookings for advertising should be addressed to the Marketing Managerat Intellect, The Mill, Parnall Road, Bristol, BS16 3JG, UK.© 2007 Intellect Ltd. Authorisation to photocopy items for internal or personaluse or the internal or personal use of specific clients is granted by Intellect Ltdfor libraries and other users registered with the Copyright Licensing Agency(CLA) in the UK or the Copyright Clearance Center (CCC) TransactionalReporting Service in the USA provided that the base fee is paid directly to therelevant organisation.
All illustrations, photographs, diagrams,maps, etc. should follow the same numericalsequence and be shown as Figure 1, Figure 2,etc. The source must be indicated below.Copyright clearance should be indicated bythe contributor and is always his/herresponsibility. If sources are supplied on aseparate sheet or file, indication must be givenas to where they should be placed in the text.
All illustrations should be accompanied by acaption, including the Fig. No., and anacknowledgement to the holder of thecopyright. The author has a responsibilityto ensure that the proper permissions areobtained.
Other Styles
Margins should be at least 2.5 cm all roundand pagination should be continuous.Foreign words and phrases inserted in thetext should be italicized.
Author(s) Note
A note on the author is required, whichincludes author’s name, institutionalaffiliation and address.
The abstract should not exceed 150 wordsin length and should concentrate on thesignificant findings. Apart from its value forabstracting services, it should also make acase for the article to be read by someonefrom a quite different discipline.
Provision of up to six keywords is muchappreciated by indexing and abstractingservices.
Notes appear at the side of appropriatepages, but the numerical sequence runsthroughout the article. These should be keptto a minimum (not normally more thantwelve), and be identified by a superscriptnumeral. Please avoid the use of automaticfootnote programmes; simply append thefootnotes to the end of the article.
References and Bibliography
Films should be given their full originallanguage title. The first mention of a film inthe article (except if it appears in the title)must have the English translation if it isavailable, the director’s name (not Christianname), and the year of release, thus:Tesis/Thesis (Amenábar, 1995); O cantor ea bailarina/The Singer and the Dancer(Miranda, 1959).We use the Harvard system for bibliographi-cal references. This means that all quotationsmust be followed by the name of the author,the date of publication, and the pagination,thus: (Santos 1995:254). PLEASE DO NOTuse ‘(ibid.)’. Note that the punctuation
The views expressed in
Studies in HispanicCinemas
are those of the authors and do notnecessarily coincide with those of theEditorial or Advisory Boards.
Studies in Hispanic Cinemas
is a refereed journal. Strict anonymity is accorded bothto authors and referees. The latter arechosen for their expertise within the subjectarea. They are asked to comment oncomprehensibility, originality and scholarlyworth of the article submitted.
Articles should not normally exceed 6000words in length.
Articles should be original and not be underconsideration by any other publication andbe written in a clear and concise style. Inthe first instance, contributions can besubmitted to us by email as an attachment,preferably in WORD.
The Journal uses standard British English,while Spanish and Portuguese articlesshould use standard Iberian languageforms. The Editors reserve the right to alterusage to these ends. Because of theinterdisciplinary nature of readership, jargon is to be avoided. Simple sentencestructures are of great benefit to readers forwhom English is a second language.
Your title should be in bold at the beginningof the file,
inverted commas. Below,add your name (but not title or affiliation)and your abstract, in italics. The text,including notes, should be in Times NewRoman 12 point and be double-spaced. Thetext should have ample margins forannotation by the editorial team. You maysend the text justified or unjustified. Youmay use subtitles, if you wish, in lower caseand in bold.
Within paragraphs, these should be usedsparingly, identified by single quotationmarks. Paragraph quotations must beindented with an additional one-line spaceabove and below and without quotationmarks. Omitted material should be signalledthus: (…). Note there are no spaces betweenthe suspension points. Try to avoid breakingup quotations with an insertion, forexample: ‘The sex comedy’, says Dyer, ‘playson ambivalences’ (Dyer, 1993, 109).
Illustrations are welcome. In particular,discussions of particular buildings, sites orlandscapes would be assisted by includingillustrations, enabling readers to see them.should always follow the reference withinbrackets, whether a quotation is within thetext or an indented quotation.Your references refer the reader to abibliography at the end of the article. Theheading should be ‘References’. List theitems alphabetically. Here are examples of the most likely cases:Bordwell, D. and Thompson, K. (2001), 6
Film Art
, New York: McGraw Hill.Evans, P.W. (2000), ‘Cheaper by the dozen:La gran familia, Francoism and Spanishfamily comedy’,
100 years of EuropeanCinema. Entertainment or Ideology?
(eds D.Holmes and A. Smith), Manchester:Manchester University Press, pp.77–88.Anon. ‘Vanilla Sky’,
The Observer
, 27 January 2002, p.15.Labanyi, J. (1997) ‘Race, gender anddisavowal in Spanish cinema of the earlyFranco period: the missionary film and thefolkloric musical’,
, 38:3, pp.215–31.Villeneuve, J. (1977),
A aventura do cinema português
(trans. A. Saramago) Lisboa:Editorial Vega.Smith, P.J. (2003), ‘Only connect’,
Sight and Sound 
, 12:7, 24–27.
Please note:
No author Christian name.‘Anon.’ for items which have no author.Year date of item in brackets.Commas, not full stops, between parts of areference.Absence of ‘in’ for a chapter within a book.Name of editor of edited book withinbrackets, after book title and preceded by ed.or eds (latter without full stop).Name of translator of a book withinbrackets after title and preceded by trans.Absence of ‘no.’ for journal number.Colon between journal volume and number.‘p.’ or ‘pp.’ before page extents.
Web References
These are no different from otherreferences; they must have an author, andthe author must be referenced Harvard-style within the text. Unlike paperreferences, however, web pages can change,so we need a date of access as well as thefull web reference. In the list of references atthe end of your article, the item should readsomething like this:Corliss, R. (1999), ‘Almodóvar’, TimeMagazine onlinehttp://www.time.com/time/magazine/intl/article/0917.html. Accessed 14 December2000.
Any matters concerning the format and presentation of articles not covered by the above notes should be addressed to the Editor.The guidance on this page is by no means comprehensive: it must be read in conjunction with Intellect Notes for Contributors.These notes can be referred to by contributors to any of Intellect’s journals, and so are, in turn, not sufficient; contributors will alsoneed to refer to the guidance such as this given for each specific journal. Intellect Notes for Contributors is obtainable fromwww.intellectbooks.com/journals, or on request from the Editor of this journal.

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