text. Unlike paper references, however, webpages can change, so we need a date of access as well as the full web reference. In thelist ofreferences at the end ofyour article,the item should read something like this:Allmusic.com (2006), (online)http://www.allmusic.comAccessed 12 October 2006.Anon. ‘As One Individual? The CollaborationofGilbert or Sullivan’ (Text ofa paperpresented at the Buxton International Gilbertand Sullivan Festival on August 12th 2000)http://www.users.globalnet.co.uk/~ajcrowth/buxton2000.htmAccessed 06 September 2001.
Notes appear at the side ofappropriate pages,but the numerical sequence runs throughoutthe article. Notes should be kept to a minimum.In general, ifsomething is worth saying, it isworth saying in the text itself. A note will divertthe reader’s attention away from yourargument. Ifyou think a note is necessary,make it as briefand to the point as possible.Use Word’s note-making facility, and ensurethat your notes are endnotes, not footnotes.Place note calls outside the punctuation, soAFTER the comma or the full stop. The notecall must be in superscripted Arabic (1, 2, 3).
We welcome images illustrating an article.All images need a resolution ofat least 300 dpi.The image should always be accompanied bya suitable caption (the omission ofa captionis only acceptable ifyou feel the impact oftheimage would be reduced by the provision of written context). All illustrations,photographs, diagrams, maps, etc. shouldfollow the same numerical sequence and beshown as Figure 1, Figure 2, etc. Ifimagesare submitted electronically as separate files,the files should be clearly labeled andindication given as to where they should beplaced in the text. Reproduction will normallybe in black-and-white. Images sent in as e-mailattachments should accordingly be greyscale.
Tables should be supplied either within theWord document ofthe main text or asseparate Word documents.
Musical notation, scores or diagrams are bestconstructed in an object-oriented computerprogram rather than a text-oriented one (eg.,Sibelius). These should be supplied to us intheir original software form aswell as either a JPEG, TIFF or Acrobat PDF document.
Copyright clearance should be indicated bythe contributor and is always theresponsibility ofthe contributor. Unless aspecific agreement has been made, acceptedarticles become the copyright ofthe journal.The copyright clearance form should becompleted and sent to the Editors toaccompany every submission.•The text, including the notes, should be inTimes New Roman 12 point.•The text, including the endnotes, must bedouble-spaced.•The text should have at least 2.5 cm marginsfor annotation by the editorial team.•You may send the text justified or unjustified.•You may, ifyou wish, break up your textwith sub-titles, which should be set inordinary text and bold, not ‘all caps’.
•Quotations must be within single invertedcommas. Material quoted within cited textshould be in double inverted commas.•Quotations must be within the body ofthetext unless they exceed approximately fourlines ofyour text. In this case, they shouldbe separated from the body ofthe text andindented.•Omitted material should be signalled thus:[...]. Note that there are no spacesbetween the suspension points.
Borroff, E. (1984), ‘Origin ofSpecies: ConflictingViews ofAmerican Musical TheaterHistory’,
2:4, pp.101–112.Gänzl, K. (1986a),
The British Musical Theatre:Volume 1: 1865–1914
, London:Macmillan Press, Ltd. –––(1986b),
The British Musical Theatre: Volume 1:1915–1984
, London: Macmillan Press, Ltd.Hirsch, F. (2005),
Harold Prince and the AmericanMusical Theatre
,New York: Applause Theatreand Cinema Books.Gottfried, M. (1999), ‘Sleeve notes to “Gypsy”’[Original Broadway Cast Album] [CD], Colum-bia Broadway Masterworks, SMK 60848. Johnson, C. (1998), ‘The Secret Diary ofCatherine Johnson’, program notes to
[Ori-ginal West End Production], dir. Phyllida Lloyd.Montague Lavy, M. (2001), ‘Emotion and theExperience ofListening to Music: A Frame-work for Empirical Research’, PhD Disser-tation, Jesus College: Cambridge University.Picard, A. ‘Jer-ry! Jer-ry! Jer-ry!’
19 August 2001.Rodgers, R. and O. Hammerstein II (n.d),
Carousel:A Musical Play
, (Vocal Score ed. Dr. AlbertSirmay), Williamson Music•‘Anon.’ for items for which you do nothave an author (because all items must bereferenced with an author within the text)•year date ofpublication in brackets•commas, not full stops, between parts ofitem•absence of‘in’ after the title ofa chapterwithin a monograph, but please use ‘in’after chapters in edited volumes•name oftranslator ofa book withinbrackets after title and preceded by‘trans.’, not ‘transl.’ or ‘translated by’•absence of‘no.’ for the journal number•colon between journal volume and number•‘p.’ or ‘pp.’ before page extents
These are no different from other references;they must have an author, and that authormust be referenced Harvard-style within the
Notes for Contributors
Articles submitted to
Studies in Musical Theatre
should be original and not under considerationby any other publication. Contributions shouldbe submitted electronically as an emailattachment in Microsoft Word format. Inextreme circumstances we will accept hardcopies ofarticles, which should be sent in theformat detailed below to the Editorial Office.Books for review should be sent to the ReviewsEditor, c/o the Editorial Office.
Studies in Musical Theatre
is a refereed journal.Strict anonymity is accorded to both authorsand referees.
The views expressed in
Studies in MusicalTheatre
are those ofthe authors, and do notnecessarily coincide with those ofthe Editorsor the Editorial or Advisory Boards.
Articles should be full text, written in a clearand concise style using standard BritishEnglish. Articles will normally be approximately5000–6000 words in length.Contributors must check that each ofthefollowing have been supplied correctly:•Article Title.•Author Name.•Author addresses – the submittedmaterial should include details ofthe fullpostal and email addresses ofthecontributor for correspondence purposes.•Author Biography – authors shouldinclude a short biography ofaround 50words, specifying the institution withwhich they are affiliated. The name,address, biography and author affiliationshould appear only on a cover sheet, pageone ofthe document.•Copyright Consent Form giving us yourpermission to publish your article shouldit be accepted by our peer review panel.An electronic template is available fromthe journal office address above.•Abstract of100–150 words;
this will goonto the Intellect website.
•Keywords – six words, or two-wordphrases, that are core to what is beingdiscussed.•Numbered notes - These should be keptto a minimum and must be submittedcorrectly at the time ofthe initialsubmission.•References – Intellect requires the use of Harvard references embedded in themain text in the following format (Harper1999: 27).•Bibliography - titled ‘Works cited’ to enableit to include videos, films, CDs and the likewithout ambiguity. Any list ofrelevantwork in addition to the works cited directlyshould be titled ‘Further works’.
•The title ofyour article should be in boldat the beginning ofthe file, withoutinverted commas.
Any matters concerning the format and presentation ofarticles not covered by the above notes should be addressed to the Editor.The guidance on this page is by no means comprehensive: it must be read in conjunction with Intellect Notes for Contributors.These notes can be referred to by contributors to any ofIntellect’s journals, and so are, in turn, not sufficient; contributors willalso need to refer to the guidance such as this given for each specific journal. Intellect Notes for Contributors is obtainable fromwww.intellectbooks.com/journals, or on request from the Editor ofthis journal.