Professional Documents
Culture Documents
Pianist Oliver Kern, left, and violinist Iskandar Widjaja toured Java together in January, and a still from John Rabe, a popular screening at the German film festival.
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he German International School (DIS) truly is more than just a place for learning. DIS also represents a center for the German community and those who are interested in German culture and education.
Excellent, intercultural education The DIS is recognized and licensed by the German Ministry of Education and has successfully passed the certification process to become an excellent German school abroad. The German international education starts at kindergarten level, and after twelve school years leads to the internationally recognized German High School degree (Abitur). The Trilingual Plus program offers an education based on the Indonesian national curriculum and is delivered in three languages - German, English, Bahasa Indonesia. It covers Pre-School and Elementary School levels, and also includes participation in the Ujian Nasional. Since the 2011/12 school year DIS has introduced DIAP, whereby all DIS students from grade 7 onward follow one set curriculum. DIAP is a German High School degree that offers a bilingual education under proven German standards, while also ensuring the students admission to universities around the world. and way more than just learning ! Small classes guarantee a family classroom atmosphere, and the teachers are able to address each students individual needs, which also includes providing homework support and guidance. With manifold facilities and state-of-the-art equipment that includes labs, sports fields, and an auditorium, DIS is able to offer a wide variety of after-school extracurricular programs to foster students individual passions and talents. The parents are considered an important keystone at the DIS. Regular dialogue and exchange of information ensures close relations. Parents, students, staff, and the DISs circle of friends regularly meet at the DISs sporting events, school festivities, theater performances, and many more occasions. Thus, the DIS truly becomes a center of the German Community and their friends, and a place where meeting and interaction of different cultures and generations is successfully promoted
the butterfly effect: start something and just see what happens. Jointly organized by the German Embassy, the Goethe-Institut and Ekonid (the German-Indonesian Chamber of Industry and Commerce), JERIN, which celebrates Creativity in Diversity, has been timed to celebrate the forthcoming 60th anniversary of diplomatic relations between Indonesia and Germany.
The promotional campaign for the event series focused on professional young Indonesians aged between 20 and 35, and this has reaped benefits in terms of the number of visitors interested in education options in Germany. We want to raise awareness of Germany, and say Hey, Germany is interesting, come and study there! enthused Insaf. But we never thought there would be as much interest as there has been, especially from students. Any events that were connected to universities saw a big rise in numbers. Insaf chalked up the strong showings to the power of social media in spreading the word and creating a cycle of interest in the JERIN events. Its like a lifestyle; either you are a fan of Germany or you are not interested. And if you are
a fan, you become more and more enthusiastic, she said. Following Novembers Science Film Festival and Decembers Germany for Beginners exhibit, the new year started with a bang thanks to the first-ever German film festival in Indonesia, featuring 10 German blockbusters in five cities across the archipelago. Academy Award-winning director Florian Gallenberger opened the festival in Jakarta, and almost all 8,000 tickets available were snapped up (see page 6). Meanwhile, internationally renowned pianist Oliver Kern and rising star violinist Iskandar Widjaja teamed up for a concert series from Jakarta via Solo to Surabaya, and the past week has seen the start of a comprehensive exhibition on batik and Europes role in spreading its appeal worldwide (see page 5).
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JERINs patrons, partners and organizers celebrate the launch of the event series. Front row (left to right): Ramesh Divyanathan (BMW Group Indonesia), Heidrun Tempel (Deputy Head of Mission, German Embassy), Joachim Wessling (Allianz Indonesia), H.E. Christian Wulff (President of the Federal Republic of Germany), H.E. Norbert Baas (Ambassador of the Federal Republic
of Germany), Jan Rnnfeld (Managing Director of EKONID), Claus Weidner (Mercedes-Benz Indonesia). Back Row (left to right): Hans-Peter Hausner (PT. Bayer Indonesia), Joachim Stender (PT. Jawa Power), Bernhard Meyer (Meyer Werft), Hans-Peter Haesslein (PT. Siemens Indonesia), Frank Winkler (MAN Ferrostaal), Leandro Tonidandel (Lufthansa Indonesia).
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JERIN Calendar of Events February-March 2012 For full details of each event, please go to www.jerin.or.id
MONDAY TUESDAY WEDNESDAY FEBRUARY 1 2 THURSDAY 3 FRIDAY 4 SATURDAY 5 SUNDAY
INDONESIAN BATIK: A LIVING HERITAGE (JAKARTA) EXHIBITION: GERMAN DEVELOPMENT COOPERATION AND DIVERSITY (MAKASSAR) CLEAN BATIK INITIATIVE LECTURE SERIES UWE KAA CONCERT (MANADO) CLEAN BATIK INITIATIVE DESIGN CONTEST
Tunggul Wirajuda atik has been synonymous with Indonesian culture since it originated in the 6th or 7th century AD. Its history is so rich that in 2009 Unesco added batik to its Intangible Heritage of Humanity list. Like all masterpieces of art, batik has a way of uniting cultures among them, Indonesia and Germany. With this in mind, the exhibition Indonesian Batik A Living Heritage opened on Wednesday as part of JERIN and jointly organized by the Clean Batik Initiative (CBI). It is on at the National Gallery in Jakarta until Feb. 6 and then moves to Solo. The German government gladly supports the exhibition, as it touches upon long-forgotten connections between Europe and Asia, Dr. Norbert Baas, the German Ambassador to Indonesia, said at the opening ceremony. At the same time, the exhibition presents challenges and opportunities for the future, ranging from topics like sustainable batik to modern batik design. He gave a special commendation to the improvements in batik manufacturing implemented by the Clean Batik Initiative, which aims to green the supply-and-demand side of batik products to ensure that their environmental impact is taken into account. The initiative is part of the EU-funded Switch Asia program on sustainable production and consumption (see story below). Environmentally clean batik, and batiks versatility as an art form, provide a tantalizing hint of the direction batik may take in the future. The exhibition covers various aspects of batik, including its manufacture and its storied history. It explores the works of the late batik master Iwan Tirta and German batik artists, whose work is just the latest manifestation of centuries of influence by batik on European art. Batik Manufacturing Of all batik manufacturing techniques, none are as refined, elevated or as laborious than the batik tulis, or written batik style. Since each piece is drawn by hand, no two patterns are identical, though they might have a strong resemblance. Fine batik is also reversible, as motifs are drawn, waxed and dyed on one side, then the other. Detailed wax designs are applied with a tool called a canting, similar to a fountain pen, and the material is given a dye bath; the waxed areas repel the dye, and after the dye is set, the wax is dissolved in boiling water and the procedure is repeated with a different design. The whole process can take more than a year, as it involves designers, waxers, dyers and finishers. The dye is one of batiks defining features, distinguished by its rich penetrating tone, colorfastness and ability to resist abrasion. Batik Variations While batik patterns are diverse due to their influences from various cultures, batik is generally divided
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and magical images. The actors will also perform German songs from different centuries, and allow them to be merged with the dance and music into one unit. German Development, Cooperation and Diversity The German Development Cooperation and Diversity discussion continues its tour of cities across Indonesia. Follow German experts as they share their countrys know-how in tackling climate change, developing the private sector, promoting good governance and fighting corruption. They will also map out ways to enact development cooperation with Indonesia. The event will then stop in Makassar, Samarinda and Bandung in February and March and is expected to visit 11 cities throughout Indonesia by the time it ends. It has already dropped by Jakarta, Yogyakarta, Semarang, Surabaya and Banda Aceh since the tour began last October. DAAD: Childrens University If you are eager to give your little ones a preview of university life, then the DAAD Kinderuni, or Childrens University program, is a great place to start. Founded in Germany in 2002, the Kinderuni is comprised of a set of classes focused on children. As with their adult counterparts, the classes are held for a semester, lasting a few months. The classes will be held at Padjadjaran University in Bandung and the University of Indonesia in Jakarta. The teachers for the Kinderunis classes are lecturers and researchers at the University of Indonesia and Padjadjaran University who are alumni of the DAAD Kinderuni program themselves. As with Kinderuni classes in Germany, child reporters will deliver news reports comprised of documentary shorts, articles and interviews, which will be printed and broadcast by local and regional media. The cub reporters will be trained by journalism faculty from both universities.
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Above: German Ambassador Norbert Baas (right) with EKONIDs Martin Krummeck as he tours the exhibition after opening it on Jan. 25. Far left: Bamboo forms a natural backdrop showcasing many of the exhibits. Left and below: One section of the show is devoted to late batik master Irwan Tirta.
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into two regions: Central Javanese batik and Pesisir, or Coastal batik. Central Javanese batik, particularly from Yogyakarta and Solo, is full of spiritual meaning. It is steeped in symbolism pertaining to Javanese beliefs, ethics and ideas about the social order as well as Hinduism. It plays a major ritual role and can determine the wearers social status and power. This is particularly the case with the Kraton, or Palace, batik. Its patterns include the
larangan, or forbidden batik, which is only allowed to be worn by certain courtiers, as strictly regulated by court etiquette. Coastal batik, meanwhile, is created and produced in several areas on the northern coast of Java and the island of Madura. Due to maritime trading, Coastal batik was more open to foreign influences in textile design, coloring and motifs. Unlike inland batik, Coastal batik is distinguished by its more vivid
The exhibition explores the works of German batik artists, whose work is just the latest manifestation of centuries of influence by batik on European art.
colors and influences from Arab, Chinese, Dutch and Japanese culture as well as Javanese elements. Pekalongan batik, from the town of the same name, is a premier example of Coastal batik. This form has Dutch and Chinese influence, and is best known for its flower bouquet motif, or buketan. Cirebon, or Trusmi batik, also shows a strong Chinese influence, particularly in its megamendung (rain cloud) design, as does Lasem batik. This form of batik is particularly renowned for a bright red color called abang getih pithik, or chicken blood red. Madura batik stands out because of its use of vibrant colors like yellow, red and green. Iwan Tirta Exhibition If there is any one individual who can be credited with giving the rest of the world a window on batik and preserving it for future generations, then fashion designer Iwan Tirta (1935-2010) might be it. The contemporary yet traditional batik designs he created were featured in boutiques and fashion shows that made batik hip and sparked public interest. His works also appeared in publications including The New York Times, Vogue and Harpers Bazaar. While Tirtas efforts to document and preserve batik as an art form as well as developing it into an Indonesian living heritage are less known, they are just as significant.
Batik in Europe Batiks popularity continued to grow in Germany and Europe, particularly after a number of artists learned the art form in Indonesia in the mid1900s and tried their hand in it. Artists who put their own personal spin on batik include Joachim Blank, Peter Wenger and Rita Trefois. The European Influences section of the exhibition also highlights the batik collection of collectors like Rudolf Smend and Annegret Haake. Landscape of Diversity The Landscape of Diversity was Indonesias first-ever entry to the London Festival of Architecture. Making its debut in 2010, the pavilion was created by Alur, a group of Indonesian architects working in the British capital. The group, which includes Prama Milyardi, Rizki Nindito and Ardes Perdhana, used the installation to promote Indonesias culture and heritage, as well as exploring ideas like the transformation of origins and diverse cultures. The work incorporates old and new, giving the age-old kawung batik pattern a contemporary touch with 3D computer modeling and laser cutting. The exhibition is at the National Gallery, Jakarta, until Feb. 6. It then moves to the Pendapi Gede, Komplek Balaikota Surakarta, Solo, from Feb. 13 to 19.
in Europe, the high-born Saleh brought a new understanding of visual arts back to his home country, though his work remained deeply rooted in Javanese culture. Today his paintings command record auction prices and are part of many private and public collections in Asia and Europe. But oddly, there has never been an effort to unite his work in a single exhibition. The show, at Jakartas National Gallery, runs from June 2 to June 17. Tickets will be free. See jerin.or.id for more details.
Acclaimed German art gallery owner and batik expert Rudolf G. Smend (center) and German batik artist Joachim Blank (right) at the exhibition opening.