?

W Xng hu sh Li Xng ?
Legea celor cinci elemente vibratorii sau a celor sase ? (

Five or Six Vibrational States (movements !hases ste!s elements" #heor$ ? %ie #heorie &er F'n( o&er Sechs Sch)ingungs*ust+n&e (,lemente -e)egungen .hasen Schritte" ? La teora &e los /inco o &e los Seis ,sta&os &e vibraci0n (movimientos (ases !asos eta!as elementos vibratorios"? La th1orie &es /in2 ou &es Six 3tats vibrationnels (mouvements !hases sta&es 1l1ments " ? La teoria &ei /in2ue o &ei Sei ,lementi vibra*ionali (movimenti (asi stati vibra*ionali !assaggi" ?
Legea celor cinci este &e (a!t legea celor sase elemente vibratorii

Cercetari privind Medicina Traditionala Chineza

Introducere si redactare in lb. romana de: Dan Mirahorian Bucuresti, Romania

Inteleptul nu pune nimic deoparte(nu separa nimic) Si cu ct daruieste mai mult, cu-att primete mai mult Aceasta este Calea Cerului : Aduce folos tuturor fpturilor, fr a vtma pe nimeni 4%ao %e 5ing #ao #e /hing /a!itolul 678

/ontent 9/u!rins9 /ontenu9 :nhalt9 /onteni&o 9/ontenuto

Legea /elor /inci ;iscari9,lemente Cicluri de generare si de dominare/Promotion & Control Cycle 1. Ciclul heng de gene!", crea#ie sau de $romo%are / &he Promotion Cycle/Cycle d'engendrement (. Ciclul )e de dominare, distrugere sau control/ &he Control Cycle/Cycle de contr*le +. ,ariante $atologice ale acestor doua cicluri: Ciclul Cheng si Ciclul -u/ ,ariantes $athologi.ues de ces cycles: /e cycle Cheng et /e cycle -u/ Pathological %ariants o0 these cycles:Cycle Cheng and Cycle -u

>l Saselea ,lement9#he Sixth ,lement9Le sixi?me 1l1ment9,l Sexto elemento9:l sesto elemento9%as sechste ,lement %incolo &e mitul unei realitati com!artimentate 9 -e$on& the m$th o( a &ivi&e& realit$ 9 >u &el@ &u m$the &=une r1alit1 com!artiment1 /ele 7A meri&iane si cele sase mari meri&iane9#)elve stan&ar& meri&ians an& the six great meri&ians 9Les &ou*e m1ri&iens r1guliers et les six gran&es m1ri&iens /alea octu!la a Bniversului Cn sase straturi9#he ,ight(ol& Wa$ o( the Bniverse in Six La$ers La voie octu!le &e l=Bnivers en six couches Legea celor Sase ;iscari (,lemente vibrationale" 9 #he La) o( the six vibrational elements (motions"9La loi &es six 1l1ments vibratoires (mouvements"

,lementul ascuns9#he <i&&en ,lement9 ,l elemento oculto9 L=elemento nascosto9 %ie verborgene ,lement9 L=1l1ment cach1

7D >!a 4 shuiE8 >c2ua >gua ,au Water Wasser Vann Vatten FGHI JKLM NOP QQQQ AD Foc 4 huoE8 Fire Feu Fuoco Fuego Feuer ,l& RSGTU VWXYZ [\ ED Lemn 4 mu] 8 Legno -ois Woo& ;a&era ^_`a <ol* bcdceG ]D ;etal 4 fin7 chin 8 ;etal ;1tal ;etall gchIii jkXl``a ;etal finm nD .amant 4 tuE8 #erra #erre #ierra ,arth ,r&e ocpiq rea st raia slul #ellure vD Focul ,teric 4 miA8 ,theric Fire Feu 3th1ri2ue Fuego et1rico Fuoco eterico wtherische Feuer xin si xang9 xin an& xang #i!uri &e energie mentala (mani(estari !sihoyemotionale" asociate viscerelor9elementelor Sunetele si Legea celor /inci ,lemente 9Soun&s an& the La) o( Five ,lements %ictionar &e termeni %ictionar9%ictionar$9%ictionnaire9 Wzrterbuch9%iccionario9%i*ionario -ibliogra(ie9 -ibliogra!h$ 9 -ibliogra!hie9 -ibliogra(a

Legea /elor /inci ;iscari9,lemente

Legea /elor /inci ;iscari9,lemente vibratorii este $re!enta in toate $racticile esoterice chine!esti, inclu!and stiinta alegerii locului de constructie al casei si cea a organi!arii s$atiului de locuit Feng Shui1 (eng7 shuiE{ litD{ |>!ayVant|2. Intelegerea 3Legii celor /inci ,lemente| ne deschide $oarta atat catre cunoasterea si utili!area ;e&icinii #ra&itionale /hine*e(;#/" cat si $entru intelegerea altor domenii cum ar 0i: cele 1( elemente %ibratorii din *o&iacul chine*esc 4si din cronotera!ie5, utili!ate de 6i M789: si de 8raal tar, tera!ia !rin gusturilor &in arta culinara chine*a, utili!area tera$eutica a sunetelor s$eci0ice 0iecarui organ45 si a mu!icii 4melotera$ia5, tera$ia care utili!ea!a lumina de di0erite 0rec%ente/culori 4cromotera$ia5 si $ictura chine!easca. In con0ormitate cu tra&itia taoista cele cinci elemente vibratorii sunt: Lemn( y m" Foc( y hu}" .amant( t" ;etal( ;<n" si >!a(, shu=". In $ractica Feng Shui, ca si in toate celelalte $ractici, 0iecarui element %ibratoriu ii sunt atribuite anumite caracteristici s$eci0ice si toate lucrurile din uni%ers sunt re$arti!ate unui element, in 0unctie de aceste caracteristici. 7cesta nu este un e>ercitiu intelectual, ci o %i!iune a unei stiinte a unei ci%ili!atii e>trem de a%ansate, du$a care la temelia %ietii si a 0iintei umane se a0la cinci $erechi4?in@?ang5 de elemente %ibratorii a0isate, care ecranea!a/aco$era $e o a sasea $ereche a unui element %ibratoriu ascuns40ocul etericA ministerial5. 7ceste elemente %ibratorii in numar de 1( si cu$lul ?in@?ang se su$er$o!ea!a. 7ceste elemente nu sunt chimie, ci sunt B energii %ibratorii dinamice, care $rin $olari!are generea!a cele 1( note ale mu!icii s0erelor In cursul dinastiei Can cu$lul ?in@?ang a 0ost adaugat la cele cinci elemente dar modelul ?in@?ang este mult mai %echi si s@a a0lat la temelia medicinii traditionale chine!e inca de la ince$ut. Du$a milenii de obser%atii, oamenii au desco$erit ca utili!area acestor $rinci$ii este urmata de re!ultate s$eci0ice, care sunt a!i redesco$erite de stiinta care se ocu$a de cam!urile mor(ogenenetice sau s!inorialeD Dormele, culorile, obiectele si imaginile am$lasate in cele o$t directii indicate in -a rua4.a ~uaA 3/ele !t #rigrame35 $roduc schimbari bene0ice, care $ermit $ersoanei care le utili!ea!a sa re%ina la ancorarea in i!%orul %ietii. :n /hina antica se consi&era ca universul (i*ic este alcatuit &in |/inci ;iscari sau ,lemente vibratorii|4 ) xng8 Lemn ( y m" Foc( hu}" .amant( y t" ;etal ( y fn" si >!a( yshu" iar ele &esemnea*a cinci secvente tem!orale((a*e vibratorii" care se inlantuie intryun cicluD Caracterul xing]1lit.:3com$ortare, conduita32 ne indica 0a$tul ca ceea ce noi consideram a 0i di0erite elemente %ibratorii sau 0a!e ale miscarii, nu sunt in 0inal decat 0orme 4modulari in0ormationale5 ale unei $urtatoare unice sau modalitati de mani0estare ale aceleasi realitati unice 4materie@energie5, care e>ista in 0orma im$licita4$otentialaA nemani0estata5 si e>$licita4des0asurataA mani0estataA cinetica5, ca si sunetele, gusturile, culorile sau starile de agregare. En 0ulg de !a$ada, o $icatura de $loaie, un nor sau un ghetar sunt 0orme de mani0estare ale a$ei.

/icluri &e generare si &e &ominare9.romotion /ontrol /$cle

9ste im$ortant s" Fn#elegem c" aceste cinci miscari, elemente %ibratorii sau $rinci$ii nu sunt statice. In con0ormitate cu modelul trans0erului energiei %itale 6i4ChiA in lb. ;a$one!a: )i5 Gi al cu$lului ?in @?ang, nu e>ista lucruri 4entitati inghetate5, ci doar $rocese in continua curgere, miGcare, schimbare Gi trans0ormare. 7ctiunea in directia o$erarii unei schimbari a unui element dintr@o anumita !ona a0ectea!a toate celelalte !one/elemente/domenii din cau!a cu$la;ului hologra0ic e>istent. Diecare 0a!a sau com$onenta de miscare/element este o $oarta de acces $t reglarea/controlul tuturor celorlalte. De $ilda $ielea, $oarta metalului, $oate 0i calea de a controla intregul organism4acu$uncturaA $reso$unctura5. Rela>area $ilotata auditi%4%edeti $ros$ectul si manualul $e: http://www.scribd.com/Guided_Awakening5 0oloseste cores$ondenta e>istenta intre 0iecare dintre cor$urile sau in%elisurile grosiere si subtile ale 0iintei umane 4HoshaA sharira5 si cele cinci elemente %ibratorii. In mod similar se $etrec lucrurile daca ne re0erim la un subdomeniu4yin5 al metalului cores$un!ator 0unctiei res$iratorii 4Plaman5, o cale de control a tuturor com$onentelor mentale si somatice, care era utili!ata in antichitate4$ranayamaA .igong5. Ramurile4anga5 descrise de Patan;ali in ?oga utra se a0la in cores$ondenta cu in%elisurile 0iintei umane, cu centrele energetice4chaHra5 si cu cele sase $orti de acces din /egea celor cinci elemente. Poarta /emnului, asociat imaginatiei, este o

cale de %indecare a maladiilor $sihosomatice4sa ne gandim la %i!uali!are5. Poarta 0ocului eteric asociat sunetului in0luentea!a toate organele, 0unctiile si chiar re$ararea codului genetic 47D:5 daca ne gandim la mantra si la traditia sunetelor %indecatoare asociate 0iecaruia din cele sase elemente.4%edeti: unetele si /egea celor Cinci 9lemente / ounds and the /aI o0 Di%e 9lements5 . Calea regala ramane $oarta s$iritului 4 hen5 si solicita $artici$area noastra constienta la ancorarea in temelie@realitatea su$ort omni$re!enta 4&ao5. Con0orm 0iloso0iei taoiste, orice trecere de la o 0a!a %ibratorie la alta se $roduce Fntr@un mod ciclic. Cunoscand legile naturii, este $osibil ca cel ce a$lica aceasta lege sa actione!e corect si sa $re%ada cu e>actitate modul Fn care o anumita situa#ie $erturbatoare $oate sa 0ie re!ol%ata. 7cesta $ermite $racticantului medicinii traditionale chine!e sa ac#ione!e Fntr@un mod, care este Fn con0ormitate cu legile naturale, $entru a declansa stari $redictibile, care se de$lasea!a in directia re%enirii la starea de sanatate. Prin $erce$erea semnalelor din mediul in care traieste o anumita $ersoana sau a caracteristicilor cor$ului unei 0iinte umane4culoare,miros,as$ect5 ca $e sim$tome ale unei situatii de di!armonie sau de armonie, $racticantul medicinii traditionale chine!e sau de Deng hui Gtie ce m"suri s" ia, dac" este ca!ul, $entru a Fmbun"t"#i sau $t. a $astra o anumita situa#ie. /es di%ers 3Cycles3 4Jiang5 utilisKs L $artir des 3Cin. 9lKments3 : 7 $artir ce ces 3 Cin. 9lKments1/e cycle des 3 Cin. Mou%ements 3, .ue lMon $eu aussi nommer Cin. 9lKments, Cin. 7gents, Cin. Dynamismes, Cin. &ro$ismes, Cin. Dormes2 3 naissent $lusieurs cycles dont les $lus connus sont le Cycle dM9ngendrement 4Chen5 et le Cycle de Domination 4ou destruction5 4)N5. Ces deu> cycles sont $articuliOrement utilisKs en acu$uncture et en diKtKti.ue ainsi .ue dans les techni.ues $sychosomati.ues 43 6igong 35 et mPme dans les 3 7rts Martiau> 3 classi.ues 4&ai;i 6uan, Jingyi 6uan5. It is im$ortant to understand that these are not static $rinci$als. 7ccording to the theories o0 6i and ?in/?ang all things are constantly in motion, changing and trans0orming. MaHing a change in one area Iill a00ect all the other areas. 7ccording to &aoist $hiloso$hy, change occurs in a cyclical 0ashion. )noIing the /aIs o0 :ature, alloIs the student to accurately $redict hoI any situation Iill resol%e itsel0. It is then u$ to the student to act in a manner that con0orms to the :atural /aIs to $roduce $redictable results. By seeing oneMs en%ironment or body as a sym$tom o0 a disharmony or harmony, the Deng hui $ractitioner then HnoIs Ihat action to taHe, i0 any to im$ro%e or $reser%e the situation. elaiile !atologice !ot evolua &u! cele trei secvene sau cicluri { Brie0ly there are three cycles that the casual student should $ay attention to:

7D /iclul Sheng &e gene* creaie sau &e !romovare(matern xin " 9 /$cle &engen&rement Sheng (xin"9 #he .romotion /$cle
/iclul Sheng 4 shng sheng7 8 &esemnea* relaia &e gene* sau &e creaie(mamy(iu" si con&uce la succesiunea urmtoare{ Lemn Foc .mnt ;etal >! Lemn 4 generea*8D ! xing shng siang sheng hiang cheng: Ciclul/rela#ia de crea#ie sau gene!"4e>cita#ie5 intre cele cinci elemente %ibratorii IQ >Rng 1 A A A A 2A Cycle dMengendrement ou de $roductionA heng Cycle 48enerating e.uence5A Promotion cycleA heng cycleA 9ngendering cycleA heng cycleA also birth or $roduction cycleA4a $hysiological cycle5 /ele cinci miscri9elemente sunt Cntot&eauna !re*entate Cntryo manier circularD :n ciclul &e !romovare9creatie( sheng7" se !oate observa c (iecare &intre elemente !romovea* i hrnete elementul urmtorD :n !ractic acest !rinci!iu &in me&icina tra&itional chine* este (olosit !entru con&iii &e &e(icit al unui anumit elementD %e exem!lu o &e(icien a elementului Foc !oate (i vin&ecat !rin toni(icarea elementului &e (oc Cn sine sau !rin toni(icarea mamei (elementul lemn" sau ambeleD %e asemenea o &e(icien a elementului .mnt !oate (i vin&ecat !rin toni(icarea elementului .mnt Cn sine sau !rin toni(icarea elementul &e

(oc care la rn&ul su &a nastere .mntuluiD#oate acestea !ot !area un !ic mai com!licate la ince!ut &ar !rin !ractica !utei Cnva s (olositi relatia &e generare(mamayco!il " Cn msura Cn care acestea sunt a!licabile la situaia &umneavoastrD ;o&elul celor cinci elemente este o com!onent integrant a oricarei !ractici e*oterice chine*e care &esi nu este Cntot&eauna (oarte sim!lu &e !us in a!licare este un alt mo& &e abor&are a lumiiD :n aceasta relaie matern &e generare (iecare element & natere la urmatorulD %eci iata ciclul sheng &e gene*a sau !romovareD >!a &a nastere la lemn(a! hrnete i (avori*ea*a creterea !lantelor" lemnul &a nastere (ocului (ocul &a natere la .amant(cenusa vulcanismul" .amantul & natere la ;etal(toate metalele sunt generate si extrase &in .amant" ;etalul & natere la >!a(orice metal atrage a!a sub (orm &e con&ensare" Cycle dMengendrement ou de $roduction 4Jiang heng5 ou les Cin. 9lKment sont dans une relation maternelle d'engendrement. Cha.ue KlKment donne naissance au sui%ant. 9au donne naissance au Bois 4lMeau $ermet L la graine de germer5 4rKgKnKration, germination5A Bois donne naissance au Deu 4le bois est nKcessaire $our entretenir le 0euA combustion, ignition5A Deu donne naissance L la &erre4le 0eu $roduit de la cendreA $roduction5A la &erre engendre le MKtal 4la terre ou la cendre contient des minKrau>, des mineraisA cristallisation, minKralisation5 et le MKtal donne naissance L 9au 4/e mKtal @les minKrau> se li.uK0ie sous lMaction du tem$s ou de la chaleurA li.uK0action, dissolution5. In the Promotion Cycle it is obser%able that each o0 the Di%e 9lements $romotes and nurtures the 0olloIing element. In Chinese medical $ractice this $rinci$le is used 0or De0iciency conditions. Dor e>am$le, a de0iciency o0 the Dire element may be cured by adding to the Dire element itsel0 or by $romoting the -ood element, or both. /iHeIise, a de0iciency in the 9arth element may be cured by adding to the 9arth element itsel0 or by $romoting the Dire element Ihich in its turn $romotes 9arth. o, here is the Promotion Cycle: -ood $romotes DireA Dire $romotes 9arthA 9arth $romotes MetalA Metal $romotes -ater A-ater $romotes -oodA

AD /iclul ~e4" ? 8 &e &ominare &istrugere sau control (!atern xang"9 Cycle de contr*le S )e 4?ang5 9#he /ontrol /$cle
/iclul ~e 4" ? e] o8 care &esemnea* relaia &e &ominare &e &istrugere sau &e restrictie (bunicyne!ot" are urmatoarea secvena { Lemn .mnt >! Foc ;etal Lemn 4un&e &istruge8D

!# 4!" 8 xing ? siang o hiang =o{ Ciclul/rela#ia de dominareA Ciclul de control4inhibi#ie5A Ciclul de distrugereA !# 1$%2 #A #A #A #A # 2 cycle de domination ou destructionA cycle de contr*leA Controlling CycleA )e cycleA Control cycleA Restraining cycleA Cycle )e 4 $hysiological cycle5 Destruction CycleA Countering cycleA

3In natur" trans0orm"rile nu $ot 0i reali!ate 0"r" $roduc#ie4crea#ie5 Gi restric#ie 4controlA distrugere5. D"r" crea#ie, nu e>ist" nimic, care s" $oat" creste Gi s" dea 0ructeA 0"r" restric#ii nu se $oate inl"tura ceea ce este e>cesi% si d"un"tor. Pe scurt, e ne%oie s" ud"m si s" t"iem3. Controlul $atern4?ang5 nu este $ermisi% ca cel matern4He5, ci restricti%4de aici relatiile/ciclurile $atogene5. /emnul este hr"nit de a$" 4relatia materna de generare5 si distruge /restrictionea!"/ controlea!" P"mantul 4alternanta culturilorA anumite $lante, $recum arahidele, distrug $otentialul 0ertil al solului in doar doi aniA co$acii 0i>ea!" $"mantulA 0icatul este distrus de e>cesul s$lin"@$ancreas5, P"mantul, care este hr"nit de 0oc 4inim"A amarA ca0ea5 controlea!"/ distruge a$a4diguriA setea e>cesi%" din diabetA cone>iunea dintre s$lina@$ancreas si rinichi: $oliurie @emisia unei cantit"ti mari de urin" diluata5, a$a distruge/controlea!" 0ocul4stingerea incendiilorA este cunoscut" relatia rinichi@inim" in 0i!iologia sistemului circulator si in etiologia renal" a hi$ertensiunii5, 0ocul distruge/controlea!" metalul, metalul distruge/controlea!" lemnul. 7cest ciclu este utili!at $entru a trata boli e>ces. De e>em$lu, atunci cTnd 0ocul este in e>ces si a sc"$at de sub control, a$a 4de r"cire5 controlea!a Docul. In ca!ul Fn care /emnul este sc"$at de sub control, ad"ugarea de metal %a reduce de!echilibrul. Din $unct de %edere al Deng hui, niciodat" nu %o$sim o inc"$ere in rosu40oc5, 0iindc" acest lucru %a declansa un e>ces al e>citatiei sen!oriale40oc5. Rosul este 0olosit mai mult ca un accent de culoare. In mod similar se e%it" !ugra%irea unei camere com$let in alb4culoarea mortii5, gri, in auriu sau in argintiu. 7sta ar de!echilibra 0iind $rea mult metal4care distruge lemnul@%iata5. Mai degrab" aceste culori sunt utili!ate $entru a accentua/controla culorile $rinci$ale, care trebuie s" 0ie tonuri de Pamant, 4galben5 tonuri de lemn 4%erde5 Gi de a$" 4albastru5. 7lbul, care este culoarea metalului, este adesea 0olosit ca o culoare de ba!" Fn case, dar este 0oarte recomandat s" se 0oloseasca imagini cu bambus4galben@%erde5 si alte decoratiuni similare dre$t culori de accent, ag"#ate $e $ereti, $t a reducere albul4metalul5. Combinat" cu o cunoaGtere a utili!"rii 0ormelor Gi altor mi;loace curati%e din Deng hui, utili!area inteligent" a culorilor Fn con0ormitate cu teoria celor U elemente contribuie la crearea acas" sau la birou, a unei st"ri, care este Fn acelaGi tim$, de rela>are Gi de stimulare a sim#urilor. Cycle de domination ou destruction 4Jiang )e5 /M9au Kteint le Deu /e Deu 0ond le MKtal /e 3Dans la nature les changements ne $eu%ent se rKaliser sans $roduction et sans restriction. ans crKation, il n'y a rien .ui $uisse croFtre et donner des 0ruits, sans restriction e>cessi%e ce .ui est noci0. Bre0, il 0aut arroser et il 0aut cou$er3. Dans le contr*le $aternelle4restricti%e5 /e Bois dKtruit la &erre et est nourri $ar lMeau4relation maternelle d'engendrement5 A la &erre dKtruit/ contr*le l'eau, l'eau dKtruit /contr*le le 0eu, le 0eu contr*le le mKtal, le mKtal dKtruit / contr*le/cou$e le Bois /e Bois se nourrit de la &erre /a &erre absorbe lM9au. -ood destroys/controls 9arthA 9arth destroys/ controls -ater4in the sense that earthen dams can control Iater 0loI5. -ater destroys/ controls DireA 4in the sense that Iater $uts out Dire5A Dire destroys/controls MetalA 4metal can be melted by Dire5A Metal destroys/controls -oodA 4metal a>es can cho$ Iood.5 &his cycle is used to treat e>cess conditions. Dor e>am$le Ihen Dire rages out o0 control, cooling -ater controls the Dire. I0 -ood is out o0 control, adding Metal Iill reduce the e00ect. Drom the $oint o0 %ieI o0 Deng hui, one ne%er $aints a room Red. &hat Iould be ;ust too much Dire. Red is more an accent colour. /iHeIise one rarely $aints a room com$letely gray, or golden or sil%er colour. &hat Iould be ;ust too much Metal. Rather these colours are used to accent 4control/balance5 the main coloursV 9arth tones, 49arth5 green tones 4-ood5 and blues 4-ater5. -hite, Ihich is Metal, is o0ten used as a base colour in homes, but it is highly recommended that $icture, bamboo hangars and other such decorations be hung reducing the -hite 4Metal5 to an accenting colour. Combined Iith a HnoIledge o0 sha$es and other such Deng hui curati%es, the intelligent use o0 colour according to U 9lements theory Iill hel$ to create a home or o00ice that is rela>ing and stimulating to the senses at the same time ED Variante !atologice ale acestor &ou cicluri{ /iclul /heng si /iclul Wu9 Variantes !athologi2ues &e ces c$cles{ Le c$cle /heng et Le c$cle Wu9 .athological variants o( these c$cles{ /$cle /heng an& /$cle Wu 9>ist" dou" %ariante $atologice ale acestor dou" cicluri de creatie4 shWng5 si de contol 4" HO5/ Il y a deu> %ariantes $athologi.ues de ces cycles 4 heng )e5

7{ /iclul /heng y agresiune, asu$rire, Fn ca!ul Fn care ciclul de control4He5 este e>cesi%. Conectat de 0icat4lemn5 care cel mai adesea atac" s$lina4$"mTntul5. ubiectul %a a%ea a$oi $robleme de stomac, si chiar ulcer. Dicatul asu$reGte P"mTntul. 1er : /e cycle Cheng S 7gression, o$$ression lors.ue le cycle de contr*le est e>cessi0. ReliK au 0oie trOs sou%ent il %a atta.uer la rate5. /e su;et aura alors des $roblOmes d'estomac, %oir des ulcOres. /e 0oie o$$rime la terre. !& xing ch1ng siang ch=eng hiang tch=eng sau '" be ? !ei o !ei =o{ Ciclul de o$resiune4restric#ie e>cesi%"5A 7cest ciclu este o e>acerbare $atologic" a ciclului )e @ elementul dominat este 3!drobit3A succesiunea in acest ciclu $atologic distructi% este la 0el ca in ciclul de )e, dar Fn acest ca! un element 3su$ra@ controlea!a3 sau 3distruge3 un altul, elementul controlat de%enind de0icient. 7cest lucru se FntTm$l" atunci cTnd echilibrul se ru$e, ast0el FncTt un element de%ine e>cesi% Fn ra$ort cu un altul. Cycle dMo$ressionA Cycle de restriction e>cessi%eA o%er@ restriction cycle o0 0i%e $hases4elements5A sub;ugation or encroachment in 0i%e elementsA N%erIhelming cycleA N%eracting X e>cessi%e action on the interacting 4)e5 CycleA &his is a $athological e>acerbation o0 the )e cycle S the dominated element is 3crushed3A Destructi%e CycleA N%eracting e.uenceA &his is the same as the )o cycle, but in this se.uence, one 9lement is said to 3o%er@control3 or 3destroy3 another, causing the controlled element to become De0icient. &his ha$$ens Ihen balance breaHs doIn so that one element becomes e>cessi%e in relationshi$ to another A{ /iclul Wuy Ciclul -u4insult", indignare5 sau ciclul de rebeliune/r"!%r"tire 4cycle de rKbellion Cycle o0 Rebellion5 este contrar lui )e. /emnul se %a Fntoarce Fm$otri%a tat"lui s"u@ in ciclul de control4He5. ,a trebui sc"!ut" 0uria, 0icatului sau asu$rirea/dominatia $linei4P"mTntului5. /iclul Wu contrar lui ~e arat" c" P"mTntul4 $lina@Pancreasul5 domin" /emnul4Dicatul5,etc./(Ome : /e cycle -u. Insulte Nutrage. /e bois %a se retourner contre son $Ore en cycle de contr*le. Il %a donc baisser la colOre du 0oie ou les deu>. !( xing ) siang )u hiang )ou sau )" (n ? Ciclul de rebeliune4insultare5A Ciclul -u4Ciclul )e in%ersat5A succesiunea in acest ciclu este in%ersa ciclui )e ACycle )e in%ersKA Cycle dMoutrageA Cycle dMinsulteA -u CycleA Re%erse )e cycleA Rebellion cycleA Insult cycleA Counteracting cycleA &he re%erse )e cycle is another $athological cycleA

:l existe &=autres c$cles !lus com!lexes utilisant les cin2 mouvements &e l=1nergie comme le |/$cle &=o!ression| (Xiang /heng" le |/$cle &=outrage| (Xiang Wu" le /$cle contre la rebellion| (Fan Wu"D )( (n ) (an )u (an )ou Ciclu reacti% anti@rebeliune4intoarcere5A Cycle contre la rebellionA anti@insult cycleA htt$://III.sacredlotus.com/theory/elements/inde>.c0mYsheng htt$://III.tao@yin.com/acu$uncture/acu$unctureZM&CZgeneralitesZ1.htm /e 3Cycle dMassaut3 , dMinsulte ou dMatta.ue : MKtal, Deu, 9au, &erre, Bois. Ce cycle est dKcrit dans le di> neu%iOme cha$itre de [huang [i 4&chouang &seu5 et est utilisK en KnergKti.ue $our $uri0ier. Il est Kgalement nommK 3 Cycle des :omades 3 4Jiang Pu5en o$$osition au cycle dMengendrement .ui est considKrK comme 3 Cycle des Kdentaires 3 4Jiang Chen5. Dans lMancienne tradition ce 3 Cycle des nomades 3 4PE : %oyager L $ied se $rononce Kgalement comme battre, assaillir, 0ra$$er5 corres$ondait L lMatta.ue $ar le 0er 4mKtal de la hache, du sabre5, le 0eu 4incendie du cam$ement5, lMeau 4inondation $ar ru$ture des digues dMirrigation5 $uis lMoccu$ation 4$rise en main du territoire, de la terre5 et en0in la con.uPte de nou%eau> territoires a%ec lMaide des che%au> 4%KgKtal de la $rairie, de la ste$$e, %ent du galo$, criniOres au %ent...5. Il sMo$$osait bien K%idemment au 3 cycle des Kdentaires 3 4CC9: dans le sens de $aci0ier5 , $ar0ois sim$lement des nomades .ui sMKtaient 0i>Ks ou installKs, dans le.uel le Deu re$rKsentait le 0oyer, la &erre le lieu de rKsidence, Ktymologi.uement le loyer, le MKtal les outils agraires, lM9au le $uits et le Bois le %erger, donc la culture au sens $ro$re et au sens 0igurK. Dans cette hy$othOse, sui%ant les con0ucianistes, les 3barbares3 Ktaient 3ceu> .ui ne $ossOdent $as de limite dans le territoire, dans les $aroles et dans les actes3. /es sKdentaires, $ar contre, Ktaient donc 3limitKs3 dans le lieu 4loyer5, dans la $arole 40Kal5 et dans lM acte 4loyal $uis lKgal5. Ils Ktaient donc considKrKs comme 3$olicKs3, dont $olis.

/es barbares $ossKdaient des co\tumes ou un 30olHlore3 , les sKdentaires une culture. /es sKdentaires se de%aient donc dMPtre 3culti%Ks3, les barbares .ui de%enaient sKdentaires de%aient se $lier L cette rOgle. Donc, $our le sKdentaire les KlKments sMengendrent $aisiblement 4Deu/&erre/MKtal/9au/Bois5. /e sKdentaire est donc lMhomme .ui $ossOde un 0eu et un lieu 4...un 0oyer et un loyer5 tandis .ue le 3 barbare 3 Ktait considKrK, tout L 0ait comme en Nccident, sans 0oyer ni loyer...donc 3 sans 0oy ni loy 3 et, $ar contrecou$ 3 sans 0oi ni loi 3. Il con%iendrait encore de di00Krencier, sui%ant le mPme $rinci$e, le 3 loyal 3 du 3 lKgal 3, le second ayant $eu L $eu rem$lacK le $remier. Nn $eut donc dKsormais Ptre tout L 0ait dKloyal tout en demeurant lKgal. 9t tout L 0ait loyal en Ktant illKgal ] ur un $lan $lus $rati.ue cela $ermet de com$rendre .ue, dans lMutilisation du 3 Cycle des Cin. Mou%ements 3, les 3 Cin. 9lOments 3 nMont $as tou;ours la mPme %aleur symboli.ue : le MKtal $eut Ptre soit sabre soit charrue, le Deu soit 0oyer de cheminKe soit incendie... 9n .uel.ue sorte lMaiguille de lMacu$uncteur $eut Ptre trOs $aisible et 0aciliter la circulation de lMKnergie si le cycle utilisK est le cycle dMengendrement ou 3 sKdentaire 3 soit trOs agressi%e, $our chasser une Knergie $athogOne, sMil sMagit dMun cycle dMassaut ou 3 nomade 3. Il sMagit bel et bien lL de lMe>em$le de lMutilisation $ragmati.ue de la $hiloso$hie chinoise a$$li.uKe L la mKdecine classi.ue. 7%ec le tem$s le 3 Cycle dMInsulte 3 a K%oluK %ers un cycle utilisant le $rinci$e, $lus com$le>e, des 3 i> 9nergies PKri$hKri.ues 3 .ui lui@mPme est L lMorigine du $rinci$e des 3 Dou!e MKridiens 3. 9n acu$uncture ce cycle duodKnaire, corres$ondant au> dou!e $Kriodes de lMannKe, sui%ant ^ac.ues /7,I9R, est Kgalement basK sur lMacti%itK du $illard en%ahisseur : in%asion et massacre 4mKtal5, installation sur les territoires con.uis 4&erre5, incendie de ce .ui est construit 4Deu $remier ou 0eu Im$Krial ou Princier5, dKsolation 49au5, nou%elle tradition 4Deu second ou 0eu ministKriel5, nou%elle ci%ilisation 4Bois5. /e cycle des 3 DKcrets Im$Kriau> 3 .uant L lui o$$ose les KlKments $ar $aires : Deu/9auA MKtal/Bois la &erre demeurant au centre. Ce cycle, aussi nommK 3 Cycle dM9>$lication 3 4 CI5 re$rKsente, dans la tradition ancienne, un entretien a%ec lM9m$ereur suite L une re.uPte. /Mem$ereur in%ariablement rK$ond Nui@oui 4Deu5, :on@non49au5, Nui 4Bois5, :on 4MKtal5...Peut@Ptre 4il $ro$ose de transmettre le dossier L ses conseillers...5 4&erre5. Ce cycle est L lMorigine de la $ro$osition du CI MI:8, traitK mKdical rKdigK $ar /IE JI dans le $remier siOcle de notre Ore, .ui consiste, concernant la structure cor$orelle 4&I5, L Ktudier les cou$les os/chair 4dur/mou5A $oils 4$eau5/sang 4%isible/in%isible5A a%ers 40ace5/re%ers4dos5 4interne/e>terne5A grand/$etit 4immuable/K$hKmOre5 a0in dMKtablir lMunitK du cor$s 4notion dMK.uilibre, de centre, de terre5. Il sMagit dMun cycle $lus utilisK dans les $rati.ues KnergKti.ues 4...Daoyin 6igong...5 .uMen acu$uncture. 9n mKdecine chinoise classi.ue ces 3 Cin. Mou%ements 3 sont omni$rKsents tant en acu$uncture, .uMen $harmaco$Ke, .ue dans la diKtKti.ue, la diKtothKra$ie, les massages, les techni.ues $sychosomati.ues... /Macu$uncture ainsi .ue le massage mKdical utilise $lus $articuliOrement dans les traitements, en com$lKment des 3 Cin. Mou%ements 3, le cycle duodKnaire corres$ondant au> Knergies dites $Kri$hKri.ues, au> 3 mKridiens 3 4chemins de lMKnergie $Kri$hKri.ue5et au> 3 $oints 3 dMacu$uncture. En ancien adage mKdical e>$li.ue L ce su;et : 3 /es Cin. Mou%ements se mani0estent L lMintKrieur, les i> 9nergies sMe>$riment L lMe>tKrieur 3. Dans une certaine mesure cela im$li.ue .ue les 3 Cin. Mou%ements 3 sont $rK0Krentiellement utilisKs dans les $rati.ues dMentretien de santK 4diKtKti.ue, Daoyin 6igong, automassage...5 alors .ue les 3 i> 9nergies 3 sont $rK0Krentiellement utilisKes dans les $rati.ues thKra$euti.ues 4acu$uncture, mo>ibustion, diKtothKra$ie, massage et mobilisations mKdicales, 6igong mKdical...5.

AL SASELEA ELEMENT/THE SIXTH ELEMENT Dincolo de mitul unei realitati compartimentate / Beyond the myth of a compartmentalized reality / Au del du mythe d!une r"alit" compartiment"
>zi #e recunoa#te #tiintific ca traim intr$un uni%er# in care partile nu #unt doar interconectate& ci chiar identice cu intre'ul(principiul holo'rafic)* +ro're#ul cunoa#terii a eliminat compartimentarea uni%er#ului in realitatii #eparate* Simtul %azului ne arata culorile ca fiind realitati (elemente componente) complet deo#e,ite* +rimul pa#& in directia eliminarii ace#tei aparente #eparari #$a facut dupa ce I#aac Ne-ton a de#coperit ca toate culorile curcu,eului #e pot o,tine prin de#compunerea luminii al,e& cu o pri#ma* Azi #tim ca deo#e,irea dintre culoarea ro#u #i 'al,en nu e#te decat efectul unei diferente in frec%enta a acelora#i unde electoma'netice* +rin cre#terea pro're#i%a a frec%entei undelor luminoa#e& emi#e de 'eneratoarele electoma'netice in #pectrul %izi,il azi #e pot o,tine toate culorile curcu,eului* .iindca pro%in de la #u,#tante #au alimente deo#e,ite #$a con#iderat eronat ca diferitele 'u#turi #unt ca #i culorile ni#te entitati #eparate* /n e0periment #implu(realizat in fo#ta 1D2& redat in Informatia Bucure#tiului din data de 34*45*3678) a aratat ca deo#e,irea dintre 'u#turi e#te doar o aparenta&iar #imtul no#tru 'u#tati% ne in#eala*

Daca #e aplica impul#uri electrice& de durata #i de frec%enta diferita(cre#catoare) unui conductor metalic din ar'int pu# pe lim,a (a%and #uprafata de 74 mm9 )& oamenii(cele 94 de per#oane #upu#e e0perimentului) au perceput conductorul ca a%and 'u#tul dulce(la :oa#a frec%enta)& de acru (la frec%enta medie)& de #arat(la frec%enta :oa#a& cu durata mare a impul#urilor)& de iute(intepator) #au de amar(la frec%enta inalta #i la durata mica a impul#urilor)* In ciuda unei compartimentari artificiale #i ri'ide a realitatii& efectuata de catre mintea analitica umana& #e poate con#tata e0perimental ca acea#ta #eparare e#te iluzorie& iar ace#t lucru e#te ilu#trat #i in cazul terapiei ce utilizeaza punctele de acupunctura din Medicina Traditionala ;hineza (MT;)* +entru re#ta,ilirea unui echili,ru ener'etic #au informational pertur,at #e poate apela la toate formele cuno#cute de ener'ie in %ederea acti%arii punctelor de acupunctura< ener'ie chimica (acele traditionale& remedii ampla#ate pe zonele cutanate acti%e)& ener'ie electrica(electro$ acupunctura)& ener'ie ma'netica(ma'neto$terapie)&ener'ie mecanica(pre#opunctura& #hiat#u& ultra#unete& #ono$terapia)& ener'ie luminoa#a (#e influenteaza punctele de acupunctura cu raze la#er de diferite lun'imi de unda& ca #i in cromoterapie)& ener'ie termica(mo0i,u#tie& fa#cicule in infraro#u)* ;unoa#terea e0i#tentei unei realitatii unice& care im,raca diferite aparente(culori& 'u#turi& #tari de con#tiinta) in functie de frec%enta& a #tat la temelia inlocuirii remediilor homeopatice prin 'eneratoare ale frec%entelor emi#e de ace#tea*

/ele 7A meri&iane si cele sase mari meri&iane #)elve stan&ar& meri&ians an& the six great meri&ians Les &ou*e m1ri&iens r1guliers et les six gran&es m1ri&iens #a1 xang (#ai xang" /hao xang (Shao xang" xang ;ing #a1 xin (#ai xin" /hao xin (Shao xin" #siu1 xin (5ue xin"
=*E*Boyd din 2la#'o- a realizat in 3697 un 'enerator de impul#uri ma'netice terapeutice (Emanometru) #i a de#coperit ca remediile homeopatice #i oamenii apartin uneia din cele 39 cla#e %i,ratorii (%edeti<>;omentariu la Mi#terul /mmo>de Dan Mirahorian& Ed*Elit ;omentator& 366?& pa'*87)& prezentata in editie re%azuta pe < http://www.scribd.com/GALACTICEX * In Medicina Traditionala ;hineza(MT;) #unt cuno#cute 39 >Meridiane de acupunctura>& care nu #unt decat parti ale celor @ >Mari Meridiane>*

;ercetarile recente din em,riolo'ie au aratat ca proce#ele de di%iziune repetata (3A94939998**9n) ale celulei initiale fecundate(oul) conduc in final la #a#e #traturi celulare din care ulterior #e diferentiaza toate tipurile de te#uturi ale or'ani#mului pluricelular* Modelul cu

cele trei #traturi (endoderm& mezoderm& ectoderm) e#te doar o #implificare* La toate #peciile dupa di%iziunea celulei initiale apare o #fera ca o mura(morula)& care ulterior de%ine 'oala in interior(,la#tula)B dupa finalizarea proce#elor repetate de pliere #au de in%a'inare('a#trula) #e a:un'e in final la #a#e #traturi celulare* E0i#tenta celor #a#e #traturi celulare din em,riolo'ie& a celor #a#e mari meridiane(formate de cele 39 meridiane zonale)& #i a celor #a#e elemente #au mi#cari (a#cun#e in >Le'ea celor ;inci Elemente>) nu e#te intamplatoare* Aparitia ace#tei ordini la ni%el macro#copic(in lumea %iului)& e#te o reflectare a ordinii& care de:a e0i#ta la ni%el cuantic #i nuclear* .ara acea#ta le'atura dintre ordinea micro#copica(cuantica) #i cea macro#copica(celulara #i pluricelulara) %iul nu poate e0i#ta* ;ele #a#e #traturi #unt rezultatul de#fa#urarii unui pro'ram informational& care comanda #i alcatuirea #traturilor din nucleele atomice*

Morfolo'ia celurara are #imetrie pe @ a0e$ Noi modele ale ,iolo'iei in morfolo'ia celulara/ ;ell Morpholo'y Ha# a Si0$.old Symmetry> $ Ne- Theorie# of Biolo'ical ;ell Morpholo'y
Profesorul Doctor Tomas Landh, un biofizician un cercetator al biomaterialelor a avansat o nou teorie pe baza unor dovezi solide care intr n conflict foarte mult cu punctele de vedere actuale privind morfologia celulara, n special a celule neuronale din creier. Teoria actual se bazeaz pe modele in dou dimensini ale unor seciuni subiri(microtom de celule vizualizate prin microscopie optica sau de transmisie, care afirma c membrana celulei este un strat sferic dublu de lipide av!nd capetele lor liophobice ndreptate spre interior, "i capetele lioph#llice ndreptate spre e$terior cu structuri proteice fie la suprafa sau fie strecurate prin membrana.

Professor Doctor Tomas Landh, a bioph#sicist and bio%materials scientist has advanced a ne& theor# based on solid evidence that conflicts greatl# &ith current vie&s on cell morpholog#, especiall# neuronal brain cells. 'urrent theor# is based on t&o%dimensional models of thin microtome sections of cells vie&ed under optical or transmission microscop#, &hich states that the cell(s membrane is a spherical double la#er of fatt# lipids having their liophobic ends pointing in&ard, and lioph#llic ends pointing out&ards &ith protein structures at either surface or s)ueezing through the membrane.

Simetria pe #a#e a0e a cri#talului de apa in'hetata/@$.old Symmetry of =ater Ice ;ry#tal* *ulgii de zapada au sase laturi, dar uneori + sau ,-. De ce ele apar doar cu aceste structuri caracteristice. /imetria fulgilor de zapada deriv din structura cristalina a ghetii. 0olecule de ap se agata in asa fel una se alta nc!t de rezulta simetria pe 1 a$e. Tipurile de simetrie cu + si ,- laturi nc mai au la baza aceeasi simetrie pe 1 a$e. /no&fla2es have 1 sides, but some have + and some ,-. 3h# do the# onl# appear &ith these particular structures. /no&fla2e s#mmetr# derives from the cr#stal structure of ice. The &ater molecules hoo2 up in such a &a# that si$% fold s#mmetr# results. The +%and ,-%fold s#mmetric varieties still have the same underl#ing 1%fold s#mmetr#

Landh nu este interesat de funcia celulelor, dar mai mult de topologia structurala a adevratei lor geometrii. Dup trecerea n revist a mii de fotografii publicate n literatura histologica de specialitate n ultimii +4 de ani, el este convins actuala conceptie este incorect. 'eea ce a fcut el, nu a constat in utilizarea microscopiei electronice prin transmisie (T50 , ci a microscopiei electronice cu scanare (/50 , asociata cu tehnici foarte speciale de congelare%uscata, care pastreaza morfologia reala a celulelor, fr modificari datorate pregtirii probelor. Landh is not arguing cell function, but more the structural topolog# of its true geometr#. 6fter revie&ing thousands of published fotos in histolog# literature for the past +4 #ears, he is convinced the current vie& is incorrect. 3hat he did, is not use transmission electron microscop# (T50 , but scanning electron microscop# (/50 &ith ver# special dr#%freeze techni)ues to preserve actual cell morpholog# &ithout preparation artifacts. 6poi el a efectuat o analiz matematic topologica (0T6 , pentru a corela ipoteza cu observaile, "i a constatat c celule, departe de a fi bile sferice tridimensionale, erau de fapt, agregate foarte comple$e% +D care respectau cu strictete o lege topologica cunoscuta ca /uprafata 0inima Periodica (P0/ . 7e then performed a mathematical topological anal#sis (0T6 to correlate h#pothesis &ith observations, and found that cells, far from being spherical +%D little balls, &ere in realit# ver# comple$ +%D aggregates follo&ing a precise topological la& 2no&n as Periodic 0inimal /urface(P0/ . Landh a postulat faptul c morfologia real a celulei "i a continuului celular nu este o configuraie sferic aleatoare, ci un agregat cristalin precis de celule cu forma cubica(simetria in 8 a$e9 8 fold s#metr#9 octetul este calea universului in Pa :ua, in ;i 'hing, in modelul lui 0urra# <ell%0ann de organizare in octete a barionilor si mezonilor subatomici, pt care a primit premiul =obel in fizica in ,>1> a caror membrane arat o simetrie in 1 a$e? @rme ale flori e'iptene a %ietii. 0ai mult, citoscheletul sau scheletul proteinic al celulei cre"te dupa tiparul unei spirale, foarte asemntoare cu geometria 6D=%uluiA6B=%ului. Doctor Landh has postulated that the actual cell morpholog# and cell continuum is not a random spherical configuration, but a precise cr#stalline aggregate of cubic%shaped cells &hose membranes sho& a si$%fold s#mmetr#? Trace# of the E'yptian .lo-er of Life #ymmetry. *urthermore, the c#tos2eleton or protein s2eleton of the cell gro&s in a spiral pattern, ver# similar to D=6AB=6 geometr#.

.loarea %ietii /The .lo-er of Life Cn cele din urm, ultima sa descoperire fenomenala a fost acela c modelul celular semna cu ceea ce oamenii din stiinta materialelor numesc un cristal fotonic, o structura reticulara de atomi sau molecule, care este sensibila la radiaii electromagnetice, sau la lumina. *inall#, his last phenomenal discover# &as that the pattern resembled &hat material scientists call a photonic cry#tal, a lattice #tructure of atom# or molecule# that i# #en#iti%e to electroma'netic radiation& or li'ht* 6ceasta e$plica cercetarile Doctorului Popp din 5lveia "i e$perimentele sale care evidentiau actiunea fotonilor asupra celulelor. ;u alte cu%inte& celulele #unt morfolo'ic aran:ate ca o #tructurC +MS& care ma0imizeazC #uprafaDa pe unitatea de %olum pentru a,#or,Dia de ener'ie. Bezult, a"adar, c celulele& En #pecial cele neuronale din creier& #unt traductoare electroma'netice cri#taline % cu alte cuvinte, ele rC#pund la luminC. That e$plains the &or2 of Doctor Popp from /&itzerland and his photon cell e$periments. In other -ord#& the cell# are morpholo'ically arran'ed liFe a +MS #tructure that ma0imi#e# it# #urface per unit %olume for a,#orption of ener'y* Ct follo&s, therefore, that cells, especiall# neuronal cerebral cells, are cry#talline electroma'netic tran#ducer# % in other &ords, the# respond to light.

6sta e$plic de ce, nu numai celule e$odermale( din piele , dar si celulele endodermale profunde, inclusiv (cele din , 'landa pineala, sunt sensibile la lumin. 'onceptia actuala susine c fotoni de lumin nu afecteaz metabolismul. 'ercetarile doctorului Landh contrazice aceasta, si arat categoric modalitatea n care celulele sunt echipate structural "i morfologic pentru a aciona ca traductoare de lumina. 6ceasta este si concluzia propriei noastre de cercetari. That e$plains &h# not onl# e$odermal (s2in cells, but deep endodermal cells, including (those in the pineal 'land, are sensitive to light. The current vie& maintains that light photons do not affect metabolism. Doctor Landh(s research contradicts that, and categoricall# sho&s ho& cells are structurall# and morphological# e)uipped to act as light transducers. That is the conclusion of our o&n research. G analiza a >Ta,elului +eriodic al Elementelor>( Ta,loul lui Mendelee%) ne arata ca in planul no#tru de e0i#tenta& pe Terra& #e manife#ta #ta,il doar #a#e ni%eluri& #a#e paturi nucleare #i electronice& care #e de%elopeaza pe parcur#ul celor #a#e perioade(perioada a #aptea din Ta,loul lui Mendelee% e#te incompleta #i cuprinde elemente in#ta,ile #au cu durata mica de %iata)*

;alea octupla a /ni%er#ului En #a#e #traturi The Ei'ht$fold =ay of the /ni%er#e in Si0 Layer#
Ta,elul +eriodic al Elementelor nu ne arata doar ca realizarea du,letului (93A9)#i apoi a octetului(98A5) in#eamna realizarea de#a%ar#irii ( 'azele no,ile& inerte)& ci #i completarea a doar #a#e ni%eluri(paturi) nucleare #i electronice* A#emanarea proprietatilor fizice #i chimice ale elementelor& care le pozitioneaza in Ta,loul +eriodic al Elementelor& rezida in principal din a#ezarea electronilor periferici in atomi in conformitate cu o #tructurare #imilara la ni%el nuclear* Si#temul periodic are @ perioade complete #i a #aptea incompleta(%edeti cele @ cercuri din reprezentarea circulara a Ta,loului lui Mendelee% #i cele @ linii$ni%eluri ale he0a'ramelor)* Si#temul periodic contine 9 elemente(93A9) in prima perioada& 5 elemente(98A5) in a doua perioada& 5 elemente in a treia perioada& 35 elemente in a patra perioada& 35 elemente in a cincea perioada& 89 elemente in a #a#ea perioada& iar a #aptea perioada e#te partial ocupata(ace#te elemente #unt #intetizate in #tele ce apartin unor 'ala0ii mult mai %echi)* The Ei'ht$fold =ay of the /ni%er#e http<//m-olff*tripod*com/,odyH5f*html

:n -a rua(.a ~ua" observam aceeasi succesiune a com!letarii in ba*a binara a celor |!t #rigrame|D

Legea celor Sase ;iscari (,lemente vibrationale" 9 #he La) o( the six vibrational elements (motions"9La loi &es six 1l1ments vibratoires (mouvements 1l1ments"
/ele sase niveluri sunt !re*ente ex!licit in cele v] &e hexagrame &in xi 5ing si sunt ascunse in Legea celor /inci ;iscari(,lemente" ( )uE xingA" care sta la temelia acu!uncturiiD Statuia &e oricalc &esco!erita intryo mina &in muntii >!useni avea la maini si la !icioare sase &egete si este &escrisa &e %oru %avi&ovici in &oua &intre cartile sale{ | Lumi ralactice | si | eita &e oricalc |D

.etrogli(ele :ca care re&au hartile #errei in vremea can& oamenii &omesticisera &ino*aurii !re*inta (iintele umane ca avan& v &egete la maini si la !icioare(ve&eti cartea { |;ana cu sase &egete| &e %an ;irahorian"D /ercetarile chine*e care au vi*at inlocuirea acu!uncturii !rin generatoare &e im!ulsuri electrice si magnetice au evi&entiat ca toate tulburarile !sihosomatice cunoscute nu sunt &ecat mani(estari ale tulburarilor celor 7A meri&iane energeticeD /aracterele *+ fing7 luo] &e la{ * fing74lant canal8 si{ + luo]4!lasa retea8 &esemnea*a meri&ianele (olosite in acu!unctura !rin care circula energia vitalaD #ulburarile !sihosomatice sunt mani(estari ale !erturbarilor in(ormationale ale celor 7A meri&iane iar acestea !ot (i vin&ecate &aca se (olosesc (recventele sau reme&iile a(late in re*onanta cu aceste 7A clase vibratoriiD ;e&icina #ra&itionala /hine*a4;#/8 utili*ea*a relatiile &intre /ele /inci Fa*e ale ;iscari !entru a ex!lica &i(eritele (enomene (i*iologice si !atologice |Legea celor /inci ;iscari | 4Legea celor cinci !asi &e &e!lasare{ !atru !eri(erici si unul central8 este o lege ex!usa analogicD %in cau*a ca avem &oua ti!uri &e !rocesare a in(ormatiilor &oua ti!uri &e calculatoare si

&oua emis(ere cerebrale avem si &oua mo&alitati &e a ex!rima legile &in universD .rocesarea analogica (magica" s!eci(ica emis(erei cerebrale &re!te com!letea*a !rocesarea analitica (numerica cantitativa" s!eci(ica emis(erei cerebrale stangiD :n cci&ent(s!eciali*at in (olosirea emis(erei stangi" legile &in univers sunt ex!use analitic !rin relatii cantitative intre !arametrii &e stare ce caracteri*ea*a un anumit sistem(S # . V"D ;o&alitatea analogica &e ex!unere al |Legii celor /inci ;iscari | !une in relatie &e cores!on&enyta !rin interme&iul legii serialitatii toate (enomenele naturale cosmice cu (enomenele (i*iologice energetice in(ormationale(!sihoyemotionale"D |Legea Serialitatii| o lege care consemnea*a conexiunile |magice| a (ost re&esco!erita in cci&ent &e .aul ~ammerer (7667y7Av" si a (ost utili*ata in ex!unerea !rinci!iului !erio&icitatii D|#abelul !erio&ic al elementelor|este cea mai cunoscuta a!licare a legii serialitatii !entru a evi&entia !erio&icitatea !ro!rietatilor substantelorD .rogramul &e instruire9con&itionare &in cci&ent a con&us la o !rogramare care (avori*ea*a utili*area exclusiva a emis(erei cerebrale stangi care !rocesea*a secvential numeric si analitic in(ormatiileD >*i can& civili*atia cci&entala a coloni*at intreaga !laneta legile &esco!erite sunt (ormulari matematice care in&ica legatura cantitativa &intre !arametri &e stare ai unui sistem (S v t"D Legile analogice care ca si magia utili*ea*a !rinci!iul similitu&inii au (ost aban&onate &esi in antichitate ele erau a!reciate si utili*ate !entru caracterul lor !re&ictiv si integratorD |#abelul !erio&ic al elementelor|( #abloul lui ;en&eleev" re&esco!erirea tera!iei homeo!atice si tabloul &e cores!on&ente &intre legile &esco!erite la &i(erite nivele &e organi*are ale realitatii unice materieyenergie ne arata ca legile analogice raman si a*i un mifloc &e sinte*a o cale ascunsa celor a caror cunoastere trebuie sa ramana com!artimentata si &eci ne!utincioasaD :n&ucerea !rin !rogramare sau con&itionare a &ominantei emis(erei cerebrale stangi la oamenii &in cci&ent a avut si consecinte tehnologice !lanetare{ batalia &intre calculatoarele numerice si cele analogice a (ost castigata &e !rimeleD :n*estrarea calculatoarelor numerice cu avantantafele celor analogice se a(la la originea uriasului succes al !rogramului Win&o)s si al autorilor sai(-ill rates"D %ominanta emis(erei cerebrale stangi este o s!eciali*are &ar si o am!utare(castrare" la nivelul ca!acitatii &e !rocesare a in(ormatiilorD >nticii chine*i consi&erau ca universul (i*ic este alcatuit in con(ormitate cu |Legea celor /inci ;iscari (,lemente"| &esi in realitate sunt sase elemente vibrationale(ve&eti in continuare" D >ceasta lege analogica in&ica conexiunile (unctionale &intre cele cinci elemente vibrationale(Lemn Foc .amant ;etal >!a" si aloca (iecarui element(lofa energeticoyin(ormationala" cate &oua meri&iane cu o singura exce!tie{ in lofa Focului a!ar !atru meri&ianeD >ceasta exce!tie este !lina &e semni(icatii !rivin& a&evarata origine a (iintelor umane si ex!lica o trecere catastro(ala in alt s!atiu si tim! (ata &e cel &in universul anteriorD ralaxia initiala &in care venim a (ost s!arta &e catre galaxia /alea Lactee in (ragmente &in care in !re*ent mai exista ca entitati se!arate galaxia !itica Sagittarius orii lui ;agelan si stelele !ulsante &in L$ra D:n universul actual (acem !arte &intryun nou organism hologra(ic(care nu a afuns &ecat la cinci niveluri mani(estate sau &es(asurate"D :n (iecare !unct9celula ce a!artine noii galaxii in care ney am integrat se res!ecta aceasta lege ca intryo holograma(sunt &e*activate in stare !otentiala nemani(estata or&ine im!licita elementele vibrationale si ca!acitatile care o&inioara erau mani(estate"

| Legea celor /inci ;iscari (,lemente"| este o in(asurare in s!irala a unui ciclu cu sase !asi ce ascun&e existenta Focului ;inisterial (,teric" care aco!era Focul :m!erial(care isi !ier&e relatia cu exteriorul &e aici ca&erea !ier&erea tele!atiei a graiului unic al s!eciei"D
Din e0terior un a#tfel de ciclu pare a a%ea doar cinci elemente& fiindca cele doua tipuri de foc au o #in'ura manife#tare(cercul e#te comprimat)* In realitate #unt 39 meridiane impachetate in cinci lo:e #au elemente %i,rationale* /nde e#te a#cun# al @$lea element I In ca#a .ocului unde a%em o e0ceptie(J meridiane) de la re'ula re#pectata in cazul celorlalte ca#e (care contin doar doua meridiane < un meridian yin #i unul yan') Din punct de %edere funcDional(fiziolo'ic) Ki al manife#tCrii En timp(%edeti in plan#a marilor meridiane #i in plan#a de crono,iolo'ie cele J ore/luni/ani alocate celor doua meridiane& care alcatuie#c al @$lea element< ;S 36$93B T.<93$98 )& are loc o de#fCKurare a focului En douC faze di#tincte< 3*>.ocul Mini#terial> e#te reprezentat de doua meridiane< >;irculaDie$Se0>(;S)L +ericard M& de tip Nin Ki >Trei focare>(T.) de tip Nan' B 9*>.ocul Imperial>& reprezentat de meridianele > ;ord>(;)LInimCM & de tip Nin Ki >Inte#tin #u,Dire>(IS)& de tip Nan' B
;la#ificarea tere#trC En cinci cla#e(zece ni%eluri) a#cunde ordinea cerea#cC En Ka#e cla#e(douC#prezece ni%eluriB %edeti< >;ele Ka#e mari meridiane> Ki >;ele 39 meridiane>)* ;irculaDia diurnC a ener'iei prin meridianele de acupuncturC& cuplatC intim cu ritmurile co#mice & reprezintC o de#fCKurare En timp a ceea ce e#te mereu prezent >acum #i aici >& dar in #tare EnfCKurata(ordine implicita& in #tare potentiala)* Se o,#er%a prezenta celui de al #a#elea element %i,rational(in %ioletB elementul eteric) in plan#a de crono,iolo'ie unde e#te prezentata repartizarea En 39 faze #au inter%ale& de cOte douC ore de funcDionare ma0imC& a fiecCrui meridian ener'etic& pe parcur#ul unei zile( 9J de ore )& unui an( 39 luniB 39 #emne zodiacale) Ki pe parcur#ul unui mare an de @4 de ani tere#tri(39P?A@4)* ;ele 39 faze #unt repartizate En cadrul celor @ miKcCri EnfCKurate #au a#cun#e En QLe'ea celor ;inci MiKcCriR

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/uloare{ osu Forma{ !irami&a con triunghi >ctiune{ activare !utere agitatie !ericol %irectie{ Su& 3 nanA sus var(ul muntelui >notim!{ Vara 4 xia] ;oment al *ilei{ mie*ul *ilei !ran* rgan xin{ :nima 5 xinm (/" :m!aratulyorgan intern care nu are legaturi &irecte cu exteriorul &ecat !rin interme&iul Focului ministerial4.ericar&(/irculatieySex /S"8 rgan xang{ :ntestin Subtire(:S"67 xiaoEchangA .ericar&ul 58 xin7 bao7 :ntele!tul cor!ului:sistemul nervos organoy vegetativ /irculatieysex #rei Focare 9 : sanm fiaom Functie{ convenienta intelegere ,nergie{ xing i (energie alimentara"xong i Xue(sange" /om!onenta !sihica(instanta in(ormationala"{ Shen ; 1shenA2 constientinteligenta globala(fu&ecata stocare !rocesare in(ormatii"s!irit vital coman&a <unyFicat .oy.laman xiyS!linay.ancreas hiyinichi Shen

S!iritul ramane &u!a moarte(&e aici cultul stramosilor" ro& unusual m$sterious soul s!irit &ivine essence livel$ s!iritual being Sen*atii{entu*iasm energic excitat ,motii(sentiment"{ bucuria si rasul sunt mani(estari ale /yShen #em!erament /{ :nima / coman&a simtul umanitar(em!atia"si conserva energia !sihica !ersoana cu s!irit &e initiativa(lea&er" curafoasa in&ra*neta activa (con&itionarea sociala actionea*a in sensul castrarii acestor ca!acitatilor em!atice &e li&er" /y :nima in &e(icit con&uce la raceala mentala in&i(erenta (rigi&itate la li!sa milei !ersoana rece &etasata in&i(erenta !asiva s!ectator4aceste !ersoane va& moartea semenilor ca si cum ar !rivi un (ilm8 !ersoana &e!resiva melancolica (ricoasa anxioasa (ara memorie nesigura care are nevoie &e mult somn(se re(ugia*a in somn can& intalneste o situatie stressanta"cauta gustul amar(tutun ca(ea ceai" o(tea*a sau ragaie &es !entru imbolnavirea / &in cau*a interna(!sihica"se tratea*a meri&ianul / 4se (ace toni(icare in /8 _ / :nima in exces con&uce la hi!ersensibilitate !rea sensibil in!resionabil nu su!orta sa va&a su(erinta altora!ersoana traumati*ata socata 4se (ace &is!ersie in /8D #em!erament :S{ :ntestin Subtire :S coman&a vitalitatea :Sy :ntestin Subtire in &e(icit { hi!er(atigabilitate oboseste re!e&e calm auster asculta !e ceilalti 4se (ace toni(icare in :SE8D :S :ntestin Subtire in exces{ !ersoana in(atigabila neobosita are sen*atia ca re!ausul il e!ui*ea*a4se (ace &is!ersie in :S 6 8D Viata onirica /y:S(vise"{ &e(icit(vi&" /y:S{ Viata onirica / @ / :nima in &e(icit{ visea*a (oc munti var(uri vulcani (umgeme in somn _ / :nima in exces{ ra&e canta si !etrece in vis are o buna memorie a viselor Viata onirica :S :Sy :ntestin Subtire in &e(icit {convulsii in somn(o!istotomus"visea*a mari orase aglomerari umane :S :ntestin Subtire in exces{ visea*a ca este !ermanent activ rust{ amar ;iros{ ars >limente{/ereale{re* rgan sen*orial4simt!oarta sau(ereastra &e comunicare8{var(ul limbii limba #esut coman&at{vase Secretii{ su&oarea >gresiune climatica(energie !erversa"{/al&ura Fa*e evolutive{a!ogeucrestere .lanete{;arte >nimale simbol{.hoenix/orb /onstructii{biserici ca*inouri sali &e &ansscoli :nca!eri{camere &e foacas!atii ceremoniale biecte{can&ele becuri electrice camin cu lemne ar*an& ota mu*icala{ /hi(Sol" in(luentea*a Focul4 huo8 a&ica :nima(/" si :ntestin Subtire(:S" Sunet{!ro&us &e instrumente cu !lasma &i(u*oare cu (lacara %i*armonii{ toate &e*or&inile !sihoyemotionale ;oment al *ilei{/(ora 77y7E"ora /alului (remeni" :S (ora 7Ey7n" ora -oului(/a!ricorn"

.erioa&a lunara{ /{A7DnyA7Dv /al(o&iac /hine*" remeni(o&iac cci&ental" :S{AADvyA7D aie (o&iac /hine*" ac(o&iac cci&ental" >nimal *o&iacal !entru /{ /al(o&iac /hine*"remeni(o&iac cci&ental" >ni /{ 7v(Foc "776(.amant "7E(;etal "7]A(>!a "7n](Lemn "7vv(Foc " 76(.amant "7(;etal "AA(>!a "A7](Lemn " AAv(Foc "AE6(.amant " >nimal *o&iacal !entru :S{ aie (o&iac /hine*"ac(o&iac cci&ental" >ni :S{7(Foc `5A77(.amant `5A7E7(;etal `5A7]E(>!a `"7nn(Lemn`57v(Foc `" 7(.amant `5A7(;etal `"A(>!a `"AA7(Lemn`"AEE(Foc `"A]n(.amant `5A /u!lafe /{ ;ari meri&iane{ / /hao xin (ivel xin `5A ;ama y(iu{ / (iul S. / mama :S ;ama y(iu(&u!a !uls"{ iynoa!te / o!us V- Functionalecoman&a sistem circulatorsangegust limba tem!eratura trans!iratie Sotysotie / sot. /u!lafe :S{ ;ari meri&iane{ :S V #ae xang(ivel xang 5A ;ama y(iu(circulatie orara"{ :S (iul / :S mama V ;ama y(iu(&u!a !uls"{ iynoa!te :S o!us F Functionale/ontrolea*a ounvitalitatea !sihica imaginatiasubconstient organe Sotysotie :S sotie :r

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/uloare{Ver&e Forma{ &re!tunghiular >ctiune{ crestere hranire >notim!{ .rimavara < chun7 %irectie{ ,st = 4> 8&ong7 stangarasarit(se sta cu (ata s!re Su&" ;oment al *ilei{*ori rgan xin{ F (icat ? gan7 rgan xang{V-yVe*ica -iliara @ &anE

,nergie{ /om!onenta(instanta" !sihica{<un A 1hun(2 A soulA memoria inconstienta a mecanismelor ere&itare &e a!arareinconstientul colectiv ras!un&e &e :maginatie si &e tem!erament 4exces{melancoliebila neagracolera(urie8 Sen*atii{!roas!at (ericit aventuros in&ra*net ,motii(sentiment"{ (uria strigatul sunt mani(estari ale F y<un Functie Lemn{ in&ra*neala curaf #em!erament F{ Ficatul F coman&a reven&icarea Fy Ficatul in &e(icit con&uce la inhibare timi&itate li!sa imaginatie si creativitate(rica &e oameni!ersoana care &uce o viata usuratica&escurafat in cursul actiunii !e care o aban&onea*a (ara regrete 4se (ace toni(icare in F68D _ F Ficatul in exces con&uce la nemultumire insatis(actie su!arari invi&ie sau gelo*ie !atologica regrete traire in trecut 4se (ace &is!ersie in FA8D #em!erament V-{ Ve*ica -iliara V- coman&a in&ra*neala V-y Ve*ica -iliara in &e(icit con&uce la trac &escurafare (rica &e aysi reven&ica !ro!riile &re!turi li!sa in&ra*nealaten&inta &e sinuci&ere (rica &e violenta insecuritate((i*ica !ro(esionala" !ersoana &escurafata inainte &e a ince!e un lucru &ar il (ace4se (ace toni(icare in V- ]E8D V- Ve*ica -iliara in exces con&uce la combativitate in&ra*neala tu!euimaginatie &elirantasus!ina (recvent(rica &e urmaritori inchi!uitiviolenta extrema(cauta uci&erea" 4se (ace &is!ersie in V- E6 8D Viata onirica FyV- (vise"{ &e(icit(vi&" .y:r{ Viata onirica F @ F Ficatul in &e(icit{ visea*a !a&uri imense &oarme cu gambele (lectatesu(era &e cram!e musculare nocturne(carcei" _ F Ficatul in exces{ visea*a ca se cearta sau ca este (urios Viata onirica VV-y Ve*ica -iliara in &e(icit {visea*a ca&eriylevitatie negativa visea*a !rocese batalii lu!tesinuci&eri V- Ve*ica -iliara in exces{insomnie cu agitatievisea*a ca este urmarit ti!a sau striga in vis visea*a com!etitii intreceri rust{acru ;iros{aci& >limente{/ereale{rraucarne{ rgan sen*orial4simt!oarta sau(ereastra &e comunicare 8{chive&eremu] e$e $anE fing7 #esut coman&at{ muschi45i7fin78sange(Xue]" energie(i"si Secretii{lacrimile >gresiune climatica(energie !erversa"{Vant F>, ,VLB#:V,{astere &e*voltare Stare &e agregare{materia vie caracteri*ata &e elasticitate (lexibilitate .lanete{5u!iter >nimal simbol{%ragon

ota mu*icala{ /hueh(;i" in(luentea*aLemnul4 mu] 8 a&ica Ficatul (F" si Ve*ica biliara(V-" Sunet{ /onstructii{ *garie nori turnuri centre &e vin&ecare s!itale :nca!eri{camere &in lemn

biecte{!omi !lante (lori carti rame &in lemn %i*armonii{&ureri musculare(ibrom$algie tulburari &e ve&ere ;oment al *ilei{V-(ora AEy7"ora Sobolanului (Sagetator" F (ora 7yE" ora -oului(/a!ricorn" .erioa&a lunara{ V-{A7D77yA7D7A Sobolan (o&iac /hine*"Sagetator(o&iac cci&ental" F{AAD7AyAD7 -ou(o&iac /hine*" /a!ricorn(o&iac cci&ental" >nimal *o&iacal !entru V-{ Sobolan (o&iac /hine*"Sagetator(o&iac cci&ental" >ni V-{ 7(;etal "77A(>!a "7A](Lemn "7Ev(Foc "7]6(.amant "7v(;etal " 7A(>!a "76](Lemn "7v(Foc "A6(.amant " AA(;etal "AEA(>!a " >nimal *o&iacal !entru F{ -ou(o&iac /hine*" /a!ricorn(o&iac cci&ental" >ni F{77(;etal `5A 77E(>!a `5A7An(Lemn`5A7E(Foc `"7](.amant `5 7v7(;etal `" 7E(>!a `5A 76n(Lemn `"7(Foc ` "A (.amant `"AA7(;etal `" AEE(>!a `5A /u!lafe V-{ ;ari meri&iane{ V- #F /hao xang (ivel xang 5A ;ama y(iu{ V- (iul #F V- mama F ;ama y(iu(&u!a !uls"{ V- (iul V V- mama :S iynoa!te V- o!us / Functionalecoman&a sistem muscularve&ere ochitem!erament coleric Sotysotie V- sotS /u!lafe F{ ;ari meri&iane{ F /S #siue xin(ivel xin`5A ;ama y(iu(circulatie orara"{ F (iul V- F mama . ;ama y(iu(&u!a !uls"{ iynoa!te F o!us :S Functionale/ontrolea*a ounvitalitatea !sihica imaginatiasubconstient organe Sotysotie F sotie S.

]D ;etal4 fin7 chin 8 ;etal ;1tal ;etall gchIii jkXl``a;etal

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/uloare{alb gri argintiu Forma{ circular &om cu!ola >ctiune{ taiere se!arare inte!are stra!ungere ascutime !reci*ie %irectie{ Vest B xi7&rea!taa!us >notim!{ #oamna4C 2iu78 ;oment al *ilei{*ori rgan xin{ .laman1D (ei]8notat{ . rgan xang{ :ntestinul gros E71&a] changA8 notat{ :r >nimal simbol{ tigrul alb Functie{ circums!ectie ,nergie{#ian i(energia cereasca aer" xong i /om!onenta (instanta" !sihica (mentala" asociata{ F 4!o]8 soul .o instinct !rimitiv!rogramul &e &e*voltare a organelor instinctul celular memoria >% a!are &u!a <un la nastere o&ata cu !rimul strigat cor!ul si &e*voltarea co!ilului este guvernata &e <un(memoria inconstienta" si .o inconstient(instinct" guvernea*a memoria concentrarea me&itatia si contem!latiastarea in care omul renunta la control si se lasa mo&elat &e /er8 Sen*atii{concentrat (ocali*at intens ,motii(sentiment"{su!arareatristetea !lansul sunt mani(estari ale .y .o #em!erament .{ .lamanul . coman&a trairea sau im!licarea a(ectiva .y.lamanul in &e(icit con&uce la li!sa motivatii si &e energie in sustinerea !ro!riilor !roiecte !ersoana &e*interesata stearsa a!atica &e!en&enta &e energia a(ectiva investita &e ceilaltiyvam!ir energetic nu su!orta singuratatea(se simte i*olat sau neglifat a(ectiv" 4se (ace toni(icare in .8D _ . .lamanul in exces con&uce la agresivitate se!arare sau i*olaresinguratate secun&ara &atorata com!ortamentului agresiv 4se (ace &is!ersie in .78D #em!erament :r{ :ntestinul gros:r coman&a riguro*itatea scru!ulo*itatea obsesia exactitu&inii &uritateaD :ry :ntestinul gros in &e(icit con&uce la toleranta excesiva la in&olenta ne!asare ires!onsabilitate ((uge &e orice res!onsabilitatenuysi asuma sarcini" lenevire 4se (ace toni(icare in :r 778D

:r :ntestinul gros in exces con&uce la intransigenta intoleranta cen*ura!ersoana nelinistita (ramantata care se su(oca in (amilie|gentil cu altii &ar o&ios acasa|nu su!orta inactivitatea 4se (ace &is!ersie in :r A 8D Viata onirica .y:r (vise"{ &e(icit(vi&" .y:r{ Viata onirica . @ . .lamanul in &e(icit{ visea*a ca *boara visea*a lucruri grotesti _ . .lamanul in exces{ vise !remonitoriisen*atia ca se &etasea*a &e cor!y ca se se!ara &e coloana vertebrala!lange in visnelinistit Viata onirica :r :ry :ntestinul gros in &e(icit {visea*a cantece sau canta in vis (uge &e res!onsabilitati :r :ntestinul gros in exces{insomnie cronicavise in care are ca!ul marevisea*a ca lucrea*a in continuare la !roiectele sale rust{!icant ar*ator ;iros{ >limente{/ereale{va* rgan sen*orial4simt!oarta sau(ereastra &e comunicare 8{nasul!ielea #esut coman&at{!iele. coman&a articulatiile4fie8(su )en 6" Secretii{ mucii >gresiune climatica(energie !erversa"{Bscaciune Fa*e &e trans(ormare{%eclin retragere recoltare .lanete{ Venus >:;>L, S:;-L{#:rB Sunet{ ota mu*icala{ Shang(e" in(luentea*a ;etalul4 finm chin8 a&ica .lamanul4 ." si :ntestinulul gros (:r" /onstructii{ &omuri cu!ole curburi re(lectoare su!ra(ete oglin&ainstitutii (inanciare maga*ine &e com!utere sta&ioane :nca!eri{bucataria baia atelierul camera &e lucru biecte{metale argint aur oglin*i cristale sticla metal chimes %i*armonii{astm!robleme res!iratorii

>notim!{ S(arsitul verii:nce!utul #oamnei4C 2iu78 :nterse*oncele !atru s(arsituri &e anotim!!erioa&a &e 76 *ile &e la s(arsitul (iecarui anotim! in care se (ace trecerea!unctul &e echilibru in care are loc tran*itia &e la xin(noa!te re!aus" la xang(*i activitate" Simbol{ ;oment al *ilei{ . (ora Eyn":r(ora ny" ora #igrului .erioa&a lunara{ .{A7D7y7DA #igru(o&iac /hine*"Varsator(o&iac cci&ental" .erioa&a lunara{ :r{ADAyADE :e!ure (o&iac /hine*".este(o&iac cci&ental" >nimal *o&iacal !entru .{ #igru(o&iac /hine*"Varsator(o&iac cci&ental" >ni .{7A(>!a "77](Lemn "7Av(Foc "7E6(;etal "7n(>!a "7vA(Lemn " 7](Foc "76v(Foc "76(.amant "A7 (;etal "AAA(>!a "AE](Foc " >nimal *o&iacal !entru :r{ :e!ure (o&iac /hine*".este(o&iac cci&ental"

>ni :r{ 7E(>!a `"77n(Lemn `"7A(Foc `"7E(.amant `"7n7(;etal `"7vE(>!a `" 7n(Lemn `"76(Foc `"7(.amant `"A77(;etal `"AAE(>!a `"AEn(Foc `" /u!lafe .{ ;ari meri&iane{ . S. #ae xin(ivel xin`5A ;ama y(iu(circulatie orara"{ . (iul F . mama :r ;ama y(iu(&u!a !uls"{ iynoa!te .o!us V Functionale/ontrolea*a !ielea nasul su(lul(i" Sotysotie . sotie / /u!lafe :r{ ;ari meri&iane{ :r S xang ;ing(ivel xang 5A ;ama y(iu{ :r (iul . . mama :r iynoa!te :r o!us Functionaleatacat &e &e!rimare uscaciune grifi tristete angoasa Sotysotie :r sot:S

nD.amant 4 tuE8 #erra #erre #ierra ,arth ,r&e ocpiq rea st raia slul #ellure
/uloare{ralben auriu !amantiu Forma{ !atrat >ctiune{stabilitateinra&acinarelegare %irectie{ /entru G *hongm interior

rgan xin{ S.S!linay.ancreas H 4!iA8 s!lina i*vorul &e energie sau soarele mului rgan xang{S Stomac I 4)ei]8 Functie{a&ministrare ,nergie{xing i(energie alimentara" /om!onenta (instanta" !sihica{ xi i&eatiere(lexie memorie constienta ras!un&e &e concentrare si &e buna (unctionare a ratiunii4s!linay !ancreasul hraneste creierul8 Sen*atii{con(ort securitate siguranta ,motii(sentiment"{ ingriforareaexcesul &e gan&ire re(lectia cantatul sunt mani(estari ale S.y xi #em!erament S.{S!linay.ancreasul S. coman&a ca!acitatea &e concentrare4fiA *hong78 S.yS!linay.ancreasul in &e(icit con&uce la li!sa sau &is!ersarea atentiei !ersoana &istrata a!atica 4se (ace toni(icare in S.A8D

S. S!linay.ancreasul in exces con&uce la obsesie (ixatie 4se (ace &is!ersie in S.n8D #em!erament S{StomaculS coman&a viata s!irituala me&itatia absorbtia concentrativa!ersoana vi*ionara coman&a in&ivi&ualismul a!ararea !ro!riului teritoriu instictul &e autoconservareD Sy Stomacul in &e(icit con&uce la autoneglifare nevoie &e a!robare &e!en&enta socialanu !oate su!orta singuratatea cauta aglomeratiilese subestimea*a(are sen*atia ca toti ceilalti ii sunt su!eriori" 4se (ace toni(icare in S]78D S Stomacul in exces con&uce la aversiune sociala in&e!en&enta i*olare hi!er!rotectie((obii" &orinta &e a ti!a(uge &e lumeevita aglomeratiileeste satul &e totmi*antro!iese su!raestimea*a(are sen*atia ca toti ceilalti ii sunt in(eriori" 4 se (ace &is!ersie in S]n 8D Viata onirica S.yS (vise"{ &e(icit(vi&" S.yS{ Viata onirica S. @ S. S!linay.ancreasul in &e(icit{ visea*a vreme !loioasa (urtuni abisuri(hauri"(rica &e viitor(ca nu are bani" _ S. S!linay.ancreasul in exces{ canta in viseste veselsen*atia &e cor! (oarte greuau&e canteceobse&at &e o singura i&ee(grifa" Viata onirica S SyStomacul in &e(icit {visea*a ca se o&ihneste visea*a os!aturi sau ca mananca la o masa abun&entase simte !arasit SStomacul in exces{are vise in care cauta &ulciuri(rica &e (oc in viscosmaruri in care cauta sa urce cat mai sus visea*a ca se &e*braca !entru a (ugi rust{&ulce ;iros{ Sunet{ ota mu*icala{ ~ong(%o" in(luentea*a .amantul1 tu2a&ica S!lina(S." si Stomacul(S" /,,>L,{mei rgan sen*orial4simt !oarta sau (ereastra &e comunicare 8{ rura #esut coman&at{ carne Sistem coman&at{ Sistem lim(atic Secretii{ saliva >gresiune climatica(energie !erversa"{Bmi&itate F>, ,VLB#:V,{ trans(ormare*ona &e tran*itietrecerea!rimeste si &a ro& .L>,#,{Soarelei*vorul vietiiSaturn >:;>L, S:;-L{;4;>:;B#>8 /onstructii{case &e o&ihnacase foase &in carami&a s!itale &in cimenttribunalemu*ee :nca!eri{camera &e se&ere(su(rageria"&e!o*itgaraf biecte{ carami*i lutargila!ietre!ietre !retioase(gemstones"cristale %i*armonii{oboseala!robleme &igestive >nimal Simbol{ >notim!{ S(arsitul verii:nce!utul #oamnei4C 2iu78 :nterse*oncele !atru s(arsituri &e anotim!!erioa&a &e 76 *ile &e la s(arsitul (iecarui anotim! in care se (ace trecerea!unctul &e echilibru in care are loc tran*itia &e la xin(noa!te re!aus" la xang(*i activitate" Simbol{ .amant ;oment al *ilei{S(ora y"S.(ora y77" miflocul &iminetii9amia*a

.erioa&a lunara{ S{A7DEy7D] %ragon(o&iac /hine*" -erbec(o&iac cci&ental" .erioa&a lunara{ S.{AD]yADn Sar!e(o&iac /hine*"#aur(o&iac cci&ental" >nimal *o&iacal !entru S{ %ragon(o&iac /hine*" -erbec(o&iac cci&ental" >ni S{7](Lemn "77v(Foc "7A6(.amant "7](;etal "7nA(>!a "7v](Lemn " 7v(Foc "766(.amant "A(;etal "A7A (>!a "AA](Lemn "AEv(Foc " >nimal *o&iacal !entru S.{ Sar!e(o&iac /hine*"#aur(o&iac cci&ental" >ni S.{ 7n(Lemn `"77(Foc `"7A(.amant `"7]7(;etal `"7nE(>!a `"7vn(Lemn `" 7(Foc `"76(.amant `"A7(;etal `"A7E (>!a `"AAn(Lemn `"AE(Foc `" /u!lafe S{ ;ari meri&iane{ S :r xang ;ing(ivel xang 5A ;ama y(iu(circulatie orara"{ S (iul #F S mama :r ;ama y(iu(&u!a !uls"{ S (iul :r S mama S. iynoa!te SA o!us /S Functionale vi*ionar Sotysotie S sotie V/u!lafe S.{ ;ari meri&iane{ S. .#ae xin(ivel xin `5A ;ama y(iu{ S. (iul S S. mama / iynoa!te S. o!us #F FunctionaleStrateg !lani(icat concentrat Sotysotie S. sot F

vD Focul ,teric miA ,theric Fire Feu 3th1ri2ue Fuego et1rico Fuoco eterico wtherische Feuer

#he Sixth ,lement Le sixi?me 1l1ment :l sesto elemento ,l Sexto elemento %as sechste ,lement v,lement(;iscare"{ ,ther 4miA8 Focul ,theric(Focul executiv sau ministerial" JK 4$iE tai]8 ether ,nergie{i energia orgonica(WDeich" energia scalara(D#esla"yelement situat in alt &omeniu &e &ensitate im!erce!tibil !entru mifloacele &e &etectie si &e masurare inainte &e mani(estare sau &e conversie in una &intre (ormele cunoscute &e energie

ycoman&a centrala energetica(metabolism"elaborea*a energia &e(ensiva ?(Wei" si o &istribuie s!re V /uloare{violet !ur!uriul !a!al alb Forma{ coroana sau aura s(intilor >ctiune{ relatie cu exteriorul !rotectie i*olare %irectie{ Su& ;oment al *ilei{/S(ora 7yA7"#F(ora A7yAE" Simbol{ Fulger sce!trul maestrilor(%orge" sce!tre L 1shan+2 A 0lashA lightningA LM 1shan+ diana2 A lightningA rgan xin{ /S /irculatieySex sau .ericar&(Sta!anul :nimii" rgan xang{ #F #rei Focare Functie{ a&ministrare coman&a relatiile cu exteriorul ale inimiiytratea*a a(ectarea inimii &e !erturbatii externe(alte &imensiuni" #em!erament .ericar&ul /S coman&a !o(ta &e viata&orinte !laceri atractii atasari /S y .ericar&ul in &e(icit con&uce la li!sa !o(tei &e viata si a &orinteloranorexie &igestiva si sexualanu este ne!utincios ci ii li!seste !o(ta &e a reali*a 4se (ace toni(icare in /S8 _ /S .ericar&ul in exces con&uce la !rea multe &orinte atasari(bulemie"!ersoana (rustata care com!ensea*a !rin &e!en&ente viciira&e (ara incetare agitatie !sihoymotorie4se (ace &is!ersie in /S v8D #em!erament #F{ #rei Focare #F coman&a ca!acitatea &e a&a!tare res!onsabilitatea #F y #rei Focare in &e(icit { vulnerabilitate al agresiuni externe!ersoana care nuysi asuma res!onsabilitateay !ersoana susce!tibila(&a vina !e altiiy nu acumulea*a contrarietati sau tensiunitraieste in !ara&igma|tu|" !ersoana !lictisita careia totul i se !are e(ort (&evine lenesa" 4se (ace toni(icare in #FE n #F]!unct i*vor #Fn !unct Lo/entrala energetica7Dy e renitoyBrinarADS.yxong % ED. / es!irator /irculator #F #rei Focare in exces{ !ersoana care se autoagresea*a(!rea res!onsabilaautocul!abili*are"traieste in !ara&igma |eu|&e(ormata(!ersoana care se cre&e res!onsabila !entru (enomene a(late in a(ara s(erei sale &e in(luenta" !ersoana incor&ata cris!ata iritabila care ex!lo&ea*a acumulea*a stress |!ana se um!le !aharul|4se (ace &is!ersie in #F 7 8D Viata onirica /Sy#F(vise"{ &e(icit(vi&" /y:S{ Viata onirica /S /S y .ericar&ul in &e(icit{ cosmaruri terori nocturneangoase(rica _ /S .ericar&ul in exces{ ra&e canta si !etrece in vis Viata onirica :S #F y #rei Focare in &e(icit {convulsii in somn(o!istotomus"visea*a mari orase aglomerari umane #F #rei Focare in exces{ visea*a ca este !ermanent activ /om!onenta (instanta" !sihica{ Sen*atii{ ,motii(sentiment"{ rust{ ;iros{ Sunet{

ota mu*icala{ sheeyy(!ronuntata si " elimina bolile Focului eteric4/Sy #F"ex!ul*ea*a;i incor&areaelimina (armecele(in(luentele"(ierbinti si reci /,,>L,{ rgan sen*orial4simt!oarta sau(ereastra &e comunicare 8{ #esut coman&at{ Secretii{ >gresiune climatica(energie !erversa"{ F>, ,VLB#:V,{ .L>,#,{ /onstructii{ :nca!eri{ biecte{ %i*armonii{ /S y .ericar&ul in &e(icit con&uce la{inte!enirea ca!ului convulsii &elir (rica angoasa anorexieynu are !o(ta &e nimicsen*atie &e ne!utinta _ /S .ericar&ul in exces con&uce la{ agitatie |rau &e mare|(lesin voma trans!iratii abun&ente"!rea multe &orinte 4se (ace &is!ersie in /S v8D #F y #rei Focare in &e(icit {contractura !e !artea stanga a ab&omenuluiarticulatii moi(membrele nu asculta" #F #rei Focare in exces{ contractura umar stang&ureri in *ona ce(ei sen*atie &e greutate a ca!uluiincor&are musculara excesivahi!ersensibilitate la *gomotatacarea sistemului imunitar Simbol{ >nimal Simbol{ >notim!{ Vara ;oment al *ilei{/S(ora 7yA7"#F(ora A7yAE" .erioa&a lunara{ /S{AEDyAAD7 /aine(o&iac /hine*"-alanta(o&iac cci&ental" .erioa&a lunara{ #F{AED7yA7D77 .orc mistret (o&iac /hine*"Scor!ion(o&iac cci&ental" >nimal *o&iacal !entru /S{ /aine(o&iac /hine*"-alanta(o&iac cci&ental" >ni /S{ 77(;etal "7AA(>!a "7E](Lemn "7]v(Foc "7n6(.amant "7 (;etal " 76A (>!a " 7] (Lemn " Av (Foc "A76(.amant " AE(;etal " A]A(>!a " >nimal *o&iacal !entru #F{ .orc mistret (o&iac /hine*"Scor!ion(o&iac cci&ental" >ni #F{ 777(;etal`"7AE(>!a`"7En(Lemn`"7](Foc`"7n(.amant`"7 7(;etal`" 76E (>!a`"7n (Lemn`" A (Foc`"A7(.amant`"AE7(;etal`" A]E(>!a`" /u!lafe /S{ ;ari meri&iane{ /SF#siue xin(ivel xin`5A ;ama y(iu{ /S(iul /Smama #F iynoa!te /SAo!us S Functionale /S!rotector /(consilier" Sotysotie /u!lafe #F{ ;ari meri&iane{ #F V-/hao xang(ivel xang 5A ;ama y(iu{ #F (iul /S #F mama V- iynoa!te #FAo!us S. Functionale /S!rotector /(consilier" Sotysotie #F sotie V

:n ei ~ing So Wen(ca!D]E"

renuri &e vise |visea*a ca este !e mare si ii este (rica| |visea*a incen&ii| |visea*a batalii ra*boaie con(licte| |visea*a ca *boara in aer (levitatie"| |visea*a ca&eri &e la mare inaltime|

#i! &e .lenitu&ine &e energie .lenitu&ine xin((rig" in organe .lenitu&ine xang(cal&ura" in organe .lenitu&ine xin si xang in organe .lenitu&ine a energiei in !artea su!erioara a cor!ului .lenitu&ine a energiei in !artea in(erioara a cor!ului (levitatie negativa o!usa levitatiei !o*itivey&e urcare"

?in si ?ang/ ?in and ?ang

#ai fi tu9#ai /hi #u KNO1KPQ24$inyin: tLi ;R tbA taia ;i( tu(A -ade@8iles: tMaia
chi( tMu(A 5 R: simbolul4diagrama5 su$remului ultim43diagrama su$remei $uteri35A termen care se re0er" la oricare dintre simbolurile chine!e $entru conce$tul de ?in si ?ang 4&ai;iA tai chiA tMai chi5, e>tins la modele geometrice similare 0olosite Fn trecut de c"tre culturi di0eriteA Conce$tul de &ai;i 3su$remul ultim3 a$are Fn ambele 0iloso0ii chine!e, taoista Gi con0ucianista unde re$re!int" 0u!iunea sau mama ?in@ului si a ?ang@ului Fntr@o re$re!entare unica 0inala, numita simbolul &ai;itu. 9:su$reme ultimate symbol43diagram o0 ultimate $oIer35A a term Ihich re0ers to any o0 the Chinese symbols 0or the conce$t o0 yin and yang 4&ai;iA tai chiA tMai chi5, Ihich is sometimes e>tended to similar geometric $atterns used historically by %arious cultures. &he conce$t o0 the &ai;i 3su$reme ultimate3 a$$ears in both &aoist and Con0ucian Chinese $hiloso$hy Ihere it re$resents the 0usion or mother o0 ?in and ?ang into a single ultimate, re$resented by the &ai;itu symbol.

?in si ?ang/ ?in and ?ang

In 0ilo!o0ia chine!", ritmul de %ia#", care $ulsea!" in intregul uni%ers, este e0ectul ac#iunii a doua $rinci$ii com$lementare ?in si ?ang, dou" $olari!"ri contrare ale unei realit"ti unice, asa cum arat" si cele dou" caractere chine!esti, care indic" $artea umbrit" 4?in RAS5 si $artea luminoas" 4?ang TU5 a aceluiasi munte. Diagrama &Mai@Chi &Mu 4$re!entata mai sus5 ilustrea!" acest $rinci$iu. Dis$unerea simetric" a !onei umbrite 4?in5 Gi a !onei luminate 4?ang5 sugerea!" atat schimb"rile ciclice sau trans0ormarile $eriodice, cat si tran!itia dintre ordinea im$licita4ascunsaA nemani0estataA $otentiala5 si ordinea e>$licita4mani0estataA cinetica5 care au loc in uni%ers. ?in este liniGtit, 0eminin, intuiti%, rece$ti%, ca$abil sa $rimeasca 0orta, energia sau %igoarea, care este asociata cu P"mTntul, considerat in traditia chine!a i!%orul %ie#ii, care ne o0er" tot ceea ce a%em ne%oie $entru a su$ra%ie#ui. ?ang este $uternic, masculin, creati%, emitator, care da 0or#a, energia care este asociata cu cerul. Cerul de deasu$ra noastra este mereu Fn miGcare Gi aduce schimbarea. CTnd ?in atinge $unctul culminant, se retrage Fn 0a%oarea lui ?ang, si atunci, cand ?ang, atinge $unctul culminant se retrage Fn 0a%oarea lui ?in. 7cesta este ciclul etern. Punctele din interiorul ;um"t"#i albe Gi negre indic" 0a$tul c" Fn 0iecare e>ista samantaceleilalte $arti4 in stare $otentiala5 .

?in nu $oate e>ista 0"r" ?ang, Gi %ice@%ersa. tare de lucruri ideal" Fn uni%ersul 0i!ic, $recum Gi Fn lumea oamenilor, este o stare de armonie re$re!entata de echilibrul dintre ?in si ?ang, Fn cor$ Gi in minte. In Chinese $hiloso$hy, the rhythm o0 li0e, Ihich $ulsates throughout the Ihole uni%erse, is the e00ect o0 the action o0 tIo com$lementary $rinci$les ?in and ?ang, tIo $olari!ations o0 one single reality, as shoIn by the tIo Chinese characters that indicate the shaded 4?in RAS5 $art and the lighted 4?ang TAU5 $art o0 the same mountain. &he &'ai@chi &'u diagram 4abo%e5 illustrates this $rinci$le. &he symmetrical dis$osition o0 the darH ?in and the light ?ang suggests cyclical changes or $eriodic trans0ormation and the transition betIeen im$licate order 4hiddenA unmani0estedA $otential5 and e>$licate order 4mani0estedA Hinetic5 that taHe $lace in the uni%erse. ?in is the .uiet, 0emale, intuiti%e, recei%ing 0orce that is associated Iith earth. &he earth is the source o0 li0eA it $ro%ides us Iith Ihat Ie need to sur%i%e. ?ang is the strong, male, creati%e, gi%ing 0orce that is associated Iith hea%en. &he hea%en abo%e us is alIays in motion and brings about change. -hen ?in reaches its clima>, it recedes in 0a%our o0 ?ang, then a0ter ?ang reaches its clima> it recedes in 0a%our o0 ?in. &his is the eternal cycle. &he dots inside the Ihite and blacH hal%es indicate that Iithin each is the seed o0 the other. ?in cannot e>ist Iithout ?ang and %ice %ersa. &he ideal state o0 things in the $hysical uni%erse, as Iell as in the Iorld o0 humans, is a state o0 harmony re$resented by the balance o0 ?in and ?ang in body and mind. Dans la $hiloso$hie chinoise, le rythme de la %ie, .ui $al$ite dans lMuni%ers, est lMaction de $rinci$es com$lKmentaires ?in et du ?ang, deu> $olarisations dMune rKalitK uni.ue, comme indi.uK $ar les deu> caractOres chinois .ui indi.uent la $artie dans lMombre 4?in RAS5 et la $artie KclairKe 4?ang TA U5 de la mPme montagne. /e &Mai@chi &Mou schKma 4ci@dessus5 illustre ce $rinci$e. /a dis$osition symKtri.ue de lMobscuritK ou le ?in et de la lumiOre ou le ?ang suggOre les changements cycli.ues ou les %ariations $Kriodi.ues et la transition entre lMordre im$licite 4cachKA non mani0estKA $otentiel5 et ordre e>$licite 4mani0estKA cinKti.ue5 .ui $rennent $lace dans lMuni%erse. ?in est le calme, 0Kminin, intuiti0, le rece$teur ca$able de rece%oir la 0orce .ui est associKe L la terre. /a terre est la source de la %ie, elle nous donne ce dont nous a%ons besoin $our sur%i%re. ?ang est 0ort, masculine, crKati0, l'emiteur donnant 0orce .ui est associK a%ec le ciel. /e ciel au@ dessus de nous est tou;ours en mou%ement et a$$orte des changements. /ors.ue le ?in atteint son $oint culminant, il se retire en 0a%eur de ?ang, $uis a$rOs ?ang atteint son $oint culminant, il recule en 0a%eur de ?in. CMest le cycle Kternel. /es $oints L lMintKrieur du moitiKs blanches et noires indi.uent .ue, dans chacun dMeu> est la semence de lMautre. ?in ne $eut e>ister sans le ?ang et %ice %ersa. /MKtat idKal de choses dans lMuni%ers $hysi.ue, ainsi .ue dans le monde des humains, est un Ktat dMharmonie re$rKsentKe $ar lMK.uilibre du ?in et du ?ang dans le cor$s et lMes$rit.

?in R4S8

@ :ight, DarH,noa!tea intunericul @ -ater, Rain, Cold >!a .loaie ece

?ang T4U8

@ Day, /ight *iua lumina @ Dire, Ceat Foc /al&ura lumina

@ -inter, 7utumn :arna #oamna @ 9%en :umbers numere !are{ A ] v 6 @ &he Moon Luna @ :orth, -estA or& Vest @ Right, !artea &rea!t cor!ului4sol&atul sttea !e locul &in !artea &rea!ty!artea su!us8 a!usul soarelui cn& stai cu (ata s!re su& @ DoIn A fos !artea moale ventral!nteculcn& omul st in !atru labe !artea ventral are (ata s!re !mnt @ IntuitionA :ntuitie @ Passi%e, taticA .asiv Static @ ContractionA /ontractie @ DecreasingA %escrestere centri!et4se a!ro!ie &e /entru8 ten&int &e con&ensare coborre !ro(un& interior @ Conser%ati%e /onservativ @ &raditional #ra&itional @ ,alley Vale @ Ri%er a!a curgatoarerau u& @ Cur%e /urba @ o0t moale4rare(iat vi& elastic8 @ olidi0ying, Soli&i(icare @ PsychologicalA .sihologic @ 7stral -orldA /umea astrala @ Dragon %ragon @ )idneys, Ceart inichi :nima @/i%er, /ungsA Dicat, Plamani re!aus4calm (rig inertietcere8 starea &e somn !ro(un& or&ine4negentro!ie8 .mnt 4fos temelia oceanul in care se vars toate a!ele8

@ ummer, $ring, Vara .rimavara @ Ndd :umbersA numere im!are{ 7 E n @ &he un Soarele @ outh, 9astA Su& ,st @ /e0t, !artea stng a cor!ului4generalul sttea !e locul &e onoare in !artea stngy !artea care !oruncete8 rsritul soarelui cn& stai cu (ata s!re su& @ E$A sus !artea tare &orsal s!atele cn& omul st in !atru labe !artea &orsal are (ata s!re cer @ IntellectA :ntelect @ 7cti%e, DynamicA >ctiv %inamic @ 9>$ansion, %ilatare @ IncreasingA /restere ,x!ansiune ten&int centri(uga 4se &e!rtea* &e /entru8 ten&int &e eva!orare urcare su!er(icial extern @ Inno%ati%eA :novativ @ Re0ormati%eA e(ormativ @ Mountain ;unte @ Desert %esert .ustiu uscat @ traight /ine @ Card tare 4 &ens con&ensat !lin rigi&8 (schelet intern sau extern !latosa cara!ace coloana vertebrala" @ Dissol%ing @ PhysicalAFi*ic @ ,isible -orldA Lumea vi*ibila @ &iger #igru @ Bladder Ve*ica urinara(V" @Intestines, Hin :ntestine .iele micare4agitatie cal&ur activitate *gomot8 starea &e veghe &e*or&ine 4entro!ie8 /erul4!artea &e sus instabil norii care absorb toat a!a eva!orat8

x: &in x>r starea &e transa4starea &e re!aus &in miflocul starii &e veghestarea a !atra8 acru4aci&8 .amant4fos temelia oceanul in care se varsa toate a!ele8 re!aus4calm (rig tacere8 starea &e veghe or&ine4negentro!ie8 rare(iatvi&elastic8 centri!et4se a!ro!ie &e /entru8 ten&inta &e con&ensare

x>r &in x: starea &e somn cu vise 4starea &e veghe &in miflocul somnuluisomnul !ara&oxal8 !icant /er4sus instabil nori care absorb toata a!a eva!orata8 miscare4agitatie cal&ura *gomot8 starea &e somn !ro(un& &e*or&ine4entro!ie8 tare4con&ensat !lin rigi&8 centri(ug4se &e!artea*a &e /entru8 ten&inta &e eva!orare

C9:&REX&ulce ;oartease!ararea x: &e x>r cor!ul grosier al (iintei umane isi !ier&e ca!acitatea &e a (i o !unte &e legatura si &e comunicare /ery.amant

#i!uri &e energie mentala (mani(estari !sihoyemotionale" asociate viscerelor9elementelor

-en Shen Su(letele ,ntitilor viscerale y#i!uri &e energie mentala (mani(estari !sihoyemotionale" asociate viscerelor9elementelor 9Les -en Shen ou /in2 >mes Vegetatives9 -en Shen{ the Five .s$chicaly ,motional .hases :n me&icina i in gn&irea chine* !sihicul i organele cor!ului sunt strns legateD >sa cum exist o energie vital s!eci(ic !entru (iecare organ exist &e asemenea o energie mentala caracteristic care emana &e la (iecare organ &e(inin& ast(el ceea ce chine*ii numesc |cele cinci entiti viscerale| i care sunt numite &e catre unii autori &in cci&ent |cele cinci su(lete vegetativeD| Foc( hu}" y /(/or&9:nima y:S(:ntestin Subire" /S(/irculaie Sex9.ericar&"y#F(#rei Focare" Shen (; sh1n"{ S!iritul :nelegerea contiena &iscernmnty -ucurie .amant( t" S.(S!lina .ancreas"yS(Stomac"y xi (V $"{ e(lecia gn&irea invare i&eaie memoria raiunea(emis(era stng" concentrarea rrifi ;etal ( fn" y .(.lmn"y:r(:ntestin rros" .o (F !"{ :nstinct Su(letul animal muritor(>nima" :nstinct celular instinct &e conservare viaa vegetativ incontientul #ristee nevoi viscerale !ulsiuni miscri ale i9/hi9~i W ( insoete res!iraia micarea &e intrareyieire a i in relatie cu ,senay5ing X i ,nergiayi W " Lemn( m" y F(Ficat"yV-(Ve*ic biliar"y <un (A hn"{ /uraf su(letul eteric(>nimus" su(letul vi*ionar ;emorie ere&itar !erce!ia imaginaia(emis(era &rea!t" so(t)are Furie9mnie inteligena sensibilitate tem!erament creativitate >!a( shu " (inichi"yV(Ve*ic urinar"y hi (1 *h"{ Voina ca!acitatea &e &eci*ie hotrare &eterminare intenie Frica &orine as!iraii emoii re*istena cre&ina in elul ales continuitate

7cest subiect este abodat in detaliu in cadrul 0iecarui element 7D >!a 4 shuiE8 >c2ua >gua ,au Water Wasser Vann Vatten FGHI JKLM NOP QQQQ AD Foc 4 huoE8 Fire Feu Fuoco Fuego Feuer ,l& RSGTU VWXYZ [\ ED Lemn 4 mu] 8 Legno -ois Woo& ;a&era ^_`a <ol* bcdceG ]D ;etal 4 fin7 chin 8 ;etal ;1tal ;etall gchIii jkXl``a ;etal finm nD .amant 4 tuE8 #erra #erre #ierra ,arth ,r&e ocpiq rea st raia slul #ellure vD Focul ,teric 4 miA8 ,theric Fire Feu 3th1ri2ue Fuego et1rico Fuoco eterico wtherische Feuer

Sunetele si Legea celor /inci ,lemente Soun&s an& the La) o( Five ,lements
/ineva trebuie s examine*e sunetele ca s Cneleag tonurile cineva trebuie s Cneleag tonurile ca s Cneleag mu*ica cineva trebuie s Cneleag mu*ica ca s Cneleag legile(riturile obiceiurile"D >st(el calea ctre or&ine i armonie &evine !er(ectD /ineva care nu Cnelege sunetele nu !oate vorbi &es!re tonuriD /ineva care nu Cnelege tonurile nu !oate vorbi &es!re mu*icD /ineva care Cnelege mu*ica va !enetra secretele legilorD >cela care este ex!erimentat att Cn legi ct i Cn mu*ic Cnelege i !strea* viaaD Viaa este mani(estarea4macrosco!ic a armoniei cu mu*ica &in a&nc8D| /artea iturilor (Lifi" #he -oo o( ites Li fi YZ 4[\ 8 also HnoIn as the Record o0 Rites, /iHi, or /i ChMi, Ias one o0 the Chinese Di%e Classics o0 the Con0ucian canon.

China antic" si %indecarea 0olosind 3&eoria celor Cinci 9lemente3

#eoria celor /inci ,lemente &eriv &in (iloso(ia taoist tim!urie care im!rtea lumea in n elementeD Fiecare element are anumite !ro!rietti si virtual tot ceea ce exist !oate (i !lasat intryo anumit categorieD /ele n elemente sunt Lemn Foc .amant ;etal si >!aD /ele n elemente sunt &e obicei !re*entate Cntryo manier circular care arat c (iecare element are o relaie intim cu (iecare &in celelalte elemente i Cm!reun (ormea* un tot integratD /on(orm teoriei antice chine*e &in acu!unctura cunoscuta sub numele &e |#eoria celor /inci ,lemente| emoiile i cre&inele remanente crea*a o (orma a unui ti!ar energeticD >!oi Cntregul ti!ar energetic &evine blocat Cn organul i glan&a cores!un*toare &e exem!lu atunci cn& cineva are o sen*aie !ersistenta &e (ric ti!arul energetic al (ricii se cristali*ea*a sub (orma &e !ietre Cn rinichiD |:n aceeai lumin cercetarea reali*ata &e &rD -o&o ~oehler &eya lungul ultimilor A &e ani conclu*ionea*{ |/m!urile electromagnetice i ti!arele &isharmonice &e energie re!re*inta cau*a (un&amentala a oricarei mala&ii|D >tunci cn& utili*am vin&ecarea cu afutorul sunetului sunetul re*onea*a &in interiorul tau i misc energia !entru a elimina blocafele energetice ne&orite ori cre&intele ca un (ir Cntre &vsD i cealalt !ersoanD Sunetul agit energia la niveluri a&nci eliberan& toate emoiile i crescan& curgerea (luxului intenieiD /elulele au memorii vibrationale si este necasar &oar s li se reaminteasc s se elibere*e i s se echilibre*e !e ele inseleD | (enee -ro&ie{ #onurile sonore vin&ecatoare ale bolurilor &e cristal|"

.e langa (a!tul ca (iecare element este legat &e un anumit sistem asociat unui organ s!eci(ic mai exista si o anumita nota mu*icala asociata cu acestaD /ele cinci note mu*icale ale sistemului celor /inci ,lemente alcatuiesc o scala !entatonica care a (ost utili*ata in /hina ca ba*a a com!o*itiilor si a im!rovi*atiilor mu*icaleD ;elo&iile care !un accentul !e o anumita nota mu*icala asociata unui anumit element au (ost elaborate in /hina antica !entru a stimula vin&ecarea &iverselor sisteme &e organe ale cor!ului umanD .e masura ce intram in secolul XX: avansea*a si &esci(rarea textelor antice si ca!acitatea noastra &e a intelege limbaful si calculele matematice care au (ost !ier&ute &e secoleD >*i re&esco!erim secretele antice ale unora &intre cele mai (ascinante (orme &e tera!ie care inclu& si tera!ia !rin suneteD Fiecare sunet sau nota mu*icala re!re*inta o oscilatie a me&iului !rin care se !ro!aga(aer a!a metal lemn !lasma" si are o valoare numerica

ce in&ica (recventa masurata in hert*i (<*"D Bnitatea &e masura a (recventei &e 7 <ert* &esemnea*a o oscilatie sau o un&a care are un ciclu !e secun&a si a (ost &e(inita &e (i*icianul german <D <ert*(76ny 76]" D :n termeni (i*ici (iecare (recventa numerica !ose&a simultan o culoare si un sunetD Fiecare organ si (iecare glan&a ras!un&e la (recventele sunetului culorii si a reme&iilor homeo!aticeD Bnele &in (unctiile cor!ului nostru au similaritati cu o anumita !lanetaD %e !il&a !laneta .amant se invarte cu 7 gra& la (iecare ] minute a&ica exact cu ra!ortul &intre ritmul car&iac si cel res!irator care este &e ] batai ale !ulsului la (iecare res!iratieD ;ai mult ex!loran& in continuare cores!on&entele sya &esco!erit ca (recventa &e rotatie a .amantului (Frecventa 79 # un&e # re!re*inta !erioa&a unei rotatii com!lete si este egala cu # A] ore " cores!un&e valorii numerice a (recventei in hert*i a notei mu*icale r4%o8 si a octavelor sale care la ran&ul lor cores!un& culorii !ortocaluiyrosu si aceasta in continuare cores!un&e re*onantei >%yului celulary avan& lungimea &e un&a &e En79A anometriD (un nanometru este o miliar&ime &intryun metru"D :n cursul ultimei fumatati a secolului XX cercetarea stiinti(ica a aratat ca &i(eritele octave ale notelor au o varietate &e e(ecte emotionale si (i*iologiceD Sya a(lat &e !il&a ca nota mu*icala r4%o8 si octavele sale !romovea*a cresterea (i*ica am!li(ica memoria si !ro&uce entu*iasm emotional !entru a trai ceea ce !oate (i &atorat si ca!acitatii sale &e a reechilibra la nivel celular >% 9>D ,xista sunete in natura aici !e .amant la care misticii syau re(erit ca la o|Sim(onie a Vietii |D >sa cum exista si sunete !ro&use in /osmos cau*ate &e vantul solar &e seismele &in Soare si &in galaxie care re&e(inesc actuala noastra intelegere a realitatii tot ast(el in antichitate se stia ca sunetele se !ro&uc natural in intregul univers iar aceste sunete erau cunoscute ca <BD Sunetele care inclu&eau <B erau intelese si utili*ate &e antici care le in*estrau cu !uterea !rovi&entiala a |;u*icii S(erelor|sau &aca &oriti a = Sunetelor /reatieiD= #im! &e secole aceste tonuri au (ost !ier&ute !entru omenire &ar &esco!eririle recente i tra&ucerile acestor texte antice leyau a&us &in nou in atentie in e!oca mo&ernD %e !il&a in Legea celor cinci elemente meri&ianul si organul Ficat(F" sunt asociate elementului (casei energetice" LemnD .entru a (acilita vin&ecarea unei !ersoane care su(era &e o boala a (icatului cum ar (i he!atita se va utili*a | ;u*ica Lemnului| care reechilibrea*a elementul lemn &in cor!D | ;u*ica Lemnului | !oate stimula a!aritia unei curgeri echilibrate a energiei in meri&ianul (icatului care hraneste cu energie nutritionala ($uan 2i chi i" organul (icatD Vin&ecarea cu afutorul unor com!o*itii mu*icale ba*ate !e sistemul energetic al meri&ianelor &e acu!unctura &in me&icina antica chine*a re!re*inta unul &intre numeroasele si variatele abor&ari ale vin&ecarii cu suneteD
ur common language allu&es to man$ re(erences associate& )ith color an& moo& such as |-lue :n&igo| |(eeling blue| |bright as a rainbo)| |re& )ith anger| |having a gra$ &a$ | |green )ith env$| an& |blac as the night | etcD #he /hinese <in&us ,g$!tians rrees /elty:berians an& the Sumerians be(ore them the ;a$an #ibet /hina 5a!an an& ~orea as )ell as aboriginal cultures o( >ustralia also recogni*e& the healing !o)ers o( musicD ;oreover numerous re(erences to these !o)ers can be (oun& in both musical an& me&ical )ritings o( the 7vth an& 7th centuries through out ,uro!ean chroniclesD >s )e enter the A7st /entur$ in man$ )a$s )e are rea)aening the use o( soun& (or healing ourselves an& !erha!s even the !lanet itsel(D rerman !h$sician -o&o ~oehler ;D%D con&ucte& extensive research )hich has sho)n that musical notes have a &irect correlation to color an& to s!eci(ic gemstonesD For exam!le the color re& corres!on&s to the (re2uenc$ o( the musical note / an& the gemstone -loo&stoneD #he color !ur!le correlates to the (re2uenc$ o( ]EA <*D the musical note > an& the gemstone >2uamarineD :n ,uro!e test )ere con&ucte& on unhealth$ cells using soun& (re2uenciesD #he unhealth$ cells )ere ex!ose& to man$ (re2uencies but the (re2uenc$ that

!ro&uce& the most !ositive healing e((ect on the cell )as ]EA <*D #esting in&icate& that this (re2uenc$ eliminate& certain viruses (rom the cell itsel(D Sim!l$ state& ever$ note an& its harmonic overtone !ro&uces a !articular (re2uenc$ (re2uencies in certain se2uences !ro&uce harmonics an& it is in the harmonics that healing or rebalancing occursD #he use o( anoySonic /ellulary efuvenation (S/" (urther enhances the healing !rocess through the transmission o( soun& through anoy!articlesD #hus the S/4 anoySonicy <ealing !rocess8 can !rovi&e the human bo&$ almost instantl$ )ith the missing (re2uencies nee&e& to sel(ycorrect imbalances cause& b$ un&esirable i&entities an& their &isharmonic energ$ !atterns4A8D

ote mu*icale{mu*ica tra&itionala chine*a are cinci note si cinci scale mu*icale a(late in cores!on&enta cu cele cinci elemente{ ~ong(%o" in(luentea*a .amantul1 tuE2a&ica S!lina(S." si Stomacul(S" Shang(e" in(luentea*a ;etalul4 fin7 chin8 a&ica .lamanul4 ." si :ntestinulul gros (:r" /hueh(;i" in(luentea*a Lemnul4 mu] 8 a&ica Ficatul (F" si Ve*ica biliara(V-" /hi(Sol" in(luentea*a Focul4 huoE8 a&ica :nima(/" si :ntestin Subtire(:S" xu(La" in(luentea*a >!a 4 shuiE8 a&ica inichiul (" si Ve*ica urinara(V" vin&eca &i*armonii{ e&eme tinnitus im!otenta ,lement 4Fa*a8
rgan xin rgan xang %irectie >notim! /lima /uloare rust ;iros ,(ect aroma ,motie

Lemn mua
Ficat4F8 Ve*ica -iliara4V-8 ,st .rimavara Vant ver&e >cru aci& Stringent Furie

Foc huoE
/or&4/8 :ntestin Subtire4:S8 Su& Vara /al&ura rosu >mar ars :ntaritor -ucurie

.amant tuE
S!linay .ancreas4S.8 Stomac4S8 /entru :nterse*on s(arsit toamna Bme*eala
galben

>!a ;etal fin7 chin shuiE

.laman4.8 inichi4 8 Ve*ica :ntestin Brinara4 rros4:r8 V8 Vest #oamna Bscaciune alb :ute inte!ator %is!ersat :nmoitor #ristete su!arare Frica
-ob

or& :arna ece bleumar in Sarat

%ulce &ulceag :ntar*iat

;elancolic gan&itor

concentrare

/ereale
Sursa S!irituala Fereastra sen*oriala #esut Secretii

rrau

;ei rlutinos

;ei sorg

re* va* (asole S!irit >nimal F 4!o]8

as .iele si !ar mucus(bale"

ma*are

Su(let4imaginati S!irit4ins!irati e8 e8 :&ee4gan&ire8

Vointa

A 4hunA8
chi

; 1shenA2
Limba Vase &e sange trans!iratie

1*hi]2
2 4erE8
ase
urina samanta

rura /arne saliva

Breche

Ligamente lacrimi

Sunet vin&ecator ote mu*icale

Xu

~er

<oo

Sia

/hui

/hueh(;i"

/hi(Sol"

~ong(%o"

Shang(e" xu(La"

|/ele Sase sunete vin&ecatoare| &in igong

.ractica igong o com!onenta a sistemului taoist &e vin&ecare si al ;e&icinii #ra&itionale /hine*e4;#/8 recurge la cele |Sase sunete vin&ecatoare|D Sunetele vin&ecatoare sunt o serie &e vocali*ari insotite sau nu &e miscari ale bratelor &es!re care se a(irma ca elimina energia negativa sau blocafele celor sase mari meri&ianeD #ao <ungyfing 4secDV eDnD8 in cartea intitulata |;entinerea si !relungirea vietii| &escrie Secretul celor sase suneteD Secretul celor sase sunete (oloseste re*onanta intre sunetul emis in tim!ul ex!iratiei !rin gat si gura si (recventa sistemului &e meri&ianey organe !entru a reali*a vin&ecareaD Modul de a proceda< #e in#pira pe na# #i #e e0pira lent pe 'ura* E0i#ta un #in'ur mod de a in#pira dar #a#e feluri de a e0pira pentru a declan#a %indecarea& folo#ind #ila,ele indicate mai :o#< hs'(pronuntata #iu)$ elimina ,olile Lemnului L.(ficat)$SB(SezicaBiliara)MB furie(e0ce# .)B decon'e#tioneaza meridian .(+rima%ara)&aduce ener'ie proa#pata in .$SB Bdeto0ifica.& #i #timuleaza functiile #aleB her(pronuntata ha)$ elimina ,olile .ocului imperial (;$IS) $ decon'e#tioneaza meridian ;(Sara) eli,erare de in#omnie&palpitatii&tran#piratie e0ce#i%a& hiperten#iune& e0pulzeaza caldura(e0ce# ;) hoo(pronuntata hfu ca #i cum ai #ufla intr$o lumanare)$ elimina ,olile +amantului (S+$S) $ elimina re#piratia urat miro#itoare ca urmare a indi'e#tiei din #tomacB%indeca toate tul,urarile di'e#ti%eB e0pulzeaza fri'ul(e0ce# 1)B sss$(pronuntata ####**) elimina ,olile Metalului (+$I2) toamnaB%indeca con'e#tia +B#timuleaza I2 B elimina caldura in e0ce# din +Bremediu in raceala&,ron#ita&'ripa&dureri #pate $umeriB pentru reca#ti'area echili,rului(e0ce# S+)B ch)a$ $(pronuntata #uei**#au tchuei 'rupul >tch>#e pronunta ca #i >c>din ceai) elimina ,olile Apei (1$S)iarnaBreaduce ener'ie in 1Bcurata meridianul 1$%indeca de,ilitatea #e0uala shee$$(pronuntata #i ) elimina ,olile .ocului etericL;S$T.)e0pulzeaza incordareaBelimina farmecele(influentele)fier,inti #i reciB zumzet in urechi(tinnitu#)& ,alonarea a,domenuluiBdurerile in 'atBametealaB#cade ten#iuneaB%indeca toate ,olile or'ani#mului* Mae#trul taoi#t Luo Teh$h#iou ne ofera unele detalii in practicarea ace#tui e0ercitiu din Ti'on' dar #i din alchimia interna(Nei tan)* 3* I nainte de a incepe e0ercitiul rela0ati$%a complet corpul& calmati$%a mintea #i re#piratia conform metodei inre'i#trate pe ;D de catre Dan MirahorianLMetoda de rela0are prin pilotare auditi%a pentru %indecare& repro'ramare #i centrare in Banca de Date a /ni%er#ului M* 9* A#ezati$%a in picioare in pozitie %erticala&cu mu#chi #i articulatiile rela0ate&cu ,ratele atarnad li,er de$o parte #i de alta a corpului B%a ima'inati capul #u#pendat in cre#tet cu un fir de cerB,ar,ia e#te u#or retra#a a#tfel incat o linie ima'inara #a unea#ca cre#tetul capului cu perineul #i cu calcaiele picioarelorB 8* Se mentine corpul cat mai rela0at& a#a incat #a #imtiti fiecare mu#chi atarnand li,er& tra# in :o# de forta 'ra%itatieiB doar dupa ce e#te atin#a #tarea de totala rela0are& in care re#piratia e#te calma neteda(con#tanta) #i naturala puteti #a incepeti practicarea QSecretului celor #a#e #uneteR J * Se repeta fiecare #ila,a de @ oriB #e face rela0are dupa fiecare pronuntareB

Six <ealing Soun&s in igong Six <ealing Soun&s (or ourishing Li(e

&his sim$le, yet %ery e00ecti%e .igong, s$eci0ically in0luences our state o0 mind and cleanses the internal organs. /ong ago, Chinese healers noted that our emotions a00ect the 0unction o0 our organs and %ice %ersa. 7 s$eci0ic combination o0 sound, breathing, and mo%ement $rom$ts our organs to release negati%e emotions, clearing the Iay 0or better health. &he $ractice o0 the i> Cealing ounds 0or :ourishing /i0e has a long history. #he six healing soun& 2igong )as (oun& circa An >D%D &uring the in /hin %$nast$ 4((1@(cd B.C.5 in /hinaD 7s early as the there has been a record o0 healing sound $ractices. During the Sui %$nast$ 4Uec @ B1f 7.D.5, a &aintai Buddhist high $riest, hi huan, $ointed out the healing !otential o( the Six <ealing soun&s. &he Six healing Soun&s Iere recorded as /hui <u Xi ~e Xu and SiD In the &ang Dynasty 4B1f@ecB 7.D.5 a medical e>$ert and doctor o0 &CM, Sun Siy ;iao )rote in the Song o( <$giene about the i> Cealing ounds and can be $ara$hrased as 0olloIs: &he /i%er and $ring are classi0ied as -ood elementsA the Xu sound in the $ring Iill brighten the eyes and relie%e li%er stagnation. &he Ceart and ummer are classi0ied as Dire 9lementsA the ~e sound in the ummer Iill relie%e 0ire in the heart. &he /ungs and Dall are classi0ied as Metal elementsA the Si sound in the Dall Iill nourish the lungs. &he )idneys and -inter are classi0ied as -ater elementsA the /hui sound in the -inter Iill Hee$ the Hidneys at ease. &he Xi sound Iill regulate the &ri$le Burner and eliminate annoying heat. &he <u sound during the 0our seasons Iill assists the assimilation o0 0ood by the s$leen. It is not necessary to maHe any noise Ihen you $ractice. &he bene0it is greater than miraculous $ills. 8randmaster /iangMs mother, Ms. Cuang [he@Ji, Ias %ery sicHly in her youth. he Ient to Cuang Mountain to learn the i> Cealing ounds. /ater, she also studied 0rom the Iell@HnoIn 6igong master, Master Ma /i@&ang. Drom then on, her health got better and better and she Ias 0illed Iith energy. #he !ractice o( the Six healing soun&s is ver$ (lexibleD xou can !ractice all six soun&s in or&er or onl$ !ractice s!eci(ic soun&s to treat s!eci(ic con&itions in the bo&$D xou can also !ractice the soun&s accor&ing to the seasons o( the $earD :( $ou !ractice all six healing soun&s $ou shoul& !ractice them in this or&er{ Xu ~e <u Si /hui an& Xi. #his (orm o( 2igong uses soun&s breath an& movements o( the arms an& some other bo&$ !arts to im!rove energ$ circulationD ,ach soun& is associate& )ith an internal organ s$stem an external sense organ an& an emotion{ Xu is relate& to the liver an& gall bla&&er its external sense organ is the e$es an& its emotion is angerD ~er is relate& to the heart an& the small intestine it external sense organ is the tongue an& its emotion is fo$D <oo is relate& to the s!leen an& the stomach its external sense organ is the mouth an& its emotion is !ensivenessD Sia is relate& to the lung an& the large intestine its external sense organ is the nose an& its emotion is sorro)D
,lement Lemn Foc .amant ;etal >!a ,ther #rei inichi48 Focare4#F8

4Fa*a8
rgan 4meri&ian8xin

Ficat4F8

/or&4/8

S!linay .ancreas4S.8

.lamani4.

/i%er,
Ve*ica

Ceart

$leen

/ungs

)idneys

&ri$le Burner

rgan 4meri&ian8 xang

-iliara4V8

:ntestin Stomac4S8

:ntestin Ve*ica /irculatie Sex4/S8

mall 8allbladd Intestine er

chi Limba

tomach

/arge Intestine

%eschi&eri s!eci(ice

rura

as

Brechi

yy

,motie

(urie anger

bucurie joy (Exciteme nt

concentrar su!arar e (rica e pensiveness fear sorrow Brooding

interse*on 4s(arsit &e vara8 toamna iarna

yy

>notim!

!rimavara vara

yy

ote mu*icale

/hueh (;i"

/hi(Sol"

~ong(%o"

Shang( e"

xu(La"

/hui is relate& to the i&ne$ an& the urinar$ bla&&er its external sense organ is the ear an& it emotion is (earD Xi regulates the tri!le )armerD #he vibration o( the six soun&s clears the organs o( stagnant energ$ an& !rovi&es each organ )ith su((icient energ$ to o!timi*e it (unctions an& control its emotion an& !h$sical ailmentsD For exam!le some teachers suggest visuali*ations to accom!an$ the soun&sD >lso some o( the teachers belo) (/ohen %avis an& ei&" !rovi&e suggeste& movements to !er(orm )hile maing the soun&sD
#he (ollo)ing table lists the soun&s as ex!laine& b$ several teachersD #he account given here is some)hat sim!li(ie&D Six <ealing Soun&s #he best no)n use o( soun& in #aoist !ractice a!!ears to be the Six <ealing Soun&s also no)n as the SixyS$llable Secret or the Six -asic Soun&less Soun&s (or <ealthD ~enneth /ohen sa$s the !ractice is attribute& to a sixycentur$ -u&&hist hermitD /raig ei& 2uotes a (i(th centur$ &escri!tion o( the s$stem b$ a (amous !h$sician #ao <ungyfing (!erha!s the same as /ohen=s hermit?"{ ne shoul& tae air in through the nose an& let it out slo)l$ through the mouthDDD #here is one )a$ o( &ra)ing breath in an& six )a$s o( ex!elling breath outD #he six )a$s o( ex!elling breath are re!resente& b$ the s$llables hs' her hoo sss ch)a$ sheeD #he six )a$s o( exhalation can cure illness{ to ex!el heat one uses chwa to ex!el col& one uses hoo to relieve tension use shee to release anger use her to &is!la$ malaise use hs! an& to regain e2uilibrium use sssD #he bene(its &escribe& are thus more !h$sical than s!iritual !er se but to the extent that the #aoist tra&ition values balance an& !h$sical health the$ coul& !erha!s be consi&ere& a (oun&ational !ractice (or #aoist stu&entsD :n com!arison to :n&ian $oga techni2ues the six healing soun&s coul& be sai& to be more similar to prana ama than to mantraD :n a&&ition to the bene(its liste& !reviousl$ each soun& is associate& )ith an organ (sometimes more than one" an& )ith a !hase (rom the Five .hases s$stem o( /hinese meta!h$sicsD i <uay/hing states{ |,ach o( the six vibrations has a !s$chic in(luence on its corres!on&ing organ s!here )hich !rom!ts the ex!ulsion o( im!urities (rom the s!here an& its mani(estations an& the gathering o( (resh energ$ into each s$stemD| >lthough a number o( &i((erent mo&ern masters teach the six soun&s techni2ue there are &i((erences both small an& large in the soun&s that the$ &escribe{ #he !ronunciation o( the soun&s variesD ;ost o( the a!!arent &i((erences seem to arise (rom the &i((icult$ o( re!resenting these soun&s !honeticall$ in !rintD /om!aring the &escri!tions given b$ &i((erent teachers can hel! give $ou insight into the correct !ro&uction o( the soun&D <o)ever the soun& (or the i&ne$s reall$ &oes var$ signi(icantl$ an& is given b$ &i((erent teachers as Foo /h)a$ or /hrroooeeeD #he &egree o( vocali*ation variesD :n man$ cases the soun&s are a!!arentl$ fust the soun& o( $our breath exhaling )ith such variations as can be cause& b$ &i((erent !ositions o( the tongue li!s an& teethD <o)ever some teachers !ronounce some o( the soun&s as i( the$ inclu&e a vo)el so the vocal cor&s in $our throat are activel$ vibratingD Sat /huen <on vocali*es each o( the soun&s )hich greatl$ shortens the consonant !art o( the soun& the em!hasi*es the

vo)el instea&D >t the other extreme i <uay/hing sa$s that each vibration must be inau&ible{ |:( the soun& is coarse an& au&ible it )ill hurt the chi o( the bo&$D|

#he or&er o( the soun&s varies (rom teacher to teacherD :n most cases the or&er (ollo)s the !ro&uctive c$cle o( the Five .hasesD <o)ever &i((erent teachers begin (rom &i((erent !oints in the c$cleD >n& i gives an or&er that &oesn=t relate in an$ obvious )a$ to Five .hase theor$D #he (ollo)ing table lists the soun&s as ex!laine& b$ several teachersD #he account given here is some)hat sim!li(ie&D For exam!le some teachers suggest visuali*ations to accom!an$ the soun&sD >lso some o( the teachers belo) (/ohen %avis an& ei&" !rovi&e suggeste& movements to !er(orm )hile maing the soun&sD For (ull &etails re(er to the )ors cite& un&er Sources later in this articleD >&&itionall$ 5ou #sung <)a states{ |#he #aoists use a ;antra o( Who Shoe Foo Wa$ /hemm$ She )hich not onl$ trains the concentration but strengthens the bo&$ through the corres!on&ence o( each soun& )ith an internal organD :( in a grou! this is usuall$ &one b$ chanting the same s$llable over an& over or it can be &one b$ chanting !ra$ersD| :t is &i((icult to tell ho) to (it these s$llables into the table above but the$ evi&entl$ (orm a variant o( the same s$stem o( six healing soun&sD

v Sunete vin&ecatoare v <ealing soun&s

#he thera!eutic e((ects o( the <ealing Soun&s{

Carmoni!e the organs N$en the throat and increase o>ygen into the blood stream Increase 6i 0loIs

ound and healing 0rom the beginning o0 time, all animals ha%e the use o0 sound to e>$ress, communicate and to de0end themsel%es. In time o0 stress and sicHness, Ie o0ten emit di00erent s$ontaneous sound that hel$s to heal and soothe us. &he crying sound o0 sadness, the laughter o0 ;oy, the moaning o0 sicHness, the cooing to baby. &he thera$eutic e00ect o0 those $rimordial sounds become buried Iith the e>cessi%e use o0 sound as s$eech and singing. Peo$le has 0orgotten hoI to use the Primal healing sounds to heal themsel%es and others Iith the e>ce$tion o0 0eI remaining aboriginal tribal shaman in the 7ma!on Iho still chant their healing songs, and bloIing aIay sicHness. In the de%elo$ment o0 the healing sounds, there are tIo currently contem$orary $ractice that is a%ailable 0or student o0 healing. &he studies o0 mantra 0rom the yogic tradition and the &aoist B Cealing ounds. &hese tIo system each ha%e de%elo$ed to an e>tensi%e theory o0 interrelationshi$ betIeen the organs and the sounds. &he ?ogic uni%ersal mantra 7EM corres$onds: 7 to the $hysical body E to the soul M to the s$irit. Dor e%ery mantra has 0our e00ects: 1. &he sound e00ects (. &he meaning o0 the Iords +. &he mental image e00ect a. &he gs$irit' o0 the mantra itsel0. Parallel to the de%elo$ment o0 the mantra, the &aoist healing dated 0rom (cc B.C. e>$ands into the thera$eutic and $hysical e00ects o0 the sounds on the organs. &he B Cealing sounds corres$onds to the organs: 1. Ju to /i%er (. Co to Ceart +. Du to the $leen a. Ji to the /ungs U. Chu to the )idney

B. Cey to the &ri$le Burner The bases of the curative effect of the healing sounds are in its three major functions: By using the throat and the eso$hagus, the &aoist releases e>cessi%e heat 0rom the organs. By the sha$ing o0 the mouth and tongue, the resonance o0 the sounds stimulates the internal mo%ement o0 the organs. By coordination o0 $hysical mo%ement Iith the sounds, the Cealing ounds enable one to regain one's natural 0reedom in breathing. Releasing e>cessi%e heat cools the organs, Ihile the %ibrations o0 the sounds stimulate their 0unctions. Regaining the s$ontaneous 0ree breath release us 0rom the conditional restricted habit o0 breathing, there0or, this alloIs us to increase the o>ygen in our blood. &he Chinese system o0 organs are more than ;ust the $hysical organs. Dor e>am$le, the heart is no mere $um$ but the seat o0 the consciousness. &he organ, heart, has a more general 0unction o0 the ner%ous system. -hile the $leen not only res$onsible 0or the digesti%e system but also control and e00ect the o%erall muscular system o0 the body. &he inter@relationshi$ betIeen the organs and the neural, endocrine, muscle sHeletal systems and the immune systems are the distincti%e characteristic o0 &raditional Chinese Medical 4&CM5 $ractice. &he &CM $rinci$le o0 treating sicHness has become Iidely acce$ted in the E 7 and 9uro$e. &he B Cealing ounds ser%es as the triggering $oint 0or tIigging the organs into balance and indirectly deal Iith the other body systems.

ote mu*icale

/hueh (;i"

/hi(Sol"

~ong(%o"

Shang( e"

xu(La"

7DXu Sunete4&antao8 4$ronounced heI, %ocali!ed5 Sunete4&mtao8 hs' her (. <er, 3as Mher,M 1. <s', 3as Mshoo,M Iith li$s $ursed, Sunete4ei&8 but so0tened by the umlaut o%er the %oIel.3 but Iithout the 0inal Mr,M Iith tongue $ressed against loIer as$irating in the to$ o0 the throat on e>halation.3 Sunete4xang8 Sunete 4hi huan8 Sunete 4/hia8 Xu Xu +. hhhhhhh, sub@%ocally. ~er ~e a. CaIIIIIII, sub@%ocally. <oo <u U. -hoooooo, 3made sub@ %ocally and 0elt in the %ocal chords.3 +. <oo, 3MIho,M Iith the li$s tongue sus$ended in bloIing out a candle.3 hoo (.Co 4%ocali!ed5 +.Du 4%ocali!ed5

a.Ji 4$ronounced ee, %ocali!ed5 sss a. Sss, 3as in Mhiss,M Iithout the initial Mhi@,M Iith your tongue behind the loIer teeth and the u$$er and loIer li$s slightly $arted.3 Sia Si 1. sssssss, sub%ocally.

U.Chu 4$ronounced CheI, %ocali!ed5 shui U. /h)a$, 3as in MIayM Iith a MchM in 0ront. /i$s slightly initial Mch,M then rela>ed and o$en on the 0inal MIayM.3 /hui /hui

B.Cey 4%ocali!ed, rhymes Iith 3$lay35 shee

B. Shee 3Mshe,M Iith the $arted and li$s 0ormed in a small smile

mouth o$en, ti$ o0 rounded and the

$ursed on the teeth slightly

teeth, and syllable mid@mouth, as i0

Xi Xi

(. 3Round the B. Ceeeeeee, li$s and sub@%ocally. silently maHe the sound one maHes in bloIing out a candle.3 B. eeee 3-hile maHing the sound, 0orm the mouth into a smiling sha$e.3 U. ssssss

Sunete 4/ohen8

+. h, 3as a. Co, 3identical to U. Cooo, 3;ust liHe though saying hoo in the Iord the Iord MIhoM.3 MCushhh, be MhooHM.3 .uiet.M 7t the end o0 the sh, 0orm your mouth into the E sha$e.3 +. Shoo 4same as sound 0or Metal, but Iith li$s rounded5 1. hoo a. hu a. ~he 4initial consonant is betIeen ) and C, Iith li$s sha$ed as i0 to maHe the 3uh3 sound in 3$ut35 (. Caa 1. Co B. Coo 4liHe bloIing out a candle5

1. ee@ahh, 3a (. barely audible Chrroooeee, $rolonged 3loI chant3 chant3

Sunete 4%avis8

1. hhh 4liHe telling someone to be .uiet5

(. ChIay 4Ihis$ered5

Sunete 4lson8 Sunete 4i8

+. Coo (. Cu

a. ss +. !!

U. Doo B. Du

B. hee U. hi 4relates to gallbladder rather than tri$le burner5

Note

3* In the Gr'an# li#t of a,o%e chart& the Triple Burner i# pro,a,ly unfamiliar to mo#t =e#terner#* Beinfeld and Uorn'old define it a# >an inte'ratin' function that tie# to'ether and harmonize# the phy#iolo'ic proce##e# of the primary Gr'an Net-orF#*>

.ull Spectrum Healin'

The Ancient Ma#ter# tell u# that thou'ht create# %i,ration& -hich #et# forth a freVuency& -hich re#ult# in a tone (#ound)& -hich ha# an eVual freVuency in the li'ht -a%e #pectrum& thu# to our %i#ion they create color* =hen all of the#e element# coa'ulate and de#cend do-n throu'h the >Li'ht Spectrum&> they #lo- do-n in %i,ration and create -hat -e call manife#ted matter* Thi# #ame freVuency -hich at certain inter%al# the interaction can create 2eometric #hape#& -hich ha%e the a,ility to interact -ith our cell# and e%en #pecific or'an#* A# -ell& color ha# a profound effect upon our emotional and mental ,odie#& and the re#ultin' feelin'#

of calm& e0citement& depre##ion& and happine## are e0perienced a# a re#ult& and a# -ell -e tran#mit the corre#pondin' color# in the !Human aura that #urround# u#*! Thi# aura& or corona can ,e ea#ily detected in Uirlian +hoto'raphy* Today throu'h modern technolo'y #uch a# an o#cillo#cope& -e are a,le to mea#ure the -a%elen'th of the #ound# of -hale#& dolphin#& and a %a#t myriad of ,ird# and in#ect# for that matterB a# -ell a# the element# them#el%e#* Althou'h human# primarily li%e on air& -ater& and foodB they are al#o affected and nouri#hed ,y li'ht* The %ery thou'ht -e hold in our mind& i# tran#mitted %ia Li'ht ener'y* Li'ht i# a freVuency of %i,ratin' ener'y that intermin'le# -ith other life ener'ie#*

1ecent Di#co%erie#
1ecent re#earch ,y Dr* Wo#eph +uleo in Idaho ha%e re%ealed the e0i#tence of Bi,le code#& found in the BooF of Num,er#& include a mathematical electroma'netic freVuency code for >miracle#> that re#earch clearly indicate# the a,ility of >Sound> (NS;1) to help in the repair of dama'ed& and inharmonic DNA& -hich i# in hi# -ord#& >the 'enetic ,lueprint of life*> The#e Bi,le code# are totally different from any pre%iou#ly -ritten a,out& or talFed a,out on >talF radio> and one doe# not need a computer to decode them (a# pre%iou#ly di#co%ered code# are #uppo#ed to)* Accordin' to the documentation and analy#e# pro%ided in hi# ,ooF >Healin' ;ode# for the Biolo'ical Apocalyp#e> -here Dr* +uleo -a# the principal in%e#ti'ator& Dr* +uleo -a# 'uided to find the pattern of #i0 repeatin' code# in the BooF of Num,er#& ;hapter 7& and %er#e# 39 throu'h 58* =hen deciphered u#in' the ancient +ytha'orean method of reducin' the %er#e num,er# to their #in'le di'it inte'er#& the code# re%ealed a #erie# of #i0 electroma'netic #ound freVuencie# that corre#pond to the #i0 mi##in' tone# of the ancient Solfe''io #cale* >The#e ori'inal #ound freVuencie# -ere apparently u#ed in the 'reat hymn to St* Wohn the Bapti#t that& alon' -ith many 2re'orian chant#& -ere lo#t centurie# a'o accordin' to church official#* The chant# and their #pecial tone# -ere ,elie%ed to impart #piritual ,le##in'# -hen #un' in harmony*** >The fir#t note& >/T$Vuent la0i#&> i# defined in =e,#ter!# Dictionary a# >the 2amut of dramatic emotion from 'rief to :oy&> and >the -hole #erie# of reco'nized mu#ical note#*> It ha# a freVuency of 86@ cycle# per #econd& and i# al#o a##ociated -ith a >ma'netic field #tren'th eVual to 34? po-er 'au##&> or 344&444* The #econd tone& >1E>& #hort for >re#onare fi,ri#> or re#onance& al#o correlate# mathematically to 3JJ&444* The third note& freVuency ?95& relate# to the note >MI> on the #cale and deri%e# from the phra#e >MI$ra 'e#torum> in Latin meanin' >miracle*> Stunnin'ly& thi# i# the e0act freVuency u#ed ,y 'enetic ,iochemi#t# to repair dama'ed DNA the 'enetic ,lueprint upon -hich life i# ,a#ed*> E0cerpted from Dr* +uleo!# ,ooF& >Healin' ;ode# for the Biolo'ical Apocalyp#e&> -hich ha# contri,ution# ,y Dr* Leonard Horo-itz& ,a#ed upon Dr* +uleo!# re#earch*

;ontemporary 1e#earch for Inte'rated$Medicine#

A# -e rene- our under#tandin'# of the ancient te0t#& and #acred ,ooF# of Fno-led'e from around the -orld* =e are VuicFly mo%in' into e0panded and althou'h #u,tle in character& much ,roader and unlimited under#tandin' of our uni%er#e& and the creati%e force that ena,le# all life to ,e e0pre##ed in perfection* =e are reFindlin' -ithin our con#ciou#ne## the ancient under#tandin'# of the .i%e Elemental force# that harmonize life& -hich in an a'e -here -e are e0pectin' the e0pectancy of life to ,ecome lon'er& -e are #eeFin' -ay# to re:u%enate& reener'ize& and enhance our life e0perience* Sonic freVuency may -ell ,e one of the mo#t %ital of the elemental force# in the /ni%er#e* The rhythm of the /ni%er#e -a# under#tood ,y the ancient -i#dom Feeper# to ,e liFe the e,, and flo- of the tide& a con#tant e0pan#ion and contraction& much liFe a heart,eat* =e are #peaFin' a,out Fno-led'e that -a# and i# under#tood and practiced ,y many ancient culture# the erythematic and con#tant e0pan#ion and contraction of the life force ener'ie#* Thi# i# particularly true in the Nati%e and Me#o American ;ulture# of the America#& -here the heart ,eat i# the foundation of many of their ceremonial dance# and ceremonie#* The #ound of the heart,eat radiate# throu'hout e%ery cell of the ,ody and i# a rhythm -ith the ,ody* A rhythm& #uch a# a heart,eat and the pul#e& i# made up of o#cillation# -hich can ,e mea#ured on medical in#trument#& a# -ell a# throu'h ;hine#e pul#e dia'no#i#* The#e rhythm# produce electroma'netic -a%e# $$ freVuencie# -hich are #tored in the ,ody!# fluid# and in e%ery cell!# memory* Each #ell ha%in' a con#ciou#ne## and intelli'ence that althou'h #eparate are part of the -hole& -hich in harmony -ith each 4other act a# one e##ence of e0pre##ion* Traditional ;hine#e Medical (T;M) %ie-# Earth and the human ,ody in term# of the fi%e element# of creation& -hich are fire& earth& metal& -ater& and -ood* Each of the fi%e element# i# a##ociated -ith particular acupuncture meridian# and or'an #y#tem# that ener'etically interact -ithin the ,ody accordin' to the La- of the .i%e Element# and it# cycle# of ener'y flo-*

=e are each of u#& ,orn -ith certain ener'y pattern#* Science call# thi# our Bo#on .reVuency* Throu'h technolo'y& -e can today differentiate ,et-een all li%in' thin'# a uniVue Bo#on .reVuency& -hich i# a per#onal& and indi%idualized a# a fin'erprint* Some freVuencie# are the re#ult of the ,lendin' of the DNA and 1NA -e recei%e from each parent& and many -e e%en inherit from our 'randparent#& and their 'randparent#* It i# no- ,ecomin' a realized fact that the tendencie# for u# to ,ecome #u#cepti,le to many di#ea#e# are actually inherited throu'h our DNA linea'e* Science no- Fno-# thi# condition can ,e le##ened& and in many ca#e# they can e%en ,e era#ed from our 'enetic pro'rammin'& in other -ord# -e can re'ain control o%er our phy#ical de#tiny* Gne of the Fey method# of achie%in' thi# procedure i# throu'h NS;1 technolo'y application#& of .ull Spectrum$Li'ht Healin'* It i# fea#i,le that -ith further re#earch and de%elopment of the NS;1 proce## -e -ill no lon'er ,e prede#tined #o to #peaF to the pattern# of DNA that -ere unFno-in'ly handed do-n to u# throu'h our 'enetic#* .urther -e can no- #ee the po##i,ility of e%en ,ein' a,le to alter dama'ed DNA a# -ell a# 1NA pattern# that are cau#e for certain a,normalitie# #uch a# MS& Epilep#y& Dia,ete#& and the de%elopment of Alzheimer!#& that are due to pollutant# and 'enetically en'ineered food #upplement# #uch a# A#partame* "In the practice of Tai Chi Chi Kung, the increased energy flow developed through the Microcosmic Orbit is integrated into ordinary movement, so that the body learns more efficient ways of utilizing energy in motion Improper body movements restrict energy flow causing energy bloc!ages, poor posture, and in some cases, serious illness "uite often, bac! problems are the result of improper posture, accumulated tension, wea!ened bone structure, and psychological stress " Ma#ter MantaF ;hia& A-aFen Healin' Li'ht of the Tao

=ater a# a tran#mitter of Li'ht and Sound

Sound freVuencie# -hen directed and orche#trated into mathematical #eVuence#& i# under#tood ,y u# a# the modality of mu#ic* Mu#ic i# a uni%er#al lan'ua'e a# -ell po##i,ly a# a uni%er#al lan'ua'e that our ,ody under#tand# re'ardle## of our cultural up,rin'in'& and difference#* Gur ,odie# and our or'an# are a,le to a,#or, #ound ea#ily and almo#t effortle##ly* Each moment -e are recei%in' and reactin' to %ariou# -a%elen'th# of #onic freVuencie# that mo%e throu'h our indi%idual ocean# of ,lood and other ,odily fluid#* 1e#earch ,y Dr* Emoto< Sho-# ho- normal tap -ater molecule# react to +rayer* Gur ,odie# are made up of 'reater than 6?X -ater& and -ater liFe cry#tal# i# pro'ramma,le& it ha# memory* The#e #onic freVuencie# are a,#or,ed throu'h our #Fin many of them e%en penetrate ,one and deep ti##ue* If one taFe# the#e Su,tle Sonic freVuencie# and harne##e# them& it i# then #oon realized& that they are the perfect modality for communicatin' to our meridian#& a# -ell a# the molecular net-orF that compri#e# all our or'an# and 'land# that mi'ht ,e in need healin'* Thi# natural proce## occur# ea#ily -ithout re#i#tance from the ,ody& a# it i# a natural proce##& ,rin'in' them ,acF into a natural harmony and ,alance* Gur ,odie# are little more than encap#ulated %e##el# of li%in' ocean -ater& thi# fluid that con#tantly flo-# throu'h our ,ody hold# the memory of freVuencie# -hich are continuou#ly circulated to all ti##ue& mu#cle#& or'an#& and 'land#& -hich u#e# it a# information* /nder#tand that #ound freVuencie# a,#or,ed ,y the ,ody can ha%e a po#iti%e& ne'ati%e or neutral affect on the ,ody& dependin' on the freVuency tran#mitted or recei%ed* Traditional Allopathic Medicine ha# lon' ,een a-are of& and no- utilize# a techniVue Fno-n a# >ultra #ound> a# a dia'no#tic tool for 'all#tone# and Fidney #tone#* /ltra$Sound i# commonly u#ed ,y ho#pital# to ,reaF up Fidney #tone# a# an alternati%e to #ur'eryB ultra #ound i# al#o u#ed in the remo%al of certain tumor#& and i# utilized in a %ariety of dental procedure#* Sound therapy -e are findin' out& ha# continued to ,e u#ed for healin' in other countrie# and culture# for centurie#* The under#tandin'# of many cla##ic te0t# the modalitie# of mu#ic in the form of #onic healin' for centurie# ha%e 'one hand in hand -ith their %ariou# healin' modalitie#* Mu#ic and healin' ha%e ,een clo#ely a##ociated throu'hout recorded hi#tory in all ancient ad%anced culture#* There are numerou# hi#torical document# on mu#ic& -hich de#cri,e it# effect# and u#e# a# a pre#cription for Healin'& throu'hout the %ariou# Earth ;ulture#* Throu'h mu#ic& -e find that my#teriou# :unction -here #cience& metaphy#ic#& and art create true Spiritual Healin' a# one unified methodolo'y*

|We hear an& ingest soun&s )ith more than the au&itor$ mechanism o( our earsD #he )hole bo&$ res!on&s to soun& an& consumes it )hether )e consciousl$ hear the soun& or notD /onsi&er ho) the min& tunes out the ticing o( a cloc or the humming o( a re(rigeratorD -ut even though the conscious min& can (ilter out the soun& the bo&$ cannotD #he human bo&$ vibrates tooD ,ach beat o( the heart shaes the entire bo&$ an& the bo&$ res!on&s to this vibrationD :ts res!onse ma$ be measure& b$ a miniature seismogra!hD|

Steven <al!ern{ is a )or reno)n >merican com!oser an& musician )ho )ors )ith Soun& <ealing techni2ues in his music Anotimpuri In tradiDia chinezC e0i#tC cinci anotimpuri cu durata de 79 de zileL? PA Ev zile 8 la care se a&augC 5 perioade de n *ile &e la Ence!utul Ki &e la s(OrKitul (iecCruia !entru acomo&are4EvY6P nEv] *ile8D /ele cinci anotimpuri #unt alcCtuite din patru anotimpuri localizate 4JPAA66 zileM Ki dintr$un inter#ezon di#tri,uit la Enceputul Ki la #fOrKitul celor patru anotimpuri a%Ond durata de 35 zile 4]x76A *ile8D :nterse*onul(numit

%ictionar9%ictionar$9%ictionnaire9 Wzrterbuch9%iccionario9%i*ionario

 ) )uE )u { cinci

al cincilea] Iu+ ;iao+: $entagonA ^ IQ yuO maiA a cincea lunaA ,{ 0i%eA the 0i0thA D: cin.A ^ IQ yuO maiA le cin.uiOme mois lunaireA r{ 0hn0A xingA hsin hang hing { { a mergeA a se miGcaA a $lecaA a 0ace, a e>ecutaA a actionaA $limbareA caleA drumA actiune, conduit"A a se com$ortaA com$ortamentA $urtareA actiuniA 0unctionareA mersA o 0irm"A un de$o!itA maga!inA serieA GirA rangA gradA element 4dinamicA %ibrational5A ,{ )al, tra%el, do, carry out, be all right, tri$, beha%iour, ca$able, com$etentA D: marche, marcherA agirA acteA conduiteA 0aireA $rati.uerA a$$li.uerA rangA rangKeA 0ileA dMaccordA habituellement traduit $ar: KlKmentA r{ gehen, reisen, es geht, gelingen, begehen, tun, handeln, %errichten, %eranstalten, aushben, %oll!iehen, %or sich gehen, statt0inden, Betragen, -esen, -andel, !eitIeilig, nicht 0eststehend, dient als ,orIort !ur Bildung %on [eitIirtern, die 40hn05 9lemente A /inie, Reihe4:C +(c5A

) xng )uE xingA{ { |/ele /inci ;iscari9Fa*e9,lemente | 4!mnt4, $inyin: tu5 metal4Chinese: , $inyin: ;in5 a!4, $inyin: shui5 lemn4, $inyin: mu5 (oc4, $inyin: huo52 considerate de antici c" alc"tuiesc uni%ersul 0i!ic. Medicina &raditional" Chine!"1M&C2 utili!ea!" relatiile dintre Cele Cinci 9lemente $entru a e>$lica di0eritele 0enomene 0i!iologice Gi $atologiceA ,{ Di%e Mo%ements, Di%e Phases or Di%e te$sA tages1-ood 4Chinese: , $inyin: mj5, Dire 4Chinese: , $inyin: huk5,9arth 4Chinese: , $inyin: tQ5, Metal 4Chinese: , $inyin: ;<n5, -ater 4Chinese: , $inyin: shu=52 are chie0ly an ancient mnemonic de%ice, in many traditional Chinese 0ieldsA D: la thKorie des Cin. KlKments chinois5 est un systOme $hiloso$hi.ue chinois %isant L e>$li.uer l'ensemble des $hKnomOnes de l'uni%ers, dont l'histoire, la sociKtK humaine, les saisons, la santK, la $ersonnalitK. ConstituK sur la base de notions trOs anciennes 4$eut@Ptre [hou occidentau>5, il a atteint sa 0orme ache%Ke entre la 0in des Royaumes combattants et les Can, tout en se combinant a%ec les conce$ts de ?in@?ang. Re$rKsentation des cin. KlKments et de leurs relations./es Cin. KlKments sont mentionnKs dans la langue selon l'ordre : mKtal, bois, eau, 0eu et terre 4;<n mj shu= huk tQ1125. /e terme >ing 4marche5, habituellement traduit $ar l KlKment m, K%o.ue $lut*t un mode d'action .u'une matiOre A il est d'ailleurs rem$lacK $ar de 4_5 l %ertu m ou l e00et m che! [ou ?an. r{ Die Dhn0@9lemente@/ehre 4chin. In>Rng X Dhn0 -andlungs$hasen5 ist eine daoistische &heorie !ur :aturbeschreibung. Die Dhn0@ 9lemente@/ehre untersucht die 8eset!mopigHeiten, nach denen dynamische Pro!esse 4-andlungen5 im Bereich des /ebendigen ablau0en, betont also -erden, -andlung und ,ergehen. Die Dhn0@9lemente@/ehre $rogt die chinesische Philoso$hie und ist 0erner %on groper Bedeutung im hiatsu, Deng hui, &ai;i.uan, Jingyi.uan, 6igong, dem 7yur%eda, in der &raditionellen Chinesischen Medi!in 4&CM5, der 7Hu$unHtur und der Polarity@&hera$ie nach Randol$h tone. Im Buddhismus gibt es eben0alls eine /ehre der Dhn0 9lemente, die sich aber %on der daoistischen unterscheidet. Der Buddhismus Hennt die 9lemente 9rde, -asser, Deuer, /u0t und /eere. In der griechischen Philoso$hie gab es eine ,ier@9lemente@ /ehre mit den 7s$eHten /u0t, Deuer, -asser und 9rde, die teilIeise noch um ein 0hn0tes 9lement, nomlich den qther als 6uintessen!, erIeitert Iurde.

shu shuiE schui { a$"A 0luid, lichidA rTuA ,{ )ater, a general term 0or ri%ers, laHes, seas, etc a li.uidA F{ eau A ri%iOre A ;usA r{-asser, 8eIosser, Dlup, DlhssigHeit, 0lhssig, 7u0geld, der Planet MerHur, DamiliennameA

m mu] ^a$anese Hun reading: i )orean: mo mo R: lemnA arbore, co$acA $rdureA cheresteaA amortitA indi0erentA ` ms mj amortitA indi0erentA 9: IoodA tree, timber, made o0 Iood, lumberA IoodenA sim$le, natural, co00inA ` ms mj numbA indi00erentA D: bois, arbre, bois de construction, en boisA cercueilAA ` ms mj engourdiA indi00KrentA r{ Col!, Baum, hil!ern, arg, ge0hhllos, dumm, ein0ach, nathrlich, ^u$iter4 tern5, einer der U MusiHtineA

Mandarin : hu} hu huoE Canton: (oA R: 0ocA 0lacaraA a ardeA 0ebraA 0urieA 9: 0ire, 0lameA burnA 0e%er, internal heat, angerA rageA D: 0euA 0lamme A 0iO%reA chaleur interne A colOreA r{ Deuer, Dlamme, Dieber, innere Cit!e, -utA

t tuE tu R: $"mTntA solA glob 4$"mTntesc5A teren, t"rTn"A$ra0, sol, ;os, ba!", teritoriuA noroiA nrmolAlocal, nati%AindigenA $inyin:a 1>un12 instrument mu!ical antic de su0lat din $ortelanA str"moGul oHarineiAb1ba1 yin12 0ormat din: 1ba12 o$tAfAb 1yin12 suneteA !gomotA GtiriA , { earthA items made o0 earthA soil, earth, land, ground, local, nati%e, homemade, indigenous, o$ium D: terreA sol A $oussiOreA rusti.ueA localA r{ 9rde, 9rdgitter, 9rdboden, /ehm, &on, N$ium, taub, /and, 8ebiet, irtlich, beheimatet sein, einheimisch, EreinIohner, 7borigines, Barbaren, unHulti%iert, roh, das 9lement 9rde, eines der acht MusiHinstrumente b1ba1 yin12 hhan4R 11ac5 aus Por!ellan ohnlich NHarinaA

fn fin7 { metalA aurA argintA c bsi ;<n $latinaA aur albA d yt ;<n metallurgie d yt ye+ to$irea 4metalelor5A ,{ metalA goldA sil%erA metals in generalA money d yt ;<n metallurgyA D: or A argentA mKtalA c bsi ;<n $latine A d yt ;<n mKtallurgie d yt ye+ 0ondre 4 un mKtal 5A shng sheng7 scheng : R:a tr"iA %iat"A in lb. sansHrita: ;atiA A e sheng1 minga: 0orta %ietiiA energia %ital"A traiA %iu, a da nastereA a aduce la %iat"4su$ra%ietuire5A brutA crud, natural, $roas$"tA nou, neobisnuitA ineditA Fn%"tatA eruditA sa%antA disci$olA student, literat, maestruA relatia/ciclul de gene!a in legea celor cinci elemente %ibratorii Iu >ing 45 4%edeti si " HO Hea relatia/ciclul de dominare in IQ >RngA 9: gi%e birth to, bear, groI,get, light a 0ire,li%ing,unri$e, green, raI,uncooHed,un$rocessed, unre0ined, crude, un0amiliar, unac.uainted,strange, sti00, mechanical,used be0ore a 0eI Iords to e>$ress emotion abs sensation: e>tremly,%ery,e>istence, li0e, li0e 40orce5/ li%lihood, $u$il, studentA D:%ieA e>istence A KlO%eA accoucherA naFtre A $ousser A %i%reA cru A inconnuA KtrangerA 8:/eben, leben, lebendig, geboren, er!eugen, sich bilden, geboren Ierden, entstehen, Ierden, Iachsen, roh, 0risch, unrei0, uner0ahren, unbeHannt, neu, 0remd, Iild, chhler, ^hnger, der einen Beru0 7ushbende, ein chaus$ieler, sehr, durchaus, bud. 9>isten!, 8eburt sHr. ;aHata, neue 8eburtA sHr.:l ;atimA

"

? e] o A { dominareA su$unereA restrictieA a de$"Gi, a Fn0rTngeA a luaA gramA relatia/ciclul de dominare in legea celor cinci elemente %ibratorii )u xing4 IQ >Rng5A %edeti si sheng1 scheng relatia/ciclul de gene!a A # a su$une, a restrTnge, de a de$"GiA contine fg1dao12 cutit A ,{ subdueA to restrainA to o%ercomeA gramA# 4e]8 subdueA o%ercomeA cut doIn fg1dao12 Hni0eA D: surmonter A %aincre $rendreA grammeA

T LU 8

$ng $angA $ang { %ersantul de su& al unui munteA $artea Fnsorit" de mia**i sud, soareA strrlucire, briliantA scTnteietorA caldurrA cerescA $o!iti%A mobilAmasculinAbun, $uterea cosmic" $angymasculin" a0lat" Fn com$lementaritate cu $in7 R h caracter $entru CeliumA ,{ the masculine, the !olar com!lementing !rinci!le to yin. sun, light, $ositi%e, clear, bright, heat, $ertaining to this Iorld, su$erior, 0ront, the north o0 a ri%er, the south o0 a hillA chinesische -eltanschauung : das Monnliche, @ das -eibliche ergon!ende Prin!i$ @ es ist immer die Polaritot des ,erholtnisses gemeint @ es ist nicht absolut gemeint. /icht, onne, &ag, hell, o00en, Iarm, %orn, oben, aupen, NberIelt, /eben, hden, hdseite des Berges, :ordseite eines Dlusses, linHsA F{ le ?sng 4U5 est associK au oleil 4i ria5 .ui re$rKsente la $art masculine de la nature.

R 4S 8

$in7 $n $in { %ersant de nordA $artea umbrit"A umbrrAculoare Fnchis"A Fntunecat,obscuritateA ignorantr,neGtiintrA secretAmisteriosArece, glacialA$rmTntescAnegati%,$ierdereA 0emininA $uterea cosmic" 0eminin" $in a0lat" Fn com$lementaritate cu $angA T j 1yun(2 /say/k 1;in12A ,{R 1yin12 /4o0 Ieather5 o%ercast/?in/ 0eminine/ moon/ cloudy/negati%e 4electric.5/shady/ the $olar com$lementing $rinci$le to yang, 0emale @ male, negati%e @ $ositi%e, moon @ sun, right @le0t, north @ south, o%ercast, shade, northsite o0 a hill, southsite o0 a ri%er, $ri%ate 0emale $artsA todayA modernA

$resentA currentAthisAnoIA r{ in der chinesischen -eltanschauung: das -eibliche @ das Monnliche ergon!ende Prin!i$ @ es ist immer die Polaritot des ,erholtnisses gemeint @ es ist nicht absolut gemeint. DunHelheit 4 !u /icht5, Mond 4!u onne5, beIilHt 4!u: sonnig, Hlarem Cimmel5, :osse 4 !u &rocHenheit5, chatten 4!u /icht5, %erborgen4!u o00en5, geheim4!u au0decHend5, Halt4!u Iarm5, RhcHseite4!u ,orderseite5, innen4!u aupen5, unten4!u oben5, EnterIelt4!u NberIelt5, &od 4!u /eben5, :orden4!u hden, :ordseite eines Berges, hdseite eines Dlusses, rechts, Ieibliche 8eschlechtsteile , ,aginaA F:le yin 4S5 est associK L la /une 4^ yuea5 .ui re$rKsente la $art 0Kminine de la nature A

K t@i tai] t=ai cantone!":taaiE { 0oarte mare, su$rem, eminentA e>trem, e>cesi%,$rea
mult, $reaAcaracter $entru: l 1taiatai sigurA$aGnicAcel mai4mult5Ae>trem deA &ailandaA $rinci$al, cel mai FnsemnatA grandios, magni0icA s$lendid2 Gi E &a] ta mareA uriaGAlargA mai mare, mai FnsemnatA ma;or..2 ,{highest, greatest, remotest, e>cessi%ely, too, o%er, e>tremly, in negati%e sentences: %eryA D:tro$A trOsA su$rPme /e tLi;R KN4 $inyin : tLi ;R, -ade@8iles: tMai@chiA ;a$onais : taiHyoHu,5, .ue lMon $ourrait traduire en 0ranuais $ar l 0aFte su$rPme m re$rKsente aussi la $outre 0aFtiOre dMune habitation et lMidKe dMultime. CMest un des $rinci$au> symboles taovstes. Il est re$rKsentK gra$hi.uement $ar le diagramme de tai;i ou tai;itu, et est dans la $hiloso$hie taovste trOs liK au symbole du %ide ou non@e>istant 4m, $inyin : Ib5, un cercle %ide, et au symbole du tao 4n dLo5A /e tai;i est aussi le nom donnK au symbole du yin@yang. r{grzte, hichste,Er@,sehr, ouperst, !u sehr, !u, erhaben, ,orIort %ieler &itel und Ci0lichHeitsbe!eichnungen, gebraucht A grope 0hr R Uec( l tai, erhaben und rt+d X R Uf(d E ta gropA &Li;R oder &ai Chi 4chin. KN / KP, &Li;R, -.@8. &'ai@ chi wDas sehr grope quperstex, auch Die gropen 8egensot!e5 be!eichnet das hichste Prin!i$ des )osmos. Der &erminus 0indet soIohl im Daoismus als auch im )on0u!ianismus ,erIendung.

KNO 4KPQ 2 #ai fi tu9#ai /hi #u

4$inyin: t@i f t tai] fiA tuAA -ade@8iles: t=ai] chiA t=uAA 5 { simbolul4diagrama5 su$remului ultim43diagrama su$remei $uteri35A termen care se re0er" la oricare dintre simbolurile chine!e $entru conce$tul de ?in si ?ang 4&ai;iA tai chiA tMai chi5, e>tins la modele geometrice similare, 0olosite Fn trecut de c"tre culturi di0eriteA Conce$tul de &ai;i 3su$remul ultim3 a$are Fn ambele 0iloso0ii chine!e, taoista Gi con0ucianista, unde re$re!int" 0u!iunea sau mama ?in@ului si a ?ang@ului Fntr@o re$re!entare unica 0inala, numita simbolul &ai;itu. 7cesta diagrama a 0ost $o$ulari!ata in $erioada dinastiei ong de ganditorii neocon0ucianisti, in s$ecial [hu Ji, sub 0orma indicata mai ;os,cel mai adesea incon;urata de cele o$t trigrame 4 $inyin: b gu@ !a ua5 9>ista si alte 0orme $rintre care aceea descrisa de hou %un $i4 opq5, utili!ata in $ratictica alchimiei interne taoiste4rs nOi dyn nei tan5A ,{ su$reme ultimate symbol43diagram o0 ultimate $oIer35A a term Ihich re0ers to any o0 the Chinese symbols 0or the conce$t o0 yin and yang 4&ai;iA tai chiA tMai chi5, Ihich is sometimes e>tended to similar geometric $atterns used historically by %arious cultures. &he conce$t o0 the &ai;i 3su$reme ultimate3 a$$ears in both &aoist and Con0ucian Chinese $hiloso$hy Ihere it re$resents the 0usion or mother o0 ?in and ?ang into a single ultimate, re$resented by the &ai;itu symbol. /e D: 0igure du 0aFte su$rPme, encore a$$elK symbole du ?in et du ?ang ou symbole taovste, est un symbole chinois associK au taovsme et au nKo@con0ucianisme. Ce sont les $enseurs nKo@ con0ucianistes, en $articulier [hu Ji, .ui l'ont $o$ularisK L $artir des ong sous la 0orme ci@ contre, la $lus gKnKralement connue, $ar0ois entourKe des huit trigrammes 4 $inyin: b gu@ !a ua5 . D'autres 0ormes e>istent, dont celle dKcrite $ar [hou Dunyi 4 opq 5, utilisKe $our la $rati.ue de l'alchimie interne taovste neidan 4rs nOi dyn nei tan5

&ermenul tai;i, sau cel mai Fnalt %Tr0, a$are Fn [huang [i. Cu toate c" $oate $rimi inter$ret"ri di0erite, cele mai multe dintre ele deri%a din urm"toarea 0ra!" din Ji ci 4t*uv w5, un comentariu al ?i ^ing: 3 chimbarea are o Fn"l#ime su$rem", care d" naGtere la dou" as$ecte 1?in si ?ang2, care se dau naGtere la $atru as$ecte, care se dau naGtere la cele o$t trigrame care determin" ceea ce este 0a%orabil Gi ne0a%orabil, care dau naGtere la e%enimentele umane3 1txKN yzyz {| {| }~~ E 2. Deseori, considerate ca 0iind echi%alente cu &ao/Dao el este uneori asociate cu conce$tul de non@%Tr0 -u;i 4NA mP5/ /e terme tai;i, ou 0aFte su$rPme, a$$arait dans le [huang [i. Bien .u'il $uisse rece%oir di00Krentes inter$rKtations, la $lu$art d'entre elles dKri%ent de la $hrase sui%ante du >ici 4t*uvw5, commentaire du ?i ^ing : 3 /es mutations ont un 0aFte su$rPme, .ui donne naissance au> deu> as$ects 1yin et yang2, .ui donnent eu>@mPmes naissance au> .uatre 0igures, .ui donnent elles@mPmes naissance au> huit trigrammes .ui dKterminent le 0a%orable et le dK0a%orable, .ui donnent naissance au> K%Onements humains3 1txKN yz yz {|{| }~~ E 2. ou%ent considKrK comme K.ui%alent au &ao/Dao, il est $ar0ois associK au conce$t du sans@0aFte Iu;i4N5

&ai;itu al lui /ai [hide/ /aishi &ai;itu

Digura de mai ;os este numita tai;itu a lui /aish 4KNO5, du$a numele creatorului s"u /ai [hide 45 41U(U@1Bca5, neocon0ucianist si $racticant taoist din e$oca dinastiei Ming, autor al [houyi ;i!hu 4ot5 41Uef5, un im$ortant comentariu al lui hou %un $i4 opq5 Fn care se a0la diagrama sa. 7ceasta este numita de asemenea, 0igura circular" a domnului /ai 6utang 4 Q5. 7ceasta schemati!ea!a rolul central al $rinci$iului /i 45, o$o!i#ia celor dou" categorii ?in si ?ang si circulatia .i@ului.//a 0igure ci@dessous est couramment a$$elKe laishi tai;itu 4KNO 5 d'a$rOs le nom de son crKateur /ai [hide 45 1U(U@1Bca5, nKo@con0ucianiste et $rati.uant taovste de la dynastie Ming, auteur du [houyi ;i!hu 4ot5 41Uef5, im$ortant commentaire du [houyi dans le.uel se trou%e son diagramme. Nn l'a$$elle aussi 0igure circulaire de monsieur /ai 6utang 4 Q5. 9lle schKmatise le r*le $i%otal du $rinci$e li 45, l'o$$osition des deu> catKgories yin et yang et la circulation du .i.

#aifitu al lui hou %un$i

Digura de mai ;os, numita !hou!i tai;itu 4oKNO5, este 0orma cea mai %eche cunoscuta, aceea din Comentariu asu$ra tai;itu al lui hou %un $i4 opq 5. 7sociata Fn mod deosebit cu $ractica alchimiei interne taoiste, ar 0i 0ost creata con0orm tradi#iei sub numele de Iu;itu4NO54diagrama %idului sau a non@ su$remului5, Fm$reun" cu alte diagrame rituale, de catre Bo Chen 45 n"scut in e$oca celor cinci dinastii Gi mort in $erioada ong . 7nsamblul a 0ost transmis lui [hong Dang 45, a$oi Mu Jiu 45 4ede@1c+(5, si /i 8ai 45, Fnainte de a a;unge Fn mTinile hou %un $i. &aoistul Jiao ?ingsou 45, din $erioada ong din ud, $recum Gi al a+@lea Maestru Celest [hang ?uchu 45 au inclus@o Fn o$erele lor/ /a 0igure ci@dessous, a$$elKe !hou!i tai;itu 4oKNO5, est la 0orme la $lus anciennement connue, celle du Commentaire du tai;itu de [hou Dunyi4 opq 5. ParticuliOrement associKe L la $rati.ue taovste de l'alchimie interne, elle aurait KtK crKKe selon la tradition sous le nom de Iu;itu4NO5, 0igure du sans@0aFte, en mPme tem$s .ue d'autres diagrammes rituels, $ar Chen Bo 4 5, nK sous les Cin. dynasties et mort sous les ong. /Mensemble aurait KtK transmis L [hong Dang 4 5, $uis L Mu Jiu 45 4ede@1c+(5 et L /i 8ai 45, a%ant dMaboutir entre les

mains de [hou Dunyi. /e taovste des ong du ud Jiao ?ingsou 45 et le a+e MaFtre cKleste [hang ?uchu 45 lMinclurent dans leurs ou%rages.

Citita de sus Fn ;os 4sau la stTnga la drea$ta, Fn ca!ul unei dis$uneri ori!ontale5, aceasta diagrama re$re!inta $rocesul $rin care &ao/Dao d" naGtere la cele !ece mii de lucruri ale creatieiAFn direc#ia o$us", acesta este drumul alchimic de reintoarcere la &ao/Dao Fn care $racticantul trans0orm" 3%echiul sau .i3 sau al stramosilor, in .i@ ul originar $uri0icat.//ue de haut en bas 4ou de gauche L droite dans le cas dMune dis$osition hori!ontale5, elle re$rKsente le $rocessus $ar le.uel le dao donne naissance au> di>@mille Ptres et choses de la crKation A dans le sens in%erse, il s'agit du $arcours alchimi.ue de retour au dao au cours du.uel le $rati.uant trans0orme son 3%ieu>3 .i ancPtre en .i originel K$urK.

Cercul de ;os re$re!int" cTm$ul de cinabru in0erior xia &an tian 4s5, de asemenea, numit si $oarta xuan !in 4 51%edeti ca$. B2 sau &e 2iao 45, locul .i@ului str"moGilor !u.i .i 4W5. 7l doilea cerc re$re!int" $rocesul lian ;i 45 4auto@alchimic5 de trans0ormare a ^ing 4X5 4esenta e>cesi% de ?in5, Fn 6i4W5, Gi a$oi a .i Fn hen 4;5 4$t reconstituirea s$iritelor di%ine5/ /e cercle du bas re$rKsente le cham$ de cinabre in0Krieur >iadantian 4s5 encore a$$elK $orte de >uan$in 4 5 ou de.iao 45, site du .i ancPtre !u.i 4W 5. /e deu>iOme cercle re$rKsente le $rocessus lian;i 4 5 4auto@alchimie5 de trans0ormation du ;ing 4X5 4essence e>cessi%ement yin5 en .i, $uis du .i en shen 4;5 4constituant des es$rits di%ins5. 7 treia diagrama re$re!inta 0u!iunea he he 45 a celor cinci elemente, 0iecare asociat cu un organ 40icat@lemn, inima@0oc, s$lina@$"mTnt, $laman@metal, rinichi@ a$"5. Cercul urm"tor re$re!inta com$letarea sau 0inali!area trigramei li 45 $rin trigrama Han 45 $entru a 0orma trigrama .ian 4 5, in intregime ?ang. Eltimul cerc re$re!inta re%enirea la -u;i 4non@%Tr05, eliberarea Gi reali!area imortalitatii sau a nemuririi.//e troisiOme diagramme re$rKsente la 0usion he he 45 des cin. KlKments, chacun associK L un %iscOre 40oie@bois czur@0eu, rate@terre, $oumon@ mKtal, rein@eau5. /e cercle sui%ant re$rKsente la com$lKtion du trigramme li 45 $ar le trigramme Han 4 5 $our 0ormer le trigramme .ian 4 5 entiOrement yang. /e dernier cercle re$rKsente le retour au Iu;i 4sans@0aFte5, libKration et atteinte de l'immortalitK.
#aifitu la ince!uturi 9#aifitu &es origines /e terme &ai;itu des origines 4-KNO 5 dKsigne le symbole largement connu de nos ;ours, dont l'a$$ellation $o$ulaire en chinois est $oissons yin et yang 4RT5. elon l'ou%rage Discrimination des diagrammes de mutations 4yitu mingbian tO5 de Cu -ei 45 1B++1d1a des 6ing, il re$rKsente le mou%ement dMalternance des .i yin 4noir5 et yang 4blanc5 inconce%ables l'un sans l'autre et recKlant chacun un germe de l'autre. Certains $uristes16ui {2 considOrent .ue le yin et le yang y Ktant 0igurKs sK$arKs, il ne s'agit $as rigoureusement d'un tai;itu, le conce$t de tai;i n'admettant aucune di00Krentiation.1rK0. nKcessaire2 Ce diagramme $eut 0aire l'ob;et de di00Krentes inter$rKtations

Wu fi N 4mP 8 )u chi

{ 4literal:30ara ca$at, %ar0, $ol, $olari!are35A tradus $rin in0init desemnea!a uni%ersul anterior4realitatea sursa, %ida, hologra0ica, ne$olari!ataA su0lul original misterios,starea $rimordiala haotica, stadiu nedi0eren#iat, starea nemani0estataA non@e>istentaA golulA %idulA starea de s$irit $rimaraA goliciunea, %idul mental5 care a $recedat a$aritia $olari!arii #aifi4%ar0ul su$remA ultimul su$rem5 si este unul dintre cei doi $oli intre care se de$lasea!a $racticantul alchimiei interne in drumul sau catre imortalitateA In %ao %e 5ing Lao i 0oloseste termenul -u;i atunci cand se re0era la reintoarcerea la natura noastra $rimordiala nedi0erentiata: 3Cunoaste 7lbul4?ang@ulA e>teriorulA simbolul mortii in cultura chine!a5, dar mentine@te ancorat in negru 4?inA inlauntrul tauA simbolul %ietii5 Gi %ei 0i model $t tot ce e>ista in uni%ers4sub cer5. Prin a 0i un model $entru toate de sub cer, integritatea 9terna nu %a rataci. In ca!ul Fn care integritatea %eGnic" nu %a rataci, te %ei intoarce la starea in0inita4starea nedi0erentiataA 0ara ca$atA nemuritoare5 3. 4ca$itolul (f, traducere de Mirahorian, 1eec5A D: 4traduction littKrale: sans@0aFte ,sans limite, indK0ini 5 sou00le originel mystKrieu>, le chaos $rimiti0, $hase chaoti.ue non di00KrenciK, $hase %ide, le non@Ptre, lMKtat $rimaire de lMes$rit .ui $rKcOde le tai;iA %acuitK, %ide de lMes$ritA commentaire de [hou Dunyi1,ersion de [hou : NKN l du sans@0aFte au 0aFte su$rPme m les deu> $*les entre les.uels le $rati.uant de l'alchimie interne K%olue dans son $arcours %ers l'immortalitKA 9: 4literally 3Iithout ridge$ole3A3-ithout Eltimate35 originally meant 3ultimatelessA boundlessA in0inite3 in -arring tates Period 4adB@((1 BC95 Daoist classics, but came to mean the 3$rimordial uni%erse3 $rior to the &ai;i KN 3 u$reme Eltimate3 in ong Dynasty 4eBc@1(de C95 :eo@ Con0ucianist cosmology. &he Iord -u;i N 3limitlessA in0inite3 is a com$ound o0 Iu 3IithoutA noA not ha%eA there is notA nothing, nothingness3 and ;i N 3ridge$oleA roo0 ridgeA

highest/utmost $ointA e>tremeA earthMs $oleA reach the endA attainA e>haust3. In analogy Iith the 0igurati%e meanings o0 9nglish $ole, Chinese ;i N 3ridge$ole3 can mean 3geogra$hical $oleA direction3 4e.g., si;i {N 30our corners o0 the earthA IorldMs end35, 3magnetic $ole3 4Bei;i ,N 3:orth Pole3 or yin;i RN 3negati%e $oleA anode35, or 3celestial $ole3 4ba;i N 30arthest $oints o0 the uni%erseA remotest $lace35A Common 9nglish translations o0 the cosmological -u;i are 3Eltimateless3 4Dung and Bodde 1eU+, Robinet (ccf5 or 3/imitless3 4[hang and Ryden (cc(5, but other %ersions are 3the ultimate o0 :othingness3 4Chang 1eB+5, 3that Ihich has no Pole3 4:eedham and Ronan 1edf5, or 3:on@ Polar3 47dler 1eee5. Lao #*u in #ao #e /hing9%ao &e fing uses the term -u;i in the conte>t about returning to oneMs original/$rimordial undi00erentiated nature: 33)noI the -hite 4?ang, outside Iorld, the symbol o0 death in Chinese culture5, but Hee$ yoursel0 grounded in blacH 4?in, inner reality, the symbol o0 li0e5 and you Iill be a model 0or all that it is in the uni%erse 4under the hea%en5. By being a model 0or all under hea%en, eternal integrity Iill ne%er 0ail. I0 your eternal integrity Iill ne%er 0ail, you Iill return to the status o0 in0inite 4undi00erentiated state, Iithout endA immortal533. 4(f, tr. Mirahorian, 1eec5A [huang!i4ca. + century BC95 re0ers 0our times to )ufi as 3limitlessA in0inityA boundless 3 &he te>t also uses the related Iord Iu.iong 3in0initeA endlessA ine>haustible3 (U times. Jun!i 4ca. +rd century BC95 uses Iu;i 3boundless3 three times. Nne conte>t describing a legendary horse $arallels it Iith Iu.iong 3ine>haustible3. 36i;i could co%er 1,ccc li in a single day, but i0 a Iorn@out nag taHes the ;ourney in ten stages, then it, too, can co%er the distance. 7re you going to try to e>haust the ine>haustible and $ursue the boundless{ I0 you do, then though you breaH your bones and Iear out your 0lesh in the attem$t, in the end it Iill be im$ossible to reach your goal. 4(, tr. )noblocH 1eff5

tai] $i7 tai $i t=ai i { sinonim $t &aoA di%initate anticaA Marele EnuA 0orta uni%ersalaA marea mutatieA Dumne!euA&aoA Enitatea u$remaA &aiyi [henren 4Chinese: KJ A Pinyin: &Liy= [hWnrKn5 0ormat din &aiyi 4lit. 3a doua ramura Celesta5 inseamna 3$rimordial unitatea $rimordiala a yin si yang3 iar [hen ren 4lit. 3 0iinta umana ade%arata35 este un termen taoist $t. 3Diinta Desa%arsita/Per0ecta3. 9: the 8reat NneA the su$reme oneA &he 8reat Change, 8reat Enity, the 0irst o0 the celestial s$irits, $irit o0 the Pole tarA 3Iay o0 the su$reme one3, the $oIer to cure diseases, the chie0 dietyA the beginning o0 numbersA u$reme Mo%ementA o$ening and closing o0 the sHy door and the actions o0 u$reme Nne (#ai xi"A &aiyi [henren 4Chinese: KJA Pinyin: &Liy= [hWnrKn5 0rom &ai yi 4lit. 3great (nd Celestial stem5 means 3$rimordial unity o0 yin and yang3 and [henren 4lit. 3true $erson35 is a &aoist term 0or 3Per0ected Person3. D: 3grand un3A u$rPme EnA le DaFte u$rPmeA 0orce uni%erselleA 3grande mutation3 3&out est donc L la 0ois s$ontanK 4!iran, 5 et nKcessaire. Ene 0orce uni%erselle, a$$elKe taiyi, 3grand un3 4K5, ou .i, 3sou00le3 , anime cha.ue $hKnomOne3. 18uo Jiang 4)uo Csiang, |5 ou 8uo [i>uan 4 5 est un $hiloso$he taovste 4%ers (U( @ +1(5, Kditeur et glosateur du [huang!i2 /ieh &!u 4the 0i0th century B.C.5: xIn the beginning there Ias Chaos 1hun tun2. It Ias a mingled $otentiality o0 Dorm 1hsing2, Pneuma 1ch'i2, and ubstance 1chih2. 7 8reat Change 1t'ai i2 tooH $lace in it, and there Ias a 8reat tarting 1t'ai ch'u2 Ihich is the beginning o0 Dorm. &he 8reat tarting e%ol%ed a 8reat Beginning 1t'ai shih2, Ihich is the ince$tion o0 Pneuma. &he 8reat Beginning Ias 0olloIed by the 8reat BlanH 1t'ai su2, Ihich is the 0irst 0ormation o0 ubstance. ubstance, Pneuma, and Dorm being all e%ol%ed out o0 the $rimordial chaotic mass, this material Iorld as it lies be0ore us came into e>istence.| 7nd that Ihich made it $ossible 0or Chaos to e%ol%e Ias the olitary Indeterminate 4i tu or the tao5, Ihich is not created, but is able to create e%erlastingly. 7nd being both olitary and Indeterminate it tells us nothing determinate about itsel0. 3/e ,rai Classi.ue du ,ide Par0ait3 de /ie!i 4/ie &seu5 3Distinction CKleste3 et 38enOse des Mondes3 4Cha$itres I et III 5: 3...CMest $our.uoi ;e dis : Il y eut une 8rande Mutation 4&ai ?i5, une 8rande Nrigine 4tai chou5, un 8rand Commencement 4tai che5, une 8rande CrKation Nriginelle. /a Mutation est lMKtat dans le.uel la Dorce ne se mani0este $as encore. /a 8rande Nrigine

est au Commencement de la Dorce. De ce Commencement nait la Dorme. /a MatiOre ;aillit de la 8rande CrKation Nriginelle. /MKtat dans le.uel Dorce, Dorme et MatiOre ne sont $as encore sK$arKs est nommK ans@DaFte. Nn nomme ans@DaFte lMKtat dans le.uel les di> mille Ptres sont con0ondus a%ant leur sK$aration. Nn le regarde et on ne le %oit $as, on le dit lMIndistinct, on lMKcoute et on ne lMentend $as, on le dit lMInaudible, on le tLte et on ne le trou%e $as, on le dit lMIm$al$able. 7ussi nomme@t@on cet Ktat la Mutation 4?I5 $arce .ue changeant il ne $eut Ptre saisi sous aucune 0orme. Cet Ptre changeant mue et de%ient En 4?i5 . Ce En est le commencement de la trans0ormation des Dormes 4>ing5 4...soit >ing yi ou >ingyi...5. /M9nergie $ure et lKgOre monte et de%ient le Ciel. /M9nergie $lus matKrielle et $lus grossiOre descend et 0orme la &erre. /es 9nergies intermKdiaires en se mKlangeant harmonieusement $roduisent lMComme. 7insi Ciel et &erre, contenant le $rinci$e de rKgKnKration, $ermettent, $ar mutation successi%e la naissance des Di> Mille Ptres.3 Concernant l=:n&istinct l=:nau&ible et l=:m!al!able, il sMagit de lM9s$rit 4 C9:5, de lM9ssence 4^ing5 et du ou00le 46i5... /a RKunion de ces &rois Princi$es se nomme san yi... |Voil@ trois 1tats inex!licables 2ui con(on&us (ont l=Bnit1| Cha$itre JI, du Dao De ^ing de /ao [i. /e &ai Ping ^ing, de la Dynastie des :an ung 4 ong du ud5 ainsi .ue le <uang&i ei 5ing (r " ou /lassi2ue interne &e l=em!ereur 5aune &ans le cha!itre Su Wen4 s )?n in 9D9N: So uenn 36uestions sur lMorigine du .i, de la 0orme et de la .ualitK 4des choses du monde5 3,2 a;outent : Conser%er les &rois 4san5 et embrasser lMun 4yi5 , cMest rendre lM9ssence 4;ing5 subtile et la trans0ormer en ou00le 4.i5, rendre subtil le ou00le et le trans0ormer en 9s$rit 4 hen5, rendre subtil lM9s$rit et sMunir au &ao.3 $i7 i i {{ unuA un AoAsingurA$rimulAacelasiAde aceeasi 0ormaAintregulAtotA s$atiulAimediat ceAde0initA absolutAunicA tim$ul unu1momentul initial2A acelasiA unul si acelasi, identic, uni0ormA de aceeasi 0ormaA de0initAintregulAtotAs$atiulAimediat ceA absolutAunicA $retutindeni, $este totA 9: Nne, 1, 0irst, &he same, Be, N0 the same sha$e, -holeAsingle A&he s$ace, as soon as, de0inite, absolutely,uni.ue,one@timeA 8:ein, eins, 1, erste, derselbe, gleich, gleich0irmig, gan!, das 7ll, so bald als @, bestimmt, unbedingt, ein!ig einmaligA

W D 8 2 2i] i

-ade@8iles: chiA 9D9N: ts=iA hi:R:res$iratie, su0lu, su0lareA energie, aer,%a$ori,aburA 0luid %ital, tem$erament, energieA manaA energia %itala A3 %a$orii unduitori se ridica de la sol si 0ormea!a norii3 @@-ieger. Dorma traditionala W cu$rinde 3ore!ul3 m=, si %a$orii sau aburul care se ridica de la gatirea ore!ului . omul rKn A locali!are: cam$ul de cinabru mi;lociu Gs !h}ng dyntisn +.fA 1c.11A 9: air, gas, steam, %a$or, breath, s$irit, smell, Ieather, %ital breath, to maHe sb. angry, to get angry, to be enraged ether, ha!e, breath, atmos$here, in0luence, 0loIing out, $oIer, %itality, s$irit, 0eeling, anger, mood, nature, manner, Beha%ior, condition, energyA corres$onds to ^ung~s de0inition o0 libido as li0e energy. It is $recious to recogni!e dee$ly that these conce$ts o0 ^ing4X5 . 6i4W5. hin4;5. Cun4A5. Po4F5 $lay an im$ortant $art Ihich mediate betIeen the unconscious and consciousness, $syche and body as symbols. W busA F{ 6i 4W5 ., Knergie %italeA ga! A airA sou00le A sou00le %italA odeur A %igueurA KnergieA irriterA 3/es

%a$eurs ondulantes sMKlO%ent du sol et 0orment les nuages3 @@-ieger. /a 0orme com$le>e W com$rend un 3ri!3 m=, la %a$eur sMKlO%e de la cuisson du ri! . homme rKn A cham$ de cinabre moyen Gs !h}ng dyntisnA 8:/u0t, 8as, qther,
Dunst, Dam$0, Cauch, 7tem, 7tmos$hore, 9in0lup, 7us0lup, Macht, /ebensHra0t, 8eist, 8e0hhl, [orn, /aune, -esen, 7rt, Benehmen, [ustand, 9nergieA

W 4 8

2 g ng 2igong chi ung R: un sistem de e>erci#ii de res$ira#ie $ro0und"A controlul energieiA 9: a system o0 dee$ breathing e>ercises D: e>ercices res$iratoires 8: ein ystem %on tie0en 7temhbungenA

g ng gong7 (;an&arin" gung7 (/anton" ung(Wa&e riles" { { lucrare terminat", reali!areAcucerireA0a$t" merituoas", meritA e0ortA meritA e0ectA abilitateA ca$acitateA tintaA e>ercitiuA g ng (u ung (u arta, ca$acitateA talentA maiestrieA abilitateA munca, e0ortA ,{ merit, achie%ement, good resultA achie%ementA meritorious deeds, sHill 4o0 dancers, gymnasts etc5 gng achie%ement, merit, good resultA F{ mKriteA e>$loit A e00et A habiletKA adresseA gng lj $uissanceA gng nKng 0onctionA yng gng studieu> r{ Ver&ienst, Leistung, 9r0olg, DohigHeit, Dleip, &otigHeit,

Dienstleistung, [IecH, harte 7rbeitA

#he /hinese sexagenar$ c$cle (/hinese{ !in$in{ lish hufi" also no)n as Stemsy-ranches (/hinese{ !in$in{ gn*h" is a cyclic numeral system o0 Bc combinations o0 the tIo basic cycles, the ten Cea%enly tems 4-A tiyngyn5 and the tIel%e 9arthly Branches 4A d!h<5. &his traditional Chinese calendrical system is used as a means o0 numbering days and years, not only in China but also in other 9ast 7sian nations liHe ^a$an, )orea, and ,ietnam. &he e>agenary system is also im$ortant in Chinese astrology and Chinese 0ortune telling. #he t)elve ,arthl$ -ranches &he 9arthly Branches 4Chinese: A $inyin: d!h<A or Chinese: A $inyin: shROr!h<A literally 3tIel%e branches35 $ro%ide one Chinese system 0or recHoning time. &his system Ias built 0rom obser%ations o0 the orbit o0 ^u$iter. Chinese astronomers di%ided the celestial circle into 1( sections to 0olloI the orbit o0 u><ng 4^u$iter, the ?ear tar5. 7stronomers rounded the orbit o0 ui>ing to 1( years 40rom 11.fB5. ui>ing Ias associated Iith heti 4 Boites5 and sometimes called heti. In correlati%e thinHing, the tIel%e years o0 the ^u$iter cycle also identi0y the tIel%e months o0 the year, tIel%e animals 4mnemonics 0or the system5, directions, seasons, months, and Chinese hour in the 0orm o0 double@hours. -hen a Branch is used 0or a double hour, the listed $eriods are meant. -hen used 0or an e>act time o0 a day, it is the center o0 the $eriod. Dor instance, 4the Corse5 means noon or a $eriod 0rom 11am to 1$m. 4&he ;ie .i system $ro%ided single hours and 1U@degree arcs in time and s$ace.5 #he ten /elestial Stems &he ten Celestial tems 4Chinese: -A $inyin: tiyngyn5, sometimes HnoIn as Cea%enly tems, are the elements o0 an ancient Chinese cyclic character numeral system: ^ia 45, ?i 4J5, Bing 45, Ding 45, -u 45, ^i 45, 8eng 45, Jin 45, Ren 45, 8ui 45. &hey Iere used 0or dates as early as the hang Dynasty, and are noI used Iith the tIel%e 9arthly Branches in the e>agenary cycle. &hey are associated Iith the conce$ts o0 yin and yang and the Di%e 9lements.

. shen] *ang] { rinichi !amant al omului ,{ i&ne$ urinar$ bla&&er *ang] { organ !lin4 !arenchimatos8 (uE %iscer ca%itarAinternal organs 58 xin7 bao7 { !ericar& 5 ><n >in1 sin { sanA inim"A sentimentA %oint"A minteA gandA inteligent"A intentieA s$iritA
sentimentA centruA ,{ heart, mind, 0eeling, intentions, centre, middleA r{ Cer!, :eigung, /ust, inn, 7bsicht, timmung, 8emht, 8e0hhl, ,erstand, bud: 8edanHe, DenHenA8eist, Inneres, Mitte, Mittel$unHt, 48egenstonde, die sich in der Mitte be0inden Iie5 Docht usI., :achsilbe !ur Bildung %on Cau$tIirtern, die geistige 9igenscha0ten, :eigungen usI. ausdrhcHen, :ame eines der (f ternbilder: 7ntares und Hor$ionA sHr:cittaA EDAn 8 bao7 { a aco$eriA a imbracaA a Fm$achetaAa #ine, a include, a se ocu$a deA $achetA Fn%eliGA containerA sac, a de#ine sau Fmbr"#iGaA m"nunchi, $achete de date,a contracta 4$e ori $entru5A ,{ to co%erA to Ira$Ato holdAto includeAto taHe charge o0A$acHageAIra$$erAcontainerAbagAto hold or embraceA bundleA$acHetAto contract 4to or 0or5A E 7 &a] changA intestinul gros(:r" E &a] ta ta 7. mare4cantitati%,ca 0ortr,ca numrr5A0oarte mareAcel mai mareAsu$remAni%el ma>imAa$ogeuA FnsemnatA remarcabilA deosebitA eminent, $uternic, adTnci4brtrTneti5A

considerabilA im$ortantA larg,masi%A Fnalt,$lin,din belGug, multAridicat, nobilAFn $rimul rTnd,cel mai bunAcel dintTi,cel mai Fnaintat, de $rim rangAadult,ma;orAa Fn"ltaA a slr%iA a entu!iasma,a Fn0lrcrraA a intensi0icaA ,{big, large, great, hea%y, strong, loud, o0 age, eldest, main, ma;or, general, greatly, 0ully, in a big Iay, on a large scaleAr{gro, sehr, Iichtig, Cau$t@, allgemein, erIachsen, olteste, hoch4Rang5, edel, beste, Ihr, grop machenA

67 xiaoE changA :ntestin Subtire(:S" A 6 xio xiaoE { micA $utinA nesemni0icati%A ,{{ small, tiny, insigni0icant tinyA 0eIA youngA
$etitA D: minuscule, insigni0iant minuscule $etit nombreA ;eunesA 7 chng changA { intestineA emotiiA ,{{ intestinesA emotionsA sausage 9 : san7 fiao7 { #rei Focare(#F"A : 1fiao72 { arsA ingri;oratA an>iosA ,{{ burntA scorchedA IorriedA an>iousA T shaoE $angA/ sho sh@o shaoE shao] schao R: micA $utinAminoritateA a 4se5 diminuaA a 4se5 micGoraA in0eriorA a doriA a 0i li$sit4de5A rarA rareoriA tTnrrA a FntineriA 4d.an, lunr5A la Fnce$utA tTnrr Gi 0rrr e>$erientrA $ui, a trata ca $e un co$ilA ,{0eI, less, little, be short, lacH, inade.uate, lose, be missing, sto$, .uit, youngA D: $euA ;eune $etitA de man.uerA $erdreA 8: )enig, Ienige, s$orlich, selten, Hur!, !uIenig, 0ehlenA

,a3& pa

R: optB bE guF (ideograma G , pHn#Hn G ,Z 'u , 3ade%<iles G pa Fua est un

termen chinezesc ce desemneaza I opt (bEApa figuri Atrigrame de divinatie(guFA2ua J. E<ei'htB 2< acht

, $inyin: b gu@ ba7 gua]A -ade@8iles: !a ua

Cele trei linii su$ra$use45 desemnea!a si una din cele 3N$t &rigrame3 4chin. , $inyin: by guLAba1 guaaA -ade@8iles: $a Hua5 sau cele 3o$t simboluri3, care sunt diagrame 0olosite in cosmologia &aoista $t. a re$resenta o larga gama de conce$te interconectate. Diecare trigrama desemnea!a una din cele o$t stat de schimbare46AE5 si consta din trei linii . /iniile $line4QQ5 sunt yang 4masculin, acti%5 si au dre$t %aloare numerica in ba!a doi numarul 7A liniile intreru$te4Q Q" sunt yin 40eminine, $asi%e 5 si au dre$t %aloare numerica in ba!a doi numarul c. &rigramele sunt in legatura cu 0iloso0ia taoista1KN tai;iA in ;a$.: taiHyoHu, $inyin : tLi ;RA in -ade@8iles : tMai@chiA %edeti re$re!entarea gra0ica $rin diagrama tai;i si tai;itu, conectata cu simbolul %idului sau non@e>istentului Ib, $rintr@unun cerc %id si de simbolul tao 4n dLo52, cu legea celor cinci miscari/elemente 4-u Jing A $inyin: IQ>Rng5. Cartea trans0ormarilor t*1t2 4? ^<ngA I ChingA xi ~ing511(cc i.e.n2 $re!inta cele Ba de he>agrame 4$erechi de trigrame5, care cores$und 0a!elor de trans0ormare (v]6AAv" si un comentariu asu$ra lor. Intercone>iunea dintre trigrame este re$re!entata in doua tablouri de aran;are 3Pre Celest3 , Primordial 4-5, trigramele lui 3Du>i3 4, $inyin: Db ><, -ade@8iles: Du@hsi A Du CsiA Du@Ci5 1(acc i.e.n2, si 3Post Celest3 sau Mani0estat 4-5, trigramele 3regelui -en3 4o $inyin: [hu -Kn -sng5 11ceeS 1cUc i.e.n.2. &rigramele au cores$ondente in astronomie, astrologie, geogra0ie, geomantie4 0eng shui5, anatomie4geogra0ia sacra a cor$ului uman5, 0amilie, anotim$uri, directii, stari de s$irit si in multe alte domenii./&he trigrams are related to &ai;i $hiloso$hy and the -u Jing. &he ancient Chinese classic I Ching consists o0 the Ba $airs o0 trigrams 4called 3he>agrams35 and commentary on them. &he interrelationshi$s among the trigrams are re$resented in tIo arrangements, the Primordial 4-5, 39arlier Cea%en3 or 3Du>i3 bagua 45, and the Mani0ested 4-5, 3/ater Cea%en,3 or 3)ing -en3 bagua. &he trigrams ha%e corres$ondences in astronomy, astrology, geogra$hy, geomancy40engshui5, anatomy, the 0amily, and elseIhere. /ele trei linii su!ra!use(" &esemnea*a Omul( linia din mijloc a trigramei) situat intre Cer(linia de sus) si Pamant(linia de jos)/Man(the middle line in trigram) between Heaven(upper line) and arth(lower line) &rigrame 1 2 guL >j: 45, denumire45: .isnAchMienAHhien :atura/9lement45: /erul - tiyn/tienA cores!on&ente{ 7notim$: 45: ,ara 4 si directie45: ud 3 A Personalitate45: Creati%A Damilie45: &atal A U 9lemente45: Metal ;<nA emni0icatie4V5: 9>$ansi%e energy, the sHyA In0luenta: relatiiA Culoare: 8rigioA

45, denumire45: duA tui A :atura/9lement45: Lac(mlastina" !KA cores!on&ente{ 7notim$45: Prima%ara < A directie45: ud@9st =3 A Personalitate4 5: bucurosA %eselA Damilie45: Diica cea mai micaA U 9lemente45: Metal 4 ;<n5A emni0icatie4V5: ^oy, satis0action, stagnationA In0luenta: creati%itateA Culoare: galben inchisA 4 5, denumire45: lRA li A :atura/9lement45: Focul hukA cores!on&ente{ 7notim$45: Prima%ara < A directie45: 9st =A Personalitate: atasatAli$iciosA Damilie45: G Diica me!inaA U 9lemente 45: Doc huA emni0icatie4V5: Ra$id mo%ement, radiance, the sunA In0luenta: norocA Culoare: RosuA 45, denumire45: >jnA sun A :atura/9lement45: Vantul 0WngA cores!on&ente{ 7notim$45: ,ara 4A directie45: ud@,est B3A Personalitate45: blandA sua%A Damilie45: Diica cea mai mareA U 9lemente45: /emn mjA emni0icatie4V5: 8entle $enetration, 0le>ibilityA In0luenta: bogatieA Culoare: ,erde A 45, denumire45: !hOnAchenAchinA :atura/9lement45: #unetul dian lKiA cores!on&ente{ 7notim$45: Iarna -A directie45: :ord@9st =,A Personalitate4 5: incitatA e>citatA Damilie45: Diul cel mai mareA U 9lemente45: /emn mjA emni0icatie4V5: 9>citation, re%olution, di%isionA In0luenta: sanatateA Culoare: ,erde inchisA 45, denumire45: H"nA HMan HhanA :atura/9lement45: >!a shu=A cores!on&ente{ 7notim$45: &oamna C A directie45: ,est BA Personalitate45: 7bisalA Damilie45: G Diul me!inA U 9lemente45: 7$a shuA emni0icatie4V5: Danger, ra$id ri%ers, the abyss, the moon AIn0luenta: succesA Culoare: albastruA 45, denumire45: gOnA Hen HienA :atura/9lement45: ;untele shyn cores!on&ente{ 7notim$45: &oamna CA directie45: :ord@,est B,A Personalitate45: calmA imobilAlinistitA Damilie45: Diul cel mai micA U 9lemente4 5: Pamant tnA emni0icatie4V5: tillness, immo%abilityA In0luenta: cunoastereA Culoare: MaroA 45, denumire45: HnA HMun Hhun A :atura/9lement45: .amantul d/ti cores!on&ente{ 7notim$45: Iarna -A directie45: :ord ,A Personalitate45: Rece$ti% A Damilie45: Mama A U 9lemente45: Pamant tnA emni0icatie4V5: Rece$ti%e energy, that Ihich yieldsA In0luenta: 0amilieA Culoare: galbenA

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2 1hun1 mi(2 A to lose consciousnessA to be in a comaA %irectii

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r{;itte, mitten, Mittel@, mittlere, ,ermittler, mittelmopig, innen, in, unter4Xinmitten5, halbIegs, !eitIeilig, China, chinesisch, %ermittelnA ?*J?B = 4> 8&ong7 est east B man&arin{ x xi7 cantonais{ sai7 {%estA occidentalA a$usA ,{ IestA IesternA B3 >< nsn outhIestA B8 >< yL outhIestA F{ ouestA NccidentA occidentalA B* >< yn JiMan 4 haan>i5A B, >< bti nord@ouestA B, >< bti 0yng nord@ouest B9 >< bj $artie ouest / occidentalA B: >< chyng 19:2 Jichang 4cosmodrome in south@Iest China5A B; >< y< mKdecine occidentale ABo >< !hu Dynastie [hou de lMNuest 4@ 1c(d, @dd15A , beiE nor& north 3 nanA su& south =, 1&ong7 beiE2 nor&yest B, xi7 beiE vestynor& =3 1&ong7 nanA2 su&yest B3 xi7 nanA vesty su&

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-ein(el& an& ~orngol&{ Carriet Bein0eld and 90rem )orngold, "etween #eaven and $arthD e) ?orH: Ballantine BooHs, 1ee(. &his is a good booH to consult i0 you Iant 0urther in0ormation on the Di%e Phase theory in Chinese medicine. /hia{ $a00ord C. 7cHerly, 3Inner mile and i> Cealing ounds Practices: 7s taught by Master MantaH Chia,3 Eni%ersal &ao Center, &hailand. 7t htt$://III.uni%ersal@ tao.com/article/smile.html. Based on MantaH Chia, Taoist Ways to Transform Stress into itality: The !nner Smile" Six #ealing Sounds, Cuntington, :?: Cealing &ao BooHs, 1efB. /ohen{ )enneth . Cohen, The Way of $igong: The %rt and Science of &hinese Energy #ealing. :eI ?orH: Ballantine BooHs, 1eee. P$. 1BU@1BB. 7lso his %ideota$e, $igong: Traditional &hinese Exercises for #ealing Body" 'ind" and Spirit. ounds &rue ,ideo, 1eeB. %antao{ Dantao Center o0 :eI ?orH, 3B Cealing sounds3 at htt$://users.erols.com/dantao/si>sound.html. 7n audio cli$ o0 the si> sounds is at htt$://users.erols.com/dantao/Bsounds.html. 7 notice on the site ad%ertises a related 0orthcoming booH, Taoist $igong for #ealth and itality: % &omplete (rogram of 'ovement" 'editation" and #ealing Sounds, by at Chuen Con. %avis{ Deborah Da%is, The Spirit of $i )ong 4%ideota$e5. Deborah Da%is Productions, PN Bo> +1eaa, anta De, :M fdUea. 7lso III.deborahda%is.com. 5ou{ ^ou, &sung CIa, The Tao of 'editation: Way to Enlightenment. cottsdale, 7ri!ona: &ai Chi Doundation, 1ef+. P. 111. i{ Cua@Ching :i, Tao: The Subtle *niversal +aw and the !ntegral Way of +ife. anta Monica, Cali0ornia: e%en tar Publications, 1ede. P$. Bd@dc. mall correction: the labels are re%ersed on the diagram o0 the Com$etiti%e Nrder on $. 1d and the diagram o0 the Creati%e Nrder on $. 1e. lson{ tuart 7l%e Nlson, Tao of ,o Stress: Three Simple (aths. Rochester, ,ermont: Cealing 7rts Press, (cc(. P$. ++@+d.

ei&{ Daniel Reid, The &omplete Boo- of &hinese #ealth . #ealing. :eI ?orH: Barnes & :oble BooHs, 1eef. P$. (1f@(+a.

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-ois y Foie y <un (oun m1moire h1r1&itaire" y /ol?re Feu y /oeur y Shen (/henn intelligence globale" y 5oie #erre y ate y xi (: r1(lexion" y Soucis ;1tal y .oumon y .o (.ro instinct cellulaire" y #ristesse ,au eins y he (#che volont1" y .eur