3
dominated both the Silk Road trade route and the Mediterranean, spread Islam throughout theregion, and blended Seljuk Turk, Persian, and Greek influences to develop, among other things, acompletely new style of architecture.
Stunning examples of this include the Green Mosque inBursa and the Topkap
ı
Saray
ı
(Palace) in Constantinople. Thelatter survived the centuries and isnow a museum, which houses anextensive collection of Ottomanartwork.Unlike most other cultures, theTurks did not appear to sculpt.Instead, they boasted of luxuriousfabrics (velvets, brocades, and silk)and pottery & ceramic tiles.
Painted miniatures existed as well,dominated by scenes of the Sultanand his men hunting, fighting,working, or in court. Theseminiatures depict the vibrant colorsand distinctive shape of Turkishclothing: a bell-like shape, tightthrough the torso with side goresfrom the waist to the floor.Paintings? Didn’t the Koran prohibit the depiction of human figures? Actually, it was Muslimlaw, not Koranic doctrine, which enforced the tradition as a way of preventing idol worship.
Yes, most court-approved painters restricted themselves to elaborate floral and geometric designs.Some, however, unofficially and quietly did portraitures, especially of the Sultan and his court.
Above, painting of a Turkish woman by Gentile Bellini, late 15
th
Century, depicting entari, necklace, gomlek,tarpus, and veiling.
2
Levey,
The World of Ottoman Art
, pg. 13.
3
Levey, pg. 25.
4
Ettingham,
Turkish Miniatures
, pg. 5.
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