File

BRAND GRAPHICS POLICY
2012-2014
UNIVERSITY OF LOUISVILLE: 2012-2014 BRAND GRAPHICS POLICY
TABLE OF CONTENTS
Introduction
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Exemptions .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Purpose of the Brand Graphics Policy .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Legal Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Color Primary Palettes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Secondary Palettes
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11
Color Distribution .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Typography

Delta Jaeger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Helvetica Neue

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15 17
ITC Giovanni .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
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Brisa
Tone Chart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Logos Introduction .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 General Application Guidelines Primary Signature Primary Logo

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21 22 24
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Unacceptable Primary Logo Usage .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 One Line Primary Logo .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 Lettermark (Monogram)
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28 31
Secondary Logo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Secondary Alternate Logo

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Unacceptable Secondary Alternate Logo Usage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Minerva . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Graphic Elements

Red Stripe
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36
Photography .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Vignette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Examples Billboard & Outdoor Advertising

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Advertisements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Websites . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Motion Graphics .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Business Cards .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 PowerPoint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 Stationary .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 Web Web Color & Texture Web Typography
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48 49 51
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Gradients & Shadows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50 Required Web Graphic Elements

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INTRODUCTION
Why Is the Brand Graphics Policy Important?

Brand graphics involves the use of logos, typefaces and colors to create a clearly recognizable image for an institution. A brand graphics policy is necessary for organizations as large and diverse as UofL to build and communicate a clear institutional brand identity for its many target audiences. A successful brand graphics program helps the university develop strong name recognition by defining a look for all university materials that audiences instantly identify with UofL. This does not mean that all materials must look exactly alike. It does mean that they must all clearly belong to the same family, with logos, typefaces and colors used consistently. Through a consistent brand graphics program, UofL can project a strong, unified and professional image to all audiences even though communications are coming from hundreds of separate units across our campuses. Following this policy officially identifies your unit as part of the university, increasing brand identity with your audience and making it more likely that your message will be received.
To what types of materials do the brand graphics policy apply?

The policy applies to all brochures, publications, periodicals, websites and any other type of marketing materials produced by the university or partner agencies for external audiences. Materials governed by the policy include, but are not limited to, the following:
Recruitment brochures Viewbooks or annual reports Publications for alumni and donors Official university websites Departmental program information Periodical magazines or newsletters Promotional videos and CDs Stationery and business cards Banners and posters Promotional items and merchandise Campus signage Apparel
EXEMPTIONS
Who is not required to adhere to the brand graphics policy?

There are several UofL-related entities that are not required to adhere in full to the specifications within this document. Each of these have been granted conditional exemption by the Office of Communications & Marketing (OCM) in some partbe that logo, color scheme, typeface, or other aspects of the brand guidelines. These entities are:
University of Louisville Foundation UofL Athletics Charting Our Course Comprehensive Capital Campaign Recognized Student Organizations (RSO) The McConnell Center UofL Magazine
Note: Student Government Association and other student groups (not to be confused with campus units that serve students, such as Student Affairs) are not required to use the brand design elements, but they are encouraged to do so when communicating to external audiences or representing the university to an external audience in an official capacity.
Questions
The president of the University of Louisville has endorsed this brand graphics policy. The president has designated the Office of Communications & Marketing (OCM) to review requests for any exceptions or special permissions related to these regulations. To request an exception, contact OCM by phone at 502-852-6171 or by email at branding@louisville.edu.
PURPOSE OF THE GUIDELINES
The purpose of the Brand Graphics Policy is to provide rules for coherent communication of the University of Louisville (UofL) brand. This document outlines an identity standards and applications system in three parts. The first part contains a group of identity elements specifically designed to identify the UofL brand. The second part contains regulations and examples specifying acceptable employment of the graphical elements. The third part defines the look and feel of the brand and presents sample applications for use in brand communications. The coordination of the UofL brand to consumers plays a significant role in their impression of the brand. Consistency is paramount to the success of the identity system. Consistent use of the mark and supporting elements will build brand equity and resonance. The end result will be an increased understanding of the UofL brand by the public. Use only original vector artwork for reproduction of these marks. Elements and marks may not be altered electronically or manually, nor can they be stretched, outlined, given drop-shadows or enclosed in shapes that appear to be an organic part of the element.
LEGAL REQUIREMENTS
Equal Opportunity Statement

Any university publication directed at audiences outside the university community must by law include the following equal opportunity statement: The University of Louisville is an equal opportunity institution and does not discriminate against persons on the basis of race, age, religion, sex, disability, color, sexual orientation, national origin or veteran status. When space is a consideration in producing print advertisements or marketing materials, the following abbreviated statement may be used: The University of Louisville is an equal opportunity institution. The abbreviated statement cannot be used for student catalogs, student handbooks or official employee handbooks. These publications must include the full equal opportunity statement. Questions regarding this policy should be directed to the Office of Affirmative Action in Human Resources at 502-852-6538.
State Funds Statement

Any university publication that has been paid for with state funds must by law include the following statement: This publication was prepared by the University of Louisville and printed with state funds KRS 57.375.
Legal Notice
All material in this document is registered to UofL. This material includes but is not limited to printed and/or electronic text and images. All registration privileges and other rights implied or explicit are reserved. Written permission from a duly appointed officer of UofL is required for any use or publication, public or private, of any material registered to UofL. There is no implied consent for any use, publication, republication or transmission of material registered to UofL.
COLOR
PRIMARY COLOR PALETTE
Color chips are presented in Pantone , CMYK, RGB and hexadecimal values (web). These are all the primary colors for use with relevant UofL applications. UofL Yellow is to be used only in the Cardinal icon for full color usage. Regardless of color, it is important that all marks and text are legible. Lastly, UofL Red should never be tinted, as it produces an undesireable shade of pink.
UofL RED
BLACK
PANTONE CMYK RGB WEB
PMS 1797 0 / 100 / 99 / 4 227 / 27 / 35 AD0000
BLACK 40 / 30 / 30 / 100 0/0/0 000000
UofL YELLOW
GRAY
PMS 130 0 / 30 / 100 / 0 253 / 185 / 19 FDB913
20% BLACK 0 / 0 / 0 / 20 209 / 211 / 212 CCCCCC
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SECONDARY COLOR PALETTE
These are all the secondary colors for use only as accents in relevant UofL applications.
UofL PURPLE
UofL MAROON
UofL DEEP ORANGE
UofL ORANGE
PMS 262 45 / 100 / 0 / 55 86 / 0 / 78 56004E
PMS 506
45 / 100 / 100 / 15
138 / 37 / 41 8A2529
PMS 159 0 / 66 / 100 / 7 227 / 111 / 30 E36F1E
PMS 144 0 / 48 / 100 / 0 248 / 152 / 29 F8981D
UofL BROWN
UofL TAN
UofL CREAM
UofL GOLDENROD
PMS 161 0 / 52 / 100 / 64 118 / 66 / 0 764200
PMS 465 20 / 32 / 58 / 0 206 / 170 / 122 CEAA7A
PMS 460 4 / 5 / 44 / 0 246 / 231 / 161 F6E7A1
PMS 7407 0 / 22 / 85 / 11 229 / 181 / 58 E5B53A
UofL MUSTARD
UofL MOSS
UofL OLIVE
UofL GREEN
PMS 118 0 / 18 / 100 / 27 196 / 159 / 6 C49F06
PMS 5777 10 / 0 / 49 / 28 177 / 181 / 121 B1B579
PMS 371 43 / 0 / 100 / 56 79 / 110 / 24 4F6E18
PMS 349 100 / 0 / 91 / 42 0 / 112 / 60 00703C
UofL DEEP AQUA
UofL AQUA
UofL SLATE
UofL LIGHT SLATE
PMS 3035 100 / 0 / 5 / 72 0 / 73 / 99 004963
PMS 3155 100 / 0 / 24 / 38 0 / 120 / 138 00788A
PMS 7545 23 / 2 / 0 / 63 91 / 111 / 123 5B6F7B
PMS 7542 10 / 0 / 3 / 16 194 / 209 / 211 C2D1D3
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COLOR DISTRIBUTION
Below is a general suggestion for the distribution of colors within the UofL palettes for any given design. Emphasis is placed on white space, followed by our primary brand colors. Secondary colors should be used as accents and not dominate a design.
30%
PRIMARY WHITE SPACE SECONDARY
60%
10%
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TYPOGRAPHY
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TYPEFACES
Delta Jaeger
Delta Jaeger is a great headline typeface due to its clean appearance, large x-height and wide, open proportions. This typeface is the original basis of the University of Louisville primary mark (logo). Any typeface within the Delta Jaeger family (e.g. condensed, light, etc) is available for use at the designer's discretion.
Aa
TONE Strong, confident, progressive and modern BEST USED IN Headlines, subheading AVAILABLE AT Linotype.com
Delta Jaeger Bold
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789
Delta Jaeger Medium
Delta Jaeger Book
Delta Jaeger Light
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TYPEFACES
Helvetica Neue
Helvetica Neue is a versatile, neutral typeface that projects a clean, linear feeling when used. This typeface should be employed when Delta Jaeger is too strong or heavy or when a more refined tone is needed. Any typeface within the Helvetica Neue family (e.g. condensed, light, etc) is available for use at the designer's discretion.
Aa
TONE Contemporary, modest, technical BEST USED IN Headlines, body copy AVAILABLE AT Linotype.com
Helvetica Neue Heavy
Helvetica Neue Bold
Helvetica Neue Roman
Helvetica Neue Light
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TYPEFACES
ITC Giovanni
ITC Giovanni is a modernized take on classic type proportions. It works very well as a body copy or in design solutions that require a more academic or stately overtone. Any typeface within the ITC Giovanni family (e.g. black, bold, etc) is available for use at the designer's discretion.
Aa
TONE Academic, classic, intelligent, traditional BEST USED IN Body copy AVAILABLE AT Linotype.com
Giovanni Std Black
Giovanni Std Bold
Giovanni Std Book
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TYPEFACES
Brisa
The UofL brand is largely clean, strong and linear. While this projects the brand attributes, there are certain design solutions that require a softer and more natural feeling typeface. Brisa balances this personal touch without veering into being overly calligraphic or childish. It is mature, energetic and professional. The alternates typeface can be used as well.
Aa
TONE Natural, organic, personal, lively BEST USED IN Subheadings, design elements, lowercase applications AVAILABLE AT Veer.com
Brisa Regular
Brisa Alternates
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TYPOGRAPHY TONE CHART
Below is a chart to help in determining what typeface, weight and case should be chosen, depending on the aesthetic direction of a given design. Within the UofL brand there is a wide range of emotional expression available through typography. NOTE: Not every typeface weight available within the UofL brand is represented below.
CONFIDENT / STRONG DELTA JAEGER BOLD HELVETICA NEUE BLACK HELVETICA NEUE HEAVY HELVETICA NEUE BLACK CONDENSED ITC Giovanni Black ITC Giovanni Black Italic DELTA JAEGER MEDIUM HELVETICA NEUE MEDIUM CONDENSED
ACADEMIC / CLASSIC ITC GIOVANNI BOOK ITC GIOVANNI BOOK ITALIC Helvetica Neue Condensed Helvetica Neue Medium Condensed ITC Giovanni Book ITC Giovanni Book Italic HELVETICA NEUE THIN CONDENSED HELVETICA NEUE ULTRA LIGHT CONDENSED
CASUAL / PERSONAL
brisa regular
Helvetica Neue Thin Condensed Helvetica Neue Ultra Light Condensed Helvetica Neue Light Condensed
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LOGOS
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LOGO INTRODUCTION
The universitys official logo is the University of Louisville graphic signature with or without the Its Happening Here theme and Cardinal head attached. An official logo should be used on all university marketing communications, including printed pieces, visual presentations, advertising and any other materials that represent the university with external audiences. It should appear on the front or back cover of all printed communications unless an exception has been granted by OCM.
GLOSSARY
SYMBOL A graphic mark used without words to identify a company (e.g. Cardinal bird head)
Logo Family
1 5
1. Primary Signature 2. Primary Signature with Tagline 3. Primary Logo 4. Primary One Line Logo
LOGO Word(s) in type used to identify a company (e.g. University of Louisville)

2 6
5. Monogram 6. Secondary Logo 7. Secondary Alternate Logo
SIGNATURE A combination of a symbol and a logo (also known as a combination mark)
LETTERMARK A graphic representation using letters to form (an often shortened version of) a company's name (e.g. UofL)
7 3
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GENERAL APPLICATION GUIDELINES
To maintain a high level of quality and consistency in a variety of applications, the following guidelines must be followed when applying the logo:
Quality
The logo should be reproduced from an original vector-based electronic file. To order, contact OCM at 502-852-6171 or by emailing branding@ louisville.edu.
Size
To maintain readability, the logo should not be reproduced any smaller than 1 1/16 inches (10 picas) in length.
Color
Printed applications should use the CMYK color space version of the marks, while web or screen-based applications (video, presentations, mobile, etc.) should use the RGB color space with hexadecimal values.
Placement
No version of the mark may be used to replace the words University of Louisville or UofL in a sentence or headline. They may only be used as stand-alone design elements. For specications on the application of specic versions of a mark, please refer to any of the following pages for more details.
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PRIMARY SIGNATURE
[A] Primary Signature on White Background [D] Primary Signature with Tag on White Background
Full Color
The UofL Primary Signature in full color is for applications where full color is desired. The mark is available with and without the tagline. At all times, the marks should maintain a white trap around the
CLEAR SPACE
Observe the clear space around the logo to maximize visual effectiveness. Nothing should intrude into this specified clear space.
[B] Primary Signature on UofL Red Background [E] Primary Signature with Tag on UofL Red Background
Cardinal.
Please note that the background shape is not part of the mark.
A
[C] Primary Signature on Black Background [F] Primary Signature with Tag on Black Background
The radius of the Clear Zone for the Primary Signature must equal the size of a box represented in the blue box labeled A (equaling the height of the letters in Louisville). This is then used to measure the space surrounding the mark: above, below and to the side of two parallel lines.
[G] Primary Mark on White Background [I] Primary Mark with Tag on White Background
Grayscale
The UofL Primary Mark in grayscale is for applications where full color is not available. The mark is available with and without the tagline. At all times, the marks should maintain a white trap around the Cardinal. Please note that the background
[H] Primary Mark on Black Background [J] Primary Mark with Tag on Black Background
shape is not part of the mark.
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PRIMARY SIGNATURE
[E] Primary Signature on White Background [H] Primary Signature with Tag on White Background
Two Color
The UofL Primary Signature in two color is for applications where full color or grayscale is not available or desired. The mark is available with and without the tagline. At all times, the marks should
CLEAR SPACE
[F] Primary Signature on UofL Red Background [I] Primary Signature with Tag on UofL Red Background
maintain a white trap around the Cardinal.
A
[G] Primary Signature on Black Background [J] Primary Signature with Tag on Black Background
The radius of the Clear Zone for the Primary Signature must equal the size of a box represented in the blue box labeled A (equaling the height of the letters in Louisville). This is then used to measure the space surrounding the mark: above, below and to the side of two parallel lines.
[A] Primary Signature on White Background [C] Primary Signature with Tag on White Background
Single Color
The UofL Primary Mark in black and white is for applications where full color, grayscale or two color is not available or desired. The mark is available with and without the tagline. At all times, the marks should maintain a white trap around the Cardinal.
[B] Primary Signature on Black Background [D] Primary Signature with Tag on Black Background
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PRIMARY LOGO
Full Color
The UofL Primary Logo in full color is for applications where full color is desired. The mark is available with and without the tagline. At all times, the marks should maintain a white trap around the Cardinal. Please note that the background shape is not part of the mark.
CLEAR SPACE
[A] Primary Logo on White Background [D] Primary Logo with Tag on White Background
A
The radius of the Clear Zone for the Primary Logo must equal the size of a box represented in the blue box labeled A (equaling the height of the letters in Louisville). This is then used to measure the space surrounding the mark: above, below and to the side of two parallel lines.
[B] Primary Logo on UofL Red Background [E] Primary Logo with Tag on UofL Red Background
[C] Primary Logo on Black Background
[F] Primary Logo with Tag on Black Background
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PRIMARY LOGO
[A] Primary Logo on White Background [C] Primary Logo with Tag on White Background
Grayscale
The UofL Primary Logo in grayscale is for applications where full color is not available or desired. The mark is available with and without the tagline. Please note that the background shape is not part of the mark.
CLEAR SPACE
[B] Primary Logo on Black Background [D] Primary Logo with Tag on Black Background
A
The radius of the Clear Zone for the Primary Logo must equal the size of a box represented in the blue box labeled A (equaling the height of the letters in Louisville). This is then used to measure the space surrounding the mark: above, below and to the side of two parallel lines.
[E] Primary Logo on White Background [G] Primary Logo with Tag on White Background
Single Color
The UofL Primary Logo in black and white is for applications where full color or grayscale is not available or desired. The mark is available with and without the tagline.
[F] Primary Logo on Black Background
[H] Primary Logo with Tag on Black Background
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UNACCEPTABLE MARK USAGE
The success of the University of Louisville brand identity relies on the clarity and consistency with which it is implemented. Distorting or changing it reduces its legal protection and diminishes its impact. The following examples visualize some potential mistakes that must be avoided, including reproducing the logo on a textured or patterned background that reduces clarity, replacing any letter in the logo with a symbol or other graphic element, and adding graphic devices such as rules or boxes around the logo. Do not use a university logo or mark as a basis for any new or derivative logo or mark. Adding graphic elements behind or around an official university mark is not permitted. Please note that the following examples apply to all UofL marks and should be avoided at all times.
1. Do not alter colors 2. Do not alter proportions 3. Do not remove elements 4. Do not rotate the logo 5. Do not invade clear space 6. Do not add drop shadows 7. Do not blur the logo 8. Do not skew the logo 9. Do not alter fonts 10. Do not alter layout 11. Do not crop the logo 12. Do not add elements
5 6 7 8 1 2 3 4
10
11
12
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ONE LINE PRIMARY LOGO
The one line primary logo is unique. While the Primary Signature and the Primary Logo remain the default choice for most graphic applications of the UofL mark, there are certain instances where an element with a small height footprint is required (vehicle signage, billboards, etc). The One Line Primary Logo should always be used with a purpose, as a result of a design or composition that absolutely requires this as a solution.
CLEAR SPACE
[A] One Line Primary Logo in Black on White Background
The radius of the Clear Zone for the One Line Primary Logo must equal the size of a box represented in the blue box labeled A (equaling the height of the letters in Louisville). This is then used to measure the space surrounding the mark: above, below and to the side of two parallel lines.
[C] One Line Primary Logo in Red on White Background [B] One Line Primary Logo in Gray on White Background
[D] One Line Primary Logo on Red Background
[E] One Line Primary Logo on Black Background
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LETTERMARK (MONOGRAM)
The UofL Lettermark (Monogram) is an alternate method of identifying the University graphically. It is less formal than the Primary Signature or Logo but carries the same amount of brand equity and is appropriate to use in many instances.
Full Color
CLEAR SPACE
Observe the clear space around the monogram to maximize visual effectiveness. Nothing should intrude into this specified clear space.
[A] Monogram on White Background [B] Monogram on Red Background [C] Monogram on Black Background
The UofL Monogram in full color is for applications where available or desired. Please note that the background shape is not part of the mark.
Grayscale
The UofL Monogram in
B
The radius of the Clear Zone for the Monogram must equal the size of a box represented in the blue box labeled B (half of the height of the U). This is then used to measure the space surrounding the mark: above, below and to the side of two parallel lines.
[D] Monogram on White Background [E] Monogram on Black Background
grayscale is for applications where full color is not available or desired. Please note that the background shape is not part of the mark.
Single Color
The UofL Monogram in single color is for applications where full color or grayscale is not available or desired. Please note that the background shape is not part of the mark.
[F] Monogram on White Background
[G] Monogram on Black Background
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SECONDARY LOGO
Sub-brands, also called secondary logos, can reduce the impact and effectiveness of the universitys brand identity if not used appropriately. As such their use is limited to a very few select units that have been designated sub-brands or brand extensions of the core UofL brand. These custom signatures recognize the unique identity needs of the units and their audiences while maintaining a strong relationship to the central university brand. Colleges and schools are permitted to have a sub-brand as long as the mark adheres strictly to the design specifications shown on the following pages. Prior to the publication of this document (January 2011), certain units were awarded a secondary logo with an icon (e.g. illustrated mark) adjacent to the unit name. With the publication of this document, all secondary logos with icons will be henceforth changed to remove all icons as they compete with the overall university image and do not scale well in smaller applications. Departments, programs, centers and other campus units are not eligible for a secondary mark unless they meet the following criteria:
The units basic role must not be linked to the mission of the University of Louisville; AND/OR The unit must operate in a retail environment and have a storefront; AND/ OR The unit has multiple funding sources and operates as a true consortium.
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SECONDARY LOGO
All sub-brands, including specific school marks, must adhere to the guidelines presented below.
CLEAR SPACE
Observe the clear space around the logo to maximize visual effectiveness. Nothing should intrude into this specified clear space. [A] Primary Mark with Cardinal and Affiliate School [B] Primary Mark with Affiliate School
Unacceptable Mark Usage

As of this publication, entity icons are no longer valid components of approved Secondary Logos for sub-brands. Icon/illustrations may be used separated from the logo, strictly as a design element to enhance the content of your marketing materials. Icons/illustrations must never stand alone to represent a sub-unit.
T he radius of the Clear Zone for the secondary logo must equal the size of a box represented in the blue box labeled A (equaling the height of the letters in Louisville). This is then used to measure the space surrounding the mark: above, below and to the side of two parallel lines.
[A] School icons are no longer valid
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SECONDARY ALTERNATE LOGO
Alternate sub-brand marks continue to extend the universitys identity while at the same time adapting to specific design constraints. Colleges, schools and other UofL entities that qualify for a sub-brand mark have the option to use an alternate signature if the design or layout necessitates. The implementation (shown below) should be used primarily where a more strict horizontal orientation is required.
CLEAR SPACE
A A B B A A
[A] Alternate sub-brand mark with affiliate school
T he radius of the Clear Zone for the secondary alternate logo must equal the size of a box represented in the blue box labeled A (half of the height of the U). This is then used to measure the space surrounding the mark: above, below and to the side of two parallel lines. The radius of the Clear Zone between the Monogram and the entity name must equal the size of a box represented in the blue box labeled B (width of the L in the Monogram).
[B] Secondary alternate logo correctly used for a design requiring strict horizontal spacing
31
UNACCEPTABLE MARK USAGE
In addition to the rules listed on page 24 for the primary signature, the following secondary alternate logos serve as examples of how NOT to treat school marks.
1. Do not replace the monogram 2. Do not add the tag line or additional text graphic elements 3. Do not add additional icons or
32
MINERVA
Use of the Minerva seal is restricted to presidential use and official communications that identify university-wide policies, proceedings and awards. For example, the Alumnus of the Year is considered a universitywide award and as such qualifies for Minerva; the Arts and Sciences Hall of Honor is considered a unit-based award and as such does not. The seal should not be used on academic posters, presentations or in advertising, publications or printed materials that publicize a program, activity or service of the university. Any other use of the Minerva seal must be approved by OCM.
[A] Minerva in Black
[A] Minerva in Red
33
34
GRAPHIC ELEMENTS
35
RED STRIPE
2008-2011
In the initial iteration of the brand platform, the Red Stripe was used in a very literal definition, with specific rules and guidelines for execution. This ensured exact replication and created brand awareness for the Red Stripe as a primary element of the UofL platform.
COLOR Solid red, solid black, gradients BEST USED FOR Drawing attention to a headline, adding visual weight to a design, calling out information
Present
The current brand guidelines are now expanding the definition of the Red Stripe and removing the specific guidelines for usage. This is an evolution of the Red Stripe as a primary graphic element within the brand and allows it to adapt more readily to various designs and mediums. Below are some examples of current usage:
Stars to Starfish
70 degrees. 1 college.
From a B.S. in Physics to a Ph.D. in Biology, the University of Louisvilles College of Arts and Sciences offers a wide range of outstanding degree programs designed for todays thinkers and doers.
louisville.edu/ artsandsciences
[A] Red Stripe as a subverted graphic element
[B] Red Stripe as a call-out for headlines and website navigation
REACH HIGHER
HONORS PROGRAM
ULAD 117 honorsBrochure (8.5x8.5).indd 1
9/6/11 11:13 AM
[C] Red Stripe drawing attention to the Primary Signature
36
PHOTOGRAPHY
2008-2011
In the initial iteration of the brand platform, the photographic style employed relied heavily on cutout photos, often groups of students, on a white background.
Present SIZE Large or full bleed, not cut-out COLOR Deep, rich colors. No washedout tones. Correct white balancing. TONE Honest, inspiring, confident, professional
The current photographic style moves toward full-bleed photographs, immersive, showing an intimate look at the subject of the advertisement, etc. Environmental shots are candid and unposed to show honesty and realism. Portraits should also be environmental to give context and meaning. Below are some examples of current usage:
37
VIGNETTE
2008-2011
In the initial iteration of the brand platform, there was no depth to any background. Everything was pristine and flat.
Present
While flat-color backgrounds are still acceptable in the current brand
AMOUNT Subtle. Done as a gradient, color value transitions should feel natural and not artificial. BEST USED FOR Flat colored backgrounds such as red, white or gray. Screen applications (websites, presentations) benefit most from this graphic styling as it reduces the harshness of a bright-white background in particular.
platform (when appropriate), vignettes or subtle radial gradients are used when there is a need to draw the audience's eye inward to contain its focus on something in particular. Below are some examples of current usage:
FINANCIAL AID & SCHOLARSHIPS
ULAD 107 uoflFinancial S(4x9).indd 1
RISE ABOVE.
2 0 11
5/26/11 11:20 AM
38
EXAMPLES
39
BILLBOARDS & OUTDOOR SIGNAGE
40
ADVERTISEMENTS
Enjoy an evening with the states blossoming artists.
Join Dr. James Ramsey, University of Louisville President, for a special night of entertainment and culture: The Celebration of the Performing and Visual Arts Monday, September 26, 2011 7:00 pm Luther F. Carson Four Rivers Center 100 Kentucky Avenue, Paducah, Kentucky This is a free event and open to the public.
Were a peoples university. Were a citizens university. Were here to help the people of this community and state.
Dr. James R. Ramsey President, University of Louisville
With your help, were changing the world.

The University of Louisville has initiated a bold campaignCharting Our Courseto raise an unprecedented $750 million in private support by 2013 that will fund initiatives from scholarships to cancer research to community development and beyond. While signicant progress has already been made toward this goal, there is still much to be done. We need your support. Join the campaign at ChartingOurCourse.org.
The Campaign for Kentuckys Premier Metropolitan Research University
UNIVERSITY OF LOUISVILLE WEEKEND MBA WITH AN OPPORTUNITY TO FOCUS ON HEALTH SECTOR MANAGEMENT
The most dynamic growth industry in history needs leaders. And theyre getting them here from our new Weekend MBA focused on Health Sector Management. In just 20 months, our new Health Sector Management MBA option can give you the training you need to step into a top management position in bio-medical, facility administration, insurance services, senior care and other health-related fields. And it all happens in a city known for being a leader in health industry innovation. For more information, go to www.louisville.edu/business.
FOR THOSE SEEKING A CAREER
WITH A PULSE.
Featuring students, faculty and performance groups from the University of Louisville, including: Collegiate Chorale | Creative Writing | Department of Theatre Arts and African American Theatre | International Jazz Combo | University Symphony Orchestra | University Wind Ensemble
ENTREPRENEURIAL THINKING
41
WEBSITES
42
MOTION GRAPHICS
Pre- & Post-roll

Vidoes produced by UofL should identify (either at the beginning of the video, or just prior to the end) the university or an official sub-unit (e.g. College of Arts & Sciences. Examples of brand characteristics for motion graphics work are below.
COLOR Red, black, white, grey. Radial gradient/spotlight if depth is needed (vignette) on background. Screen palette values. MOTION Fast. Spritely. Responsive and short. Fairly simple. Little movement. Few elements in total. Linear movement, not curvilinear. Emphasis on easing in and out.
To see an example of the motion graphics style outlined here, visit http://vimeo.com/uofl/rebrand
43
POWERPOINT PRESENTATIONS
Presentations are a vital part of the academic and administrative functions of everyday life at UofL. It is important to proudly and accurately display the UofL brand in your presentations while at the same time offering the best on-screen experience to your audience. Several branded templates are available for download, supporting both 4:3 as well as 16:9 aspect ratios.
DOWNLOAD These PowerPoint templates are available for download at: http://uo.me/ocm-bgp7
44
BUSINESS CARDS
email.address@louisville.edu
P: 502.852.1234 C: 502.555.1234 Ofce of University Advancement University of Louisville Louisville, KY 40292
FIRSTNAME LASTNAME
First line of title Second line of title
More Options
The UofL business cards were redesigned to offer a greater variety of options as well as new features such as QR codes. Web addresses on reverse must always be louisville.edu Secondary logos are permitted ONLY in the alternate (horizontal) style, and ONLY on the reverse side. Single-sided versions of all three designs are available for a lower cost.
louisville.edu
F: 502.852.4321
louisville.edu
ORDER Stationery and business cards are available to order through IT Print Services at: http://uo.me/ocm-bgp9 WHAT IS A QR CODE? Certain designs of business cards offer printing on the reverse side, with the option of including a QR code. This allows those with smartphones to scan contact info and have your address book details automatically added to their phone.
FIRSTNAME LASTNAME
Ofce Or Department University of Louisville Louisville, KY 40292
P: 502.852.1234 C: 502.555.1234 F: 502.852.4321
These are representative samples only.
FIRSTNAME LASTNAME
T: 502.852.1234 C: 502.555.1234 F: 502.852.4321 Ofce or Department Street address rst line University of Louisville Louisville, KY 40292
louisville.edu
45
LETTERHEAD & ENVELOPES
The UofL letterhead and envelope system was designed to remain clean and reflective of the UofL brand identity. Below, the letterhead and envelope are shown at a smaller percentage of their actual size, but all measurements apply to pieces at 100% scale. All text should be set in black, with the exception of the UofL Primary Signature.
ORDER Stationery and business cards are available to order through IT Print Services at: http://uo.me/ocm-bgp5
November 15, 2011 Mr. John Doe Company Name 1234 Cardinal St. Louisville, KY 40202 November 15, 2011 Dear John: Mr. John Doe Company Name Subject: Lorem Ipsum 1234 Cardinal St. Louisville, KY 40202 Dolor sit amet.
Firstname Lastname First Line of Title Second Line of Title
Firstname Lastname First Line of Title Second Line of Title
John: Ibusanti temDear quam voloratur a nist qui cus ut isquod exped que laborit quid quatem iur rescimo loruptatat. Raerfer umquas quas accatem expedig endiandit la volest, quam, soluptibusam fuga. Elit eati sum suntur Subject: Ipsum atibus, isque prorecaLorem tisciur? Num apit laborem. Nam quae eos dolecat ventiur? sit amet. Hent estion Dolor eatempore veles cupta volectem que vidundit eationsequae optat ra cor simo maximinvel ium cor acerfer cipsam sumque veribus andundelit, coria nobit lique nis consequi re ex et est, consequidis eum Ibusanti tem quam voloratur a nist qui cus nost ut isquod exped que laborit quid quatem iur rescimo loruptatat. quame doluptat lis autecum corumqui optat hit, volum quundus erum quatur ratur? Raerfer umquas quas sequi accatem expedig endiandit la volest, quam, soluptibusam fuga. Elit eati sum suntur Cerro optatisiti inullup tataeptatur sunto tem labori cusdand entiumquatis et fuga. atibus, isque proreca tisciur? Num apit laborem. Nam quae eos dolecat ventiur?
Et voluptatur accum ut hil illesci doluptur? Qui unt voloriam inimolores si dic totate non eatur. Hent estion eatempore veles cupta volectem que vidundit eationsequae optat ra cor simo maximinvel ium cor acerfer cipsam sumque veribus andundelit, coria nobit lique nis consequi re ex et est, consequidis eum Best regards, Department quame doluptat lis autecum corumqui optat hit, volum nost quundus erum quatur ratur? University of Louisville Cerro optatisiti inullup tataeptatur sequi sunto tem labori cusdand entiumquatis et fuga. Louisville, KY 40292
Et voluptatur accum ut hil illesci doluptur? Qui unt voloriam inimolores si dic totate non eatur. Firstname Lastname Director, Marketing Publications Department Best regards, & Marketing Office of Communications
University of Louisville Louisville, KY 40292
Firstname Lastname Director, Marketing Publications Office of Communications & Marketing
University of Louisville Louisville, KY 40292 P: 000.000.0000 F: 000.000.0000 E: user.name@louisville.edu W: louisville.edu
University of Louisville Louisville, KY 40292 P: 000.000.0000 F: 000.000.0000 E: user.name@louisville.edu W: louisville.edu
46
WEB
47
WEB COLOR & TEXTURE
Color
The UofL color palette has been modified from the Pantone values to be screen-appropriate.
DOWNLOAD You can download an Adobe Photoshop palette file (.aco) of the UofL Web Colors at: http://uo.me/ocm-bgp6
AD0000
000000
ANY VALUE OF GRAY / DEFAULT CCCCCC
56004E
8A2529
E36F1E
F8981D
764200
CEAA7A
F6E7A1
E5B53A
C49F06
B1B579
4F6E18
00703C
004963
00788A
5B6F7B
C2D1D3
Texture
There is occasionally a need for texture in web design. Since the UofL brand is clean and crisp, use of texture is kept to a minimum. When appropriate, however, a slight gray hash pattern (diagonal line art) is used. Use of pattern should never be distracting or obtrusive.
48
WEB TYPOGRAPHY
Image-Based Fonts
The UofL Font Family is composed of typefaces that do not display natively across all web browsers. As such, the font faces listed below can be used in images outputted for web:
Delta Jaeger Bold
Helvetica Neue Light Helvetica Neue Ultra Light Helvetica Neue Thin Helvetica Neue Extra Black Condensed Helvetica Neue Black Condensed Helvetica Neue Heavy Condensed Helvetica Neue Bold Condensed Helvetica Neue Medium Condensed Helvetica Neue Condensed
Helvetica Neue Medium Light Condensed Helvetica Neue Medium Ultra Light Condensed Helvetica Neue Medium Thin Condensed
GENERAL TIP Studies have shown that serifed fonts like Georgia or Times New Roman are easier to read on a screen than sans serif fonts like Helvetica or Arial. The serifs allow the eye to more easily flow from one character to the next. Consider using serifed fonts for the body copy of your website and saving sans serif fonts for headlines and call-outs.
Delta Jaeger Medium Delta Jaeger Book Delta Jaeger Light Helvetica Neue Black Helvetica Neue Heavy Helvetica Neue Bold Helvetica Neue Medium Helvetica Neue Roman
Giovanni Std Black Giovanni Std Bold Giovanni Std Book
Brisa Regular Brisa Alternates
HTML-Based Fonts
Web fonts need to be universal in nature and as such UofL offers the following CSS declaration to be used as a cascading choice for both serif and sans-serifed applications. In order of preferred font face: font-family: Georgia, "Times New Roman", serif; font-family: Helvetica, Arial, sans-serif;
Web-Only Fonts
Since Helvetica Neue, our primary typeface, cannot be used universally on websites, UofL offers Proxima Nova as a web-only solution using the TypeKit method of web font delivery. Proxima Nova may not be used in printed pieces, billboards, outdoor advertising or any other non-screen-based application. If you would like more information on this, call OCM at 502-852-6171 or visit http://typekit.com/fonts/proxima-nova
49
GRADIENTS & SHADOWS
Gradients
The UofL brand is primarily clean and crisp. However, there are instances where the use of gradients is beneficial. Below are several suggestions for using gradients effectively in web design:
Subtlety is key. Color transitions should be slight and elegant. Large tonal shifts are distracting. Example: Red to black is too dramatic a shift. Consider using a dark red (660000) to the UofL Red (AD0000) instead.
Example: The UofL Homepage shows how a barely noticeable radial gradient can help lead the eye toward a particular area of the design.
CSS OR IMAGE? Creating gradients and drop shadows can be achieved by way of multiple methods. However, using CSS to achieve these visual effects is more effective and preferred. Image-based effects add unnecessary size and download time to every page. Consider mobile users and those on slower connections; use CSS properties and browser-friendly markup to achieve the same effect in a lighter, smarter way.
Matching directions. Do not mix radial and linear gradients unless you know what you're doing, as gradients should be used to mimic real-life lighting situations. Highlight, not distract. Gradients should be used to draw the viewer's eye inward to a certain object. Gradient use should never be distracting or confuse the viewer's eye. When in doubt, don't. Correct use of gradation is difficult and when done poorly reflects negatively on the university. Consider using flat colors if you are unsure of how to handle gradients properly.
Shadows
Shadows (behind text or shapes) are another effective way of creating the illusion of depth on the web. Much like gradients, use of shadows is difficult to achieve correctly. Below are several suggestions for using gradients effectively in web design:
Careful with color. When placing shadows behind text, consider using a slightly darker color of the background from which you're trying to separate the text. The default black shadow color can often be too harsh. The busier the background, the better the justication for using shadows. Since shadows visually separate "layers" of a design, consider only using text shadows behind text that is overlaid on patterns, gradients or photographs. Watch your global light. Mixing multiple drop shadows in a design can be difficult. Since shadows mimic real-world lighting situations, make sure you have an idea of where your virtual light source(s) originates so that you can coordinate shadows behind multiple objects and create a realistic shadow situation.
Example: Subtle text shadows and drop shadows on shapes combine to create depth without being distracting or attentiongrabbing.
50
REQUIRED WEB GRAPHIC ELEMENTS
There are several web graphic elements that are required to ensure that all UofL web properties remain cohesive and easily identifiable for usability purposes:
Header
The UofL header must, in some configuration or another, include an official logo in the top-left position on every page. By default, this will be the Primary Signature. Other acceptable logos must be approved by OCM by calling 502-852-6171 or by email at branding@louisville.edu. Logo usage in the header must follow the guidelines included in this document. The UofL search box (powered by Google) must appear on all UofL websites in a top-right position to ensure maximum usability for those users who experience multiple UofL websites, unless otherwise approved by OCM.
Footer
The default UofL footer must follow the contents included on the bottom of louisville.edu. This global footer ensures quick, easy access for users to common UofL services:
Contact Apply Jobs Accessibility Emergency Email Blackboard ULink
Deviations from this standard must be approved by OCM by calling 502852-6171 or by email at branding@louisville.edu.
51
louisville.edu
The University of Louisville is an equal opportunity institution and does not discriminate against persons on the basis of race, age, religion, sex, disability, color, sexual orientation, national origin or veteran status. This publication was prepared by the University of Louisville and printed with state funds KRS 57.375.

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BRAND GRAPHICS POLICY

UNIVERSITY OF LOUISVILLE: 2012-2014 BRAND GRAPHICS POLICY

UNIVERSITY OF LOUISVILLE: 2012-2014 BRAND GRAPHICS POLICY

Delta Jaeger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Helvetica Neue

Logos Introduction .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 General Application Guidelines Primary Signature Primary Logo

Secondary Logo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Secondary Alternate Logo

Unacceptable Secondary Alternate Logo Usage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Minerva . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Graphic Elements

Gradients & Shadows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50 Required Web Graphic Elements

UNIVERSITY OF LOUISVILLE: 2012-2014 BRAND GRAPHICS POLICY

Why Is the Brand Graphics Policy Important?

To what types of materials do the brand graphics policy apply?

UNIVERSITY OF LOUISVILLE: 2012-2014 BRAND GRAPHICS POLICY

Who is not required to adhere to the brand graphics policy?

UNIVERSITY OF LOUISVILLE: 2012-2014 BRAND GRAPHICS POLICY

PURPOSE OF THE GUIDELINES

UNIVERSITY OF LOUISVILLE: 2012-2014 BRAND GRAPHICS POLICY

Equal Opportunity Statement

State Funds Statement

UNIVERSITY OF LOUISVILLE: 2012-2014 BRAND GRAPHICS POLICY

UNIVERSITY OF LOUISVILLE: 2012-2014 BRAND GRAPHICS POLICY

UNIVERSITY OF LOUISVILLE: 2012-2014 BRAND GRAPHICS POLICY

PRIMARY COLOR PALETTE

PANTONE CMYK RGB WEB

PMS 1797 0 / 100 / 99 / 4 227 / 27 / 35 AD0000

PANTONE CMYK RGB WEB

BLACK 40 / 30 / 30 / 100 0/0/0 000000

PANTONE CMYK RGB WEB

PMS 130 0 / 30 / 100 / 0 253 / 185 / 19 FDB913

PANTONE CMYK RGB WEB

20% BLACK 0 / 0 / 0 / 20 209 / 211 / 212 CCCCCC

UNIVERSITY OF LOUISVILLE: 2012-2014 BRAND GRAPHICS POLICY

SECONDARY COLOR PALETTE

UofL DEEP ORANGE

PANTONE CMYK RGB WEB

PMS 262 45 / 100 / 0 / 55 86 / 0 / 78 56004E

PANTONE CMYK RGB WEB

PANTONE CMYK RGB WEB

PMS 159 0 / 66 / 100 / 7 227 / 111 / 30 E36F1E

PANTONE CMYK RGB WEB

PMS 144 0 / 48 / 100 / 0 248 / 152 / 29 F8981D

PANTONE CMYK RGB WEB

PMS 161 0 / 52 / 100 / 64 118 / 66 / 0 764200

PANTONE CMYK RGB WEB

PMS 465 20 / 32 / 58 / 0 206 / 170 / 122 CEAA7A

PANTONE CMYK RGB WEB

PMS 460 4 / 5 / 44 / 0 246 / 231 / 161 F6E7A1

PANTONE CMYK RGB WEB

PMS 7407 0 / 22 / 85 / 11 229 / 181 / 58 E5B53A

PANTONE CMYK RGB WEB

PMS 118 0 / 18 / 100 / 27 196 / 159 / 6 C49F06

PANTONE CMYK RGB WEB

PMS 5777 10 / 0 / 49 / 28 177 / 181 / 121 B1B579

PANTONE CMYK RGB WEB

PMS 371 43 / 0 / 100 / 56 79 / 110 / 24 4F6E18

PANTONE CMYK RGB WEB

PMS 349 100 / 0 / 91 / 42 0 / 112 / 60 00703C

UofL DEEP AQUA

UofL LIGHT SLATE

PANTONE CMYK RGB WEB

PMS 3035 100 / 0 / 5 / 72 0 / 73 / 99 004963

PANTONE CMYK RGB WEB

PMS 3155 100 / 0 / 24 / 38 0 / 120 / 138 00788A

PANTONE CMYK RGB WEB