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St. Louis Symphony Program - Jan. 10-11

St. Louis Symphony Program - Jan. 10-11

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The program insert for the performance of the St. Louis Symphony for Jan. 10-11, 2014. This is meant to accompany the live broadcast of the Symphony on St. Louis Public Radio at 8 p.m. on Jan. 11. Join us at 90.7 FM or online at stlpublicradio.org.
The program insert for the performance of the St. Louis Symphony for Jan. 10-11, 2014. This is meant to accompany the live broadcast of the Symphony on St. Louis Public Radio at 8 p.m. on Jan. 11. Join us at 90.7 FM or online at stlpublicradio.org.

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Published by: St. Louis Public Radio on Jan 10, 2014
Copyright:Attribution Non-commercial

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02/20/2015

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23
CONCERT PROGRAM
 January 10-11, 2014
Andrey Boreyko, conductorAdele Anthony, violin
 STEPHANIE BERG
 
Ravish and Mayhem
(2012)
 
(b. 1986)
 NIELSEN
 
Violin Concerto, op. 33
(1911)
 
(1865-1931) Praeludium: Largo— Allegro cavalleresco Poco adagio— Rondo: Allegretto scherzando Adele Anthony, violin 
INTERMISSION
 BEETHOVEN
 
Symphony No. 7 in A major, op. 92
 
(1811-12)
 
(1770-1827)
 
Poco sostenuto; Vivace Allegretto Presto; Assai meno presto Allegro con brio
 
24
ACKNOWLEDGMENTS
 Andrey Boreyko is the Stanley J. Goodman Guest Artist. Adele Anthony is the Sid and Jean Grossman Guest Artist.The concert of Friday, January 10, is underwritten in part by a generous gift from Ms. Phoebe D. Weil.The concert of Saturday, January 11, is underwritten in part by a generous gift from Mr. Stuart and Ms. Susan Keck.Pre-Concert Conversations are sponsored by Washington University Physicians.Large print program notes are available through the generosity of Delmar Gardens and are located at the Customer Service table in the foyer.These concerts are part of the Wells Fargo Advisors series.
 
25
FROM THE STAGE
Chris Carson, Assistant Principal Double Bass, on Beethoven’s Symphony No. 7:
 “If  you look at Beethoven’s nine symphonies, you see that all are extremely indi-
 vidual, all are identiable as separate pieces. The Seventh is known for being
a dance symphony. It’s a very kinetic piece, with a lot of toe-tapping rhythm.
It’s a justiably popular symphony, but also physically taxing to play. By the
last movement there is a lot of playing that just keeps on going.
“A danger of the piece if nding it too easy to start the tempo. There can be a monotony to it. The challenge is nding a way to make the rhythmic
repetition interesting—to create a tension you can sustain.”
   S
   C   O   T   T
   F
   E   R   G   U   S   O   N
Chris Carson

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