Joshua Malbin
2cumbersome to don and doff all that gear, but I got used to it. It also made people look atme like I was crazy and cut me a wide berth. That I liked.See, I’d never been able to stand my fellow New Yorkers. I loved New York—thephysical sweep of its buildings and all the treasures inside them—but it irritated me everyday that I couldn’t enjoy any of it without thousands of others horning in. I hated waitingon line at the museum. When I had a restaurant table too near the front on an icy day, Ihated each new customer who held open the door and chilled my food with a blast of coldair. I hated the cockroaches that came to my apartment from my neighbors’. I hated myneighbors anytime I heard their music or lovemaking through the walls. I hated caralarms in the morning. Whenever I rented a car to drive to the mountains or the shore, Ihated that it took the whole first hour to fight through traffic to the city limits. Thepeople in my city were demanding, loud, offensive, and above all
in my way
.To me the most glorious ideal could be found in post-apocalyptic movies set in anabandoned New York. I would have traded the real New York for one of those fantasiesin a heartbeat, even if it meant that all my favorite restaurants and all the movie theaterswere gone.So I liked that the seat beside me was always the last one occupied (unless I had tocompete in repellence with a homeless guy). More and more often I could lean back myhead, close my eyes, turn up my music, and pretend for a few moments that I wascompletely alone, the only rider on a ghost train crossing a ghost city. Somehow themotion made it far more powerful than indulging the same fancy while safely at home. Itnever lasted long, never more than five minutes before someone sat down next to me andpressed into my hip, or bumped my knee climbing past me.
Add a Comment