ARSENALE 1. 2. %. 4. 5. &. . .. 2. 15. 11. 12. 1%. 14. 15. 1&. 1 . 1.. 12. 25. 21. 22. 2%.

24. 25. 2&. 2 . 2.. 22. %5. %1. %2. %%. %4. %5. %&. % . %.. %2. 45. 41. 42. 4%. 44. Marino Auriti p. 2 J. D. !"#hai "$e#ere p.% Ro(erto )uo*hi p.4 Lin -ue p.& )hristopher 1i00ia's p. 4u#se0 Ars0an p.2 Nei0 6e0ou7a p.15 Ste7an 6erta0an p.12 )a'i00e Henrot p.14 Danie0 Hesi+en9e p.1& Hans Josephsohn : p.1. E0iot 3orter p. 12 E+ouar+ Spe0terini p.21 3atri9# 8an )a9#en(er*h p.2% J. M. Gus'ao e 3. 3ai8a p.24 E+ At#ins p.2& 3hy00i+a 6ar0o; p.2 Jessi9a Ja9#son Hut9hins p.2. <an -uan p.22 Ste8e M9=ueen p.%1 Mtthe; Monahan p.%% Dahn >o p.%4 Eu*ene 8on 6ruen9henhein p.%5 Ja#u( Ju0ian ?io0#o;s#i p.%& R. )ru'( p.% Shini9hi Sa;a+a p.%. Rosse00a 6is9otti p.%2 Arthur 6ispo +o Rosario p.45 /r@+@ri9 6oua(r@ p.42 Harun /aro9#i p.44 3apa A(ra Ta00 p.45 Aur@0ien /ro'ent p.4& Ta'ar Gui'araes e <. A#ho$ p.4. Sharon Hayes p.55 Matt Mu00i9an p.51 Mi9hae0 S9h'i+t p.54 3a;e0 A0tha'er p.5& Enri9o 6a$ p.5. Miros0a; 6a0#a p.&1 Hans 6e00'er p.&% >0assis )aniaris p.&4 Ja'es )ast0e p.&5 Geor*e )on+o p.&. Jonh DeAn+rea p.&2 1 45. Jos De Gruyter e H. Thys p. 1 4&. Ji''ie Duhra' p. 2 4 . Santuario +i Ro'itu,,o 4.. Lin+a /re*ni Na*0er p. 4 42. 3hy00is Ga0e'(o p. 5 55. Nor(ert Ghiso0an+ p. 51. 4er8ant Giani#ian e A. R. Lu99hi p. 2 52. Ro(ert Go(er p..5 5%. Haitian 8oo+oo 6anners p..1 54. Duane Hanson p..4 55. Her(ert List p..5 5&. 3au0 M9)arhty p.. 5 . 3ierre Mo0inier p..2 5.. John "utter(ri+*e p.21 52. 3ano Dra;in*s &5. )aro0 Ra'a p.22 &1. )har0es Ray p.2& &2. Hans S9harer p.2. &%. <ar0 S9hen#er p.22 &4. Ji' Sha; p.155 &5. )o00e9tion o7 )in+y Sher'an &&. Laurie Si''ons e A. M9)o00u' p. 152 & . Drossos 3. S#y00as p. 154 &.. Rose'arie Tro9#e0 p. 155 &2. Gunter 1ese0er p. : 5. Ser*ey ?ar8a : p. 152 1. Ryan Tre9artin p. 115 2. A0i9e )hanner p. 112 %. Si'on Denny p. 11% 4. 1a+e Guyton p. 115 5. )hanna Hor;it, p. 11 &. 3ra(ha8athi Meppayi0 p. 112 . A0(ert "eh0en p. 125 .. Ja'es Ri9har+s p. 121 2. 3a'e0a Rosen#ran, p. 122 .5. Mar# Le9#ey p. 124 .1. He0en Merten p. 12& .2. Stan >anDer6ee# p. 12 .%. 4uri An9arani p. 122 .4. "tto 3iene p. 1%5 .5. 6ru9e Nau'an p. 1%2 .&. Dieter Roth p. 1%4 . . 1a0ter +e Maria p. 1%

MARINO AURITI
Il Palazzo Enciclopedico 1255 3ri'a parte9ipa,ione Nato a Guar+ia*re0e ne0 1.21B 'orto ne0 12.5 a 3hi0a+e0phia Arsena0eB 9or+erie n.1 E0isa(etta

6A"GRA/AA 6orn in Ata0y in 1.21B Auriti 9a'e to the Cnite+ States so'eti'e (et;een 122% an+ the 12%5s +ue to pro(0e's ;ith 7as9is'. He ;or#e+ as an auto:(o+y 'e9hani9B (ut ar9hite9ture ;as his *reat 0o8e. He +ie+ in 12.5. He ;as not an artist e8en i7 he 9opie+ so'e paintin*s su9h as the 3re:Raphae0ites. He starte+ to thin# a(out the pro$e9t 7or the 3a0a9e on0y a7ter his retire'ent in 1255. The En9y90ope+i9 3a0a9e that he (ui0t in his ;or#shop ;as on0y a 'o+e0B one step a0on* the ;ay to;ar+ an a9tua0 (ui0+in*. DThis (ui0+in* is an entire0y ne; 9on9ept in 'useu'sB +esi*ne+ to ho0+ a00 the ;or#s o7 'an in ;hate8er 7ie0+B +is9o8eries 'a+e an+ those ;hi9h 'ay 7o00o;BE ;rote Marino Auriti o7 his *oa0s 7or his Il Encyclopedico Palazzo del MondoB De8erythin* 7ro' the ;hee0 to the sate00ite.E 1hi0e AuritiFs 9on9ept is sin*u0arB the ar9hite9tura0 p0an 7or the Palazzo is rather 90assi9a0. At is 9o'prise+ o7 se8en tiers o7 a 0athe:turne+ s#ys9raperB 'a+e o7 'iGe+ ;oo+sB 'eta0B p0asti9 Hin90u+in* hair 9o'(sIB an+ 9e00u0oi+B an+ toppe+ (y a te0e8ision antennae. A 'any:pa*e+ 'ission state'ent a99o'panies the pa0a9eB ;hi9h is patente+B eGposin* Auriti as a 'an ;ho ha+ the +rea's o7 an ar9hite9t an+ the sou0 o7 a phi0osopher. He a9Juire+ a patentB (ui0t a pyra'i+:shape+ 8itrine 7or his 'o+e0B eGhi(ite+ it t;i9e Hin a store7ront an+ in a (an# 0o((yIB an+ re9ei8e+ so'e press a(out it. LA>"R" ES3"ST" This 'o+e0 too# a(out three years to (ui0+ an+ is on a s9a0e o7 1K255B ;hi9h 'eans that i7 it ;ere a9tua00y (ui0tB the pa0a9e ;ou0+ stan+ 1%& stories an+ 2B%22 7eetB ;hi9h ;ou0+ ha8e 'a+e it the ta00est (ui0+in* in the ;or0+ at the ti'e Auriti i'a*ine+ it. The artist ;ante+ the Palazzo (ui0t on the Ma00 in 1ashin*tonB D.). The s9u0ptureB ho;e8erB ;as instea+ store+ in a ;arehouse 7or se8era0 +e9a+es. Le 7inestre sono 'o0to pi99o0e e +i 9e00u0oi+eB 0e su++i8isioni +e00e 7inestre sono 7atte 9on 9riniB 0o s9he0etro L +i a99iaio e 9e'entoB 0a 7or'a roton+a a8re((e per'esso 0a 'i*0iore +istri(u,ione +e00a 0u9e. LFe+i7i9io ha 24 in*ressiB 12& statue in (ron,o +i Ms9rittoriB s9ien,iati e artisti +e0 passatoB presente e 7uturoM eB su00a pia,,aB 225 9o0onne +ori9he 9on a0tre statue +i s9rittoriB s9ien,iatiB artisti. A+ o*ni an*o0o a8re((ero +o8uto esser9i 0a(oratori a 9upo0aB sor'ontata +a statue +i 7i*ure a00e*ori9he 9he rappresentano 9ias9una 0e Juattro sta*ioni. Auriti s9ri8e pare99hie 0ettere a (an9he e 7inan,iatori 9he a8re((ero potuto essere interessati a0 pro*ettoB per Juesto i0 'o+e00o 8iene an9he esposto in una (an9a in 6roa+ Street a 3hi0a+e0phia ne0 1255. Dopo 0a 'orte +i Auriti nessuno sape8a 9osa 7arne +e0 'o+e00o Juin+i 7u s'ontato e 'esso in un *ara*e. =uan+o an9he 0a 'o*0ie +i Auriti +i8enta an,ianaB +e9i+e +i 9er9are Jua09uno 9he 7osse interessato a+ ospitare i0 'o+e00inoB 9he 7ina0'ente tro8a posto ne0 /o0# Art Museu' a Ne; 4or#B +o8e L stato esposto per 0a pri'a 8o0ta ne0 255&. 1E6 httpKNN7orte:e:*enti0e.(0o*spot.itN httpKNN;;;.7o0#art'useu'.or*NOtPi'a*esQi+P&4%5

J.D. OKHAI OJEIKERE Hairstyles 3hoto*raphy 3ri'a parte9ipa,ione Nato ne0 12%5 a "$o'u E'aiB Ni*eria Arsena0eB n. 1 6ar(ara

6A"GRA/AA J.D. "#hai "$ei#ere H(orn 12%5I is a Ni*erian photo*rapher. J.D. !"#hai "$ei#ereB a0so #no;n as "$o'u E'aiB ;as (orn in 12%5 in a rura0 South 1estern Ni*eria 8i00a*e. He 9urrent0y ;or#s an+ 0i8es in <etouB Ni*eria. At the a*e o7 t;enty he pursue+ a 7uture in photo*raphyB ;hi9h ;as out o7 the or+inary 7or peop0e in Ni*eriaB espe9ia00y those in his 8i00a*e. )a'eraFs ;ere not o7 hi*h +e'an+ an+ ;ere o7 0o; priority as they ;ere 9onsi+ere+ a 0uGury. Ho;e8erB J.D. !"#hai "$ei#ere ;as passionate a(out photo*raphy an+ in 1255 (ou*ht a 'o+est 6ro;nie D 9a'era ;ithout 70ashB an+ ha+ a 7rien+ tea9h hi' the 7un+a'enta0s o7 photo*raphy.J.D. !"#hai "$ei#ere starte+ out as a +ar#roo' assistant in 1254 at the Ministry o7 An7or'ation in A(a+an. A7ter Ni*eria *aine+ its in+epen+en9e in 12&5B "$ei#ere pursue+ his 7irst $o(. An 1251 he (e9a'e a stu+io photo*rapherB un+er Ste8e Rho+esB 7or Te0e8ision House A(a+an. An 12&% ti00 12 5 "$ei#ere the neGt step in his 9areer (e*an in pu(0i9ity ;here he ;or#e+ at 1est A7ri9a 3u(0i9ity in La*os.

LA>"R" ES3"ST" An 12&. he (e*an one o7 his 0ar*est 9urations ;here he +o9u'ente+ 8arious aspe9ts o7 Ni*erian hairsty0es throu*h the era o7 post:9o0onia0 transitionB a pro$e9t that s;e00e+ o8er +e9a+es to en9o'pass o8er 7i8e thousan+ photo*raphs.The 'ost pro'inent su(set o7 this 9o00e9tion o7 i'a*es is a seriesB ;hi9h spannin* near0y 45 yearsB 9aptures the e0a(orate hairsty0es an+ hea+ ;rappin*s o7 Ni*erian ;o'en. These e0a(orate +esi*ns 9an ta#e +ays or e8en ;ee#s to 9o'p0ete. "$ei#eire pursue+ this pro$e9t in+epen+ant0yB +ri8en (y his o;n +e+i9ation. The i'a*es 7or' a typo0o*i9a0 antho0o*y not si'p0y o7 the 9han*in* ;hi's o7 7ashionB (ut a0so o7 the in+i8i+ua0 9han*es that atten+ the trans7or'ation o7 Ni*eria as it *re; into a ne; era o7 autono'y an+ se07:+eter'ination. ALTRA LA>"RA 1225 "$ei#ereFs 7irst so0o eGhi(ition in Ni*eria as ;e00 as an eGhi(ition in S;it,er0an+ H7irst ;or# sho;n outsi+e o7 his ho'e 9ountryI 2555 Hairsty0esK J.D. !"#hai "$ei#ereB 60a77er Ga00eryB Art Museu' o7 the Cni8ersity o7 HoustonB TeGasB CSA. 2551 J.D. !"#hai "$ei#ereK Hairsty0es 12&. 1222B Ma'9o HMus@e +Fart 'o+erne et 9onte'porainIB Gene8aB S;it,er0an+. 2555 J.D. !"#hai "$ei#ereB /on+ation )artier pour 0Fart 9onte'porainB 3arisB /ran9e 1E6 httpKNN;;;.*a00ery51.9o'Nin+eG.phpOna8i*atiei+P2Q7oto*raa7i+P12 httpKNN;;;.9ho(i'e0a.or*N$:+:o#hai:o$ei#ere:2N

ROBERTO CUOGHI
Belinda, 2013 /erroB po0iuretanoB 9a09are +o0o'iti9oB po0io0oB iso9inatoB 9era'i9aB 6u0pren *a08ani,,ato Arsena0eB n. 2 12 % Mo+enaB Ata0ia 3resente in 6ienna0e ne0 2552 ne0 Giar+ino +i )ar0o S9arpa 9on i0 0a8oro Mei Gui. A+oia

6A"GRA/AA DRo(erto )uo*hi sare((e i0 per7etto prota*onista per un Horror. Ri70ettete9i. Ha tutte 0e 9aratteristi9he per essere uno +i Juei 'ostri 9he tur(a8ano i nostri so*ni +i ra*a,,ini a+o0es9enti ne*0i anni "ttantaB +a /re++y <ru*er a Jason +i >ener+R 1% a DAtE +i Stephen <in*E. Sa'ue0e Menin A+entitS ri(a0tataB +e7or'a,ioneB esp0ora,ione +e0 sin*o0are. Leitmotiv 9he or'ai 9onos9ia'o (ene se pensia'o ai 0a8ori +i Ro(erto )uo*hi. A0 suo 0a8oro ruota attorno a00e i+ee +i 'eta'or7osi e i(ri+is'oB te'i inestri9a(i0'ente 0e*ati a00a sua 8ita persona0e. )onsi+erato uno +ei piT interessanti esponenti +e00a ri9er9a artisti9a ita0ianaB )uo*hi si L a77er'ato 9rean+o un 0in*ua**io artisti9o 'o0to persona0e e rius9en+o a 0a8orare 9on te9ni9he +i8erseB +a00a 7oto*ra7ia a0 8i+eoB passan+o per pitturaB +ise*noB 7ino a0 suono. LFin8esti*a,ione +e00Fi+entitS L un te'a 9he appartiene a00a so9ietS +i Juesti u0ti'i +e9enni e 0FarteB 9o'e spesso a99a+eB se ne 7a porta8o9e. Rius9ire a in+a*are 0a propria in+i8i+ua0itS ne00e sue 7or'e 'o0tep0i9i L unFi'presa 0a(irinti9a 9he a 8o0te *enera 0a8ori a77as9inanti e a 8o0te 0as9ia perp0essi. A0 9on9ettua0is'o 9he re*o0a 0Farte +i Ro(erto )uo*hi L si9ura'ente 'o0to +ensoB 7inan9he serio eB 7orseB 7in troppo ana0iti9o e 9ere(ra0e. La statua nera +e0 Dio 6a(i0onese 3a,u,u. LFori*ina0e a'u0eto 9onser8ato a0 Lou8re +i 3ari*i ha +i'ensioni 'ini'eB tas9a(i0iB 9osR 9o'e si a++i9e a un a'u0eto. )uo*hiB ne0 255.B 0Fha in*i*antito snaturan+o0o e tras7or'an+o0o in a0tro. Re +ei +e'oni +e0 8entoB 3a,u,u L un essere i(ri+o 9he ra99o*0ie parti +i esseri +i8ersi H+a0 9orpo u'ano a00a piT 90assi9a testa +i 0eoneB 7ino a00e a0i +FaJui0aI e 9he se'(ra a8er +ato 0uo*o a nuo8i spunti +i ri70essione. Cn 9a0i(rato patc !or" 9heB per+en+o i0 suo 8a0ore +i ta0is'anoB +i8enta e'(0e'a +e00a ri9er9a +Fi+entitSB to99an+o an9he a0tre pro(0e'ati9he 9o'e i0 prin9ipio +Fi''anen,a e +Fin9arna,ione. )uo*hi 9er9a +i +arne nuo8e 8isioniB 'o0tip0i9an+o0o in 9ontinue 7usioni +i se stessoB 'etten+o a00a pro8a 0a sua inti'a natura +i a'u0eto. Cno spirito non puU essere (0o99ato ne00a 7or'a stati9a +i un o**ettoK 0Fanato'ia e i0 'ateria0e non 7anno a0tro 9he trattenerne 0a 8o0ontS. Si tratta +i una paro+ia +i una 9ari9atura. Cn +io non puU a8ere unFuni9a se'(ian,aB un uni9o aspetto 9on i0 Jua0e presentarsi e i'porsi a0 'on+o. Essen+o un +ioB non puU essere Dse'p0i9e'enteE rappresentato +a una statua : 'inus9o0a o *i*antes9a 9he sia : per9h@ Juesta ra99hiu+ere((e so0o un aspetto +e00a 9o'p0essa i+entitS 9he (en si a++i9e a un i+o0o. A0 tota0e o 0e parti si 'o0tip0i9ano a00ora in una 9ostante 9orsa a00Finterpreta,ioneB 9on 0a 9onsape8o0e,,a 9he non esiste unFuni9a rappresenta,ione 'a 'o0tep0i9iB in7initeB e 9he 0a stessa interpreta,ione per8a+e an9he 0Fi+entitS u'ana. )uo*hi ne 9rea so0o a09une +e00e possi(i0i. Lui stesso potre((e 9ontinuare a ritrarsiB 9ontinuare a ra99ontare i+entitS nuo8e 'ai troppo +e7inite. E +a Juesta +e9o'posi,ione +e00a 7or'a parte 0i 0a8oro presentato per 0a 55V Esposi,ione Anterna,iona0e +WArteK LA>"R" ES3"ST" BelindaB 251%. La s9u0tura ri8e0a,ione +i )uo*hiK una struttura 9he non +eri8a +a00Wi''a*ina,ione 'a +a0 sa(ota**io +e0 siste'a natura0e. An paro0e +e00WartistaK D=uesto 0a8oro L un tentati8o +i pro8o9are una ri8e0a,ioneB 9ioL unWi''a*ine in9onsuetaB una s9u0tura 9o'p0essa perU 9he non haB i+ea0'ente non +o8re((e a8ere re0a,ione 9on i0 'on+o natura0eX per 7are Juesto ho 9er9ato +i strutturare 0We0e'ento 9he 9o'pone tutta Juesta 7i*ura attra8erso i0 sa(ota**io +e00a 9hira0itS1. La 9hira0itS L i0 8erso 9he pren+ono 0e 'o0e9o0e ne00o strutturarsiX 0e

In cosa consiste il sabotaggio della chiralit? Se la chiralit la propriet che ha un'oggetto di non essere coincidente con

9ose sono 9o'e sono per9h@ hanno un 8ersoX Juesta 7or'a L esatta'ente i0 9ontrario +i Jue00o 9he su99e+e in naturaB in Juanto 9ontrario a00a natura si ser8e +e00Wa0*e(ra (oo0eana2. La s9e0ta in8e9e +e00We0e'ento 9he si ripeteB 9he 7or'a tutta 0a struttura 0a 9ui s9e0ta L stata ar(itraria perU ha re0a,ione 9on i 'iei 8e99hi 0a8oriB L una 7a'i*0ia +i +e'oni *iapponesi pro8enienti +ei 7u'etti +e*0i anni settantaB ripetuto 5.555 attra8erso 0W9he ser8e per +are unWorienta'ento a00e strutture tri+i'ensiona0i. LWi+ea ori*ina0e era Jue00a +i 9reare 0a s9u0tura 9on una sta'pante a ro99ia% perU i0 9osto sare((e stato troppo a0to per portar0a in 0a*unaB a((ia'o +o8uto 0a8orare per una 8entina +i *iorni 9on +e0 'ateria0e 0e**eroB ar'an+o0o e 9opren+o0o 9on una pasta 9o'ponente e poi sopra L 9operto +a 9enere +i pi,,eria e po08ere +o0o'iti9a 9he a((ia'o 9onso0i+ato a 'ano 'es9o0ato 9on i0 po0istiro0o a pa0ine. La 7or'a L 9asua0eB L una ri8e0a,ione natura0i,,ataM. LWautoritratto L un 0in*ua**io pittori9o 9he si porta +ietro se9o0i +i tra+i,ioneX Jui si 'ani7esta 9o'e un prin9ipio 9he supera 0a tra+i,ione per i'porsi 9o'e pri'o sostituto +Wi+entitSK un pretesto. Ne0 0a8orare su00a sua i+entitSB s9e*0ie una nuo8a 9hia8e +i 0etturaB un nuo8o 'oti8o *ui+aK +i8entato inso77erente nei 9on7ronti +ei si*ni7i9ati 9he 8en*ono attri(uiti a0 suo 0a8oroB Juesta 8o0ta )uo*hi punta su00a paro+iaB 8uo0e essere una 9ari9atura +e0 suo 0a8oro. Y un per9orso 9on9ettua0e 9he parte +a0 (assoB 9he si +e0inea 0enta'ente. Si ri9onos9e una storiaB un 'essa**io 9he arri8a so0o a+ ana0isi 9o'piutaB an9he se +i 7ronte a00Fin+a*ine +e00e i+entitS +i )uo*hi 9FL (en po9o +i 9o'piuto. LA>"R" 3AZ /AM"S" 3ro(a(i0'ente i0 suo 0a8oro piT 7a'oso L 0a s9e0taB a00FetS +i 8entiJuattro anniB +i tras7i*urarsi ne00a persona +i suo pa+reB 'o+i7i9an+o 0e sue se'(ian,e 9on (ar(a e 9ape00i *ri*i o0tre 9he a+ottan+one 0Fa((i*0ia'ento. /u una tras7or'a,ione ra+i9a0e 9he +uro piu +i 9inJue anni e 9he 0o ri'osse Juasi 9o'p0eta'ente +a00a sua 8ita pre9e+ente. )uo*hi s9on7essa i0 9on9etto 9he 0a sua 8o0ontaria sotto'issione a00a nostra paura +i 9res9ere per +i8entare 9o'e i nostri *enitori 7osse inteso 9o'e pro*etto artisti9o. So0o +opo 0a 'orte +e0 pa+re tento +i ri(a0tare i0 suo presunto in8e99hia'ento e riprese i0 suo per9orso +i artista. 1E6 httpKNN;;;.'ousse'a*a,ine.itNarti9o0o.''Oi+P& httpKNN;;;.+o'us;e(.itNitNarteN2512N5&N%5Nro(erto:9uo*hi:,o0oto.ht'0

la sua immagine speculare, lui crea degli oggetti che sono coincidenti con la sua immagine speculare, questo non succede nella natura, ma soltanto con le figure geometriche perfette: triangolo, quadrato, triangolo... che sono perfettamente coincidenti con il suo riflesso se si sovrappongono (sono non chirali). Le sue forme artistiche prendono le caratteristiche delle forme non chirali, acquistando le caratteristiche delle forme geometriche perfette. Esempio:

http://artecontemporaneatemporanea.files.wordpress.com/2012/05/4.jpg
2 L'algebra booleana si basa nella dicotomia dello vero e lo falso (codice binario di 1 e 0). Come si serve dell'algebra booleana? 3
Nel modo che questa scelta della chiralit appartiene o no agli oggetti, non ci sono altre possibilit. Il solido appare dalla polvere. La creazione del solido ha qualcosa di magico: il processo inizia con uno strato sottile di

sabbia che viene irrigata con una bella spruzzata di colla di magnesio che la trasforma in roccia. Questa roccia viene poi letteralmente costruita strato per strato, un sottilissimo avanzare che crea curve, passaggi, irregolarit e strutture.

LIN XUE #enza titolo $rotolo n% 2&, 1''()1''* Inc iostro su carta, 1(2 + ,(- cm #enza titolo, 2012 #erie di 12 opere, inc iostro su carta, ,* + -* cm $ciascuna& Arsena0eB n. 2 Nato a /u$ianB )ina ne0 12&. B 8i8e e 0a8ora a Hon* <on* Laura 6A"GRA/AA 3ittore auto+i+atta e a'ante +e00a 'onta*na. Dipin*e es90usi8a'ente 9on un ra'os9e00o +i (a'(T appuntino 9he sostiene essere i0 'eto+o DpiT se'p0i9eE. =uesta te9ni9a presuppone una *ran+e rapi+itS +i ese9u,ione. )onsi+era 0a pittura 9o'e una sorta +i eser9i,io spiritua0e. La *a00eria EGit 9he 0o rappresenta in Hon* <on* 'ette a +isposi,ione una 0ente +i in*ran+i'ento per osser8are 0e sue te0e. LWartista si L auto iso0ato +a00a so9ietS 8i8en+o per 0o piT in 'e,,o a00a natura 9he 0o a77as9ina pro7on+a'ente. Durante 0e sue es9ursioni in 'onta*na ese*ue rapi+i s9hi,,i +e00a 8e*eta,ioneB +e00e 7or'a,ioni ro99ioseB +e*0i ani'a0i 9he in9ontraB 'a an9he +e00e sensa,ioni tatti0i e u+iti8e. Nei +ise*niB 'inu,iosi e ri99hi +i +etta*0iB in9orpora 0a sua i''a*ina,ione e 9er9a +i 9atturare 0Wener*ia 9he per8a+e 0a natura. >iene para*onato a MaG Ernst 'a so0o per ana0o*ie 7or'a0iB traen+o piuttosto ispira,ione +a0 (a9#*roun+ +e00a 9u0tura 9inese. LA>"R" ES3"ST" Dipinti in9hiostro su 9artaB i piT pi99o0i 7a9en+o parte +i unWuni9a serie in 9ui 9o'paiono 9on7or'a,ioni +i struttura si'i0e 9he 7anno pensare a iso0e sospese e +o8e ritorna i0 'oti8o +e00a nu8o0a e +e0 7i0o +i pio**ia 9heB per9orsa 0Wiso0aB s9en+e a0 +i sotto in un 9orso +Wa9Jua popo0ato +a pes9i. LWopera piT *ran+e si s8i0uppa su una super7i9ie rettan*o0are 9he o((0i*a a+ una 0ettura *ra+ua0eB tipi9a'ente 9ineseB e presuppone un +ina'is'o 9he i'pe+is9e 0a rei7i9a,ione +i 9iU 9he 8iene rappresentatoB 'antenen+o 8i8a 0a 9ir9o0a,ione +i un so77io 8ita0e a00Winterno +e0 +ise*no. SATA 1E6 DA RA/ERAMENT" httpKNN;;;.artinasia.9o'N*a00eryDetai0.phpO9atADP1Q*a00eryADP1515Q8ie;P Qe8entADP12%%2 httpKNN;;;.art(ase0hon*#on*:on0ine.9o'NOA9tionPsho;)o'panyQi+P%155. httpKNN;ritin*onerasers.tu'(0r.9o'NpostN45&&522&22Ni:;ant:you:on:'y:;a00

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CHRISTPOHER WILLIAMS .n/ola to 0ietnam, 1'*' 2* stampe alla /elatina d1ar/ento, 32 + 2* cm $ciascuna& Arsena0eB n.2 Nato a Los An*e0es ne0 125& Laura 6A"GRA/AA Ha stu+iato a0 )a0i7ornia Anstitute o7 the arts in sie'e a+ a0tri artisti 9on9ettua0i +e00a 1est )oast H6a0+essarriB Hue(0erI. Da0 255. inse*na 7oto*ra7ia a00a <unsta#a+e'ie Dusse0+or7. A0 suo 0a8oro si 7o9a0i,,a su00a 7oto*ra7ia 9o'e 'e,,o espressi8o 7on+a'enta0e +e00a 9i8i0tS in+ustria0i,,ata. LWartista ren+e e8i+enti 0e te9ni9he 9o'uni9ati8e tipi9he +e00a pu((0i9itS 'e+itan+o sui 'e99anis'i e su00e 9on8en,ioni esteti9he a 9ui 9i sia'o assue7atti e 9he 'o+i7i9ano 0a nostra per9e,ione +e00a rea0tS. Ti' Gri77in HArt7oru'B 255 I ha +e7inito i0 suo appro99io Dso9io7oto*ra7i9oE. Mo0to spesso non L tanto i0 9ontenuto +e00a 7oto*ra7ia a+ essere interessanteB (ensR i0 9on9etto retrostanteB spesso 9on i'p0i9a,ioni po0iti9he e so9io0o*i9he. G0i s9atti stessi sono a 8o0te a77i+ati a+ a0tri pro7essionistiB soprattutto +i a'(ito pu((0i9itario o in+ustria0eB 9o'e si ren+e e8i+ente an9he +a*0i s7on+i neutri e +a00Wesa0ta,ione +e*0i o**etti portati in pri'o piano e resi a99atti8anti. A tito0i +e00e opere sono una +es9ri,ione parti9o0are**iata +ei 9ontenuti. LA>"R" ES3"ST" 1i00ia's ha 9o'piuto 8ari 0a8ori in9entrati su ar9hi8i e 9o00e,ioni 'usea0iB tra 9ui .n/ola to 0ietnam, un set +i 2 7oto*ra7ie 9he +o9u'enta 0a 1are )o00e9tion +e0 Har8ar+ 6otani9a0 Museu'. Si tratta +i ripro+u,ioni (otani9he rea0isti9he in 8etro rea0i,,ate tra i0 1.. e i0 12%& +i Leopo0+ e Ru+o07 60as9h#a 9on 0o s9opo +i ren+ere +isponi(i0e 'ateria0e non +eperi(i0e +a +estinare a00o stu+io s9ienti7i9o. =ue00o 9he ren+e interessante Juesto pro*etto L 0a s9e0ta +i 90assi7i9are 0e piante in (ase a 9riteri po0iti9i piuttosto 9he se9on+o 0a tra+i,iona0e tassono'ia s9ienti7i9a. A0 prin9ipa0e 9riterioB in7atti L 0e*ato ai paesi +i pro8enien,a +ei 7iori ripro+ottiB paesi per 0o piT 9on un passato 9o0onia0e e nei Jua0i si erano 8eri7i9ate spari,ioni e 9ri'ini po0iti9i ne0 12.4. Si puU 7a9i0'ente pensareB ino0treB i0 9o0onia0is'o 9o'e s7on+o +i 'o0te esp0ora,ioni a tito0o s9ienti7i9o. Attra8erso 0a 'essa in +is9ussione +e00Wori*ina0e prin9ipio or+inatore 0Wartista re0ati8i,,a o*ni siste'a tassono'i9o 9he si ri8e0a so**etti8o e piuttosto ar(itrario. "pera *iS esposta ne0 1222 a0 Mo'a ne00a 'ostra 3 e Museum as Muse LA>"R" 3ACF /AM"S" Tito0oK Body 3ype 4 #eatin/5 ,)dr sedan ) , to ( persons% En/ine 3ype5 1,6(2 7ei/ t5 13'- l8s% Price5 91,'(,00 :#; $ori/inal& <H.##I# ;.3.5 7 eel8ase5 *' in% =verall len/t 5 1(( in% Hei/ t5 (- in% 7idt 5 20 in% >ront t read5 ,' in% ?ear t read5 ,* in% #tandard 3ires5 (%(0+1( P?=;:<3I=@ ;.3.5 #ales5 1*,,32 sold in :%#% in 1'2, $all types&% ManuAacturer5 ?e/ie @ationale des :sines ?enault, Billancourt, >rance% ;istri8utor5 ?enault Inc%, @e! Bor", @B%, :%#%.% #erial num8er5 ?)10'(00('-'' En/ine @um8er5 3ype 2-0)0( C 1'1(23 <aliAornia License Plate num8er5 :=: 0*0e icle I; @um8er5 00('-'' $>or ?%?%0%& Los .n/eles, <aliAornia Danuary 1(, 2000 Si tratta +e00a 7oto +i una Renau0t ro8es9iata su un 0ato a 'o +i (arri9ata Hri7eri'entoB JuestoB non 9asua0e ai 'oti ri8o0tosi +e0 &. in /ran9iaI. LWopera L stata esposta ne0 2555 a00a ?;irner Ga00ery +i Ne; 4or#. LWassur+a 0un*he,,a +e0 tito0o ne 'ette in risa0to 0e poten,ia0itS 9o''er9ia0i Hne 8iene in+i9ato an9he i0

pre,,oI e ri70ette su0 8a0ore +e00Wi''a*ine 9o'e e0e'ento 9hia8e ne00Wotti9a +e0 'er9ato 'a an9he 9o'e stru'ento i+eo0o*i9o. httpKNN8ision7ie0+.(0o*spot.itN2515N15N9hristopher:;i00ia's.ht'0 httpKNN;;;.+a8i+,;irner.9o'NartistsN9hristopher: ;i00ia'sN(io*raphyNhttpKNNen.;i#ipe+ia.or*N;i#iN)hristopher[1i00ia's[HartistI

YUKSEL ARSLAN Artures 12&% \ 255. 3i*'entsB earthB pen9i0 an+ in# on paper Arsena0e n. % 6orn in 12%%B Astan(u0. Li8es an+ ;or#s in 3aris )hiara 6A"GRA/AA 4]#se0 Ars0an ;as (orn in Astan(u0 in 12%%. He starte+ paintin* his en8iron'entK 70o;ersB *0assesB stonesB (ri9#sB 9oa0s an+ soap pie9es in his 9hi0+hoo+. He stu+ie+ Art History at Astan(u0 Cni8ersity (ut +is9ontinue+ his stu+y to pra9ti9e paintin* on his o;n ti'e. Ars0an ha+ his 7irst so0o eGhi(ition at the Maya Ga00ery in 1255. He 'o8e+ to 3aris in 12&1B ;here he pro+u9e+ the MHo'un9u0us:9u9us:pa0usMB M30anus:pha00us: 'i9ro9o9usM series. He #ept ;or#in* on his DArtuneE series unti0 12&2 usin* the an9ient 'etho+s o7 9o'(inin* ra; pi*'ents ;ith earthB oi0B his (0oo+B urineB sa0i8aB an+ natura0 +yein*. An 12& he ;ent to Tur#ey an+ ha+ his eGhi(itions in An#ara an+ Astan(u0. An the sa'e year he (e*an paintin* the series o7 D)apita0E H12& I ha8in* (een inspire+ (y the ;ritin*s o7 <ar0 MarGB pu(0ishe+ in 12 5. "ne o7 Ars0anFs re9ent eGhi(itions ;as he0+ at the Dra;in* )entre in Ne; 4or#B 9a00e+ M0isual InterpretationsM 9urate+ (y 6rett Litt'an in 255.. Ars0ans ;or#s ;ere a0so in90u+e+ in the MModern and Beyond5 1'(0)2000M eGhi(ition at Santra0 Astan(u0 in 255 :255.. LA>"R" ES3"ST" Ars0anFs Artures are ;or#s 9reate+ on paper usin* a uniJue te9hniJue an+ spe9ia0 paints an+ +istin*uishe+ (y an eGpressi8eness that has (een re*ar+e+ as 9hara9teristi9 o7 the Near an+ Mi++0e East (y spe9ia0ists *oin* (a9# at 0east as 7ar as Eu*Lne De0a9roiG. Dea0in* ;ith the'es su9h as the re0ationships (et;een thou*ht an+ 'ysti9is'B (et;een 'ythB a9a+e'i9 s9ho0arship an+ the 8isua0 artsB they are in7or'e+ eJua00y (y phi0osophi9a0B 0iterary an+ 'usi9a0 9urrents that one 'i*ht 9a00 the 7oun+ations o7 1estern thou*ht an+ (y a #een a;areness that other peop0es an+ 9u0tures ha8e 9ontri(ute+ +e9isi8e0y to the (o+y o7 #no;0e+*e a99u'u0ate+ ;ithin the 1estern tra+ition. Rather than usin* 9on8entiona0 paintsB Ars0an 'iGes pi*'entsB p0ant eGtra9tsB (o+i0y 70ui+s an+ other su(stan9es su9h as *rassB (0osso'sB oi0B 9oa0B an+ *roun+ stones to 'a#e his o;n ;hi9h he re*ar+s as an inte*ra0 part o7 the artisti9 pro9ess rather than as a separate preparatory step. He ;as inspire+ (y the ;ritin*s o7 Niet,s9heB MarG an+ /reu+. Ars0an (rou*ht to*ether the 1estern an+ Eastern tra+itions an+ +ea0s ;ith 8arious su($e9ts 0i#e psy9ho0o*yB erotis' an+ the su(9ons9ious. At is possi(0e to see the in70uen9e o7 Eastern 'iniatures an+ Anato0ian 7o0#0ore su9h as the Eara/Fz and Hacivat Hthe 0ea+ 9hara9ters o7 the tra+itiona0 Tur#ish sha+o; p0ayI in his ;or#s. Ars0anFs 'ost 7a'ous series (esi+es the a(o8e 'entione+ ones are MAn70uen9esMB MAutoarturesMB MLFHo''eM an+ MNou8e00es An70uen9es. An Ars0anFs 8ie;B paintin* has in9reasin*0y ne*0e9te+ its rootsB espe9ia00y sin9e the intro+u9tion o7 in+ustria00y 'anu7a9ture+ paints. Mu9h 0i#e Jean Du(u77etB he ai's to strip a;ay the trappin*s o7 the present to arri8e at the true essen9e o7 art an+ pri'a0 hu'an eGperien9eB 7in+in* it in aspe9ts o7 our Hani'a0I nature su9h as repro+u9tion an+ seGua0ity that ;e 'ay thin# ;e ha8e o8er9o'e throu*h our 9u0ture (ut that areB in rea0ityB on0y 'as#e+ (y it. As so'eone ;ho has rea+ eGtensi8e0y on su($e9ts ran*in* 7ro' an9ient an+ 'o+ern 0an*ua*esB historyB phi0osophy an+ 'usi9 to tra+itiona0 9u0turesB Ars0an #no;s 'ore than 'any a(out the Dtrappin*sE o7 9u0ture an+ has 9o'e to the 9on8i9tion that 'u9h o7 ;hat they in8o08e a9tua00y *oes a*ainst (asi9 hu'an nature. This has 0e+ hi' to an interest in the si'i0arities (et;een 8arious aspe9ts o7 popu0ar an+ 7o0# 9u0ture aroun+ the ;or0+B ;hi9h he (e0ie8es are the 9o''on herita*e o7 a00 hu'anity. 1E6 httpKNN;;;.artina'eri9a'a*a,ine.9o'Nre8ie;sNyu#se0:ars0anN httpKNN;;;.thisisto'orro;.in7oN8ie;Arti90e.aspGOartA+P1%42 httpsKNN;;;.youtu(e.9o'N;at9hO8Ppp2ap2hN55M 2

NEIL BELOUFA Eempins"i ) 255 >i+eoB 14W Arsena0eB n. % Nato a 3ari*i ne0 12.5B 8i8e e 0a8ora tra /ran9ia e Stati Cniti Non ha esposto ne00e pre9e+enti e+i,ioni 4a'ina 6A"GRA/AA LWartista possie+e una +oppia 9itta+inan,a 7ran9ese e+ a0*erinaB 'a ne*0i u0ti'i anni ha 0a8orato soprattutto ne*0i Stati Cniti. Ha a9Juisito unWappro7on+ita 7or'a,ione a99a+e'i9a stu+ian+o a00W^9o0e Nationa0e Sup@rieure +es 6eauG:Arts e a00W^9o0e Nationa0e Sup@rieure +es Arts D@9orati7s +i 3ari*i 'a an9he a0 )a0i7ornia Anstitute o7 Arts +i >a0en9ia HCSAI e a0 )ooper Cnion +i Ne; 4or#. Le sue opere 9o'paiono spesso non so0tanto ne00Wa'(ito +i 'ostre +i arte 9onte'poranea 'a an9he in 7esti8a0 9ine'ato*ra7i9iB 9o'e Jue00o +i Lon+raB +i Rotter+a' e per7ino a0 Toronto Anternationa0 /i0' /esti8a0. 6e0ou7a ha an9he ri9e8uto nu'erosi ri9onos9i'enti e pre'i +i ri0ie8oB tra i Jua0iB ne0 2511 a 3ari*iB 0WAu+i Ta0ent A;ar+. La sua arte 8erte soprattutto su0 te'a +e0 rapporto tra rea0tS e 7in,ioneB o88ero su00a 'anipo0a,ione +ei 0in*ua**i e +ei 9ontesti pro+otta +a s9u0tureB 8i+eo e+ insta00a,ioni. La sua 'o+a0itS rappresentati8a pre+i0etta L Jue00a +e00Winter8istaB in 9ui 8en*ono so0ita'ente 9oin8o0ti sia attori pro7essionisti sia +i0ettantiB ne00Wesp0ora,ione +i te'i eni*'ati9iB Jua0i a+ ese'pio 0a 8ita eGtra:terrestreB i0 terroris'oB i0 na,iona0is'oB i0 7uturo +e00Wu'anitS et9. LA>"R" ES3"ST" Eempins"i L un 8i+eo *irato tra i0 Ma0i e *0i Stati CnitiB +i notteB a00a peri7eria +i 6a'a#o H9apita0e +e0 Ma0iIB tra a(itanti +e0 0uo*o i00u'inati +a 0u9i a0 neon. LWopera non pre8e+e una s9ene**iatura 8era e propria 'a si s8i0uppa su00a (ase +i un *io9o +i ruo0o presta(i0ito e+ ins9enato +a00e persone inter8istate 9heB 9on atte**ia'ento stu+iata'ente serio e rea0isti9oB +es9ri8ono s9enari 7antas9ienti7i9i e 7uturi(i0i uti0i,,an+o i0 te'po 8er(a0e presenteB 9o'e se 8ia**i interspa,ia0iB rapporti sessua0i te0epati9iB 9ase 'o(i0i 9he si spostano +a un 9ontinente a00Wa0tro e 'a99hine par0anti 7a9essero e77etti8a'ente parte +e00a 0oro Juoti+ianitS. A persona**iB o88ero i *io8ani uo'ini inter8istatiB 9he par0ano ri8o0*en+osi +iretta'ente a00a te0e9a'era e 'uniti +i 0u9i 70uores9entiB 7anno spesso ri7eri'ento a 7eno'eni Jua0i 0a te0epatia o 0a 8e0o9itS +e00a 0u9eB interpreta(i0i 9o'e unWa00usione ironi9a a0 'on+o +ei 'e+ia 9onte'poranei. Cno +i 0oro ra99onta a++irittura +i essere 0Wuni9o essere u'ano sopra88issutoB +i essere 9ir9on+ato so0tanto +a 'u99he e +i a8ere per7ino una 'o*0ie:'u99a. La narra,ioneB 9he si +ipana in 'o+o 8o0uta'ente non 0ineareB pre8e+e an9he a0tre ri70essioni +ei prota*onisti ri*uar+o a0 'on+o +e00a te9no0o*iaB sia rea0e sia i''a*inariaB e perse*ue 0Wintento +i sus9itare irrita,ione e strania'ento ne00o spettatore o99i+enta0eB so00e9itan+o0o a+ un ripensa'ento 9riti9o +i a(itu+ini e sti0i +i 8ita 9he 8en*ono a(itua0'ente +ati per s9ontati. An7atti 0Wu0ti'a s9ena +e0 8i+eoB a'(ientata su un ponteB i0 Martyrs 6ri+*e 9he attra8ersa i0 7iu'e Ni*er 9on*iun*en+o 9entro e peri7eria +e00a 9apita0e 6a'a#oB rappresenta una sorta +i 9o00e*a'ento si'(o0i9o tra 7in,ione e rea0tSB 'a an9he 0a 9ontrapposi,ione tra +ue 9ontesti esisten,ia0i pro7on+a'ente +i8ersiB o88ero i0 tra77i9o ur(anoB *0i hote0 e i0 0usso +a un 0ato eB +a00Wa0troB 0a 8ita a*reste e (i,,arra +i persone e+ ani'a0i 9he se'(rano tota0'ente i*nari +i 9iU 9he a99a+e a0 +i 0S +e0 ponte. )onte'poranea'ente 6e0ou7a ironi,,a su00Wi9ono*ra7ia stereotipata +e00a rea0tS a7ri9ana i''a*inata +a*0i o99i+enta0iB sostituen+o a+ essa unWat'os7era +e0 tutto surrea0e e 8o0uta'ente in 9ontrasto 9on 0e aspettati8e +e00o spettatore. Le inJua+ratureB a'(ientate in una *iun*0a notturna 9on una rou0otte 7atis9ente e 0e ,an,are 9he s8o0a,,ano ne0 (a*0iore +e00e 0u9i e0ettri9heB in+u*iano in7atti non so0tanto sui 8o0ti +e*0i inter8istati 'a an9he su un ri70ettore 9o00o9ato su unWe0e8ata torre +i 'eta00o 9heB a +istan,aB +o'ina 0a s9ena. =uestWu0ti'a i''a*ine 9i 9onsente +unJue +i i+enti7i9are Eempins"i 9on una 9ostru,ione 7isi9a 9he ha 0Waura inJuietante e panotti9a +i una sorta +i MGran+e /rate00oMB in parte i+enti7i9a(i0e 9on 0Wo(ietti8o +e00a stessa 8i+eo9a'era. 15

LA>"R" 3ACF /AM"S" People1s passion, liAestyle, 8eautiAul !ine, /i/antic /lass to!ers, all surrounded 8y !ater H2511I L un 8i+eo 9he ini,ia0'ente appare 9o'e una ra99o0ta +i inter8iste 9he 6e0ou7a a8re((e rea0i,,ato ri8o0*en+osi ai se+i9enti a(itanti +i un 9o'p0esso resi+en,ia0e appena 9ostruito in una 9ittS nor+a'eri9ana +a0 no'e i'pre9isato. A0 7i0'ato 'ostra a'pi apparta'enti situati ai piani a0ti +i e+i7i9i 9he si a77a99iano su prati in9onta'inati e sentieri tortuosi 9he e8o9ano una sorta +i para+iso 'e+io:(or*hese 7atto +i so0eB 9i90isti e appassionati +i $o**in*. Tutti i persona**i inter8istati se'(rano 9osR in9on+i,ionata'ente entusiasti ne0 +e9antare i pre*i +e0 0uo*o +a insinuare i0 +u((io +i essere *0i attori retri(uiti +i uno spot pu((0i9itario. Su99essi8a'ente si s9opre 9he 0e persone in Juestione sono state in rea0tS a88i9inate +a 6e0ou7a +urante un so**iorno a >an9ou8er e 9heB in Jue00Wo99asioneB 0Wartista a8e8a se'p0i9e'ente 9hiesto 0oro +i +es9ri8ere un 9ontesto i+ea0e ne0 Jua0e a8re((ero 8o0uto 8i8ereB 9on 0Wuni9a in+i9a,ione +i esi(ire un tono a00e*ro +urante 0a re*istra,ione. 1E6 httpKNN;;;.nei0(e0ou7a.9o'N httpKNN9(:p0ayer.9o'Nen[ENN4%25.Ni#7 httpKNN;;;.*oethe.+eN*esNu';Npr$N#u#N7otN(e0Nenin+eG.ht'

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STEFAN BERTALAN
Ma+!ell1s ;emon, 1'2-)1'2* >ili di cotone 8ianco e nero in cornice di le/no : #enza titolo #nails and #pirals, 1'-2 Matita su carta : #enza titolo dalla serie #nails and #pirals, 1'-2 Pennarello, matita e penna a sAera su carta ) #enza titolo dalla serie #nails and #pirals, 1'-2 Matita su carta #enza titolo dalla serie #nails and #pirals, 1'-2 Pennarello e penna a sAera su carta : #enza titolo dalla serie #nails and #pirals, 1'-* Gesso rosso e matita su carta : #enza titolo dalla serie #nails and #pirals, 1'-* Gesso rosso e matita su carta : #unAlo!er, 1'-' <ar8oncino, pennarello, inc iostro di c ina e 8ianco opaco su carta Arsena0eB n. % Nato a Ra9asiaB Ro'ania ne0 12%5B 8i8e e 0a8ora a Ti'isoara O Laura

6A"GRA/AA Cno +ei pri'i pro'otori +e00Warte neo:a8an*uar+ista in Ro'aniaB 6erta0an ha 9o'piuto i suoi stu+i a )0u$ presso 0WAstituto +i arti p0asti9he DA. An+rees9uE. Ha inse*nato a 0un*o presso i0 Li9eo +i arti p0asti9he +i Ti'isoara 9he +i8enterS una sorta +i 0a(oratorio artisti9o e tra i0 12 5 e i0 12.1 ha 9o00a(orato 9on 0a 7a9o0tS +i in*e*neria e+i0e. ^ stato 9o:7on+atoreB insie'e a ). /0on+or e R. )otos'anB +e0 Gruppo 111 9he poi si e8o08erS sotto i0 no'e +i #i/ma I, atti8o tra i0 12 5 e i0 12.5. G0i esponenti +i Juesto *ruppo hanno 9o'e s9opo Jue00o +i e+u9are i *io8ani artistiB a un siste'a inter+is9ip0inare i'postato su0 'o+e00o +e0 6auhausB +o8e si in9ro9iano *0i interessi per 'ate'ati9aB 9i(erneti9aB (ioni9a e strutture p0asti9he. LWappro99io +i Ste7an 6erte0an a00Watti8itS artisti9a L Jue00o +i una ri9er9a instan9a(i0e 9he 'ira a sin9roni,,are 0a rea0tS artisti9a 9on Jue00a +e0 'on+o ne00a sua a99e,ione pri'aria si 9os'o. Si interessa +i 9ostrutti8is'oB arte 9ineti9aB (ioni9aB 'ate'ati9aB stu+ia piante e ani'a0iB i0 rapporto tra 0u9e e o'(raB 0a posi,ione +e0 so0e e 0a sua in70uen,a 9on 0a 8o9a,ione +i un artista uni8ersa0e. Di9e +i s@K M>rom years no! my creatin/ activity is motivated Aor me as a vital necessity oA t in"in/ t is process in a purpose oA o8servation, identiAication and psyc ic proGection t rou/ some e+periences !it 8iolo/ical Aacts, suc as5 Ht e plantsIJ cate/orization, /ro!t , carin/ Aor, t e Aormal orientation to!ards li/ t, Aorm, or/anization, /eneral structure, statistically noted do!n in t e medium oA dra!in/, p oto/rap y, simultaneously coverin/ Aorms and territories oA curiosity, Aorce, imitation and model ) t e emp asizin/ oA t e e/o and t e e+pression oA personal potentials, t e construction oA spaces t rou/ ot er means t an t e "no!n ones, Ainally t e reinte/ration in t e modern manIs liAe oA an ancient and primitive soul, a unity 8et!een su8Gect and perceived o8Gect.M LA>"R" ES3"ST" Ma+!ellIs ;emon L unWopera tri+i'ensiona0e 9reata +a00Winterse,ione +i +ue piani perpen+i9o0ari 0e 9ui super7i9i sono ri9operte +a una rete +i 7i0i +i 9otone (ian9o e nero. LWopera L stata esposta per 0a pri'a 8o0ta ne0 12&.B in o99asione +e00a pri'a i'portante 'ostra +e0 Gruppo 111 ne00a *a00eria <a0in+eru +i 6u9arest e ha per'esso 0a su99essi8a parte9ipa,ione +e0 *ruppo a00a 6ienna0e )ostrutti8ista +i Nure'(er* ne0 12&2. A0 +ia8o0etto +i MaG;e00 L un esperi'ento 'enta0e i+eato +a Ja'es )0er# MaG;e00 9ir9a 0a possi(i0itS teori9a +i un 9on*e*no 9apa9e +i a*ire a s9a0a 'i9ros9opi9a su sin*o0e parti9e00e a00o s9opo +i pro+urre una 8io0a,ione 'a9ros9opi9a +e0 se9on+o prin9ipio +e00a ter'o+ina'i9a. An Juesto 'o+o potre((e pro+urre una 8aria,ione +i te'peratura tra +ue 9orpi sen,a a09una spesa +i ener*ia. ..se 9on9epia'o un essere 9on una 8ista 9osR a9uta +a poter se*uire o*ni 'o0e9o0a ne0 suo 'o8i'entoB ta0e essereB i 9ui attri(uti sono essen,ia0'ente 7initi Juanto i nostriB potre((e 7are 9iU 9he L i'possi(i0e per noi HJa'es )0er# MaG;e00I 12

#unAlo!er L tratto +a0 pro*etto DHo 8issuto 1%5 *iorni 9on un *iraso0eE +e0 12 2 9he 9onsiste ne00Wa8er osser8atoB +o9u'entato e stu+iato per 0Wintero 9i90o +e00a sua 8ita una pianta +i *iraso0e. A0 pro*etto +i8entU un pretesto per 'e+itare piT in *enera0e su00Wesisten,a u'ana e +e00Wuni8ersoB an9he +a un punto +i 8ista e9o0o*i9oB o0tre 9he 7i0oso7i9o. A00a sua 9on90usione e((e 0uo*o una per7or'an9e ne00a *a00eria <a0in+eru +i 6u9arestB +urante 0a Jua0e 0Wartista si +e+i9U a00a 0ettura +i testi 7i0oso7i9o:poeti9iB e77ettuan+o a0 9onte'po 'o8i'enti ritua0i,,ati. LWessen,a +e00a pianta si riassu'e ne00a sua +e7ini,ione 9o'e Dspira0eB 'o8i'ento e *estoE #nails and #pirals L una ri9er9a su00e 7or'e natura0i 9he si +ispie*a in stu+i *ra7i9i +etta*0iatissi'i e 'ate'ati9a'ente pre9isiB 'a an9he in e0a(ora,ioni artisti9he +a00Wa770ato poeti9o aspiran+o a+ una 8aria,ione a+ in7initu'. G0i s9hi,,i sono spesso a99o'pa*nati +a appunti e 9o''enti. AL LA>"R" 3ACF /AM"S" LWAn7or'ationa0 To;er L unWopera +e0 12 5 9he 9o'(ina ar9hitettura e s9u0tura a00o s9opo +i 9ostruire un +ispositi8o per 0a tras'issione +i in7or'a,ioni attra8erso 0u9i e suoni 1E6 httpKNN;;;.a*ora..or*Nrea+erN3inti0ie[Spira[Mira(i0is.ht'0

1%

CAMILLE HENROT Leone dIar/ento 2013 Grosse >ati/ueB 251% >i+eoinsta00a,ione Ha 9o0oriB sonoroI Arsena0eB n. % Nata a 3ari*i ne0 12 .B 8i8e e 0a8ora tra 3ari*i e Ne; 4or# Non ha esposto ne00e pre9e+enti e+i,ioni 4a'ina 6A"GRA/AA LWartista pari*ina 8in9itri9e +e0 Leone +War*ento +e00a 55esi'a E.A.A.B si L +ip0o'ata a00a ^9o0e Nationa0e Sup@rieure +es Arts D@9orati7s. Ne0 2515 era stata se0e,ionata per i0 3riG Mar9e0 Du9ha'p e ne0 2512 a8e8a parte9ipato a00a Trienna0e +e0 3a0ais +e To#yo +i 3ari*iB o0tre a+ a8er esposto in 8arie a0tre se+i presti*ioseB 9o'e i0 )entre 3o'pi+ouB 0WEspa9e )u0ture0 Louis >uitton +i 3ari*iB 'a an9he a Seou0B 6ruGe00esB Rio +e JaneiroB Gine8ra et9. 6en9h@ sua 'a+re sia unWartista 9he rea0i,,a in9isioniB 0a 7a'i*0ia +e00a Henrot anno8era ne0 proprio a0(ero *enea0o*i9o nu'erosi s9ien,iatiB tra i Jua0i un nonno ento'o0o*o H9he ha +ato i0 suo no'e a+ un 9o0eotteroIB un antenato arte7i9e +e0 0atte in po08ere e+ un a0tro i+eatore +e0 pro9esso +i +issa0a'ento +e00Wa9Jua. La sua opera inte*ra +is9ip0ine +i8erseB superan+o 0e parti,ioni *erar9hi9he tipi9he +e00a storia +e00Warte e+ in90u+en+o s9u0tureB +ise*niB in9isioniB 7oto*ra7ie e soprattutto 7i0'B o0tre a 'usi9a e 0etteratura Htra i suoi pre7eriti <a7#aB Niet,s9heB Mi9hauGB 6e9#ettB 3roustB 6arthesB Leiris 'a an9he a09uni Ms9onos9iutiM 9o'e 1i00ia' H. Gass o John )o;per 3o;ysI. La pre+i0e,ione per i 8ia**i e per i 'iti popo0ari 'o+erni H9o'e <in* <on* o /ran#ensteinI a0i'enta 0a 7as9ina,ione +e00a Henrot per 0Wi+ea +i Ma0tro8eM e +i a0teritSB non9h@ per 0a 9onta'ina,ione +i 9o+i9i e 9on8en,ioniB a00a (ase +e00a sua prati9a sin9reti9aB o88ero +e00a sua propensione a 'es9o0are o**etti e+ i''a*ini pro8enienti +a 9u0ture +i8erse. LA>"R" ES3"ST" KGrosse >ati/ueK L un 8i+eo +e0 251% 9he +ura 1% 'inuti e 9oniu*a 0Winteresse +e00a Henrot per 0Wantropo0o*ia 9on Jue00o per i0 9o00e,ionis'o a77rontan+o i0 te'a +e00e ori*ini +e00Wuni8erso Hnas9ita +e0 'on+o e ris9hio +i sua 7ineI ri9apito0an+o i 8ari 'iti su00War*o'ento e 0e 0e**i +e00a naturaB o0tre 9he i +i8ersi tentati8i +i sinteti,,are e+ Men9i90ope+i,,areM 0a 9onos9en,a u'ana. A ta0 7ineB 0Wartista a8e8a tras9orso s8ariati 'esi a 7i0'are 0e 9o00e,ioni +i ani'a0iB insetti e piante +e0 piT *ran+e 'useo +WA'eri9aB o88ero 0o S'ithsonian Nationa0 Museu' o7 Natura0 History +i 1ashin*tonB 9he 9usto+is9e 42 'i0ioni +i ese'p0ari i'(a0sa'ati. LWopera in Juestione L stata in7atti rea0i,,ata ne00Wa'(ito +i una (orsa +i stu+io e +i una resi+en,a artisti9a presso 0a stessa S'ithsonian Anstitution. Le i''a*ini si su99e+ono so8rapponen+o e+ interse9an+o 0e +i8erse 8i+eate +ei 7i0es aperti su0 +es#top +i un 9o'puterB 9he rappresenta 0a +e90ina,ione 9onte'poranea per e99e00en,a +e0 te'a +e00a 90assi7i9a,ione. Ma o0tre a00a 70ora e a00a 7aunaB 9o'pare spesso e 8o0entieri 0a 'ano u'anaB si'(o0o +e0 nostro s7or,o 9onos9iti8o in9essante. _Ten+ia'o a 9apire so0o 9iU 9he possia'o tenere ne00e nostre 'ani :spie*a in7atti 0a Henrot: 3er Juesto in ita0ianoB 9o'e in 7ran9eseB i0 8er(o a77errare L usato 9o'e sinoni'o +i 9o'pren+ere`. A+ appro7on+ire u0terior'ente ta0i te'ati9he H7on+a,ioneB 9rea,ioneB 90assi7i9a,ione +e00e 7or'e 8i8entiB 'orte e s9o'parsaI 9ontri(uis9e an9he i0 sotto7on+o 'usi9a0eB o88ero una 9an,one rap i+eata e+ ese*uita +a un DJ e 9o'positore 7ran9eseB JoaJui'B +e00Weti9hetta Ti*ersushiB 9o'pa*no +e00a HenrotB su testo e0a(orato +a00Wautri9e insie'e a0 poeta Ja#o( 6o'(er*. Cn ese'pio +i stro7aK MAn the (e*innin* there ;as nothin* (ut sha+o;N "n0y +ar#nessB an+ ;ater an+ the *reat *o+ 6u'(aN An the (e*innin* there ;ere Juantu' 70uGuationsN An the (e*innin* the uni8ers ;as a (0a9# e**N 1here8er in earth ;as 'iGe+ to*etherN An the (e*innin* there ;as an eGp0osionM. DunJue 0a Henrot si interro*a ri*uar+o a00a 9ontra++i,ione esistente tra i0 (iso*no +e00a 'ente +i asse*nare +ei 0i'iti a0 9on9etto +i tota0itS a0 7ine +i a77errar0oB e 0Fistinto 9he 9i in+u9e a 9reare nuo8e 9onnessioniB 9ontinuan+o a superare Juesti stessi 0i'iti. Di 9osa sia'o 0a 9o00e,ione e per9h@ a nostra 8o0ta 9o00e,ionia'oO )he 9osa si a99u'u0a e Juanto 8i8e +i Jue0 9he a99u'u0ia'oO LWartista *iun*e a00a 9on90usione 9he 0e 8arie narra,ioni e i 8ari tentati8i +i 9onos9en,a tota0eB non9h@ tutte 0e nostre +i77erenti tipo0o*ie 90assi7i9atorieB non attin*ano una 8eritS o**etti8a 'aB +ati i +i77erenti 9riteri ai Jua0i 9ias9una 14

90assi7i9a,ione 9orrispon+eB 9ias9una +i esse non sia a0tro 9he unWespressione +e00a so**etti8itSB e +unJue unWese'p0i7i9a,ione +i Juanto sia 8aria e 'o0tep0i9e 0Wu'anitS. LA>"R" 3ACF /AM"S" <oupL6;LcalL H2511I L un 7i0' speri'enta0e 9osR +eno'inato per9h@ in esso i0 7or'ato +e00e i''a*ini L stato 7ra''entato e ta*0iato in 'o+o +a ottenere un 0e**ero s9arto tra i 7oto*ra''iB Juasi a 8o0erne sotto0ineare i0 9arattere piT 7itti,io 9he +o9u'enta0eB ottenen+o 9osR una sorta +i stris9ia 8erti9a0e tra unWi''a*ine e 0Wa0tra. La rea0i,,a,ione +e0 7i0' ha 9o'portato una 8era e propria o+issea +e00WartistaB re9atasi ne00War9ipe0a*o +i >anuatuB presso 0Wiso0a +i 3ente9osteB per assistere +a0 8i8o a+ un rito ins9enato +a*0i in+i*eni a+ uso e 9onsu'o +ei turistiB 'a ori*inaria'ente 9on9epito 9o'e si'(o0o +i passa**io +a00a *io8ine,,a a00WetS a+u0taK 0WeJui8a0ente +e0 9osi++etto M(un*ee $u'pin*M o99i+enta0eB o88ero i0 sa0to +ei *io8ani ne0 8uotoB 9on i pie+i 0e*ati +a 0iane. Ta0e 7eno'enoB 9he rin8ia ai 'e99anis'i +i tras0a,ione e 'i'etis'o presenti in tutte 0e 9u0tureB L Jui in+a*ato attra8erso una 9hia8e +i 0ettura antropo0o*i9a. 3era0tro in Juesto 9asoB per una 9uriosa in8ersione +e*0i a(itua0i per9orsi +i 9o0oni,,a,ione si'(o0i9aB sono *0i o99i+enta0i 9heB ri7a9en+osi a00a prati9a neo,e0an+ese +e0 sa0to 9on 0We0asti9oB M9opianoM i )ar*o +e00a Me0anesia. 1E6 httpKNN;;;.9a'i00ehenrot.7rN7rN;or# httpKNN;;;.+o'us;e(.itNitNarteN251%N5&N4N9a'i00e[henrot.ht'0 httpKNNo(session.nou8e0o(s.9o'Npop:0i7eN251%5&5%."6S1& 2N9a'i00e:henrot:0a:9o00e9tionneuse.ht'0

15

DANIEL HESIDENCE
:ntitled HMariti'e Sprin*IB 2512 "i0 on 9an8as Arsena0e n. % 6orn in 12 5B A#ronB "hio. Li8es an+ ;or#s in Ne; 4or# 6A"GRA3H4 Hesi+en9e ;as (orn in 12 5 in A#ronB "hio an+ 0i8es an+ ;or#s in Lon* As0an+ )ityB Ne; 4or#. He re9ei8e+ a 6/A 7ro' the Cni8ersity o7 Ta'paB /L in 122. an+ a M/A 7ro' Hunter )o00e*e in 2551. Re9ent eGhi(itions in90u+eK DWA'e0io Terras Ga00eryB Ne; 4or# H2515IX Le Ta(0eau at )hei' Q Rea+B Ne; 4or#B N4X R"SE LACGHTER 1inter Ho0i+ayB 9urate+ (y Da8i+ A0t'e$+ at An+rea Rosen Ga00eryB Ne; 4or#B N4X )a8e 3aintin*K Ansta00'ent a1B or*ani,e+ (y 6o( Ni9#as at Gresha'Fs GhostB Ne; 4or#B N4X an+ 1 2 N 3e+estrians at /eature An9.B Ne; 4or#B N4. He has he0+ so0o eGhi(itions atB <anterN/euer Ga00eryB Los An*e0es H2555I an+ /eature An9.B Ne; 4or# H2552 Q 54I. He has a0so (een 7eature+ in *roup eGhi(itions at N3 )onte'porary Art )entreB Ne; 1or# H2515IB Tra9y 1i00ia's Lt+.B Ne; 4or# H2555IX Mar9 /oGGB Los An*e0es H2552 Q 55IX 3S1B Ne; 4or# H2555IX an+ Dere# E00erB Ne; 4or# H2552I. LA>"R" ES3"ST" CNTATLED HMARATAME S3RANGI A99eptin* that the sin*u0ar 'asterpie9e is no 0on*er possi(0e nor e8en so'ethin* to stri8e 7orB Danie0 Hesi+en9e *i8es a00 o7 his ;or#s ;ithin a *i8en series the sa'e tit0e. Danie0 Hesi+en9e approa9hes his pra9ti9e as a phi0osophi9a0 tota0ity. Situatin* hi'se07 as the in8entor o7 an e8er:eGpan+in* uni8erseB Hesi+en9eFs in+i8i+ua0 pie9es pro8i+e 'ere *0i'pses into a 9reati8e in7inite. )o'posin* his ;or# in !8o0u'esFB Hesi+en9eFs paintin*s +o9u'ent a se07:prope00e+ e8o0ution. Ea9h 9an8as is +istin9t yet inter9onne9te+B ho0+in* its o;n p0a9e in his !9os'o0o*i9a0F ti'e:0ine. Cntit0e+ is in+i9ati8e o7 Hesi+en9eFs strea' o7 9ons9iousness pro9ess. . Rather than +e7inin* an i'a*eB Hesi+en9e uses the 'a00ea(0e Jua0ities o7 paint to portray an e'otiona0 an+ psy9ho0o*i9a0 state. Distant an+ +rea':0i#eB the intri9a9ies o7 sentient *esture 7or' a physi9a0 representation o7 the intan*i(i0ity an+ i'per'anen9e o7 thou*ht. E'(ra9in* paintin* as an un0i'ite+ 7or' o7 eGpressionB Danie0 Hesi+en9eFs ;or#s +es9ri(e a 'eans o7 su(: 0an*ua*e 9o''uni9ationB so'ethin* pri'a0 an+ e'oti8e that eG9ee+s 0in*uisti9 stru9ture. Hesi+en9eFs sty0e ran*es 7ro' 7i*uration to a(stra9tionB (ut his su($e9t 'atter is a0;ays ;hat 0ies (eyon+ the sur7a9e. Danie0 Hesi+en9e +es9ri(es his ;or# as a pro9ess o7 +e9o+in* 9ons9iousness. 1or#in* 7ro' a 'e'ory (an# o7 8isua0 in7or'ation his pra9ti9e is (ase+ on an intuiti8e ne*otiation o7 i'a*ination throu*h tan*i(0e 'e+iaB narratin* the s0ui9es o7 thou*ht throu*h spontaneous an+ un'e+iate+ painter0y response. "7ten ;or#in* on se8era0 9an8ases si'u0taneous0yB ea9h i'a*e 7ee+s into an+ pro*resses 7ro' a 9ontinuous +ia0o*ue. Li#e Ri9hterB Hesi+en9e is (oth a stu+ent an+ a 'aster o7 te9hniJue. EGperi'ents ;ith paint app0i9ation are e8i+ent throu*hout. 3aint is 0ai+ onto the 9an8as not on0y 8ia 0on*B strea#y (rushstro#esB (ut a0so usin* non: (rush i'p0e'ents that 0ea8e tra9#bor pattern0i#e 'ar#sB or 90u'ps. Su++en shi7ts in the thi9#ness an+ teGture o7 the paint 9an (e thri00in*B 0i#e the 8erti*inous 7ee0in* pro+u9e+ (y a su++en 0a9# o7 7o9us in 7i0'. 6ut the ;or#s *o (eyon+ s#i00e+ eGe9ution. Their 9ontent 7ee0s +eep an+ trueX this is te9hniJue ha8in* 7oun+ its purpose.

1&

CNTATLED HACTCMN 6C//AL"I Autu'n 6u77a0o is a series o7 siGteen paintin*s that Hesi+en9e pro+u9e+ as a sin*0e 8o0u'e throu*h a 7o9use+ an+ in8esti*ati8e perio+ o7 paintin*. Ea9h ;or# e'(o+ies its o;n s9a0e an+ presen9eB 7ro' s'a00 pi9tures o7 a(stra9te+ 7i*ures to 8ast at'ospheri9 0an+s9apes as 0ar*e as 152 G 1%2 in9hes. The (rush;or#B so'eti'es 7ren,ie+ an+ other ti'es 9ontro00e+B sho;9ases a 9o'p0eG ran*e o7 'ar# 'a#in* that 9o+es ea9h paintin* ;ith uniJue pun9tuationB pro'ptin* a 8a9i00atin* 70o; o7 8isua0 +ata. The tit0e Autu'n 6u77a0o hints (oth to the ;or#Fs 9hro'ati9 hues o7 pre+o'inant0y rust an+ (ro;n ;ith (ursts o7 *reenB turJuoiseB an+ 'au8eB an+ a0so to the A'eri9an (isonB the 0ar*est eGtant 0an+ ani'a0 in+i*enous to the North A'eri9an 9ontinent an+ the 9arrier o7 'any si*ns nati8e an+ 'o+ernB +eso0ate an+ triu'phant. 1E6 httpKNN;;;.+anie0hesi+en9e.9o'N httpKNN;;;.saat9hi:*a00ery.9o.u#NartistsN+anie0[hesi+en9e.ht' httpKNN;;;.artina'eri9a'a*a,ine.9o'Nre8ie;sN+anie0:hesi+en9eN

HANS JOSEPHSOHN
<ollection oA untitled sculptures Arom diAAerent years% 6rassB 8aria(0e +i'ensions Arsena0eB n. % 6orn in <oni*s(er* Hto+ayFs <a0inin*ra+B RussiaIB +ie+ in ?uri9hB S;it,er0an+ Maryia 6A"GRA/AA Josephsohn ;as (orn in East 3russia. Here he atten+e+ e0e'entary s9hoo0 an+ 9o'p0ete+ hi*h s9hoo0 in 12% . That sa'e yearB he 0e7t his ho'e0an+ an+ 'o8e+ to /0oren9e ;ith a s'a00 s9ho0arshipB in or+er to stu+y art. Due to his Je;ish an9estryB he ha+ to 0ea8e Ata0y a short ti'e 0ater an+ 70e+ to S;it,er0an+. He arri8e+ in ?uri9h in 12%. an+ (e9a'e a stu+ent o7 the s9u0ptor "tto Mue00er. An 124% Josephsohn 'o8e+ into his 7irst ate0ierB an+ startin* in 12&4 (e*an sho;in* his ;or#s in 8arious so0o sho;s ;ithin S;it,er0an+. He a9Juire+ S;iss 9iti,enship in 12&4. JosephsohnWs ;or#s (e*an to attra9t the attention o7 a 0ar*er au+ien9e at the en+ o7 the 1225s. The Ste+e0i$# Museu' in A'ster+a' +e+i9ate+ a 0ar*e so0o eGhi(ition to the artist in 2552. An 255% Josephson re9ei8e+ the art pri,e o7 ?uri9h. >arious *roup an+ so0o eGhi(itions 7o00o;e+ thisB a'on* others in the Dic,esan'useu' <o0u'(a in )o0o*ne H2555I an+ in the 3a0ais +e To#yo in 3aris H255 I. An 255.B the MM< Museu' 7]r Mo+erne <unst in /ran#7urtNMain or*ani,e+ a 0ar*e so0o eGhi(ition o7 JosephsohnWs ;or#s. An the years sin9e 2555B JosephsohnWs ;or# has in9reasin*0y (een re*ar+e+B a0so internationa00yB as a si*ni7i9ant 9ontri(ution to 8isua0 art. LA>"R" ES3"ST" JosephsohnWs s9u0ptures 7o9use+ on the hu'an 7i*ure as a 8o0u'e in spa9e. /ro' the (e*innin* o7 his 9areer he ;or#e+B 7ro' the 'o+e0B on s9u0ptureWs 'ost ti'e0essB 9onstant the'esK Representations o7 the hu'an 7i*ureB stan+in*B sittin*B re90inin*B ;or#in* on portrait hea+s or ha07:7i*uresB 'a+e in p0asterB so'e then 0aterB 9ast in (ron,e. JosephsohnWs 7i*ures are (ere7t o7 any portrait:0i#e in+i8i+ua0i,ation. An+ they stan+ out 7or their si'p0i9ityB 7or their (ein* 0i'ite+ to the si'p0e postures o7 the hu'an (o+y. The ;ish 7or per'anen9e p0ays a #ey ro0eK MMy 7i*ures 'ust (e en+urin* in their eGpressionB in their stan9eMB Josephsohn sai+B MA narrati8e *esture is out o7 the JuestionM. His ;or#s e8o#e prehistoryB an9ient stone ste0es an+ ro'anesJue 7i*ures. JosephsohnWs 7a8ourite ;or#in* 'ateria0 ;as p0aster. He 7oun+ it i+ea0 : si'p0y it per'its +ire9tness an+ spontaneityB (oth o7 ;hi9h ;here ne9essary 7or JosephsohnWs ;or#in* pro9ess. 30aster a00o;e+ hi' to repeate+0y a++ 'ateria0 or ta#e it a;ay. The +ire9tness o7 the ;or# pro9ess ;as re70e9te+ not on0y in the i''ense 8ita0ity o7 the 7i*ures (ut e8en 'ore (y the tra9es 0e7t (y this pro9ess. /or eGa'p0eB 7in*er i'prints re'ain on the sur7a9eB re7eren9in* the artistWs han+s as it see#s to 'o0+ the 'ateria0. His artisti9 eGa'ination o7 the hu'an 7i*ure ;as in70uen9e+ an+ +eter'ine+ (y his o;n eGperien9eB ;hi9h 7or hi' as an artistB shape+ a(o8e a00 (y his e8ery+ay ;or# in the stu+io (ut a0so (y the interpersona0 re0ations in his 0i7e. He 7oun+ his 'o+e0s in his o;n persona0 ;or0+K They ;ere 7or the 'ost part 7rien+sB re0ati8es : a0'ost a0;ays ;o'enB 8ery o7ten his o;n 0i7e partner. Rea0 persons are the startin* point o7 this ;or# an+ sear9h 7or 7or's (ut his ;or#s har+0y e8er ha+ portrait:0i#e 9hara9ter or in+i8i+ua0 traits. ThusB a0so 7or those ;ho #ne; JosephsohnWs 'o+e0s persona00yB ;hen 8ie;in* the 9orrespon+in* ;or#s there is 0itt0e to re'in+ one o7 the in+i8i+ua0s. 1E6 httpKNN;;;.sitter;er#.9hN#esse0haus:$osephsohnNerei*nisseNerei*nis+etai0Narti90eN(ienna0e:8ene+i*:251%: 1.ht'0 httpKNN;;;.hauser;irth.9o'NartistsN41N$osephsohnN(io*raphyN

1.

ELIOT PORTER
Birds in >li/ t 12 . Sta'pe 'ontate in astu99io a 7or'a +i 9on9hi*0ia Arsena0eB n.% 1251 1innet#aB CSA : 1225 Santa /eB CSA A+oia

6A"GRA/AA /oto*ra7o a'atoria0e +a00a sua in7an,iaB ha 7oto*ra7ato 0a Great Spru9e Hea+ As0an+ +a00a Jua0e era 0a sua 7a'i*0ia. Si L 0aureato in in*e*neria 9hi'i9a e 'e+i9ina e ha 0a8orato 9o'e ri9er9atore in 9hi'i9a ne00a Cni8ersitS +i Har8ar+. >erso 12%5 ha 9onos9iuto Anse0 A+a's e A07re+ Stie*0it,. Ne0 12%.B Stie*0it, ha 'ostrato i0 0a8oro +i 3orter ne00a sua *a00eria +i Ne; 4or#B 9on un su99esso 9osR *ran+e 9he ha +e9iso +i s'ettere i0 0a8oro +i ri9er9a e si L +e+i9ato a00a 7oto*ra7ia a te'po 9o'p0eto. Ne*0i anni 45B ha ini,iato a 0a8orare in 9o0ore 9on i0 nuo8o pro9esso East'an <o+a#B una te9ni9a 9he non a((an+onere((e 'ai piT. Ne0 12&2B 0a sua reputa,ione L 9res9iuta +opo 0a pu((0i9a,ione +e0 0i(ro An 1i0+ness As The 3reser8ation o7 The 1or+0B pu((0i9ato +a Sierra )0u(B 9on 7oto*ra7ia +i 3orter e testi +i Harry Da8i+ Thoreau. Ha 8ia**iato in tante o99asioni a posti e9o0o*i9a'ente i'portanti e a 0uo*hi 9u0tura0'ente si*ni7i9ati8i. Ha pu((0i9ato 0i(ri +i 7oto*ra7ie +i G0en )anyon HCtahIB +e MaineB +e00a 6assa )a0i7orniaB +e00e Aso0e Ga0apa*oB +e00WAntarti+aB +WA7ri9a "rienta0e e +e00WAs0an+a. A suoi stu+i 9u0tura0i hanno in90uso Messi9oB E*ittoB )inaB )e9os0o8a99hia e 0a Gre9ia Anti9a. Ne0 12. B i0 0i(ro )haos. Ma#in* a Ne; S9ien9e +i Ja'es G0ei9# ha 7atto a 3orter hanno riesa'inato i0 suo 0a8oro in 9ontesto +e00a teoria +e0 9aos. Ne0 1225 ha tornato a 9o00a(orare 9on G0ei9# ne0 pro*etto NatureWs )haosB 9o'(inan+o 0e sue 7oto*ra7ie 9on i0 nuo8o sa**io +i G0ei9#. A00a sua 'orte L tornato a 9o00a(orare 9on G0ei9# 9on i0 pro*etto NatureWs )haosB 9o'(inan+o 0e sue 7oto*ra7ie 9on i0 nuo8o sa**io +i G0ei9#. LA>"R" ES3"ST" La sua passione per *0i u99e00i 7u presente *iS +a0 suo pri'o appro99io a00a 7oto*ra7ia essen+o i0 suo prin9ipa0e te'a +Winteresse. Ne0 12%2 ini,ia a 9onsi+erare 9he per 0Wi+enti7i9a,ione +e*0i u99e00i sia essen,ia0e i0 9o0ore. Da Jua parte 0Wi'petu 9he spin*e 3orter a00a s7i+a +e00a 7oto*ra7ia in 9o0ore. 3er 9apire 0Wi'pressa 7ino i0 7on+o (iso*na +ire 9he 3orter 0a8ora8a 9on una 9a'era +i 4G5B a po9a +istan,a +e0 o**etto 7oto*ra7atoB i risu0tati ra**iunti erano assur+a'ente e99e,iona0i se 9onsi+eria'o 9he 0a 8e0o9itS +e00e pri'e <o+ar9hro'e era esa*erata'ente (assa AS" 5. )on i0 supporto e9ono'i9o +i una (orsa +e00a Gu**enhei'B usan+o +e00e attre,,ature +i 0u9e e torri per appo**iare 0a 9a'eraB 3orter 7u 9apa9e +i rea0i,,are 7oto*ra7ie in 9o0ori +Wu99e00i +i 9osR (uona Jua0itS 9he 7urono 0Wuni9o te'a per una esposi,ione ne0 Museu' o7 Mo+ern Art a Ne; 4or# ne0 124%. Erano 0ontanissi'e +e00a so0ite 7oto*ra7ie 9oetaneeB 0i supera8ano per tantoB erano Jua09osa +i in9re+i(i0eB nessuno a8e8a 'ai 8isto Jua09osa +i si'i0e. A ritratti +i 3orter +e*0i u99e00i ne0 0oro intorno natura0eB nei 0oro ni+i a8e8ano 9o0ori sJuisitiB testure +o8ute a una *ran+e riso0u,ioneB 9osR 9o'e una otti'a pro7on+itS +i 9a'po. Non 7u 7ino 0Wanno 12 2 Juan+o 3orterB a9Juistan+o su99esso per a0tre 7oto*ra7ieB pu((0i9a i0 suo pri'o 0i(ro 9on 0Wo**etto +e00a sua passioneK *0i u99e00i. La te9ni9a +i 3orter 9onsiste8a ne0 uso +i pe00i9o0e <o+a9hro'e e una 9a'era +i *ran+e 7or'ato +an+o 9o'e in9re+i(i0e risu0tato +e00e i''a*ini +e*0i u99e00i in 8o0oB L s9on8o0*ente pensare 9he siano state rea0i,,ate pri'a +e00Wappari,ione +e00e 9a'ere +i*ita0i. 3orter +o8e8a aspettare per ore 9he 0Wu99e00o si a88i9inasse. Lui si 7er'a8a per +e00e ore ne*0i a0(eri per una JuantitS +i te'po in7inito. 12

=ueste sono +e00e i''a*ini 'era8i*0iose. Tutte 7urono presse ne0 'on+o se08a**io +e00a natura. A09une si a88i9inano +i piT a pitture 7antasti9he +i u99e00iB +o8uto a0 0oro *ran+e i'pattoB 3orter era ossessionato 9on i0 'i9ros9opi9o e 9on 0Wuni8ersa0e si'u0tanea'enteB 0e i+ee +e0 9aso e +e00Win7initS. 1E6 httpKNN;;;.9arter'useu'.or*N9o00e9tionsNporterNin+eG.php

25

EDUARD SPELTERINI Series o7 photo*raphsB 125% \ 1222 3i*'ent in#$et print Arsena0e n. % 6orn in 1.52B To**en(ur*B S;it,er0an+. Die+ in 12%1B >c9#0a(ru9#B Austria )hiara

6A"GRA3H4 6orn on June 2B 1.52 in a re'ote 0itt0e S;iss 8i00a*e to an inn#eeper an+ (eer (re;er 7atherB E+uar+ Spe0terini ;as an un0i#e0y 9an+i+ate 7or a 9areer as a pioneer (a00oonist an+ a+8enturer. Nothin* in his ear0y (io*raphy su**este+ he ;ou0+ *o out to (e9o'e a +is9o8ererB shootin* photos ;ith a 9a'era ;ei*htin* approGi'ate0y 45 to &5 #i0os H.. to 1%2 poun+sI +urin* (a00oon $ourneys. A ta0ent 7or the arts ha+ (een present 7ro' Spe0teriniFs ear0y years onB thou*h. He ;as (0esse+ ;ith a (eauti7u0 8oi9eB ;hi9h 0e+ hi' to stu+y opera in Mi0an an+ 3aris. The short sin*in* 9areer ;as interrupte+ (y a se8ere 9ase o7 tu(er9u0osis. At ;as near a hea0th resort in southern /ran9e ;hen he entere+ the (a00oon (as#et 7or the 7irst ti'e. 1hi0st in Marsei00es he sa; his 7irst (a00oon. A passen*er (e9a'e ner8ous (e9ause o7 the apparent0y 0ess than i+ea0 ;eather 9on+itions an+ re7use+ his p0a9eB o77erin* the youn* 'an an uneGpe9te+ opportunity 7or his 7irst (a00oon 70i*ht. "r so the story *oesB (e9ause Spe0teriniFs ear0y (io*raphy is a9tua00y ;rappe+ in +i' 0i*ht. n 7a9tB Spe0teriniB a0thou*h soun+in* +istin9ti8e0y Ata0ianB is a 7antasy na'e E+uar+ Spe0teriniB nee S9h;ei,er *a8e hi'se07B possi(0y a7ter rea+in* a ne;spaper arti90e on Maria Spe0teriniB a 'ysterious ti*htrope ;a0#er ;ho ;as the 7irst ;o'an to 9ross Ni*eria /a00s on a ti*htrope ;ith eyes (oun+B han+s 9u77e+B an+ pea9h (as#ets tie+ to her 7eetB ;earin* a tra+itiona0 Ata0ian +ress. Spe0terini ;as so i'presse+ (y the 70i*ht that he 0e7t his stu+ies at the )onser8atoriu' an+ hurrie+ to enro0 at the 3aris A8iation A9a+e'yB the WA9a+@'ie +es a@rostatiersW. An 1. he Jua0i7ie+ as an Aeronaut. He then ;ent on to a9Juire 'any years o7 eGperien9e in the air. An 1.. he 9o''issione+ 9onstru9tion o7 his o;n (a00oon an+ (e*an to ta#e passen*ers re*u0ar0y ;ith hi' on his 70i*hts. He tra8e00e+ ;i+e0y throu*hout Europe an+ 'a+e as9ents 7ro' p0a9es su9h as the >ienna 3rater an+ Lon+onFs Hy+e 3ar#. Mi0itary a9a+e'ies an+ ;ar s9hoo0s 9o'pe00e+ hi' to 'ana*e instru9tion 9ourses in a8iation. "8er the neGt 7e; years the 9aptain o7 aeronauti9s 'a+e 5 5 70i*hts an+ 9arrie+ a tota0 o7 12% passen*ers. These in90u+e+ a'on*st others Tea9hersB ArtistsB )oun9i00orsB Genera0sB Du#es an+ Du9hessesB 9aptains o7 An+ustry an+ 3u(0ishers. LA>"R" ES3"ST" An 1.2% he (e*an ta#in* pi9tures 7ro' his (a00oon (as#et an+ thus (e9a'e a pioneer o7 a0pine aeria0 photo*raphy. His photo*raphs 7ro' the (a00oon a00o;e+ peop0e an i'pression o7 the ;or0+ 7ro' a (ir+s: eye 8ie; 7or the 7irst ti'e. He he0+ 'any 'a*i9 0antern presentations an+ (e9a'e 8ery popu0ar as a resu0t. His D"8er the )0ou+sE 9o00e9tion 9ause+ a sensation ;here8er it ;as seen. He 'a+e o8er &55 su9h presentations in 7our +i77erent 0an*ua*es. To*ether ;ith his presentations he a0so (e9a'e 7a'ous a(o8e a00 e0se 7or his pioneerin* 70i*hts a9ross the 9entra0 A0ps in a *as (a00oon. He ;as the 7irst to un+erta#e this ris#y a+8enture ;ith a (a00oon. His 70i*hts a0so ha+ a s9ienti7i9 purposeK 3hysi9iansB 6io0o*istsB Do9tors o7 Me+i9ine an+ Geo*raphers a0so ha+ *reat interest in the opportunities 7or resear9h presente+ (y this ne; 'etho+ o7 transport. "ne o7 these ;as /er+inan+ Gra7 8on ?eppe0inB ;ho 7irst 9a'e up ;ith the i+ea o7 a steera(0e airship. Spe0terini 'a+e his 0ast (a00oon 70i*ht in 122&. His se07:9on7i+en9e an+ 9oura*e a00o;e+ hi' to a0so 'aster 9riti9a0 situations. An 122& he ;as 'a+e an honorary 'e'(er o7 the Aero )0u( o7 S;it,er0an+. An spite o7 his 7a'eB ;on o8er 'any yearsB he 0i8e+ the 0ast years o7 his 0i7e in re0ati8e po8erty to*ether ;ith the 7aith7u0 9oup0e ;ho ha+ ser8e+ hi' 7or 'any years an+ a(out %55 hens in the to;n o7 ?ip7B near >c9#0a(ru9#B Austria. Spe0terini passe+ a;ay on 1&th June 12%1 in >c9#0a(ru9# HAustriaI. 21

1E6 httpKNN;;;.*or+on(ennett2512.9hNrea+:ne;sNite'sNen:e+uar+:spe0terini:(io*raphy.ht'0 httpKNN;;;.s;issin7o.9hNitaNso9ietaNLaerostiere[7oto*ra7o.ht'0O9i+P1.52.&42 httpKNN;;;.aeino.9o'N(oo#sNe+uar+:spe0terini:the:#in*:o7:(a00oonin*N2512N15N1.N

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PATRICK VAN CAECKENBERGH

;ise/ni di vecc i al8eriB 251% te9ni9a 'ista Arsena0eB n.% Nato a Aa0st H6e0*ioI ne0 12&5 B 8i8e e 0a8ora a Sint:<orne0is:Hore(e#e H6e0*ioI Ha esposto in 6ienna0e ne0 122% H7onte ;i#ipe+iaB Asa9 non 0o +i9edddI >era 6A"GRA/AA Nato ne0 12&5 in 6e0*io. LWartista L noto per 0a sua sin*o0are s9e0ta +i 8itaK Jue00a +i passare 0a propria esisten,a i0 piT possi(i0e 0ontano +a0 'on+o 9o'e un 'o+erno ere'ita. La8ora 9on +ise*noB s9u0tura e+ insta00a,ioni. Spesso i suoi 0a8ori 9onsistono ne0 9reareB attra8erso 0a te9ni9a +e0 9o00a*e e 0Wuti0i,,o +i o**etti 9o'uniB sin*o0ari i''a*ini appartenenti a+ un 'on+o i''a*inario. Ha esposto in i'portanti 'usei HesB )entre 3o'pi+ouB 1224IB 'ani7esta,ioni H'ani7esta 1I e *a00erie. LA>"R" ES3"ST" Dra;in*s o7 o0+ trees. La serieB ini,iata ne0 2515B si (asa su 7oto*ra7ie +i anti9hi a0(eri e+ L o88ia'ente in70uen,ata +a00a 8ita appartata e so0itaria +e00Wartista 9he 8i8e ne00a 9a'pa*na (e0*a. =uesti +ise*ni possono a pri'a 8ista se'(rare stu+i s9ienti7i9i +i 8arie spe9ie +Wa0(eri in Juanto estre'a'ente +etta*0iati 'aB a+ uno s*uar+o piT attentoB si nota 9o'e ne0 0a8oro +i >an )ae9#en(er*h siano stati a**iunti pi99o0i +etta*0i surrea0i Hes. porte e 7inestreI 9he +i9hiarano 0Wappartenen,a +i Jue00e i''a*ini a0 'on+o +e00a 7antasia. "*ni a0(ero assu'e 9osR una propria i+entitSB Juasi 7osse un persona**io +i una 7a8o0a. >i si puU 0e**ere una 9riti9a a00a presunta 8eri+i9itS +e00e 90assi7i9a,ioni s9ienti7i9he +e0 'on+o. LA>"R" 3ACF /AM"S" Esp0i9ati8a +e00Wesisten,a +e00Wartista L 0Wopera Li8in* 6oG H12 2IB per 0a Jua0e >an )ae9#en(er*h 9ostruR una s9ato0a 7atta +i 0e*no e tesuto 9he pote8a essere s'ontata e spostata e 8isse a00Winterno +i essa per Juattro anni. 1E6 httpKNNen.;i#ipe+ia.or*N;i#iN3atri9#[>an[)ae9#en(er*h

2%

JOAO MARIA GUSMAO E PEDRO PAIVA /i0' in 1& '' a 9o0ori e 'utiB 255&:251% Esposto ne0 2552 a0 pa+i*0ione +e0 3orto*a00o 12 2 Lis(onaB 12 Lis(onaB 8i8ono e 0a8orano a Lis(ona Arsena0eB n. 4 E0isa(etta 6A"GRA/AA A0 pri'o i'portante pro*etto 9o00etti8oB MMa*neti9 E770u8iu'MB ha 8isto 0a 0u9e in +ue partiB ne0 2554 e ne0 255& : una serie +i 8enti+ue 0a8ori ispirati a+ un episo+io +e LWuo'o 9he ri+e +i >i9tor Hu*o : 'entre MA(isso0o*yK 7or a transitory s9ien9e o7 the in+is9erni(0eM : 8enti+ue 7i0' e s9u0ture +i 8etroB osso e (ron,o : ini,iato ne0 255&B L stato s8i0uppato attra8erso 9inJue resi+en,e interna,iona0i in An*o0aB )i0eB Ar*entinaB 6ra,i0e e Maro99o. A 7i0'B +i 9ui un i'portante sa**io a Mani7estaB sono narrati8e in9on90u+enti 9he spesso ri9or+ano sti0isti9a'ente 0e pe00i9o0e +i+atti9he +a 0a(oratorio +i s9ien,e. )o0pis9e 0a s9rupo0osa e0isione +i o*ni 9onnota,ione te'pora0e e 0Win+eter'ina,ione +ei 0uo*hi nei 7i0'K interni spo*0i +i o*ni suppe00etti0eB 9a'pa*ne e +eserti. La s9e0ta sti0isti9a +e0 1& '' L a0trettanto ese'p0areB 0e i''a*ini ana0o*i9he sono Jue00e +e00a pro8a s9ienti7i9aB 0Wi''a*ine pro+otta +a00a 9a'era os9ura LB sa08o a+u0tera,ioni 9hi'i9heB 8eritiera. LA>"R" ES3"ST" Danie0 3au0 S9hre(erB sti'atissi'o 'a*istratoB arri8ato a00a 'e,,a etSB si era *ua+a*natoB ne0 *iu*no +e0 1.2%B 0a presti*iosa no'ina a presi+ente +e00a 9orte +Wappe00o +i Dres+a. ne0 +or'i8e*0ia +i uno +ei *iorni 9he pre9e+e8ano 0Wassun,ione +e00Wi'portante in9ari9oB 7orse per 0o stressB e((e i0 pensiero 9he M+o8esse essere +a88ero 'o0to (e00o essere una +onna 9he so**ia9e a00a 9opu0aM. Da Jue0 'o'ento in poiB 0a sua 'ente 7u rapita in un 8orti9e +e0irante 9he 9oin8o0*e8a +LiB astriB +e'iur*hiB 9o'p0ottiB 9atastro7i 9os'i9he e ri8o0*i'enti po0iti9i. A0 9entro +i tutto era 0a 9on8in,ione +i tro8arsi ne0 (e0 'e,,o +i una 'eta'or7osi 7isi9aB pro8o9ata +a Dio stessoB 9he tra'ite 0Win8io +i ra**i Huna sorta +i siste'a 9onnetti8o neura0eIB 0o a8re((ero tras7or'ato in una +onna. Anter+ettoB S9hre(er si +i7ese *ra,ie a0 suo sorpren+ente 0i(ro +i 'e'orieB 'appa +e00Win9re+i(i0e ar9hitettura +i nessi 9he struttura8a i0 suo 8ane**ia'entoB re+atto in 'aniera tanto autore8o0e +a *ua+a*nar*0i 0a reinte*ra,ione Ha0'eno per Jua09he te'poI. A0 testo +i S9hre(er L una +e00e nu'erosi 7onti : 0etterarieB 7i0oso7i9heB s9ienti7i9he e paras9ienti7i9he : +e00e stra(i0ianti M9ostru,ioni poeti9o 7i0oso7i9heMB se9on+o 0a 0oro stessa +e7ini,ioneB +e*0i artisti porto*hesi. +u((io 9he i +ue artisti inse*uono tena9e'enteB Jue00o ne00a 8a0i+itS +e0 0o*os +e00a 7i0oso7ia o99i+enta0eB ne0 M8a0ore +e00Wor+ine e +e00a sta(i0itS +i una situa,ioneMHGus'eof3ai8aB MEntropi9 8ision an+ 'eteoris'M in A(isso0o*yK hori,on o7 e8entsB 9ata0o*oB 255.I. G0i artisti osser8ano 9he tutto esiste se'pre in 9erti aspetti Min+is9erni(i0iMB tutte 0e 9oseB an9he 0e piT (ana0iB sono in rea0tSB Juin+iB estre'a'ente 'isteriose. A 9ata0o*hi +i Gus'eof3ai8a sono +e*0i i'pressionanti repertori +i ri70essioni e 9ita,ioni s9ienti7i9he e 7i0oso7i9he : +a*0i ato'isti pre:so9rati9i a Niet,s9heB +a00o spiritis'o 9oniu*ato 9o0 )ristianesi'o +i A00an <ar+e9 a*0i stu+i su00a ri7ra,ione +i Da8i+ 6re;ster A0 +eserto L 0o spa,io ne*ati8o per e99e00en,aB non so0oB L 0o spa,io +e00e ri8e0a,ioni. A 'ira**i +i'ostrano 0a separa,ione 7ra 0Wo**etto e i0 so**ettoB So'eho; this is ineGp0i9a(0y (eauti7u0B arrestin* an+ in9o'prehensi(0e. AtWs 0i#e so'e #in+ o7 o0+ s9ienti7i9 +e'onstration 7i0' eG9ept one is ne8er eGa9t0y sure ;hat is (ein* +e'onstrate+B or ;hy. An another 7i0'B a 'an tries to 'a#e a to;er o7 ra; e**sB 9rushin* the (ase o7 ea9h she00 an+ (a0an9in* the e**s on top o7 one another. He has se8era0 7ai0ures (e7ore 7ina00y 'ana*in* to 'a#e a ta(0etop 8ersion o7 6rgn9usiWs En+0ess )o0u'nB usin* se8en e**s. So'ethin* +eeper in7or's the'B an+ they are 'a+e ;ith a *reat +ea0 o7 9areB attention an+ eGpense. The artistsW ;ritin*s an+ 9ata0o*ues eGp0ore eGtre'e 7or's o7 +e$a 8uB ;eir+ 'etaphysi9s an+ 'e+ie8a0 : anthropo0o*i9a0 ru'ours. The pair a0so 'a#e 9o'pi0ations o7 teGts (y other authorsB in90u+in* 30ato an+ 3essoaB Ju0es >erneB HG 1e00sB >i9tor Hu*oB 6or*es an+ 3oe. At is i'possi(0e to #no; i7 they are teasin* usB 24

or tryin* to e+u9ate us in their o99u0t an+ Juite possi(0y 7rau+u0ent i+easX this is theory as ru'ourB 7i9tionB o0+:;i8es:ta0e an+ 7a(u0ation. The o8era00 e77e9t is 'a*i9a0B ;ithout e8er (ein* t;ee. G0i artisti operano a0 9on7ine +e00a 9onos9en,aB 'etten+o in +is9ussione 0a nor'a0e per9e,ione +e0 'on+o e 9er9ano 0a +i'ensione 'eta7isi9a +e00Fessere u'ano. "(so0es9en,a e+ eni*'a a*is9ono +a 9ata0i,,atori in Juesto po0i7oni9oB esoteri9o pro*ettoB 9ostruito a partire +a un 0a(irinto +i ri7eri'enti 9he 8anno +a a09hi'iaB o99u0tis'oB speri'enta0is'o positi8isti9o e 7i0oso7ia spe9u0ati8aB 7ino a0 teatro +e00Fassur+o e a00a 7antas9ien,a. Ra99ontano i 'isteri e 0a 'a*ia +e00a naturaB 'etten+o in +is9ussione tutti i siste'i episte'o0o*i9i e i 'e99anis'i per9etti8i 9onos9iuti.

1E6 httpKNN;;;.re:tit0e.9o'NartistsNJoaoMariaGus'ao:3e+ro3ai8a.asp httpKNN'ousse'a*a,ine.itNarti9o0o.''O0an*PitQi+P14 httpKNN;;;.*uar+ian.9o.u#Nartan++esi*nN2515N7e(N5%N$oao:'aria:*us'ao:pe+ro:pai8a httpKNN;;;.youtu(e.9o'N;at9hO8P,ioshs=D*s#

25

ED ATKINS
3 e tric" 8rainB 2512 >i+eo Arsena0eB n. 5 Nato in C< ne0 12.2 >era 6A"GRA/AA EW nato ne0 12.2 ne0 Re*no CnitoB si L 7or'ato presso 0a S0a+e S9hoo0 o7 /ine Art a Lon+ra. Ha re9ente'ente esposto a00a Tate 6ritain H2511I. Sue persona0i si sono tenute in 'o0te i'portanti *a00erie Hes. Asa(e00a 6orto0o,,i Ga0erieI. LA>"R" ES3"ST"K the Tri9# 6rain H2512I a+apts a ree0 o7 7i0' shot in An+r@ 6retonFs 3arisian house (e7ore its 9ontents ;ere 9ontro8ersia00y au9tione+ o77 in 255%. At#ins inserte+ a series o7 his o;n 9o'puter:(u77e+ seJuen9es into the 9a'eraFs s0o; pan throu*h 6retonFs 9o00e9tion o7 eGoti9 9uriosities tri(a0 7etish o($e9tsB Surrea0ist paintin*sB spoo#y 'as#s an+ o8er0ai+ an o(s9ureB opaJue 8oi9e:o8er ri++0e+ ;ith pseu+o:'ysti9is' an+ ar9ane 8o9a(u0ary. At#insFs 8i+eo The Tri9# 6rain H2512I is (ui0t aroun+ ar9hi8a0 7oota*e o7 An+r@ 6retonFs persona0 'i9ro9os'bthe poetFs 8o0u'inous 9o00e9tion o7 rare (oo#sB paintin*sB an+ tri(a0 arti7a9ts. 1ith the tit0eFs su**estion o7 7ree asso9iati8e thin#in*B the ;or# is a #in+ o7 surrea0isti9 7u*ueB ;hi9h proposes that the o($e9ts a99u'u0ate+ o8er a 0i7eti'e (e9o'e a #in+ o7 9orpse a7ter the 9o00e9torFs +eath. This see's parti9u0ar0y appropriate in 6retonFs 9aseK his 9o00e9tion ;as 0e7t 8irtua00y untou9he+ 7or 'ore than three +e9a+es (e7ore (ein* au9tione+ o77 in a 'assi8e an+ 9ontro8ersia0 sa0e. An 0i*ht o7 thisB The Tri9# 6rain presents a 'u''i7i9ation o7 6retonFs 9orpseB ;hi9h sur8i8esB un9anni0yB e8en a7ter its +is'e'(er'ent. LA>"R" 3ACF /AM"S" <no;n 7or his hi*h:+e7inition 8i+eos that +e7y narrati8e 9on8entionsB E+ At#ins ;or#s ;ith 7i0'i9 an+ teGt: (ase+ 7or's in te9hno0o*i9a0 transition. The artist 9onsi+ers HD te9hno0o*y +eath0i#e (e9ause o7 ho; it intensi7ies the 8isi(i0ity o7 the 7i0'e+ su($e9tB 9reatin* an i'a*e that prioriti,es its o;n representation o8er the 0an*ua*eB 9hara9terB an+ e'otions o7 the 7i*ures it +epi9ts. "7ten 9reatin* insta00ations that in90u+e 9o00a*eB +ra;in*B an+ other 'e+iu'sB the artist +ep0oys this (o+i0ess 'o8ie 7or'at to hi*h0i*ht the 9on70i9tin* inti'a9ies that to+ayFs 'e9hanis's o7 9u0tura0 pro+u9tion represent an+ a00o; us to a9hie8e. 1E6 ;;;.;hite9hape0*a00ery.or*Npro$e9tsN;riter:in:resi+en9eNe+:at#insN(io*raphy e+at#ins.9o.u# #a0ei+os9ope:press.9o'Nissue:9ontentsNe+:at#ins:inter8ie;:(y:hans:u0ri9h:o(ristN

2&

PHILLYDA BARLOW
untitled5 an/in/lumpcoal8lac", 2012 : 3o0istiro0oB rete 'eta00i9aB po0iuretano espansoB 9e'entoB sa((iaB 8erni9eB 3>AB 22& G 1&. G 1&% 9' untitled5 an/in/lump, 2, 2012 : 3o0istiro0oB rete 'eta00i9aB po0iuretano espansoB 9e'entoB tessutoB intona9o 0e*anteB 8erni9eB sa((iaB 21& G 1 % G 1.% 9' untitled5 an/in/8loc", 2012 : 3o0istiro0oB po0iuretano espansoB pitturaB 8erni9eB 9e'entoB po08ereB 3>AB sa((iaB te0aB 222 G 2& G 1&5 9' untitled5 8ro"en8loc", 2012 : 3o0istiro0oB rete 'eta00i9aB 9e'entoB pitturaB 125 G 1% G 125 9' Arsena0eB n. 5 Nata a Ne;9ast0e upon TyneB G6 ne0 1244 B 8i8e e 0a8ora a Lon+ra Laura 6A"GRA/AA 3hy00i+a 6ar0o; ha stu+iato a00a )he0sea )o00e*e o7 Art e S0a+e S9hoo0 o7 /ine Art +o8e ha ini,iato poi a+ inse*nare. Tra i suoi stu+enti 9i sono no'i noti Jua0i Ta9ita DeanB Ra9he0 1iterea+ e Dou*0as Gor+on. Da0 2552 ha s'esso +i inse*nare per +e+i9arsi es90usi8a'ente a0 suo 0a8oro +i artista. Ne0 2511 0e L stato asse*nato i0 tito0o +i Roya0 A9a+e'i9ian. 3er +e9enni 0a sua atti8itS artisti9a si L 9on9entrata su opere +i pi99o0o 7or'atoB in*ran+itesi 9on i0 passare +e*0i anniBe rea0i,,ate 9on 'ateria0i a (asso 9osto Jua0i po0istiro0oB 0e*noB 'ateria0i +i s9arto 9he 8anno ri9ontestua0i,,ati per 9reare asse'(0a**i tri+i'ensiona0i astratti e apparente'ente insta(i0iB 9on 9ro'ie sinteti9he 7orti. An9he i suoi +ise*ni ri9hia'ano i 'ateria0i *re,,i e 0e 7or'e +e00e sue s9u0tureB pur non a8en+o un ruo0o preparatorio per Jueste u0ti'e. LWartista +es9ri8e 0e sue opere 9o'e (rutte 9opie +i Jua09osa +i 7isi9o o e'o,iona0e 9on 9ui si L re0a,ionata in passato. La 'e'oria 'an9he8o0e e inesatta +i Juesti in9ontri sta a00a (ase +e00e sue s9u0ture a'(i*ue. LWinter8ento su0 'ateria0e inerte L Juasi (ruta0e. An7attiB se9on+o 0a 6ar0o;B 0a s9u0tura +e8e essere o*ni 8o0ta +istrutta per 8enire +i 8o0ta in 8o0ta rein8entataB +istru,ione 9he 0ei 'ette in atto an9he rea0'ente ro'pen+o e ri9o00o9an+o pe,,i +e00e sue s9u0ture. LWartista a77er'a 9he 0e sue opere sono una 9o00e,ione +i atti 9he a+ un 9erto punto a9Juistano un si*ni7i9ato Ha posterioriI. LA>"R" ES3"ST" A0 0a8oro +e00a 6ar0o; risente +i una 7renesia 9reati8aB a 8o0te non pro*ra''ataB 9he +eri8a +a0 9ontatto +iretto 9on i0 'ateria0e +a 'ane**iare. A0 pro*ettua0e in9ontra i0 9asua0e 9ostituito +ai 'ateria0i e +a*0i spa,i +a pren+ere in 9onsi+era,ione. Le opere sono site spe9i7i9B 9reate 9on 0Wi+ea +i 'o+i7i9are i0 rapporto 9he i0 8isitatore ha 9on 0o spa,io. La 7rui,ione +e00Wopera non +o8re((e 7er'arsi a00o s*uar+o 'a 9oin8o0*ere i0 'o8i'ento +e00a persona 9he +e8e 7are i 9onti 9on *0i osta9o0i 7rapposti a0 suo passa**io. La pre9arietS apparente +e00e opereB in Juesto 9aso in9o'(enti e appese a0 so77itto 9o'e se 7ossero un paesa**io sospesoBentra in tensione 9on 0a 0oro 'onu'enta0itSB 0a 0oro Dpo'positS istitu,iona0eE +i o**etti ri: si*ni7i9ati. LA>"R" 3ACF /AM"S" Ne00a 'ostra StreetB 2515B 0Wartista propone o**etti ra99o0ti per stra+a B ri9ontestua0i,,ati e ri'ane**iatiB +ipinti in 'o+o +a +i8entare prota*onisti in8e9e +i ri'anere 'ar*ina0i ne0 8issuto Juoti+iano +e00a 9ittSK si tratta +i se*na0eti9aB tu(i +i p0asti9aB (annerB tutti o**etti +i un paesa**io ur(ano a0tri'enti anoni'o. La stra+a L un 0uo*o a0ta'ente 9ontro00ato e re*o0ato per 0a prote,ione +i 9hi 8i transita. =uesto porta 0Wartista a +o'an+arsi +i 9hi sia 0o spa,io +e00a stra+a e ne sottrae *0i o**etti 9on un atto 9he 0ei stessa +e7inis9e teatra0e per ins9enar0i in *a00eria. 1E6 httpKNN;;;.hauser;irth.9o'NartistsN55Nphy00i+a:(ar0o;N(io*raphyN httpKNNen.;i#ipe+ia.or*N;i#iN3hy00i+a[6ar0o; httpKNN;;;.*uar+ian.9o.u#Nartan++esi*nN2552N'ayN5&Nartist:;ee#:phy00i+a:(ar0o; 2

JESSICA JACKSON HUTCHINS

?ondamoo, 2011613 GessoB 9o00a*eB pennare00o a9ri0i9oB tessutoB 9era'i9as'a0tataB 1%& G 25 G 5 9' Lascau+, 2512 3o0tronaB 9era'i9a s'a0tataB 15 G .5 G 11% 9' <arpaccioB 251% >erni9eB tessutoB 9o00a*e e 9era'i9he s'a0tate su +i8ano in pe00eB 22 G 25 G .% 9' Arsena0eB n. 5 Nato a )hi9a*o ne0 12 1 B 8i8e e 0a8ora a 6er0ino Laura 6A"GRA/AA "r7ana +i 'a+reB ha a8uto unWa+o0es9en,a pro(0e'ati9a in9ana0an+o 0a sua DintensitS e'oti8aE ne00Warte. Ha stu+iato a00a Art S9hoo0 +i )hi9a*oB prin9ipa0'ente pittura 'a non senten+osi a suo a*io 9on 0Wi''a*ine Deroi9aE +e00Wartista pittore e 9on 0a per9e,ione 9he si ha +e00Wopera +Warte appesa a00e pareti. 3re7eris9e in8e9eB in Juesti pri'i anni +i atti8itSB 0a 9rea,ione +i parti +e0 9orpo 9he aiutassero si'(o0i9a'ente persone 9he so77ri8anoB per ese'pio una 0in*ua per Sy+ 6arrett o un 9uore per 6ryan 1i00son +ei 6ea9h 6oys. Ha superato una +ipen+en,a +a00Weroina e ha sposato i0 9antante Stephen Ma0#'us +a0 Jua0e ha a8uto +ue (a'(ine. La sua arteB a 8o0te 90assi7i9ata 9o'e 7e''inistaB L in rea0tS un pro9esso 9he reinte*ra ne*0i o**etti 9reati 0We'o,ione +e00a 8ita Juoti+iana. Re9uperan+o pe,,i +i arre+a'ento 9he portano i se*ni +e00Wusura e 8estiti +is'essi +a00a sua 7a'i*0ia 0Wartista 9rea +e00e entitS 9he 9o'uni9ano 0a sua 8isione persona0e +e0 'on+o. G0i o**etti ra99ontano 0e nostre storieB +i9e 0Wartista. An e77etti una 8o0ta 9reati 0Wattri(u,ione +i senso in Jua09he 'o+o 8iene +e0e*ata. Sono *0i osser8atori a 9a'(iare 9iU 9he osser8ano. A0 8a0ore eti9o +e00e opere L 'o0to i'portante per 0a Hut9hinsB ne0 senso +e00Wi'perati8o 9he 0Wespressione +e((a essere eti9a HLe8inas e Mauri9e 60an9hotI. La8ora 'o0to su0 9on9ento +i rete e 9ontin*en,a. Nonostante 0e sue opere non a((iano 7or'e i''e+iata'ente antropo'or7eB ri9or+ano 0a 7isi9itS u'ana attra8erso 0a 0oro 7ra*i0itS e 0a 0oro 9o00o9a,ione su +i8ani e 'o(i0i +is'essiB 'a an9he per 8ia +ei se*ni +i Jue00Wusura 9he 9e 0i ren+e 9osR 8i9ini a00a nostra esperien,a. 3ar0a +e00e sue s9u0ture in ter'ini 0in*uisti9i H i pie+ista00i sono 9o'e +e00e preposi,ioniI 'a a suo a88iso i +ipinti hanno +i piT un ana0o*ia 9on testi esp0i9ati8i 'entre 0e s9u0ture sono piT 7attua0i. JJH a'a 0Warte stranaB ne0 senso +i pro7on+a'ente 9aratteri,,ata e +i77i9i0'ente 9onos9i(i0e 7ino in 7on+o Hun poW 9o'e 0e sue 0etture +e00Wa+o0es9en,aB Mo(y Di9# e 0WC0isseI. A0 risu0tato +e8e essere unWopera 9he ha un si*ni7i9ato 'a 9onte'poranea'ente s7u**e 9ostante'ente a00Wattri(u,ione +i si*ni7i9ato. Ha pu((0i9ato i0 sa**io )on8i8iu' insie'e a Tho'as /isher ne0 2515 LA>"R" ES3"ST" Le tre opere esposte in9orporano 'o(i0io usatoB 9era'i9heB 8estiti in un insie'e su**esti8o 9he ri9hia'a nei tito0i a77initS 9on 0a storia +e00Warte H+a Las9auG a )arpa99ioI 'a 9he hanno a00o stesso te'po unWaria 7a'i0iare per 8ia +e00Wusura e +e00Wi'pronta persona0e. Le 7or'e in 9era'i9a sono 8a*a'ente (io'or7e e si a+a*iano 9o'e personi7i9a,ioni +i atti 'enta0i ne00o spa,io 9asa0in*o su**erito +ai 'o(i0i. LA>"R" 3ACF /AM"S" Cn ese'pio +e0 0a8oro +e00a Hut9hins potre((e essere )ou9h 7or a 0on* ti'eB +e0 2552B un +i8ano ri9operto 9on *iorna0i 9he riportano noti,ie +i "(a'a su0 Jua0e ha a+a*iato a09uni 8asi +i 9era'i9a. LWartista 8uo0e riportare 0Watten,ione su00Wat'os7era +i speran,a e e99ita,ione intorno a00e e0e,ioni +i "(a'a 1E6 httpKNN;;;.;'a*a,ine.9o'Nart+esi*nN2512N52N$essi9a:hut9hins:artist httpKNN(o'(site.9o'NissuesN112Narti90esN%52%

2.

KAN XUAN Millet Mounds Materia0e Arsena0eB n. 5 Nato a AnWhuiB )ina ne0 12 1 B 8i8e e 0a8ora tra A'ster+a' e 3e9hino Laura 6A"GRA/AA <an -uan nas9e a -uan )hen*B ne00a pro8in9ia +i AnhuiB ne0 12 2. ha stu+iato presso 0a )hina A9a+e'y o7 /ine Arts +i Han*,ou spe9ia0i,,an+osi in pittura a o0io. Ne0 1225 in9ontra *0i artisti speri'enta0i 4an* ?hen*,hon*B Gen* Jianyi e ?han* 3ei0i e parte9ipa a00e atti8itS +e0 *ruppo 4G155'2. Ne0 122& 8e+e 0a pri'a 'ostra +i 8i+eoarte or*ani,,ata in )ina K A''a*ine e 7eno'eniK una 'ostra +i 0a8ori 8i+eo +i 15 artistiB 'a 0a pri'a i'pressione 9he ne trae L ne*ati8aB ri7iutan+o i0 8i+eo 9o'e 'e,,o artisti9o. Da0 122.B +opo essersi tras7erita a 6ei$in* e a8er 0a8orato 9on i0 8i+eo'a#er Li 4on*(in ini,ia a+ interessarsi a0 8i+eo e a uti0i,,ar0o in 'aniera 'o0to persona0e in ter'ini +i 'onta**io. Mantenen+o 0a te0e9a'era 7er'aB 0Wartista +a risa0to a o**etti +i pi99o0o 7or'ato <an -uan appartiene a00a *enera,ione +i artisti 9inesi testi'one +e00o s8i0uppo +e00a 8i+eoarte in )ina e+ L proprio per Juesto 'oti8o 9heB pur uti0i,,an+o una 8arietS +i 'e,,i H7oto*ra7iaB insta00a,ioni 8i+eoIB 0Fartista si espri'e prin9ipa0'ente tra'ite opere 8i+eo. Dotata +i una 7ortissi'a i''a*ina,ioneB <an -uan presta unFatten,ione Juasi ossessi8a ai 9inJue sensi. A so**etti +e00e sue opere sono e0e'enti apparente'ente insi*ni7i9antiB o**etti +i uso 9o'une e situ,ioni +e00a 8ita Juoti+iana. A te'i 9entra0i +e00Fopera +i <an -uan sono i sensiB 0e re0a,ioni u'ane e 0Fi+entitS in+i8i+ua0e. Cna +e00e opere piT e'(0e'ati9he +e00Fartista re0ati8a a00a ri9er9a +e00Fi+entitS L <anGuand Aid An Juesto 8i+eo una *io8ane +onna inse*ue +isperata'ente se stessa 0un*o i 9orri+oi anoni'i +i una *i*antes9a 'etropo0itana. Se9on+o <an -uanB 0a prati9a +e00Farte L un 'o+o in 9ui esor9i,,are 0e paure 9o'e L +i'ostrato +a0 8i+eo intito0ato DLoo#in*B Loo#in*B Loo#in* /orEB in 9ui un ra*no si insinua ne00e parti e nei re9essi piT i'pensa(i0i +ei 9orpi nu+i +i un uo'o e +i una +onna e ri(a0tareB a0 te'po stessoB 9ate*orie e +e7ini,ioni +ate per s9ontate 9he nei 7attiB perUB sono se'p0i9e'ente i0 pro+otto +i una +eter'inata 9u0tura 9he 0FartistaB 9on 0Fausi0io +e00a 0e**ere,,a e +e00FironiaB se'(ra 8o0er insi+iare. An7ineB unFu0teriore 9aratteristi9a 9he per'ea 0e opere +i <an -uan L 0Finteresse per 0a sensua0itS. A0 8i+eo "($e9t *io9a su00e note ra77inate e 'ini'a0i +e0 (ian9o e neroK una serie +i o**etti H'oneteB 9ape00iB 0atteB 'ie0eB 9enereB e99.I sono 0as9iati 9a+ere 0enta'ente in un 9ontenitore trasparente pieno +Fa9JuaB 'entre una 8o9e ne in+i9a i no'i e i 9o0ori 9rean+o una strana sospensione 7ra rea0tS e 7in,ione. LA>"R" ES3"ST" i0 tito0o Mi00et Moun+s +eri8a +a00Wa(itu+ine +i +es9ri8ere 0e to'(e i'peria0i 9o'e 9o8oni +i pa*0ia. LWartista in7atti ha *irato 1 % 7i0' stop:a9tion 9he ripren+ono Jueste 8esti*ia +e0 passato stori9o 9ineseB a09une +e00e Jua0i sono +i8entate po0i +Wattra,ione turisti9aB a0tri in8e9e sono a((an+onati e in90usi nei paesa**i rura0i. La troupe +i 4 persone ha 0a8orato per 9ir9a 155 *iorni ne0 2512B per9orren+o 2..555 #' a00a ri9er9a +i Juesti 'onu'enti. <an -uan 9ata0o*a e persona0i,,a Jueste to'(e appartenenti sia a00a 'e'oria 9o00etti8a 9he a00a sua persona0e esperien,aB a0 passato e a0 presente Juoti+iano. A0 'e,,o 9he uti0i,,o L i0 suo iphone 9on i0 Jua0e s9atta 9entinaia +i 7oto 9on 0Wausi0io +i Jua09he app. Da o*ni 'auso0eo pre0e8a una pietra o +e00a terra i 9ui 9ontorni sono riportati su00a 0ista +ei 'auso0ei +ai Jua0i pro8en*ono. =uesti 9ontorni 9ostituis9ono un paese a se stante. A0 8ia**io 9he 9o'pie L an9he un 8ia**io a77etti8o ne00a sua storia e in ne00a 0un*a storia 9inese. A77er'a 9he +epone o*ni 8o0ta i0 suo 9uore in o*ni posto +o8e si L 7er'ata. Nonostante sia un 8ia**io a00a ri9er9a +i to'(e +i uo'ini i00ustri e a 8o0te +e0 0oro se*uito +i 9orti*ianiB inu'ati insie'e a 0oroB si tratta +i una ri9er9a su00a 8ita 9he 7ioris9e intorno a Juesti posti. A 8o0te persistono so0o nei ri9or+i +e00e persone an,iane 9he a(itano i0 posto e 9he in+i9ano 0a stra+a a00Wartista e a00a sua troupe. =ueste persone 8en*ono ritratte in Juesta spe9ie +i +iario per i''a*ini 9o'e parte +i ener*ia 8ita0e 9he 9oin8o0*e in pri'a persona 0Wartista stessa. 22

LA>"R" 3ACF /AM"S" Loo#in*B 0oo#in*B 0oo#in* 7or...B 2551 L un 7i0'ato +o8e un ra*netto 9a''ina per 1% ore su0 9orpo +i un uo'o e una +onna nu+iB esp0oran+o o*ni super7i9ie e ori7i,io. A0 risu0tato L a0 te'po stesso +istur(ante e 0u+i9o. La 9oppia non se'(ra per nu00a in7asti+ita e sorri+eB 9rean+o un senso +i in*enuitSB 0e**ere,,a 'a an9he triste,,a 1E6 httpKNN'us9reen.uts.e+u.auN<an[-uan[intre8ie;.ht' httpKNN;;;.*oo*0e.itNur0OsaPtQr9tP$QJPQesr9PsQ7r'P1Qsour9eP;e(Q9+P&Q8e+P5)/4=/$A/Qur0Phttph% Ah2/h2/;e(.rete.tos9ana.ith2/traartsiteh2/+o9h%/[/3[RE3[ADh%D555 2..<anh2525-uan.+o9QeiP: 2&1Caa)G?D6 A(;roGAD*Qus*PA/=$)N/45C+"1$nMs*?D&N%n*CNAA?( J*Qsi*2P/1M(a#Np17(:8r: JL2t5-;

%5

STEVE MCQUEEN =nce :pon a 3ime 2002 112 colour slides Arsena0e Ste8en Ro+ney MSte8eM M9=ueen )6E H(orn 12&2I is a Lon+on:(orn artist an+ 7i0''a#erB Sin9e 122 M9=ueen has 'a+e his ho'e in A'ster+a'. 6ar(ara

6A"GRA/AA M9=ueen ;as (orn in Lon+onB Cnite+ <in*+o'B an+ is o7 Grena+ian +es9ent. He stu+ie+ art an+ +esi*n at )he0sea )o00e*e o7 Art an+ Desi*n an+ then 7ine art at Go0+s'iths )o00e*e. He then stu+ie+ (rie70y at the Tis9h S9hoo0 in Ne; 4or# )ityB Cnite+ StatesB (ut he 7oun+ the approa9h there not eGperi'enta0 enou*h 7or hi'B 9o'p0ainin* that Mthey ;ou0+nWt 0et you thro; the 9a'era up in the airM. He ;on the Turner 3ri,e in 1222. An 255&B he ;ent to AraJ as an o77i9ia0 ;ar artist. The 7o00o;in* year he presente+ =ueen an+ )ountryB a pie9e ;hi9h 9o''e'orate+ the +eaths o7 6ritish so0+iers ;ho +ie+ in the AraJ 1ar (y presentin* their portraits as a sheet o7 sta'ps. M9=ueenWs se9on+ 'a$or theatri9a0 re0easeB Sha'eB is set in Ne; 4or# )ity. LA>"R" ES3"ST" "n9e Cpon a Ti'e. The i'a*es pro$e9te+ on s9reen 9o'e 7ro' the t;o >oya*er Go0+en Re9or+s 7ro' (oth >oya*er sate00itesB ori*ina00y 0aun9he+ in 12 B an+ sti00 hurt0in* throu*h spa9e. These i'a*esB 9o'(ine+ ;ith the soun+s o7 the ;or0+ Hinternationa0 'usi9B *reetin*s 7ro' aroun+ the ;or0+ in a nu'(er o7 0an*ua*esB rain 7a00in*B 0ips #issin*B et9.I ;ere 'eant to 9o''uni9ate the entirety o7 our 9i8i0i,ation to an inte00i*ent eGtraterrestria0 ra9e. M9=ueenB ho;e8erB opts out o7 the ori*ina0 au+io re9or+in*s that NASA in90u+e+ on the spa9e9ra7tsB rep0a9in* the' ;ith D*0osso0a0iaEB (etter #no;n as spea#in* in ton*ues. The i'a*es 9hosen (y )ar0 Sa*an an+ his NASA appointe+ 9o''ittee 9ontinue to 9o''uni9ate the rationa0B or+ere+ hu'an so9iety they inten+e+ in the 12 5Fs. 6ut the $uGtaposition o7 the non:sensi9a0 0an*ua*e that is *0osso0a0iaB pro8i+es a 9ritiJue o7 this 8ie; o7 hu'anity. Hu'ans are not as they appear on the Go0+en Re9or+. As 'any ha8e pointe+ outB so'e o7 the 'ost +e7initi8e i'a*es o7 our spe9iesB su9h as ;arB hateB an+ +iseaseB are 'issin*. 1ith a 9oarse 'iG o7 soun+s 7ro' the hu'an 'outhB M9=ueen sho;s 'an#in+ as the spe9ies o7 pri'ates ;e are. /urther'oreB 'u9h 0i#e the *a00ery:*oersB eGtraterrestria0 0i7e ;ou0+ 7in+ +i77i9u0ties un+erstan+in* the au+io that they hear+B i7 they in+ee+ 9ou0+ hear at a00. Thus M9=ueen +es9ri(es the ar(itrary nature o7 our 0an*ua*es an+ syste's o7 representation. An+B perhaps 'ore i'portant0yB he hints at the ar(itrary nature o7 our eGisten9e itse07. LA>"R" 3ACF /AM"S" DA 3"RTARE )"ME ESEM3A" # ame is a 2511 6ritish +ra'a 7i0' 9o:;ritten an+ +ire9te+ (y Ste8e M9=ueenB starrin* Mi9hae0 /ass(en+er an+ )arey Mu00i*an. 6ran+on HMi9hae0 /ass(en+erI is a su99ess7u0 an+ han+so'e thirty:so'ethin* a+8ertisin* eGe9uti8e 0i8in* an+ ;or#in* in Ne; 4or#. Distan9e+ 7ro' his sister an+ see'in*0y ;ithout any 90ose 7rien+sB he stru**0es ;ith a se9ret seGua0 a++i9tion. The 7i0' *rosse+ i1 'i00ion (y the en+ o7 its ;or0+;i+e theatri9a0 run. At is an approa9ha(0e un9o'pro'isin* +ra'a that 7iGes its *a,e on the uses an+ a(uses o7 the hu'an (o+yB as Mi9hae0 /ass(en+er strips hi'se07 +o;nB in e8ery ;ay an a9tor 9anB 7or M9=ueenWs ri*orous (ut hu'ane interro*ation. 6AENNALA 3ASSATE M9=ueen represente+ 6ritain at the 2552 >eni9e 6ienna0e ;ith Giardini H7i0'I. %1

1E6 httpsKNN;;;.9reati8ere8ie;.9o.u#N9r:(0o*N2552N$uneNste8e:'9Jueen:at:8eni9e httpKNNen.;i#ipe+ia.or*N;i#iNSte8e[M9=ueen[HartistI httpKNN;;;.artan+s9ien9e$ourna0.9o'NpostN5%5%545%12 Nste8e:'9Jueens:on9e:upon:a:ti'e:a'on*:the

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MATTHEW MONAHAN
ep aestus, si/ t unseen, role call oA 8onesB 251% Arsena0e n. 5 6orn in 12 2B Eure#aB )A Li8es an+ ;or#s in Los An*e0es E0isa(etta LA>"R" ES3"ST" Matthe; MonahanFs ;or# presents a 7uturisti9 ar9haeo0o*y. Dra;in* 7ro' a ;i+e ran*e o7 in70uen9esB 7ro' Mo+ernist art to an9ient tote'sB MonahanFs !arte7a9tsF are (oth 7a'i0iar an+ stran*e. /i0terin* histori9a0 'ytho0o*ies throu*h his o;n persona0 syste' o7 re7eren9eB a0tere+ 7urther throu*h the eGperien9e o7 'a#in*B MonahanFs ;or# a00u+es to a 9onte'porary spiritua0ityB ;here (eauty an+ (ruta0ity 9oa0es9e as 8irtua0 'onu'ents. An Ri#erFs As0an+B Monahan a+orns his 8itrine ;ith han+:9ra7te+ !re0i9sF. Non+es9ript an+ 90un#yB their p0ausi(0e 7un9tion is se9on+ary to their 'ateria0ityK ;aGB paperB an+ p0aster ta#e on (ar(ari9 7or'sB their te'pora0 'e+ia hu'orous0y su**estin* ti'e0essness. Monahan in8ents a para00e0 ;or0+ ;here the artist is 9reator an+ 9on$urer o7 ni*ht'arish 7antasy Sty0isti9a00y +ra;in* 7ro' )onstru9ti8ist artists su9h as Nau' Ga(o an+ Antoine 3e8snerB MonahanFs a(stra9te+ asse'(0a*es 9apture a 0ost spirit o7 i+eo0o*i9a0 inno9en9eX presente+ in 9onte'porary 9onteGtB they a0so a00u+e to its 9orruption. He in9orporates the i+ea o7 the tra+itiona0 p0inth as a +e8i9e that (oth 7ra'es the 7i*ure as an i9on. His startin* point is the 7a9eB he starte+ ;ith 9on9eptua0 art an+ then 0ater he +e9i+e+ to try ;ith 7a9es. !AtFs 0i#e ta#in* an a(stra9t 9on9ept an+ *i8e it a 7a9e a (o+y an+ so'e or*ans insi+eF. The 8ie;er *ets a sense o7 'inera0 7o0+e+ into the 'u0tip0e 7aja+es an+ e8ery ;or# is 9o'pose+ (y one resistant 'ateria0 p0us one po0ishe+ sur7a9eB a 9ontrast ;hi9h +ra'atises the i'a*e in or+er to 9reate har'a'ent an+ har+ s#in. )o0ours 9o'e 7or' the 'ateria0s an+ earth pi*'entsB use+ at +i77erent te'peraturesB so'e are 7use+ so they 9han*e 9o0our. No 7oun+ o($e9tB he +oes e8erythin* hi'se07B no te9hno0o*yB thin*s ha8e to (e pro+u9e+ (y the artist hi'se07. !No use o7 photo*raphyB no pro$e9tionsB no 'anneJuinsB no 0i8e 'o+e0sB no (o+y 9astsB no rea+y: 'a+esB no 7a(ri9ators an+ no sour9e 'ateria0. A a' pretty +o*'ati9 a(out thisF. Re70e9tion o7 his o;n (o+y as he sees itK it 9an (e that the 7i*ures +onFt ha8e a har'B heFs 0e7t han+e+ so o7ten the ri*ht ar' is 'issin*. !A +i+ 'a#e one trip that year to Ti(et an+ Nepa0;hi9h ha+ a hu*e i'pa9t on 'e (e9ause s9u0pture is rea00y use+ there to house spiritsB an+ there is a 7rea#y #in+ o7 i+o0atry. The pe+esta0s are 'y 9on9ession to the rea0 ;or0+. They are 0i#e a 'i++0e'anB a +ea0erB to stop the ;or# 7ro' *ettin* steppe+ on. A thou*ht that 'a#in* thin*s (i**er ;ou0+ 'a#e pe+esta0s o(so0eteB (ut A a9tua00y 0i#e the propriety an+ a0ienation they 9reate.F 1E6 httpKNN;;;.saat9hi:*a00ery.9o.u#NartistsN'atthe;['onahan.ht' httpKNN;;;.youtu(e.9o'N;at9hO8P*yyM4J-*"+M

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DANH VO Hoan/ Ly c urc , Thai 6inh 3ro8in9eB >ietna' 251% Le*noB a99iaioB pietra .rsenale, n% ( 12 5 6a Ra:>kn* TauB >ietna' A+oia 6A"GRA/AA 6orn in >ietna' in 12 5B Dahn >o es9ape+ ;ith his 7a'i0y in 12 2B atte'ptin* to rea9h A'eri9a on a (oat (ui0t (y his 7ather. 6ut 9han9e inter8ene+ an+ the 7a'i0y ;as pi9#e+ up (y a Danish 7ishin* 8esse0 an+ soon (e9a'e 9iti,ens o7 that 9ountry. At is in part >oFs history as a re7u*ee that has *i8en hi' a pro7oun+ un+erstan+in* o7 the i'portan9e o7 +o9u'entsB ;hi9h the artist has +es9ri(e+ as DeJui8a0ent to a per7or'an9eB sin9e throu*h paper an+ institutions our so9iety has a0rea+y +eter'ine+ our 'o8e'ents an+ a9tions.E He has eGhi(ite+ in the ;ho0e ;or0+. He is the ;inner o7 the 2512 Hu*o 6oss 3ri,e. His ;or# has (een eGhi(ite+ at the 1a0#er Art )enter in Minneapo0isBthe Art Anstitute o7 )hi9a*o the So0o'on R. Gu**enhei' Museu' in Ne; 4or#B the Mus@e +Wart 'o+erne +e 0a >i00e +e 3arisB <unsthaus 6re*en,B AustriaB a'on* other institutions. >o is represente+ (y the Marian Goo+'an Ga00ery in Ne; 4or# )ityX Ga0erie )hanta0 )rouse0B 3arisX Ga0erie 6u9hho0,B )o0o*neX an+ Asa(e00a 6orto0o,,i Ga0erieB 6er0in. LA>"R" ES3"ST" Throu*h per7or'an9e:(ase+ ;or#s inspire+ (y his 0i7e eGperien9es an+ histori9a00y ri9h rea+y'a+e o($e9tsB artist Danh >o interro*ates the 9onstru9tion o7 inherite+ 9u0tura0 8a0uesB 9on70i9tsB an+ +isp0a9e'ent. 1hen he ;as a 9hi0+B >oWs 7a'i0y 70e+ >ietna' an+ sett0e+ in Den'ar#. His ;or# +ra;s on persona0 an+ histori9a0 art 7a9ts that +ire9t0y an+ in+ire9t0y tou9h on this eGperien9e to eGa'ine ho; su9h ite's are +isperse+ a9ross (or+ers or sy'(o0i,e transnationa0 'o8e'ents. 1E6 DA RA/ERAMENT" httpKNN;;;.'arian*oo+'an.9o'NartistsN+anh:8Na httpKNN;;;.'useion.itNOpP1%%55

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EUGENE VON BRUENCHENHEIN

3itture 125 :&5 "0io su 'asonite /oto*ra7ie 124%:&5 Sta'pa +a +iapositi8a a 9o0ori Arsena0eB n. 5 1215 MarinetteB CSA 12.% Mi0;au#eeB CSA A+oia 6A"GRA/AA Eu*ene 7u pro(a(i0'ente uno +ei piT 9uriosi artisti outsi+er. Lui 8i8e8a 0a sua 8ita artisti9a nei 9on7ini +e00a sua 9asaB +i pro+urre arte 'era'ente per i0 (iso*no +i 9reare un 9ontesto e 9ir9on+are se stesso 9on unWa'(iente 'eno usua0e. Lui era nato in MarinetteB 1is9onsin 1215B sua 'a+re era 'orta Juan+o 0ui ne a8e8a so0tanto sette anni. A0 suo pa+re era un pittore 7a'osoB piT tar+i ha sposato una artista s9rittri9e 0a Jua0e ha s9ritto su00a e8o0u,ione e 0a rein9arna,ioneB 9he poi ha 7atto +i8entare pitture. Eu*ene ha i'parato pittura +i entra'(i suo pa+re e sua 'a+rina. Era an+ato a00a s9uo0a a Green 6ay e Mi0;au#eeB perU a((an+ona ne0 +e9i'o *ra+o per 0a8orare ne0 ne*o,io 7a'i*0iareB +i a0i'entariB una serra e un ne*o,io +i 7ioriB 0a8oran+o piT tar+i in un pani7i9io. Lui a9Juisisse un 9arattere so0itario ne0 1252. Se'(ra 9he 0Wartista a((ia pro+otto 9ento +i +ise*ni e pitture e si arran*ia per 9oprire o*ni sin*o0o an*o0o +e00a sua 9asa 9on i0 suo arte. La sua 9o00e,ione era 9onsiste8a in una astra,ione satura +i 9o0ori e apo9a0itti9a. La straor+inaria 9reati8itS +i Eu*ene *0i ha spinto a 9reare strane opere +i 7iori in 9era'i9aB pi99o0i 'o(i0i in 'iniatura e torri 7atte +a ossa +i po00oB *ran+i s9u0ture in 9e'entoB ha an9he s9ritto 9entinaia +i poe'i e+ a0tri s9rittiB e ha 7oto*ra7ato a sua 'o*0ie Marie 8estita 9on estra8a*anti 8estiti 9o'e si si tratase +i una pin:up in s9eno*ra7ie parti9o0ari. Ruth +e 4oun* <oh0er e Russe00 6o;'an +e00a John Mi9hae0 <o0her Arts )enter a She(oy*an ha s9operto i0 tesoro +e00a 9asa *a00eriaB e ha portato tutti i 0a8ori ne0 suo Arts )enterB e ha portato a8anti una esposi,ione a Ne; 4or# e 3hi0a+e0phiaB 0a 7a'i*0ia ha a8uto 0a possi(i0itS +i 8en+ere a09une opere a +i8ersi *a00eristi. Si9ura'ente Eu*ene non si L 'ai annoiato ne00a sua 8ita. LA>"R" ES3"ST" /oto*ra7ie Ne00e 'u0tip0i 7oto*ra7ie eroti9he +i Marie 0ei posa8a 9on +ei *ioie00i e9ono'i9i o i'pro88isattiB a+ ese'pio +e9ora,ione nata0i,ia. Tante +e00e sue pri'e i''a*ini in (ian9o e nero 7urono 9o0orate +a >on 6ruen9henheinB +otan+o a0 risu0tato +i un aspetto inJuietante. Ma*ari 0a parte piT s9ura +i Juesti retratti L 0a possi(i0itS +i intrare ne00Wuni8erso +e00a 9oppiaB +o8e si in+o8ina 0Win*enuitS +e00a 'o+e00o e 0a sua 7e+e ne00Warte +e0 suo 'aritoB ri70essa in 'i00e i''a*ini 9he s'ettono 9osR +i essere pri8ate Juan+o or'ai nessuno +ei +ue spera8a un ri9onos9i'ento. 3itture Le pitture +i Eu*ene >on 6ruen9henhein sono an9he esu(eranti. Non si a99ontenta 9on una *a''a +i 9o0ori 'a intenta +i in90u+ere 0Wintero spettro in o*ni uno +ei suoi +ipinti. App0i9a 0Wo0eo 9on 0e 'ani e 0o 7a s9i8o0are per 9reare e77etti or*ani9i ne00a rappresenta,ione +i 9reature 'arineB paesa**i 7antasti9i o esp0osioni nu90eari Hper9h@ +a*0i anni 55 era ossessionato +a00a Guerra /re++aI. 1E6 httpKNN;;;.the'a*a,ineantiJues.9o'Narti90esNeu*ene:8on:(ruen9henheinN2N httpKNN;;;.$son0ine.9o'N(0o*sNentertain'entN15 245& %.ht'0

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JACUB JULIAN ZIOLKOWSKI Doycemann, 2012 Bestiary, 2013 Emmama , 2013 Genesis, 2013 Genesis)<ryin/ Gala+ies, 2013 Genesis oA Eart , 2013 100 Eyes, 100 >in/ers, 2013 3 e Man ! o Lau/ s, 2013 3 e #leep oA ?eason, 2013 "0io su ta8o0aB o0io su te0aB +i'ensioni 8arie Arsena0eB n.5 Nato a ?a'os9B 3o0onia ne0 12.5. >i8e e 0a8ora a )ra9o8ia A0aria Si9ari 6A"GRA/AA A0 9arattere inJuieto e po9o in90ine a00e 9on8en,ioni so9ia0i +e00Fartista *0i L 8a0so piT 8o0te 0Fespu0sione +a00a presti*iosa A99a+e'ia +i (e00e arti Jan Mate$#o +i )ra9o8ia +o8eB tutta8iaB si L +ip0o'ato ne0 2555. Ne0 2555 espone a00a sua pri'a 'ostra persona0e a >ienna. Ne0 255. 8iene in90uso ne00a 0ista +ei 55 artisti 9he hanno preso parte a00a pri'a e+i,ione +e0 pro*etto DThe Generationa0K 4oun*er than JesusE HNe; Museu'B N4IB 9uratoB tra *0i a0triB +a00o stesso Massi'i0iano Gioni. Ne0 2515 parte9ipa a00a 6ienna0e +i G;an*$u H+irettore artisti9oK GioniI. LA>"R" ES3"ST" Le opere +i ?io0#o;s#i rappresentano una 9os'o0o*ia persona0e 7atta +i in7inite e 8erti*inose pro0i7era,ioni +i o99hiB or*ani sessua0iB 9orpi e (ran+e00i +i 9arne 9he 9reano un 'a*'a anato'i9o 'u0ti7or'e e+ in 9ontinua espansione. G0i inJuietanti paesa**i 'enta0i 9reati +a00Fartista sono ri99hi +i 9ita,ioni 0etterarie e+ i9ono*ra7i9he H+a 6os9h a 6a9onB +a 6or*es a Joy9eI reinterpretate se9on+o 0a persona0e 8isione +e00Fautore 9heB +e7or'an+o e p0as'an+o *0i e0e'enti +e0 'ito +e00a 9rea,ioneB *enera un 'on+o in 9ui os9eni +etta*0i anato'i9i si s9hiu+ono su (u0(i o9u0ari 9he sputano sper'a e+ in7ettano super7i9i in 9ui 7i0ia,ioni +i o99hiB +ita e nasi assor(ono 8o0uttuosi 70ui+i or*ani9i. Le 8isioni +i ?io0#o;s#i si 7anno portatri9i +i una 7or,a 9reati8a spesso turpe e 'a0ataB per7etta 'eta7ora +e00Fera 9onte'poranea in 9ui 0e ossessioni per i +etta*0i anato'i9i si 'o0tip0i9ano a00Fin7inito 7ino a 9u0'inare in un 8orti9e (ru0i9ante +i 9orpi s'e'(rati. 1E6 httpKNN;;;.;'a*a,ine.9o'Nart+esi*nN2515N5 N$a#u([$u0ian[,io0#o;s#i

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ROBERT CRUMB 3 e Boo" oA Genesis Illustrated, 2552 3enna e in9hiostro su 9arta Arsena0eB n. & Nato a /i0a+e07ia ne0 124%B 8i8e e 0a8ora in /ran9ia A0aria 6A"GRA/AA Ne0 12&5 si tras7eris9e a San /ransis9o e si a88i9ina a00a s9ena under/round +i 9ui +i8enta uno +e*0i esponenti +i spi99o *ra,ie a00e sue stris9e +i8enute un si'(o0o +e00a 9ontro9u0tura +i Jue*0i anni. /a9i0itato ne0 9o'pito +a00a s9operta +e00FLSDB )ru'( in8entU a09uni tra i persona**i piT 7a'osi +e00a storia +ei 9o'i9sB 9o'e Mr. Natura0 H*uru eroto'ane 9on *ra8i pro(0e'i +i +ipen+en,a +a sostan,e stupe7a9entiI e /rit, the )at H*atta99io ran+a*io 9on un +e(o0e per 0e +onne e 0a 8ita sre*o0ataI. Autore +i a09une tra 0e 9opertine +e*0i a0(u' 9he hanno se*nato 0a storia +e0 ro9# psi9he+e0i9oB 9o'e < eap 3rills H12&.I +i Janis Jop0in an+ The 6i* 6rother an+ The Ho0+in* )o'pany. LA>"R" ES3"ST" LFopera esposta in Arsena0e L una *raphi9 no8e0 9o'posta +a 9inJuanta 9apito0i +e0 pri'o 0i(ro +e0 >e99hio Testa'entoB o88ero 0a Genesi. A0 9o'p0eta'ento +e00Fopera ha ri9hiesto o0tre 9inJue anni +i 0a8oro per9h@ 9on i0 suo a'(i,ioso pro*etto )ru'( ha 8o0uto ren+ere in i''a*ini paro0a per paro0a i0 9ontenuto +e0 'ito +e00a 9rea,ione. An Juesto 0a8oro po9o per'ane +e0 tratto satiri9o +e0 )ru'( +e0 pri'o perio+oB n@ 0a sua 8ena ironi9a e spesso +issa9rante tro8ano spa,io in Juesta narra,ioneK *0i uni9i e0e'enti ri9onos9i(i0i rispetto a00a sua pro+u,ione pre9e+ente sono i0 tratto *ra7i9o e a09une 9aratteristi9he 9o'uni ne00a rappresenta,ione +ei 9orpi nu+i Hso**etto ri9orrente ne00a sua operaB spe9ie ne00e stris9e auto(io*ra7i9he 9he hanno 9o'e so**etto 0a sua 8ita 9oniu*a0e 9on 0a 'o*0ie A0ineI. 1E6 httpKNN;;;.9ru'(pro+u9ts.9o'N

SINICHI SAWADA Sen,a tito0o HJanusI, 2552:2555 : Sen,a tito0o H>o0to 9hio+atoIB 2555:255 : Sen,a tito0o H/i*ura 9on 9inJue 8o0ti e Juattro 9ornaIB 2555:255 : Sen,a tito0o H>aso roton+o 9on +ue testeIB 2555:255 Sen,a tito0o HRetti0eIB 2555:255 : Sen,a tito0o H>aso pie*ato 9on +ue testeIB 2555:255 : Sen,a tito0 : HH/i*ura 9on Juattro 8o0ti e Juattro 9ornaIB 2555:255 : Sen,a tito0o HTote' 9on se+i9i 7a99eIB 255&:255 Sen,a tito0o HDie9i paia +i o99hi e un+i9i 9ornaIB 255&:255 : Sen,a tito0o HTote' 9on Juattro 7a99e e Juattor+i9i 9ornaIB 255&:255 : Sen,a tito0o HTote' 9on sei 7a99eIB 255&:255 : Sen,a tito0o HRi99io 9on Juattro 7a99eIB 255&:255 : Sen,a tito0o HRi99io nano 9on sei 7a99eIB 255&:255 : Sen,a tito0o H/i*ura 9on Juattro 8o0tiB Juattro ore99hie e sette 9ornaIB 255&:255 Sen,a tito0o n.4B 2512 : Sen,a tito0o n.&B 2512 : Sen,a tito0o n.2B 2512 : Sen,a tito0o n.15B 2512 : Sen,a tito0o n.11B 2512 : Sen,a tito0o n. 1%B 2512 : Sen,a tito0o n. 2&B 2515:2511 : Sen,a tito0o n.2 B 25155:2511 Sen,a tito0o n. %2B 2515:2511 : Sen,a tito0o n.45B 2515:2511 : Sen,a tito0o n.45B 2552 : Sen,a tito0o n.4 B 2515:2511 Terra9ottaB +i'ensioni 8arie Arsena0eB n. & Nato a "tsu HGiapponeI ne0 12. A0aria

6A"GRA/AA Anternato in un ospe+a0e per persone a77ette +a ritar+i 'enta0iB Sa;a+a 9o'in9iU a 0a8orare ne00a panetteria +e00o stesso ospe+a0e. Ne0 2551B +opo a8er 7reJuentato un 0a(oratorio artisti9oB si appassiona a00a s9u0tura e+ ini,ia a rea0i,,are 7i*ure +i 9reta 9he rappresentano esseri i''a*inari. LA>"R" ES3"ST" A0 (estiario 9reato +a Sa;a+a L 9o'posto +a strani esseri +ai 'o0ti 8o0ti ri9operti +i a9u0ei 9he se'(rano 8o0er prote**er0i +a00e insi+ie +e0 'on+o esterno. Le sue 'a*i9he e 'ostruose 9reature se'(rano *0i i+o0i +i una 'ito0o*ia persona0e e rie8o9ano a00a 'e'oria anti9he statue tri(a0i e 7i*ure tote'i9he. Dopo a8er +ato 7or'a a00e sue 8isioniB Sa;a+a 9uo9e 0e sue 9reature in una 7orna9e s9a8ata ne00a terra e 0a 9ui te'peratura L 8aria(i0e Hpoi9h@ 8iene a99esa so0o +ue 8o0te a00FannoIB 9iU 7a sR 9he 0e s7u'ature +i 9o0ore +e00e statue siano +i8erse a se9on+a +e0 9a0ore +e00a 7ia''a. 1E6 httpKNN;;;.art(rut.9hNenN21554N155.Nsa;a+a::shini9hi

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ROSSELLA BISCOTTI La pri/ione della Giudecca, 2013 $realizzata per la ((M I%.%E%& Ansta00a,ione sonora f 9o'post Arsena0eB n. ne00a 9artina Nata a Mo07etta H6ariI ne0 12 . B 8i8e e 0a8ora a Rotter+a' >era 6A"GRA/AA Nata a Mo07etta H6ariI.Ne0 2555 L stata se0e,ionata per i0 )orso Superiore +i Arte >isi8a 9he o*ni anno si s8o0*e presso 0a /on+a,ione Ratti +i )o'o. Ha parte9ipato a +i8erse 'ostre 9o00etti8e in Ata0ia e a00FesteroB tra 9uiK ;oppiavN, una piccola rasse/na di videoarteB 3a0a,,o +e00e 3apesseB SienaB a 9ura +i M. Tone00iB H2552IX III Mostra d1.rt #onor y 0isualB )on8ent +e Sant. Au*ustRB 6ar9e00onaB Spa*naB H2552IX ?eactionB EGit ArtB 6roa+;ayB N4B a 9ura i J. Hane0 e 6. MartiB H2552I. Re9ente'ente i0 suo 0a8oro in:pro*ress Di0 pro9essoE L stato esposto a0 MA--A +i Ro'a H2511IB a Do9u'enta 1% H2512I e a E:/0uGB N4 H251%I. LA>"R" ES3"ST" LWista00a,ione presenta un 'onta**io +e0 'ateria0e sonoro ra99o0to +a00Wartista +urante un perio+o +i 0a(oratorio tenutosi presso 0a pri*ione 7e''ini0e su00Wiso0a +e00a Giu+e99a H>ene,iaI. 3er no8e 'esi 0a 6is9otti ha in9ontratoB +ue 8o0te 0a setti'anaB 0e +etenute +isposte a parte9ipare a0 pro*etto. Durante Juesti in9ontri 0e +etenute si sono ra99ontate i propri so*ni H0Wau+io +e00WoperaI. LWinsta00a,ione a terra 8uo0e rappresentare 0e 7or'e ar9hitettoni9he piT spesso presenti nei so*ni 9on+i8isiK 9orri+oi 9hiusiB stan,e an*uste... 0Winsta00a,ione stessa 8uo0e a8ere i0 ruo0o +i (arriera e 9ostrin*ere 0o spettatore a passar9i ne0 'e,,oB per 'isurare 9o0 proprio 9orpo ta0i spa,i an*usti. LWinsta00a,ione L 9ostruita 9on ri7iuti or*ani9i Hi0 pro*ra''a +i ri9i90a**io L stato a88iato ne00a pri*ione ne0 perio+o in 9ui 6is9otti era presenteI. Si tratta +i unWopera 9he in+a*a i0 ruo0o +e00Wistitu,ione 9ar9eraria e+ in *enera0e 0Win70uen,a 9he 0e istitu,ioni hanno su00Wi''a*inario u'ano. LWartista 0o +e7inis9eK Di0 'io u0ti'o 0a8oro in Ata0ia e per 0WAta0iaE. LA>"R" 3ACF /AM"S" A0 9ar9ere +i S. Ste7ano H2511IB 8i+eo:+o9u'entario e insta00a,ione. La 6is9otti a77ronta per 0a pri'a 8o0ta 0a te'ati9a 9ar9eraria in Juesto 0a8oro. A0 8i+eo +o9u'enta 0a 8isita 9he 0Wartista ha 9o'piuto presso 0a pri*ione +i S. Ste7ano Hstruttura panotti9a 9ostruita ne0 12 2 e+ in uso 7ino a0 12&.B 9o00o9ata su unWiso0a +e0 tirrenoX L i0 pri'o 9ar9ere a+ essere pro*ettato per 9ontenere es90usi8a'ente er*asto0aniI. LWartista 9hie+e a Ni9o0a >a0entino Hs9rittore e+ er*asto0ano 9on+annato per i 7atti +i terroris'o rosso +e*0i anni W 5I +i a99o'pa*nar0aB 0a 8isita si 9on90u+e ne0 9i'itero +e*0i er*asto0aniB un 0uo*o a((an+onato 9aratteri,,ato +a +e9ine +i 9ro9i sen,a no'eB +o8e o*ni anno unWasso9ia,ione or*ani,,a una 'ani7esta,ione 9ontro 0Wer*asto0o 9hia'ata Dporta un 7iore per 0Wa(o0i,ione +e00Wer*asto0oEX 6is9otti +e9i+e +i ri0an9iare 0We8ento e 0Wanno su99essi8o 'o0te persone si presentano. Durante 0a 8isita 6is9otti e suoi 9o00a(oratori rea0i,,ano +ei (assori0ie8i +i a09une ,one +e0 9ar9ereB ottenuti (atten+o una sotti0e 0astra +i 'eta00o 9o0 'arte00oX ta0i s9u0ture saranno poi parte inte*rante +e00Wesposi,ione e inten+onoB ne00e inten,ioni +e00WartistaB per'ettere a0 7ruitore +i 'isurare 0o spa,io 9ostritti8o +e0 9ar9ere attra8erso i0 proprio 9orpo. A0 ter'ine +e0 pro*etto 0a 9o00a(ora,ione tra 6is9otti e >a0entino 9ontinua e i +ue 9o'in9iano a s9ri8ersi 0ettere in 9ui si ra99ontano i so*ni 9he hanno 7atto +opo 0a 8isita a0 )ar9ere +i S. Ste7ano. Da Jui 0Wartista pren+e 0Wi+ea per 0a rea0i,,a,ione +e00Wopera presentata a00a 55l E.A.A. 1E6 ;;;.r !!"##$%&!' ((&.9o'

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ARTHUR BISPO DO ROSARIO

*%03, ) BotOes para paletP, so8retudo pereline, sedia e catene, carriola, carrousel, Bollitore e orinatoio60a/one in attesa, .uto in attesa, <olonia Guliano moreira, ;izionario dei nomi Ho 8iso/no di Queste parole scritte, Grande veliero, macum8ra, manto da rappresentazione, scatola per il pranzo rosa, un1opera cosR importante c e ci vollero 1'*2 anni per scriverla, a8itanti della terra Materia0i 8ari Ha *iS esposto ne0 1225 pa+i*0ione +e0 (rasi0e Arsena0eB n. E0isa(etta 6A"GRA/AA 6orn in 1252 in Ser*ipe in 6ra,i0Fs poor north eatsB +es9en+ent 7or' A7ri9an s0a8esB 6ispo as he is #no;nB his rea0 na'e ;as 1i0son Lm,aro ;as a sai0or an+ a (oGer (e7oreB Dis9har*e+ 7ro' the na8y 7or insu(or+inationB +o Rosmrio ;as a0;ays 'ore in90ine+ to 0ash out than see# +ip0o'a9yB ;hi9h su**este+ ear0y si*ns o7 his unru0y te'pera'ent an+ re*enerati8e persona0ity. Dia*nose+ ;ith s9hi,ophrenia in 12%.B +o Rosmrio ;as hospita0ise+ an+ su(seJuent0y in9ar9erate+ 7or 'ore than 55 years therea7terB +urin* ;hi9h ti'e he +e8e0ope+ an un9ons9ious a(i0ity 7or ta'e his ;i07u0 +iso(e+ien9e throu*h his p0ay7u0 o($e9ts. At 7irst he ;ent to Hospn9io Na9iona0 +os A0iena+os Hthe Nationa0 )0ini9 o7 A0ienate+ 3eop0eIB Ja9arepa*umB an+ then to the psy9hiatri9 institution o7 )o0onia Ju0iano Moreira. As the apo9rypha0 story has itB he entere+ a Rio 'onastery at 22 ;hi0e 9on+u9tin* an i'a*inary ar'y o7 an*e0s an+ announ9e+ he ha+ 9o'e to $u+*e the 0i8in* an+ the +ea+. He ;as pro'pt0y se9tione+ an+ spent 'ost o7 the rest o7 his 0i7e in the )o0onia Ju0iano Moreira 'enta0 hospita0 in Rio. ThereB 9on7ine+ in a atti9 roo'B he pro+u9e+ so'e thousan+ art ;or#s so'e han*in*B so'e 7ree:stan+in* are 9o8ere+ in ;or+sB o($e9tsB (its o7 ru((ishB anythin* 7ro' o0+ househo0+ ru((ish to ;or+s. LA>"R" ES3"ST" 6ispo 0o8e+ ;or+s an+ painte+ the' on (its o7 ;oo+ an+ 90oth ;hi9h he then arran*e+ into art;or#s. So'e are a0'ost *ra77iti. DMenta0 i00nesses are 0i#e hu''in*(ir+sK they ne8er 0an+B stay t;o 'eters o77 the *roun+BE sai+ 6ispo. Mu9h o7 his ;or# han*s (oth 0itera00y an+ 'etaphori9a00y in the air tooB as#in* Juestions that are (oth 8isua0 an+ eGistentia0. He sa; his ;or# as the 7u07i0'ent o7 a spiritua0 tas#. 6ispo +o Rosmrio ;as an auto+i+a9t ;hose ;or# ;as 0i'ite+ to the 'ateria0s a8ai0a(0e in his i''e+iate en8iron'entB (ut 'any 9on9epts o7 'o+ernity are to (e 7oun+ in his e'(roi+ery an+ asse'(0a*es. He (e0ie8e+ that he ;as Saint JosephB ;ho ha+ an apparition o7 Jesus in the 9o'pany o7 (0ue an*e0s. e8erythin* he +i+ an+ e8erythin* he 'a+e ;as in preparation 7or the Last Ju+*e'ent An his ho'e to;n o7 Japaratu(a it is tra+itiona0 7or 'en to +e8ote the'se08es to the s0o; an+ 'e+itati8e ;or# o7 se;in* the (anners an+ 9ostu'es 7or the pro9ession o7 the Ma+onna. He en$oye+ a spe9ia0 status as oppose+ to other in'ates an+ the institution ;as a #in+ o7 asy0u' 7or hi'B ;here he 9ou0+ pursue his (usiness in pea9e. 6ispoFs 9reations ;ere 'a+e in 9o'p0ete iso0ation 7ro' the art esta(0ish'ent. Ho;e8er his !outsi+erF art has 0on* (een 9e0e(rate+ 7or its s#i00 an+ i'a*inati8e approa9h to ;or#in* ;ith e8ery+ayB 7oun+ 'ateria0s. The art ;or0+ ;as so enthusiasti9 a(out this auto+i+a9t ;ho ha+ no re9ipro9a0 interest in it. His re90usi8enessB his 9on9entration on his ;or#B the 7a9t that he 9ontinue+ to 'a#e 9reati8e art re*ar+0ess o7 su99ess or 7ai0ure in the Moutsi+e ;or0+MB 0ent hi' a spe9ia0 aura that 0asts to this +ay. At has (e9o'e a rare 8irtue 7or artists not to +e7ine the'se08es (y their stan+in* on the art 'ar#et or to a9t in+epen+ent0y o7 the art ;or0+. His ;or#s ;ere not 'eant to (e so0+. He +ie+ in 12.2. An 12.2 a +o9u'entary ;as 'a+e an+ so'e o7 his ;or# in90u+e+ in an eGhi(ition at RioFs MAM 'useu'. At sho;s the thin 0ine ;i9h separates *enius an+ 45

'a+eness. Sin9e 2555 his o8er .5 ;or#s are at the Museu 6ispo +o Rosmrio Arte )onte'poranea in Rio +e Janeiro that is +e+i9ate+ to the artistWs entire 9o00e9tion. He 9o'p0ete+ o8er .5 art;or#s ran*in* 7ro' s9u0pturesB han+:e'(roi+ere+ (anners an+ *ar'entsB sho;9asin* the 8ariety an+ 9reati8ity o7 Arthur 6ispo +o Rosario. He ;as 9o'p0ete0y 7as9inate+ 7or the reappropriation o7 o($e9ts su9h as (uttonsB (ott0esB paperB 9ar+ an+ 9ut0eryB ;hi9h he 'anipu0ate+ to 9reate e0a(orate s9u0ptura0 pie9es. The +i8ersity o7 'ateria0sB ;hi9h so'eti'es 7or' a s'a00:s9a0e (ut 9o0our7u0 pat9h;or#B (ut ;hi9h 9an a0so (e as 0ar*e as (0an#etsB ha8e so'ethin* in 9o''on ;ith the arte po8era. H&! $r() *+&'+ +" !$* $! $ !,&r&(-$# . -r/"0 r$(+"r (+$/ (+" ,r 1-'( 2 ,-r" 'r"$(&3&(0) ,r 3"1 ( %" +&! !$#3$(& /. Har+0y art in the purest senseB +o RosmrioFs re9on7i*ure+ WtrashW ;or#s appear as so7t o($e9ts an+ +e9orati8e (annersB 9o'pose+ as auto(io*raphi9a0 e'(0e's. Cn0i#e the so0itary 9on7ine'ent that Ger'an <urt S9h;itters i'pose+ upon hi'se07B 6ispo +o Rosmrio ha+ that i'pose+ upon hi' an+ 7or a00 the years in 9on7ine'entB his +i0i*en9e an+ 9reati8ity pro8e+ his sa08ation. Re'inis9ent o7 the paper art o7 ear0y European 'onta*e an+ o7 A'eri9an 9o00a*e e'p0oye+ (y artists su9h as the Ger'an<urt S9h;ittersan+ the A'eri9anRo(ert Raus9hen(er*B +o RosmrioWs ;or# i00ustrates a personna0 approa9h to the 'any in70uen9es that he +re; on ;hi0st he ;as hospita0ise+. His ti'e in the na8y is 90ear0y pi8ota0 to the series o7 ;or#s that re9a00 his ear0y years o7 7ree+o'. /or instan9eB s9a0e+ +o;n ;oo+en sai0 (oats are pinne+ to*ether ;ith threa+s an+ ri((ons to 9e0e(rate his ti'e at sea. His +ays (oGin* are a0so re7eren9e+ throu*h a ;oo+en p0at7or' ;ith a pun9h (a*B 0a,i0y tire+ o77. "ther ;or#s in90u+e 9hi0+hoo+ a00usions su9h as sports (arsB e0e8ate+ 'iniature (en9hesB e0asti9 9hest eGpan+ers an+ a three tier po+iu' : a00 o7 ;hi9h are intri9ate0y ent;ine+ in a so7t s#in o7 (0ue threa+ an+ 'ar#e+ in unti+y 0etters. "ther ;or#sB su9h as a +e9orate+ si0# $a9#etB are eGtre'e0y e'(roy+e+. There are poe'sB (ut a0so a+8ertisin* 9opies 7or (i(0esB ;hi9h en+ ;ith the rather ironi9 9on90usion M(ut e8en ;ith the (i(0eB in the psy9hiatri9 ;ar+ one is a(an+one+M. An other teGtsB he 9o''ents on 9urrent e8ents or spea#s o7 an i'possi(0e 0o8e. The e'(roi+ere+ 0ettersB ;hi9h o7ten appear in 0ar*eB 90ear an+ sp0en+i+0y orna'enta0 7or'B are re'inis9ent o7 the in9una(u0a o7 'e+iae8a0 (oo#:'a#in* artsB or the 6ayeuG Tapestry. He 9o'pi0e+ 0ists o7 na'esB 9o0u'ns o7 nu'(ersB sortin* syste'sK thusB he ;or#e+ 9onstant0y on a 9ata0o*ue o7 his o;n 0i7e. He 9o'p0ete+ a0so entire topo*raphies o7 6ra,i0ian 0an+s9apes an+ 7i00e+ the' ;ith shipsB e'(roi+ere+ in 7ine +etai0. He near0y a0;ays use+ his 'ateria0s 7or a ne; interpretationK he turne+ (e+s ;ith si0# 9or+s into 9e0estia0 9hariots an+ (i9y90es into 1hee0s o7 /ortune. 1E6 httpKNN;;;.rioe9u0tura.9o'.(rNinstitui9aoNinstitui9ao.aspO0o9a0[9o+P112a H8i+eo 9on 0uiI httpKNNthe9u0turetrip.9o'Nsouth:a'eri9aN(ra,i0Narti90esNarthur:(ispo:+o:ros:rio:art:as:sa08ationN httpKNN;;;.9u0ture(ase.netNartist.phpO45&5

41

FR4D4RIC BRULY BOUABR4 "pere +a00a serie <onnaissance du mondeB 12.2:122& "pere +a00a serie .lp a8et BLtLB 1225:1221 3enna a s7eraB 'atita 9o0orata su 9artone Arsena0eB n. 122% ?@pr@*]@B )osta +WA8orio 3arti9ipa,ione in 6ienna0e ne0 122% A+oia 6A"GRA/AA DTro8are su00a s9ena +e00a 8ita u'ana una s9rittura spe9i7i9a'ente a7ri9ana. =uesto L i0 'io +esi+erioE )osa L 6oua(r@O s9rittoreB artistaB narratoreB 7i0oso7oB sa**ioB 'isti9oB in8entoreB ri9er9atoreB pa9i7istaB inse*nanteB poetaB 9o'uni9atoreB pro7etaB stu+iosoB ri9er9atoreB 8isionarioB osser8atoreB +o9u'entarista e ar9hi8ista +e0 'on+o 9he 0o 9ir9on+a. Rispon+ere a Juesta +o'an+aB si*ni7i9here((e ri+ur0o a una 9ate*oria 9he non *0i 9orrispon+e a77attoB +i8erse s7a99ettature 9on7or'ano 0a persona0itS +i 6oua(r@. Nato 11 'ar,o +e0 1221 a ?@pr@*uh@B in )osta DFA8orioB 'o+esto 7un,ionario +e00Fa''inistra,ione 9o0onia0e 7ino 0F11 'ar,o 124. in Sene*a0 e((e una ri8e0a,ione 9he 0o +esi*na8a 9o'e Cheik Nadro4B D9o0ui 9he non +i'enti9aEB Dio *0i a77i+a una 'issioneK in8entare una s9rittura pura'ente a7ri9ana e sa08are +a00Fo(0io 0a sua 9u0tura B5(56. )iU 0o spinse a 7on+are una sua propria re0i*ioneB 0F"r+ine +ei 3erse*uitatiB e a tras9ri8ere 0e ri8e0a,ioni ri9e8ute in un 'anos9ritto pu((0i9ato piu tar+i 9o'e Livre des Lois Divines. 6oua(r@ 9on+i8ise i0 suo a07a(eto 0o9a0e 9on 8arie or*ani,,a,ioni in Sene*a0 e in )osta +FA8orio e ne00a sua 9itta nata0e ?@pr@*]@B +o8e +i8ersi a(itanti +e0 8i00a**io e 'e'(ri +e00F"r+ine i'pararono a 0e**er0o e a s9ri8er0o 9orrente'ente. Tra 0e ri8e0a,ioni ri9e8ute +a 6oua(r@ 9FL i0 9on9etto 9he Dio e uno s9rittore eB se9on+o 6oua(r@ stessoB 0a Ds9rittura +i8inaE +i Dio e 9ostituita +a*0i o**etti ani'ati e inani'atiB +a*0i esseri 8i8enti e +ai 7eno'eni 7isi9i. LFartista 9re+e 9heB attra8erso tutti *0i o**etti e *0i esseri +e0 'on+oB Dio s9ri8a 9ontinua'enteB i'parten+o a00Funi8erso 0a struttura e 0a 7or'a 9he 6oua(r@ 9ontinua a re*istrare ne00a sua ra99o0ta +i +ise*ni. )o'p0eta'ente ins9ritto ne00a sua storia a7ri9ana e ne00a tri(T 6@t@B L 9itta+ino +e0 'on+o in 8irtT +e00a sua 9uriositSB +e00Winso0en,a +ei suoi s9rittiB e +e00Fanti9on7or'is'o +e00a sua 7or'a,ioneB /r@+@ri9 6ru0y 6oua(r@ L un sa**io 9he in9arna tutto 9iU 9he ora L in 8ia +i estin,ione. 6oua(r@ L un persona**io +i 'u0tip0i s7a9iature. "**i L 9onos9iuto e ri9onos9iuto ne0 'on+o +e00Warte +ai suoi +ise*niB ha parte9ipato ino0tre a nu'erose 'ostre +Warte 9onte'poraneaB 0Wu0ti'a 0a Do9u'enta 11. A . anniB /r@+@ri9 6ru0y 6oua(r@ in "99i+ente L 9onsi+erato un artista. LA>"R" ES3"ST" Ne0 12 5B 6oua(r@ 9o'in9ia a rea0i,,are 'i*0iaia +i cartes postales sui Jua0i +ise*na 9on 0a penna a s7era e paste00i 9o0orati e+ intorno ai Jua0i inseris9e un testo. E+ L 0a s9rittura Dun ri'e+io 9he 9o'(atte 0Fo(0ioE 9he 6oua(rL uti0i,,a per ra99ontar9i una storiaB unFi'pressioneB per riportar9i attra8erso 0a ri8e0a,ione +ei se*niB 0a 9onos9en,a uni8ersa0e. 6oua(r@ si i'pe*no an9he ne00a ra77i*ura,ione +e0 (@t@ Hun 0in*ua**io non s9rittoB Juasi estintoB ori*inario +e00a )osta +FA8orioIB a07a(eto pitto*ra7i9o +i o0tre Juattro9ento 9aratteri 9he +e7ini 5criture africaine. /r@+@ri9 6ru0y 6oua(r@ osser8a tutto 9iU 9he L su00a super7i9ie +e00e 9ose e 9i +S una 0ettura +i Jue00o 9he 8e+e su00a pe00e +e00e 9ose. Ne00a sua operaB a0 +i 7uori +e00Fa07a(eto 9he 0ui 9hia'a D)onos9en,a +e0 'on+oEB 4
Cheik Nadro anche un modello d'orologio della Swatch

The Bt syllabary was created for the Bt language of Ivory Coast in the 1950s by artist Frdric Bruly Bouabr. It consists of about 440 pictographic characters, which represent scenes from life and stand for single-syllable words in Bt. Bouabr created it to help Bt people learn to read in their language.

42

0a 'a**ior parte +ei suoi +ise*niB penso in parti9o0are a00a 0ettura +ei se*ni +i8iniB su00a 9o0aB su00Faran9iaB sui 7rutti in *enera0eB per 0ui L una s9rittura +i8inaB non 7a a0tro 9he osser8ar0aB ri8e0ar0a e tras'etter0aB Jua09he 8o0ta Juesti se*ni sono +iretta'ente 0e**i(i0i e 0ui 0i interpretaB 0i 9o''enta. =uan+o in8e9e sono in+e9i7ra(i0i 9e 0i ren+e 9osRB pre9isan+o +unJue 9he sono se*ni +i8ini e 9he 0Fuo'o ta08o0ta L pi99o0a 9osa per preten+ere +i a8ere una 0ettura inte00i*i(i0e +ei 'essa**i +i8ini. Traspose i *ero*0i7i9i su 9arton9ini +a s9he+ario inte*ran+oB ne00a tras9ri,ione 7oneti9a e ne00a 7or'a +i o*ni 0etteraB +ise*ni ispirati a 9ostu'i e tra+i,ioni. 6oua(r@ 9ontinuo a pro+urre 9entinaia +i +ise*niB arti9o0an+o 0e proprie esperien,e e osser8a,ioni attra8erso 0a sua esteti9a spiritua0e an9or9he u'anisti9aB i'pie*an+o 'ateria0i po8eri 9o'e paste00i e 'atite 9o0orateB su 9arta o 9arton9ino 7or'ato 9arto0ina. La serie aperta 9ui +ie+e ini,io ne*0i anni SettantaB <onnaissance du mondeB tra Jua0i #ym8oles et myt es H12. :12..I e L1:nivers H12. :12..I ripro+u9ono 0e 9on7i*ura,ioni 7or'ate +a so8rapposi,ioni e 9aratteristi9he 9o'uni tra i0 'on+o spiritua0e e Jue00o rea0e. A suoi +ise*niB 8i8a9i,,ati +a 'assi'eB sono stati presentati a0 pu((0i9o in *ran+i 'ostreB hanno se+otto i 9o00e,ionisti +FarteB 9o'e 0Fita0iano Jean 3i*o,,i He in7atti i +ise*ni in 'ostra apparten*ono a00a The 3i*o,,i & )o00e9tionI. LA>"R" 3AZ /AM"S" Lo s9he+ario (@t@ TAT"LA E ANNA DEA LA>"RA GAp 3RESENTATA AN 6AENNALE 3ASSATE 122% DTr@sor +e >oya*eE 1E6 httpKNN#yoart*a00ery.(0o*spot.itN2515N15N7re+eri9:(ru0y:(oua(re:9o0ui:9he:non.ht'0 httpKNN;;;.'issioni:a7ri9ane.or*Narti9o0iN%25[[6ru0y[6oua(re[piu[9he[un[artistaN

6 Jean Pigozzi (born 1952) is a businessman, art collector, philanthropist and photographer. Pigozzi has over the last twenty years assembled the worlds largest collection of contemporary African art. 4%

HARUN FAROKI 3ransmission $<ontatto&, 255 >i+eo a 9o0oriB 4%F Luo*o +i esposi,ioneK Arsena0eB n. Nato in Repu((0i9a )e9aB ne0 1244 A0aria 6A"GRA/AA Harun /aro#i ha 7reJuentato 0a Deuts9he /i0': un+ /ernseha#a+e'ie +i 6er0ino H12&& 12&.I e+ ha inse*nato a 6er#0ey +a0 122% a0 1222. Da0 255& a0 2511 ha inse*nato a00FA99a+e'ia +i (e00e arti +i >ienna. Durante 0a sua 9arriera ha *irato piT +i 25 7i0'B per 0a 'a**ior parte +o9u'entariB 0a8oran+o an9he a+ a09uni pro*ra''i te0e8isi8i per (a'(ini. Ne0 122. i0 /esti8a0 +i Lo9arno ha reso o'a**io a0 re*ista 9on una se0e,ione +i Juin+i9i +ei suoi 7i0'. LA>"R" ES3"ST" A0 0a8oro esposto a00a 55. Esposi,ione Anterna,iona0e +FArte sFintito0a 3ransmission H255 I. )on JuestFopera 0Fartista sFinterro*a su0 'o+o in 9ui 8iene preser8ata e tra'an+ata 0a 'e'oriaB s9e*0ien+o +i +o9u'entare i0 rapporto tra 0Fuo'o e+ i 0uo*hi sa9ri 9on una ri9er9a 9he a0terna a00e te'ati9he 9onnesse a00a s7era spiritua0e Jue00e 0e*ate a00a *estua0itS ritua0eK i0 9orpo +ei 7e+e0i +i8enta i0 9orpo so9ia0e su0 Jua0e per'an*ono 0e tra99e +e0 passato e +e00a tra+i,ione. LFin+a*ine su0 rapporto tra 0Fuo'o e 0a +i8initS 7atta si'u0a9ro in8ita a ri70ettere an9he su0 senti'ento re0i*ioso e 0e sue in7inite +e90ina,ioniB +a0 7anatis'o a00Fi+o0atria. A 0uo*hi s9e0ti per 0a rea0i,,a,ione +i Juesto 7i0'B perUB non so0o es90usi8a'ente sa9riB 'a 9ostituis9ono +ei 0uo*hi parti9o0ari in 8irtT +e0 rapporto spiritua0e 9he si instaura tra i0 8isitatore e+ i0 si'u0a9ro Hsia esso i0 Muro +e0 3ianto +i Gerusa0e''e o una 0api+e 9o''e'orati8a ai 9a+uti +e00a *uerra +e0 >ietna'I. La pietra 9ostituis9e spesso 0a 'ateria a 9ui 8iene a77i+ata 0a 'e'oriaB sia essa stori9a o re0i*iosaB per preser8are ne0 te'po 0a tra99ia +e00e 'ani +i Juanti ne hanno to99ato 0a 'ateri9a super7i9ie ne0 tentati8o +i 9reare un 9ontatto 9on 0Fi''ateri9a essen,a 9he si'(o0i,,a. A0tri 0a8oriK La 'a**ioran,a +ei suoi 7i0' trattano te'ati9he so9iopo0iti9he e in+a*ano i0 ruo0o +e00e i''a*ini 9on una 8ena spesso ironi9aB ri'ane**ian+o i0 'ateria0e 8isi8o pro+otto +a0 'on+o 9onte'poraneo ne00e sue piT +isparate 'ani7esta,ioni H7ra'es pu((0i9itariB seJuen,e +i 7i0'B +o9u'entariB pro*ra''i te0e8isi8i +Fintratteni'ento e+ in7or'a,ioneI 9on +ei 'onta**i stu+iati nei 'ini'i +etta*0i. Nei suoi 7i0' Harun /aro#i p0as'a un tessuto narrati8o 9apa9e +i ri9reare 0a 8erti*ine +e00e i''a*ini 9he Juoti+iana'ente assor(ia'o +a0 'on+o 9he 9i 9ir9on+aB +onan+o a0 'ateria0e *irato un nuo8o strato +i senso su**erito +a00a struttura 9o'positi8a +e00Fopera. 1E6 httpKNN;;;.7aro9#i:7i0'.+eN httpKNN;;;.i'+(.9o'Nna'eNn'52& 24%N

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PAPA IBRA TALL

<ontes et le/Lndes du #LnL/al 12&% Ara,,o A9ri0i9o su ta8o0a Gra7ite su 9arta Arsena0eB n. 12%5 Ti8aouaneB Sene*a0 A+oia 6A"GRA/AA 3apa A(ra Ta00 spent his years in 3aris in the heart o7 +is9ussions 9on9ernin* @e/ritude-B passin* 'any hours in the o77i9e o7 3r@sen9e A7ri9aineB rea+in* the ;or#s o7 )@saireB Da'asB Sen*hor.B 6ira*o Diop He ;as a stron* supporter o7 Ne*ritu+e i+easB returne+ 7ro' /ran9e in 12&5 to 9reate the Se9tion +e Re9her9hes en Arts 30astiJues NL*res HSe9tion 7or Resear9h in 60a9# 30asti9 ArtsI. An the tea9hin*sB he p0a9e+ parti9u0ar e'phasis on the use o7 Di+enti7ia(0eE A7ri9an su($e9t 'atter an+ en9oura*e+ ;hat he (e0ie8e+ to (e the natura0 artisti9 9reati8ity o7 the A7ri9an artist. He pre7erre+ not to o77er 7or'a0 instru9tion 7or 7ear it ;ou0+ (0o9# the 9reati8e output o7 his stu+ents. A0so one o7 his ta9#sB Ta00 sou*ht to +ee'phasi,e the i'pa9t o7 1estern e+u9ation on Sene*a0ese artistsB 90ai'in*B D;hen one 0ea8es the European s9hoo0s o7 7ine artsB one spen+s the neGt ten years o7 0i7e tryin* to un+o these 0earne+ ha(itsq "ne has to +o eGa9t0y the opposite o7 90assi9a0 e+u9ationE. An this respe9tB his 8ie;s re*ar+in* the A7ri9anFs 0yri9a0 an+ innate 9onne9tion ;ith rhyth'B e'otionB an+ sy'(o0is' e9hoe+ those o7 Sen*hor HLeopo0+ Sen*hor ;as the 7irst presi+ent o7 Sene*a0I. The 9ha00en*e ;as to in9orporate phi0osophi9a0 an+ so9io po0iti9a0 i+eas e'(o+ie+ in Ne*ritu+e +e(atesB anti9o0onia0 stru**0eB an+ post9o0onia0 aspirations into 9on9rete 8isua0 7or's. LA>"R" ES3"ST" <ontes et le/Lndes du #LnL/al DA thin# that ;eB as peop0e o7 Sene*a0B ha8e authenti9 8a0ues. )ertain inte00e9tua0sB ;ho ha8e 0i8e+ in Europe 7or a 0on* ti'eB ha8e (een 9ut o77 7ro' their roots so to+ay they are youn* A7ri9ans ;ho no 0on*er ha8e an atta9h'ent to their 9ountry. 1hen A returne+ 7ro' 3aris in 12&5B A thou*htB it ;as ne9essary to 0oo# ;ithin 7or these +eeper rea0ities an+ 8a0ues. At is 7ro' there that the ne; A7ri9an 9i8i0i,ation ;i00 9o'eE. An his resear9h 7or authenti9ityB Ta00 su99ee+e+ in +e8e0opin* a sty0e 7or ;hi9h he (e9a'e ;e00 #no;n. An 7a9tB ;hat has (e9o'e #no;n as Sene*a0ese eGpression is 'ost0y the sty0e o7 3apa A(ra Ta00. An his 9o'position the han+ o7 a s#i00e+ +ra7ts'an (e9a'e apparent. They ;ere 9hara9teri,e+ (y 70o;in*B sinuous 0ines ;hose 'o8e'ents en+o;e+ 7i*urati8e 7or's ;ith 8o0u'e ;hi0e si'u0taneous0y e'phasi,in* the 70atness o7 the pi9ture sur7a9e. These s;eepin* 0inesB ;hi9h see'e+ to ra+iate out 7ro' the 7or'sB pro+u9e+ (oth a stron* sense o7 'o+e00in* an+B throu*h their 'eti9u0ous app0i9ationB an eGJuisite +e0i9a9y. His tapestriesB the 'e+iu' in ;hi9h he eG9e00e+B ;ere eGe9ute+ in 'onu'enta0 s9a0e. The stri#in* $uGtaposition o7 (o0+ 9o0ours an+ *enerous use o7 pi9toria0 spa9e enhan9e+ the *ran+eur o7 ;or#s. The ri9hness o7 +ye+ ;oo0 see's to suit the 7o0#0ori9B 9e0e(ratory su($e9t 'atter. 1E6 httpKNNit.;i#ipe+ia.or*N;i#iNS9uo0a[+Warte[+i[Da#ar httpKNNen.;i#ipe+ia.or*N;i#iNN@*ritu+e httpsKNNen.;i#ipe+ia.or*N;i#iNL@opo0+[S@+ar[Sen*hor

7 8

Guardare il secondo link Guardare il terzo link

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AURELIEN FROMENT S<amillo1s IdeaT, 2013 >i+eo HD HsonoroI Arsena0eB N. . Nato a An*ers ne0 12 &B 8i8e e 0a8ora tra Du(0ino e 3ari*i Non ha 'ai esposto ne00e pre9e+enti e+i,ioni +e00a 6ienna0e +i >ene,ia 4a'ina 6A"GRA/AA Ha 9on+otto i propri stu+i artisti9i tra RennesB Nantes e Man9hesterB o88ero ha stu+iato a00F^9o0e R@*iona0e +es 6eauG:Artes +i Rennes e +i Nantes H+o8e si L +ip0o'ato ne0 2555I 'a an9he a00a Metropo0itan Cni8ersity +i Man9hester. Ne0 2515 ha esposto a00a 6ienna0e +i G;an*$u e ne0 2511 a Jue00a +i Lione. Ha a0 suo atti8o un 7ittissi'o 9arnet +i esposi,ioniB sia persona0i sia 9o00etti8eB para00e0a'ente a00e Jua0i s8o0*e an9he unFintensa atti8itS pu((0i9isti9a s9ri8en+o 0i(ri e sa**i +i arte e+ L presente in nu'erose i'portanti 9o00e,ioniB 9o'e Jue00a +e0 )entre 3o'pi+ou +i 3ari*i o i0 Mo'a +i San /ran9is9o. Y stato pre'iato a 6ar9e00ona e a Mu0house. A0 te'a prin9ipa0e +e00a sua arte L 0Fesp0ora,ione poeti9a +e0 potere se'anti9o +e00e i''a*ini e +e00a rea,ione +e0 pu((0i9o +inan,i a+ esseB non9h@ i 7eno'eni +e00a 'e'oria e +e00Fappren+i'ento e i 9on7ini tra 7i9tion e +o9u'entario. A ta0i s9opi e*0i uti0i,,a una 'o0tep0i9itS +i stru'enti espressi8iB +a00Finsta00a,ione a00a 7oto*ra7iaB +a00a s9u0tura a0 8i+eoB traen+o ispira,ione soprattutto +a0 9ine'a e +a0 'o+o in 9ui i0 si*ni7i9ato +e00e i''a*ini 'uta Juan+o se ne a0terano i0 'onta**io o 0a seJuen,a 0ineareK non L un 9aso 9he a*0i esor+i /ro'ent a((ia 0a8orato 9o'e proie,ionista in un 9ine'a 7ran9ese. LA>"R" ES3"ST" A0 8i+eo proposto a00a 6ienna0e 251%B o88ero D)a'i00oFs A+eaEB L stato *irato a0 Teatro "0i'pi9o +i >i9en,aB 0uo*o 9he per ra*ioni sia stori9he sia ar9hitettoni9he si presta per7etta'ente a+ in9arnare i0 9osi++etto Dteatro +e00a 'e'oriaE o Dteatro +e00a sapien,aE +i Giu0io )a'i00o De0'inio. )ostui era un 7i0oso7o e+ u'anista 8ene,iano +e0 !555 H14.5:1544I noto per a8er 9on9epito i0 pro*etto utopi9o +i un teatro rea0i,,ato sotto 7or'a +i e+i7i9io 0i*neoB 9on 0o spettatore a0 9entro +e0 pa09o e *0i attori intorno H9ioL ri(a0tan+o tota0'ente 0a prospetti8a tra+i,iona0eI e+ un siste'a +i asso9ia,ioni 'ne'oni9he per i''a*ini ta0e +a poter ar9hi8iare tutto 0o s9i(i0e u'anoB pre9orren+o 9osR i0 9on9etto +i en9i90ope+ia. Cn teatro 9osR 9on9epito a8re((e an9he +o8uto rappresentare 0For+ine +e00a 8eritS eterna e 0Fi''a*ine +e0 9os'o. LFattri9e teatra0e +e0 8i+eo +i /ro'ent re9ita Ho88ia'ente a 'e'oriaI 0Fintero testo +e00a storia +e00a 'ne'ote9ni9aB +a0 0iri9o *re9o Si'oni+e +i )eo H9o'une'ente a++itato 9o'e i0 9osi++etto Din8entore +e00a 'e'oriaEI 7ino ai 'eto+i sette9entes9hi +i Gre*or 8on /eina*0e so77er'an+osiB appuntoB su Jue00i +i Giu0io )a'i00o. )ostui e0a(ora 0a sua i+ea a partire +a00e intui,ioni +i )i9erone e =uinti0ianoB 9he 9o'e te9ni9a +i appren+i'ento +e00e ora,ioni su**eri8ano +i 8isua0i,,arne i 9ontenuti attri(uen+o a 9ias9una Dstan,aE +e00a 'e'oria unFi''a*ine. La 7i*ura +i Giu0io )a'i00o L 9o'unJue 'o0to 9ontro8ersaK e*0i in9ontrU a Mi0ano i0 so8rano /ran9es9o A 9he +i8enne suo 'e9enateB 'a 7e9e an9he 0a 9onos9en,a +i Eras'o +a Rotter+a'B 9he 0o +e7inR un (u77one e 0o prese in *iro +i9hiaran+o 9he non sape8a i0 0atino. Ma 0Futopia en9i90ope+i9a +i Giu0io )a'i00oB esatta'ente 9o'e Jue00a +i AuritiB era +estinata a non essere rea0i,,ataB poi9h@ non risu0ta 9he un prototipo +e0 teatro in Juestione sia 'ai stato 9ostruito. )iononostante Jueste strate*ie 'ne'oni9he possono essere 9on9epiteB proprio in 8irtT +ei ra99or+i tra i''a*ini e spa,i 7isi9iB 9o'e +e00e 8ere e proprie ar9hitetture i''a*inarie ispirate a0 tentati8o +i i''a*a,,inare ne00a 'ente u'ana tutto 0o s9i(i0eK una sorta +i 'e'oria i00i'itata 9heB a ri*oreB L stata rea0i,,ata so0tanto attra8erso i (ytes +i*ita0i e 0o spa,io +e00a Rete. Si ritiene 9he ta0e opera +i /ro'ent possa rappresentare 0Fi+ea0e estensione +i una pre9e+ente operaB o88ero una serie +i per7or'an9e a8enti a+ o**etto proprio a0 'e'oria HDLa 9hi77re S 0a 0ettreEB 2552I. LA>"R" 3ACF /AM"S" 4&

CnFopera in+u((ia'ente 'o0to rappresentati8a +e00Farte +i /ro'entB stretta'ente 9onnessa ai te'i +i Jue00a esposta a00a 6ienna0e +e0 251%B L un 8i+eo +e0 255 B DTh@gtre +e po9heEB in 9ui 9FL un i00usionista 9he su uno s7on+o nero +isponeB estraen+o0e +a0 9i0in+roB una serie +i i''a*ini +i 8ario *enere Hopere +FarteB i''a*ini +i uo'ini 9he prati9ano sportB s9enari natura0iB i00ustra,ioni anato'i9he et9.I. LFopera rie9he**ia 0Fesi(i,ione +i un 'a*o +e*0i anni F%5B ta0 Arthur L0oy+B +i8enuto 7a'osoB 9on 0Fappe00ati8o +i DHu'an )ar+ An+eGEB per 0a sua 9apa9itS +i estrarre +a00a tas9a o0tre 15555 9arte per intrattenere i0 pu((0i9o. Ne0 8i+eo i0 prota*onista tira 7uori 0e i''a*iniB 9he *0i 70uttuano intorno e 8en*ono +isposte in *ruppiB 9rean+o 9onnessioni e+ asso9ia,ioni nonostante 0Fapparente 9asua0itS ini,ia0e +e00a seJuen,a. Ta0e opera rappresenta an9he una 9ita,ione +e0 0a8oro +i A(y 1ar(ur*B 9he ne0 suo at0ante DMne'osyneE ra**ruppUB 9on ana0o*hi 9riteri asso9iati8iB i''a*ini +i +i8ersissi'a pro8enien,a attestanti 0a sopra88i8en,a +i anti9hi DpatternE i9ono*ra7i9i attra8erso 0e 8arie epo9he. 1E6 httpKNN;;;.'ar9e00ea0iG.9o'NartistesNoeu8resN1.1Naure0ien:7ro'ent httpKNN;;;.'oti8e*a00ery.n0NOpa*e[i+P14& httpKNN;;;.+o'us;e(.itNitNnoti,ieN2511N51N25Naure0ien:7ro'ent:a:'i0ano.ht'0

TAMAR GUIMARAES E KASPER AKHOJ sen,a tito0oO : 251% Arsena0eB N. . E0isa(etta 6A"GRA/AA Ta'ar Gui'arees ;as (orn in H(. 12& I6e0o Hori,onteB 6ra,i0. She 0i8es an+ ;or#s in )openha*enB Den'ar#. Her ;or# is resear9h (ase+B o7ten 'a#in* use o7 7oun+ 'ateria0 su9h as 7oun+ i'a*esB o($e9ts an+ +o9u'ents re0ate+ to 7a'ous as ;e00 as un#no;n 9hara9ters. This 'ateria0 is then 'anipu0ate+B re9o'(ine+B restru9ture+B reena9te+ an+ presente+ as 9ase stu+iesB *eneratin* asso9iati8e narrati8e threa+s in +o9u'entary or se'i:+o9u'entary 7i0'sB re9or+in*s an+ insta00ations. This ;or#in* 'etho+ is a 'eans (y ;hi9h Gui'arees in8esti*ates so9ia0 an+ po0iti9a0 stru9tures. <asper A#hr$ H(orn 12 & in )openha*enB Den'ar#I stu+ie+ at the Sts+e0s9hu0e in /ran#7urtB Ger'any an+ at The Roya0 Danish A9a+e'y o7 /ine Arts in )openha*en. <asper A#hr$ 9o'p0ete+ the 1hitney An+epen+ent Stu+y 3ro*ra'B Ne; 4or# in 2552. Re9ent so0o eGhi(itions in90u+e 7elcome $3= 3HE 3EE@I0.L& at <]nst0erhaus Stutt*art an+ "8er*a+en Anstitute 7or )onte'porary Art in )openha*en. His ;or# has a0so (een sho;n at Lu+0o; %.NGoethe AnstituteB Ne; 4or#X Art in Genera0B Ne; 4or#X 2.th Seo 3au0o 6iennia0B 6ra,i0. An 2515B he ;as an artist:in:resi+en9e at the 22th Seo 3au0o 6iennia0B as ;e00 as 30at7or' Garanti in Astan(u0B Tur#ey. His so0o eGhi(ition .Ater 3 e /air is 9urrent0y on 8ie; at 1ie0s )entre 7or )onte'porary ArtB 6russe0sB 6e0*iu'B an+ his 7irst (oo# .8stracta is 7orth9o'in* H)hristoph <e00er E+itionsNJR3 Rin*ierI. Gui'areesF resear9h:(ase+ pra9ti9e +ea0s ;ith the sta*in* o7 history. Gatherin* an+ 'anipu0atin* ar9hi8a0 i'a*es an+ teGtsB the artist in8esti*ates the re0ationship (et;een 0a(ourB 9u0ture an+ pri8i0e*e. Her spe9u0ati8e narrati8es are ea9h roote+ in 9o'petin* instan9es o7 'o+ernityB 7ro' the theatres an+ opera houses o7 1215s Lon+on to the 'o+ernist ar9hite9ture o7 1255s 6ra,i0. "7ten 7ore*roun+in* so9ia0 an+ 90ass stru9turesB they 9a00 into Juestion the ro0e o7 the 0e7t. . Man <alled Love *i8e an a99ount o7 /ran9is9o )an+i+o -a8ier H12152552IB a 6ra,i0ian psy9hi9 'e+iu' ;ho ;rote o8er 455 (oo#sB +i9tate+ to hi' (y the +ea+. Tra9in* an unusua0 re0ationship (et;een re+e'ption an+ 7or's o7 resistan9eB the ;or# +es9ri(es ho; -a8ierFs 8ersion o7 Spiritis' a0i*ne+ a00 too neat0y ;ith the 9onser8ati8e 8ie;s o7 the ru0in* 90ass +urin* the years o7 +i9tatorship in 6ra,i0 7ro' 12&4 to 12.5. The 8i+eo <anoas 9entres upon a 9o9#tai0 party at "s9ar Nie'eyerFs )asa +as )anoasX a 'asterpie9e o7 6ra,i0ian 'o+ernist ar9hite9ture (or+ere+ (y tropi9a0 $un*0e. An these se+u9ti8e surroun+in*sB ;e o8erhear snippets o7 *uestsF 9on8ersationsB ;hi9h ran*e 7ro' +is9ussions a(out the Jua0ity o7 the 9ha'pa*ne to the Juestionin* o7 Gi0(erto /reyreFs o(ser8ation that D6ra,i0 has an eroti9is' that trans9en+s ra9e an+ 90ass.E An the 8i+eo ;or# <anoas ;e 7o00o; the ;or# o7 the ;aiters at the 8i00a o7 the 6ra,i0ian star ar9hite9t "s9ar Nie'eyer +urin* a 9o9#tai0 party. The si0ent e77orts o7 the ;aiters 9ontrasts star#0y ;ith the +is9ussions o7 9ha'pa*ne Jua0ities (y the 'aster an+ *uests. Anstea+ o7 housin* 7or the 'assesB 'o+ernist ar9hite9ture in 6ra,i0 ;as in 'ost 9ases a 0uGury ite' 7or the ;ea0thyB an+ the ser8ants 90assesB an u(iJuitous rea0ity in the 'a9hine ;hi9h this ar9hite9ture ser8es. My initia0 i+ea is to 8isua00y repro+u9e the a99ounts ;hi9h he0pe+ to 7ue0 an+ 'aintain the *0a'orous i'a*e o7 this in+ee+ eGtre'e0y (eauti7u0 house : the p0ay o7 0i*htB the 9ur8esB ;aterB the At0anti9 7orest re'nants ;hi9h surroun+ itB et9q 3art o7 this pro$e9t is to resear9h on Nie'eyerFs in8o08e'ent ;ith the )o''unist party an+ his 8ie;s o7 ;hat ar9hite9ture 9an or 9annot a99o'p0ishB as ;e00 as the 9on70i9tin* 'eanin*s an+ purposes o7 'o+ernist ar9hite9ture ;ithin 6ra,i0ian so9iety. These ;ou0+ (e s9ripte+ as 0ines o99asiona00y inserte+ in the +ia0o*ue (et;een anony'ous 9hara9ters. The i'a*e o7 6rasi0 as an heroi9 para+ise is so'ethin* ;hi9h 9annor (e +enie+. The house ;as part o7 the 'ythi9a0 8ision o7 Rio as a +estination 7or eroti9 an+ so9ia0 eG9ess. the other *uests ;ere !p0ayin* the'se08esF to 8aryin* +e*rees. They ;ere p0a9e+ in pre9ise situations an+ as#e+ to repeat thin*s AF+ hear+ the' say (e7oreB either in pri8ate 9on8ersation or in pu(0i9 ta0#s A a' 9o00a(oratin* ;ith <asper A#hr$ on a pro$e9t 9o''issione+ 7or the Jeu +e 3au'e in 3aris. AtFs a s0i+e photo:no8e00a 9a00e+ The Last Days o7 1atteu. 4.

LA>"R" ES3"ST" >i+eo +o8e una 'e+iu' ri9ostruis9e 'enta0'ente 0a 'appa +e00e !9ittS transitorieF (asate su00a +es9ri,ione +i /ran9is9o )gn+i+o -a8ier. A77er'U +i posse+ere i0 _+ono +i par0are 9on *0i spiriti` +opo a8er 8isto 0o spirito +i sua 'a+re. Durante tutta 0a sua atti8itS +i 'e+iu' s9risse piT +i 455 0i(ri sostenen+o +i a8ere usato 0a psi9o*ra7iaB o88ero 0a s9rittura sotto 0a *ui+a +i uno spirito 9he inten+e 0as9iare un 'essa**io s9ritto o an9he un intero 'anos9ritto. La sua M*ui+a spiritua0eMB +i9e8aB era EmmanuelB uno spirito 9he a0 te'po +e*0i anti9hi ro'ani sare((e stato i0 Senatore 3u(0io Lentu0oB rein9arnatosi su99essi8a'ente in Spa*na 9on i0 no'e +i 3a+re Da'iano e in 3orto*a00o. Ha 7on+ato 0a 9ittS +i San 3ao0o. G0i s9ritti +i -a8ier sono 9onsi+erati +ai se*ua9i +e00o spiritis'o (rasi0iano e 'on+ia0e 9o'e 7on+a'enta0i per inte*rare 0a +ottrina spiritistaB soprattutto nei suoi aspetti prati9i. 1E6 httpKNN;;;.e:70uG.9o'Nannoun9e'entsNta'ar:*ui'araess:the:;or#:o7:the:spirit:para+eN httpKNN9entre7ortheaestheti9re8o0ution.(0o*spot.itN2511N51N9anoas:7i0':(y:ta'ar:*ui'araes.ht'0 httpKNN;;;.7ortes8i0a9a.9o'.(rN9t:pu(0i9NarJsN1..4%5.p+7 httpKNN;;;.+o'us;e(.itNenNartN2515N12N15N9on8ersation:;ith:#asper:a#h:$.ht'0

42

SHARON HAYES ?icerc e5 t ree, 2013 HD 8i+eo Arsena0eB N. . 6ar(ara 6A"GRA/AA Sharon Hayes ;as (orn 12 5 an+ 0i8es an+ ;or#s in Ne; 4or#. 255%K M/AB Cni8ersity o7 )a0i7orniaB Los An*e0es 1222:2555K 1hitney Museu' o7 A'eri9an Art An+epen+ent Stu+y 3ro*ra'B Ne; 4or#B N4 1222K 6AB 6o;+oin )o00e*eB 6runs;i9#B MEB Ma*na 9u' 0au+e 1221K TrinityNLaMa'a 3er7or'in* Arts 3ro*ra'B Ne; 4or#B N4 "8er the past ten yearsB Sharon Hayes has e'p0oye+ an art pra9ti9e that in90u+es 'u0tip0e 'e+iu'sb8i+eoB per7or'an9eB an+ insta00ationbto in8esti*ate interse9tions (et;een historyB po0iti9s an+ spee9h. Her ;or# is 9on9erne+ ;ith +e8e0opin* ne; representationa0 strate*ies that eGa'ine the present po0iti9a0 'o'ent. Seein* this present 'o'ent as a 'o'ent that rea9hes si'u0taneous0y (a9#;ar+s an+ 7or;ar+s. She (orro;s te9hniJues 7ro' theaterB 7i0'B anthropo0o*yB 0in*uisti9sB an+ $ourna0is'. LA>"R" ES3"ST" Ri9er9heK threeB 251% HD 8i+eo Sharon HayesFs ne; 8i+eo is a +o9u'entary a(out seGua0ity in A'eri9aB inspire+ (y the 7i0' Lo8e Meetin*s (y 3ier 3ao0o 3aso0ini. She ;as intereste+ in this 7i0' (e9ause it (rou*ht to*ether his poetry an+ po0iti9s in one pa9#a*e. At sho;e+ ;ho he ;as as a personB a po0iti9a0 7i*ureB as a *ay 'anB an+ as a 7i0''a#er. She is 7as9inate+ (y the 7i' an+ ;at9hes it !a00 the ti'eFB in her o;n ;or+s. An the 7i0' he unpa9#s an interse9tion (et;een the e'otiona0 0i7e o7 peop0eB the 'enta0 0i7e o7 peop0eB the seGua0 0i7e o7 peop0eB an+ the po0iti9a0 0i7e o7 peop0e. The ;or# in the 6ienna0e is one 9hapter o7 a ;or# that ;i00 *ro; to in90u+e the entire CSA. This 9hapter is a 0ar*e *roup o7 stu+ents in Ne; En*0an+B ;ho are stu+yin* at an a00:;o'enWs 9o00e*e. She 7in+s a00:;o'enWs 9o00e*es interestin* (e9ause the point !(a9#;ar+s an+ 7or;ar+sF. The se*re*ate+ seG e+u9ation 'o+e0 is so'ethin* that 'any uni8ersities in the CSA ha8e 'o8e+ on 7ro'B (ut the thin*s that 9o'es out o7 the stu+ent (o+y 9an (e 8ery pro*ressi8e. This is parti9u0ar0y true a(out eGperi'entationB *en+er i+entitiyB an+ seG. Gay 3o;er H7ro' 255 to 2512I 9o'(ines 1&'' 7oota*e o7 a 12 1 7orerunner to Ne; 4or#Fs Gay 3ri+e 'ar9h ;ith a 8i+eo o7 Hayes. An the 7or'erB shot (y a ;o'enFs 7i0' 9o00e9ti8eB ;e hear a 8oi9eo8er (y one o7 its 'e'(ersB 7e'inist i9on <ate Mi00ettB re'inis9in* a(out the +ayFs e8ents. Mean;hi0e Hayes o77ers a 'ore i'passi8e an+ phi0osophi9a0 a99ount. Thou*h sti00 inspirin*B the a9ti8ities +epi9te+ in the 7a+e+ histori9a0 7oota*e 7ee0 heart(rea#in*0y inno9ent an+ opti'isti9 in retrospe9t. This is Sharon HayesWs 7irst parti9ipation at the >eni9e 6ienna0e. 1E6 ;;;.sha,e.in7o httpKNN;;;.ti'eout.9o'Nne;yor#NartNsharon:hayes:theres:so:'u9h:i:;ant:to:say:to:you httpKNN;;;.0a(ienna0e.or*NenN'e+ia9enterN8i+eoN55:(2..ht'0

55

MATT MULLICAN :ntitled $Learnin/ Arom t at Person1s 7or", ?oom 1, , 4 (&B 2555 )o00a*e su 9artaB 'ontato su 0en,uo0a +i 9otoneB 12 f12 f 12 partiK 22 G 224 9' H9ias9unaB +i'ensioni tota0i 8arieI Le % stan,e apparten*ono a % Ga00erieN/on+a,ioni +i8erse :ntitled $Models oA t e <osmolo/y 1, 2, 3, , (&B 2512 S9u0ture in 8etro so77iato CSAB 1251 Arsena0eB n. 5. Marta ?anin 6A"GRA/AA Matt Mu00i9an ;as (orn Septe'(er 1.B 1251 in Santa Moni9aB )a0i7ornia. He is son o7 artists Lee Mu00i9an HA'eri9an painterI an+ Lu9hita Hurta+o HSurrea0ist painter 7ro' >ene,ue0aI. An spite o7 his parentsF artisti9 pe+i*rees the 7a'i0y ;as o7ten 7inan9ia00y strappe+. An an e77ort to e9ono'i,eB they 'o8e+ in 1255 to )ara9asB >ene,ue0a. Then in 125& they resett0e+ in Ne; 4or# )ity. Mu00i9an (e*an pie9in* to*ether the si*ns an+ sy'(o0s o7 +istant 9u0tures an+ 'u0tip0e ti'e perio+s in 'u9h the ;ay that his 7atherB a 9arto*rapher 7or the Cnite+ States Ar'y +urin* 1or0+ 1ar AAB ha+ 0earne+ to trans0ate 8ast (o+ies o7 0an+ an+ sea into an intri9ate series o7 pattern an+ 0ines. He ;as a0so in70uen9e+ (y his parentsF 9o00e9tion o7 "9eani9 an+ tri(a0 art. Ne; Guinea ar9hite9tura0 postsB Na8a$o ru*s an+ tote' po0es pur9hase+ 9heap0y +urin* the 7a'i0yFs eGtensi8e tra8e0s. An 1252B ;hen his 7ather ;on a Gu**enhei' 7e00o;shipB the 7a'i0y 'o8e+ to Ro'eB an+ the youn* Mu00i9an (rie70y +rea'e+ o7 (e9o'in* an ar9haeo0o*ist ;hen in 7ront o7 3o'pei. 6a9# in Los An*e0es he eGperien9e+ an epiphany ;hen he sa; "0+en(ur*Fs s9u0pturesB he (e9a'e a +e8otee o7 3op Art ;hi0e a'assin* a 9o00e9tion o7 7irst:e+ition 9o'i9 (oo#s. 6et;een his a9a+e'i9 stru**0es an+ his 'otherFs insisten9e that he repeat 15th *ra+e to a8oi+ the >ietna':era +ra7tB he ;as a0'ost 25 ;hen he *ra+uate+ 7ro' hi*h s9hoo0. 6y that ti'e he ha+ a0rea+y (ou*ht a Rapi+o*raph pen an+ ha+ 7i00e+ note(oo# a7ter note(oo#. 6e7ore *ra+uatin* he ;on a i1B555 9o00e*e s9ho0arship throu*h a s9hoo0 art 9o'petition ;ith his note(oo#s an+ 0ar*e:s9a0e +ra;in*s. He entere+ the )a0i7ornia Anstitute o7 the Arts in >a0en9iaB ;here he enro00e+ in John 6a0+essariFs D3ost: Stu+io ArtE 9ourse. Mu00i9an re9ei8e+ his 6/A 7ro' )a0Arts in 12 4. Mu00i9anWs ;or# has (een eGhi(ite+ nationa00y an+ internationa00y sin9e the ear0y 12 5s at 8enues in90u+in* The Metropo0itan Museu' o7 Art Ne; 4or#B Haus Der <unst Muni9hB Ger'anyB the Nationa0 Ga0erieB 6er0inB the Ste+e0i$# Museu' : S9hie+a'B Nether0an+sB Museu' o7 )onte'porary Art : Los An*e0esB an+ the Museu' o7 Mo+ern Art : Ne; 4or#. Mu00i9an has tau*ht an+ 0e9ture+ at )o0u'(ia Cni8ersityB Ne; 4or#B The Ri$#sa#a+e'ieB A'ster+a'B the Lon+on AnstituteB )he0sea )o00e*e o7 Art an+ Desi*nB En*0an+B The S9hoo0 o7 >isua0 ArtB Ne; 4or# a'on*st se8era0 others. Mu00i9an is represente+ (y Tra9y 1i00ia'sB LTD.B ManhattanB an+ Mai %& Ga0erieB ?uri9h. ST4LE AND )ARA)HTERASTA)SK His ;or# is 9on9erne+ ;ith syste's o7 #no;0e+*eB 'eanin*B 0an*ua*eB an+ si*ni7i9ation. Mu00i9an a0so ;or#s ;ith the re0ationship (et;een per9eption an+ rea0ityB (et;een the a(i0ity to see so'ethin* an+ the a(i0ity to represent it. DE8erythin* A +o has to +o ;ith the ;or0+ an+ ho; it is interprete+E. /or +e9a+esB he has (een 9o00e9tin* e8erythin* he 9an 7in+B su9h as ne;spaper 9uttin*sB 70a*s an+ (oo# 'at9hesB to 'ention on0y a 7e; o7 his pre7erre+ 7in+sB an+ inte*ratin* the' in see'in*0y or+ere+ syste's. 51

He 'a#es in8entories o7 the 7oun+ o($e9tsB an+ ar9hi8es an+ 9ate*orises the' a99or+in* to en9y90opae+i9 syste's. The (asi9 7un+a'enta0s o7 his syste' o7 or+er 9onsist o7 7i8e areas that +e7ine the +i77erent 7or's o7 per9eption. Mu00i9an in8ents syste's o7 si*ns an+ tries to sho; ho; they ;or#. /or this he has +e8e0ope+ pi9to*ra's the (est:#no;n one is G0en the 'at9hsti9# 'an :B sy'(o0sB 9o0ours an+ stru9turesB 7o00o;in* a DTra77i9 Si*nE sty0e. He 9o'(ines these ;i+e0y +i77erin* si*ns an+ 7or's o7 portraya0 +ia*ra''ati9a00y to 7or' a hi*h0y 9o'p0eG persona0 0an*ua*e syste'B ;hi9h he +o8etai0s ;ith a 9are7u00y 9oor+inate+ 9o0our syste'. A00 this is part o7 his persona0 'o+e0 o7 a 9os'o0o*y. This 9o0or:9o+e+ syste' o7 *raphi9B si'p0i7ie+ pi9to*ra's 9o8ere+ e8ery aspe9t o7 eGperien9eK (irthB 0i7eB +eathB hea8enB he00B ;or0+B si*nB an+ so on. So'e o7 the pi9to*ra's ;ere 'ar#e+ MCLLA)AN at the top to in+i9ate that this 9os'o0o*y ;as Matt Mu00i9anFs 9os'o0o*yB an+ his a0oneK The 7irst 0e8e0B the 0o;estB 9on9erns the physi9a0 ;or0+B the natura00y e8o08e+ an+ is in+i9ate+ (y the *reen 9o0or. The se9on+ 0e8e0 9on9erns the ;or0+ o7 hu'an (ein*s an+ their so9ia0 or*ani,ationsB +e7ine+ (y the 9o0or (0ue. The thir+ 0e8e0B ye00o;B pertains to the artisti9 9reati8ityX The 7ourth 0e8e0B (0a9# an+ ;hite instea+ a00u+es to the a(stra9tion o7 0an*ua*e The 7i7th 0e8e0B the 0astB re+B attests pure spiritua0 8a0ues. This ;as 9reate+ in its entirety (y t;e08e 7i*ures in 12.4B an+ stan+s at the apeG o7 the path that is 'eant to represent Mu00i9an in a00 his ;or#. At 9onsists o7 a ;ho0e syste' o7 si*ns that spea# o7 e0e8ation 7ro' the states to the 'ore su(0i'ate+ 'ateria0 eGisten9eB an+ ;hi9h is i+enti7ie+ in an in9rease in the re0ati8ity o7 the o($e9t to the uni8ersa0ity o7 the 9on9ept. LA>"R" ES3"ST" An 12.2 Mu00i9an hire+ a pro7essiona0 hypnotist to *ui+e a9tors throu*h s9enarios in ;hi9h they ;ere to eGperien9e a00 the sta*es o7 a 0i7eB 7ro' (irth to +eath. Au+ien9es respon+e+ poor0y to these per7or'an9esB Mu00i9an sai+B (e9ause they 7e0t he ;as su($e9tin* the a9tors to unne9essary psy9ho0o*i9a0 painB that he ;as (ein* a D7as9ist.E Mu00i9anB not ;antin* to upset his au+ien9esB 9orre9te+ this pro(0e' (y 'a#in* hi'se07 the su($e9t o7 the hypnoti9 in+u9tion. DLearnin* 7ro' That 3ersonFs 1or#E is an eGhi(ition Mu00i9an 'a+e at the Lu+;i* Museu' in )o0o*ne in 2555. That ;or# *re; out o7 a series o7 su9h per7or'an9es. An a typi9a0 pie9eB the artist is hypnoti,e+ an+ *i8en an open pro'pt Hsu9h as DGoo+ 'ornin*dEIB a7ter ;hi9h he (e*ins his eGperien9e asB in the artistFs ;or+sB That 3erson. That 3erson has a 9hi0+0i#e +e'eanor an+ his 8oi9e is +istin9t0y +i77erent 7ro' Mu00i9anFsbitFs hi*her an+ ;hinyB an+ 7eatures a 0ot o7 ;hee,in* an+ s'a9#in*. That 3erson a0so +oes a 0ot o7 ro9#in* an+ pa9in*B an+ o(sessi8e *runtin* an+ 'oanin*. That 3erson rese'(0es so'eone su77erin* 7ro' 'enta0 i00nessbor at 0east 'enta0 i00ness as it is typi9a00y portraye+ in 7i0's an+ T> sho;s. 6ut ;hat That 3erson pri'ari0y +oes is 'a#e +ra;in*sb0ots an+ 0ots o7 the'. So'eti'es theyFre s'a00 an+ inti'ateX other ti'es theyFre hu*eB 'ounte+ on (e+ sheets or 'a+e +ire9t0y on the ;a00. TheyFre 'ost0y 9a00i*raphi9. That 3ersonFs 9os'o0o*y is 'u9h 0i*hter than Mu00i9anFsbhis art;or# eGp0ores TruthB 6eautyB Lo8eB an+ 1or#b(ut itFs a0so 7u00 o7 senti'enta0 re7eren9es to pop an+ +o'esti9 9u0tureK 9o00a*es o7 star0ets an+ 3ottery 6arn interiorsB teGts ta#en 7ro' Star(u9#s pa9#a*in*. At a0so +isp0ays an o(session ;ith nu'(erin* an+ or+erB an+ ;ith +es9ri(in* the 9orre9t ;ay to parti9ipate in so9iety. That 3erson has a +istin9ti8e han+B (oth in s9ript an+ in +ra;in*B that is Juite +i77erent 7ro' the (0o9#y 0etterin* an+ si'p0i7ie+B har+:e+*e+ shapes that Mu00i9an e'p0oye+ in his ear0ier i9on ;or#s. AtFs ro(ust an+ 70o;eryB an+ has (een +es9ri(e+ as psy9he+e0i9. An so'e 9asesB itFs near0y 7e'inine in its s;oops an+ 9ur8es an+ (u0(ous en+in*s to 0etters an+ nu'(ersB an+ itFs tota00y se07:a(sor(e+ in the $oy o7 7or'in* its 9hara9ters. 1hen That 3erson is ;ritin* +o;n re9ipes or the 0yri9s to 0o8e son*sB his s9ript is pare+ +o;n a (itX ea9h 0etter rea9hes the sa'e hei*ht an+ ;i+thB an+ ;or+s +ire9t0y a(out one anotherB 'a#in* the teGt 52

1: 2: %: 4: 5:

+i77i9u0t to +e9ipher. At re9a00s 9hi0+renFs 7irst atte'pts at ;ritin* an+ e8o#es an inno9entB nai8e ;i00 to 9o''uni9ate. That 3erson isB in Mu00i9anFs ;or+sB an outsi+er +yin* to (e9o'e an insi+er. A(out the state o7 tran9eK D3eop0e o7ten as# 'e i7 A a' tota00y out o7 9ons9ien9e an+ the ans;er is noB A a' not tota00y out o7 9ons9ien9e. 4ou ha8e a #in+ o7 hyper:9ons9iousness as ;e00 E. )uriosityK G0enHnI Matt Mu00i9an ;as a0;ays intereste+ in the (i* Juestions o7 artb0i7eB +eathB representationB 9ons9iousness. Mu00i9an spent a 0ot o7 ti'e in the 5s per7or'in* eGperi'ents ;ith a sti9# 7i*ure na'e+ G0enHnI. An the +ra;in* o7 a stu+io he 'a+e Hto pro8i+e hi'se07 ;ith a post:stu+io stu+ioIB he set a(out pro8in* that G0enHnI ;as rea0 an+ 9ou0+ 7ee0 pain. He 'a+e hun+re+s o7 +ra;in*s to eGp0ore G0enHnIFs 8ita0ityK 'a#in* G0enHnI pri9# hi'se07 on the 7in*erB 7or eGa'p0eB an+ +e'onstratin* the +i77eren9e (et;een 0i7e an+ +eath (y +ra;in* a +ea+ sti9# 7i*ure in the roo' ;ith G0enHnIB ;ho ;as Her*oI a0i8e. HAs 7urther e8i+en9e o7 G0enHnIFs autono'yB Mu00i9an 90ai'e+ not to #no; i7 his na'e ;as spe00e+ ;ith a sin*0e or +ou(0e nI. 1E6 httpKNN;;;.tate.or*.u#N9onteGt:9o''entN8i+eoNper7or'an9e:'att:'u00i9an eGa'p0e o7 a per7or'an9e as 3 at PersonI httpKNN;;;.youtu(e.9o'N;at9hO8P"8n'/<Ge)/5

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MICHAEL SCHMIDT =pere senza titolo della serie SLe8ensmittelT, 2002)2010 /oto*ra7ie ):print H54 G .2 9ias9unaI Arsena0eB n. . Nato ne0 1245 a 6er0inoB +o8e tuttora 8i8e e 0a8ora Non ha esposto ne00e pre9e+enti e+i,ioni +e00a 6ienna0e 4a'ina 6A"GRA/AA Mi9hae0 S9h'i+tB (er0ineseB L or'ai 9onsi+erato uno +ei 'assi'i 7oto*ra7i te+es9hi 8i8enti. Si L ini,ia0'ente a99ostato a00Farte 7oto*ra7i9a in Jua0itS +i auto+i+attaB poi9h@ 0a sua pro7essione ori*inariaB intrapresa per 8o0ontS +ei *enitoriB era Jue00a +i a*ente +e00a po0i,ia +i 6er0ino "8est. A00FetS +i 25 anni in9o'in9ia in7atti a 7oto*ra7are ossessi8a'ente 0uo*hi e persone +e00a 9apita0e te+es9a +o9u'entan+one 0e nu'erose tras7or'a,ioni so9ia0i e po0iti9he e 7a9en+oneB per o0tre trentFanniB i0 te'a prin9ipa0e +e0 proprio 0a8oroB per 0o piT 9aratteri,,ato +a i''a*ini 9upe e in (ian9o e neroB rispetto a00e Jua0i 0e 7oto +i DLe(ens'itte0E rappresentano una no8itS e+ unFe99e,ione. A partire +a0 12 ha parte9ipato a 'o0te presti*iose esposi,ioniB non so0o in Ger'ania 'a an9he a Ne; 4or#B Lon+raB To#ioB Ro'aB Mi0anoB 6ruGe00es e a0tro8e. Tre anni 7a a09uni suoi 0a8ori +e00a serie D/rauenE sono stati uti0i,,ati 9o'e poster per 0a sesta 6ienna0e +FArte )onte'poranea +i 6er0ino +e0 2515. LA>"R" ES3"ST" Le8ensmittel L i0 risu0tato +i un 0a8oro +i ri9er9a 9he S9h'i+t ha 9on+otto per 4 anni H255&:2515IB in *iro per 'a9e00erieB super'er9atiB a00e8a'enti et9.B a0 7ine +i i00ustrare 0a situa,ione attua0e +e00Fin+ustria a0i'entare +e0 nostro 9ontinenteB Jua0e e'er*e nei nu'erosi 0uo*hi 8isitatiB Jua0i a+ ese'pio *0i a00e8a'enti itti9i in Nor8e*iaB i pani7i9i in+ustria0i in Ger'aniaB o 0e a,ien+e a+i(ite a00a tras7or'a,ione +e00e 'e0e in Ata0ia. LFappro99io +e00Fautore non pre8e+e 0a ri9er9a +i +etta*0i s9io99anti 'a L 9aratteri,,ato a0 9ontrario +a una 9erta atten,ione +o9u'entaria e 9riti9o:so9ia0eB se((ene e*0i 7a99ia espressa'ente atten,ione a non ren+ere ri9onos9i(i0e i0 0uo*o +i pro+u,ione +i o*ni sin*o0o pro+otto 7oto*ra7ato. S9h'i+t si 0i'ita inso''a a 9onstatare 9o'e *0i esseri u'aniB *0i ani'a0i e 0a natura siano s7ruttati a 'oF +i pe+ine +e0 9o0ossa0e in*rana**io +e00a pro+u,ione +i 'assa +ei paesi in+ustria0i,,atiB i 9ui i 9onsu'atori sono spettatori a0 te'po stesso 9onsape8o0i e+ i'potenti. Si 8a +a00a 'e0a 8er+e a0 9a'po +i rapeB +a00a 'a''e00a *on7ia +i una 'u99a 9he sta per essere 'unta a00a 9onta+ina +i spa00e pie*ata a0 'o'ento +e00a ra99o0taB +a00o sJua00ore +e00a 8e+uta +i una 7a((ri9a a0 7rutteto intra8isto +ietro un re9into +i 7i0o spinato. La su99essione e 0Fa99u'u0o +i i''a*ini inerenti a0 'e+esi'o so**etto rappresenta ino0tre un te'a spe9i7i9o +e00a poeti9a +i S9h'i+t poi9h@B 9o'e e*0i stesso a77er'aB in 7oto*ra7ia D1 f 1 P %EB 9ioL 0a per9e,ione so**etti8a +e00e i''a*ini si 'o+i7i9a e si arri99his9e sensi(i0'ente +ato 9he sostiene 0Fautore D=uan+o +ue i''a*ini sono *iustapposte 0Funa a99anto a00Fa0traB esse 9reano una 9o'(ina,ioneB s8i0uppano un ar*o'ento ta0e per 9ui +a esse e'er*e una ter,a i''a*ineE. Di 9onse*uen,aB in Le8ensmittel i0 tutto L netta'ente superiore a00a so''a +e00e sin*o0e partiB 9ioL 0a seJuen,a +e*0i s9atti ha 0e 9aratteristi9he +i un 9i90o in 9ui o*ni i''a*ine arri99his9e i0 te'a 9entra0e s8i0uppan+one un aspetto parti9o0are e 9oor+inan+osi a00e a0tre in 'o+o +a arti9o0are un +is9orso 9o'p0esso. A ta0 7ine an9he a09uni espe+ientiB 9o'e a+ ese'pio 0a *iustapposi,ione +i 7oto i+enti9he 9aratteri,,ate +a 'o+i7i9he 'ini'eB sono 7un,iona0i a0 per9orso unitario +i 9ui sopra e sensi(i0i,,ano 0o spettatore su a09uni +etta*0i. Se9on+o a09uni 9riti9i 0Fu0teriore pre*io +e0 0a8oro +i S9h'i+t 9onsiste poi ne0 rius9ire a 'ostrare uno s*uar+o e'pati9o per7ino +inan,i a00Fi''a*ine +i un 9i(o tota0'ente +epri8ato +e00a sua 7un,iona0itS e +e00e sue prero*ati8e tipi9he. La serie 7oto*ra7i9a L stata an9he ra99o0ta in un 0i(ro insi*nito +e0 Gour'an+ 1or0+ )oo#(oo# A;ar+ 251%. LA>"R" 3ACF /AM"S" Ne00Fintera pro+u,ione artisti9a +i S9h'i+t 0Fopera 9onsi+erata piT a'(i,iosa e+ in9isi8a L 0a tri0o*ia su00a 9ittS +i 6er0inoB i0 9ui u0ti'o 9apito0oB o88ero i0 pro*etto :@)I)3B H1221:1224I ana0i,,a 0a storia +e00a 54

Ger'ania +e00a se9on+a 'etS +e0 No8e9ento. La serie 7oto*ra7i9a in90u+e i''a*ini +i 8ario *enereB +ai ritratti +i *io8ani 9onte'poranei a00e 7oto +i pa*ine +i *iorna0i e +i 8e99hi +o9u'enti 9he e8o9ano *0i spettri +e0 9o'unis'o e +e0 na,i7as9is'oB in una su99essione e'oti8a'ente 'o0to pre*nante in 9ui e'er*ono i si'(o0is'i e 0Fi9ono*ra7ia +ei siste'i po0iti9iB 0e 0oro propa*an+e e i 'o+e00i +i u'anitS 9he essi pro*ettano. A0 tito0o :n)i)ty +eri8a proprio +a00Fintento +i esp0orare 0FunitSB o88ero 0o stretto rapporto tra in+i8i+uo e statoB e8i+en,ian+one +is9repan,e e 9orre0a,ioniB 9on unFa'pie,,a e+ una pro7on+itS +i introspe,ione psi9o0o*i9a ta0i +a a8er in+otto i 9riti9i a 9onsi+erare JuestFopera +i S9h'i+t 9o'e una sorta +i i+ea0e 9o'p0eta'ento +ei DRitratti +e0 8entesi'o se9o0oE +i Au*ust San+er. 1E6 httpKNN;;;.nor+enha#e.9o'NphpNartist.phpORe7ADP 5 httpKNN;;;.*oethe.+eN#ueN(#uN#paN+e2145%.&.ht'

55

PAWEL ALTHAMER .lmec 62011 30aster an+ p0asti9 Arsena0eB N. 2 6ar(ara

6A"GRA/AA 3a;et A0tha'er H(orn 12& I is a 9onte'porary 3o0ish s9u0ptorB 9o00a(orati8e artistB an+ 9reator o7 insta00ations an+ 8i+eo art. He stu+ie+ at the 1arsa; A9a+e'y o7 /ine Arts (et;een 12..:122%B earnin* a +e*ree in s9u0pture un+er 3ro7 Gr,e*or, <o;a0s#i. An 1221B he (e*an eGhi(itin* his ;or#sB a0on* ;ith 9o00ea*ues 7ro' the <o;a0s#i stu+ioB in90u+in* <atar,yna <or,yraB Ja9e# Mar#ie;i9, an+ Ja9e# A+a'as. He ;as a 9o:7oun+er o7 the <o;a0nia HMS'ithyMI *roupB a 0ea+in* 9o00e9ti8e o7 youn* 3o0ish artists in the 1225s. An 2554B A0tha'er re9ei8e+ the presti*ious >in9ent >an Go*h 6iannua0 A;ar+B 7oun+e+ (y the 6roere )harita(0e. LA>"R" ES3"ST" ALME)H. /or the 55th >eni9e 6ienna0eB A0tha'er has insta00e+ a ne; iteration o7 .lmec , his 2511 9o''ission 7or the Deuts9he Gu**enhei'. Li#e the pre8ious insta00ationB this ne; pie9e is pro+u9e+ in 9o00a(oration ;ith A0'e9hB the s'a00:s9a0e p0asti9s 'anu7a9turer 7oun+e+ (y A0tha'erWs 7ather. HereB ho;e8erB A0tha'er has 9onstru9te+ 0i7e si,e s9u0ptures o7 0o9a0 >enetiansB 9astin* their han+s an+ 7a9es in p0aster (e7ore $oinin* the' to (o+ies that are 9o'pose+ o7 eGtru+e+ ri((ons o7 ;hite p0asti9. Hu++0e+ to*ether 0i#e a her+ o7 0ost sou0sB the 7inishe+ statues present a *host0y portrait o7 the 9ityB an+ (rin* to 'in+ A0tha'erWs astute assertion. DAt is a 'a$or a9hie8e'ent to rea0i,e that the (o+y is on0y a 8ehi90e 7or the sou0E An his art 3o0ish artist 3a;e0 A0tha'er 9o'(ines the 8isua0 eGperien9e ;ith su**esti8e so9ia00y:'in+e+ 'essa*es. His artisti9 pra9ti9e is (ase+ on a parti9ipati8e approa9h to artB 7oun+e+ on the (e0ie7 that art 9an i'part 9han*e. Sin9e A0tha'erFs 7o9us is on the 9o''uni9ati8e an+ 9o''unity:7or'in* po;er o7 artB so'e o7 his ;or#s 0ea8e har+0y any 'ateria0 tra9eB (ase+ on the 0i8e s9u0ptura0 an+ per7or'ati8e tra+itions. So'e ;or#sK Many o7 A0tha'erWs pro$e9ts 'iGe+ rea0ity ;ith artB 'a#in* art part o7 rea0ity or usin* it as a preteGt 7or a9tion. That ;as the 9ase in 2555 ;hen the artist as#e+ the resi+ents o7 a 0ar*e to;er (0o9# in 1arsa;Ws 6ru+no +istri9t to turn the 0i*hts in ea9h apart'ent either on or o77 so that they 7or'e+ the pattern o7 nu'(ers M2555M H 6ru+no 2555IB turnin* a happenin* into a sort o7 0o9a0 9o''unity e8ent. A0tha'er ;as part o7 the so:9a00e+ <o;a0s#i Stu+io at the 1arsa; A9a+e'y o7 /ine ArtsB a0on* ;ith 'any o7 to+ayFs 0ea+in* *eneration o7 3o0ish artistsB in90u+in* Artur v'i$e;s#i an+ <atar,yna <o,yra. Cn+er the ;or#in* tit0e !)o''on Spa9eb3ri8ate Spa9eFB <o;a0s#i 7ore*roun+e+ the ;or# o7 art as an e77e9t o7 9o'p0eG non:8er(a0 9o''uni9ation per7or'e+ (y artists in intera9tion ;ith ea9h otherB neutra0isin* in+i8i+ua0is'K !ea9h o7 the parti9ipants ha+ at hisNher +isposa0 Da spa9e o7 their o;nE wqxB ;here they 9ou0+ (ui0+ e0e'ents o7 their o;n 8isua0 0an*ua*eB an+ the D9o''on spa9eE open to e8eryoneB ;here they 9ou0+ 9on+u9t si'u0taneous +ia0o*ues ;ith the other parti9ipants. A00 ;ithout usin* ;or+s.F

122. : M1ysta;aM : )entru' S,tu#i 1sput9,esne$ ?a'e# C$a,+o;s#iB 1arsa; 1222 : Ga0eria /o#sa0B 1arsa; 2555 : M6ru+no 2555M : Ga0eria /o#sa0B 1arsa;X M6iaty auto(usM : 61A ?ie0ona Gura 2551 : MDo'e# na +r,e;ieM : /un+a9$a Ga0erii /o#sa0 1arsa; 2552 : MCnsi9ht(arM : A0eGan+erp0at,B 6er0inX M3risonersM : 1est7s0is9hen <unst8ereinB M]nsterX Trieste )onte'poraneaB TriestX )hiesa +i San MatteoB Ga00eria )0au+io 3o00es9hi Arte )onte'poraneaB Lu99a 5&

255% : 1ron* Ga00eryB Ne; 4or#X neu*errie's9hnei+erB 6er0inX So *enannte 1e00en un+ An+ere 3haeno'ene +es Geistes : <unst8erein 7]r +ie Rhein0an+e un+ 1est7a0enB D]sse0+or7 2554 : M3a;e0 an+ >in9entM : 6onne7anten'useu'B Maastri9ht 2555 : M3a;et A0tha'er ,a9hy9aM : Ga0eria ?a9hytaB 1arsa; 255& : MAu )entre 3o'pi+ouM : Espa9e %15B )entre 3o'pi+ouB 3aris 255 : M"ne o7 ManyM : /on+a,ione Ni9o0a Trussar+iB Mi0anX M60a9# Mar#etM : neu*errie's9hnei+erB 6er0in This is 3a;e0 A0tha'erWs 7irst parti9ipation at the >eni9e 6ienna0e. 1E6 httpKNN;;;.9u0ture.p0N;e(Nen*0ishN8isua0:arts:7u00:pa*eN:Neo[e8ent[asset[pu(0isherNNy1 N9ontentNpa;e0: a0tha'er httpKNN;;;.art'ar*ins.9o'Nin+eG.phpN5:inter8ie;sN%54:inter8ie;:;ith:pa;e0:a0tha'er

ENRICO BAJ ;amaB 12&1 : Materia0i 8ari su tessutoB 22 G % 9' >emme a8illeeB 12&1 Materia0i 8ari su tessutoB 22 G &5 9' Ma petiteB 12&1 Materia0i 8ari su tessutoB .5 G &5 9' Pussy)catB 12&5 Materia0i 8ari su tessutoB 22 G % 9' ;iane de PoitiersB 12&& Materia0i 8ari su tessutoB 22 G % 9' Mi0ano 1224 >er*iate H>AI 255% Arsena0eB 9or+erie SE?. )in+y Sher'anB n.15 Marta ?anin

6A"GRA/AA Nas9e a Mi0ano i0 %1 otto(re 1224B 'uore a >er*iate H>areseI i0 1& *iu*no 255%. Stu+iU a0 0i9eo 90assi9oB ini,iU poi *0i stu+i +i Me+i9inaB 'a 0i a((an+ona +opo 0a AA Guerra Mon+ia0e a 7a8ore +e00a /a9o0tS +i Giurispru+en,a H9he 9o'p0eta +i8entan+o a88o9atoI e +e00FA99a+e'ia +i 6e00e Arti +i 6reraB 7reJuentan+o0e para00e0a'ente. Ne0 1251 tiene 0a pri'a persona0e a00a Ga00eria San /e+e0e +i Mi0ano +o8e espone opere in7or'a0iX ne00o stesso anno 7on+a insie'e a Ser*io Dan*e0o i0 Mo8i'ento +e00a Pittura @ucleareB 'o8i'ento inno8ati8o sia +a0 punto +i 8ista 7or'a0e sia +a Jue00o i+eo0o*i9oB ten+ente a instaurare 9ontatti 9on artisti e+ inte00ettua0i europei. An aperta opposi,ione a00a siste'ati9a ripetiti8itS +e0 7or'a0is'o sti0isti9o +e00Warte +e0 suo te'po ne0 125% 7on+a insie'e a+ As*er Jorn i0 Mouvement International pour un Bau aus Ima/inisteB in po0e'i9a 9on 0a S9uo0a +i C0' +i MaG 6i00B s9hieran+osi 9ontro 0a 7or,ata ra,iona0i,,a,ione e *eo'etri,,a,ione +e00FarteB 9ontro i0 +o'inio +e00a 0inea retta e +e00Fan*o0o retto. Ne0 125 a+eris9e a0 ManiAesto <ontro lo stile e tiene 0a pri'a persona0e a00WesteroB presso 0a Ga00ery "ne +i Lon+ra. Ne*0i anni !55 9o00a(ora an9he a00e ri8iste +Wa8an*uar+ia Il GestoB Boa e P ases. Ne0 9orso +e*0i anniB 0a passione +e00a s9rittura au'enta portan+o0o a00a pu((0i9a,ione +i nu'erosi 0i(ri tra i Jua0i PataAisica H12.2IB .utomito8io/raAia H12.%IB Impariamo la pitturaB >antasia e realtU 9on GuttusoB Ecolo/ia dellIartehttpKNNit.;i#ipe+ia.or*N;i#iNEnri9o[6a$ : 9ite[note:3ata:%. Ne0 12&2 parte9ipa a Ne; 4or# a00a 'ostra 3 e .rt oA .ssem8la/eB o99asione ne00a Jua0e 9onos9e Du9ha'p. Tra i0 12&% e i0 12&& tras9orre 'o0te te'po a 3ari*i +o8e entra a 7ar parte +e0 <ollV/e de Patap ysiQue. Ne0 12&4 ottiene una sa0a persona0e a00a 6ienna0e +i >ene,ia e ne00o stesso anno espone a00a Trienna0e +i Mi0ano. Se'pre attento a*0i aspetti so9ia0i +e0 proprio 0a8oroB 9onsa9ra ne0 12 2 una *ran+e te0a ai M/unera0i +e00Wanar9hi9o 3ine00iMB +o8e ripren+e 0e proprie 7i*ure ispirate a Guernica e+ i propri persona**i *rottes9hi e +a paro+ia. Dopo 45 anniB 0Wopera L stata esposta a 3a0a,,o Rea0e a Mi0ano ne00Westate 2512. Ne*0i anni "ttantaB 6ay si a99osta piT +iretta'ente a0 teatroB 9o00a(oran+o a 8arie rea0i,,a,ioniB 0a piT 7a'osa +e00e Jua0i resta MC(u reM +i A07re+ JarryB 'esso in s9ena +a Massi'o S9huster ne0 12.4 e rappresentato per o0tre +ie9i anni in tutto i0 'on+o. LFC(u re +i 6a$ 9onsiste in una 9inJuantina +i 'arionette in 'e99ano usate +a S9huster 9o'e e0e'enti +i un teatro +i o**etti. Ne0 122% ini,ia i0 9i90o +e00e Mas9here tri(a0iB i''a*ini +i un 'o+erno Mpri'iti8is'oM 9on 9ui 0a so9ietS opu0enta 8uo0e ri7arsi un 0oo# istintua0e e se08a**io ri9i90an+oB 9o'e si'(o0iB *0i o**etti +e0 9onsu'o Juoti+iano. Ne00a stessa 0inea si 9o00o9ano i /e0tri H122%:2.I e i Tote' H122 I. Ne*0i anni W25 Enri9o 6a$ 0a8ora spesso a Juattro 'ani 9on a0tri artisti interna,iona0i 9o'e Mar# <osta(i e )ornei00e. Tra 0e 'ostre +e*0i u0ti'i anni 8a ri9or+ata 0Wa'pia anto0o*i9a a00estita a0 3a0a,,o +e00e Esposi,ioni +i Ro'a ne0 2551:2552. Dopo 0a 'orte +e00Wartista una *ran+e retrospetti8a ha 9oin8o0to +i8erse se+i 'i0anesi HSpa,io "(er+anB A99a+e'ia +i 6e00e Arti +i 6reraB Ga00eria GiU Mar9oniB /on+a,ione Mu+i'aI. LA>"RA E STALEK 5.

LWopera +i Enri9o 6a$ si sno+a ne0 te'po attra8erso 0Futi0i,,o +i s8ariate te9ni9he 'a 9on 0a presen,a 9ontinua +e00Fironia +issa9ratoria e+ i0 pia9ere +i 7are pittura 9on o*ni sorta +i 'ateria0e. Ere+e +e0 surrea0is'oB +e0 Da+ais'o e +e00Fuso +e*0i o**etti +i <urt S9h;ittersB speri'entatore per naturaB 6a$ passa sen,a so0u,ione +i 9ontinuitS +a0 drippin/ +ei pri'i +ipinti nu90eariB a0 90assi9is'o +e00e i00ustra,ioni per i0 De Reru' NaturaB +a*0i Minter8enti 'ateri9iM su pattern e ara,,iB a00e ri9er9he 9on *0i spe99hi in7ranti e 9o0 9o00a*eB ta08o0ta usato insie'e a intarsio e i'pia00a99iatura. A suoi assem8la/es po0i'ateri9i si a88a0*ono +ei 'ateria0i piT +i8ersi 9o'e sto77eB tappe,,erie e 7o+ere +i 'aterassiB 'e+a*0ieB 7ra''enti 'eta00i9iB spe99hi e 8etri 9o0oratiB 'e+a*0ieB (ottoniB passa'anerieB 'es9o0ati a00a pittura . Dai Generali ai Mo8ili in stileB +a00e ;ame a0 Giardino delle delizieB 0a sua pro+u,ione 'ostra uno spirito +issa9rante +a00e sotti0i i'p0i9a,ioni po0iti9heB 9he si 7anno piT e8i+enti in opere 9o'e I Aunerali dellIanarc ico Pinelli. LA>"R" ES3"ST" Ne*0i anni SessantaB 6a$ ini,io 0a sua serie +i ;ameB stra8a*anti ritratti +i +onne rea0i,,ati 9on colla/e e assem8la/esB so0ita'ente su uno s7on+o +i tappe,,eria o tessuto in 7antasia. Tra i 'ateria0i tro8ia'o o**etti Juoti+iani 9o'e (ottoniB ninno0iB pe,,i +i app0i9a,ioni e passa'aneriaB (ro99atoB Jua+ranti +i oro0o*iB nappine e 'etri +i 7i0o 9o0orato. Nei pe,,i esposti in 'ostra 6a$ i'pie*a 'ateria0i +o'esti9i per 9reare rappresenta,ioni estre'a'ente astratte o s9he'ati9heB spesso 9on un e77etto inJuietante. An Ma petite H12&1IBi0 posto +e00a testa e o99upato +a un (u0(o o9u0are so0itarioX in ;iane de Poitiers H12&&IB 9he pren+e no'e +a una 9orti*iana 7ran9ese +e0 )inJue9entoB spira0i +i 9or+a 9on7eris9ono a00a 7i*ura un aspetto 'ina99ioso. An9he se i 'ateria0i pro8enienti +a una Juoti+ianitS 9he 9i e 7a'i0iare 7anno se'(rare a99o*0iente e a99essi(i0e i0 0a8oro +e00FartistaB 0e ;ame ri'an*ono tanto 7asti+iosa'ente a0iene Juanto s9her,ose. Le Da'e esi(is9ono 9on *ar(o tutto 7e''ini0e i 0oro orpe00iB ne0 8ano tentati8o +i 'as9herare i0 8uoto +e00FapparireB 9osR 9o'e 8uoti sono i 0oro no'i e i tito0i a0tisonanti. Le 7e''ine ornatissi'e e onoratissi'e 9he pren+ono 8ita +a asse'(0a**i +i passa'anerie 8arieB sono i ritratti aristo9rati9i +i si*nore i 9ui au0i9i no'i e patroni'i9i 6a$ ritro8a ne00a storiaB nei ri9or+iB su0 Gran+ Larousse i00ustr@ o in a0tre en9i90ope+ie. =ueste Da'e non sono 9aritate8o0i o ani'ate +a (uoni senti'enti e 0a 0oro ra77inate,,a L un poF 9ari9a 'a non e99essi8a e+ L to99ata +a una punta +i 7une(re 9onsape8o0e,,a e +i 7ata0is'o. An Juesto 9ontesto teatra0eB ri99o +i ris8o0tiB 0Faristo9rati9a e0e*an,a +e00e +onne +i 9asa 6a$ L insie'e tra*i9a e ironi9a. Appro7on+i'entiK M">AMENT" 3ATTCRA NC)LEARE _q i Nu90eari 8o*0iono a((attere tutti *0i Mis'iM +i una pittura 9he 9a+e ine8ita(i0'ente ne00Wa99a+e'is'oB Jua0unJue sia 0a sua *enesi. Essi 8o*0iono e possono rein8entare 0a 3ittura. Le 7or'e si +isinte*ranoK 0e nuo8e 7or'e +e00Wuo'o sono Jue00e +e00Wuni8erso ato'i9o. Le 7or,e sono 0e 9ari9he e0ettroni9he. La (e00e,,a i+ea0e non appartiene piT a+ una 9asta +i stupi+i eroiB n@ ai ro(ot. Ma 9oin9i+e 9on 0a rappresenta,ione +e00Wuo'o nu90eare e +e0 suo spa,io. w...x La 8eritS non 8i appartieneK L +entro 0Wato'o. La pittura nu90eare +o9u'enta 0a ri9er9a +i Juesta 8eritS. ` >ari 7urono i 'ani7esti re+attiB tra 9ui si ri9or+a Jue00o M)ontro 0o sti0eMB 7ir'ato +a 6a$ ne0 125 B in 9ui si 8uo0e 9ontrastare e +istru**ere 0o sti0e 'anieristi9o in pittura e a77er'are 0Wirripeti(i0itS +e00Wopera +WarteB in8itan+o a s9e*0iere tra 0Wessere tappe,,ieri o pittoriK _ Noi a''ettia'o 9o'e u0ti'e possi(i0i 7or'e +i sti0i,,a,ioni 0e Mproposi,ioni 'ono9ro'eM +i 48es <0ein H125&:125 IK +opo +i 9iU non resta 9he 0a Mta(u0a rasaM o i roto0i +i tappe,,eria +i )apo*rossi. Tappe,,ieri o pittoriK (iso*na s9e*0iere w...x Noi a77er'ia'o 0Wirripeti(i0itS +e00Wopera +Warte `. A0 0in*ua**io espressi8o usato +a*0i a+erenti a0 *ruppo +ei nu90eari si (asa su00Wa+o,ione +e00e te9ni9he uti0i,,ate +a00Wauto'atis'o surrea0ista in 0inea 9on 0Wesperien,a europea +o8uta a00a pittura in7or'a0e +e00Wespressionis'o astratto. Le opere 9he nas9ono in Juesto perio+o risentono 7orte'ente +ei tra*i9i e8enti +e00a se9on+a *uerra 'on+ia0e e soprattutto +e*0i e77etti +e8astanti +e00a (o'(a ato'i9a su Hiroshi'a e Na*asa#i. RA33"RTA )"N LA 3"LATA)A 52

Enri9o 6a$ espri'e i0 suo i'pe*no 9i8i0e 9ontro o*ni tipo +i a**ressi8itS eB attra8erso M*enera0iM e Mparate 'i0itariMB i9one +e00Wantiautoritaris'o e +e00a +enun9ia sar9asti9a +e0 potereB 'ette a00a (er0ina persona**iB 9ini9i e arro*antiB resi 'a**ior'ente ana9ronisti9i e ri+i9o0i +a00e +e9ora,ioni 9he ostentanoK 'e+a*0ieB 9o99ar+e e a0tre pre,iositS +e0 *enere. Ne*0i anni Settanta Enri9o 6a$ 0a8oraB tra 0Wa0troB a tre *ran+i opereB MA 7unera0i +e00Fanar9hi9o 3ine00iM H12 2IB MNiGon 3ara+eM H12 4IB su**erito +a00Fi'pea9h'ent +e0 presi+ente a'eri9anoB e+ a M0FApo9a0isseM H12 2I. =uestFu0ti'a 9o'posi,ione Min pro*ressM HsarS in7atti arri99hita ne*0i anni su99essi8i +a nuo8i e0e'entiIB 9ostituita +a te0i e sa*o'e in 0e*no 9he possono essere 9o'(inati 9on 'onta**i 8aria(i0i per 7or'are unFa'pia s9eno*ra7iaB 'ette in s9ena Juasi teatra0'ente i0 +e*ra+o +e00a 9onte'poraneitS e i 'ostri *enerati +a0 sonno +e00a ra*ione e +a un supino asser8i'ento a0 'o+ernis'o e a00a te9nos9ien,a. Da00W.pocalisse in a8antiB 0a 9riti9a +e00a 9onte'poraneitSB +e00Wuso in+is9ri'inato +e00e te9no0o*ieB +e00a ro(oti,,a,ione +e00Wuo'o ne00a so9ietS attua0eB +e00a spetta9o0ari,,a,ione e +e0 9onsu'o +i o*ni 9osaB L se'pre piT presente ne00Wopera +i 6a$. Tra 0e 'as9here e i tote' +e*0i anni F25 si 9o00o9a M6er0us#aiserM H1224IB 9o'posi,ione +i sa*o'e a00a 'aniera +e00FApo9a0isseB satira +e00a 9onJuista +e00Fa00ora presi+ente +e0 )onsi*0io attra8erso i 'e+ia e 0e partite +i 9a09io. EF +e0 122& un MMonu'ento a 6a#uninMB o'a**io a00Fanar9hia a00e 9ui i+ee 0i(ertarie 0Fartista si L se'pre sentito 8i9ino. 3ARTE)A3A?A"NA 3RE)EDENTA %2. Esposi,ione Anterna,iona0e +FArte 12&4 4&. Esposi,ione Anterna,iona0e +WArte 1225B >ene,ia e 0a 6ienna0eK i per9orsi +e0 *usto : Dipinti e s9u0ture 1.25:12 2 Da0 12.. 6ienna0e possie+e una sua opera ne0 /on+o Artisti9o 1E6 httpKNN;;;.;in+o;e(.itN*ui+aNarteN(io*ra7ia[enri9o[(a$.ht' httpKNN'i0ano.'ente0o9a0e.itN% 152:i:7unera0i:+e00anar9hi9o:pine00i:+i:enri9o:(a$:a:pa0a,,o:rea0eN

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MIROSLAW BALKA Blac" Pope and Blac" s eep H12. I Materia0e 8ario Hsa99hi +i iutaB 9ar(oneB 9enere...I Arsena0eB n. 15 ne00a 9artinaB se,ione Sher'an Nato a >arsa8ia ne0 125.B 8i8e e 0a8ora a >arsa8ia Ha *iS esposto ne00e pre9e+enti e+i,ioni +e0 2555 >era 6A"GRA/AA Mirosta; 6at#a ;as (orn in 125. in 1arsa;B 3o0an+. An 12.5 he *ra+uate+ 7ro' the A9a+e'y o7 /ine Arts in 1arsa; an+ 7ro' 12.& to 12.2 ;or#e+ to*ether ;ith Mare# <i$e;s#i an+ Miros0a; /i0oni# in the !)ons9iousness Neue 6ierie'iennostF. An 1221 he re9ei8e+ the Mies 8an +er Rohe Stipen+ in <re7e0+. He runs the Spatia0 A9ti8ities Stu+io at A9a+e'y o7 /ine Arts in 1arsa; an+ 0i8es an+ ;or#s in "t;o9# an+ 1arsa;. His ;or# is o;ne+ (y 'useu's ;or0+;i+e in90u+in*K Hirshhorn Museu'B 1ashin*ton D)X Mo+erna Ga0eri$aB L$u(0ianaX M")AB Los An*e0esX M"MAB Ne; 4or#X Tate Mo+ernB Lon+onX The Art AnstituteB )hi9a*o. He has a0so (een 9o''issione+ to 9reate a nu'(er o7 per'anent out+oor ;or#sB in90u+in* the 'e'oria0 to the 8i9ti's o7 the Estonia /erry +isaster in Sto9#ho0' H122 I an+ 'ost re9ent0y MACS)H1AT?1AELA)?<AM in )ra9o; Lipo;a Str. H2515I. LA>"R" ES3"ST"K Hri7eri'ento a0 9ata0o*od Non 9WL 'o0to a0troI Mirosta; 6at#aFs 60a9# 3ope an+ 60a9# Sheep H12. I 9onsists o7 a spe9tra0 pair o7 7i*uresK ashen in 9o0orB their ri*i+ appearan9e su**ests 9ere'ony an+ so0e'nityB as ;e00 as a sense o7 +eep 7ore(o+in*. An 12.5B as 6at#a ;as 9o'p0etin* his stu+ies at 1arsa;Fs A9a+e'y o7 /ine ArtsB 3o0ish so9iety ;as un+er*oin* po0iti9a0 uphea8a0 as a non:8io0entB anti:So8iet 'o8e'entB 0ar*e0y supporte+ (y the )atho0i9 )hur9hB (e*an to ta#e shape. As So0i+arity an+ other pro:+e'o9ra9y 'o8e'ents *re;B 3o0an+Fs authoritarian *o8ern'ent i'pose+ 'artia0 0a;B resu0tin* in the oppression o7 +issi+ents throu*hout the ear0y 12.5s. Throu*h +ra'ati9 s9u0ptures an+ ritua0isti9 per7or'an9esbso'e o7 ;hi9h su**est the in70uen9es o7 (oth Joseph 6euys an+ Sa'ue0 6e9#ettb'u9h o7 6at#aFs ;or# 7ro' this ti'e +ire9t0y re70e9ts the unsett0e+ at'osphere that pre8ai0e+ in 12.5s 3o0an+. LA>"R" 3ACF /AM"S" Ho; At is Hotto(re 2552:apri0e 2515B Tate Mo+ernI The 0atest 9o''ission in The Cni0e8er Series Ho; At As (y 3o0ish artist Miros0a; 6a0#a is a *iant *rey stee0 stru9ture ;ith a 8ast +ar# 9ha'(erB ;hi9h in 9onstru9tion re70e9ts the surroun+in* ar9hite9ture a0'ost as i7 the interior spa9e o7 the Tur(ine Ha00 has (een turne+ insi+e out. Ho8erin* so'e;here (et;een s9u0pture an+ ar9hite9tureB on 2:'etre sti0tsB it stan+s 1% 'etres hi*h an+ %5 'etres 0on*. >isitors 9an ;a0# un+erneath itB 0istenin* to the e9hoin* soun+ o7 7ootsteps on stee0B or enter 8ia a ra'p into a pit9h (0a9# interiorB 9reatin* a sense o7 unease. Cn+er0yin* this 9ha'(er is a nu'(er o7 a00usions to re9ent 3o0ish history the ra'p at the entran9e to the Ghetto in 1arsa;B or the tru9#s ;hi9h too# Je;s a;ay to the 9a'ps o7 Tre(0in#a or Aus9h;it,B 7or eGa'p0e. 6y enterin* the +ar# spa9eB 8isitors p0a9e 9onsi+era(0e trust in the or*anisationB so'ethin* that 9ou0+ a0so (e seen in re0ation to the re9ent ris#s o7ten ta#en (y i''i*rants tra8e00in*. 6a0#a inten+s to pro8i+e an eGperien9e 7or 8isitors ;hi9h is (oth persona0 an+ 9o00e9ti8eB 9reatin* a ran*e o7 sensory an+ e'otiona0 eGperien9es throu*h soun+B 9ontrastin* 0i*ht an+ &1

sha+eB in+i8i+ua0 eGperien9e an+ a;areness o7 othersB perhaps pro8o#in* 7ee0in*s o7 apprehensionB eG9ite'ent or intri*ue. 6AENNALA 3ASSATE 55 - %45 - 255NS"ME AN S"ME "CT 2555B LWinsta00a,ione:s9u0turaB 9o'e 8iene +e7inita +a00WartistaB 9onsiste in una struttura in 9e'ento rea0i,,ata a 7or'a +i 8o0taB in 9ui sono inseriti 5 8enti0atori 7un,ionanti. Si tratta +i unWopera rea0i,,ata in situ apposita'ente per 0a 51.Esposi,ione Anterna,iona0e +WArte +i >ene,ia. 1E6 ;;;.'iros0a;:(a0#a.9o'NENG ;;;.tate.or*.u#Nno+eN2% 422NeGp0ore H8i+eo +e00Wista00a,ione a00a TateI

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HANS BELLMER ;ialo/ue entre prete mori8und Hserie Petite traitV du moraleB 12&.IB in9isione su 9artaB 2.G% .line et 0alcour Hserie Petite traitV du moraleB 12&.IB in9isione su 9artaB 2.G% Les inAortunes de la vertu Hserie Petite traitV du moraleB 12&.IB in9isione su 9artaB 2.G% Les 120 Gournees de #odome Hserie Petite traitV du moraleB 12&.IB in9isione su 9artaB 2.G% @otes pour la nouvelle Dustine Hserie Petite traitV du moraleB 12&.IB in9isione su 9artaB 2.G% L1ai/le mademoiselle Hserie Petite traitV du moraleB 12&.IB in9isione su 9artaB 2.G% Idee sur les ?omans Hserie Petite traitV du moraleB 12&.IB in9isione su 9artaB 2.G% Les crimes de l1amour Hserie Petite traitV du moraleB 12&.IB in9isione su 9artaB 2.G% La p ilosop ie dans le 8ourdoir Hserie Petite traitV du moraleB 12&.IB in9isione su 9artaB 2.G% Duliette ou les prosperites Hserie Petite traitV du moraleB 12&.IB in9isione su 9artaB 2.G% Arsena0eB n. 15 Hse,ione 9urata +a )in+y Sher'anI Nato a <ato;i9e ne0 1225 B 'orto a 3ari*i ne0 12 5 A0aria

6A"GRA/AA 3ittoreB s9u0tore e 7oto*ra7o +i8entato 7a'oso per 0a 9rea,ione +i (a'(o0e a *ran+e,,a natura0e ra77i*uranti ra*a,,e in etS prepu(es9ente 9he e*0i 9o'in9iU a rea0i,,are +a0 12%& per opporsi a0 re*i'e na,i7as9ista poi9h@B 9o'e +i9hiarU una 8o0taB non a8e8a a09una inten,ione +i s8o0*ere a09un 0a8oro 9he 7osse uti0e e +i soste*no a0 *o8erno na,ista. Durante 0a Se9on+a Guerra Mon+ia0e aiutU 0a resisten,a a0 na,i7as9ista s7ruttan+o 0e sue a(i0itS ne00Farte +e00a 7oto*ra7ia per rea0i,,are passaporti 7a0si. LA>"R" ES3"ST" A0 0a8oro esposto in Arsena0e L 9ostituito +a 15 in9isioni +e00a serie Petite traitV de morale H12&.IB ispirato a*0i s9ritti +e0 Mar9hese +e Sa+e. Le in9isioni ra77i*urano un *ro8i*0io +i 9orpi 'uti0atiB +e7or'ati e 'o0tip0i9ati in 8erti*inose pro0i7era,ioni +i *a'(e e (ra99ia 9he rappresentano 7antasie per8erse +e*ne +e0 'ar9hese 9he 0e ha ispirate. A0tri 0a8oriK Ne0 12%4 8iene pu((0i9ato in 7or'a anoni'a i0 0i(ro ;ie 3uppe in 9ui erano ripro+otti +ie9i s9atti rea0i,,ati +a00Fartista. Dopo 0a sua pu((0i9a,ioneB perUB 6e00'er 8enne s9operto e+ i0 suo 0a8oro 8enne +e7inito s9an+a0oso e +e*enere +a0 3artito Na,ista e 9osR e*0i 7u 9ostretto a 0as9iare 0a Ger'ania e tras7erirsi in /ran9ia +o8e 7u (en a99o0to +a00a 9er9hia +ei surrea0isti. Le 7oto*ra7ie +i 6e00'er H9he hanno 9o'e so**etto 0e (a'(o0e +a 0ui stesso rea0i,,ateI 7urono 'o0to appre,,ate +a An+r@ 6reton e 7urono pu((0i9ate su00a ri8ista surrea0ista _Minotaure`. Dopo 0a Se9on+a Guerra Mon+ia0e s'ette +i 9ostruire 0e sue (a'(o0e per +e+i9arsi a0 +ise*noB a00Fin9isione e+ a00a 7oto*ra7ia rea0i,,an+o +i8erse opere i0 9ui so**etto L se'pre eroti9oK 9orpiB 7antasie sessua0iB per8ersioni e +e0iri eroti9i 9ostituis9ono 0a *ra''ati9a 8isi8a +i Juesto artista. 1E6 httpKNNit.;i#ipe+ia.or*N;i#iNHans[6e00'er httpKNN*ui+e.supere8a.itN(a'(o0eNinter8entiN2515N54N0e:(a'(o0e:8io0ate:+i:hans:(e00'er httpKNN(i,,arro(a,ar.9o'N2511N54N1%Nhans:(e00'erN

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VLASSIS CANIARIS Paratiritis H=sservatoreJ, 1'*06200( Materia0i 8ariB 145 G &5 G &5 9' Arsena0eB n. 15 Nato a+ AteneB Gre9ia ne0 122. B 'orto a+ AteneB Gre9ia ne0 2511 Ha *iS esposto ne00e pre9e+enti e+i,ioni +e0 12.. Laura 6A"GRA/AA )aniaris ha portato a ter'ine i suoi stu+i ne00a natia AteneB presso 0a S9uo0a +i 6e00e Arti. Cna 8o0ta 9on90usi *0i stu+i si tras7erR a Ro'aB an9he per s7u**ire a00e tensioni +e00a Gre9ia ne0 +opo*uerra. =ui si 0as9iU a00e spa00e 0a pittura 7i*urati8a e ini,iU a+ usare 'ateria0i Jua0i i0 *esso e i0 'eta00o sotto 0Win70uen,a +i /ontana e 6urri. A te'i a77rontati in Juesto perio+o sono po0iti9a'ente i'pe*natiB rientran+o ne00a s7era +e0 <on#reter Rea0is'us. LWintro+u,ione +i s8ariati 'ateria0i ne00o spa,io +e00e te0e 0e tras7or'a in o**etti s9u0tori9i. G0i o**etti artisti9i non hanno piT uno s9opo rappresentati8o 'a a9Juistano autono'ia. Dopo una 'ostra a00a Ne; Ga00ery +i Atene ne0 12&2 i0 *o8erno autoritario *re9o 0o 9ostrin*e a 0as9iare i0 paese. LWartista si sta(i0irS a 3ari*i +o8e su(is9e 0Win70uen,a +e0 Nou8eau R@a0is'B an9he se non si ri9onos9e +e0 tutto ne0 'o8i'ento. A00Wini,io +e*0i anni W 5 si sposta a 6er0ino +o8e 0e s9u0ture +i8entano insta00a,ioni +i piT a'pio respiro. Ne*0i anni W.5 rientra in patria +o8e 'orirS ne0 2511. LA>"R" ES3"ST" LWopera esposta 7a parte +i un 0a8oro piT a'pioK HLlas)Hellas) Grecia o Il pittore e il suo modello, +e0 12.5. Si tratta +i un 0a8oro site spe9i7i9 Hrea0i,,ato a+ AteneI pensato 9o'e una narra,ione +e00a 8ita pu((0i9a Juoti+iana in Gre9ia. Tra i persona**i rappresentatiB 0Wartista stessoB sorpreso tra i suoi 'o+e00i 9o'e >e0a,Jues ne Las 'eninasB 8en+itori +i (i*0ietti +e00a 0otteriaB +i'ostranti po0iti9iB persone 9he 0e**ono i *iorna0iB sten+ono 0a (ian9heria o urinano in pu((0i9o. A0 persona**io +e00Wosser8atore B pri8o +i testaB L se+uto su un appo**io +i 9artoneB 8estito 9on a(iti 9onsuntiB +a unWi'pressione +i i'poten,a rispetto a00a s9ena Juoti+iana +i 8ita pu((0i9a 9he sta *uar+an+o. LA>"R" 3ACF /AM"S" Immi/ranti H12 1:12 &I L un 0a8oro presentato in Ger'ania e a Lon+ra. LWartista pren+e spunto +a00a 8ita +ei 0a8oratori stranieriB per 0o piT (a09ani9iB 8enuti a 8i8ere in Ger'ania. Si tratta +i un te'a a 9ui 0Wartista L parti9o0ar'ente sensi(i0e in Juanto 9ostretto 0ui stesso a 8i8ere a00Westero. Ritornano in Jueste s9u0ture e0e'enti 9o'e 7i*ure sen,a testaB 9aratteri,,ate perU 7orte'ente attra8erso *esti e a(iti e 8a0i*e 9he si'(o0e**iano i0 9ari9o 9u0tura0e e i+entitario 9he Jueste persone si portano appresso. 1E6 httpKNN;;;.yat,er.9o'N>0assis:)aniaris:122.:2511:)reatin*:Art:;ith:History httpKNN;;;.tea'*a0.9o'NeGhi(itionsN211Ns9u0ptures[12 % 4 httpKNNthe(ree+ersyste'.9o'NartistsN80assis:9aniaris:artist:pa*eN

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JAMES CASTLE CSAB 1.22 : 12 Arsena0eB SE?. )in+y Sher'an n.15 Marta ?anin 1"R<S #enza titolo, s%d% )arta tro8ataB 7u0i**ineB 9o0ore i*notoB 9or+aB % G 25 9' #enza titolo, s%d% )arta tro8ataB 7u0i**ineB 9or+aB tessutoB spa*oB 5% G % 9' #enza titolo, s%d% )arta tro8ataB 7u0i**ineB pasta +i *ranoB 9or+aB 11 G 12 9' #enza titolo, s%d% )arta tro8ataB 9o0ore i*notoB pasta +i *ranoB 15 G 15 9' #enza titolo, s%d% )arta tro8ataB 7u0i**ineB pasta +i *ranoB 12 G 12 9' #enza titolo, s%d% )arta tro8ataB 7u0i**ineB 9o0ore i*noto 9or+aB 25 G 25 9' #enza titolo, s%d% )arta tro8ataB 7u0i**ineB 9o0ore i*notoB 9or+aB nastroB 0a99ettoB % G 2. 9' #enza titolo, s%d% )arta tro8ataB 7u0i**ineB 9o0ore i*notoB 9or+aB tessutoB %2 G 45 9' #enza titolo, s%d% )arta tro8ataB 7u0i**ineB 9o0ore i*notoB 9or+aB 14 G 15 9' #enza titolo, s%d% )arta tro8ataB 7u0i**ineB 9o0ore i*notoB 9or+aB 0a99ettoB 1 G 2. 9' #enza titolo, s%d% &5

)artaB 7u0i**ineB 9o0oreB *ra7iteB 9or+aB nastroB 4. G % 9'

6A"GRA/AA Ja'es )har0es )ast0e ;as (orn Septe'(er 25 in 1.22 in Gar+en >a00eyB rura0 A+aho an+ +ie+ "9to(er 2& in 12 . )ast0e ;as (orn pro7oun+0y +ea7 an+ it is not #no;n to ;hat eGtent he 9ou0+ rea+B ;riteB or use si*n 0an*ua*e. Despite un+er*oin* no 7or'a0 or 9on8entiona0 trainin*B is espe9ia00y a+'ire+ 7or the uniJue ho'e'a+e Jua0ityB *raphi9 s#i00B an+ 8isua0 an+ 9on9eptua0 ran*e that 9hara9teri,e his ;or#s. His ;or#s ha8e (een 9o00e9te+ (y 'a$or institutions. The 3hi0a+e0phia Museu' o7 Art or*ani,e+ a retrospe9ti8e o7 )ast0eWs ;or# ;hi9h toure+ nationa00y in 2552. )ast0eWs ;or# entere+ the internationa0 arena ;ith a 'a$or eGhi(ition in Ma+ri+B Spain at the Museo Na9iona0 )entro +e Arte Reina So7ia in 2511. ST4LE AND )ARA)HTERASTA)SK Most o7 )ast0eFs i'a*ery is roote+ in his rura0 surroun+in*sB espe9ia00y in the interiors an+ eGteriors o7 the 8arious stru9tures on the three s'a00 7ar's in south;est:9entra0 A+aho that his 7a'i0y o99upie+ su99essi8e0y +urin* his 0i7eti'eX repro+u9e+ a0so in rea0isti9 ;aysB ;ith 0inear perspe9ti8e. "8er an+ o8er a*ainB )ast0e +re; the 0i8in* roo'sB (e+roo'sB (arnsB she+sB 9hi9#en housesB an+ other (ui0+in*s that ;ere his 7a'i0iar 'i0ieuB o7ten 9o'(inin* e0e'ents o7 +i77erent 0o9a0es 7ro' 'e'ory an+ intro+u9in* surprisin* $uGtapositions o7 o++B i'a*inati8e 7or's. 6e9ause he use+ 7oun+ papersB not 9o''er9ia00y pro+u9e+ onesB an+ pri'ari0y ho'e'a+e rather than pro7essiona0 artistsF 'ateria0sB )ast0eFs ;or#s ha8e a sin*u0arB i''e+iateB an+ natura0 Jua0ity. His 'ost nu'erous +ra;in*sB 0ar*e0y o7 7ar's9apes an+ roo' interiorsB are +one in a 'e+iu' he in8ente+ (y 9o'(inin* soot 7ro' ;oo+:(urnin* sto8es ;ith ;ater or sa0i8aB app0ie+ to pie9es o7 +is9ar+e+ paper or 9ar+(oar+ ;ith s'a00 han+ sharpene+ sti9#s an+ ;a+s o7 paper or 7a(ri9. His 9onstru9tions are ;hi'si9a0B 9o'p0eG 0ayerin*s o7 9ut an+ shape+ pie9es o7 paper or 9ar+(oar+ representin* the thin*s that espe9ia00y appea0e+ to hi'B su9h as 7ar' ani'a0sB 7urnitureB 90othesB househo0+ o($e9tsB an+ ar9hite9tura0 e0e'ents. His 9o0ore+ pu0p +ra;in*s usua00y +epi9t si'p0i7ie+B 7ront:7a9in* 7i*ures or 0itt0e houses an+ o7ten (0ur o77 into Juasi tota0 a(stra9tions as )ast0e ;or#e+ his +isso08e+ pi*'ents into se0e9ti8e0y rou*hene+ paper sur7a9es. A'on* the 'ost e8o9ati8e o7 his 9reations are his D;or+ pie9esBE in ;hi9h ;or+s or phrases are +ra;n ;ith soot or 9ut out an+ 9o00a*e+ onto pie9es o7 7oun+ paper. These are a00 the 'ore poi*nant ;hen one rea0i,es that the artist ;as (orn into si0en9eB +i+ not spea#B rea+ Hto any 0ar*e +e*reeIB or ;riteB an+ 'ay ;e00 ha8e ha+ 0itt0e or no 9o'prehension o7 the ;or+sF 'eanin*s. )ast0e eGp0ore+ a ;i+e ran*e o7 8isua0 an+ 9on9eptua0 'o+esB approa9hesB or strate*ies in his artB a 9ir9u'stan9e unusua0 in the ;or# o7 the se07:tau*ht. An so08in* the artisti9 pro(0e's he set hi'se07 he a+opte+ a surprisin* nu'(er o7 sty0es or +e8i9es use+ (y 8arious M'ainstrea'M artists throu*hout the t;entieth 9enturyB o7 ;hi9h he ;as presu'a(0y una;are as he ha+ a0'ost no 7irst:han+ eGperien9e o7 the pro7essiona0 art ;or0+. These pra9ti9es in90u+e surrea0is' Hor supra:rea0is'IB a(stra9tionB 9o00a*eB appropriationB *ri+ or seria0 arran*e'ent o7 i'a*esB an+ the use o7 teGt or 0an*ua*e as the su($e9t o7 art. Ja'es )ast0e ne8er *a8e a sin*0e inter8ie; or 'a+e any 9o''ent that ser8e+ to 90ari7y his ;or#. A00 his ;or#s ha8e no tit0e an+ no +ates. )ast0eWs enor'ous artisti9 pro+u9tion ;as 9onser8e+ than#s to his 9are7u0 an+ o(sessi8e perse8eran9eB ;hi9h is so'e;hat surprisin* in an artist that sho;e+ 8ery 0itt0e interest in the ;or0+ o7 pro7essiona0 art. Si'i0ar0yB one o7 the 'ost i'portant Jua0ities o7 )ast0eWs ;or# is the presentation that he hi'se07 'a+e o7 his ;or# in i'pro8ise+ spa9esB su9h as a(an+one+ si0osB ;here he arran*e+ the ;or#s usin* an in7or'a0 or*anisation syste'B to (e 8ie;e+ (y 7a'i0y an+ *uests. The arran*e'ent o7 the pie9es in 7a'i0iar spa9es ;as a0so the o($e9t o7 so'e o7 his +ra;in*s an+ su9h +ra;in*s in+i9ate that the theatri9a0ity o7 8isua0 representation ;as an eGtre'e0y i'portant 'atter in his ;or#. )urious0y enou*hB this 9oin9i+es ;ith the interests sho;n (y the 'ost a+8an9e+ ten+en9ies o7 the ti'esB su9h as 'ini'a0is'. LA>"R" ES3"ST" &&

Serie o7 11 6ir+s 'a+e on 9ar+(oar+ an+ 8arious other 'ateria0s. He is eGhi(ite+ insi+e a transparent (oG to*ether ;ith so'e Rose'arie Tro9#e0Fs ;or#B re7errin* to a pre8ious Tro9#e0Fs eGhi(itionB <osmosB in ;hi9h she +e9i+e+ to sho; so'e o7 her ;or#s to*ether ;ith other artists an+ outsi+er artistFs ;or#sB parti9u0ar0y i'portant 7or her an+ 7ro' ;hi9h she has (een inspire+. 1E6 httpKNN;;;.'useoreinaso7ia.esNenNa9ti8i+a+esN$a'es:9ast0e:portrait:artist Harti90es an+ 8i+eosI httpKNN;;;.'useoreinaso7ia.esNsitesN+e7au0tN7i0esNeGposi9ionesN7o00etosN(ro9hure[$a'es[9ast0e[en.p+7 H(ro9hure o7 the Reina So7iaFs EGhi(itionI

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GEORGE CONDO Listen to maternal voices Hportrait o7 Moni#aIB 12.5B oi0 on 9an8as B &5 %N4 G &% in9hes Arsena0e HA15I 125 in )on9or+B ne; Ha'pshireB 0i8es an+ ;or#s in Ne; 4or# )ity Maryia 6A"GRA/AA 6orn in 125 in Ne; Ha'pshireB the artist ha+ a0rea+y at the a*e o7 nineteen 7i00e+ t;o: to three:hun+re+ s#et9h(oo#sB an+ ha+ painte+ a 0ar*e nu'(er o7 9o'p0ete+ pi9tures. 6e7ore 'o8in* to )o0o*neB he 0i8e+ 7or a short ti'e in 6ostonB Ne; 4or#B an+ Los An*e0esB a(an+one+ a 9ourse o7 stu+ies in art historyB p0aye+ in a 3un# (an+B an+ ;or#e+ in one o7 An+y 1arho0Ws printshops. An 12.5 he 'o8e+ to 3aris ;hereB a'on* other thin*s ;ith the he0p o7 a 9erti7ie+ 9opyist o7 the Lou8reB he po0ishe+ his paintin* te9hniJues in i'itation o7 the "0+ Masters. Ten years 0aterB he returne+ to Ne; 4or#B ;here he sti00 0i8es to+ay. )on+o stu+ie+ Art History an+ Musi9 Theory at the Cni8ersity o7 Massa9husetts in Lo;e00. Ran*in* 7ro' paintin*B +ra;in*B print'a#in* an+ s9u0ptureB his ;or# is in7or'e+ (y the inherite+ European tra+ition o7 art 'a#in*. "7ten 9a00e+ Dan artistFs artistEB )on+o has stoo+ as an eGa'p0e to youn*er pra9titioners throu*h his una(ashe+ 9o''it'ent to his persona0 8ision +espite the 9o'in* an+ *oin*s o7 7a+s in the art ;or0+. He has (een eGhi(itin* his ;or# in *a00eries aroun+ the ;or0+ sin9e the 12.5sB an+ has ;or# in 'a$or nationa0 an+ internationa0 'useu' 9o00e9tionsB in90u+in* The Museu' "7 Mo+ern ArtB The So0o'on R. Gu**enhei' Museu'B an+ the 1hitney Museu' o7 A'eri9an ArtB a00 in Ne; 4or# et9. LA>"R" ES3"ST" Sin9e the 'i+:12 5sB Geor*e )on+o has (een paintin* portraits o7 peop0e inha(itin* his i'a*ination. 6y transposin* the te9hniJues o7 the Ata0ian Renaissan9eB Spanish 6aroJueB /ren9h A'pressionis'B Surrea0is'B 1255s Mo+ernis'B an+ 3op ArtB )on+o has 9reate+ an ori*ina0 'o8e'entB ;hi9h he 9a00s Arti7i9ia0 Rea0is' : the rea0isti9 representation o7 that ;hi9h is arti7i9ia0. L&!("/ ( 7$("r/$# 3 &'"! Hportrait o7 Moni#aIB 12.5B presente+ at the 55th Anternationa0 Art EGhi(ition is a typi9a0 eGa'p0e o7 )on+oFs sty0e. The paintin* is a portrait o7 Moni#a Spr]thB the o;ner o7 Moni#a Spr]th Ga0erie. )on+o has (een 9onne9te+ ;ith the *a00ery 7or a0'ost thirty years no;. An /e(ruary 12.4B ;hen he 0i8e+ 7or a short ti'e in )o0o*neB the Moni#a Spr]th Ga0erie hoste+ one o7 the 7irst so0o eGhi(itions o7 the artistWs 9areer. L&!("/ ( 7$("r/$# 3 &'"! Hportrait o7 Moni#aI !+ *! a pin hea+e+ ;it9h ;ith a 0on* ne9# that appears as i7 she is a tree or ste' *ro;in* 7ro' a 0ar*e app0e rather than a torso. 1ith a +ar# (0ue 'oo+y s#yB it e8o#es +ar# an+ pensi8e 'oo+s. 1hen Spr]th *a8e )on+o a sho; at her )o0o*ne *a00ery in 12.4B she to0+ hi' to paint su($e9ts that ;ou0+ ensure peop0e re'e'(ere+ his na'e Hhe respon+e+ ;ith a sho; 9onsistin* o7 7our ;or#s in ;hi9h DGeor*e )on+oE ;as spe00e+ out a9ross the 9an8asI. 3erhaps )on+oFs portrait o7 Moni#a 9an a0so (e rea+ as a retort a*ainst other sorts o7 re9o*nitionK )on+o has +es9ri(e+ his portraits as i'a*inaryB an+ as D'enta0 portraits.E 1E6 httpKNN;;;.s#arste+t.9o'NartistsN*eor*e:9on+oN httpKNN;;;.7rie,e.9o'NissueNarti90eNti'es[7oo0N httpKNN;;;.;si'a*a,ine.9o'Nu#N+iariesNa*en+aNartsN*eor*e:9on+o:paintin*s: s9u0pture[251%54225.4 12.ht'0a.C(ST=5Cy,45

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JOHN DE ANDREA
.riel II, 2011 "i0 on 9ast (ron,eB 0i7e:si,e Arsena0e HA15I (orn in Den8erB )o0ora+o in 1241B 0i8e an+ ;or#s in Den8er Has (een a0rea+y eGhi(ite+ at the %.th Anternationa0 Art EGhi(ition >eni9eB 12 . Maryia 6A"GRA/AA John De An+reaB A'eri9an s9u0ptor o7 the super:rea0 nu+e 7i*ureB stu+ie+ at the Cni8ersity o7 )o0ora+oB 6ou0+er 7ro' 12&1 to 12&5 an+ in 12&. ;as an art assistant at the Cni8ersity o7 Ne; MeGi9oB A0(uJuerJue. He ha+ his 7irst one:'an sho; at the ". <. Harris Ga00ery in Ne; 4or# in 12 5.zzHe rapi+0y +e8e0ope+ a sty0e o7 9astin* an+ then paintin* 7i(er:*0ass or po0y8iny0 a9etate s9u0ptures o7 7i*ures 7ro' 0i7e. He is an artisti9 representati8e o7 Hyperrea0is' an+ the Hyperrea0is' s9hoo0 o7 artBan+ spe9ia0i,es in nu+esB 7reJuent0y 0o8ersB ;hi9h he 'a#es 7ro' p0asti9B po0yesterB *0ass 7i(er ;ith natura0 hair an+ painte+ a7ter natura0isti9 *ypsu' 9astin*s. The su($e9ts ;ere peop0e 7ro' his 90ose en8iron'entB as a ru0eB 7rien+s an+ stu+io 'o+e0s. An 9astin* their (o+ies an+ 9astin* the 'o0+ in +i77erent 'ateria0sB sho;in* a00 the 7or's an+ sur7a9es 'ost a99urate0yB the artist pursue+ the intention to re9or+ the authenti9ity an+ uniJueness o7 the in+i8i+ua0s. LA>"R" ES3"ST" Most o7 his ;or#s +o9u'ent youn* ;o'en. Groups H7or instan9e an o0+er ;o'an an+ a youn*er *ir0B (oth 0i*ht0y 90a+I are rareB a0thou*h so'e pie9es o7 a'orous 9oup0es are ;e00 #no;n HeGa'p0eK na#e+ ;o'an an+ +resse+ 'an in Aa9henI an+ in a 7e; pie9es he +i+ an artist an+ 'o+e0 at ;or# in ;hi9h the artist is a0;ays +resse+B an+ the 'o+e0 a0;ays na#e+. Rea0isti9 art is $u+*e+ (y its rea0is'B ;hi9h o7 9ourseB 9an ne8er rea9h rea0ityX there7ore to a 9ertain eGtent this pro*ra' a0rea+y 9arries the ris# o7 7ai0ure. Re*ar+in* John +e An+reaWs ;or#B the 7i*ures o7ten rese'(0e +o00sB an+ peop0e +o not re*ar+ rea0isti9 ;or#s auto'ati9a00y as artB e8en i7 the te9hni9a0 s#i00 o7 the artist is a+'ire+ The ;or# presente+ 7or the 55th Anternationa0 Art EGhi(itionB Arie0 AA is the se9on+ out o7 DeAn+resFs s9u0ptura0 tripty9h pi9turin* the sa'e person in three +i77erent poses. DeAn+rea app0ies oi0 paint +ire9t0y on his 0i7e:si,e 9ast (ron,es to rep0i9ate the 0oo# an+ 7ee0 o7 hu'an 70esh. Csin* the 9onte'porary ;o'an as his 'useB DeAn+rea 9reates hyperrea0ist 7i*ures that $uGtapose t;enty:7irst 9entury 9anons o7 physi9a0 (eauty ;ith that o7 7a'ous art ;or#s. Arie0 AA re9a00sB a'on* other ;or#sB >enetian s9u0ptor Antonio )ano8aFs The Three Gra9es H1.1 I. 1ith raise+B 90aspe+ ar'sB Arie0 AA is a0so re'inis9ent o7 )e,anneFs (athersB or 3i9assoFs De'oise00esbthe poseB as in the ;or#s o7 the t;o Mo+ernist 'astersB rein7or9es the 7i*ureFs 9o'p0ete eGposure to the 8ie;erFs *a,e. Many o7 DeAn+reaWs Natura0ist (ron,es 7eature stran+s o7 hu'an an+ syntheti9 hair that is in+i8i+ua00y app0ie+ to the hea+s an+ (o+ies. The 9astin* pro9ess reJuires the 'o+e0s to sha8e their (o+iesB sa8e 7or their hea+B so the artist 9an 9ast their 0i#eness in 90ay. A7ter the intri9ate paintin* is 9o'p0ete+B so'e o7 the 'o+e0Ws natura0 hair is app0ie+ to the s9u0ptureB 9reatin* a ;ho00y 0i7e:0i#e resu0t. De An+rea re+u9es the s#in tones in this art;or# ;hi9h is re'inis9ent o7 (0a9# an+ ;hite photo*raphy. He +epi9ts the 7i*ures a0'ost in *risai00e. This re'in+s the 8ie;er that the 7i*ure is painte+ ;ith the sha+es an+ tones intentiona00y hei*htenin* the 7or'. The 9o0oration o7 the 7i*ures is a0so re'inis9ent o7 *ra+ation o7 the 9o0or o7 'ar(0e statues sho; 90ear0y in $ust su9h a 9o'(ination o7 'ateria0s use+ in )0assi9a0 A00usion. 1hi0e Gree# s9u0ptureB ;ith ;hi9h his ;or# is o7ten 9o'pare+B presents i+ea0:typi9a0 7i*uresB De An+rea a0;ays sho;s in+i8i+ua0sK uniJueB 9onte'porary personsB the presen9e o7 these persons ea9h (ein* 8ery +i77erentB ho;e8er. The 0ess present the in+i8i+ua0 personaB the 'ore the i'pression o7 a +o00. An 9o'parison ;ith other rea0isti9 9onte'porary s9u0ptorsB John +e An+rea +oesnWt +epi9t any so9ia00y 9riti9a0 i+eas. 1hi0e Duane Hanson represente+ pre+o'inant0y u*0yB a0'ost shape0ess persons an+ thus &2

9riti9is' o7 the A'eri9an so9iety is not on0y inten+e+B (ut 9annot (e o8er0oo#e+B an+ ;hi0e Geor*e Se*a0 pro+u9es 7ee0in*s o7 a0ienation +ue to his te9hno0o*y an+ sho;e+ the separation an+ iso0ation o7 hu'ans in their e8ery+ay 0i7eB An+reaWs 9on8in9in* topi9 an+ e'inent 9ontri(ution is 9onte'p0ation on the ;or# o7 the s9u0ptorX hu'an pro(0e's o7 0o8ers intera9tin* an+ the presentation o7 the (asi9 9ore o7 in+i8i+ua0sB a0(eit the +e*ree o7 su99ess in this 0ast en+ea8or (ein* 8ery une8en. 6AENNALA 3ASSATE %.. Esposi,ione +FArte +i >ene,iaB 12 . 1E6 httpKNN;;;.(ernar+u99i'eise0.9o'NpressNin+eG.phpOei+P14 httpKNN;;;.(ernar+u99i'eise0.9o'NartistN(ioNin+eG.phpOai+P5

JOS DE GRUYTER E HARALD THYS ;as Loc $t e ole&B 2515 8i+eo Arsena0eB n.. ne00a 9artina{ s(a*0iato ne0 9ata0o*oK +o8e8a essere ne00a se,ione Sher'en 'a non 9i sta8a Juin+i L stato spostat De GruyterK Nato a Gee0 H(e0*ioI ne0 12&5 B ThysK Nato a 1i0ri$# H(e0*ioI ne0 12&& >i8ono e 0a8orano a 6ruGe00es >era 6A"GRA/AA Ha8in* 'et in 12. as +is*runt0e+ 7i0'N8i+eo stu+ents at the Sint:Lu#as 6russe0s Cni8ersity )o00e*e o7 Art an+ Desi*nB De Gruyter an+ Thys (e*an their 9o00a(oration ;ith a 5:'inute 'i++0e 7in*er:;a**er tit0e+ Mi'e in the >i+eostu+io H12..I. The 8i+eo stars a youn* Thys a00 *an*0y 0i'(s in a ;hite 8est an+ un+er;ear i'itatin* *y'nasti9 eGer9ises to ho#ey Europop son*s in the s9hoo0Fs 8i+eo stu+io. /or 25:o++ yearsB 6e0*ian artists Jos De Gruyter an+ Hara0+ Thys ha8e 9reate+ a (o+y o7 21 8i+eo ;or#s possesse+ o7 the +ar#0y +i8i+e+ spirit o7 9o00a(orationB their pe9u0iar pro+u9tions (ein* those o7 artists a9tin* not on0y in 9onsort ;ith one anotherB (ut a0so ;ith the hi++en 7or9es o99upyin* the territories H(oth physi9a0 an+ psy9ho0o*i9a0I in ;hi9h their hauntin* narrati8es ta#e p0a9e. LA>"R" ES3"ST" Das Lo9h wThe Ho0ex H2515I is +o'inate+ (y three 9hara9tersB represente+ (y +u''ies ;ith +in*e+:up Styro7oa' hea+sB an+ appears to p0ay on stereotypes o7 Ger'anness. JohannesB the heroB is a 70oun+erin* painter ;ho (e9o'es sui9i+a0 ;hen his ;i7eB portraye+ ;ith a 0i7e0ess 8u0ture per9he+ on her shou0+erB eGpresses +ou(ts a(out his ;or# an+ en9oura*es hi' to e'u0ate /rit,B an e'otion0ess 8i+eo*rapher ;ho pratt0es on a(out +i*ita0 te9hno0o*yB his Ja*uarB an+ his 8io0ent 7antasies. The 9hara9tersF 8oi9es are 8ariations on the ro(oti9 +rone o7 8o9a0i,ation so7t;areB an+ pre*nant pauses surroun+ ea9h 'ono0o*ue as the 9a'era ,oo's an+ 0in*ers un9o'7orta(0y. An the 8i+eoFs 7ina0 'o'entB horror atte'pts to e90ipse a00 a(sur+ity an+ hu'orB as t;in (0a9# +u''ies pronoun9eK D1e ;i00 (rea# into a00 o7 your ho0es. 1e ;i00 +o so unti0 on0y one (i* ho0e re'ains. The (0a9# ho0e that s'e00s o7 your +eathB ;e ;i00 (rea# into that too.E De Gruyter an+ Thys *a,e into the a(yssX an+ it *a,es (a9#B throu*h thu'(ta9# eyes. LA>"R" 3ACF /AM"S" :Jos +e Gruyter Q Hara0+ ThysFs art 9asts a 'er9i0ess perspe9ti8e on rea0ity. Throu*h their nu'erous artisti9 approa9hes in90u+in* insta00ationsB 8i+eoB +ra;in*B s9u0ptureB per7or'an9e an+ photo*raphs +e Gruyter Q Thys 8isua0ise their i'a*inin*s o7 the para00e0 ;or0+ inherent ;ithin the 'o+ern hu'an psy9heB a0on* ;ith ho; it 'ani7ests itse07 in the e8ery+ay aspe9ts o7 0i7e an+ 9i8i9 9on7or'ity. E8erythin* 7ro' ;or#B 0eisure an+ 7a'i0yB to so9ia0 90assB 'as9u0inity an+ 'ar*ina0i,ation are en8isa*e+ throu*h 9on8enin* an un0i#e0y 9ast o7 non:pro7essiona0 a9torsB 7a'i0y 'e'(ersB 7rien+sB (ear+sB o($e9ts an+ 'anneJuins a0i#eB o7ten in (ana0B ho'espun settin*s that are ri7e ;ith a;#;ar+ po;er +yna'i9s. 1E6 DA RA/ERAMENT" httpKNN;;;.*'s.(eNin+eG.phpO9ontentPartist[+etai0Qi+[artistP&5Q'enuPteGt ;;;.'uh#a.(eNtoont[(ee0+en+e[#unst[+etai0.phpO0aPenQi+P%15%

JIMMIE DURHAM
Jesus. Es *eht u' +ie 1urstB 1222 1oo+B ironB stee0B in#B paperB a9ry0i9B 'u+B *0ue Arsena0e n. 15 )in+y Sher'an 6orn in 1245B 1ashin*tonB Ar#ansas >eni9e 6ienna0e 1222B 2551B 255% an+ 2555 )hiara 6A"GRA/AA Ji''ie Durha' ;as (orn in Ar#ansas in 1245. >isua0 artistB s9u0ptorB as ;e00 as essayist an+ poet. An 1224 he 'o8e+ to Europe ;here his ;or# has 7o9use+ pri'ari0y on the re0ationship (et;een ar9hite9tureB 'onu'enta0ity an+ nationa0 narrati8es. Durha' has eGhi(ite+ in 8enues aroun+ the ;or0+B in90u+in* 1hitney 6iennia0 H122% an+ 255&IB Do9u'enta A-B the >eni9e 6ienna0e H1222B 2551B 255% an+ 2555IB A)A in Lon+onB Ne; Museu' 7or )onte'porary Art an+ EGit Art in Ne; 4or#B Ha'(ur* <unst8ereinB the Museu' o7 )onte'porary Art in Ant;erpB 6ase0 <unstha00eB /RA) in Rei'sB 1itt*enstein Haus in >iennaB <unst8erein in Muni9hB 3a0ais +es 6eauG:Arts in 6russe0sB a'on* others. Durha' ;i00 ha8e a 7orth9o'in* retrospe9ti8e o7 his ;or# at the Musee +FArt Mo+erne +e 0a >i00e +e 3aris in Sprin* 2552. Durha' is the author o7 nu'erous essaysB poe's an+ pu(0i9ations on anti:ar9hite9ture. An 1225 3hai+on pu(0ishe+ Ji''ie Durha'B a 9o'prehensi8e sur8ey o7 his art. )urrent0y Durha' is ;or#in* on a ne; 9o'pi0ation o7 essaysB a ne; (oo#B The Roa+B (ase+ on a ne; ;or# in MeGi9o )ity an+ a ne; 9o00e9tion o7 poetry. JESCS. ES GEHT DAE 1CRST Jesus. Es *eht u' +ie 1urst H1222I 'a+e ;hi0e he ;as 0i8in* in )uerna8a9aB MeGi9oB is eGe'p0ary o7 Durha'Fs pro9essin* o7 a 7o0# art aestheti9B ;hi9h is 7urther o77set (y the use o7 in9on*ruous tit0es an+ 0an*ua*e. A p0aJue at the (ase o7 the 0itter on ;hi9h the 7i*ure rests is ins9ri(e+B DEs *eht u' +ie 1urstBE a Ger'an i+io' 'eanin* DitFs +o or +ieBE orB 0itera00yB DitFs a(out the sausa*eEbperhaps a p0ayon Durha'Fs a+'iGture o7 'ateria0s an+ a00:e'(ra9in* ethos. The photo*raph o7 a shrou+e+ +o* 'ay re7er to -o0ot0B a +o*:hea+e+ A,te9 +eity asso9iate+ ;ith (oth 0i*htnin* an+ +eathB yet the tit0e an+ the sti*'ata 90ear0y propose a representation o7 )hrist. As i7 to 7urther su**est its +up0i9ityB the rou*h ;oo+en sur7a9e o7 the s9u0pture is partia00y 9o8ere+ ;ith 'u+B en+o;in* the 7i*ure ;ith a Janus:0i#e appearan9eK one si+e o7 the 7a9e is *rinnin*B ;hi0e the otherB +e9aye+B rese'(0es a 'u''y or a 9orpse. Durha'Fs use o7 painte+ ;oo+en s9u0pture ;ith re0i*ious the'es a0so 0in#s this ;or# to the tra+ition o7 the re0iJuaryB u(iJuitous in )atho0i9 MeGi9o. Re0iJuary s9u0ptures are o7ten 0in#e+ (oth in+eGi9a00y an+ i9oni9a00y to the saints they representK the hu'an 0i#eness 9apture+ in the 7i*ure is a9ti8ate+ (y the presen9e o7 rea0 physi9a0 re'ains ;ithinbso'eti'es a toothB a 0i'(B or a shar+ o7 (one. A MATTER "/ LA/E AND DAN)E AND SANGANG Retrospe9ti8e at M H<A DMy !or" mi/ t 8e considered Winterventionist1 8ecause it !or"s a/ainst t e t!o Aoundations oA t e European tradition5 BelieA and .rc itecture% My !or" is a/ainst t e connection oA art to arc itecture, to t e Wstatue1, to monumentality% I !ant it to 8e investi/ative, and t ereAore not Wimpressive1, not 8elieva8le%Tb Ji''ie Durha'B 255% Durha' is one o7 8ery 7e; 9onte'porary artists to a0so ha8e han+s:on eGperien9e o7 po0iti9a0 ;or#. An the 12 5s he ;as one o7 the 0ea+ers o7 the A'eri9an An+ian Mo8e'ent an+ then the representati8e o7 the Anternationa0 An+ian Treaty )oun9i0 to the Cnite+ Nations. The tit0e 7or the retrospe9ti8e ;as a0so use+ 7or one o7 Durha'Fs 7irst so0o eGhi(itions in Ne; 4or# in the 12.5s. DA Matter o7 Li7e an+ Death an+ Sin*in*E re70e9ts his seriousness an+ ;itB his aestheti9 an+ po0iti9a0 en*a*e'entB his in8enti8e resistan9e to ar9hite9ture an+ other sy'(o0s o7 the state. A00 this is part o7 Durha'Fs un9o'pro'isin* 9o''it'ent to ;hat he 9a00s !hu'anityFs thin#in* pro9essF. Durha' uses a00 the 9o'ponents o7 ;hat is to+ay 9a00e+ 8isua0 artK the o($e9tB the i'a*eB the ;or+B the 2

a9tion. A'a*es an+ ;or+s 'ay (e nai0e+ or *0ue+ or painte+ onto o($e9tsB ;hi9h 'ay (e 'a+e !0i8eF in 7ront o7 an au+ien9e. This pro9ess 'ay (e 9apture+ on 8i+eo. His ;or# is !s9u0ptureF in the ;i+est senseK 'ateria0 appearan9es in spa9e. The 'ateria0s ran*e 7ro' ;oo+ an+ stone an+ (one to p0asti9 tu(es an+ printe+ teGt. Durha' a0so ;or#s ;ith +ra;in*B paintin* an+ 8i+eoB an+ he 9reates his o;n 'useu'sB so'eti'es in 9o00a(oration ;ith his partnerB the artist Maria There,a A08es. Durha'Fs retrospe9ti8e at M H<A 7eatures 'ore than 155 ;or#s 7ro' a00 his 9reati8e perio+s. Many o7 his i+eas an+ i'a*es re9ur in +i77erent 7or's at +i77erent sta*es o7 his 9areerB so the eGhi(ition presents !ense'(0esF o7 ;or#s that are not a0;ays 9hrono0o*i9a00y or*anise+. 1E6 httpKNN;;;.Gin*.itNpersonN51&N$i''ie[+urha' httpKNN;;;.artri(une.9o'Nta*N$i''ie:+urha'N httpKNN;;;.a7tera00.or*N$ourna0Nissue.%5Nstone:as:stone:an:essay:a(out:$i''ie:+urha'

LINDA FREGNI NAGLER

3 e idden mot er 255&:251%B 22 +a*herrotipi Arsena0eB n.15 E0isa(etta

6A"GRA/AA Lin+a /re*ni Na*0er L unFartista ita0ianaB nata ne0 12 & a Sto99o0'aB attua0'ente 0a8ora e 8i8e a Mi0ano. Lin+a /re*ni Na*0er L unWartista 9he si espri'e attra8erso 0Futi0i,,o +e00a 7oto*ra7ia.

Nei suoi 0a8ori 8i L un appro99io 9riti9o e ri70essi8o +e0 'e,,o 7oto*ra7i9oB L interessata a00a rappresenta,ione +i una +eter'inata epo9a e +e00a sua rea0tS e si (asa su 7oto*ra7ie 9o'uni otto9entes9he o +e00a pri'a 'etS +e0 No8e9entoB per in+a*arne 0a tra+i,ioneB i 'uta'enti 9u0tura0iB i 9ostu'i e i 'o+e00i i9ono*ra7i9i. Le 9aratteristi9he 9he Lin+a /re*ni Na*0er 9onsi+era si*ni7i9ati8e ne00a 7oto*ra7ia +Wepo9a sonoK 0Wuso +e0i(erato +e00Warti7i9ioB 9he e8i+en,ia 0a natura arte7atta +e00a 7oto*ra7ia stessaB 0a ri99he,,a e 0a 9reati8itS ne00a ri9er9a +i +etta*0i. A0 suo 0in*ua**io artisti9o si s8i0uppa attra8erso 8ari pro9e+i'entiK +opo a8er se0e,ionato 0e i''a*ini 0e 0a8ora 9on9ettua0'ente per ripropor0e sotto7or'a +i rea+y:'a+eB oppure ri7oto*ra7an+o0e in 'o+o +a presentar0e 9on un sa0to te'pora0e e+ esteti9o rispetto a00Wori*ina0eB o an9ora ri9rean+o in stu+io 0a stessa at'os7eraB 7on+a0i +ipintiB arre+i +i s9ena a(iti e a99on9iatureB i'itan+one an9he inJua+ratura e an*o0a,ione +e*0i s9atti presi a+ ese'pio. Si L 0aureata ne0 2555 a00FA99a+e'ia +i 6e00e Arti +i 6rera a Mi0ano Di esseB 0Fartista appre,,a piT 9he +e*0i s9atti D+FautoreEB *0i stereotipi 8isi8i a 9ui una +eter'inata epo9a sotto'ette 0a rappresenta,ione +e00a rea0tS. Le opere 7oto*ra7i9he +i Lin+a /re*ni Na*0er san9is9ono 0a +istan,a 9u0tura0e e te'pora0e 9he 9i separa +a una tra+i,ione or'ai estintaB e *0i e77etti +i strania'ento esteti9o 9he Juesta 0ontanan,a innes9a. LA>"R" ES3"ST" )o00e,ione +i Juasi 'i00e +a*herrotipi o 7oto*ra7ie per 0a 'a**ior parte +e0 se9o0o -i-. Le 0un*he esposi,ioni ri9hieste +a00e 'a99hine 7oto*ra7i9he +e00Fepo9a ren+e8ano +i77i9i0e 7are 0e 7oto*ra7ie ai (a'(ini. =uin+i 0e 'a+ri 0i tene8ano in (ra99io 'a si tro8a8ano in rea0tS +ietro a+ una ten+aB +ietro a+ un 'o(i0e in 'o+o +a non apparire. An a09uni 9asi i 8o0ti 8en*ono to0ti o 9on +e*0i o**etti appuntiti o 9on +e*0i a9i+i 8en*ono ri'ossi in 9a'era os9ura. 1E6 httpKNN;;;.9onne9tin*9u0tures.in7oN;p:9ontentNup0oa+sN2512N5 NLin+a:/re*ni.p+7 httpKNN;;;.ita0ia'era8i*0iosa.or*N0in+a:7re*ni:na*0er:7oto*ra7are:0a:7oto*ra7ia

PHYLLIS GALEMBO
1inne(a /an9y Dress /esti8a0 Li7o9hro'eB 8aria(0e +i'ensions Arsena0e HA15I 6orn in 1252 in Ne; 4or#B CSAB 0i8es an+ ;or#s in Ne; 4or# Has (een a0rea+y eGhi(ite+ at A'eri9an Museu' o7 Natura0 HistoryB Ne; 4or#X S'ithsonian Museu' o7 Natura0 HistoryB 1ashin*tonB D) Maryia 6A"GRA/AA 3hy00is Ga0e'(oWs 7as9ination ;ith 9ostu'e (e*an as a 9hi0+B ;hen she ;ou0+ *o tri9#:or:treatin* near her ho'e in Lon* As0an+B Ne; 4or#B o7ten a0oneB +resse+ in a 8ariety o7 ense'(0es 'a+e (y her 'other. WA sti00 re'e'(er the (ri9:a:(ra9 that she use+ to 7ashion 'y out7itsBW Ga0e'(o says. WThis is ;here 'y 0i7e0on* o(session (e*an. A 9o00e9te+ Ha00o;een 9ostu'es 7or o8er 15 years.W A7ter stu+yin* photo*raphy an+ print'a#in* at the Cni8ersity o7 1is9onsinB in the 12 5s Ga0e'(o (e*an photo*raphin* su($e9ts ;earin* 7esti8a0 9ostu'es. WA ha8e a 0ot o7 pi9tures o7 'y 7rien+s as upsi+e:+o;n Easter (as#etsBW she says. ThenB in 12.5B she tra8e00e+ to Ni*eria to photo*raph priests an+ priestesses ;ith their tra+itiona0 9ostu'es an+ 9ere'onia0 o($e9ts. WA ;as 7as9inate+ (y the i+ea o7 ritua0 90othes that ha+ spiritua0B trans7or'in* po;er. A 7o00o;e+ the story to HaitiB ;here the priests an+ priestesses o7 8oo+oo are (e0ie8e+ to trans7or' 8ia their 90othin* into 'a*i9a0 (ein*s. "n9e A +is9o8ere+ the Ja9'e0 <ana8a0 wHaitiFs pre:Lenten 7esti8a0xB A 7e0t A ha+ 7oun+ 'y '@tier in the 'asJuera+e.W Ga0e'(oB no; a pro7essor o7 7ine art at A0(any Cni8ersity in Ne; 4or#B has spent 'ore than 25 years 9apturin* the 'asJuera+eWs 'yria+ 7or'sB 7o00o;in* 7esti8a0s an+ 9arni8a0s a9ross Ni*eriaB 6eninB GhanaB Sierra Leone an+ 6ur#ina /asoB an+ 9hroni90in* their re:e'er*en9e in p0a9es su9h as Haiti as a resu0t o7 the A7ri9an +iaspora. As a0ien as her i'a*es see'B Ga0e'(o : ;ho +es9ri(es her interest as W(oth artisti9 an+ anthropo0o*i9a0W : says that they are on0y a 'ore stri+ent e'(o+i'ent o7 ritua0s that 7eature hea8i0y in the 1est. They are 9e0e(rations to *i8e than#s 7or sprin*B 7erti0ity an+ prosperityX to (anish the threatenin* 7or9es o7 the ;interX to po#e 7un at authority 7i*ures : they are their Ha00o;eWenB their har8est 7esti8a0B their Nottin* Hi00B Rio an+ >eni9e 9arni8a0s. LA>"R" ES3"ST" The pro$e9t presente+ on the 55th Anternationa0 Art EGhi(ition ;as inspire+ (y 1inne(a /an9y Dress /esti8a0 in Ghana. /ro' the 0ate 12th 9entury Europeans 0i8in* in the port o7 1inne(a ;ou0+ 9e0e(rate Ne; 4ear (y +onnin* 'as#s an+ +an9in* at the to;nWs (ars. An the ear0y 1225s t;o 0o9a0 'enB A(raha' an+ 4a'oahB annoye+ at not (ein* in8ite+B 9reate+ a ri8a0 'asJuera+e o7 their o;n. They 9a00e+ the'se08es the No(0esB an+ 'a+e 9o'i9a0 9ostu'es that satirise+ re0i*ious 7i*ures an+ 0o9a0 (ureau9rats. Su9h ;as their su99ess that ri8a0 *roups 7or'e+B so'e (oastin* hun+re+s o7 'e'(ers. 6y the 1255s GhanaWs 'asJuera+e ha+ (e9o'e a nationa0B annua0 9o'petition. /or a ;ee# 7ro' 6oGin* Day 90usters o7 out0an+ish 7i*ures 'ar9h to*ether throu*h the streets a00 o8er the 9ountryB in 9ostu'es that ha8e ta#en up to a year to 9reate. A7ri9an 'as#in* *enera00y in8o#es +eitiesB nature spirits an+ an9estors.

Ga0e'(oWs i'a*es a00 7o00o; a si'i0ar pattern. She ne8er uses a stu+ioB (ut see#s out (are ;a00s o7 houses an+ 90earin*s in the ;oo+sB a*ainst ;hi9h she photo*raphs her su($e9tsB usua00y 7u00:0en*th. She 0i*hts ea9h s9ene 'eti9u0ous0yB settin* up her eJuip'ent at +a;nB then ;aitin* 7or the 'asJuera+ers to arri8e. Mas#in* here is in +e90ineB su77erin* 7ro' the po0iti9a0B re0i*ious an+ 9u0tura0 pressures on tra+itiona0 'o+es o7 0i7e. 6ut ;hat is re'ar#a(0e is that it has not +e90ine+ 'ore. An+ yet it 'a#es one ;on+er ;hat #no;0e+*e o7 'as#in* in A7ri9a is no; 7ore8er 0ost. LA>"R" 3ACF /AM"S" Another pro$e9t o7 Ga0e'(o too# p0a9e in north:;est ?a'(iaB ;here on9e a year the e0+ers se0e9t (oys a*e+ (et;een se8en an+ 1% to parti9ipate in initiation 9ere'onies #no;n as Mu#an+a. "8er se8era0 'onths in an iso0ate+ (ush 9a'p the (oys 0earn a(out their ro0es as hus(an+s an+ 7athers. 1hen Mu#an+a is 9o'p0ete the 8i00a*e 9e0e(rates the (oysW trans7or'ation (y 9a00in* on an9estra0 9hara9ters #no;n as Li#ishi. An 'as#s 'a+e 7ro' (ees;aG s0athere+ o8er t;i*s an+ 9ar+(oar+B an+ (o+y 9ostu'es ;o8en 7ro' sisa0B the Li#ishi 'asJuera+ers per7or' a 7reneti9 +an9e to entertain an+ s9are the au+ien9e. There are 'ore than a hun+re+ +i77erent 9hara9tersB ;ith ne; ones a++e+ a00 the ti'e. So'e o7 the' re70e9t the 'o+ern ;or0+B su9h as Hon+aB He0i9opter an+ Airp0ane. 1E6 httpKNN0i*ht(oG.ti'e.9o'N2511N5%N25N'as#e:phy00is:*a0e'(o:2Na1 httpKNN;;;.te0e*raph.9o.u#N9u0tureNphoto*raphyN.5& 15%N6ehin+:the:'as#s:the:photo*raphs:o7:3hy00is: Ga0e'(o.ht'0 httpKNN;;;.*a0e'(o.9o'Nin+eG.ht'

&

NORBERT GHISOLAND ?itratti in studio senza titolo $1'1*)1'3' 9a& 25 sta'pe a00a *e0atina +War*ento Arsena0eB n. 15 H3a+i*0ione +i )in+y Sher'anI Nato a La 6ou8erie H6e0*ioI i0 1 Mar,o 1. . e 'orto i0 2 No8e'(re 12%2B 8i8e8a e 0a8ora8a a /ra'eries Non ha esposto in pre9e+enti e+i,ioni +e00a 6ienna0e 4a'ina 6A"GRA/AA Nor(ert Ghiso0an+ era 7i*0io +i un 'inatore 9heB +esi+eroso +i 7are in 'o+o 9he i suoi (a'(ini 9onos9essero una sorte 'i*0iore +e00a suaB a8e8a +estinato i0 pri'o*enito a0 'estiere +i 7oto*ra7o e i0 se9on+o*enito H9ioL 0Wartista in JuestioneI a Jue00o +i 7a0e*na'e. Ma poi9h@ i0 7rate00o 'uore a99i+enta0'enteB Nor(ert ere+ita tutta 0Wattre,,atura 7ati9osa'ente a9Juistata +a0 pa+re eB +opo a8er e77ettuato un appren+istato +i tre anni ne00Wate0ier +i Ga00a+@ a MonsB +i8iene a sua 8o0ta 7oto*ra7o. Si sta(i0is9e +unJue 9on 0a 7a'i*0ia a /ra'eriesB non 0ontana +a0 suo 0uo*o +i nas9itaB e+ apre un ne*o,io e+ uno stu+ioB +o8e 0a8ora sotto una 8etrataB uti0i,,an+o 0a 0u9e natura0e. Durante i suoi % anni +i 0a8oro rea0i,,U o0tre 25.555 7oto*ra7ie su 0astra +i 8etroB 9he rappresentano an9he unWinteressante testi'onian,a so9io0o*i9a +e*0i a(itanti +e0 0uo*oB o88ero persone +i o*ni etS e pro7essioneK 'inatoriB 'i0itariB re0i*iosiB sporti8i e ta08o0ta per7ino 9ani. Dopo 0a sua 'orte pre9o9eB a00WetS +i &1 anniB 0Wate0ier +i Ghiso0an+ sopra88i8erS *ra,ie a0 7i*0io E+'on+ eB +opo JuestWu0ti'oB a0 nipote Mar9 9he tuttora 0o *estis9e. LA>"R" ES3"ST" La se0e,ione +i 25 7oto 9o00o9ata ne0 9osi++etto Mpa+i*0ione +i )in+y Sher'anM +e00WArsena0e ritrae per 0o piT (a'(iniB a**hin+ati 9on tra8esti'enti teneri e straniB 9ioL 8estiti 9o'e sposi o 9on una (a'(o0a in 'ano. A 8o0ti +ei (i'(i tra+is9ono stati +Wani'o +i 'era8i*0ia o perp0essitSB o 9o'unJue +enotano una 9uriosa 9ontra++i,ione rispetto ai ruo0i o ai persona**i 9he i0 7oto*ra7o e i *enitori a8e8ano 9on*e*nato per 0oro. A0 set 7oto*ra7i9o ne0 Jua0e a88eni8ano *0i s9attiB o88ero 0Wate0ier (e0*a +i Ghiso0an+B +ispone8a +i una note8o0e 8arietS +i s7on+i +ipinti H0Winterno +e00a 9atte+ra0eB i0 sa0otto 9asa0in*o e0e*ante e so0e**iatoB i0 par9o 9on 0e pan9hine et9I 'a an9he +i o**etti +i s9ena Hun pa00on9inoB un 'a,,o +i 7ioriB una ruota +i (i9i90etta et9.I. Ano0tre i 9o''ittenti +e0 ritratto pote8ano an9he no0e**iareB per s@ e per i propri 7i*0iB 8estiti e+ a99essori Ha+ ese'pio a(iti +a 90o;n o 9appe00i piu'atiI 'essi a +isposi,ione +a0 7oto*ra7o stessoB 9onsape8o0e +e0 7atto 9he +i77i9i0'ente 0e persone in JuestioneB +ata 0a 0oro pro8enien,a o pre8a0ente estra,ione so9ia0eB a8re((ero potuto pro9urarsi autono'a'ente 9iU 9he o99orre8a 0oro per apparire e0e*anti. =uesti 0a8ori +i Ghiso0an+ possono pertanto 9onsi+erarsi e'(0e'ati9i +i Jue00a parti9o0are +e90ina,ione +e0 te'a +e0 ritratto 9he 0a 'ostra inten+e e8i+en,iareB o88ero 0Wi+ea +i ritratto inteso non 9o'e +o9u'enta,ione (ana0e e neutra0e +ei tratti so'ati9i +e00Win+i8i+uoB 'a piuttosto 9o'e M8o0er essereM o M+o8er essereM +e0 so**etto stessoB e +unJue 9o'e proie,ione +i unWi''a*ine +i s@ a99urata'ente e0a(orata e stu+iataB 0a 9ui 9o'p0essitS rin8ia appunto a0 pro(0e'a +e00a 9ostru,ione +e00Wi+entitS. LA>"R" 3ACF /AM"S" La tipo0o*ia +e00e opere +i Juesto artista L se'pre u*ua0e a se stessaB poi9h@ 0War9hi8io +e00e 9ir9a 25555 7oto s9attate +a Ghiso0an+ H+a 9ui sono tratte appunto 0e 25 in esposi,ioneI L su++i8iso per so**ettiB o88ero arti9o0ato in sei *ruppiK (a'(iniB +onneB uo'iniB 9oppieB ritratti e *ruppi. Ta08o0ta si tratta +i 7oto +Wi+entitS rea0i,,ate +inan,i a+ uno s7on+o (ian9o o a+ un tro'pe:0W|i0B se*uen+o 0e in+i9a,ioni +i posa 7ornite +a0 7oto*ra7o stesso. An o*ni 9aso i persona**i sono se+uti o in pie+iB 9on 0e 'ani in9ro9iate o appo**iate su00e spa00eB 'a soprattutto 9on espressioni 7a99ia0i se'pre *ra8i e pri8e +i sorrisoB Juasi in9onsape8o0i o

in9uranti +i tutto 0War'a'entario +i tra8esti'enti e s7on+i 7antasiosi spesso approntati +a0 7oto*ra7o pri'a +e00o s9atto. )o'e spesso L stato ri0e8atoB 0a triste,,a e 0a 'e0an9onia +ei 8o0ti L an9he 9onnessa a00a +ure,,a e a00Westre'a +i77i9o0tS +e00e 9on+i,ioni +i 8ita +e00a 'a**ioran,a +e*0i a(itanti +i Juei 0uo*hiB +e+iti appunto a0 0a8oro ne00e 'iniere. 1E6 httpKNN;;;.*hiso0an+.9o'N httpKNN;;;.youtu(e.9o'N;at9hO8PN6LEi<JCN'#

YERVANT GIANIKIAN E ANGELA RICCI LUCCHI

<arrousel de Geu+ 122 :255& Hanno parte9ipato a00a Mostra +e0 )ine'aK 12 &B .2B ..B 2 B 2551B 2511 Arsena0eB n. 15 E0isa(etta 6A"GRA/AA 4er8ant Giani#ian Hnato a Merano ne0 1242 +a *enitori ar'eniI e An*e0a Ri99i Lu99hi Hnata a Lu*o +i Ro'a*na ne0 1242I hanno presentato i 0oro 0a8ori in nu'erosi 7esti8a0 interna,iona0i +i 9ine'a H)annesB Rotter+a'B >ene,iaB TorinoI e ne00e piT i'portanti istitu,ioni 'usea0i 9o'e i0 Mo'a +i Ne; 4or#B i0 )entre 3o'pi+ou +i 3ari*iB 0aTate Mo+ern +i Lon+raB i0 Mart +i Ro8ereto e in rasse*ne si*ni7i9ati8e 9o'e 0a 6ienna0e +i >ene,ia H2551I. Mo0ti 0oro 8i+eo sono entrati a 7ar parte +e00Fi''a*inario +e*0i ita0iani per9h@ tras'essi +a00a RAA nei pro*ra''i /uori "rario e Geo. La8orano su una s7asaturaK Jue00a 9he esiste tra i0 nostro presenteB 0Fattua0itS in 9ui 8i8ia'oB e i0 passatoB 0a 'e'oria. Sono artisti inattua0iB e proprio per Juesto 9apa9i +i a77errare i0 proprio te'poB +i ri8e0ar9e0o. )hi si 7er'a a osser8are Juesti 7i0'atiB ri7atti 9on te9ni9a arti*iana0eB e 'a99hine in8entate a+ ho9 : 0a D9a'era ana0iti9aE 9he ripren+e i parti9o0ari +i una pe00i9o0aB o +i un sin*o0o 7oto*ra''a : si ha 0a sensa,ione +Fassistere a00a 'ani7esta,ione pa0ese +i 9iU 9he 0a psi9oana0isi 9hia'a Din9ons9ioE. 7oto*ra7ato e ani'ato 0Fin9ons9io stesso +e00a 9u0tura o99i+enta0eX 0Fhanno tras7or'ato in un e0e'ento 7isi9oB i0 7i0'B 8isi(i0e 0RB +a8anti a noi. Non 0Fin9ons9io sin*o0oB 'a Jue00o 9o00etti8oX i0 ri'osso +e00Fintera 9u0tura o99i+enta0e 9on i suoi 7antas'i s9orre su Jue*0i s9her'i. Sono osser8atori +e00a storia e +e00a 9onte'poraneitSK +a*0i orrori +e00a 3ri'a Guerra Mon+ia0e a00a spensierate,,a +e00a so9ietS +ei 9onsu'iB +a00a po8ertS +ei 9osi++etti paesi in 8ia +i s8i0uppo a00e piT re9enti e +ra''ati9he 8i9en+e +e0 terroris'o interna,iona0e. 0a8orare a0 9on7ine tra arte e 9ine'a speri'enta0e. )oppia ne0 0a8oro e ne00a 8itaB ar9hitetto +i ori*ini ar'ene 0uiB pittri9e ita0iana 0ei a00ie8a +i <o#os9h#a 0a8orano i 7i0' 9o'e pro*etti +FarteB 9on uno s*uar+o pro7on+a'ente attua0e. Attra8erso i''a*ini intenseB tanto poeti9he e+ e8o9ati8eB Juanto a 8o0te (ruta0i e 9ru+eB in8itano a ri70ettere su00a 8io0en,a e 0e *uerre +e0 se9o0o s9orso 9o'e te'i uni8ersa0i. Si ser8ono +i 'ateria0e +Far9hi8io 7i0' etno*ra7i9iB 9o0onia0iB +i propa*an+a 9he ana0i,,ano e ri7i0'ano 9on 0a D)a'era Ana0iti9aE +i 0oro in8en,ioneB ri(a0tan+one i0 si*ni7i9ato e i0 senso 9o'uni9ati8o. An Juesta 8isione 'utaB 'a 7orte'ente e0oJuenteB i popo0i sotto'essi ar'eniB ro'B 9o0oni,,atiB etnie 0o9a0i e i persona**i anoni'i +i8entano i prota*onisti +i o*ni epo9aB 7ino a00a nostra 9onte'poraneitS. +i7en+en+o i0 'essa**io eti9o e i0 8a0ore sen,a te'po +e00a 0i(ertS. A tutti i 9ostiB an9he +e00a 0oro 8itaB 'essa so8ente in *io9o +urante 0a ri9er9a +e0 'ateria0e +Far9hi8io e i 8ia**i in 3aesi in 9on70itto. _Ne0 12.2:1225B a((ia'o 7i0'ato in 1&'' a San 3ietro(ur*o *0i u0ti'i sopra88issuti +e00e a8an*uar+ie +e*0i anni !%5 e !45 in Russia. )on 0a nostra D'a99hina +a presa ana0iti9aE a((ia'o Drie0a(oratoEB a partire +a 'ateria0i rariB +ei 7i0' +Far9hi8io ritro8atiB inerenti 0e a8an*uar+ie russe. A0 7i0' sarS un a'pio +o9u'ento re*istrato a00a 9a+uta +e00FCnione so8ieti9a 9on i ritratti +e*0i u0ti'i testi'oni +i una storia artisti9a 9he nessuno ha i''orta0ato e 9he ora sono s9o'parsi`. A 8o0tiB 0e 9on8ersa,ioniB *0i in9ontri e i sopra00uo*hi in Russia sono restituiti attra8erso *0i a9Juere00i +i An*e0a Ri99i Lu99hi. A0 +ise*no L a**ra,iato e +e9iso. A 8isi e 0e sa*o'e sono (en s9an+iti +a0 trattoB 0a 8o9e o77 +i Giani#ian +S 9orpo e spessore a00a (i+i'ensiona0itS riso0uta +e0 +ise*no. Dan9in* in the +ar#. Ne00Festate 12.2 *iustapposi,ione +i nu'erose seJuen,e +i +an,e e 9on9ertiB 'o'enti pre0e8ati +a +i8erse 7este 'a 9heB in9atenatiB arri8ano a 9o'porre un uni9oB e0oJuente a77res9o +i Jue00a estate ro'a*no0aX Cna pi99o0a te0e9a'eraB i''a*ine a (assa 7e+e0tSB +a00a +e7ini,ione in9erta. /i0' presentato in 'ostraK 7i0'ato +i *io9atto0iB 8e+i 9ata0o*o 1E6 httpKNN;;;.9rossin*t8.itN(0o*N#otio'#inNJua+erno:pari*ino:a09uni:appunti:su:yer8ant:*iani#ian:e:an*e0a: ri99i:0u99hi:a0:$eu:+e:pau'e: :*iu*no:2511 httpKNN;;;.a(itare.itNitNarteNnon:non:non:yer8ant:*iani#ian:e:an*e0a:ri99i:0u99hiN 2

ROBERT GOBER
;oll ouse ,, 1'-* 1oo+paintB p0eGi*0assB 9orru*ate+ 9ar+(oar+B stonesB 9e'entB *0ueB /or'i9a &2{112{55 9' Arsena0e HA15I 6orn in 1a00in*7or+B )onne9ti9ut B 0i8es an+ ;or#s in Ne; 4or# )ity He has a0rea+y (een eGhi(ite+ at La 6ienna0e in 2551 HCSA 3a8i0iionI Maryia 6A"GRA/AA Go(er stu+ie+ at Mi++0e(ury )o00e*eB >er'ont an+ the Ty0er S9hoo0 o7 Art in Ro'e. He is represente+ (y the Matthe; Mar#s Ga00ery. He is (est #no;n 7or his s9u0pturesB (ut a0so has 'a+e photo*raphsB printsB an+ +ra;in*s an+ has 9urate+ eGhi(itions. Most re9ent0yB in the 1hitney 6iennia0 2512B he 9urate+ a roo' o7 /orrest 6essWs paintin*s an+ ar9hi8a0 'ateria0s +ea0in* ;ith the artistWs eGp0oration into her'aphro+is'. He a0so 9urate+ DHeat 1a8es in a S;a'pK The 3aintin*s o7 )har0es 6ur9h7ie0+E at the Ha''er Museu' in Los An*e0es in 2552 H;hi9h tra8e0e+ to the 6ur9h7ie0+ 3enney Art )enterB 6u77a0o an+ the 1hitney Museu' o7 A'eri9an ArtB Ne; 4or# in 2515I. He has ha+ eGhi(itions o7 his ;or# in EuropeB North A'eri9a an+ Japan. "ne o7 his 'ost ;e00 #no;n series o7 ;or#s o7 s9u0ptures o7 sin#s. His ;or# is o7ten re0ate+ to +o'esti9 an+ 7a'i0iar o($e9ts su9h as sin#sB +oorsB an+ 0e*sB an+ has the'es o7 natureB seGua0ityB re0i*ionB an+ po0iti9s. The s9u0ptures are 'eti9u0ous0y han+9ra7te+B e8en ;hen they appear to $ust (e a re:9reation o7 a 9o''on sin#. His ;or#s are store+ in 'any 'useu' 9o00e9tionsB in90u+in* the 1hitney Museu' o7 A'eri9an ArtB The Museu' o7 Mo+ern ArtB San /ran9is9o Museu' o7 Mo+ern ArtB So0o'on R. Gu**enhei' Museu'B the Meni0 )o00e9tionB the Tate Mo+ern an+ the Hirshhorn Museu' an+ S9u0pture Gar+en LA>"R" ES3"ST" Do00house 4 presente+ at the 55th Anternnationa0 Art EGhi(ition is one o7 artistFs er0iest ;or#s. A00 o7 Go(erFs +o00houses +ate to the 8ery start o7 his 9areerB ;hen he ;as ;or#in* part:ti'e as a (us(oy an+ 9arpenter a7ter 9o00e*e. Tire+ o7 toi0in* at these tas#sB Go(er as#e+ hi'se07 ;hat he 9ou0+ 'a#e an+ se00 to support hi'se07. He on9e 'a+e +o00houses as a sour9e o7 in9o'e Hinitia00y they ;ere so0+ at an A'eri9ana shopB (ut e8entua00y they a9Juire+ a se07:9ons9iousness that 0e+ hi' to 'a#e art o($e9ts (ase+ on the +o00houseI. Go(er says that his +o00houses ;ere 'a+e as a ;or# o7 9arpentry an+ not as a ;or# o7 art. Ro(ert Go(er *re; up in a )ape )o+:sty0e 90ap(oar+ that his 7ather ha+ (ui0t hi'se07B an+B sin9e the start o7 his 9areerB his artisti9 8o9a(u0ary has (een roote+ in e8ery+ay o($e9tsbar'9hairsB ra+iatorsB p0aypensB an+ +oorsbthat are un'ista#a(0y 0in#e+ to +o'esti9 spa9e. /or three years in the 12.5sB Go(erFs ;or# ;as +e8ote+ a0'ost entire0y to sin#s. Li#e a00 o7 his other s9u0pturesB the sin#s ;ere (ui0t painsta#in*0y (y han+ 7ro' p0asterB ;oo+B stee0B ;ireB 0athB paint. The artists saysK Most o7 'y s9u0ptures ha8e (een 'e'ories re'a+eB re9o'(ine+B an+ 7i0tere+ throu*h 'y 9urrent eGperien9es. Loo#in* (a9# no; at ;hy A (ui0t s9u0ptures o7 sin#sB A 9an re'e'(er sin#s that A #ne; as a 9hi0+B a re9urrin* +rea' o7 a roo'7u0 o7 sin#s ;ith ;ater 70o;in* throu*h the'B the 7a9t that a 7rien+ ;as +yin* o7 AADS. 6ut ;hen A ;as 'a#in* the'B 'y 9onsi+erations ;ere 7or the 'ost part s9u0ptura0 an+ 7or'a0 ones.E 6AENNALA 3ASSATE 2551 3arte9ipa,ioni na,iona0iK Stati Cniti +WA'eri9a42. Esposi,ione Anterna,iona0e +WArte K 30atea +e00Wu'anitS 1E6 httpKNN;hitney.or*N)o00e9tionNRo(ertGo(er httpKNN(o'(site.9o'NissuesN22Narti90esN1252 httpKNN;;;.nyti'es.9o'N255 N5.N2%NartsN+esi*nN2%*o(e.ht'0O[rP5 .5

BANDIERE VUD8 HAITIANE

Ti:6uteB Gason LanAeB 12&5:12 5 LustriniB per0ineB *ioie00i 7a0si e 7i0ato su 8e00uto Ti:6uteB Bossou ;io H3ara+e Stan+ar+IB 12&5:12 5 LustriniB per0ineB *ioie00iB tre99iaB 7ran*iaB 8e00utoB 7i0ato e 9hio+ini per tappeti 'ontati su te0aio e atta99ati a un pa0o +i 7erro Attri(uito a )0otaire 6a,i00e Erzulie $>reda&B 12.5 9a LustriniB per0ine e pai00ette su tessuto Ba ron $de la <roi+&B 1225 LustriniB per0ine e pai00ette su tessuto =/ounB 1225 LustriniB per0ine e pai00ette su tessuto Maitre ./ouetB 1225 Lustrini e per0ine su tessuto ;am8alla B 1225 LustriniB per0ine e pai00ette su tessuto =/ounB 1225 Lustrini su tessuto A+oia H)ERAM"NAA >CD}I La 9eri'onia 8u+~ +e0 rito ara+a si pote8a s8o0*ere +i *iorno o notte a00Waperto o in 9erti 0o9a0i. Di so0ito si pre7eri8a i0 sa(atoB e si 9e0e(ra8a se'pre in un e+i7i9io spe9ia0eB i0 te'pio 8u+~B 9hia'ato houn7ortK 9on un peristi0io +o8e si sostene8a i0 tetto e ne0 9entro una 9o0onna 9hia'ata poteau:'itan in torno a00a Jua0e si s8i0uppa8ano i riti. "*ni peristi0io si pote8a 9onsa9rare a +i8ersi riti. A00Win*resso si +ispone8a un ta8o0o 9on (is9ottiB paniB pes9iB e99... sorte +i (u77et +o8e i 9re+enti 9o'pra8ano +urante 0a 9eri'onia. Le pareti erano +e9orate +a te0e 'u0ti9o0ori 9he rappresenta8ano a0 santo a0 9ui eJui8a0e in o*ni 9aso i0 0oa H+ioI. LWa0tare si 9hia'a8a p@ o an9he so(aB Juesto si 'ar9a8a ne0 suo0o e+ era 9ir9on+ato +a un 7osso 9he ri9e8e8a *0i a0i'entiB i0 'an*er 9he si o77ri8a a i +ei. Si 7a9e8a an9he unWo77erta +i (e8an+e a00Wini,io +e00a 9eri'onia intanto si +i9e8a MA(o(odM Hsa0uteI. Si ri9onos9e ai sa9er+oti Hhou*anI per i0 suo so0enne a((i*0ia'entoB Juasi se'pre nero 'a prin9ipa0'ente per i0 suo MassonMK pi99o0a ,u99a s8uotata e se99ata a0 so0e i0 9ui *a'(o ser8e +i i'pu*natura. Ne0 suo interno si 'ette8ano pi99o0e osa +i 9o0onna 8erte(ra0e +i serpente. Si suona8ano +e*0i stru'entiB tutti +i per9ussione. Dopo 9he i hounsi H(a'(ineB 7an9iu00eB +onne e an9he uo'ini tutti 8estiti +i (ian9o 9he rappresenta8ano i0 9oro e i (a00eriniI si ini,ia8a i0 pri'o 9anto 9he ser8i8a a 9on8o9are i 9re+enti. Su(ito +opo appari8a i0 'aestro +i 9eri'onia e si 7a9e8a i0 sa0uto. Dopo si +a8ano a 9onos9ere *0i ani'a0i +e0 sa9ri7i9io. A0 'aestro +i 9eri'onie pren+e in o*ni 'ano un *a00o e 9a''ina (a00an+o +a8anti ai 7e+e0i intanto 'uo8e i *a00i +i su in *iT. Dopo si 7a 0o spru,,oB uno +i 0oro si rie'pe 0a (o99a +i *rappa e 9on 0e *uan9e *on7iate ini,ia a spru,,are intorno a se 0Wa09o0 intanto 0Waria si satura +i JuestWo+oreB 0a tensione 8a in au'ento e i0 ru'ore +ei ta'(uri e i 9anti au'entano 8o0u'e. Cno +ei hounsi entra in tran9eB uno +opo 0Wa0tro sono posse+uti +ai 0oaX o 'e*0ioB 'ontato per9h@ i0 o 0a hounsi +i8entano i 9a8a00i +ei santi. LA>"R" ES3"ST" Gason Lan7e 7u un prette +i 8u+~. A DEA HL"AI Se9on+o i ritiB 9e ne sono +i8ersi *ruppi +i 0oa. A *ruppi 'inori si sono +is9io0ti in Jue00i 'a**ioriB i0 *ruppo piT *ran+e appartiene a0 *ruppo ara+a pro9e+ente +a Daho'ey. A0 Si*nore Supre'o +i tutti i 0oa L 6on Dieu H(uon +ioI. Y i0 9reatore +e0 'on+oB 'a si 9osR sopra +e*0i uo'ini 9he non si o99upa +i 0oro. Si tro8a 9osR 0ontano 9he so0tanto ri+e +e00e 'iserie +e00Wu'anitS. Si +i9e Msi +i@ 8i@M Hse +io 8uo0eIB per9iU o*ni uno si 9on7or'a 9on i0 suo +estinoB 'a non si pre*a a0 6uon Dieu. 6ossou HL un 8i00a**io ne0 su+est +i GuineaI A 0oa so0tanto possono posse+ere i (a00erini Juan+o uno +opo 0Wa0tro sono 9hia'ati attra8erso spe9i7i9he 7or'u0e +e00Wor9hestra 7atte 9on i0 ta'(uro. An 9aso +i 'ani7estarsi per s(a*0ioB un 0oa 9he non L stato 9hia'atoB un 8ossal o M0oa erranteMB 0Wor9hestra suona un 'a,on Hrit'o +i a++io 9he ha 0We77etto i''e+iato .1

+i 7ar0o a((an+onare i0 9orpo +e0 ounsi. A0 mazon an9he suona Juan+o per'ane tanto te'po e +istur(a a0 pu((0i9o 9on 0e sue (u77onate 9he rea0i,,a i0 (a00erino posse+uto +a 0ui. Er,u0ie La si*nora Er,u0ieB 9onos9iuta 9o'e E,i0i L stata spesso para*onata 9on A7ro+ita. )osR 9o'e 0a +ea *re9aB E0i,i appartiene a0 *ruppo +e*0i +ei 'ariniB 'a si L a00ontanato Juasi 9o'p0eta'ente +e0 suo a'(ito ori*ina0e 7ino +i8entare Juasi es90usi8a'ente 0a personi7i9a,ione +e00a (e00e,,a e 0a *ra,ia 7e''ini0e. Y 8anitosaB sensua0eB sente passione per 0a sua 9ura persona0e e per i +i8erti'enti. An o*ni sin*o0o te'pio 9WL una 9a'era 9onsa9rata a E,i0i. Si 9onser8a8ano i suoi 8estiti (ian9hi e rosa e ne00a toi0ette si pote8ano tro8are un 0a8an+inoB un saponeB un as9iu*a'anoB un pettineB un rossetto e una 0i'a per 0e un*hie. A 9os'eti9i sono i suoi attri(utiB i0 suo si'(o0o ara0+i9o L un 9uore attra8ersato ripetute 8o0te +a una 7re99ia o una spa+a. Ne00e i''a*ini si rappresenta 9o'e una +onna (ian9a 9on un 8e0o (0u. La +ea 9a''ina 0enta'enteB 'uo8e 0e 9os9eB 0an9ia s*uar+i insinuanti a*0i uo'ini o si 7er'a un istante 'entre +ura un (a9io o una 9are,,a. A suoi 9apri99i sono spesso 9ostosi. Non ri9hie+e in7atti 9he si (utti pro7u'o per terraO =uan+o E0i,iB +a0 (ra99io +i +ue a'anti torna a00a sua 9a'eraB *0i uo'ini 0a a99o'pa*nano sen,a +i'ora. Tra i 0oro a'anti si tro8ano Da'(a00ah "ue++oB A*;e e "*ou 6a+a*ri. 6aron +e 0a )roiG HTutte 0e repu((0i9he 0atinoa'eri9ane hanno a8uto +i8ersi stori9i in o*ni una +e00e sue epo9heB 6aron +e 0a )roiG ra99o*0ie ne00e sue Me'orie 0a storia +e0 Haitn sapen+o s9oprire 9on 7i0oso7ia 0e 9ause +e00a sua ri8o0u,ioneI A loa +e0 *ruppo Gue+@ HGhe+eI sono +e00e +eitS +e00a 'orteB Juasi se'pre *rottes9hi e s9her,osi a parte +i os9eni. A0 prin9ipa0e tra +i 0oro L 6aron Se'e+i o 6aron )i'etiere Hsi'etieI o 6aron:0a:)roiG. Ne0 sue a0tare nero si puU 8e+ere una 9ro9e nera +i 0e*no 9on ri8etti in ar*ento. Y 0a 9ro9e re0a,ionata 9on Le*(a 9he si'(o0e**ia 0a 8itaB i0 re*no +e00Win8isi(i0eB 0e 7or,e 8ita0iB L si'u0tanea'ente i0 9i'itero 9os'i9o a0 Jua0e arri8ano i +e7untiB so''er*en+osi ne0 a(isso +e00e a9Jue per risor*ere 9o'e loe. "*ni 9ere'onia 8u+~ ini,ia per tanto 9on una in8o9a,ione a Le*(a e 9on90u+e 9on i0 sa0uto a00a +eitS +e00a 'orte Gue+@. A0 (a00erino posse+uto +a un *ue+@ si 0as9ia 9a+ere per terraB 9ontiene i0 respiro e s'ette +i 'uo8ersi. A0tri 0oe +e0 *ruppo Gue+@ hanno per si'(o0o i0 pi99oneB 0a pa0aB i0 tes9hioB 0e ti(ie in9ro9iate o 0e 7o*0ie se99heB ren+en+o 9osR e8i+ente 0e 0oro 7un,ioni ne0 9orteo +e00a 'orte. "*oun Hin A7ri9aI L uno +e*0i "rishaB se'i+io +e00a *uerraB +e0 7uo9oB +e0 7erroB +e00a 9a99iaB +e00Wa*ri9o0tura ne00a 'ito0o*ia 4oru(a e nei 9u0ti a7roa'eri9ani +eri8atiX in 6rasi0eB ne00Wa'(ito +e00a re0i*ione )an+o'(0@B tra 0e sue 9aratteristi9heB si puU a**iun*ere Jue00a +i santo protettore +ei 7a((riB +ei 'e99ani9iB +e*0i s9u0tori e +ei 'i0itariX prote**e an9he +a00a 7e((re e +a tutti *0i in7ortuni pro9urati +a 'eta00iX ne0 >u+T haitianoB L 9onsi+erato un Loa HspiritoI o0tre 9he un "risha. "*oun Hin HaitnI 0a +eitS yoru(a +e0 7erro e +e0 7uo9o L +i8entato in Haitn un 9o'p0eto *ruppo +i 0oeB *0i "*ou H"*ounI 9he si 9aratteri,,ano per i 0oro no'i a**etti8ati. A piT i'portanti sonoK "*ou /errai00eB i0 +io +ei *uerrieri 9he anno per i0 7uo9oB e "u*ou 6a+ariB i0 0oa +e00a *uerra. Entra'(i si rappresentano 9on a((i*0ia'ento 'i0itareB portano un Juipes 7ran9eseB a((i*0ia'enti rossi o panni +e00o stesso 9o0ore e portano una 9intura 9on un 'a9hete. Le persona +a 0ui posse+ute si 9o'portano 'ar,ia0'enteB (ran+is9ono i0 'a9heteB 'orsi99hiano *rossi si*ariB 'a0e+i9e e 9hie+e ru' e intanto 0o (e8e 9on 0un*hi sorsiB i0 9oro 9anta una 0itania 9he +i9e M(e8e 'a non L 'ai u(ria9oM. Maitre A*ouet +io +e00Wa9Jua. Se9on+o i neri ara+aB 8u+~ 8uo0 +ire un poteroso essere sopranatura0eB un serpente 9he 9onos9e i0 passatoB 9he sa i0 presente e attra8erso un so''o sa9er+ote HmaitreK papaI e una +onna nera pre+i9e i0 7uturo HmaitresseK 'a'aI. A*;e Mi0 tuonanteM L i0 si*nore +ei 'ari Ha'a i0 9o0ore (0uI. A suoi si'(o0i sono i0 pes9eB 0a (ar9a e i re'i 'a sopratutto L i0 lam8iK 0a 9hio99io0a *i*ante 9he a8e8a ser8ito 9o'e 9o'e 9orno 'usi9a0e a*0i indios ster'inati in Haitn e 9he posterior'ente a8e8a 9hia'ato a*0i s9hia8i a00a ri(e00ione. A*;e prote**e a00a *ente +e0 'are e a'a i0 tuonare +ei 9annoni H9ioL *0i spari +i sa0uto a00e na8i +a8anti a 3ort:au:3rin9eI. Da00a .2

(ar9a *0i si 7anno 0e o77erte ne0 'are a una pe9ora (ian9aB e su(ito +opo +e8e *irarsi sen,a *uar+are in+ietroB per9h@ ai re +i Daho'ey non 0i pia9e 9he 0i 8e+ano 'an*ian+o. Da'(a00ah L si'(o0e**iato +a00a (is9ia o +a0 (oa. Y 0o sposo +i Ayi+a 1e+oB 0a Msi*nora +e0 9ie0oM e+ L 9onsi+erato i pa+re +i tutti *0i a0tri 0oa. /ornis9e e 9o'uni9a 0e 9onos9en,e o99u0te e i0 sapereB L un *ran+e spirito 7erti0e e sa**io 9he aiuta an9he a+ e8itare passi 7a0si e pren+ere 0e (uone e *iuste +ire,ioni. Rappresenta i0 prin9ipe +e0 (eneB e 8i8e 8i9ino a 7iu'i e sor*enti. A0 suo 9o0ore L i0 (ian9oB e 9hie+e o77erte +i Juesto 9o0ore Huo8aB 7arinaI. A 7e+e0i posse+uti +a Da'(a00a 9o'in9iano a si(i0are a stris9iare 9o'e serpenti e a nutrirsi +i uo8a 9o'e 7anno i retti0i.

.%

DUANE HANSON
Bus stop ladyB 12.% 3o0y8iny0B po0y9hro'e+ in oi0B 'iGe+ 'e+ia ;ith a99essories Arsena0e n. 15 )in+y Sher'an 6orn in 1225 A0eGan+riaB Minnesota. Die+ in 122&B 6o9a RatonB /0ori+a. )hiara 6A"GRA/AA Hanson re9ei8e+ a 6a9he0or o7 Arts +e*ree 7ro' Ma9a0ester )o00e*e in St. 3au0B Minn.B in 124&. He 9ontinue+ his stu+ies at the Cni8ersity o7 Minnesota an+ in 1251 9o'p0ete+ an M./.A. in s9u0pture at )ran(roo# A9a+e'y o7 Art in 6oo0'7ie0+ Hi00sB Mi9h. Hanson tau*ht 7or se8era0 years in Ger'anyB ;here he 'et the Ger'an artist Geor*e Gry*oB ;hose ;or# in po0yester resin an+ 7i(er*0ass ha+ a *reat in70uen9e on his s9u0ptures. Hanson returne+ to the Cnite+ StatesB in At0anta an+ in 12&% (e*an his o;n eGperi'ents ;ith the 'ateria0. An 12& he pro+u9e+ his 7irst 0i7e:si,e ;or#. ART1"R< Sin9e the ear0y 12 5Fs Duane Hanson has (een 'a#in* start0in*0y 0i7e0i#e s9u0ptures o7 'i++0e A'eri9a a99o'p0ishe+ throu*h a 9o'p0eG pro9ess o7 9astin* 7ro' 0i8e 'o+e0sB re9reate+ in (ron,e or 7i(er*0ass resin. 6e9ause o7 its 7aith7u0ness to rea0ityB HansonFs ;or# is o7ten 9ate*ori,e+ ;ith that o7 the 3hoto:rea0ist painters o7 the sa'e eraB ;ho (ase+ their paintin*s on photo*raphi9 i'a*es. Cn0i#e the t;o:+i'ensiona0 paintin*sB ho;e8erB HansonFs three:+i'ensiona0 o($e9tsB 0i7e:si,e an+ rea0isti9 +o;n to the hair on their ar'sB are un9anny in that they are si'u0taneous0y 7a'i0iar in their 0i7e0i#e appearan9e an+ yet stran*e as stati9 ;or#s o7 art. Li#e Geor*e Se*a0B an A'eri9an s9u0ptor ;ho' Hanson *reat0y a+'ire+B he 9ast his 7i*ures 7ro' 0i7e. Hanson 9hose his 'o+e0 9are7u00y an+ then pose+ hi' or her in a 'anner that ;ou0+ (est 9apture his (asi9 the'e. HHis ear0iest ;or# sho;e+ 7i*ures in 'i+:'otionB (ut he pre7erre+ the e77e9t he o(taine+ ;ith stati9 poses.I Hanson then painte+ the 9ast 7i*uresB a++in* su9h pre9ise +etai0s as 'osJuito (ites or 8ari9ose 8eins. /ina00yB he 90othe+ an+ a99essori,e+ his s9u0pturesB usin* props as ne9essary. "7ten he 9reate+ 8erita(0e ta(0eauG or 'ini:insta00ations ;ith 7i*ures situate+ in rea0 9onteGts ;ith rea0 thin*s. HansonFs su($e9ts o7 the 0ate 12&5s ;ere po0iti9a0B in90u+in* ;arB *an* 8i9ti'sB an+ the ho'e0ess. Thou*h he 0ater te'pere+ his po0iti9a0 'essa*eB he 9ontinue+ to a++ress the 0ar*e0y than#0ess ro0es o7 the ;or#in* 90assb house;i8esB repair'enB o77i9e 90eanersB +ish;ashersB 'useu' *uar+sB an+ $anitorsB ;hose (o;e+ hea+s an+ 8a9ant *a,es re8ea0 (ore+o' an+ eGhaustion. 1E6 httpKNN;;;.saat9hi:*a00ery.9o.u#NartistsN+uane[hanson.ht' httpKNN;;;.(ritanni9a.9o'NE69he9#e+Ntopi9N254&52NDuane:Hanson httpKNN;;;.+esi*n(oo'.9o'Nen*N7un90u(N+uanehanson.ht'0

.4

HERBERT LIST EopAlos H#enza testaJ, 1244 Sta'pa a *etto +Fin9hiostro ;ie sc one Germanin wLa (e00a 7an9iu00a te+es9axB 1244 Sta'pa a *etto +Fin9hiostro Eammermusi" wMusi9a +a 9a'eraxB 1244 Sta'pa a *etto +Fin9hiostro 3ransplantationB 1244 Sta'pa a *etto +Fin9hiostro @asenoperation wAnter8ento a0 senoxB 1244 Sta'pa a *etto +Fin9hiostro 3repanationB 1244 Sta'pa a *etto +Fin9hiostro Arsena0eB n. 15 125% A'(ur*oB Ger'ania : 12 5 Mona9oB Ger'ania Non ha 'ai esposto in 6ienna0e A+oia 6A"GRA/AA List 7reJuentU i0 *innasio ne00a 9ittS nata0e HA'(ur*oI +a0 1212 a0 1225. Da0 1221 a0 122% stu+iU storia +e00a 0etteratura ne00WCni8ersitS +i Hei+e0(er* e ne0 1224 tornU a+ A'(ur*o 9o'e appren+ista ne00Wa,ien+a paterna +i i'porta,ione +i 9a77L List Q Heine#en. )o'e 9o''er9iante +i 9a77L intraprese tra i0 1225 e+ i0 122. 8ia**i +Wa77ari in 6rasi0eB Guate'a0aB )osta Ri9aB San Sa08a+or e ne*0i Stati Cniti HSan /ran9is9oIB 7in9h@ ne0 1222 non +i8enne pro9uratore a00Winterno +e00Wa,ien+a. Sti'o0ato +a An+reas /einin*er e+ in70uen,ato +a artisti 9o'e Gior*io +e )hiri9oB Ren@ Ma*ritte e Man RayB ne0 12%5 ini,iU a 7oto*ra7are in proprio. /ino a0 12%& List 7u pro9uratore ne00Wa,ien+a paternaB 'a 0a 7oto*ra7ia 0o interessa8a (en piT +e0 suo 0a8oro. Ne0 12%5 e'i*rU a 3ari*iB +o8e +ue anni +opo or*ani,,U 0a sua pri'a 'ostra 7oto*ra7i9a ne00a Ga0erie +u )hasseur +WA'a*es. Durante un so**iorno a Lon+ra ne0 12% List 7e9e 0e sue pri'e esperien,e in uno stu+io 7oto*ra7i9o e 0a8orU tra 0Wa0tro per 0e ri8iste >o*ueB HarperWs 6a,aar e Li7e e +i8enta 9e0e(re per 0e 9o00a(ora,ioni in Jueste ri8iste 9osn 9o'e per i suoi nu+i 'as9hi0iB 9he hanno 7atto s9uo0a. List 7e9e 0a 9onos9en,a +i Geor*e Hoynin*en:HueneB 9on i0 Jua0e intraprese un 8ia**io in Gre9ia e Ata0ia. Le 7oto*ra7ie *re9he +e*0i anni 12% :1241 9on70uirono ne0 8o0u'e i00ustrato Li9ht ](er He00as HMLu9e su00a Gre9iaMI. Di8erse 7oto*ra7ie o'oeroti9he attestano i0 7orte in70usso 9he Hoynin*en:Huene e((e su List. Ne0 1241 List 7e9e ritorno in Ger'ania e si sta(i0R a Mona9oB +o8e perU e((e po9he possi(i0itS +i pu((0i9are. Da0 1244 a0 1245 7u in8iato 9o'e so0+ato in Nor8e*iaB e+ a00a 7ine +e0 9on70itto tornU a Mona9o. List intraprese i0 suo pri'o 8ia**io +e0 +opo*uerra ne0 124.B Juan+o an+U a 3ari*i. Di8enne poi re+attore artisti9o +i Heute HM"**iMIB una ri8ista e+ita in Ger'ania +a00e 7or,e +Wo99upa,ione a00eate. Ne*0i anni se*uentiB 7ino a0 12&2B List 7e9e nu'erosi 8ia**i HAta0iaB Gre9iaB Spa*naB /ran9iaB Messi9o e )arai(iIB pu((0i9an+o 7oto*ra7ie e 7oto:essays su HeuteB DuB Epo9aB Loo#B HarperWs 6a,aarB /0airB 3i9ture 3ost e Li7eB non9h@ nu'erosi 8o0u'i i00ustrati. Ne0 12&4 0a So9ietS +ei /oto*ra7i te+es9hi asse*nU a List 0a MMe+a*0ia Da8i+ "9ta8ius Hi00M. An Jue0 perio+o List 7e9e nu'erose esposi,ioni a Lon+raB ?uri*oB Mona9oB D]sse0+or7B Mi0ano e Ne; 4or#. Da00a 'etS +e*0i anni sessanta 9ontinuU a 8ia**iare spesso in Ata0iaB /ran9ia e Messi9o e s8i0uppU 0a sua 9o00e,ione +i +ise*ni ita0iani +ei se9o0i ->AA e ->AAAB 'a a((an+onU 0a 7oto*ra7ia. Le sue 9o'posi,ioni austere e 90assi9heB in (ian9o e neroB spe9ie Jue00e +i nu+o 'as9hi0eB s9attate in Ata0ia e Gre9iaB hanno a8uto un ruo0o a0ta'ente 7or'ati8o per 0a 7oto*ra7ia 'o+ernaB in parti9o0are per 7oto*ra7i 9onte'poranei +i 'o+a H9o'e Her( RittsIB 9he sono stati pa0ese'ente in70uen,ati +a00o sti0e +i List. LA>"R" ES3"ST" Le 7oto*ra7ie esposte apparten*ono a0 sa**io:7oto*ra7i9o M3ra]s9herWs 3anopti#u'M ne0 3raterK una 9a'era +e*0i orrori *rottes9a 9he +ata +e00Wanno 1. 5B 9ontene8a +e00e 7i*ure +i 9era +i persona**i stori9iB in8en,ioniB e8entiB 9ri'iniB 'a0attie e ra77i*ura,ioni anato'i9he. An Jue0 perio+oB *0i anni 45 +e0 W255 era *iS 8ietato e a00a 7ine +e00a Se9on+a Guerra Mon+ia0e 7u +e'o0ito +a00e SS. .5

LA>"R" 3AZ /AM"S" A0 suo 0a8oro si ri9onos9e 9o'e D7oto*ra7ia 'eta7isi9aEB 9o'e se 7osse nata in 'aniera 'isteriosa +a00WinternoB 'a in 'aniera spe9ia0e L 9onsi+erato 9o'e uno +ei piT i'portanti 7oto*ra7i +e00Wo'oerotis'o e tante +e00e sue 7oto*ra7ie trattano i0 nu+o 'as9hi0e in (ian9o e nero.

1E6 httpKNN;;;.'a*nu'photos.9o'N)ata0o*ueNHer(ert:ListN1244NACSTRAA:1244:NN144%44.ht'0 httpKNNphotos0a8es.9o'Nher(ert:0istN

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PAUL MCCARTHY
< ildrenIs .natomical Educational >i/ure H1225 9ir9aI 6a'(o0a +i pe,,a N rea+y 'a+e N Arsena0eB n.15 ne00a 9artinaB Se,ione Sher'an Nato a Sa0t La#e )ity HCSAI ne0 1245 B 8i8e e 0a8ora a Los An*e0es Ha *iS esposto ne00e pre9e+enti e+i,ioni +e0 122%B 1225 e 1222 >era

6A"GRA/AA 3au0 M9)arthy nas9e ne0 1245 a Sa0t La#e )ity HCtahI. Ani,ia0'ente si 7or'a 9o'e pittore 9onse*uen+o un 6/A H6a9he0or o7 7ine artsI in pittura presso i0 San /ran9is9o Art Anstitute. Su(ito +opoB ne0 12 2B 9o'p0eta 0a propria 7or'a,ione presso 0W Cni8ersity o7 Southern )a0i7ornia +o8e 9onse*ue un 'aster in ArteB 7i0' e 8i+eo. >erso 0a 7ine +e*0i anni sessanta entra in 9ontatto 9on A0an <apro;. A sui 0a8ori +i Jue0 perio+o sono 'o0to in70uen,ati +a00a prati9a +e00WHappenin* Hes. Mountain 6o;0in*B 12&2K DM9)arthy ro00s a (o;0in* (a00 +o;n a hi00. 6oth ;or#s in9orporate an e0e'ent o7 i''e+iate physi9a0 peri0B an+ the 9ontrast (et;een the +ryB 7a9tua0 instru9tions an+ the per7or'an9e o7 the ;or# is a0'ost 9o'i9a0. To run +o;n a steep hi00 is to eGpose onese07 to a situation o7 0osin* 9ontro0.E /onteKarttatt0er.9o'Nar9hi8e'99arthy.ht'0I Da0 12.2 a0 2552 inse*na arte Hper7or'an9eB 8i+eo e+ insta00a,ioneI a00W Cni8ersity o7 )a0i7ornia a Los An*e0es. M9)arthy 0a8ora 9on 8i+eoB insta00a,ione e per7or'an9e. LA>"R" ES3"ST" )hi0+renWs Anato'i9a0 E+u9ationa0 /i*ure H1225 9ir9aI 9onsiste in un rea+y:'a+eK una (a'(o0a +i pe,,a uti0i,,ata 9o'e stru'ento per spie*are 0Wanato'ia u'ana ai (a'(ini. La (a'(o0a sorri+e 'entre 0e 8is9ere 7uories9ono +a0 (usto apertoB 9rean+o in 9hi *uar+a un senso +i +isa*io e repu0sione. )o'e in 'o0ti 0a8ori pre9e+enti 0Wartista s9e*0ie un persona**io tipi9a'ente 9onsi+erato inno9uo e 8i9ino a0 'on+o in7anti0e Hin a0tri 9asi 3ino99hioB 3opeye e 6a((o Nata0eI e ne ro8es9ia i0 si*ni7i9atoB portan+one a00a 0u9e *0i aspetti piT inJuietanti. Ano0tre in Juesta opera 0Wartista 0a8ora su un a0tro +ei te'i tipi9i +e00a propria pro+u,ione o88ero 0a pri'or+ia0e attra,ione +e00Wuo'o per *0i aspetti piT DinterniE e 7un,iona0i +e0 9orpo u'ano. LA>"R" 3ACF /AM"S" M9)arthy L interessato a+ unWana0isiB +issa9rante Juanto po0iti9a'ente s9orrettaB +e00a so9ietS 9onsu'isti9a a'eri9ana. A suoi ri7eri'enti sono +unJueB +a un punto +i 8ista i9ono*ra7i9oB tipi9a'ente 9o00e*ati a*0i aspetti piT super7i9ia0i +i ta0e so9ietS Hper ese'pio persona**i DisneyB +i 6:'o8iesB Soap operaB pu((0i9itSIX +a un punto +i 8ista te9ni9o:espressi8o 0e sue 7onti +Wispira,ione ri'an+ano a +i77erenti 0in*ua**i artisti9i e non so0o HLost Art Mo8e'entB Joseph 6euysB /reu+ e soprattutto 0Wa,ionis'o >ienneseI. Sai0orFs Meat H12 5IB M9)arthy +resse+ in shre++e+ ;o'enFs 0in*erie an+ ens9on9e+ hi'se07 in a s#i+ ro; Los An*e0es hote0. ThereB on a (are 'attressB ;itnesse+ on0y (y a s'a00 *roup o7 on0oo#ers an+ a 8i+eo 9re;B he si'u0taneous0y seGua00y assau0te+ an+ ;as assau0te+ (y a pi0e o7 ra; 'eat. M9)arthy is a(0e to san9ti7y his +istur(in* an+ +istur(e+ per7or'an9es (y a +istan9e+B tran9e:0i#e +e'eanour that is tru0y un9anny. His a9tions are 'ore 0i#e ritua0s than theatre pie9esX tra+itiona0 i+eas o7 9atharsis +onFt see' to app0y. H7onteK ;;;.7rie,e.9o'NissueNarti90eN+a++ys[0itt0e[he0perNI 3au0 M9)arthyB Santa )0aus ;ith a 6utt:30u*B Ant;erp. 6AENNALA 3ASSATE .

Esposi,ione Anterna,iona0e +WArte K punti 9ar+ina0i +e00Warte H122%I Assort'ent H1222:122%I Tote' H122%I Esposi,ione Anterna,iona0e +WArte H1225I /resh A99on9i H1225I 4.. Esposi,ione Anterna,iona0e +WArte K +A3ERTutto H1222I 3ropposition H122.:1222IK 2 insta00a,ioni rea0i,,ate 9on 0Wartista Jason Rhoa+es 1E6 en.;i#ipe+ia.or*N;i#iN3au0[M9)arthy ;;;.7rie,e.9o'NissueNarti90eN+a++ys[0itt0e[he0perN arttatt0er.9o'Nar9hi8e'99arthy.ht'0

..

PIERRE MOLINIER .ndro/yne, 1'2(X S= Y %%%Marie, mere de ;ieuT, 1'2(X L1eperon d1.mour, 1'2()1'2-X Danine ;elanoy et Pierre Molinier, 1'22X EAAi/ie @M2, 1'2-X .utoportrait allon/e avec /odemic e, 1'2*X Hanel, 1'-0X L1 omme au sa8re% .utoportrait, 1'-1X Hanel 1X La poupeeX Le ;ou8le #"in)d1.mourdoX 3riomp eX Bo/a .moureu+ /oto*ra7iaB 7oto'onta**ioB sta'pa a00a *e0atina Arsena0eB n. 15 1255 A*enB /ran9ia 12 & 6or+eauGB /ran9ia A+oia 6A"GRA/AA 3ierre Mo0inier pittore e 7oto*ra7o. Ne00a sua pri'a 7ase era piT +e+i9ato a00a pittura e a0 +ise*noB espone re*o0ar'ente nei sa0oni 9o'e 'e'(ro +e00a So9ietS +WArtisti An+ipen+enti +e00a sua 9ittS nata0eB A*en. A0 suo pri'o appro99io a00a 9rea,ione artisti9a si ser8e +i te'ati9he inno9ue attra8erso +ei suoi paesa**i e 0e sue nature 'orte 9he si a88i9inano a0 0in*ua**io +e*0i i'pressionistiB intanto 0a per9e,ione +e00e persone 7orte'ente psi9o0o*i9a 0o i'pu0sa a 9reare una serie +i ritratti e+ autoritratti +i ten+en,a espressionista. A00Wini,io +e*0i anni W55 9o'e risu0tato +e00a presenta,ione +e00a sua opera MLe *ran+ 9o'(atM si pro+u9e una rottura 9on 0a 9o'unitS artisti9aX 0a 'ateria0i,,a,ione +e00e suo ossessioni eroti9he e 7eti9iste 8en*ono *iu+i9ate 9o'e in+e9entiB 'a tras9en+e8ano 0a pro8o9a,ioneB era un 7orte +i (is*ono +i 9ostruire insistente'ente 9o'e un 9hirur*o un a0tro 9orpo 0e*ato a unW+entitS 9he non tro8a8a i0 suo spa,io ne0 'on+o rea0eB Juesta ne9essitS 0o a99o'pa*nerS tutta 0a 8ita. A 'etS +e*0i anni 55 Mo0inier si 'isse in 9ontatto 9on An+r@ 6reton 9hi 0o in9orpora ne0 suo *ruppoB a un 9erto punto espone a 3ari*i e 9o'pone 0a 9opertina +e0 nu'ero 2 +e 0a ri8ista MLe Surr@a0is'e ''eM. An9he se Mo0inier era unWuo'o 9on una 8isione 'o0to 0i(era e persona0e +e00a 8ita e +e00WarteB e +i77iere spesso +e00e opinioni e +e00e 9ostru,ioni teori9he +e0 *ruppoB +e0 Jua0e si a00ontana +e7initi8a'ente Juan+o presenta i0 suo 0a8oro M"hd... MarieB M@re +e DieuM. Co'o +i 9arattere +i77i9i0eB tante 8o0te (0as7e'o e os9eno si ri7u*ia +opo ne0 suo 8e99hio apparta'entoB 'atri9e +i un 'on+o in7inito popo0ato +i o**etti (i,,arriB tutto +estinato a00a spintaB a00a 9er9a 9o'pu0si8a +i stra+e per 9ostruire uno e 'i00e 9orpi +i unWi+entitS 7ra''entata. LWartista assente +i Jua0siasi tipo +i 'ora0itS si sui9i+a ne0 12 & 0as9ian+o una 0ettera ai suoi a'i9iK MMi u99i+o. La 9hia8e 9e 0Wha i0 portiereM. LA>"R" ES3"ST" =ue00a +i Mo0inier L una +e00e espressioni eroti9he piT a77as9inanti +e00Warte +e0 W255. 3re9ursore +e0 8ody art, i0 suo 0a8oro 7oto*ra7i9o si (asa prin9ipa0'ente in autoritratti e 9o'posi,ioni attra8erso i0 7oto'onta**ioB +o8e Mo0inier L o**etto e so**etto +e00a sua pro+u,ione artisti9a. 3er e0a(orare *0i autorretrati e+ i 7oto'onta**i 'ette in 'ostra una +e9ora,ione ripetiti8a +o8e 0e stesse 7antasie si 9on8o9ano ossessi8a'ente. Si rein8enta uti0i,,an+o i0 tras7or'is'o nar9isistaB +ei 7eti99i 7e''ini0i 9o'e 9a0,eB s9arpe a spi00oB 9orsettiB *uantiB e99... per +i8entare un essere i''a*inarioB an+ro*inoB Juasi 'ito0o*i9o 9he unis9e in se stesso 0Wessen,a +i entra'(i i *eneri. )osR 9o'e o**etti 7a00i9iB 8i(ratori +a 0ui e0a(orati ri9rean+o un erotis'o onanisti9oB autosu77i9iente e+ e*o9entri9o +o8e i0 +esi+erio si 9on7on+e 9on 0Wan*os9ia e i0 pia9ere 9on 0a so77eren,aB tras*re+en+o i 8a0ori etero+ossi +e00a 8iri0itS. CnWi+entitS 7atta a pe,,iB 0a 7ra''enta,ione +e0 proprio 9orpoX per 0e sue 9o'posi,ioni 9a0ei+os9opi9he si ser8e +e0 7oto'onta**io e +e00Winte*ra,ione +i 'u0tip0i 7ra''enti 9orpora0iB a 'o+o +i *a'(eB torsi e (ra99ia +i 'ani9hini +a 0ui 9reatiB a00o sti0e +e00e (a'(o0e +i Hans 6e00'er. LWatto 7oto*ra7i9o sarS per Mo0inier 0Wuni9a 8ia per a99e+ere a Jue0 suo 9orpo 'enta0eB Jue0 9orpo i'possi(i0e 9he 0a so9ietS non per'ette. La sua 8ita L 9ostante in Juesta ri9er9a +o8e i +ue sessi si a88i9inano in 'o+o i'pro(a(i0e e pro8o9anteK in Jue00o spa,io 7atto +i 0u9i e+ o'(reB a'(i*uo e +i77uso. .2

S9ritti +i Mo0inierK DEssere uo'o o +onna non ha *iS i'portan,a. )osR 0a 9arne non L a0tro 9he una 0esione uti0e uni9a'ente per 9a'u77arsiE. DLa 'ia a'(i,ione non L traspassare i *eneri. La 'ia a'(i,ione L +istru**er0i. A*norar0iE. D=ue00o 9he spero non L rea0e per9iU 9i 'ette tanto in arri8are. 3er Jue00o 'i o((0i*a a 9he 0o so*ni 9o'e si so*na un +e0irioE. DSono 0a 'a0in9onia +i una 7i*ura 7ra''entataE. DSe tutto L una (u*ia 'e stesso +e8o tras7or'ar'i in (u*ia. Ma una (u*ia a'p0i7i9ata 7ino i0 8uotoE. 1E6 httpKNN0apetite'e0an9o0ie.;or+press.9o'N2512N52N%5Npierre:'o0inier:2N httpKNN;;;.in+epen+ent.9o.u#Narts:entertain'entNpierre:'o0inier:the:7or*otten:surrea0ist:1552515.ht'0

25

JOHN OUTTERBRIDGE ;eGa 0u);o H12 2:1222I Materia0i 8ari H0e*noB pe,,aB 'eta00oB A'eri9an 70a*I Arsena0eB n. 15 ne00a 9artina Se,ione Sher'an Nato a Green8i00e HNorth )aro0inaI{ne0 9ata0o*o L s(a*0iato ne0 12%% B 8i8e e 0a8ora a Los An*e0es >era 6A"GRA/AA LWartista a7ro:a'eri9ano "utter(ri+*e nas9e a Green8i00e HNorth )aro0inaI ne0 12%%. Si 7or'a 9o'e pittore presso 0WA'eri9an A9a+e'y o7 Art +i )hi9a*o tra i0 125& e i0 1252. Ne0 12&% si tras7eris9e a Los An*e0es +o8e a((an+ona 0a pittura in 7a8ore +e00Wasse'(0a*e e +e00Wista00a,ione. An Juesto perio+oB 9aratteri,ato +a 8io0ente ri8o0te +e00a popo0a,ione a7ro:a'eri9ana ne00a 9ittSB "utter(ri+*e 8i8e 9on 0a 'o*0ie in South )entra0 Los An*e0esB una +e00e ,one:*hetto piT po8ere e 9o0pite +a00a (ruta0itS +e00a repressione +e00a po0i,ia. Da0 12 5 a0 1222 L stato i0 pri'o +irettore +e0 1atts To;ers Art )entre HLos An*e0esIK insie'e +i 1 strutture inter9onnesse a 7or'a +i torre H+ue superano i %5 'IB 9ostruite +a00Wartista outsi+er +i ori*ini ita0iane Si'on Ro+ia tra 1221 e 1254. A 0un*o 9onsi+erato un artista 'inore i0 suo 0a8oro L stato ri8a0utato in anni re9enti e+ ora sue opere 9o'paiono in i'portanti 'usei a'eri9ani 1atts To;er Art )entre LA>"R" ES3"ST" )on 0a nas9ita +e00a 7i*0iaB ne0 12&&B ini,ia a 9reare (a'(o0e Hsua 'a+re era stata una 9o00e,ionista 9o'pu0si8a +i (a'(o0eI. Da Jui ini,ia uno stu+io su0 ruo0o +e00e (a'(o0e in +i8erse 9u0ture e s9opre 9he Jueste sono spesso asso9iate a prati9he +i 'e+i9ina popo0are e a ritua0i. Le (a'(o0e sono +unJue per "utter(ri+*e Dpersoni7i9a,ioni +i una 9u0tura e +ei suoi ritua0iB i suoi 8a0oriB i suoi 9o0ori....E. De$a >u:Do L un asse'(0a*e +i 'ateria0i +i77erentiK una (a'(o0a in sti0e 8o+ouB +a00a Jua0e pen+e una 8e99hia (an+iera a'eri9anaB L in9hio+ata a+ unWasse +i 0e*no e sor'ontata +a una 9upo0a +i 'eta00o 9he ne in*a((ia 0a testa. LWi+ea L 9he i0 potere 9ontenuto ne00a (a'(o0a 8o+ou sia Din*a((iatoE e+ L o88io i0 ri7eri'ento a00a so9ietS a'eri9ana H(an+ieraI. Si puU 0e**ere an9he una 9riti9a a00a repressione statunitense perpetuata per se9o0i a +anno +e00a popo0a,ione a7ro:a'eri9ana H0a (a'(o0a 8oo:+oo L si'(o0o +e00e tra+i,ioni +e00e popo0a,ioni ri+otte in s9hia8itT e portate ne0 nuo8o 'on+oI 1E6 en.;i#ipe+ia.or*N;i#iNJohn["utter(ri+*e ;;;.$a9#ti0ton*a00ery.9o'N9ontentN&.artistsN15.outter(ri+*eN6io*raphy.p+7 ;;;.artina'eri9a'a*a,ine.9o'Nne;s:opinionN9on8ersationsN251%:54:2&N(eyon+:8erna9u0ar:an: inter8ie;:;ith:$ohn:outter(ri+*eN

21

CAROL RAMA TorinoB 121. Arsena0eB 9or+erie SE?. )in+y Sher'anB n.15 Marta ?anin

"3ERE .ppassionataB 12%2 A9Juere00o su 9artaB 14 G 2% 9' .ppassionata $Marta e i marc ettoni&B 12%2 A9Juere00o su 9artaB %% G 2% 9' =pera n% 1*B 12%2 A9Juere00oB te'pera e paste00o su 9artaB %5 G 22 9' ;orinaB 1245 A9Juere00o su 9artaB 25 G 1% 9'

MartaB 1245 A9Juere00o su 9artaB 2% G 1. 9' .ppassionataB 1241 A9Juere00o e paste00o su 9artaB %% G 2% 9' =pera n% (,B 1241 A9Juere00o su 9artaB 4. G %% 9' EreticaB 1244 A9Juere00o su 9artaB 14 G %5 9' Ivan Huras B 124& A9Juere00o su 9artaB 2% G 14 9'

22

3ARTE)A3A?A"NA 3RE)EDENTAK 24. Esposi,ione Anterna,iona0e +FArte +i >ene,ia 124. 25. Esposi,ione Anterna,iona0e +FArte +i >ene,ia 1255 45. Esposi,ione Anterna,iona0e +WArte +i >ene,ia 122% 55. Esposi,ione Anterna,iona0e +WArte +i >ene,ia 255%B So*ni e )on70itti : La +ittatura +e00o spettatore HLeone +Foro a00a 9arrieraI 6A"GRA/AA "0*a )aro0 Ra'a nas9e a Torino i0 1 apri0e +e0 121. +a Marta 3u*0iara e A'a(i0e Ra'a. A00FetS +i 15 anni 0a 70ori+a a,ien+a auto'o(i0isti9a +e0 pa+re 7a00RB 7inen+o per portar0o a0 sui9i+ioB e 0a 'a+re +i Ra'a 9o'in9iU a 9o'(attere 0a 'a0attia 'enta0e 9ontinuan+o a entrare e us9ire +a ospe+a0i psi9hiatri9i. )aro0 Ra'a a so0i 21 si ritro8a a 8i8ere +a so0a 'entre in Ata0ia +i8a'pa i0 7as9is'o. Anni Trenta Ne*0i anni Trenta ini,ia a +ipin*ere +a auto+i+atta so**etti +a00a 7isiono'ia se'p0i7i9ata. Anni =uaranta Ne*0i anni =uaranta ese*ue a9Juere00i nei Jua0i +onne nu+eB ta08o0ta 9oi 9orpi a'putati +e*0i arti e su 0etti +i 9onten,ione o se+ie a rote00eB espri'ono un esp0i9ito erotis'o. Ani'a0iB protesi ortope+i9heB +entiereB s9arpeB parti anato'i9he H7a00iB (ra99iaB pie+iB 0in*ueI ani'ano Juesti +ipinti s7rontatiB tanto ana9ronisti9i per 0Fepo9a +a risu0tare ina99etta(i0i H0a sua pri'a persona0e ne0 1245 a00a Ga00eria /a(er +i Torino 7u (0o99ata po9o +opo essere stata apertaB 0e opere seJuestrateI. Sono 0a8ori 9he ri70ettono 0e an*os9e e 0e 7antasie +i una *io8ane +onna 9he ha +o8uto +i 9o0po 9on7rontarsi 9on aspetti trau'ati9i +e00a 8ita H9o'e 0a 'orte tra*i9a e pre'atura +e0 pa+re e 0a 9onse*uente 'a0attia psi9hiatri9a +e00a 'a+reI. Anni )inJuanta Nei pri'i anni )inJuanta si a88i9ina a00Fastrattis'o +e0 MA) : Mo8i'ento Arte )on9retaB e parte9ipa 9on 0a8ori astratto:9on9reti a00a 6ienna0e +i >ene,ia +e0 124. e +e0 1255. Anni Sessanta Ne*0i anni Sessanta rea0i,,a i 6ri9o0a*eB 9osR +e7initi +a00Wa'i9o E+oar+o San*uineti Hi'portante 0etterato e+ inte00ettua0eIB 9o'posi,ioni +i se*ni e 'a99hie +i sti0e in7or'a0e a00e Jua0i a**iun*e o99hi +i 8etroB +entiB un*hie e+ a0tri 'ateria0i in9o00an+o0i su00a te0a. G0i a'i9i hanno un *ran+e ruo0o ne00a 8ita +i )aro0B a 9o'in9iare +a Jue00i 9he ha a TorinoB 9o'e /e0i9e )asorati H+i 9ui 7reJuenta assi+ua'ente 0o stu+ioIB A0(ino Ga08anoB Ata0o )a08inoB Massi'o Mi0aB )ar0o Mo00inoB )orra+o Le8i e a0tri an9ora. Durante i so**iorni +e0 12 5 e 12 1 9on i0 suo *a00erista Lu9iano Anse0'ino a 3ari*i e a Ne; 4or#B 9onos9e An+y 1arho0B "rson 1e00es e Man Ray. Anni Settanta A0 0a8oro +e*0i anni Settanta L insie'e inti'o e +i a'pio respiro. Su 7or'ati spesso 9onsi+ere8o0iB )aro0 Ra'a appen+e o sten+e e in9o00a 9a'ere +Waria 9he 0e ri9or+ano 0a 7a((ri9a +i (i9i90ette +e0 pa+re i'pren+itore. Le 9a'ere +WariaB spesso usurateB riparateB rattoppateB 9reano una 'ateria 8i8aB pittori9aB 9on un e77etto 8isi8o e tatti0e 9he ri9hia'ano 0Wanato'ia u'ana e 0a sessua0itS Hpe00eB 9arneB (u+e00aB 7a00iI. Ne0 12 2 0a Ga00eria Martano +i Torino espone insie'e a sette opere +i Jue0 perio+o +o+i9i a9Juare00i +e*0i anni 12% N1241. Anni "ttanta An se*uito a00Win9ontro 9on Lea >er*ineB i0 12.5 0a 8e+e presente 9on nu'erosi 0a8ori +e*0i anni Trenta e =uaranta ne00a 'ostra itinerante su00e *ran+i artiste +e0 No8e9entoB intito0ata MLWa0tra 'etS +e00Wa8an*uar+iaM. )urata +a Lea >er*ineB 0e 8iene a00estita ne0 12.5 0a pri'a 'ostra anto0o*i9a ne0 sa*rato +e0 Duo'o +i Mi0ano. A0 0a8oro +ei pri'i anni 8iene ri8a0utato e Juesta L 7orse una +e00e ra*ioni per 9ui )aro0 2%

torna a00a 7i*ura,ione 9on opere piene +i 7antasiaB +i (i,,arrieB +i ra99onti a99ennati e +i a00usioni pri8atissi'e. )aro0 Ra'a non ha piT a((an+onato i0 7i*urati8oB 'a 9o0 te'po 0e 7i*ure e i persona**iB 0e*ati se'pre a00a sua storia persona0eB si sono 7atti piT essen,ia0iB Juasi e'(0e'ati9i. Tra *0i anni "ttanta e No8anta 0Fi''a*inario +i )aro0 Ra'a si popo0a +i nuo8i so**ettiB 9o'e 0a Mu99a 3a,,a H0e 'a''e00eB 0a pa,,iaIB +ipinti o +ise*nati sopra 'appe 9atasta0iB 7o*0i DusatiEB +ise*ni te9ni9i pres9ritti. Anni No8anta Mostre pu((0i9heB 9o'e 0a sa0a persona0e a00a -L> 6ienna0e +i >ene,ia ne0 122%B 0a 9o00etti8a +e0 122& DAnsi+e the >isi(i0eE a00WA)A +i 6oston Hpoi a 1ashin*tonB 6ostonB 3erthI o 0Wanto0o*i9a a00o Ste+e0i$# Museu' +i A'ster+a' H122.B poi a 6ostonI 0a portano a00Watten,ione +e0 pu((0i9o interna,iona0e. Anni Due'i0a A0 *ran+e ri9onos9i'ento pu((0i9o 0e arri8a so0tanto ne0 255%B Juan+o 0e 8iene 9on7erito i0 Leone +Woro a00a 9arriera a00a 55. 6ienna0e +i >ene,ia. Ne0 2554 0e 8iene a00estita unWa'pia anto0o*i9a presso 0a /on+a,ione San+retto Re Re(au+en*o a TorinoB 9he in se*uito 8iene presentata a0 Mart +i Ro8ereto e a0 6a0ti9 Museu' +i Gateshea+ HG6I. Se*uono a0tre i'portanti 'ostre e retrospetti8eB tra 0e Jua0i una 'ostra anto0o*i9a +i in9isioni a0 Museo +i Arte Mo+erna )aW 3esaro +i >ene,iaB ne0 255 MLa passione se9on+o A6"MB 9urata +a A9hi00e 6onito "0i8a a Ra8e00oB 9he L in9entrata su00Wopera 7i*urati8a +i )aro0 Ra'a e 0a 'ostra a 3aestu' presentata +a Gi00o Dor70essB ne0 255. 0a 'ostra anto0o*i9a +i )aro0 Ra'a a0 3a0a,,o Du9a0e +i Geno8aB in o99asione +e0 no8antesi'o anni8ersario +e00a nas9itaB e 0a 'ostra DSe07 3ortraitE a Le*nano HMiIB ne0 2552 DAutorattristratri9eEB presso 0a Ga00eria Asa(e00a 6orto0o,,i +i 6er0inoB 9he 0a rappresenta +a0 2515 a+ Art6ase0. Ne0 2515 presso i0 =uirina0eB )aro0 Ra'a ha ri9e8uto +a0 3resi+ente +e00a Repu((0i9a Gior*io Napo0itano i0 3re'io 3resi+ente +e00a Repu((0i9a. )ARATTERASTA)HEK "*ni persona**ioB o*ni o**etto 9he 9o'pare su00a s9ena +e00Wopera tro8a i0 suo ris9ontro ne00a storia e ne00a 'e'oria +e00Wartista. Ne0 suo 0a8oro pre8a0e un interesse per i0 9orpoB 0e sue a'puta,ioniB 0e 'uta,ioni e per una sessua0itS +i M*enereM pre9o9e'ente 7e''inistaB 9he ne00Westre'a +ure,,a e ra((ia sar+oni9a +e00e s9e0te i9ono*ra7i9he e +e00o sti0e pittori9o supera o*ni 9ita,ionis'o +a+aista o surrea0istaB anti9ipan+o +i JuarantWanni ten+en,e proprie +e00Warte +Wo**iB 9o'e i0 3ostor*ani9o e i0 3ost Hu'an. KLa ra88ia V la mia condizione di vita da sempreX sono lIira e la violenza a spin/ermi a dipin/ereX e il lavoro mi appa/a, mi rasserenaK% SIl lavoro, la pittura, per me, V sempre stata una cosa c e mi permetteva poi di sentirmi meno inAelice, meno povera, meno 8ruttina, e anc e meno i/noranteZ ;ipin/o per /uarirmiT LA>"R" ES3"ST" A0 tito0o D.ppassionataE ra**ruppa unFa'pia *a''a +i +ipinti +i Ra'aB e77ettuati in anni +i8ersiB 9he 8anno a 9reare una 8era e propria serie. )o'une a tutte 0e rappresenta,ioni L 0a nu+itS e 0a 0in*uetta a*u,,a 9he spunta +a00a (o99aB tratto prin9ipa0e +e00a 0oro espressi8itSB 9he 0e ren+e i'pertinentiB ironi9he e spesso 8o0uta'ente 8o0*ari. An 9o'une hanno ino0tre una 9orona +i 7iori 9he piT 9he 9ir9on+are 0a 0oro 7ronte se'(ra nas9ere +iretta'ente +a00a stessa HRa'a tuttoraB e +a se'preB porta a00o stesso 'o+o una *rossa tre99ia (ion+a a 9ir9on+ar0e 0a testaI. Sono 'uti0ateB 'a non stanno per 'orireB sono positi8eB 7orse 9o'e +i9e 0Fartista: hanno una 7un,ione riparati8a. .ppassionataB 1241B L un a9Juere00o su 9arta in 9ui si 8e+e una ra*a,,a +istesa sopra un 0ettino +a ospe+a0e +i 9onten,ione in 'eta00o HRa'a a8e8a o99asione +i 8e+er0i Juan+o an+a8a a tro8are 0a 'a+re in istitutoIB 24

9on entra'(e 0e (ra99ia e 0e *a'(e a'putate e +ue in9on*rue s9arpette rosse ai pie+i +e0 0ettoB non uti0i,,a(i0i. An .ppassionata $Marta e i marc ettoni&B 12%2B Ra'a a99o'pa*na 0e sue +onnine an9he 9on uo'iniB 0Fatto sessua0e non L rappresentatoB 'a L i0 'o'entoB si supponeB appena pre9e+ente. La tensione 8iene +es9ritta attra8erso 0a 'o0tip0i9a,ione e 0a +istorsione +e0 sesso 'as9hi0eB i0 9ui 7re'ito L a99entuato +a0 9o0ore 7orteB una tinta rossa e 'arrone in 9ontrasto 9on i0 rosa +ei 9orpi. A0 Jua+ro Marta B 1245B 'ostra una +onna 9he +e7e9a _)aro0 0o 9hia'a8a M0a 9a*onaMB si ri7S a00a sua in7an,ia Juan+oB insie'e a+ a09une a'i9heB spia8ano una +onna 9he an+a8a se'pre a +e7e9are in un 9erto 0uo*o`. An ;orinaB 1245B un serpente e'er*e tra 0e *a'(e +i8ari9ate +i una nin7a se+utaB 'entre EreticaB 1244B 'ostra un orso prostrato su una 0astra (ian9aB penetrato +a +ietro e una spessa 0in*ua rossa 9he e'er*e +a00a sua (o99a 9o'e una 9ontinua,ione 7a00i9a. Appro7on+i'entiK A0tre "pere +e0 perio+o esposto in 'ostra. Tra i0 12% e i0 1245B )aro0 Ra'a +ipin*e a09uni autoritratti e nu'erosi ritratti +i a'i9iB +o8e i 9o0oriB 8i8i+i +e*0i a(iti sono stesi a piatto e in 9erti 9asi 0a 7isiono'ia L se'p0i7i9ata a ta0 punto +a 7ar s9o'parire e ri+urre a so0e 'a99hie +i 9o0ore *ru'oso i 0inea'enti +e0 8iso H.utoritratto verdeB 1244I. Ne00a pri'a 'etS +e*0i anni =uaranta rea0i,,a pi99o0i a9Juere00i su 9arta 9he hanno 9o'e so**etto protesi in 0e*no +i *a'(e e (ra99ia H3eatrino n% 3B 12%.IB +entiereB pis9iatoi 'as9hi0i HPissoirB 1241IB s9opini per i0 *a(inettoB penne00i +a (ar(aB s9arpe 7e''ini0iB 9o00i +i 8o0pe. Sono tutti o8Gets trouvLs 9he )aro0 Ra'a 8e+e attorno a s@ in 9asa H0a 'a+reB +opo 0a 'orte +e0 'aritoB 0a8ora 9o'e pe00i99iaiaI o ne0 0a(oratorio +e00a ,ia +i Li8orno 9he pro+u9e *a'(e +i 0e*no per i 'uti0ati +i *uerra e in8a0i+i. Si*ni7i9ati8o L 0Wa9Juere00o +e0 12%& 9on 0a @onna <arolina 9he ha intorno a0 9o00o +e9ine +i san*uisu*he nereB a00ora usate 9o'e 'e+i9a'entoB e tuttWintorno a 0ei 8o0ano protesi ortope+i9he. 1E6 httpKNN;;;.9aro0ra'a.itNin+eG.asp httpKNN;;;.youtu(e.9o'N;at9hO8PG#-LA,)h?;4 H8i+eo inter8istaI

25

CHARLES RAY S>all W'1TB 1222 H9o00e,ione pri8ataI Materia0i 8ariB 24% G && G 21 9' Arsena0e 15 Nato a )hi9a*o ne0 125%B 8i8e e 0a8ora a Los An*e0es Ha *iS esposto ne00a pre9e+ente e+i,ione +e00a 6ienna0e +e0 255% 4a'ina 6A"GRA/AA Y stato +e7inito +a0 DLos An*e0es Ti'esE uno +e*0i artisti piT i'portanti +e*0i u0ti'i 8entFanni e 0a 9aratteristi9a piT ri9onos9i(i0e +e00a sua opera L Jue00a +i 'ettere in +is9ussione i *iu+i,i per9etti8i +e00Fosser8atore sus9itan+o in 0ui e77etti +i strania'ento o sorpresa. Ray ha stu+iato s9u0tura a00FCni8ersitS +e00FAo;a 9on i0 'aestro Ro0an+ 6rener e+ ha poi presie+uto i0 Diparti'ento +i s9u0tura +i C)LA +a0 12.1. E*0i stesso ha in+i9ato 9o'e propri artisti +i ri7eri'entoB o0tre a 6renerB an9he i 9ostrutti8isti Anthony )aro e Da8i+ S'ith. 3roprio per 8ia +e00a sua spe9i7i9a atten,ione a00a 9o'p0essitS e a00Fin*anne8o0e,,a +ei 7eno'eni per9etti8iB Ray L stato +e7inito +a 8ari 9riti9i uno Ds9u0tore +e00o s9u0toreEB se((ene in rea0tS 0e sue opere non 9onsistano ne9essaria'ente in s9u0tureB 'a ta08o0ta an9he in insta00a,ioni 9he in90u+ono +i8ersi 'ateria0i. EF stato prota*onista +i innu'ere8o0i esposi,ioni +i 'assi'o 0i8e00oB tra 0e Jua0iB o0tre a00e (ienna0i 8ene,ianeB an9he Do9u'enta Hne0 F22IB 9inJue e+i,ioni +e00a 1hitney 6iennia0 e 'ostre persona0i o anto0o*i9he a )hi9a*oB Lon+raB Los An*e0esB Mi0anoB 6ernaB >iennaB "s0o e nu'erose a0tre 9ittS. LA>"R" ES3"ST" LFopera trae 0a sua +eno'ina,ione D/a00 !21E +a0 ri7eri'ento a00a 9o00e,ione +i a((i*0ia'ento autunna0e in au*e ne00Fanno in+i9atoK 0a s9u0turaB in7attiB ri9a09a per7etta'ente 0e se'(ian,e +ei 'ani9hini +ei *ran+i 'a*a,,ini Sears e+ L 8estita esatta'ente 9on *0i a(iti autunna0i in 8o*a ne0 F21. La 9aratteristi9a sa0iente +e00Fopera 9onsiste innan,itutto ne00e sue propor,ioniB poi9h@ 0e +i'ensioni +e0 'ani9hinoB 9he +a 0ontano appaiono stan+ar+B sono in rea0tS in9re'entate +e0 %5hB 9o'e si puU 9onstatare a88i9inan+osiK a0te,,a e spa00e i'(ottite so8rastano 0o spettatoreB rinne*an+o 0Fapparente rea0is'o +e00Fi''a*ine e pro+u9en+o un e77etto +isorientante assai 7reJuente nei 0a8ori +i )har0es RayB spesso 'iranti appunto a 'anipo0are 0a nostra per9e,ione +e00o spa,io. =uin+iB in Juesto 9asoB 0o strania'ento +eri8a proprio +a0 9ontrasto tra 0Faspetto 7a'i0iare e 0Fa0te,,a inaspettata. La s9u0turaB Jui esposta sin*o0ar'enteB 7a parte in rea0tS +i un tritti9o +i 'ani9hini rea0i,,ati ne0 F22 e 9ias9uno re9ante i0 tito0o D/a00 !21EK essa si ins9ri8e in un piT 8asto interesse +e00Fartista 8erso i0 'on+o +e00a 'o+aB 0e sue in9on*ruen,e e i suoi a(issa0i 9ontrasti tra 'o+e00i i+ea0i e persone rea0iB 9o'e testi'onia a+ ese'pio i0 8i+eo D/ashionsE +e00o stesso autore. =ui in D/a00 !21E 0a si0houette stan+ar+i,,ata e i+ea0i,,ata +e0 'ani9hino sta a rappresentare appunto una 9riti9a +e*0i stereotipi e +e*0i pseu+o:8a0ori +e00a so9ietS 9onte'poranea 'a a0 te'po stesso ra99hiu+e una serie +i ri7eri'enti esp0i9iti a00a storia +e00FarteK innan,itutto i0 (0u intensoB 9he ri9hia'a 0Fi9ono*ra7ia +e00a >er*ine o +e00a santaB 'a an9he Jue00a 9he 0o stesso RayB proprio in ri7eri'ento a JuestFoperaB +e7inis9e testua0'ente D0a *ran+e eJua,ione 7reu+iana +e00a +onnaN'a+reE. >a ino0tre se*na0ato i0 9ontrastoB 8o0uta'ente stri+enteB 7ra 0a 90assi9itS +e00a posa e +e00Fin9arnato 'ar'oreo e i0 tono 9heap +e00o s'a0to rosso su00e un*hie e +e*0i a(iti s9a+enti. LFopera 7u presentata a0 pu((0i9o per 0a pri'a 8o0ta a0 'useo +i arte 9onte'poranea +i Los An*e0es 9o00o9ata a00a 7ine +i un 0un*o 9orri+oio proprio a77in9h@B 8ista +a 0ontanoB sen,a e0e'enti 9he 9onsentissero +i +eter'inarne 0a s9a0aB potesse apparire +e0 tutto i+enti9a a+ un 'ani9hinoB 0as9ian+o 0FopportunitS +i appre,,are so0o in un se9on+o 'o'entoB a88i9inan+osiB 0e rea0i +i'ensioni. LA>"R" 3ACF /AM"S" LFopera +i )har0es Ray sen,Fa0tro piT nota a >ene,ia L i0 DRa*a,,o 9on 0a ranaE HD6oy ;ith /ro*EB 2552I ri'asta esposta per Juattro anni ne00o spa,io esterno +i 3unta +e00a Do*anaB +inan,i a00Fin*resso +e00Fo'oni'o 'useo 9reato proprio ne0 2552 +a /ranjois 3inau0t. EF stata 0a pri'a 9o''issione 'ai ri9e8uta +a Ray per un a'(iente out+oor e ripro+u9e un ra*a,,oB a0to piT +i +ue 'etri e 9on *0i o99hi 9hiusiB 2&

9he tiene sospesa per 0a 9o+a una 9osi++etta D*o0iath 7ro*E o rana *i*ante ri8o0*en+o0a 8erso i0 )ana0 Gran+e. La s9u0tura in a99iaio (ian9oB 9he ha ri9hiesto (en tre 'o+e00i in resina pri'a +i arri8are a00Fattua0e rea0i,,a,ioneB L stata a0 9entro +i una 0un*a po0e'i9a +a parte +ei 8ene,iani 9he auspi9a8ano i0 ripristino +e00Fanti9o 0a'pione pre9e+ente'ente 9o00o9ato a0 suo postoK tra 0Fa0tro i0 7atto 9he 0Fopera 8enisse o*ni sera ri9operta +a una te9a trasparente e sor8e*0iata a 8ista +a una *uar+ia ar'ata ha sus9itato nu'erose 0a'ente0eB an9he +a parte +e00o stesso autore. La statua L 0o9a0i,,ata in un punto panotti9oB in 'aniera ta0e 9he 0o spettatoreB *iran+o9i intornoB a((ia una 8isua0e +i Juasi %&5 *ra+iK in ta0 'o+o essa +ia0o*a 8irtua0'ente 9on 0a 9ittS e 9on 0a (ron,ea s7era +e00a /ortuna presente su00Fe+i7i9io +i 3unta +e00a Do*ana. A0 ra*a,,o rappresenta in7atti 0a 7ase +i transi,ione +a00Fin7an,ia a00Fa+o0es9en,a 9heB esatta'ente 9o'e 0a 7ortuna e 9o'e 0a rana 9he 8iene a77errata a0 8o0oB L 9aratteri,,ata +a00Festre'a insta(i0itS. 6AENNALA 3ASSATE 6ienna0e +i >ene,ia 255% H55th Anternationa0 Art EGhi(itionB >eni9eIB DRa*a,,a in a00u'inioE. 1E6 httpKNN9har0esrays9u0pture.9o' httpKNN;;;.'atthe;'ar#s.9o'Nne;:yor#NartistsN9har0es:rayN httpKNN;;;.tate.or*.u#NartNart;or#sNray:7ashions:t5 &%%NteGt:su''ary

HANS SCHARER
Ma+onna HserieIB +a0 12&5 a 'etS +e*0i anni W.5 "0io e 'ateria0i 'isti Hes. sasso0iniI su ta8o0a Arsena0eB n.15 ne00a 9artina: Se,ione Sher'an Nato a 6erna ne0 122 B 'orto ne0 122 in S8i,,era. >era 6A"GRA/AA A 21 anni 0as9ia *0i stu+i +i E9ono'ia e )o''er9io a Lusanna e 8a a 3ari*iB 9apita0e 'on+ia0e +e00Warte in Jue0 'o'entoB +o8e resta anni. Su99essi8a'ente torna in S8i,,era e a77itta una pi99o0a 9asa 9on 0a 'o*0ie H*ra7i9aI 8i9ino a Lu9erna +o8e rea0i,,a +ise*niB +ipintiB ara,,i e 9o'pone 'usi9a e poesia. Ma0*ra+o 7osse un artista 'o0to pro0i7i9o 7u se'pre po9o interessato a tro8are un 'er9ato per 0e proprie opereB piuttosto 8isse in 'o+o +is9retoB 9on+i8i+en+o i propri interessi so0o 9on una 9er9hia ristretta +i a'i9i. LA>"R" ES3"ST" Ne0 125. ini,ia a 9reare i''a*ini 9he rappresentano i0 suo stato psi9o0o*i9o +i Jue0 perio+oB uti0i,,an+o un 0in*ua**io 'o0to se'p0i9eB 7atto +i 7or'e (asi0ari H*eo'etri9he o 7ito'or7eI. Ani,ia 9osR a 9reare una propria i9ono*ra7ia persona0e. La serie +e00e Ma+onne Hrea0i,,ata tra i0 12&5 e 0a 'etS +e*0i anni W.5I presenta 7i*ureB 9he so0o 0ontana'ente possono ri9or+are 0Wi''a*ine u'anaB 'entre sono 'o0to piT si'i0i a rappresenta,ioni pri'iti8e o tri(a0i H8e+i 0a s9e0ta +i 9o00o9ar0e +i 7ronte a00e (an+iere >oo:+ooI. S9harer uti0i,,a un i'pasto +enso +i 9o0oreB spesso appesantito +a00Winseri'ento +i 'ateria0e Hsa((iaB sasso0ini...I. )ontraria'ente a00Wi9ono*ra7ia tra+i,iona0eB 0e sue 'a+onne sono esseri asessuati e+ inJuietanti. An Jueste 'isteriose 7i*ureB S9harer 'is9hia e0e'enti pro8enienti +a 9u0ture estre'a'ente +i77erentiK +a00a tra+i,ione +e00e i9one a0 (o+y paintin*.

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KARL SCHENKER
Series o7 photo*raphs 1225 An#$e9t print Arsena0e n. 15 )in+y Sher'an 6orn in Ger'any. Die+ in 1251N52 C< )hiara 6A"GRA/AA An the 1225sB as Ger'ans stru**0e+ to pro9ess the horrors o7 the /irst 1or0+ 1aran+ the seis'i9 shi7ts o7 in+ustria0i,ationB the nation +e8e0ope+ a ri9hB 0i8e0yB an+ stri#in*0y 'o+ern 9u0tura0 0i7e. An 6er0inBin parti9u0arB the era ;as one in ;hi9h (oth aestheti9 sensi(i0ities an+ 7ri8o0ous a'use'ents ;ere e0a(orate+ to su(0i'e eGtre'es. The 9ity (e9a'e the European 9apita0 o7 rea+y:to:;ear 7ashionK (y 122 B the in+ustry e'p0oye+ o8er a thir+ o7 6er0inFs ;or#7or9e. Throu*h spe9ta9u0ar ;in+o; +isp0aysB ri9h0y i00ustrate+ 'a*a,inesB an+ 'o+e0in* 9o'petitionsB 7ashion an+ the (usiness surroun+in* it 9o'prise+ the 8isi(0e 9enter o7 'o+ern 0i7eB parti9u0ar0y 7or ;o'en. <ar0 S9hen#er ;as a su99ess7u0 an+ ;e00:#no;n photo*rapher in this 'i0ieuK ;or#in* 9hie70y 7or the popu0ar 6er0in ;o'enFs 'a*a,ines Chuan+ Die Da'B he spe9ia0i,e+ in portraitsB i'a*es o7 a9torsB an+ 7ashion photo*raphy. He #ept a photo*raphy stu+io in a sty0ish Juarter o7 the 9ity 7ro' 121% to 122%B ;here he a0so 9reate+ 'any o7 his o;n 'anneJuins out o7 ;aG. Csin* ;i*sB 7a0se eye0ashesB an+ his s#i00s as a painterB S9hen#er e0e8ate+ the art o7 the store +u''y to ne; 0e8e0s o7 re7ine'ent an+ 8erisi'i0itu+e. The (0urrin* o7 0ines (et;een hu'an an+ inani'ate ;as a0so u(iJuitous in another rea0' o7 1ei'ar 9u0tureK a7ter a *eneration o7 'en ;ere 'ai'e+ in 9o'(at +urin* 1or0+ 1ar AB prostheti9 0i'(s ;ere a 9o''onB e8ery+ay si*ht. An i'a*es o7 auto'ata an+ other hu'an:'a9hine hy(ri+sB artists su9h as Geor*e Gros, eGp0ore+ this pheno'enonB re70e9tin* on (oth the 9arna*e o7 the ;ar an+ a per8asi8e so9ieta0 9on9ern that hu'an eGperien9e ;as (ein* in9reasin*0y in70uen9e+ an+ 'e+iate+ (y 'a9hines. S9hen#erFs e0e*ant 'anneJuinsB 90a+ in *0a'orous 90othin* an+ stri#in* 7et9hin* posesB instea+ en+o; the arti7i9ia0 ;ith an a00urin* 9har' an+ (eauty.

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JIM SHAW
.nal6Isis, 2012 A9ry0i9 on 'us0in 24%{%54 9' Arsena0e HA15I 6orn in 1252 in Mi+0an+B Mi9hi*anB 0i8es an+ ;or#s in Los An*e0es Maryia 6A"GRA/AA Ji' Sha; atten+e+ Cni8ersity o7 Mi9hi*an at Ann Ar(orB 12 4B 6/AX )a0i7ornia Anstitute o7 the ArtsB 12 .B M/A. He is an a(stra9t painter ;ho 7o9uses on +rea' i'a*eryB pop 0i7eB an+ Mo++:(a00 su($e9t 'atterM HArt in A'eri9a 12B 2555IB Ji' Sha; 7irst 9a'e to the art ;or0+Ws attention in the 12.5s ;ith a series 9a00e+ MMy Mira*eBM eGp0orin* the ta9#y inner thou*hts o7 a teena*er na'e+ 6i00y. His preo99upation see's to (e ;ith that ;hi9h is in7erior an+ ;hi9h so'e ;ou0+ 9a00 porno*raphi9. /ro' that ti'eB he has +one 'yria+s o7 ;or#s in90u+in* +ra;in*sB s9u0pturesB prints an+ photo*raphs that 9o'(ines 3op:ArtB Neo:EGpressionis'B Rea0is'B an+ Surrea0is'. A 122& eGhi(ition at Metro 3i9tures in )a0i7ornia ;as +es9ri(e+ as Man artisti9 70ea 'ar#etM H.rt in .merica 12N2&I. An 2555B a retrospe9ti8e o7 his o8er 455 o7 his ;or#s ;as he0+ at the )asino LuGe'(our* in Europe LA>"R" ES3"ST" /or the 55th Anternationa0 Art EGhi(ition Sha; present a ;or# 7ro' his series MMy Mira*eM H12.&:1221I ;hi9h is the 7irst 'a$or (o+y o7 ;or# (y Ji' Sha;. )o'pose+ o7 near0y 1 5 pie9esbea9h one +ra;nB si0#: s9reene+B photo*raphe+B s9u0pte+B 7i0'e+ or painte+ in a +i77erent sty0ebMMy Mira*eM re9ounts the ;an+erin* o7 6i00yB a ;hiteB 'i++0e:90ass A'eri9an su9#e+ into the ;hir0;in+ o7 the siGties an+ se8enties. His is a story o7 un9easin* 7ai0ure. A7ter an anGious 9hi0+hoo+B 6i00y 0ater ;ith+ra;s 7ro' the *ui0t:;ra9#e+ spas's o7 a+o0es9en9e in or+er to 0ose hi'se07 in a psy9he+e0i9 utopiaB ;hi9h soon (e9o'es a ni*ht'are. An the +epth o7 psy9hoti9 ha00u9inationsB he 7o00o;s a ;o'an ;ho he ;orships into a pa*an se9tB (e7ore 7ina00y returnin* to the re0i*ion o7 his youthB Mre(ornM as a 7un+a'enta0ist )hristian. Ea9h pie9e appropriates an i'a*e ta#en 7ro' an eGtre'e0y (roa+ i9ono*raphi9 7ie0+ ran*in* 7ro' 9hi0+renWs (oo# to 9onte'porary art an+ in90u+in* 9o'i9sB re0i*ious 0iteratureB an+ psy9he+e0i9 posters. As a narrati8eB MMy Mira*eM is stru9ture+ 0i#e a M6i0+un*sro'anBM ;ith su99essi8e 9hapters stru9turin* the 8ariousB *ra+ua0 'utations o7 6i00y. This narrati8e appears an+ +isappearsB 0i#e a 'ira*eB a99or+in* to the +istan9e o7 the o(ser8erB +epen+in* on ;hether one 9onsi+ers Sha;Ws i'a*e to (e a**re*ate o7 hetero*eneous sour9eB 'o'ents o7 a persona0 historyB or 7ra*'ents o7 a 9o00e9ti8e 9u0tura0 history. Hen9e ;hi0e 9reatin* a Juasi:en9y90ope+i9 9o'pen+iu' o7 A'eri9an 8erna9u0ar i9ono*raphy H;hi9h in90u+es a pa*e 7ro' a hi*h:s9hoo0 year(oo#B a thri7t store paintin*B 9ount0ess *rass:rootB 9ounter:9u0ture *raphi9 +esi*nsB as ;e00 as 0ate 12 5s neo:)hristian propa*an+aIB MMy Mira*eM thus pro8i+es a so9ia0 an+ 9u0tura0 i'a*e o7 an in+i8i+ua0 in the 12&5s an+ 12 5s an+B 'oreo8erB pro+u9es a sharp ana0ysis o7 the e8o0ution o7 the su($e9t throu*h the 9u0tura0 an+ so9ia0 history o7 that era. /ro' the onset o7 the seriesB MMy Mira*eM has (een 9onstru9te+ ;ith the i+ea o7 the (oo# as 'o+e0. Not on0y +oes the o8erar9hin* narrati8e ta#es the 7or' o7 a 9o'in* o7 a*e no8e0B (ut 'any o7 the in+i8i+ua0 pie9es 'a#e +ire9t re7eren9e to a (oo# 7or'at. )reate+ in 90ose 9o00a(oration ;ith Ji' Sha;B the (oo# thus presents itse07 as the 9u0'ination o7 the artistWs ori*ina0 pro$e9t. MMy Mira*ebThe 6oo#M ;i00 a00o; Ji' Sha;Ws e8er:*ro;in* au+ien9e to 0oo# at the ;ho0e o7 6i00yWs story 7or the 7irst ti'e. /urther'oreB its 7or'at an+ 9ontent shou0+ appea0 to a ;i+e rea+ershipB (eyon+ 9onte'porary artB ;hi9h in90u+es anyone intereste+ in the history o7 the 9ounter:9u0ture o7 the 12&5s an+ 12 5sB A'eri9an *raphi9 +esi*n an+ popu0ar i00ustration. The "ist ;or# .nal6Isis H2512I ;hi9h as a (anner opens the sho; 9urate+ (y )in+y Sher'anB sho;s t;o E*yptian +eities a*ainst a 70at sy08an (a9#+ropK "sirisB on the ri*htB is the *o+ o7 the un+er;or0+B an+ AsisB on the 0e7tB is a *o++ess asso9iate+ ;ith 7e'ininityB natureB an+ 'a*i9. AsisFs hea++ress represents a tyetB the 155

#not sy'(o0 asso9iate+ ;ith eterna0 0i7e. The 7or' o7 the #not is e9hoe+ in the enor'ous ;i* that 70oats in the 'i++0e o7 the 9o'positionB a++in* an e0e'ent o7 a(sur+ity to the so0e'n 'ysti9is' su**este+ (y the 7i*ures an+ (y the ;or+s that surroun+ the'. The 7or'at o7 the 9o'position 'i'i9s a s9ienti7i9 +ia*ra'B (ut the ;i*Ws anato'y is as ins9ruta(0e as the 'eanin*s o7 the ;or+s use+ to 0a(e0 its non:eGistent parts. Set in9on*ruous0y a*ainst the 70atB hu'+ru' (a9#*roun+B these (i,arre apparitions re70e9t the non9ha0ant 9on$un9tion o7 prosai9 an+ 7antasti9 that so o7ten 9hara9teri,es +rea's. 1E6 httpKNN;;;.*uar+ian.9o.u#N0i7ean+sty0eN2555NsepN1&N;ee#en+.o0i8er(ennett httpKNN;;;.t9$.9o'N9o00e9ti8e:8ision:an:inter8ie;:;ith:$i':sha;N httpKNN;;;.si'on0ee*a00ery.9o'NartistsN(io*raphiesNJi'[Sha;[6io:6i(0io.p+7

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LAURIE SIMMONS 9 ALLAN MCCOLLUM .ctual P otos61'*( /oto*ra7ia Arsena0eB n. 15 Laurie Si''ons Nata a Lon* As0an+B C.S.A. 1242B 8i8e e 0a8ora a N.4. A00an M9 )o00u' nato a Los An*e0esB C.S.A. 1244B 8i8e e 0a8ora a N.4. M9 )o00u' ha *iS esposto in 6ienna0e ne00Fanno 12.. A+oia

6A"GRA/AA L$-r&" S&77 /! ;as (orn on Lon* As0an+B Ne; 4or#B in 1242B an+ ;as raise+ in a Je;ish 9o''unity. Sin9e the 'i+:12 5sB Si''ons has sta*e+ s9enes 7or her 9a'era ;ith +o00sB 8entri0oJuist +u''iesB o($e9ts on 0e*s an+ o99asiona00y peop0eB to 9reate photo*raphs that re7eren9e +o'esti9 s9enes. Si''ons ha+ her 7irst so0o sho; at Artists Spa9eB a non:pro7it *a00ery in Ne; 4or#B in 12 2B sho;in* the MEar0y )o0or AnteriorsM. Short0y a7terB she eGhi(ite+ ;or# at 3.S.1 )onte'porary Art )enter. An 12.5B Si''ons (e*an sho;in* at Metro 3i9tures Ga00ery in Ne; 4or#. Si''ons ha+ a 'i+:9areer retrospe9ti8e at the 6a0ti'ore Museu' o7 Art in 122 . The artist is 9urrent0y represente+ (y Sa0on 24. A##$/ M'C ##-7 is a 9onte'porary A'eri9an artist ;ho ;as (orn in Los An*e0esB )a0i7ornia in 1244B an+ no; 0i8es an+ ;or#s in Ne; 4or# )ity. An 12 5B his ;or# ;as in90u+e+ in the 1hitney 6iennia0B an+ he 'o8e+ to Ne; 4or# )ity that sa'e year. An the 0ate se8enties he (e9a'e espe9ia00y ;e00 #no;n 7or his seriesB #urro/ate Paintin/s% He has spent o8er 7orty years eGp0orin* ho; o($e9ts a9hie8e pu(0i9 an+ persona0 'eanin* in a ;or0+ 9onstitute+ in 'ass pro+u9tionB 7o9usin* 'ost re9ent0y on 9o00a(orations ;ith s'a00 9o''unity histori9a0 so9iety 'useu's in +i77erent parts o7 the ;or0+. His 7irst so0o eGhi(ition ;as in 12 5B an+ his 7irst Ne; 4or# sho;in* ;as in an eGhi(ition at the Si+ney Janis Ga00ery in 12 2 )"LLA6"RA?A"NE M9)o00u' an+ Si''ons ha8e 'u9h in 9o''on. 6oth are +ra;n to arti7i9ia0ity an+ ran+o'ness. 6oth use 7oun+ or appropriate+ o($e9ts an+ i'a*es in hi*h0y sophisti9ate+ ;aysB turnin* 'ass pro+u9tion a*ainst itse07 to point up the ano'ie it 9an en*en+er : in art as ;e00 as 0i7e. Most o7 a00B (oth use Msurro*atesBM su(stitutes 7or the rea0 thin*. MSurro*atesWW is ;hat M9)o00u' has a0;ays 9a00e+ his 70oti00as o7 s'a00 *eneri9 paintin*s : p0aster 9asts o7 9an8ases ;ith 7ra'esB 'ats an+ (0a9# 9enters a00 9are7u00y painte+ (y han+ : as ;e00 as the +ar#B i00e*i(0e 7ra'e+ i'a*es he 0i#es to (rin* 7or;ar+B 8ia re:photo*raphyB 7ro' the (a9#*roun+s o7 ne;s photos an+ 'o8ie sti00s Has i7 to 9on7ir' the ;i+er eGisten9e o7 his o;n ;or#I. Sin9e the 0ate W 5s Si''ons has photo*raphe+ p0asti9 +o00sB 9era'i9 7i*urines an+ sti770y pose+ 'o+e0s a*ainst +o00house setupsB pi9tures o7 interiors 7ro' 'a*a,inesB an+ pi9ture post9ar+sX they too are surro*atesB stan+ ins 7or ;o'en oppresse+ Han+ 'ass:pro+u9e+I (y their en8iron'ent.

TAT"L" E DES)RA?A"NE LA>"R" ES3"ST" A)TCAL 3H"T"S A00an M9)o00u' an+ Laurie Si''ons ha8e $oine+ 7or9es in an unusua00y pro+u9ti8e 'eetin* o7 'in+s an+ 8isions. Their MA9tua0 3hotosM series 9onsists o7 portraits o7 non:a9tua0 peop0e:hea+ shots o7 the 'inus9u0e 152

7i*ures use+ in the s'a00est:s9a0e 'o+e0 train sets. Ma+e o7 9ast p0asti9 han+ painte+ ;ith a sin*0e:hair (rushB the 7i*ures the'se08es stan+ a(out one:Juarter in9h hi*hX ;ith hea+s 0ess than one siGteenth in9h in 9ir9u'7eren9eB their 7eatures are 8irtua00y in8isi(0e to the na#e+ eye. M9)o00u' on9e su**este+ to Si''ons that she ;or# ;ith +o00s so s'a00 that photo*raphs o7 the' ;ou0+ (e i00e*i(0e at any si,e. 1hen Si''ons respon+e+ that the i+ea soun+e+ 'ore 0i#e M9)o00u'Ws ;or# than hersB they +e9i+e+ to 9o00a(orate. They 7oun+ the 7i*ures an+B ;ith the he0p o7 a 'e+i9a0 te9hni9ian an+ a 'i9ros9ope at S0oan:<etterin*B photo*raphe+ the' a*ainst re+B ye00o;B (0ueB *reen an+ (0a9# 'ono9hro'ati9 *roun+s. The resu0t is a ro*ueWs *a00ery o7 51 (0urre+B ;oo,y 7a9es ;hi9h are nonethe0ess start0in*0y su**esti8eB at 0east ;hen 8ie;e+ as an ense'(0e. Se8era0 o7 these interests 9ontinue in MA9tua0 3hotos.M The 9a'era (rin*s 7or;ar+ 7or our perusa0 a 8irtua0 *enre o7 han+:painte+ yet 'ass:pro+u9e+ 7i*urati8e s9u0pture : ;or#s o7 anony'ous 9ra7t 'a*ni7ie+ Hrather than e0e8ate+I to the 0e8e0 o7 surro*ate art. Loo#in* at these (0o((y p0asti9 presen9esB a nu'(er o7 e'otiona0B so9ia0 an+ art:histori9a0 re7eren9es tri9#0e 7ro' eye to (rain. Na+e0'anWs p0aster <e;pie +o00s Hinten+e+ 7or 'ass pro+u9tionI 9o'e to 'in+B as +o the +isso08e+:0oo#in* s9u0ptures o7 Me+ar+o Rosso an+ the tor'ente+ 7i*ures o7 /ran9is 6a9on. MA9tua0 3hotosM is (oth a 0i*ht;ei*ht 8ersion o7 Au*ust San+erWs *ran+ pro$e9t o7 photo*raphin* an entire so9ietyB an+ : sin9e the photos o7ten appear to (e o7 the sa'e person in +i77erent +is*uises : a p0ay:+o paro+y o7 )in+y Sher'an. Ghost0yB *hast0y +e7or'ations a0ternate ;ith surprisin*0y rea0isti9 poses an+ +ro00 9ari9ature. So'e 7i*ures are 9ursori0y 7i00e+ in : a(stra9te+ or "rienta0i,e+ *0o(s ;hi9h su**est *0a,e sa'p0es or the 7i*ure as s'u+*e+ thu'(print. "thers 9o'e a9ross as stereotypes : s9hoo0*ir0B +o;a*erB tor9h sin*erB (usiness'anB 9o00e*e pro7essorB (oGerB *an*sterB et9. "ne *ent0e'an ;ith a parti9u0ar0y s0oppy (rushstro#e a9ross his hea+ see's to (e 0osin* a hairpie9e. 6ri*ht0y 9o0ore+B a0i8e ;ith painter0y 70air an+ +rippin* H0itera00yI ;ith s9u0ptura0 +etai0B these i'a*es eGu+e an eerieB un7oun+e+ 9heer7u0ness. 6ut they a0so 7rustrate our +esire 7or instant re9o*nitionX 7or the 'ost part the i'a*es re'ain per'anent0y (0urre+ an+ out o7 rea9h. Aroni9a00yB this 8a*ueness 'i'i9s the (0urrin* e77e9ts o7 a 9a'era in the ;ron* han+sB un+er'inin* the te9hni9a0 pre9ision that 'a+e these 7a9es 8isi(0e in the 7irst p0a9e. 6AENNALA 3ASSATE 3er7e9t >ehi90esB M9 )o00u' 12.. 1E6 httpKNN;;;.0auriesi''ons.net httpKNNa00an'99o00u'.netNa00an'9ny9N

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DROSSOS P. SKYLLAS
3 ree #istersB 9a. 1255 125% "i0 on 9an8ass Arsena0e n. 15 )in+y Sher'an 6orn in 1212B <a0y'nosB Gree9e. Die+ in 12% )hiara 6A"GRA/AA 6orn on the is0an+ o7 <a0y'nos in Gree9e in 1212B Drossos S#y00as ;as traine+ as an a99ountant ;hen his 7ather oppose+ his ear0y interest in art. He ;or#e+ 7or a ti'e in his 7atherFs to(a99o (usiness (e7ore e'i*ratin* to the Cnite+ States short0y a7ter 1or0+ 1ar AA. Sett0in* in )hi9a*oB an+ en9oura*e+ an+ supporte+ (y his ;i7e Ao0aB he +e8ote+ hi'se07 so0e0y to his ear0y +rea' o7 9reati8e 7u07i00'ent. He haunte+ the Art AnstituteB a+8ertise+ hi'se07 as a portrait painterB (ut so0+ no paintin*s in his 0i7eti'e 7or his pri9es eJua0e+ those o7 ;e00:#no;n artists. S#y00as 7e0t his o;n ;or# +eser8e+ as 'u9h. Cpon his +eath in 12 %B his 9reati8e output 9onsiste+ o7 thirty:7i8e paintin*s portraits an+ nu+es in stu+ie+ settin*sB 0an+s9apesB sti00:0i8es an+ re0i*ious 7i*ures a00 9hara9teri,e+ (y a 'eti9u0ous attention to +etai0. LA>"R" ES3"ST" A per7e9tionist ;ho e8en 'a+e his o;n (rushes ;hen he 9ou0+nFt 7in+ any rea+y:'a+e that ;ou0+ pro+u9e (rushstro#es 7ine enou*hB S#y00as eGpresse+ the +esire to +o Don0y pureB rea0isti9 paintin*sE an+ (e0ie8e+ that his ;or# 0oo#e+ D155h 0i#e photo*raphs.E E8erythin* is 9apture+ in a ti'e0ess presentB seen 7a9e on. He sa; hi'se07 as a 90assi9istB an+ in+ee+B its stereotypes Gree# 'ytho0o*yB Gree# 0an+s9apesB an+ the i9ons o7 the Eastern )hur9h p0ay a ro0e in his ;or#. 6ut the painsta#in* 9on9ern an+ eJua0 e'phasis *i8en to ea9h 'inute +etai0 pro+u9es an e77e9t 'ore 0i#e that o7 a tapestry an+ para+oGi9a00yB S#y00asF a9hie8e'ent 0ies in the 9reation o7 so'ethin* 'u9h 90oser to a ro'anti9i,e+ 'e+ie8a0 sty0eB ;ith a pe9u0iar 7or'a0ity an+ sti00ness that approa9hes the 7antasti9.

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ROSEMARIE TROCKEL
Ger'aniaB 1252 Arsena0eB SE?. )in+y Sher'an n.15 Marta ?anin

"3ERE Ja'es )ast0eB #enza titolo $uccelli&B s.+. )arta tro8ataB 7u0i**ineB 9or+aB tessutoB spa*oB pasta +i *ranoB 11 opere. Gunter 1ese0erB =8Ge"t Aur.temtrainin/B 12&2 30asti9aB pe00i99iaB pa00oneB 4 G 1% 9' H+ia'.I Rose'arie Tro9#e0B My ;ear <ollea/uesB 12.& Lana Hrosso:(ian9aIB p0asti9aB 51 G 45 G . 9' Rose'arie Tro9#e0B :ntitled $>ur die, die "eine #tric"8ilder mo/en, a8er trotzdem Eommunisten sind&B 12.. te0a su 0anaB %5 G %5 9' Rose'arie Tro9#e0B Eiss My .uraB 255. Cn 9rista00oB 'eta00oB piu'eB &5 G 25 G 25 9' Rose'arie Tro9#e0B Livin/ Means to .ppreciate Bour Mot er @udeB 2551 /oto*ra7iaB s9ato0aB %% trasparenti in (ian9o e neroB 25 G 1 2 9' Rose'arie Tro9#e0 9on Gunter 1ese0erB >ly Me to t e MoonB 2511 Materia0i 8ari H6a'(o0a DRe(ornEIB .2 G 125 G 55 9' Rose'arie Tro9#e0B Less #auva/e 3 an =t ers, <ontri8ution Aor a < ildren1s House, 2512 Sette pe,,iB (ron,oB +i'ensioni 8arie Rose'arie Tro9#e0B 155

Losin/ GroundB 2512 )era'i9aB &5 G 55 G 55 9' Rose'arie Tro9#e0B Love"raAtyB 2512 : Lana 1 &G2.

3ARTE)A3A?A"NA 3RE)EDENTAK 4.. Esposi,ione Anterna,iona0e +WArte 1222B 3arte9ipa,ioni Na,iona0iK Ger'aniaB Cntit0e+ H8i+eoI 54. Esposi,ione Anterna,iona0e +WArte 2511B ALLCMAnations 6A"GRA/AA Rose'arie Tro9#e0 nas9e a S9h;erteB Ger'aniaB i0 1% no8e'(re +e0 1252. Da0 12 5:12 . stu+ia antropo0o*iaB so9io0o*iaB teo0o*ia e 'ate'ati9a ne0 perse*ui'ento +i una 9arriera 9o'e inse*nante. An se*uito stu+ia pittura presso i0 1er##unsts9hu0e +i )o0onia. A00Finterno +i una s9ena artisti9a te+es9a +o'inata +a star 'as9hi0i 9o'e 6euysB Anse0' <ie7erB Si*'ar 3o0#eB Gerhar+ Ri9hter e Geor* 6ase0it,B 0e sue ten+en,e so88ersi8e 0a 7e99ero 9ontra++istin*uere 9o'e un enAant terri8le. Ha a77rontato 0e te'ati9he +e00a sessua0itSB i0 7e''inis'o e i0 9orpo u'ana e an9he 'esso in +u((io 0a *erar9hia +ei siste'iK po0iti9aB so9ia0eB e an9he esteti9o. Le sue pri'e 'ostre persona0i si sono tenute presso 0a 3hi0o'ene Ma*ers Ga00eryB 6onnB e Moni#a Spruth Ga00eryB )o0oniaB ne0 12.%. >i8e e 0a8ora a )o0onia e inse*na presso 0a <unsta#a+e'ie +i D]sse0+or7. STALE E )ARATTERASTA)HEK A0 0a8oro +i Rose'arie Tro9#e0 L a00o stesso te'po 9o'p0esso e 9ontro8ersoB stretta'ente 0e*ato a00e +i77i9o0tS 9onte'poranee e+ in parti9o0are a Jue00e +e00e +onne. Te'a 9entra0e +i8enta Juin+i 0a 7i*ura +e00a MDonnaMB ana0i,,ata in ri7eri'ento a0 suo posto ne00a so9ietS e parti9o0ar'ente ne0 'i9ro9os'o +e0 'on+o +e00WarteB 9rean+o poi para00e0is'i 9on a0trettanto 9onso0i+ate 9ontro8ersie su00a sessua0itSB 0a 9u0tura e 0a pro+u,ione artisti9a. La sua pro+u,ione 9o'pren+e Jua+ri HtessutiB non +ipintiI e s9u0ture o**ettua0i. Attra8erso 'ateria0i tipi9a'ente 7e''ini0i Hso0ita'ente 0e*ati a rea0tS 9asa0in*he e non artisti9heI Tro9#e0 ripro+u9e ironi9a'ente pitture e s9u0ture +i noti artisti 'as9hiK tesse a 'a*0ia un [uadrato @ero +i Ma0e8iB a**iun*e una 7ran*ia +i 9otone a un Dona0+ Ju++ e un 7orne00ino a *as a un Ri9har+ Serra. Ne00e sue Enittin/ Pictures HJua+ri a 'a*0iaB in a0tri 9asi usa 0Wun9inetto o 0Wara,,oI Tro9#e0 uti0i,,a i0 9o'puter per *enerare una teGture *eo'etri9a 9he 8iene poi ripro+otta +a una 'a99hina per 'a*0ieria. LWho((y tipi9a'ente 7e''ini0e +e0 0a8orare a 'a*0ia L Jui spo*0iato +e00e sue 9onnota,ioni pretta'ente 7e''ini0e e si intre99ia in8e9e a00a 7a((ri9a,ione in+ustria0e e 'e99ani9a. A si'(o0i s9e0ti pro8o9atoria'ente +a00Wartista sono 7a'i0iari e ri9onos9i(i0i 9o'e i0 9oni*0ietto +i 30ay(oyB 0a 7a09e e i0 'arte00oB o i0 0o*o 1oo0'ar# 'a 9on 0a ripeti,ione i0 0oro si*ni7i9ato si s'inuis9e 7ino a +i8entare 'eri e0e'enti +e9orati8i in s9he'i *eo'etri9i. Le sue s9u0ture in8e9e sono spesso +isposte ne00o spa,io 9osR +a ri9or+are 0e +isposi,ioni +e00e 8etrine s9ienti7i9he o +i stu+io etno*ra7i9o. Sono spesso ripro+u,ioni +i o**etti appartenenti a00Wa'(iente e a00e atti8itS +o'esti9he 'a in 9ui Tro9#e0 *io9a 9on i 'ateria0i : *essoB 0e*noB tessutoB 8etroB 8es9i9he +i 'aia0e e 9ape00i s7a0san+o 9osR 0e nostre asso9ia,ioni a(itua0i. LA>"R" ES3"ST" Rose'arie Tro9#e0 ha ri9e8uto una 'ai0 in 9ui )in+y Sher'an 0a in8ita8a a parte9ipare a00a 6ienna0e 9on i +ue spe9i7i9i pe,,i 9he tro8ia'o in 'ostra. A0 9ontesto +a 9ui 0e +ue te9he sono state estrapo0ateB 0a 'ostra DA )os'osEK Re9ente'ente Rose'arie Tro9#e0 ha 0a8orato a0 pro*etto +i una 'ostra itinerante intito0ata DA )os'osEB pro*ettata in 9o00a(ora,ione 9on 0a 9uratri9e +e0 Reina So7ia +i Ma+ri+B Lynne )oo#e e 9he a partire +a0 2512 L stata ospitata appunto a Ma+ri+ presso i0 Reina So7iaB a0 Ne; Museu' +i Ne; 4or# in 9o00a(ora,ione 9on Massi'i0iano Gioni e a Lon+ra presso 0a Serpentine Ga00ery. DA )os'osE presenta un uni8erso i''a*inario in 9ui pe,,i +e00a Tro9#e0 pro+otti ne*0i u0ti'i %5 anni sono *iustapposti a+ o**etti e 'anu7atti +i 8arie epo9he e 9u0ture 9he 9oprono 'o0ti +ei suoi interessi artisti9i. M<os'osM L i0 tito0o 9he A0eGan+er 8on Hu'(o0+t H1 &2:1.52I ha +ato a0 suo 0i(ro su00a s9operta +e00WA'eri9a. Tro9#e0 a''ira Hu'(o0+t per i suoi stu+i in+ipen+enti e intrepi+i e 0o 9o00o9a a99anto a+ a0tri autori 9he sente essere suoi spiriti a77iniB a((inan+o 0e 8arie opere proprio se9on+o una Dnatura0e a77initSE.

15&

An Juesta ra99o0ta +i o**etti 0a Tro9#e0 presta atten,ione a+ artisti 'eno notiB s9e0ti per 0Fe'patia 9he pro8aB per 0a 7ran9he,,a e 0Win8enti8a 9on 9ui Juesti autori *uar+ano e rispon+ono a+ interro*ati8i 9he an9he 0ei si pone. An9he se pro8enienti +a a0tre +is9ip0ine o spinti +a 'oti8a,ioni persona0iB Juesti anti9on7or'isti 7ornis9ono 'o+e00i +i +e+i,ione +isinteressata e pro7essiona0e. A00Finterno +i DA )os'osE tro8ia'o auto+i+atti 9o'e Ja'es )ast0eB Morton 6art0ett e 'o0ti a0tri. An *enera0eB sono stati artisti so0itariB 9he hanno 0a8orato 9on 'ateria0i po8eri e *ran+e e9ono'ia +i 'e,,i. A0tri reperti in 'ostra pro8en*ono +a00a s7era +e00a storia natura0eB 9o'e *0i a9Juere00i +ipinti +a Maria Si(y00a Merian H1&4 :1 1 I sui 9i90i +i 8ita in ento'o0o*ia o 0e opere +e0 (otani9o spa*no0o Jos@ )e0estino Mutis H1 %2 :1.5.IB i0 9ui ri9onos9i'ento L 8enuto in ritar+o per9h@ i suoi stu+i non sono 'ai stati pu((0i9ati 9orretta'ente. Rose'arie Tro9#e0 7a uso +i tutti 0oro interse9an+o0i a00e sue opereB 'ostran+o0i e 9onsi+eran+o0i ese'p0ari e i'portanti 7onti +i ispira,ione ne0 suo 0a8oro. Le +ue te9he in 'ostra erano *iS state esposteB 9o'poste ne0 'e+esi'o 'o+oB a0 Ne; Museu' e ra**ruppano 7oto*ra7ie e s9u0ture +e00a Tro9#e0 9on 0a8ori +e00Fartista 9ineti9o te+es9o Gunther 1ese0er e +e00Fauto+i+atta a'eri9ano Ja'es )ast0e. )o'e ne00e 8etrine +i un 'useo +i storia natura0eB o*ni te9a ra99o*0ie o**etti +i un tipo spe9i7i9o. La te9a +i +estraK "spita un pi99o0o stor'o +i u99e00i se08ati9i e +o'esti9i s9u0ture a 9o00a*e opera +i Ja'es )ast0e e 0Fopera +e00Fartista stessa Less #auva/e 3 an =t ers, <ontri8ution Aor a < ildren1s House H2512I. Se *0i u99e00i +i )ast0e riposano su un supporto 9o'e ese'p0ari i'(a0sa'atiB 0e sette pisto0e +i (ron,o +e00Fartista te+es9a paiono appo00aiateB 9o'e u99e00i 8i8iB a00Festre'ita +ei 0oro supporti. Eiss My .ura H255.I L una sorta +i *uar+iano +e00o ,ooB 9on 0e 7on+ine sui 7ian9hi e un piu'a**io 7antasti9o 9he *0i spunta +a0 9opri9apoX ne00a sua 9intura si ri9onos9e perU una 7ias9hetta per 0Fa09oo0 a0 posto +e00a pisto0a e *uar+an+o0o 'e*0io 9apia'o 9he L un essere sen,a 8erso o +ire,ioneB non ha n@ 7ronte n@ retro . Si a**iun*ono poi un pi99o0o ni+o sospesoB e una te0a 7as9iata +i 0ana :opere +e00a Tro9#e0: 9he e8o9ano i0 9o'o+o (enessere +e0 ni+o e in7ine una sotti0issi'a se+ia (ian9a su 9ui sono appo**iati 8ari 0i(ri. =uestFu0ti'a L stato i0 pri'o esperi'ento +e00a Tro9#e0 9on una sta'pante %D e+ ini,ia0'ente era un o**etto in eJui0i(rioB i0 peso ha su99essi8a'ente 7atto in90inare 0e *a'(e +e00a se+ia 9he ora ne9essita +i una parete per 'antenersi sta(i0e. La Tro9#e0 ha +e9iso +i 0as9iare 0Fopera 9osR 9o'e i0 te'po 0Fa8e8a 'o+i7i9ata e +i non 9rearne una nuo8a 9opia eJui0i(rata. La te9a +i sinistraK Su0 7on+o +e00a se9on+a te9aB in Livin/ Means to .ppreciate Bour Mot er @ude H2551IB una 7i*ura +i a+o0es9ente L s+raiata a *uar+are +e00e +iapositi8e. /orse L una (a(ysitter +istrattaX a00e sue spa00eB in >ly Me to t e Moon H2511IB pe,,o 7rutto +e00a 9o00a(ora,ione tra 1ese0er e Tro9#e0B una 'os9a L atterrata su0 8o0to +i una (a'(o0aB un neonato a *ran+e,,a natura0e +or'iente. Ra**o'ito0ata ne00a 9u00aB =8Ge"t Aur .temtrainin/ w"**etto per i0 trainin* +e0 respirox H12&2IB pa0pitante opera +i 1ese0erB posi,ionata *iusto a99anto a0 (a'(inoB L una 'assa a'or7aB pe0osaB 9he pare inspirare e+ espirare pianoB re*o0ar'enteB rassi9uran+o9i su0 suo essere 8i8aB an9he se 0a presen,a +e00Finsetto su00a *uan9ia +e0 neonato 9i inJuieta 9on i0 suo e8o9are 0a 'orte e 0a putre7a,ione. =ueste te9he si'i0i a 7under"ammer sono in Jua09he 'o+o +e00e 8ersioni 'i9ro9os'i9he +e00Fopera +e00FartistaK ne 9onten*ono 9a'pioni +e90inati in una 8arietS +i 'e+ia e ra99hiu+ono te'i a+ ese'pioB 0e i+ee su00a 7e''ini0itSB 0e re0a,ioni +e*0i esseri u'ani 9on i0 'on+o natura0e e 0a +istin,ione tra ani'ato e inani'ato 9on 9ui Tro9#e0 si L 'isurata 0un*o tutta 0a sua 9arriera. 1E6 httpKNN;;;.'useoreinaso7ia.esNenN'u0ti'e+iaN0ynne:9oo#e:rose'arie:tro9#e0:9os'os H8i+eoI httpKNN;;;.'useoreinaso7ia.esNsitesN+e7au0tN7i0esNeGposi9ionesN7o00etosN(ro9hure[rose'arie[tro9#e0[en. p+7 15

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SERGEJ ZARVA C, H+a00a serie D=/on\"EIB 2551 a13 H+a00a serie D=/on\"EIB 2551 C20 H+a00a serie D=/on\"EIB 2551 a21H+a00a serie D=/on\"EIB 2551 a22H+a00a serie D=/on\"EIB 2551 a%1H+a00a serie D=/on\"EIB 2551 a%%H+a00a serie D=/on\"EIB 2551 a%. H+a00a serie D=/on\"EIB 2551 a%2 H+a00a serie D=/on\"EIB 2551 a4& H+a00a serie D=/on\"EIB 255 a42 H+a00a serie D=/on\"EIB 255 a&5 H+a00a serie D=/on\"EIB 255 a&1 H+a00a serie D=/on\"EIB 255 a&5 H+a00a serie D=/on\"EIB 255 Materia0i 8ariB +i'ensioni 8arie Luo*o +i esposi,ioneK Arsena0eB n. 15 Nato a <ry8yi Rih HC9rainaI ne0 12 % A0aria 6A"GRA/AA Nas9e ne0 12 % in C9raina e ne0 1222 si 0aurea presso 0FA99a+e'ia +i (e00e arti DGre#o8E +i "+essa. Da0 1222 9o'in9ia a+ esporre 0e sue opere in Russia e+ C9raina. /in +a*0i anni no8anta s8i0uppa una te9ni9a 9he 9onsiste ne0 'o+i7i9are 0e 7oto*ra7ie +e0 suo a0(u' +i 7a'i*0ia *ra,ie a00Fuso +i 9o00a*e e 9o0ori a+ o0ioB te9ni9a 9he 8errS su99essi8a'ente uti0i,,ata per rea0i,,are 0a serie D"*on#E in esposi,ione a00a 55.EAA. Ne0 2511 L tra *0i artisti 9he parte9ipano a00a 'ostra "sta0*ia HNe; Museu'B N4I 9urata +a Massi'i0iano Gioni. LA>"R" ES3"ST" Le opere presentate sono una se0e,ione +ei suoi 0a8ori +a0 tito0o D"*on#E Ho88eroB D7uo9here00oEB ter'ine uti0i,,ato in epo9a so8ieti9a per in+i9are i0 7a0U attorno a0 Jua0e si riuni8ano i pionieri e+ i #o09ho,iani +e00e 9o'uni so8ieti9he a 7ine *iornata e 9he 9ostitui8a un i'portante 'o'ento +i 9oesione so9ia0e e propa*an+a +ei 8a0ori +e0 9o00etti8is'o e +e0 so9ia0is'oI. =/on\" era an9he i0 no'e +i una ri8ista 'o0to popo0are +urante *0i anni +e00a 3erestro$#a e 0a serie +i ?ar8a L 9osR intito0ata poi9h@ 0Fautore rea0i,,a i suoi 0a8ori +ipin*en+o 0e 9opertine +i ta0e ri8istaB 'o+i7i9an+o e stra8o0*en+o i 8o0ti sorri+enti +e00a propa*an+a so8ieti9a. Gra,ie a+ inter8enti +i 8aria naturaB in7attiB 0Fautore +e7or'a 0e espressioni +ei so**etti ritratti H70ori+e 9onta+ine in a(iti tra+i,iona0iB 7ieri operai a00Fopera per 9ostruire i0 3aese +e0 so9ia0is'o rea0eB inte*erri'i e so(ri esponenti +e0 3artitoI s8e0an+o 0Fa0tra 7a99ia +e0 9o'unis'o 9heB natura0'enteB era (en 0ontana +a00Fessere ra**iante e+ i+i00ia9a 9o'e Jue0 ra+ioso a88enire 9he sp0en+e8a so0o ne00e i''a*ini +e00a propa*an+a. 1E6 httpKNNtiro9he+e0eon.9o'Nite'N%545.2 httpKNN;;;.re*ina*a00ery.9o'NartistsN,ar8a

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RYAN TRECARTIN
CniJue 7reestan+in* s9u0ptura0 theater ;ith soun+tra9#B 251% Arsena0e n. 11 6orn in 12.1B 1e(sterB TeGas. Li8es an+ ;or#s in Los An*e0es )hiara

6A"GRA/AA Ryan Tre9artin ;as (orn in 12.1 in 1e(sterB TeGas. He re9ei8e+ a 6/A 7ro' the Rho+e As0an+ S9hoo0 o7 Desi*n in 3ro8i+en9eB Rho+e As0an+ in 2554. So0o eGhi(itions in90u+e Any E8erB ;hi9h tra8e0e+ 7ro' the 3o;er 30antB Toronto in 2552 to the Museu' o7 )onte'porary ArtB Los An*e0es in 2515B then to the Museu' o7 )onte'porary ArtB North Mia'iB /L in 2511X MoMA 3.S.1B Lon* As0an+ )ityB Ne; 4or#X Mus@e +WArt Mo+erne +e 0a >i00e +e 3arisB /ran9e H(oth in 2511IX <unstha00e 1ienB AustriaX 1eGner )enter 7or the ArtsB )o0u'(usB "HX Ha''er Museu'B Los An*e0esB an+ E0i,a(eth Dee Ga00eryB Ne; 4or#. His ;or#s ha8e (een seen in *roup eGhi(itions at the San /ran9is9o Museu' o7 Mo+ern ArtX the 255& 6iennia0 EGhi(ition o7 the 1hitney Museu' o7 A'eri9an ArtB Ne; 4or#X CSA To+ayK 1or#s 7ro' the Saat9hi )o00e9tionB Roya0 A9a+e'y o7 ArtsB Lon+onX a'on* others. An 2552 Tre9artin ;as the re9ipient o7 the 7irst Ja9# 1o0*in /ine Art 3ri,eB presente+ (y the Ty0er S9hoo0 o7 Art at Te'p0e Cni8ersityB 3hi0a+e0phiaB ;hi9h re9o*ni,es the hi*hest 0e8e0 o7 artisti9 eG9e00en9e on an internationa0 0e8e0. An 2552 he re9ei8e+ the )a08in <0ein )o00e9tion Ne; Artist o7 the 4ear A;ar+ at The /irst Annua0 Art A;ar+sB So0o'on R. Gu**enhei' Museu'B Ne; 4or#. He a0so re9ei8e+ a 3e; /e00o;ship in the Arts in 2552. ART1"R< Stru9turin* his art pra9ti9e in the sa'e ;ay as a +ire9tor approa9hes 7i0' 'a#in*B Ryan Tre9artinFs s9u0ptura0 an+ insta00ation ;or# in9orporates a 9ast o7 +o,ens. )on9ei8in* ea9h sho; as an eGperi'ent in theatri9a0 pro+u9tionB Tre9artin 9on9ei8es 0oose p0ots as a (asis 7or 9o00a(orati8e en+ea8or. 1or#in* ;ith a posse o7 his 90ose 'atesB Tre9artin +e0e*ates responsi(i0ityK in8itin* his 7rien+s to parti9ipate in the 9reati8e pro9essB respon+ to his i+easB an+ 9ontri(ute their o;n input an+ art;or#. Throu*h this unortho+oG ;ay o7 ;or#in*B Tre9artinFs ;or# (e9o'es an un9anny re70e9tion o7 youth 9u0tureB presentin* a Gen 4 ,eit*eist o7 9o''o+ity anGietyB spiritua0 nihi0is'B an+ 9o''unity 8a0ue. Ryan Tre9artinFs 7i0' A /a'i0y /in+s Entertain'ent is a 9a'p eGtra8a*an,a o7 epi9 proportions. Starrin* Tre9artinFs 7a'i0y an+ 7rien+sB an+ the artist hi'se07 in a p0ethora o7 outra*eous ro0esB A /a'i0y /in+s Entertain'ent 9hroni90es the story o7 'iGe+ up teena*er S#ippy an+ his a+8entures in !9o'in* outF. An this o8er the top 9e0e(ration o7 JueernessB Tre9artinFs 7i0' 'ines the (i,arre an+ en+earin* in an una(ashe+ pasti9he o7 !(a+ t8F tropes. )heesy 8i+eo spe9ia0 e77e9tsB +ress:up 9hess 9ostu'esB +esperate s9riptsB an+ !a7ter s9hoo0 spe9ia0F 'e0o+ra'a 9o'(ine in the 70uen9y o7 youth:9u0ture 0in*oB re70e9tin* a *eneration (oth +a'a*e+ an+ a77ir'e+ (y 'e+ia 9onsu'ption. LA>"R" ES3"ST" /or the 55th >eni9e 6ienna0eB Tre9artin has 9reate+ a ;or# that p0u'(s the sa+isti9 +epths o7 a 8ariety o7 popu0ar te0e8ision *enresb*a'e sho;sB ta0# sho;sB rea0ity te0e8ision 9o'petitionsB sportin* e8entsbin or+er to shine 0i*ht on their 7oun+ations in trau'a an+ hu'i0iationB an+ to +isse9t the ;ays in ;hi9h the 'o+es o7 se07:9ons9ious per7or'an9e they pro'ote ha8e (0e+ into our e8ery+ay 0i8es. Dra;in* on the notion o7 user:*enerate+ 9ontentB the ;or# ;i00 a0so eGp0ore the (rea#+o;n o7 (arriers (et;een per7or'ers an+ au+ien9es as a shi7t that (oth 0i(erates an+ (ur+ens. A99o'panyin* the 8i+eo are a series o7 s9u0ptures 9reate+ in 9o00a(oration ;ith other artistsB in90u+in* /it9hB 7reJuent 9o00a(orator Rhett LaRueB an+ othersB ;hi9h eGpan+ an+ e0a(orate Tre9artinFs uni8erse. 1"RLD 1ALL Tre9artin is 9urrent0y 0i8in* in LA as a hurri9ane <atrina re7u*eeX 1or0+ 1a00 ;as 9on9ei8e+ as a 7or' o7 +isaster therapy. 1or#in* ;ith 7e00o; artist Li,,ie /it9hB the pro$e9t ;as (e*un as a si'p0e ;oo+en 7en9e. 115

Enhan9e+ throu*h a series o7 Mar+i Gras 70oat 'a#in* te9hniJuesB this ;or# e8o08e+ into a +iaristi9 tri(ute to Ne; "r0eansB a 'eans o7 en*a*in* ;ith +is0o9ation an+ 0oss. )on9ei8e+ as (oth a 0o9ation an+ 0i8in* or*anis'B 1or0+ 1a00 spra;0s ;ith ani'isti9 7er8orB a seethin* 'onu'ent o7 9haosB 7esti8ityB re(irthB an+ (eauty. Throu*h the ;in+o;B a pi9ture 9an (e seen o7 the ruins o7 Tre9artinFs o0+ house. 1E6 httpKNN;;;.the;hitere8ie;.or*NartNryan:tre9artin:the:rea0:internet:is:insi+e:youN httpKNN;;;.saat9hi:*a00ery.9o.u#NartistsNryan[tre9artin.ht' httpKNN;;;.eai.or*Nartist6io.ht'Oi+P125

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ALICE CHANNER
?eptiles 2012 ?olled and mirror polis ed stainless steelX Hard # ell 2013 ditital print on eavy crepe de c ineX @e! #"in 2013 di/ital print on eavy crepe de c ine, mac ined, and)carved and polis ed mar8le Arsena0eB N. 12 6ar(ara 6A"GRA/AA A0i9e )hanner ;as (orn 12 in "G7or+B C< an+ 0i8es an+ ;or#s in Lon+onB C<. /ro' C< 255% 255& A0i9e )hanner +i+ a 6A in /ine Art at Go0+s'iths )o00e*eB Lon+on an+ 7ro' 255& 255. A0i9e )hanner +i+ an MA in S9u0pture at Roya0 )o00e*e o7 ArtB Lon+on. The ;or# o7 A0i9e )hanner in9orporates 90othin* an+ 7ashion as a 'eans to eGp0ore a ran*e o7 interse9tin* the'es.B 7ro' pheno'eno0o*i9a0 in8esti*ations o7 the (o+y to Juestions o7 0a(orB to the trans0ation o7 'ateria0s an+ shapes in +i77erent +i'ensions. Des9ri(in* her ;or# as D7i*urati8e ;ithout a (o+yEB )hanner typi9a00y represents the hu'an 7or' o(0iJue0yB o7ten iso0atin* 'ar*ina0 7ra*'ents o7 *ar'entsB su9h as e0asti9 ;aist(an+s an+ shirt 9u77sB to represent or su**est the (o+y throu*h its a(sen9e. ?eptiles 2012 ?olled and mirror polis ed stainless steelX Hard # ell 2013 ditital print on eavy crepe de c ineX @e! #"in 2013 di/ital print on eavy crepe de c ine, mac ined, and)carved and polis ed mar8le LA>"R" ES3"ST" /or the 55th 6ienna0e )hanner iso0ate+ i'a*es o7 the 9hise0e+ +rapery 7ro' the three Nerei+ 7i*ures H7oun+ on a 7ourth 9entury 6)E Gree# s9u0ptura0 to'( house+ at the 6ritish Museu'IB ;hi9h she then en0ar*e+ an+ +i*ita00y printe+ on ten:'eter:0on* (o0ts o7 9repe +e 9hine. Suspen+e+ 7ro' the 9ei0in* an+ an9hore+ to the 70oor (y 0i'(:0i#e s0a(s o7 'ar(0eB the ;or# si'u0taneous0y a00u+e toB an+ a(stra9tB the ar9hite9tura0 orna'ents on ;hi9h they are (ase+. So'e ;or#sK )hanner +ra;s 7ro' a ;i+e ran*e o7 7a(ri9ation te9hno0o*iesB 7ro' han+ 9ar8e+ 'ar(0e to 'a9hine:9ut: stee0B pointin* to the tra9es o7 the han+ in e8en the 'ost i'persona0 'o+es o7 9reation. An her s9u0pturesB 7a'i0iar o($e9ts an+ i'a*es are su($e9te+ to uneGpe9te+ trans7or'ationsK in one seriesB an i'print o7 her ar' in in# ;as +i*ita00y printe+ on 7a(ri9 an+ then ;rappe+ aroun+ han+'a+e a0u'iniu' 7or's (ase+ on 48es Saint LaurentWs +ra;in*s 7or his i9oni9 D0e s'o#in*E tuGe+o $a9#etB ;hi0e in anotherB she 9asts store: (ou*ht appare0 in a0u'iniu'. So0o EGhi(itions 251% So7t She00B <unst8erein /rei(ur*B Ger'any H7orth9o'in*IzAn8erte(ratesB The Hep;orth 1a#e7ie0+B C< 2512 )o0+ 60oo+B Lisa )oo0eyB Ne; 4or#B CSAz"ut o7 6o+yB South Lon+on Ga00eryB Lon+onB C< 2511 z6o+y:)ons9iousB The Approa9hB Lon+onB C<z"ther:Dire9te+B 6o0teLan*B ?uri9hB S;it,er0an+ 2515 Anha0eB EGha0eB )har0es Rennie Ma9#intosh Ga00eryB G0as*o; S9hoo0 o7 ArtB as part o7 the G0as*o; Anternationa0B S9ot0an+ 2552 E8ery Separation As A Lin#B 9urate+ (y 3ao0a )ara8atiB Mi0anB Ata0yzA )annot Te00 The Di77eren9e 6et;een "ne Thin* An+ AnotherB 9urate+ (y M9Antyre 3ar#erB 3ie+:S:terreB 3ort0an+B "re*onB CSAz1orn: ;or#B The Approa9hB Lon+onB C<z1or#s /o0+e+ "ut "7 An+ An To The )o00e9tion "7B 1or0+ )0ass 6oGin*B Mia'iB CSAzA ha8e (een una(0e to (orro; the te'p0ate o7 6i* 6enB 3un9tuation 3ro*ra''eB Li'on9e00oB Lon+onB C< 1E6 httpKNN;;;.theapproa9h.9o.u#NartistsN9hannerN(io*raphy httpKNN;;;.*oo*0e.9o'Nsear9hOJPA0i9ef)hannerf;i#ipe+iaQ90ientPsa7ariQr0sPenQt('Pis9hQt(oPuQsour9 ePuni8QsaP-QeiP,*)>C+1R"A1Jt=aG5oDADAQ8e+P5)EM=sA=Q(i;P12.5Q(ihP522

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SIMON DENNY
.nalo/ue Broadcastin/ Hard!are <ompression 2013 An#$ets on 9an8as 9o'presse+ te0e8isionsB Arsena0eB N. 12 6ar(ara 6A"GRA/AA Si'on Denny ;as (orn 12.2 in Au9#0an+. Si'on DennyFs pra9ti9e e'phasi,es re0ationships ;ithin 9o''unities o7 thin*sX 9o'p0eG s9u0ptura0 9o'(inations o7 o($e9ts 7oun+B (ou*htB *athere+ an+ 'a+e. There is a pri8i0e*in* o7 the si'p0e an+ the o0+. DennyFs approa9h is s9u0ptura00y ho0isti9B see#in* an+ (ui0+in* upon ana0o*ous 9onne9tions (et;een the 8arious 7or'a0 aspe9ts o7 his ;or#. Typi9a00yB DennyFs s9u0ptura0 insta00ations are 7or'e+ 7ro' pre+eter'ine+ 7ra*'ents then asse'(0e+ ;ithin a *i8en spa9eB ;hi9h to a si*ni7i9ant eGtent +eter'ines the 7ina0 7or' an+ 9ontent o7 the ;or#. The 7inishe+ ;or# is thus 'ore a99urate0y +es9ri(e+ as the 7or'a0 reso0ution o7 DennyFs ;or#in* pro9essB o7 sensin* an+ 7a9i0itatin* inter9onne9tions (et;een 9o'posite e0e'ents an+ the i+eas they 9an 9ontri(ute to a 0ar*er pro$e9t. Denny presents his au+ien9es ;ith situations that ten+ to 7ore*roun+ an en*a*e'ent ;ith asso9iations o7 7or'B purpose an+ a9tion. Distin9ti8e0y rou*h:sho+B a+:ho9 9onstru9tions o7 e8ery+ay 'ateria0s are 9o'(ine+ ;ith an+ are o7ten 9o'prise+ o7 : +o'esti9 rea+y:'a+es. DennyFs apparent 9ru+e 'o+esty o7 7or' (e0ies the poeti9 inte00i*en9e o7 the ;or#s 9o'in*:to:(e an+ s9u0ptura0 9on9eit. DennyFs art:'a#in* is roote+ in +oin*X 9onsi+erations o7 per7or'an9e an+ a9ts o7 'a#in* ;hi9h e'(e+ the artists *esture an+ a9ti8ity in his o($e9ts o($e9ts 9hosen in the 7irst instan9e 7or the 9hara9ter an+ a9ti8ity they a0rea+y inha(it. Si'on Denny 9urrent0y 0i8es an+ ;or#s in Au9#0an+. LA>"R" ES3"ST" /or the 55th >eni9e 6ienna0eB Denny has trans7erre+ i'a*es o7 o(so0ete ana0o* T> eJuip'ent into t;inne+ prints on 9an8asB ;hi9h he then a77iGe+ to 'eta0 7ra'es to 9reate e'pty 8o0u'etri9 7or's a #in+ o7 3ote'#in 8i00a*e o7 te9hno0o*i9a0 inno8ation. The ;or# presente+ here o77ersB si'i0ar0y a #in+ o7 'onu'ent to a no; o(so0ete te9hno0o*yB a tri(ute to the 'a9hines that 7irst 'a+e it possi(0e the instant sharin* o7 8isua0 'e+ia. At a0so si*ni7ies the shi7ts in te9hno0o*ies that are han+e+ +o;n to us thus 9onstant0y restru9turin* our eGperien9e o7 i'a*es an+ #no;0e+*e an+ 7or9in* usB 9ontinua00y to a+apt an+ to up*ra+e in or+er to 'aintain our a(i0ity to per9ei8e the ;or0+ an+ its e8er:eGpan+in* 7ie0+ o7 in7or'ation. So'e ;or#sK Denny has 7reJuent0y en*a*e+ ;ith the history o7 te0e8isionB (oth as a physi9a0 o($e9t an+ as a too0 7or +isse'inatin* the 'essa*es o7 the +o'inant 9u0ture. DDeep Sea >au+eoEH2552I is an e8o0utionary taGono'y o7 te0e8ision 'onitorsB arran*e+ a99or+in* to thi9#ness an+ set to (roa+9ast *eneri9 un+er;ater 7oota*e 9hara9teristi9 o7 e0e9troni9 store 70oor +isp0ays. Denny has a0so eGp0ore+ 9ounter9u0tura0 inter8entions in te0e8isionB in a series o7 ;or#s +ea0in* ;ith A'eri9aWs 7irst pu(0i9:a99ess te0e8ision 9hanne0 an+ in an insta00ation a 12. in9i+ent o7 te0e8ision pira9yB in ;hi9h (roa+9asts in )hi9a*o ;ere interrupte+ (y a 'an ;earin* a ru((er 'as# o7 Dthe ;or0+s 7irst 9o'puter *enerate+ T> presenterEB the popu0ar 9hara9ter MaG Hea+roo'.

251% Si'on Denny : <unst8erein M]n9henB Muni9h 2512 Si'on Denny : Aspen Art Museu'B AspenB )" En8isa*in* >o9ationa0 Reha(i0itation : 1est7s0is9her <unst8ereinB M]nster 2511 Si'on Denny : /rie+ri9h 3et,e0 Ga00eryB Ne; 4or# )ityB N4 Si'on Denny : )orporate 11%

>i+eo De9isions : Mi9hae0 LettB Au9#0an+ Si'on DennyK )ruise Line : Neuer Aa9hener <unst8ereinB Aa9hen Si'on Denny : T22% : Ro'eB Ro'e )hroni9 EGpe9tationK )7sN'e Do9u'entary Restoration : T22%B Nap0es 2515 Ne*ati8e Hea+roo'K The 6roa+9ast Si*na0 Antrusion An9i+ent : Ha00e 7]r <unst e.>.B L]ne(ur* Si'on DennyK Antro+u9tory 0o*i9 8i+eo tutoria0 : Artspa9e Sy+neyB Sy+neyB NS1 2552 )e0e(ritiesF Houses At Ni*htK A 3ro$e9tion : Stan+ar+ H"s0oIB "s0o Deep Sea >a0u+eo : Ga0erie Danie0 6u9hho0, : <c0nB )o0o*ne Startin* 7ro' (ehin+ : Mi9hae0 LettB Au9#0an+ Si'on Denny : T22% : Ro'eB Ro'e 1at9hin* >i+eos Dry : T22%B Nap0es Drun#en >i+eos : L]tt*en'ei$erB 6er0in 255. Si'on Denny Re9ent Hair9uts : Cp0an+s Ga00eryB Me0(ourneB >A) 255 Si'on Denny : Dune+in 3u(0i9 Art Ga00eryB Dune+in 255& Si'on Denny : "0+ Thin*s : Mi9hae0 LettB Au9#0an+ 2555 Arran*in* Sy'pathies : The 3hysi9s Roo'B )hrist9hur9h This is the 7irst ti'e that an artist 7ro' Ne; ?ea0an+ is parti9ipatin* at the >eni9e 6ienna0e. 1E6 httpKNN;;;.*oo*0e.9o'Nsear9hOJPSi'onfDennyfartistQ90ientPsa7ariQr0sPenQt('Pis9hQt(oPuQsour9ePun i8QsaP-QeiPt('aCeJ$A47't=(6#4)=6*Q8e+P5)EC=sA=Q(i;P12.5Q(ihP522 httpKNN;;;.'ousse'a*a,ine.itNarti9o0o.''Oi+P.4

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WADE GUYTON
#enza titolo, 2011 Epson :ltra< rome E3 a /etto d1inc iostro su lino, 32( + 2-( cm #enza titolo, 2011 Epson :ltra< rome E3 a /etto d1inc iostro su lino, 32( + 2-( cm #enza titolo, 2011 Epson :ltra< rome E3 a /etto d1inc iostro su lino, 32( + 2-( cm Arsena0eB n. 12 Nato a Ha''onB CSAB ne0 12 2 B 8i8e e 0a8ora a q Ha *iS esposto ne00e pre9e+enti e+i,ioni +e0 2552 Laura 6A"GRA/AA Ha stu+iato a00a Tennessee Cni8ersity e a0 Hunter )o00e*e +i Ne; 4or# M/a99io Jua+riB 'a non penso a 'e stesso 9o'e a un pittoreM. Di9hiara,ioni 9o'e Juesta intro+u9ono a00Wappro99io non 9on8en,iona0e +i 1a+e Guyton a0 7are arteB un appro99io in 9ui i pro9essi e *0i stru'enti tra+i,iona0i : 9o'e 9o0ori e penne00i : sono sostituiti +a appare99hi +i*ita0i. Ne0 2552 Guyton ha ini,iato a 0a8orare 9on un so7t;are +i i'a*in* e una sta'pante a *etto +Win9hiostroB ini,ia0'ente i'pri'en+o 0ettere o 7or'e se'p0i9i su pa*ine +i ri8isteX in (re8e L passato a00a speri'enta,ione su supporti non 9arta9eiB inseren+o ne00a sta'pante 0ino *re,,o o trattato per rea0i,,are 0e sue 9o'posi,ioni. A risu0tati sono 0e serie +ei MPrinter ;ra!in/sM e +ei MPrinter Paintin/sMB opere uni9heB pro+otte 9on pro9e+i'ento 'e99ani9oB 9he ne0 tito0o e ne00a 9o'posi,ione ostentano i0 0oro status +i i(ri+i. La prati9a +i Guyton ese'p0i7i9a un nuo8o appro99io a00a te9no0o*ia 9on+i8iso +a 'o0ti artisti +e00a sua *enera,ioneB a99o'unati +a un 9erto s9etti9is'o sia 8erso 0a so**etti8itS +e00Wartista sia 8erso 0e pro+u,ioni patinate e +i a0to 0i8e00o. 3er GuytonB 0a te9no0o*ia +e00a sta'pante a *etto +Win9hiostroB un o**etto onnipresente in 9asa e in u77i9ioB : 9on i suoi 9o'uni *uasti te9ni9i 9o'e 0Win9epparsi +e00a 9arta o 0Wostru,ione +e0 *etto +Win9hiostroB 7reJuenti soprattutto per9h@ Guyton spin*e 0a 'a99hina a0 0i'ite usan+o 'ateria0i non 9on8en,iona0i : o77re i0 9o'pro'esso i+ea0eB inte*ran+o ne0 pro9esso un 9erto *ra+o +i 9asua0itS a0 Jua0e L possi(i0e rea*ire o 'eno. La pro+u,ione in +i*ita0e ha per'esso a Guyton +i 9ontinuare a (asarsi su teorie 9on9ettua0iB pur esp0oran+o 0e spe9i7i9itS struttura0i +e0 pro9esso artisti9oK un 90assi9o strata*e''a 'o+ernista. Dopo a8er i'pie*ato per o0tre un +e9ennio 0a stessa te9no0o*ia uti0i,,an+o 'o+e00i +i sta'panti se'pre piT *ran+i e pro7essiona0iB Guyton L +i8entato piuttosto a(i0e ne0 *estire e per7ino anti9ipare i 9ontratte'piB tanto +a essere +e7inito un M8irtuoso +e00a sta'pante in#:$etM. )o'e un tra+i,iona0e 'aestro sta'patoreB 9he sa pre8e+ere 9on sJuisita pre9isione 0e *a''e tona0i e 0a Jua0itS 7ina0e +i unWa9JuatintaB Guyton sa 9he a09uni 'ateria0i possono a8er (iso*no +i uno strattone in piT per s9i8o0are attra8erso 0a sta'pante e 9he a09uni 9o0ori sono piT propensi +i a0tri a rista*nare. Ano0treB i'postan+o una serie +i 'oti8i +i*ita0i +a ri9i90are ne0 9orso +i tutta 0a sua pro+u,ione : a+ ese'pio 0e 0ettere - e CB i rettan*o0i 9o0orati +i neroB 0Wi''a*ine +i*ita0i,,ata +e00e 7ia''eB per 9itarne a09uni : 0Wartista L +i8entato un pro7on+o 9onos9itore +e00e 0oro 'o+u0a,ioni +i s9a0a e 7or'a e +e0 'o+o in 9ui rea*is9ono ai nu'erosi in9i+enti te9ni9i. A88iata tra'ite seJuen,e +i tastiB 0a rea0i,,a,ione +e00e opere +i Guyton 9oin8o0*e un sorpren+ente *ra+o +i 7isi9itS e a(i0itS te9ni9a : in9on7on+i(i0e e0e'ento u'ano 9he *estis9e e ne*o,ia i0 pro9esso a0tri'enti auto'ati,,ato.La 9res9ente esperien,a ha 9on+otto a i'prese se'pre piT a'(i,ioseB +a00a sta'pa su 9o'pensato a +ipinti se'pre piT s'isurati. La 'onu'enta0e opera 9he 0Wartista ha rea0i,,ato per MEmpire #tateM si (asa su un 'oti8o usato per pri'a 8o0taB a partire +a0 2554B in pi99o0i +ise*niK unWi''a*ine a stris9e rosse e 8er+iB s9e0ta 9on 9ura +ai ris*uar+i +i un 0i(ro. Riproposi,ione +e0 +itti9o site:spe9i7i9 (asato su Juesto te'a +e9orati8o e 9o''issionato +a0 1hitney Museu' o7 A'eri9an Art ne0 2512B Juesto nuo8o 0a8oro si 9o00o9a su00o s7on+o +e00War9hitettura neo90assi9a +i 3a0a,,o +e00e Esposi,ioniB si'(o0o +e00We99e00en,a 9u0tura0e +i Ro'a e 9o00e*a'ento tra 0a 7iorente 9apita0e tar+o:otto9entes9a e i0 suo passato i'peria0e. S7i+an+o 0e in9onta'inate si''etrie e 0e s8ettanti 9o0onne +e00a 9e0e(re sa0a espositi8aB 0e 0inee ori,,onta0i +i GuytonB au+a9i an9he se i'per7etteB si pon*ono 115

9o'e 'o'enti +i tras*ressioneB ro'pen+o 9on 0a tra+i,ione a99a+e'i9a e +i'ostran+o 0Win7inito poten,ia0e *enerati8o insito ne00a pro+u,ione +e00Wartista. LWartista uti0i,,a una sta'pante Epson Sty0us 3ro 4555N2&55 in#$et e 'anipo0a 0e i''a*ini 9on Mi9roso7t 1or+ e 3hotoshop. LWartista +i9e +i sLK Re9ent0y AW8e (een usin* Epson in#$et printers an+ 70at(e+ s9anners as too0s to 'a#e ;or#s that a9t 0i#e +ra;in*sB paintin*sB e8en s9u0ptures. A spen+ a 0ot o7 ti'e ;ith (oo#s an+ so 0o*i9a00y AW8e en+e+ up usin* pa*es 7ro' (oo#s as 'ateria0: pa*es torn 7ro' (oo#s an+ 7e+ throu*h an in#$et printer. AW8e (een usin* a 8ery pare+ +o;n 8o9a(u0ary o7 si'p0e shapes an+ 0etters +ra;n or type+ in Mi9roso7t 1or+B then printe+ on top o7 these pa*es 7ro' 9ata0o*uesB 'a*a,inesB posters: an+ e8en (0an# 9an8as. The resu0tin* i'a*es arenWt eGa9t0y ;hat the 'a9hines are +esi*ne+ 7or: s0i9# +i*ita0 photo*raphs. There is o7ten a stru**0e (et;een the printer an+ 'y 'ateria0: an+ the tra9es o7 this are 0e7t on the sur7a9e: sna*sB +ripsB strea#sB 'is:re*istrationsB (0urs LA>"R" ES3"ST" Le opere presenti in 'ostra sono 0a reinterpreta,ione +i un 90assi9o +e00Warte 9onte'poraneaK i0 Jua+ro neroB reiterpretato 9on uno stru'ento Dpro7anoEK 0a sta'pante in#$et. Si tratta +i un 7i0e (it'ap ottenuto +a00a 9on8ersione +i un 7i0e TA// nero a0 55h 9he 8iene sta'pato su te0i +i 0ino. LWopera nas9e +a00a 9on8er*en,a tra unWopera,ione 'e99ani9aB 0a sta'paB e 0Wa,ione 9reati8a +e00Wartista 9he ne s7rutta errori e i'per7e,ioni ren+en+o i0 pro9e+i'ento non +issi'i0e +a Jua0siasi a0tro 'o+us artisti9oB s7i+an+o 0a presunta o'o*eneitS +e00e i''a*ini sta'pate attra8erso un pro9esso so**etti8i,ante. LA>"R" 3ACF /AM"S" :ntitledB 255&. Epson C0tra)hro'e in#$et su 0ino Tipi9o +e00a sua pro+u,ione L 0Wuti0i,,o +i se*ni *ra7i9i ri9orrenti Jua0i 0e 7ia''e e 0e 0ettere C e - reiterateB 'a an9he puntiB ri*heB 7as9e +i 9o0ore 6AENNALA 3ASSATE Cntit0e+B /are Mon+i Giar+iniB 5%. Esposi,ione Anterna,iona0e +WArte K /are Mon+i H2552I 1E6 DA RA/ERAMENT" httpKNNen.;i#ipe+ia.or*N;i#iN1a+e[Guyton httpKNN;;;.inter8ie;'a*a,ine.9o'NartN;a+e:*uytonN httpKNNi7a9onte'porary.;or+press.9o'N2512N12N%1N;a+e:*uyton:G:is:to:y:asN

11&

CHANNA HORWITZ
#ona"inato/rap y I, Movement aAAB Sheet )B 12&2 Sona#inato*raphyB )o'position 1 B part 2 o7 2B 12. )anonB 12. >ariations an+ An8ersions on a Rhyth' H'atriG in 7our parts AAIB 1225 Sona#inato*raphyB )o'position ->AB 1221 Stru9ture )rossin*B 2552 )anon AB 2n+ >ariationB 2511 3aint an+ pen9i0 on *raph paper Arsena0eB N. 12 6ar(ara 6A"GRA/AA )hanna Hor;it, ;as (orn in Los An*e0esB on May 21B 12%2X her 7ather ;as an e0e9tri9ian an+ in8entor. As a 'arrie+ 'other o7 threeB she too# art 90asses at se8era0 s9hoo0s in the Los An*e0es area (e7ore earnin* a 6./.A. in 12 2 7ro' )a0Arts. She 'arrie+ her se9on+ hus(an+B Ji' Hor;it,B in 12 %. An 12&.B Hor;it, Hthen )hanna Da8isI su('itte+ a proposa0 to the se'ina0 .rt and 3ec nolo/y 3ro*ra' at the Los An*e0es )ounty Museu' o7 Art. The propose+ s9u0pture 9onsiste+ o7 ei*ht (ea's 'o8in* 8erti9a00y out o7 s9u0ptura0 (ases o8er ten 'inutes o7 ti'eB 9orrespon+in* to a 9horeo*raphy o7 9o0ore+ 0i*hts. A0thou*h the s9u0pture ;as ne8er 7a(ri9ate+B Hor;it,Ws proposa0 ;as in90u+e+ in the 12 5 pro*ra' 9ata0o*ueB ;hose 9o8er pro'inent0y +isp0aye+ the 7a9es o7 the ;hite 'a0e artists ;hose ;or#s appeare+ in the 9u0'inatin* eGhi(ition at the Museu'. .rt and 3ec nolo/yIs *0arin* o'ission o7 ;o'enbspe9i7i9a00y the 7a9t that Hor;it, ;as ne8er as#e+ to spea# ;ith in+ustry a(out the possi(i0ity o7 'a#in* her s9u0ptureb0e+ to a pu(0i9 out9ry in the 7e'inist art 9o''unity in Los An*e0esB in8o08in* 9on7rontations an+ e8entua0 9on9essions 7ro' the 9urator Mauri9e Tu9h'an. )anon SeriesK Sin9e the 'i+:12&5sB )hanna Hor;it, has (een 'a#in* ri*orousB *raph:0i#e 8isua0 9o'positions ;hose 9o'p0eGB iterati8e patterns use 0o*i9 an+ nu'eri9 pro*ression 7ro' one to ei*ht to *raphi9a00y notate ti'eB rhyth'B an+ 'o8e'ent. Ea9h sJuare in9h o7 the *ri++e+ paper that she uses to pro+u9e a +ra;in* is su(+i8i+e+ into siGty:7our sJuaresB an+ Hor;it, has 0i'ite+ herse07 to the use o7 on0y ei*ht 9o0ors throu*hout her 9areer. These stri9turesB she has o7ten o(ser8e+B resu0t in a para+oGi9a0 7ee0in* o7 7ree+o'K DLi'itin* your 9hoi9esBE she has sai+B D*i8es you po;er.E An her )anon seriesB ho;e8erB ;hi9h in90u+es t;o o7 the ;or#s presente+ here 7ro' 12. an+ 2511B Hor;it, has a0so eGperi'ente+ ;ith the pre9ision o7 si'p0e *eo'etri9 patternsB ;hi9h ;hen o8er0ai+ 9reate an i'possi(0y +e0i9ate pat9h;or# o7 0a9e:0i#e 0ines. As in her other ;or#sB utter0y si'p0e 7or's an+ strin*ent 9o'p0ian9e ;ith se07:i'pose+ ru0es resu0tB uneGpe9te+0yB in an entran9in* sensuousness. So'e ;or#sK "8er her 0on* 9areerB Hor;it, ;or#e+ pri'ari0y ;ith +ra;in*sB 9reatin* a 9o'p0eG (o+y o7 ;or#s on paperB in90u+in* her i9oni9 DSona#inato*raphyE H12&.:2554I series. Csin* a syste' (ase+ on ei*ht nu'(ers asso9iate+ ;ith ei*ht 9o0orsB the ;or#s reinterpret the tra+itiona0 'ini'a0ist *ri+ ;ith a sensua0 t;istB 7eaturin* 'eti9u0ous han+ +ra;in*s o7 9o'p0eG *eo'etri9 patterns ;ith a0ternatin* 9o0ors an+ sy'(o0s on *raph:ru0e+ My0ar. Hor;it,Fs +ra;in*s 9o'(ine an apparent ri*i+ity an+ stru9tura0 0o*i9 ;ith an e0e'ent o7 9han9e su**este+ (y i'per7e9tionsB 'ista#esB an+ 9orre9tions that the artist 0ea8es 8isi(0e on the paper. A0thou*h 8isua00y 90ose to "p ArtB Hor;it,Fs ;or# is 'u9h 90oser to )on9eptua0 Art an+ ;or#s (y 9o00ea*ues So0 Le;itt or Me0 6o9hner. DA eGperien9e 7ree+o' throu*h the 0i'itations an+ stru9ture A p0a9e on 'y ;or#BE she on9e sai+. 11

251%K M"ran*e Gri+MB /ranjois Ghe(a0y Ga00eryB Los An*e0esB )A 2511K Disp0a9e'entDB 9urate+ (y Mar9 G0c+eB 4.B Ha'(ur* 2511K 1hat 1ou0+ Happen A7 ADB Aanant Q ?ooB 6er0in 2515K He00o is not 0i#e A ;ou0+ say *oo+(yeD Aanant Q ?ooB 6er0in 2515K SeJuen9es an+ Syste'sDB So0;ayJonesB Los An*e0es 2552K >ariations in )ountin* "ne Throu*h Ei*htDB 6ran+en(ur*is9her <unst8erein 3ots+a' e.>B 3ots+a' 2552K Sear9hin*NStru9tures 12&5:255 DB Aanant Q ?ooB 6er0in 255 K >arian9esDB So0;ayJonesB Los An*e0es 255 K )hanna Hor;it,K >ariations in )ountin* "neDB 6ran+en(ur*is9her <unst8ereinB 3ots+a' H)ata0o*I 12..K 3aintin*s an+ Dra;in*sDB Los An*e0es Muni9ipa0 Art Ga00ery HLAMAGIB Los An*e0esw2 1E6 httpKNN;;;.0ati'es.9o'Nentertain'entNartsN9u0tureN0a:et:9':re8ie;:9hanna:hor;it,:7ran9ois:*he(a0y: *a00ery:251%555&B5B15 2&22.story httpKNN(0o*s.7or;ar+.9o'Nthe:arty:se'iteN1 525.Nartist:9hanna:hor;it,:+ies:at:N

11.

PRABHAVATHI MEPPAYIL
sen,a tito0o 2511 7i0o +i ra'e in9astonato su panne00o in 9a09e +i *esso Arsena0eB n. 12 E0isa(etta

6A"GRA/AA She re9ei8e+ the 6.A. 7ro' 6an*a0ore Cni8ersity in 12.&. Artist 3ra(ha8athi Meppayi0 hai0s 7ro' a 7a'i0y o7 *o0+s'iths. !3ro9essF 7or herB is the 'ysti9a0 'e'ory o7 han+s. E'p0oyin* tra+itiona0 *o0+s'ith te9hniJuesB her 9o'positions in9orporate +e0i9ate 'eta00i9 stran+s that are e'(e++e+ into 0i'e *esso. Me+itation an+ pre9ision 7or' the 9ruG o7 her ;or#. A 'e+itati8e si0en9e as i7B see's to e8o#e throu*h sur7a9e an+ o($e9t e8en as i'a*es e'er*e an+ 7a+e a;ay a0ternate0y. 3o0iti9i,ation seeps into her art;or#s 7ro' the 8ery 9hoi9e o7 'etho+ an+ 'ateria0X the 9ra7t an+ its too0 are 9entra0 to her 8isua0 eGpression. LA>"R" ES3"ST" 3o0iti9isation enters her ;or# 7ro' the 8ery 9hoi9e o7 'ateria0 an+ 'etho+X the 9ra7t an+ its too0 (ein* 9entra0 to her eGpression. She e'phasises on the W9ra7tin*W o7 the art o($e9tB sti'u0atin* the +e7inition o7 'ini'a0is' itse07. Her o;n rootsB 9o'in* 7ro' a *o0+s'ith 7a'i0yB a0so 7in+ it tra9e+ into her pra9ti9e. She ;or#s pri'ari0y on *esso (oar+B Meppayi0Ws a9t o7 9reatin* 9an (e seen 'ore as W'ar# 'a#in*W as she s9rat9hes an+ (rea#s the sur7a9eB 9reatin* an a'(i*uity o7 shapes an+ spa9es. An her 9onstant sear9h 7or ne; 'ateria0s she has eGp0ore+ ;or#in* ;ith se8era0 'eta0s. 1E6 httpKNN;;;.artne;sn8ie;s.9o'N8ie;:arti90e.phpOarti90ePre9ent:;or#s:(y:pra(ha8athi: 'eppayi0Qii+P2Qarti90ei+P122 httpKNNarteGpoin+ia.(0o*spot.itN2512N55Npra(ha8athi:'eppayi0:an+:raJi(:sha;s.ht'0

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ALBERT OEHLEN
Cntite0e+ H2552 9ir9aIB serie 9o00a*e su 9arta Arsena0eB n.12 Nato a <re7e0+ HGer'aniaI ne0 1254 B 8i8e e 0a8ora tra 0a S8i,,era e 0a Spa*na >era 6A"GRA/AA Nas9e ne0 1254 a <re7e0+ in Ger'ania:"8est. Si 7or'a a00a Ho9hs9hu0e 7]r 6i0+en+e <]nste +i A'(ur*oB +o8e ha 9o'e 'aestro 0Wartista Si*'ur 3o0#e. Si +ip0o'a ne0 12.1. A00Wini,io +e*0i anni W.5 si interessa soprattutto +i pittura. A 0a8ori +i Jue0 perio+o sono 9aratteri,,ati +a00a 9o'presen,a +i e0e'enti 7i*urati8i e+ e0e'enti astrattiB in 9ontrapposi,ione a00Westeti9a neo:espressionista pre8a0ente in Jue0 perio+o. Su99essi8a'ente strin*e a'i9i,ia 9on 0Wartista Martin <ippen(er*er e per +ie9i anni si +e+i9a es90usi8a'ente a00a pittura astratta. Ne*0i anni W25 0Wartista 9rea uno stu+io ne00a 9ittS +i Se*o8ia HSpa*naI +o8e ini,ia a 0a8orare su i''a*ini 9reate *ra,ie a00Wuso +e0 9o'puter. "eh0en L un artista estre'a'ente a77er'ato 9on una 0un*a 0ista +i so0o:eGhi(ition rea0i,,ate in i'portanti 'usei Hes. M")A +i Mia'iI e *a00erie. LA>"R" ES3"ST" An Juesta serie +i 9o00a*e "eh0en uti0i,,a i''a*ini pro8enienti +a00e 7onti piT +isparate H+ai 8o0antini 9he pu((0i9i,,ano *0i s9onti +ei super'er9ati ai 'a*a,ine eroti9iI e 0e *iustappone in 'o+o 9aoti9oB sen,a un intento narrati8o +i a09un tipo. Mo+e00o +i ri7eri'ento L i0 9o00a*e +a+a Hin parti9o0are <urt S9h;ittersI 'aB 'entre i 9o00a*e +a+a a8e8ano spesso un 9hiaro 'essa**io po0iti9oB Jui 0Wintento L Jue00o +i a8ere una panora'i9a su00a so9ietS 9onte'poranea attra8erso 0e i''a*ini 9he essa pro+u9e. : Si noti 9he i0 ri7eri'ento a0 Da+ais'o L 8o0uto e +irettoK 0a paro0a Da+a 9o'pare in un 9o00a*e. 3er +es9ri8ere i suoi 0a8ori piT re9entiB rea0i,,ati tra'ite 0Wuti0i,,o +i i''a*ini 9o''er9ia0i e+ i''a*ini *enerate 9on 0Wuti0i,,o +e0 9o'puter B 0Wartista par0a +i Desteti9a +e0 9artone +e00a pi,,aEHDpi,,a (oG +esi*n aestheti9EIB +o8uta a00a *iustapposi,ione +i *ra7i9he e 7ont +e0 passato e+ i''a*ini tro8ate. LA>"R" 3ACF /AM"S" 60a9# Rationa0ity H12.2I. Tipi9o ese'pio +i 0a8oro rea0i,,ato ne*0i anni W.5 H9o'presen,a +i e0e'enti 7i*urati8i e+ astrattiI Cntite0e+ H122%I. La8oro +e0 perio+o +e00Wastrattis'o 1E6 ;;;.s#arste+t.9o'NartistsNa0(ert:oeh0enN ;;;.saat9hi:*a00ery.9o.u#NartistsNa0(ert[oeh0en.ht' ;;;.inter8ie;'a*a,ine.9o'NartNa0(ert:oeh0enNa[

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JAMES RICHARDS ?ose8ud, 2013 Sin*0e:9hanne0 8i+eo H(0a9#:an+:;hite soun+IB 15'in Arsena0e 6ar(ara 6A"GRA/AA 6orn in )ar+i77B 1a0es 12.%B Ja'es Ri9har+s no; 0i8es in Lon+on. He *ra+uate+ 7ro' )he0sea s9hoo0 o7 art in 255& ;here he 'a+e 8i+eos ;ith sa'p0e+ 8i+eo an+ soun+ 'ateria0. 1or#in* pri'ari0y ;ith 7oun+ an+ re: e+ite+ 'ateria0 his ;or# has sin9e ta#en the 7or' o7 9urate+ 8i+eo pro*ra''esB s9u0ptures or 0i8e e8ents. Ri9har+s ;or# has (een sho;n in 7esti8a0s an+ *a00eries in Lon+onB 6er0inB Stutt*art an+ Rotter+a'. Ri9har+s ;as a 2512 re9ipient o7 the Dere# Jar'an a;ar+. LA>"R" ES3"ST" Rose(u+ The presentation o7 7i0' an+ 8i+eo ;ithin art is o7ten hi*h0y 9on8entiona0K the shortB 0oope+B 'onitor:(ase+ 8i+eo an+ the (0a9# (oG o7 the 0on*er 7i0' pro$e9tion. The pra9ti9e o7 Ja'es Ri9har+sB ;hi9h has the 'o8in* i'a*e at its 9oreB trans9en+s these 9onstraints. Ri9har+s ;or#s ;ith an ar9hi8e o7 8i+eo 7oota*e that he s9a8en*es an+ re'iGes. Ri9har+s a0so shi7ts the 7or' o7 presentation o7 his ;or#B 'o8in* (et;een 7or'ats asso9iate+ ;ith the pu(0i9 rea0' : the s9reenin*B or the 0i8e >J 'iG : an+ the su**esti8e0y pri8ate an+ +e8otiona0 7or' o7 the 'iGtape. This approa9h +eri8es 7ro' the pro9esses o7 ar9hi8in* an+ o7 Ws9rat9hW 8i+eo. The pra9ti9e o7 re: e+itin* >HS 7oota*e *aine+ pro'inen9e in the 12.5s throu*h artists su9h as Geor*e 6ar(er an+ Gori00a TapesB ;hose o8ert0y po0iti9ise+ ;or# ;as presente+ as inserts on T> 9hanne0sB or as an a99o'pani'ent to ni*ht90u( per7or'an9es (y eGperi'enta0 (an+s su9h as )a(aret >o0taire. Ja'es Ri9har+sFs 7i0' ?ose8ud H251%I sho;s i'a*es 7ro' a nu'(er o7 i9oni9 photo*raphy (oo#sbRo(ert Mapp0ethorpeB Man Raybin ;hi9h seGua00y eGp0i9it s9enes ha8e (een s9rat9he+ outX it 0oo#s Juaint to+ayB ;hen i00i9it i'a*es 70o; 7ree0y on the Anternet an+ 9ensorship ta#es the 7or' o7 7ire;a00s. At re9or+s the 9ensorship o7 seGua00y eGp0i9it art in 0i(rary (oo#s as a 7a9t rather than a pro(0e'B tossin* in seGy i'a*es o7 his o;n. ?ose8ud +rea'i0y eGa'ines i'a*e:'a#in* 8ia 4ouTu(e 90ipsB 7i0' ar9hi8esB his o;n 7u*iti8e ,oo': ins a stro(e:0it para#eetB s9rat9he+:out Japanese eroti9 printsB ;ater parti90es. So'e ;or#sK @ot Blac"in/ =ut, Dust 3urnin/ 3 e Li/ ts =AAB 2511. The ;or# is pro+u9e+ 7or a +ua0:s9reen 7or'atB ;hi9h has (een inspire+ (y the ;ei*ht0ess 70at s9reens no; 9o''on0y use+ 7or a+8ertisin* in 'etropo0itan hi*h streets. JuGtaposin* his persona0 an+ hi*h0y eGpressi8e 'etho+o0o*y 7or 9o'posin* 'o8in* i'a*e ;ithin a 7ra'e;or# 'ore 7a'i0iar to sites o7 'ass 'e+ia. The eGhi(ition 7eatures a suite o7 8i+eos 9o00a*e+ 7ro' a 9o00e9tion o7 7oun+ au+io8isua0 7oota*e as ;e00 as 'ateria0 re9ent0y 7i0'e+ (y Ri9har+s. 1or#in* pri'ari0y (et;een 'o8in* i'a*eB soun+ an+ s9u0ptureB Ri9har+s o7ten 'er*es these 7or's ;ithin in+i8i+ua0 ;or#s to interro*ate the eGperien9e o7 ;hat it is to 8ie; an+ (e 8ie;e+. This is p0a9e+ in para00e0 ;ith his interest in the 9u0tura0 an+ e'otiona0 resonan9e o7 the 8erna9u0ar 8isua0 9ontent he 9hooses to 'anipu0ateB ta#en 7ro' a ran*e o7 sour9es su9h as 8ira0 ;e( 8i+eo 7oota*eB 'ainstrea' 9ine'aB eGperi'enta0 'usi9 an+ inti'ate 8i+eo portraits o7 7rien+s. This is Ja'es Ri9har+Ws 7irst parti9ipation at the >eni9e 6ienna0e. 1E6 httpKNN0uG.or*.u#Ne+u9ationN$a'es:ri9har+s httpKNN*a00eristny.9o'N251%N51N7ro,en:0a#es:at:artists:spa9eN httpKNN;;;.nyti'es.9o'N251%N52N22NartsN+esi*nN7ro,en:0a#es.ht'0O[rP5 121

PAMELA ROSENKRANZ
Because t ey try to 8ore oles ] ;eat oA Bves Elein, 2013 30eGi*0asB 7oi0B pi*'ent in#$et printsB photo paper Hpear0IB (u((0esB ani'ation H0oope+IB soun+B 70ats9reen 'onitor Arsena0e HA 12I 6orn 12 2 in Si0s:MariaB 0i8es an+ ;or#s in ?uri9h Maryia 6A"GRA/AA 3a'e0a Rosen#ran, HSi0s:MariaB )HB 12 2I 0i8es an+ ;or#s in ?uri9h. Startin* 7ro' the e'piri9a0 o(ser8ation o7 'inute +etai0s an+ iso0ate+ *estures an+ 'o8e'entsB Rosen#ran, 'u0tip0ies her 8ie;pointsB ne*ates the 8ery notion o7 9entra0ity (y 9reatin* unsta(0e an+ open rea0itiesB throu*h a 9onstant tension (et;een presen9e an+ a(sen9e. Se0e9te+ so0o sho;sK 2515 )entre +F Art )onte'porain Gene8eX <ar'a Anternationa0B ?uri9h. 2552 Art State'entsB Art 6ase0. 255. Mi9#y S9hu(ertB 6er0in. 255 <unst'useu' ThunX Taro Nasu Ga00eryB To#yo. 255& StoreB Lon+on. Se0e9te+ *roup sho;sK 2552K D/aGBE Dra;in* )enterB Ne; 4or#X DRe+u9tion an+ SuspenseBE <unst8erein 6re*en,X DE8ent Hori,onBE RasterB 1arsa;X D60an# )o'p0eGityBE <ar'a Anternationa0 at 3arisa <in+B /ran#7urt. 255. DDra**e+ Do;n into Lo;er9aseBE 3au0 <0ee Museu'B 6ernX DSe8en Types o7 A'(i*uityBE StoreB Lon+onX Mani7esta B Trentino A0to A+i*eNSu+tiro0X DNoLe7to8ersBE <unstha00e 6ernX D>ertrautes TerrainBE ?<M <ar0sruheX DShi7tin* A+entitiesBE <unsthaus ?uri9hX 5. (er0in (ienna0eX DE'pty )entresBE 6o0teLan*B ?uri9hX DThe Dar# /airBE <ar'a Anternationa0 at S;iss AnstituteB Ne; 4or#X DAnGious "($e9tBE StoreB Lon+onX DArt 9annot (e Cntau*htBE La Ra+aB Lo9arno. 255 DHe00oBE /0uG /a9toryB Ne; 4or#X D3ortrait SessionBE Hiroshi'a Museu' 7or )onte'porary Art. LA>"R" ES3"ST" An the photo prints D6e9ause they trie+ to (ore ho0es in 'y *reatest an+ 'ost (eauti7u0 ;or#EB the artist in8esti*ates 48es <0einFs 9o0or (0ueB 4<6B an interestin* eGa'p0e o7 9o0or use+ as a +istin9ti8e artisti9 (ran+. She +is9o8ere+ a repro+u9tion o7 a <0ein paintin* on0ine an+ +o;n0oa+e+ it 7ro' three +i77erent sour9esB e'phasi,in* 'ini'a0 +i77eren9es. E8entua00y she 'ounte+ the prints (y han+B 0ea8in* a pattern o7 physi9a0 i'pa9t as an a++itiona0 i'pression. As the tit0e in+i9atesB the sho; re7ers to 48es <0einFs state'ent in his !)he0sea Mani7estoBF that the (ir+s passin* a9ross the (ri*ht Me+iterranean s#y a(o8e hi' Mtrie+ to (ore ho0es in 'y *reatest an+ 'ost (eauti7u0 ;or#E that isB the (0ue s#y itse07. /or Rosen#ran,B <0ein 7un9tions as the 'o+e0 7or a (ran+ o7 'o+ern an+ 9onte'porary art that 7ir'0y positions at its 9ore the artist an+ his or her su($e9ti8ity. 6y open0y re+u9in* the art;or# to its e8o0utionary an+ 9apita0ist 9on+itions o7 pro+u9tionB Rosen#ran, un+er'ines an i+ea o7 art that purports to trans9en+ its i''e+iate 'ateria0ity. "r ta#eB as the 'ost eGp0i9it eGa'p0eB Rosen#ran,!F repeate+ a(stra9t 'oti7 o7 (o+y:printin* on (0an#et: si,e+ pie9es o7 7oi0 or span+eG or 7ree:stan+in* 30eGi*0as. AtFs a te9hniJue the artist has sei,e+ 7ro' 48es <0einFs !DAnthropo'@triesDF HAnthropo'etriesB 12&5:2I : his paint:9o8ere+B nu+eB 7e'a0e 'o+e0s i'presse+ pu(0i90y upon 9an8as an+ then a(stra9te+ an+ a(an+one+. 6ut her !!7i*ure!F is +resse+B its ta;ny i'print 'ore a00usion than a9tua00y 7i*ure+B an+ the su($e9ti8e 8io0en9e o7 its art histori9a0 *esture is at on9e auto'ati9 an+ patent0y ironi9.

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3a'e0a Rosen#ran,F approa9h is not (ase+ on a s9ienti7i9 interest as su9h. She ;or#s ;ith 7in+in*s an+ spe9u0ations 9u00e+ not on0y 7ro' the natura0 s9ien9esB (ut a0so 7ro' po0iti9sB historyB phi0osophyB an+ popu0ar 9u0ture. LA>"R" 3ACF /AM"S" "8er 'y 6rain(o; Hsho;n in the su(0e8e0 spa9eI is a +ua0 pro$e9tion o7 70ashin* 9o0ors 9o'(ine+ ;ith an ani'ate+ i'a*e. 6rain(o; is a s9ienti7i9 ter' use+ to +es9ri(e the pro9ess (y ;hi9h in+i8i+ua0 neurons in the (rain 9an (e +istin*uishe+ 7ro' nei*h(orin* neurons usin* 70uores9ent proteins. Rosen#ran,F 'ono9hro'ati9 9o0ors are (0an# s9reens 7i00e+ ;ith re7eren9es. An their 'i+stB a 7i0' ani'ation o77ers an a0'ost inti'ate en9ounter ;ith Mi9hae0 Ja9#son. Rosen#ran, has a++e+ a pair o7 *ent0y (0in#in* 7e'a0e eyes to the i+o0Fs 7a9eB 9reatin* a 8u0nera(0e portrait au nature0 o7 a hu'an (ein* ;ho +ra'ati9a00y 9han*e+ his s#in 9o0or. 1E6 httpKNN7rie,e:'a*a,in.+eNar9hi8N7eaturesNpa'e0a:rosen#ran,NO0an*Pen

12%

MARK LECKEY
3 e .ddressa8ility oA ;um8 3 in/s 2013 Ansta00ation Arsena0eB N. 1% 6ar(ara 6A"GRA/AA Mar# Le9#ey ;as (orn in 6ir#enhea+B near Li8erpoo0B in 12&4. He 0e7t s9hoo0 at 1& ;ith one " Le8e0B in artB an+ at 12 (e9a'e o(sesse+ ;ith 0earnin* a(out an9ient 9i8i0i,ations. He +es9ri(e+ hi'se07 as an au+io+i+a9tB MThatWs ;hy A use (i**er ;or+s than A shou0+. AtWs a 90assi9 si*n.M/o00o;in* a 9on8ersation ;ith his step7ather he too# his A Le8e0s an+ ;ent to an art 9o00e*e in Ne;9ast0e (ut +i+nFt en$oy it. Throu*h his 8i+eos an+ per7or'an9e 0e9turesB Mar# Le9#ey has esta(0ishe+ hi'se07 as a #in+ o7 9u0tura0 anthropo0o*ist ;hose +isse9tions o7 +i*ita0 'e+ia an+ 9onte'porary 9onsu'eris' spea# to the 'yria+ ;ays in ;hi9h te9hno0o*y has(a0tere+ our re0ation to the ;or0+. LA>"R" ES3"ST" The A++ressa(i0ity o7 Du'( Thin*s /or the 55th >eni9e 6ienna0eB Le9#ey has 9reate+ a 8i+eo usin* three +i'ensiona0 s9ans o7 an eGhi(ition he 9urate+ at the 60ue9oat in Li8erpoo0B entit0e+ The Cni8ersa0 A++ressa(i0ity o7 Du'( Thin*s. Ser8in* as the sho;Fs enhan9e+ +i*ita0 +oppe0*sn*erB the 8i+eo presents art;or#s (y Le9#ey an+ a 9ast o7 others a0on*si+e the panop0y o7 histori9a0 an+ 9onte'porary arti7a9ts that Le9#ey (rou*ht to*ether in or+er to propose a 9o'in* era o7 Dte9hno:ani'is'.E An this 7utureB Le9#ey su**estsB te9hno0o*y ;i00 ha8e so thorou*h0y trans7or'e+ our re0ationship to the o($e9ts aroun+ us that the 0ine (et;een the ani'ate an+ the inani'ate ;i00 (0ur to the point that ;e 7in+ ourse08esB in the ;or+s o7 'e+ia theorist Marsha00 M9LuhanB in Da resonatin* ;or0+ a#in to the o0+ tri(a0 e9ho 9ha'(er ;here 'a*i9 ;i00 0i8e a*ain.EHo;e8erB ;hi0e the stai+ an+ stati9 o($e9ts in the eGhi(ition 'ere0y hint at this 9o'in* uphea8a0B his 8i+eo (rin*s the sho;Fs 9on9ept to 7u00 (0oo'B as o($e9ts are ani'ate+ out o7 their torpor an+ a00o;e+ to ta#e on *re*ariousB un9anny 0i8es o7 their o;n. So'e ;or#sK An his )ine'a in the Roun+ 0e9tures H255 .IB 7or instan9eB Le9#ey atte'pte+ to eGp0ain his eGperien9e ;ith i'a*es that possessa pe9u0iar tan*i(i0ityB i'posin* Da sense o7 their a9tua0 ;ei*htB +ensityB an+ 8o0u'eB o7 their physi9a0 (ein* in the ;or0+.E Dra;in* 7ro' an e90e9ti9 set o7 9u0tura0 re7eren9es in90u+in* the paintin*s o7 3hi0ip GustonB /e0iG the )at 9artoonsB an+ Ja'es )a'eronFs (0o9#(uster 'o8ie Titani9B Le9#eyFs ta0# u0ti'ate0y points to a 7uture 8irtua0 rea0ity in ;hi9h ;hat ;e no; 9a00 representation ;i00 (e $ust another 7or' o7 e'(o+i'ent. 251% The Ha''er Museu'B Los An*e0es H7orth9o'in*I DThe uni8ersa0 a++ressa(i0ity o7 +u'( thin*sBE Hay;ar+ Tourin*K The 60ue9oatB Li8erpoo0B C<X Nottin*ha' )onte'poraryB Nottin*ha'B C<X De La 1arr 3a8i0ionB 6eGhi00:on:SeaB C< H7orth9o'in*I H9urate+ (y Mar# Le9#eyI 2512 DSti00s Q Trai0ersBE Ga0erie 6u9hho0,B 6er0in D6i*6oGGreenS9reenRe7ri*eratorA9tionsBE 1a0ter 3hi00ips Ga00ery at The 6an77 )entreB A0(ertaB )ana+a 124

2511 Serpentine Ga00ery 2515 MGreenS9reenRe7ri*eratorA9tionBM Ga8in 6ro;nWs enterpriseB N4 M)on9rete >a9heBM )a(inet Ga00eryB Lon+onB C< DThe Li7e an+ Ti'es o7 Mi0ton <eynes Ga00eryBE Mi0ton <eynes Ga00eryB C< H9o:9urator ;ith Martin M9Geo;nI 1E6 httpKNN*a8in(ro;n.(i,Nho'eNartistsN'ar#:0e9#ey.ht'0 httpKNN;;;.*oo*0e.9o'Nsear9hOJPMar#fLe9#eyf;or#sQ90ientPsa7ariQr0sPenQt('Pis9hQt(oPuQsour9ePun i8QsaP-QeiPD8&(C42>JA&Hs;(T24)A6;Q8e+P5)EC=sA=Q(i;P12.5Q(ihP522

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HELEN MARTEN =rc ids, or a emisp erical 8ottom, 2013 >i+eo ;ith s9u0ptureX 8i+eo ani'ation an+ 'o+e0in* (y A+a' Sin90air Arsena0e HA1%I 6orn in 12.5 in Ma990es7ie0+B C< Maryia 6A"GRA/AA Stu+ie+ in )entra0 Saint MartinsB Cni8ersity o7 the ArtsB Lon+on 255. Rus#in S9hoo0 o7 /ine ArtB Cni8ersity o7 "G7or+ LA>"R" ES3"ST" /e00o; 6riton He0en MartenFs D"r9hi+sB or a he'ispheri9a0 (otto'E re9y90es +o'esti9 o($e9ts as 0aser:9ut syntheti9 s0a(sB +epi9tions o7 the (o+yB a9ts o7 +ra;in*B a tortoiseB into se07:9o''entatin* 8isua0 9a9ophonies HDA 9anFt te00 ;hether this +ia*ra' is *enerati8e or 9orrupti8eEIB as s0i9#0y eGu(erant as the 9onsu'er 9u0ture Marten 9ritiJues. LA>"R" 3ACF /AM"S" This su''er it ;i00 sho;9ase an e'er*in* *eneration o7 youn* 6ritish artists ;hoB a99or+in* to the 6ienna0eWs 9uratorB Massi'i0iano Gioni notin* an MeG9itin* ti'e 7or art in Lon+on o8er the past yearM are M+ea0in* ;ith 'e+ia 9u0ture in an inno8ati8e an+ unusua0 ;ayM.

12&

STAN VANDERBEEK
CSAB 122 : 12.4 Arsena0eB 7ine )or+erie a12 Marta ?anin 1"R<S Movie MuralB 12&.N251% /i0' in 1&'' tras7erito su 8i+eoB Diapositi8a in %5'' tras7erita in +i*ita0e 3RE>A"CS 3ARTE)A3ATA"NS 12. Mostra Anterna,iona0e +WArte )ine'ato*ra7i9a 125. 7 eelsB 9orto'etra**ioB . 'inuti 6A"GRA/AA Stan >an+er(ee# ;as (orn January & in 122 B Ne; 4or# an+ he +ie+ o7 9an9er Septe'(er 12 in 12.4B 6a0ti'ore. >anDer6ee# stu+ie+ art an+ ar9hite9ture 7irst at )ooper Cnion )o00e*e in Ne; 4or# an+ then at 60a9# Mountain )o00e*e in North )aro0inaB ;here he 'et ar9hite9t 6u9#'inster /u00erB 9o'poser John )a*eB an+ 9horeo*rapher Mer9e )unnin*ha'. >anDer6ee# (e*an his 9areer in the 1255s 'a#in* in+epen+ent art 7i0' ;hi0e 0earnin* ani'ation te9hniJues an+ ;or#in* paintin* s9enery an+ set +esi*ns 7or the A'eri9an T> sho; 7in"y ;in" and Bou. His ear0iest 7i0'sB 'a+e (et;een 1255 an+ 12&5 'ost0y 9onsist o7 ani'ate+ paintin*s an+ 9o00a*e 7i0'sB 9o'(ine+ in a 7or' o7 or*ani9 +e8e0op'ent. >anDer6ee#Ws ironi9 9o'positions ;ere 9reate+ 8ery 'u9h in the spirit o7 the surrea0 an+ +a+aist 9o00a*esB (ut ;ith a ;i0+B rou*h in7or'a0ity 'ore a#in to the eGpressionis'. An the 12&5s >anDer6ee# (e*an ;or#in* ;ith the 0i#es o7 )0aes "0+en(ur* an+ A00an <apro;B as ;e00 as representati8es o7 'o+ern +an9eB su9h as Mer9e )unnin*ha' an+ 48onne Rainer. 6ui0+in* his Mo8ie Dro'e theater at Stony 3ointB Ne; 4or#B at $ust a(out the sa'e ti'eB he +esi*ne+ sho;s usin* 'u0tip0e pro$e9tors. These presentations 9ontaine+ a 8ery *reat nu'(er o7 ran+o' i'a*e seJuen9es an+ 9ontinuitiesB ;ith the resu0t that none o7 the per7or'an9es ;ere a0i#e. His +esire 7or the utopian 0e+ hi' to ;or# ;ith <en <no;0ton in a 9o:operation at 6e00 La(sB ;here +o,ens o7 9o'puter ani'ate+ 7i0's an+ ho0o*raphi9 eGperi'ents ;ere 9reate+ (y the en+ o7 the 12&5s. 6et;een 12&4 an+ 12& >an+er(ee# 9reate+ Poem >ieldB a series o7 . 9o'puter:*enerate+ ani'ations ;ith <en <no;0ton. Durin* the sa'e perio+B he tau*ht at 'any uni8ersitiesB resear9hin* ne; 'etho+s o7 representationB 7ro' the stea' pro$e9tions at the Gu**enhei' Museu' to the intera9ti8e te0e8ision trans'issions o7 his >io0en9e Sonata (roa+9ast on se8era0 9hanne0s in 12 5. He ran the Cni8ersity o7 Mary0an+B 6a0ti'ore )ounty 8isua0 arts pro*ra' unti0 his +eath. ST4LE AND MAAN 1"R<SK >anDer6ee# use+ to +e7ine te9hno0o*y as the Da'p0i7ier o7 the hu'an i'a*inationE. Poem >ield As the na'e o7 a series o7 . 9o'puter:*enerate+ ani'ations (y Stan >anDer6ee# an+ <en <no;0ton in 12&4:12& . The ani'ations ;ere pro*ra''e+ in a pro*ra''in* 0an*ua*e 9a00e+ 6e07iG Hshort 7or D6e00 /0i9#sMIB ;hi9h ;as +e8e0ope+ (y <no;0tonK the 7irst 'o8in*:i'a*e pro*ra''in* 0an*ua*e. 12

Movie ;rome At is a 2.5 'etre:hi*h *eo+esi9 +o'eB p0anne+ 7or its interior to (e a;ash in 'u0tip0e 7i0' pro$e9tions. This i''ersi8e en8iron'ent ;ou0+ (e a Dprototype 7or a ne; #in+ o7 9ine'a:sta*eEB an au+io8isua0 0a(oratory an+ theatreB ;hi9h ;ou0+ ser8e as hu(s 7or the +istri(ution o7 #no;0e+*e 8ia i'a*esB the uni8ersa0 0an*ua*e o7 the in7or'ation a*e. There ;ere suppose+ to (e p0entyB a00 o8er the ;or0+B e8ery ti'e ;ith a properB +i77erent se0e9tion o7 i'a*esB 9hosen purpose0y 7or that 0o9ation. At the en+ >anDer6ee# (ui0t on0y one Mo8ie Dro'eB in Stony 3ointB Ne; 4or#B to present 'u0tip0e 7i0' pro$e9tions. These so:9a00e+ D'o8ie:'ura0sE an+ Dne;sree0s o7 +rea'sE ;ere part o7 the artistFs resear9h into +e8e0opin* ne; 8isua0 0an*ua*es that 9ou0+ (e use+ as a too0 7or ;or0+ 9o''uni9ation. >anDer6ee# arti9u0ate+ these 9on9ernsB 9entre+ on the so9ia0 potentia0 o7 'e+iaB throu*h a series o7 in70uentia0 teGtsB eGpressin* his 9riti9a0 assess'ent o7 the so9ia0 an+ utopian 9hara9ter o7 te9hno0o*y an+ the responsi(i0ity o7 the artist in shapin* its 7uture. LA>"R" ES3"ST" The Movie Mural si'u0ate ;hat the interior o7 the Mo8ie:Dro'e 'ay ha8e (een 0i#eB essentia00y it is a s'a00erB 'o8ea(0e 8ersions o7 the Mo8ie:Dro'e 9on9ept. At is a colla/e o7 8arious +i77erent #in+ o7 i'a*es 9o00e9te+ an+ se0e9te+ (y >anDer6ee#. 1e 9an see Aound ima/es Hthat he usua00y 'o+i7ie+ ;ith *raphi9a0 inter8entionsIB ;ritin*sB press photosB ani'ate+ i'a*esB 'o8ieFs seJuen9esB happenin*s an+ per7or'an9es 'a+e (y hi' or other artistsB te9hno0o*i9a0 i'a*es *enerate+ (y 9o'puters an+ so on. The ;i00 o7 this pie9e Has the Mo8ie:Dro'eI ;as to 9reate an i''ersi8e eGperien9e 7or the pu(0i9. A00 the Stan >anDer6ee#Fs pie9es are no; a8ai0a(0e than#s to his sons ;or# o7 restoration an+ preser8ation o7 the ori*ina0 'ateria0sB 9on8ertin* the' into +i*ita0 7or'ats. The 8ersion here eGhi(ite+ is the 0ar*est one has e8er (een repro+u9e+ sin9e >anDer6ee#Fs +eath. This 'ean that itFs the 90osest repro+u9tion o7 the ori*ina0 pie9e Hit is the 7irst ti'e that >anDer6ee#Fs sons are a(0e to use su9h a hi*h nu'(er o7 pro$e9torsB uti0i,in* a00 the i'a*es ori*ina00y se0e9te+ (y the 7atherB eG90u+in* on0y the 0ost onesB too +a'a*e+ to (e 9on8erte+I. 1E6 httpKNN;;;.stan8an+er(ee#.9o'N

12.

YURI ANCARANI ;a 0inci, 2512 >i+eo +i*ita0e a 9o0oriB %5 ''B 25F Luo*o +i esposi,ioneK Arsena0eB n. 14 Nato a Ra8enna ne0 12 2 B 8i8e e 0a8ora a Mi0ano "peratore in9ari9atoK A0aria Si9ari

6A"GRA/AA 4uri An9arani L nato a Ra8enna ne0 12 2. Dopo 0a 'aturitS artisti9a HLi9eo Artisti9o 3ier Lui*i Ner8i +i Ra8ennaI ha stu+iato a00a Nuo8a A99a+e'ia +i 6e00e Arti +i Mi0anoB +ip0o'an+osi ne0 1225B 9on una tesi speri'enta0eB re0atore 3ao0o RosaB DLa 'usi9a 9o'e 0e*ante narrati8o ne00a pro+u,ione au+io8isi8aE. Attua0'ente 8i8e e 0a8ora a Mi0anoB +o8eB 9on Gia9o'o Stra+a e Lu9a Tri8u0,io ha aperto 0o Stu+io 6o((y <ent Q Mar*ot 9he si o99upa +i pro*etta,ione e 9o'uni9a,ione 8isi8a. LA>"R" ES3"ST" LFopera presentata a00a 55. EAA sFintito0a ;a 0inci H2512I e+ L 0Fu0ti'o 9apito0o +i una tri0o*ia +e+i9ata a00Fana0isi +e0 rapporto tra 0Fuo'o e 0a 'a99hinaK +a0 2515 An9arani 9on+u9e una ri9er9a +i tipo +o9u'entaristi9o su a09une pro7essioni inso0ite 9on 0o s9opo +i esp0orare i 0i'iti +i 9iU 9he L 8isi(i0e. LF in+a*ine su0 ruo0o +e00a te9no0o*ia ne0 'on+o 9onte'poraneo L 7ina0i,,ata a ren+ere 8isi(i0e 9iU 9he +i so0ito si 9e0a eNo non si puU 8e+ere a+ o99hio nu+o. A0 suo 0a8oro puU essere inteso 9o'e una 'eta7ora +e0 +esi+erio +e00Fuo'o non so0o +i 9onos9ereB 'a +i 8e+ere tutto Hin Juesto 9aso sia +entro 9he 7uori 0a super7i9ie epi+er'i9a +e0 9orpo u'anoI. Attra8erso i0 'onta**io An9arani 9rea un +ia0o*o tra 0e i''a*ini interiori e Jue00e esteriori *ra,ie a00Fa0ternan,a +i 7ra'es *irati in sa0a operatoria e 7ra'es en+os9opi9i ripresi +a una te0e9a'era interna. ;a 0inci L i0 no'e +e0 ro(otB +i re9ente intro+u,ioneB attra8erso 9ui i 9hirur*hi esp0orano e poi operano i0 9orpo +e0 pa,iente sen,a 'ai to99ar0o +iretta'ente. La 'a99hinaB estre'a'ente 'ane**e8o0eB si 'uo8e in 'o+o auto'ati9oB sen,a san*uina'enti e 9on una 8isione a+ a0ta Jua0itS tri+i'ensiona0e. A0 7i0' +i An9araniB 9ostruito su00a +ia0etti9a tra 0Fattesa +e00Fesito +e00Fopera,ione e 0a 0u9i+a o**etti8itS rare7atta +ei 'e+i9i 9he 0a e77ettuanoB 'ostra Juesta 'o+a0itS 9hirur*i9aB *iS +i8entata +i routineB *eneran+o ne00o spettatore +e00e su**estioni a88eniristi9he su00e 9onJuiste +e00a s9ien,a. ;a 0inci L pro+otto +a M$-r&:& C$(("#$/. A0tri 0a8oriK Tri0o*ia su00e pro7essioni inso0ite 9he in+a*a i0 rapporto su00Fuo'o e 0a 'a99hina HIl <apo, 2515[presentato a00a & . Mostra Anterna,iona0e +e0 )ine'a +i >ene,iaX PiattaAorma LunaB 2511[presentato a00a &.. Mostra +e0 )ine'a +i >ene,iaX ;a 0inciB 2512[presentato a0 /esti8a0 +e0 )ine'a +i Ro'a ne00a se,ione )ine'a--AIK Il <apo L *irato in una 9a8a +i 'ar'o a )arrara e 9ostituis9e i0 pri'o 9apito0o +e+i9ato a0 passatoX PiattaAorma Luna L *irato su una piatta7or'a petro0i7era e rappresenta i0 se9on+o 9apito0o +e+i9ato a0 presenteB 'entre ;a 0inci 9ostituis9e 0Fu0ti'o ane00o +e00a 9atena narrati8a +i An9arani e+ L una ri70essione +e+i9ata a0 7uturoB o88ero a0 nostro presente te9no0o*i9o 9he spesso 9i se'(ra 7uturisti9o. 1E6 httpKNN*a00eria,ero.itNitNno+eN2.1

122

OTTO PIENE
Li9ht(a00ett H+a0 1252I Ansta00a,ione a'(ienta0e 9on s7ere +i 'eta00o e 0u9i Arsena0eB n. 14 Nato a 6a+ Laasphe HGer'aniaI ne0 122. B 8i8e e 0a8ora a GrotonB Massa9husetts e D]sse0+or7. Ha *iS esposto ne00e pre9e+enti e+i,ioni +e0 12&2 e 12 1 H+a 8eri7i9areI >era 6A"GRA/AA Nas9e ne0 122. a 6a+ Laasphe in Ger'ania. Tra i0 1242 e i0 125% si 7or'a 9o'e pittore pri'a a00WA99a+e'ia +i (e00e arti +i Muni9h e poi a00WA99a+e'ia +i Dusse0+or7. Su99essi8a'ente stu+ia an9he 7i0oso7ia presso 0WCni8ersitS +i )o0o*na H1252:125 I. Ne0 125 7on+a i0 *ruppo ?ER" insie'e a00W artista Hein, Ma9# HGuenther Ce9#er si unirS a0 *ruppo ne0 12&1I. A0 *ruppo ?ER"B ri7eri(i0e a a00a 9orrente europea nota 9o'e arte 9ineti9aB L noto per 0Winteresse pre9o9e 9he Juesti artisti 'ostrano per 0Wuso +e00e nuo8e te9no0o*ie e nuo8i 'e+ia ne00e 0oro opere. Ne0 12&. 3iene e A0+o Ta'(e00ini pro+u9ono 60a9# Gate )o0o*neB uno +ei pri'i pro*ra'i te0e8isi8i rea0i,,ati +a artisti speri'enta0i. Ne0 12&2 3iene teori,,a 0a S#y ArtB una 9orrente artisti9a ne00a Jua0e paesa**io e 9ittS sono 9onsi+erate punti 7o9a0i +e00Wopera +Warte. Cn ese'pio L "0i'pi9 Rain(o; Hrea0i,,ato per i *io9hi o0i'pi9i +i Muni9h +e0 12 2IK insta00a,ione rea0i,,ata 9on 5 tu(i 9o0orati rie'piti 9on e0ioB o*nuno 0un*o &55 'etriB posta a0 +i sopra +e00o sta+io o0i'pi9o. Tra i0 12&. e i0 12 1 +iresse i0 )enter 7or A+8an9e+ >isua0 Stu+ies H).A.>.S.I a0 M.A.T HMassa9husetts Anstitute o7 Te9hno0o*yI. "tto 3iene L un artista +i *ran+e i'portan,a. Suoi 0a8ori sono esposti nei prin9ipa0i 'usei +e0 'on+o e in i'portanti 'ani7esta,ioni HDo9u'enta ne0 1252B 12&4 e 12 N Rappresenta 0a Ger'ania ne0 12& e ne0 12 1{ a00a 6ienna0e +i 8ene,iaI. Ne0 255.B assie'e a Ma9# e Ce9#er +S 8ita a00a ?ER" /oun+ation. LA>"R" ES3"ST" LWi+ea +e0 Li9ht(a00ett nas9e ne0 1252 9o'e e8o0u,ione +i 0a8ori pre9e+enti +i 3iene HGri+ 3i9turesIB 9ioL +ipintiB rea0i,,ati uti0i,,an+o sten9i0B 9he presenta8ano una serie or+inata +i punti +i un +eter'inato 9o0ore H*ia00oB (ian9oB ar*ento o oroI su uno s7on+o o'o*eneo. Su99essi8a'ente 3iene e((e 0Wi+ea +i 7ar passare 0u9e attra8erso Juesti punti e na9Juero i Li9ht(a00ettK insta00a,ioni a'(ienta0i ne00e Jua0i 7as9i +i 0u9e sono proiettati attra8erso *ri*0ie in un a'(iente os9urato e sti'o0ano 0a per9e,ione +e00o spa,io +a parte +e00o spettatore. 3iene sostiene 9he Juesti 0a8ori presentino un aspetto terapeuti9o per 0a psi9he u'ana 9heB a0 te'poB a8e8a +a po9o 7atto esperien,a +e00a se9on+a *uerra 'on+ia0e. /onti +Wispira,ione per Juesto 0a8oro sono Li*ht Spa9e Mo+u0ator H12%5I +i Las,0o Moho0y:Na*y e 6a00et M@9aniJue H1224I +i /ernan+ L@*er LA>"R" 3ACF /AM"S" 3iene 0a8ora 9on s9u0ture *on7ia(i0iB pittura Hs'o#e paintin*sIB 9era'i9aB *oua9hesB +ise*no e+ insta00a,ioni a'(ienta0i. Tra i suoi 0a8ori piT noti sono i Rau9h(i0+t HS'o#e 3aintin*sIK +ipinti nei Jua0i 0Wartista (ru9iaB uti0i,,an+o 1%5

sor*enti +i 9a0ore +i8erse +i 8o0ta in 8o0taB 0a super7i9ie +e00a te0a preparata 9on +i8erse (asi. Si08er /ireB a9ry0i9 an+ (urnin* on 0inen H12 %I 6AENNALA 3ASSATE An internet tro8ati ri7eri'enti a parte9ipa,ioni ne00e (ienna0i +e0 12& e 12 1 H3a+i*0ione Ger'aniaI non 8eri7i9a(i0i su Asa9 +ati. 1E6 ;;;.,ero7oun+ation.+eN(io*raphies.ht'0 en.;i#ipe+ia.or*N;i#iN"tto[3iene ;;;.sperone;est;ater.9o'N9*i:(inNio;aNarti90esNre9or+.ht'0Ore9or+P %%

1%1

BRUCE NAUMAN
?a! Material !it <ontinuous # iAt)MMMM,1''1 >i+eo pro$e9torB 9o0or 8i+eo 'onitorsB 8i+eo+is9 p0ayersB 8i+eo+is9s H9o0orB soun+IB Di'ensions 8aria(0eB 1221 6ar(ara

6A"GRA/AA Nau'an ;as (orn in /ort 1ayneB An+ianaB (ut his 7atherWs ;or# as an en*ineer 7or Genera0 E0e9tri9 'eant that the 7a'i0y 'o8e+ re*u0ar0y. He stu+ie+ 'athe'ati9s an+ physi9s at the Cni8ersity o7 1is9onsin Ma+ison H12&5&4IB an+ art ;ith 1i00ia' T. 1i0ey an+ Ro(ert Arneson at the Cni8ersity o7 )a0i7orniaB Da8is H12&5&I. An 12&4 he *a8e up paintin* to +e+i9ate hi'se07 to s9u0ptureB per7or'an9e an+ 9ine'a 9o00a(orations ;ith 1i00ia' A00anw+isa'(i*uation nee+e+x an+ Ro(ert Ne0son. He ;or#e+ as an assistant to 1ayne Thie(au+. Cpon *ra+uation HM/AB 12&&IB he tau*ht at the San /ran9is9o Art Anstitute 7ro' 12&& to 12&.B an+ at the Cni8ersity o7 )a0i7ornia at Ar8ine in 12 5. An 12&. he 'et the sin*er an+ per7or'an9e artist Mere+ith Mon# an+ si*ne+ ;ith the +ea0er Leo )aste00i. Nau'an 'o8e+ 7ro' Northern )a0i7ornia to 3asa+ena in 12&2. An 12 2B Nau'an 7urther 'o8e+ to 3e9osB Ne; MeGi9o. An 12.2B he esta(0ishe+ a ho'e an+ stu+io in Ga0isteoB Ne; MeGi9oB ;here he 9ontinues to ;or# an+ 0i8e a0on* ;ith his ;i7eB the painter Susan Rothen(er*. LA>"R" ES3"ST" Ra; Materia0 ;ith )ontinous Shi7t: MMMMB 1221 Ra; Materia0 is a nu'(er o7 8i+eo an+ soun+ pie9es 7ro' 1225:21 that in8o08e soun+ eGer9ises 7or the 8oi9e. This eGa'p0eB ?a! Material !it <ontinuous # iAt)MMMM, 1221B is o8ert0y un9o'7orta(0e an+ 9o8ert0y a**ressi8eB insti00in* in the 8ie;er a sense o7 *enera0 unease. E8en as he (rea#s +o;n 0an*ua*e to its 'ost (asi9 ra; e0e'ents the artist re'ains a(0e to 9on8ey i'p0ie+ +istress or trau'a throu*h those sa'e e0e'ents. A sense o7 a ;or0+ turne+ upsi+e:+o;n appears Juite 0itera00y in the insta00ationB ;hi9h 7eatures a 0ar*e 8i+eo pro$e9tion o7 Nau'anFs hea+ spinnin* in8erte+ as he 'u'(0es DM'''.E /ro' the pre8ious yearB there ;as ?a! Material ] B???B ;here Nau'an 9o'presses eGperien9e into intense (ursts o7 e0e9troni9 i'a*e an+ soun+. A'a*es o7 the artistWs 7a9e are sho;n on t;o T> 'onitorsB ;ith a si'i0ar i'a*e pro$e9te+ onto an a+$a9ent ;a00. Cn0i#e the ta0#in* hea+s seen on T>B these 7a9es ha8e 0itt0e to te00 usB as they repeate+0y (0urtB in a nonsensi9a0 *estureB the si'p0e 'onosy00a(0e 6rrr. The ines9apa(0e +in o7 Ra; Materia0 H1225:21IB a00 too 7reJuent0y pro+u9es a 'isrea+in* o7 a the'atise+ a**ression at the eGpense o7 a (e0ea*uere+ 8ie;er. A7 the rea's o7 70i'si0y 9on9ei8e+ 9riti9is' that 7i00s Nau'anFs (i(0io*raphyB an+ art historyFs 9o'pro'ise+ re9eption o7 his ;or# re8ea0 anythin*B it is that there has yet to (e 9reate+ the 9riti9a0 8o9a(u0ary that possesses the 9apa9ity to re8ea0 the theoreti9a0 issues Nau'an sets in 'otionB 0et a0one a++ress their su(stan9e. So'e ;or#sK "ne Hun+re+ /ish /ountain H2555I 9o'prises ho00o; (ron,e 7ishB 9ast 7ro' 9at7ishB (assB ;hite7ish an+ other spe9iesB suspen+e+ (y ;ires 7ro' the 9ei0in* at +i77erent hei*htsB as i7 s;i''in* in +eep ;ater. 6e0o; the' is a (roa+B sha00o; (asinB 9o((0e+ to*ether 7ro' ru((er sheetin*B ;hi9h 'easures 25 7eet (y 2. 7eetB 7ro' ;hi9h ;ater is pu'pe+ up to ea9h 7ish throu*h a hose 9onne9te+ to its (e00y. The s9u0pture a00 (ut 7i00s the roo'B a00o;in* $ust a narro; tra9# 7or the 8ie;er to e+*e aroun+ the peri'eterB in 'u9h the sa'e ;ay as Nau'anWs ear0y 9orri+or ;or#s 7irst in8ite+ then restri9te+ 'o8e'ent. The CSA 3a8i0ion re9ei8e+ the Go0+en Lion 7or 6est Nationa0 3arti9ipation HMa"in/ 7orlds : 2552I. The pa8i0ion eGhi(ite+ ;or#s (y 6ru9e Nau'an.

1%2

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DIETER ROTH
S;it,er0an+B 12%5 : 122. Arsena0eB Arti*0ierie a15 Marta ?anin 1"R<S #olo #zenen wAsso0ixB 122 :122. >i+eoinsta00a,ioneB 12. 'onitorB % s9a77a0i in 0e*noB 1%1 8i+eo9assette >HSB 9ir9a 1255 G 215 G 455 9' 3RE>A"CS 3ARTE)A3ATA"NSK 45. Esposi,ione Anterna,iona0e +FArte 12.2B 3arte9ipa,ione Na,iona0e S8i,,era H. ;iaryI 4.. Esposi,ione Anterna,iona0e +WArte 1222B +A3ERTutto H#olo #zenenI 6A"GRA/AA <ar0:Dietri9h Roth ;as (orn in Hanno8er on 21 Apri0 12%5. His 'other ;as a Ger'an an+ his 7ather ;as a S;iss (usiness'an. A7ter atten+in* (oth pri'ary an+ hi*her se9on+ary s9hoo0 in Ger'anyB Roth ;as sent to stay ;ith a 7a'i0y in ?uri9h in 124% to es9ape the ;arti'e (o'(in*. The /rit, 1yss 7a'i0yFs house ;as share+ ;ith Je;ish an+ 9o''unist artists an+ a9tors. At ;as here that Roth ;ou0+ (e en9oura*e+ to start paintin* an+ to ;rite poetry. Three years 0ater he ;as $oine+ (y his parents. Dieter Roth spent the ti'e in ?uri9h et9hin* on tin 7ro' 9ansB paintin* in oi0s an+ ;ritin* poetry. The enthusias' o7 the 70e+*0in* artist eGten+e+ to +ra;in*B paste0s an+ ;ater9o0ours. A7ter 9o'p0etin* his trainin* as a 9o''er9ia0 artist in 1251B Roth ;as 0e7t $o(0ess an+ (e*an to 7ree0an9e. That sa'e year Dieter Roth $oine+ 7or9es ;ith Mar9e0 1yss an+ Eu*en Go'rin*er to 7oun+ the $ourna0 Mspira0eMB ;hi9h 7irst appeare+ in 125% (ut 9ease+ pu(0i9ation a7ter nine issues in 1254. Dieter Roth earne+ a 0i8in* +oin* +e9orationB (ein* a (oo# an+ teGti0e +esi*ner an+ eGe9utin* o99asiona0 9o''issions ;hi0e 9ontinuin* to ;or# on his o;n |u8re. An 1254 he +i+ his 7irst M*e(a9#ene 30asti#M wM(a#e+ s9u0ptureMx. An 1255 Roth +esi*ne+ teGti0es 7or Cni#a:>ae8 in )openha*en an+ the 7o00o;in* year he eGperi'ente+ ;ith Super . 7i0'. Roth 'o8e+ to A9e0an+ in 125 an+ 'arrie+ Si*iour 6$crns+uttirB 7ro' ;ho' he separate+ in 12&4. They ha+ t;o sonsK <ar0 H(orn in 125 I an+ 6$crn H(orn in 12&1I. A7ter a (rie7 stay in Ne; 4or# in 1252B Roth returne+ to Rey#ya8i# in MayB ;here he ;or#e+ on <ineti9 pi9tures an+ s9u0pture as ;e00 as sta'p pi9tures an+ nu'erous (oo#s. A9Juaintan9eship ;ith Jean Tin*ue0y an+ Danie0 Spoerri an+ the ensuin* proGi'ity to the Nou8eauG R@a0istes 9ause+ Roth to +istan9e hi'se07 7ro' )onstru9ti8is' in the ear0y 12&5s. Tin*ue0y tau*ht Roth to stop 7o00o;in* ru0es an+ trust his irrationa0ity. Dieter RothWs 7irst one:'an sho; ;as 'ounte+ (y the Museu' )o00e*e o7 Art in 3hi0a+e0phia in Septe'(er 12&4B ;hen he 'o8e+ in the CS a7ter he separate+ 7ro' his ;i7e. At ;as in the Cnite+ States that he (e*an to 'a#e his so:9a00e+ M+e9ay o($e9tsMK he (e*an ;or#in* ;ith 9ho9o0ate an+ ;ou0+ 9ontinue to use or*ani9 'ateria0sB 7or instan9e in his 'i0+e; pi9turesB so:9a00e+ M,er7a00o($e#ten an+:(i0+erM HDe9ay o($e9ts an+ pi9turesI an+ MGe;]r,(i0+ernM HSpi9e pi9turesI. Li#e a 0ot o7 his 9onte'poraries in /0uGusB 3op art an+ Arte 3o8eraB Roth (e*an to pro+u9e a series o7 'u0tip0es in the 'i+:siGtiesX these e+itione+ s9u0ptura0 pie9es ;ere +istin*uishe+ a*ain (y an eGtre'e0y unortho+oG approa9h to 'ateria0s. 1%4

The 7irst 'u0tip0e ;as an e+ition o7 155 9a#es in the shape o7 a 'otor9y90ist han+e+ out at the openin* to an eGhi(ition o7 RothWs ;or# at Ga00ery Hans$or* Mayer. Ane8ita(0yB 7e; o7 these ha8e sur8i8e+B ha8in* (een eaten (y the 8isitors.Later 'u0tip0es use+ 9ho9o0ate HCntit0e+ 12&2B 7eaturin* a +o00 i''erse+ +o;n to her an#0es in 9ho9o0ateIX 9ho9o0ate an+ (ir+see+ HP%o%3H%.%.%0>BB 12&.B a (ust o7 the artist +esi*ne+ to (e 0e7t out in the *ar+enIX (anana H. Poc"et ?oom 8y ;iter ?otB 12&.B 7eaturin* a s0i9e o7 (anana p0a9e+ on a print o7 a #it9hen ta(0e in a (oGI an+ ra((it shit H?a88it)# it)?a88itB 12 2B in ;hi9h the Lin+t 9ho9o0ate (unny 'ou0+ ;as re:use+B 'a#in* an i''e+iate0y re9o*nisa(0e (unny ra((it 7ro' ra((it shitI. Roth then tau*ht 7or so'e years at presti*ious institutions in the CSB 6ritain an+ Ger'anyK in the ar9hite9ture +epart'ent o7 4a0e Cni8ersityB at the Rho+e As0an+ S9hoo0 o7 Desi*n in 3ro8i+en9eB at the 1at7ort S9hoo0 o7 Art in Lon+on an+ the D]sse0+or7 Art A9a+e'y. 6e9ause his ;or#s s'e00e+ so stron*0y o7 +e9ayB RothWs stu+io at the D]sse0+or7 A9a+e'y ha+ to (e 90eare+ out an+ the ;or#s +estroye+. An 12&2 Roth sho;e+ ;or# at M+o9u'enta 4M an+ in 12 at M+o9u'enta M. 6y then he ;as a 0ea+in* Ger'an 9onte'porary artistB 9o00a(oratin* on Happenin*s an+ other e8ents ;ith the 0i#es o7 Arnu07 Rainer an+ Ri9har+ Ha'i0ton. RothWs insta00ations (e9a'e 0ar*er o8er the yearsB an+ 'ore open:en+e+. A7ter 12.5 they ;ere o7ten 9reate+ in 9o00a(oration ;ith his son 6$crn an+ other artistsB ;ho ;ou0+ a0so 9ontri(ute to the pie9es. RothWs ;or# (e9a'e in9reasin*0y 9e0e(rate+ (y the 12.5sX a nu'(er o7 retrospe9ti8es (e*an to (e sta*e+ throu*hout Europe. Dieter Roth +ie+ on 5 June 122.B in his stu+io in 6ase0B o7 a heart atta9# an+ ;as (urie+ at Arnarstapi on Snae7e00snesB A9e0an+. ST4LE AND )HARA)TERASTA)SK The artisti9 pra9ti9e o7 Dieter Roth en9o'passe+ e8erythin* 7ro' *raphi9sB +ra;in*sB paintin*sB s9u0pturesB asse'(0a*esB to insta00ation ;or#s in8o08in* soun+ re9or+in*s an+ 8i+eoB he ;as a0so a 9o'poserB 'usi9ianB poetB an+ ;riterB (ut it is ar*ua(0y throu*h his e+itione+ ;or#sbprintsB (oo#sB an+ 'u0tip0esbthat he 'a+e his 'ost ra+i9a0 9ontri(utions. These eGperi'ents in90u+e the use o7 or*ani9 'ateria0s in 0ieu o7 tra+itiona0 'e+iu'sB in90u+in* (oo#:sausa*es Literatur!urst H12&1 4IB a series o7 (oo#s 'a+e usin* tra+itiona0 sausa*e re9ipes (ut rep0a9in* the sausa*e 'eat ;ith pa*es torn 7ro' other pu(0i9ationsB an+ 'u0tip0es o7 p0asti9 toys 'ire+ in 'e0te+ 9ho9o0ateB as ;e00 as a +a,,0in* array o7 8ariations on printe+ post9ar+s. "8er the yearsB Roth a0so 'a+e s9u0ptures 7ro' 9heeseB 9ho9o0ateB (rea+B yo*urt an+ other 7oo+stu77sB their natura0 +e9ay o8er ti'e ser8es H0i#e the o8erripe 7ruit in a Dut9h sti00:0i7eI as 'etaphor 7or the transien9e o7 hu'an 0i8es. ThereWs a poi*nant para+oG at the 9ore o7 Dieter RothWs +e8e0op'entK the 'ore 9reati8e0y 7ree he (e9o'esB the 'ore he see's to +isinte*rateB unti0 his ;or# 9o'es to +ea0 ;ith +eterioration itse07 :: his o;n as ;e00 as the ;or0+Ws. An+ee+B the 'ore open to ne; 'ateria0sB 'etho+s an+ i+easB the 'ore his art itse07 see's to +isinte*rateB a0'ost to the point ;here he hi'se07 thin#s it is 'eanin*0ess M*ar(a*eM an+ MshitBM to use his o;n ter's. LA>"R" ES3"ST" Roth #ept +iaries an+ note(oo#s throu*hout his 0i7eB usin* an+ reusin* the' in his art an+ ;ritin*. The i+ea o7 #eepin* a +iaryb7in+in* a ;ay to re9or+ the passin* o7 ti'e an+ +o9u'ent his 0i7ebis a 7un+a'enta0 the'e o7 his art;or# an+ has (een eGp0ore+ trou*h se8era0 pie9esB in90u+in* . ;iary H12.2IB >lat 7aste H12 5IB #olo #cenes H122 2.IB an+ Bar IIH12.%2 I.

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Ats 7ina0 D+iaryE ;or#B #olo #cenesB is 9o'pose+ (y 12. 8i+eo s9reens Han+ 1%1 8i+eotapesI arran*e+ in a *ri+B ea9h sho;in* rea0:ti'e 7oota*e o7 the artist on +i77erent +ays to;ar+s the en+ o7 his 0i7eB in his 0ast yearB ;hen he ha+ (een +ia*nose+ ;ith an a09oho0:re0ate+ +isease a7ter a 0on* phase o7 a09oho0is'. He starte+ shootin* in A9e0an+ an+ then 9ontinues 8i+eotapin* in his stu+io in Ha'(ur* an+ 6ase0. He re9or+e+ his +ai0y 0i7e so that a so0itary Roth 9an (e seen in his 0o;:0it apart'ent unhurrie+0y *oin* a(out his (usinessK eatin*B ;ashin*B rea+in*B +ra;in*B e8en sittin* on the toi0et an+ 9han*in* 9artri+*es on his printer. He is su77erin* ;ith a heart +isease he #no;s ;i00 soon #i00 hi' yet thereFs ne8er a hint o7 p0ayin* to the 9a'era 7or sy'pathyB $ust a Juiet herois' that *oes a*ainst the heroi9 ro0e an+ 8ision o7 the Artist. /ro' one s9reen to the neGtB ;e ;itness Roth *ettin* pro*ressi8e0y 7rai0er an+ pa0erX his 9ou*hs *ro; 'ore paine+B his 'o8e'ents 'ore ho((0e+X 0i7eB e8er so *ra+ua00yB is passin* 7ro' hi'. The ine8ita(i0ity o7 +eath an+ +e9ayB a0;ays a #ey the'e 7or RothB is at 0ast +ep0oye+ to (0isterin* e77e9t. The 7ina0 8i+eoB o7 a May +ay in 122.B 9at9hes so'e o7 his 0ast 'o'ents on Earth. Here RothFs 0i7e an+ RothFs art sea'0ess0y 7useB (oth +ra;in* to a natura0B an+ hi*h0y 'o8in*B 9on90usion to*ether. D"8er the 9ourse o7 ti'eq art #eeps intru+in* 'ore on 'y 0i7eB or you $ust 9anFt separate the' any'ore. An any 9ase A +onFt see a pro(0e' there. An 7a9t itFs an a+8anta*eE. 1E6 httpKNN;;;.+ieter:roth:7oun+ation.9o'Nen httpKNNen.;i#ipe+ia.or*N;i#iNDieter[Roth H(io*ra7ia 'o0to +etta*0iataI httpKNN;;;.artnet.9o'NMa*a,ineN7eaturesN#uspitN#uspit%:22:54.asp

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WALTER DE MARIA
.pollo1s Ecstasy, 1''0 20 8arre di 8ronzo massiccio, (1* + diam% 2- cm $ciascuna& Arsena0eB n.1& Nato a+ A0(anyB CSA ne0 22%5 Laura 6A"GRA/AA 1a0ter De Maria L nato ne0 12%5 a+ A0(any. Ha 9o'piuto i suoi stu+i presso 0WCni8ersitS +i )a0i7orniaB 6er#e0ey. Ne0 12&5 si sposta a Ne; 4or# +o8e si o99upa +i 'usi9a e s9ri8e arti9o0i 9on9ettua0i su00Warte pu((0i9ati ne0 W&% in DCn Anto0o*iaE +i Toun*. Ansie'e a Ro(ert 1hit'an apre a Ne; 4or# 0a Ga00eria 2 Great Jones StreetB +e+i9an+osi 9onte'poranea'ente a00a sua atti8itS +i 'usi9ista. Ne*0i anni W&5 ini,ia a 0a8orare 9on s9u0ture 'eta00i9he e a pro*ettare i suoi Earth;or#sB 0a8ori +i *ran+e s9a0a 9he si possono asso9iare a00a Lan+ ArtB a0 Mini'a0is'o e a00WArte )on9ettua0e sen,a tutta8ia rientrare in a09una +i Jueste 9ate*orie. ^ +e0 12 2 i0 3 ree continents ProGectB +e0 W i0 Li/ tnin/ >ield e i0 0ertical Eart Eilometer +e0 W 2 i0 Bro"en Eilometer% An Juesti 0a8ori tutti i para'etri *eo'etri9o:'ate'ati9i sono attenta'ente stu+iatiB Juasi a+ ottenere un e77etto su(i0'e attra8erso i0 9a09o0o. =uasi tutte 0e opere 'ini'a0iste +i De MariaB +i'ostrano i0 suo interesse per 0e 7or'e *eo'etri9he o stereo'etri9he 9he 9onsentono +i atti8are 7eno'eni +i per9e,ione 8isi8a e +i instaurare un rapporto atti8o 7ra opera +Warte e osser8atore Di9ono +i 0uiK Ne0 7ratte'po 1a0ter De Maria i0 suo 0a8oroB an,i i0 suo 'ira9o0oB 0Fha *iS 7atto. Ha tras7or'ato 0a *iS pur (e00a *a00eria Ga*osian in uno spa,io sa9ro. An una 9atte+ra0e 8uota Hse si ha 0a 7ortuna +i 8e+er0a sen,a nessunoI e ri'isurata +a00e attente *eo'etrie +e00e sue insta00a,ioni. 3 e ()-)' #eriesB rea0i,,ata per 0a pri'a 8o0ta ne0 1222 e in esposi,ione per'anente a00a Ge'a0+e*a0erie +i 6er0inoB si 9o'pone +i 2 e0e'enti 8erti9a0i 9on (ase +i 9inJueB sette o no8e 0atiB ri'o+u0a(i0e in 2 so0u,ioni +i8erseB in 'o+o +a rea0i,,are tutte 0e 9o'(ina,ioni possi(i0i. )he De Maria a((ia un +e(o0e per 0a nu'ero0o*ia o e0u9u(ra,ioni esoteri9heO _3er nienteB i0 suo L so0o puro a'ore per 0a *eo'etria`B spie*a 3epi Mar9hettiB +irettri9e +i Ga*osian Ro'a. E+ L una 7orte e'o,ione passe**iare per Jue00e se8ere s9u0ture in a99iaioB riper9orren+o i suoi itinerari 'enta0iB Jue00e i+eeB 9he 0R si possono so0o intuireB 9he 0Fhanno portato a rea0i,,are 3 e li/ tin/ AieldB Jue0 pe,,o +i +eserto +e0 Ne; MeGi9o +i % 9hi0o'etri Jua+ratiB +o8e ne0 12 B 9on a0trettanta pre9isioneB ha piantato 455 pa0i +i 'eta00o 9he 9atturano 0Fener*ia +ei 7u0'ini 9rean+o un su(0i'e spetta9o0o +i 0u9e. _EF i'pressionante. La 'attinaB 9on i0 so0eB Juasi non 0i 8e+iB 'a poi 9on 0a 0u9e +e0 tra'onto si in7uo9ano eB se si ha 0a 7ortuna +i tro8arsi 0R in un *iorno in 9ui puU pio8ereB 8e+i i0 9ie0o in9resparsi +e00a 0u9e +ei 7u0'ini`B ra99onta 3epi Mar9hettiA0 su(0i'e e 0Festeti9a +e0 su(0i'e teori,,ati an9he +a <ant. Cn in9ontro 9on 0a natura 9he non ha niente +i rassi9uranteB 'a nean9he +i pani9o. 3er9h@ 9FL una spropor,ioneB uno s9arto Juasi i'possi(i0e +a 9o0'are tra noi e 0a natura so8rana. E Juin+i non 9FL spa,io per e'o,ioniB sia pure terri7i9heB 'a so0o per 0Fesperien,a in+i9i(i0e +i Jua09osa 9he 9i supera ne00a sua asso0ute,,a. =ue00o s9arto 9he De Maria ha attra8ersato 9on 0e sue utopie p0asti9he. Le insta00a,ioni 3 e @e! Bor" Eart ?oom H12 IB in 'ostra per'anente a0 Dia )enter +i Ne; 4or#B +o8e 0a *ran+e sa0a espositi8a L ri9operta +i terraB nu+a e 'utaB 'entre 7uori i'pa,,a i0 ru'ore +e00a Gran+e Me0a o 3 e Bro"en 1%

Eilometer H12 2IB +o8e un 9hi0o'etro +i a99iaio L 7atto a pe,,i 0astri9an+o i0 pa8i'ento +e00a se+e +e00a Dia Art /oun+ation a 1est 6roa+;ay. 3er o88ie ra*ioniB a Ro'a sono presentate opere piT 9ontenuteB 9o'e <ircle6?ectan/le 11B 9o'posi,ione rettan*o0are i 9ui 11 e0e'enti stanno a e8o9are proprio i0 Bro"en EilometerB e 3 e 13)#ided =pen Poly/onB unFa0tra insta00a,ione a terra 0e 9ui 7or'e 8ariano +a 9inJue a +i9iassette 0ati 9on una s7era 9he si 'uo8e a00Finterno +e00e assi. E 9he e8o9a 8ita. =ue00a 8ita 9he 8a o0tre. =ue00Fo0tre +e00a natura 9he 1a0ter +e Maria non L an9ora stan9o +i rin9orrere. LA>"R" ES3"ST" Apo00oWs e9stasy L unWopera +e0 1225 in 9ui 0Wartista 'antiene i0 suo interesse per 0Wor+ine 'ate'ati9o ra,iona0e 9o'e 7onte +i su(0i'e. A0 +io Apo00oB 9o00e*ato a+ una ra,iona0eB pa9ata e ar'oni9a 8isione +e00Warte e +e00a poesia 8iene 9onnesso 9on 0Wi+ea +i estasiB piT a+e*uata a00We((re,,a +i DionisoB 9rean+o un 9orto9ir9uito tra Juesti +ue po0i +e0 pensiero o99i+enta0e oB piuttostoB una 'e+ia,ione. 3ro(a(i0'ente 8i L an9he un ri7eri'ento a00a 'usi9a 9o'e *o+i'ento esteti9o 7on+ata su un prin9ipio 'ate'ati9o Hopinione 'iaI. Si tratta +i 25 (arre +i (ron,o 'assi99io a99urata'ente +isposte su0 terreno se9on+o un prin9ipio 'ini'a0ista +i 7orte i'patto ne00a sua se'p0i9itS. LA>"R" 3ACF /AM"S" The 0i*htenin* 7ie0+ L unWopera 9o''issionata +a00a Dia /oun+ationB 9he si o99upa an9he +e00a sua 'anuten,ione. A0 pro*etto L stato rea0i,,ato su un a0topiano a 9ir9a 255 ' sopra i0 0i8e00o +e0 'are ne0 Ne; MeGi9o L 9onsiste in una *ri*0ia +i 455 pa0i in a99iaio inossi+a(i0e 9he si esten+e per 9ir9a % #i0o'etri Jua+rati 9on un peri'etro +i 25N1&N25N1& ste0i. Dato 9he i0 terreno L 0e**er'ente on+u0ato 0a 0un*he,,a +ei pa0i 8aria 0e**er'ente. A pa0i sono 7issati ne0 terreno *ra,ie a+ una (ase in 9e'ento e resistono a 8enti 7ino ai 1%5 #'Nh. Nonostante i0 tito0o i 7u0'ini si a((attono piuttosto +i ra+o su00Wopera. Y stato rea0i,,ato tra i0 12 % e i0 12 2. A0 Li*htnin* /ie0+ L 8isita(i0eB o*ni setti'anaB +a un nu'ero ri+otto +i personeB non piT +i seiB e o*ni sopra0uo*o +e8e +urare a0'eno 24 oreB 9osR +a parte9ipareB +a00Wa0(a a0 tra'ontoB +i tutti *0i in9i+enti e 0e in9i+en,e natura0i K ro8es9ia 0a 0o*i9a 'usea0eB e a una JuantitS enor'e +i spa,io 7a 9orrispon+ere un uni9o 0a8oro +Warte e un nu'ero ri+otto +i 8isitatori. Cn ruo0o i'portante ne00a 7rui,ione +e00Wopera 9e 0Whanno 0e 9on+i,ioni at'os7eri9he. A se9on+a +e00a 0u9e i pa0i possono risu0tare in8isi(i0i o sta*0iarsi su00o s7on+o +e0 9ie0o. Essen+o 7ruito attra8erso un attra8ersa'ento 7isi9o i0 0i*htnin* 7ie0+ L a0 9onte'po o**etto artisti9o e situa,ione. 1E6 httpKNN;;;.aaa.si.e+uN9o00e9tionsNinter8ie;sNora0:history:inter8ie;:;a0ter:+e:'aria:12%&2 httpKNN;;;.70asharton0ine.itNinterno.phpOpa*inaParti9o0o[+etQi+[artP15%%Q+etPo#Qarti9o0oP1ALTER: DE:MARAA httpKNN;;;.+iaart.or*NsitesN'ainN0i*htnin*7ie0+N httpKNNen.;i#ipe+ia.or*N;i#iN1a0ter[De[Maria

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