THE MOOR:
We visited Verona, in Italy accidentally. We were tired of driving. It was a good place tostop, and we headed for the city. It turned out to be a GREAT place to visit. We foundthe 3
rd
. largest Roman circus, called La Arena di Verona, which was a great venue towatch an opera on a summer night. We visited La Basilica, a beautiful Romanesque-stylecathedral, we climbed the tower at the Piazza dei Signori, to be captivated by vistas of the city, and we finished visiting La Casa di Giulietta, (Juliet’s house). Every one wants tosee the balcony where Juliet stood to make her call, “Romeo, Romeo, where art thou”. Of course the house was never owned by the Capulets. It was a bordello which waspurchased by the city to transform it into the city’s greatest money-making attraction.We enjoyed it just the same, and still enamored with the city, we proceeded to Venice.In Venice we visited museums, churches, and piazzas. We took a trip on a gondola towatch the sun-set and boarded the Vaporetto, a small water bus which is the main meansof transportation for the locals. One of our stops was the islet of Murano, famous for itsgrass industry. We noticed DHL, Federal Express, and UPS representatives hauling bigcargoes to their boats, and we visited the glass-blowers room in one of the biggestfactories in town. The place was called Desdemona’s, and it had a small museum of pieces manufactured through the last 450 years.A showcase displayed a picture of a black dude holding a white woman. Except for thetight-fitting leggings, he could have been a successful black man in modern Europe orthe U.S. The lady’s attire was definitely 14
th
. Century. She was dressed in a loose gownheld by a sash - Empire Style - under her breasts. Next to the picture there was a signwhich said “Desdemona and Othello”.I smiled when I saw the sign, recalling the scam of Juliet’s house in Verona. There wasalso a small leather-bound book next to the picture labeled “Il diario di Othello”. An olderlady had been observing my interest in the showcase and approached me. I opened theconversation using my New-Jersey-mafia-hoodlum version of Italian. She listenedattentively and responded in British-accented English.I had asked if the picture was from a Shakespearean play ad, and if the diary was a fake.She said that the picture was a photograph of a real painting, and that they were realpeople. Back in 1584, Giraldo Cinthio had visited Venice and met the couple. He thenused their names on a novel titled ‘Il Moro di Venezia’. Shakespeare must have inspiredhis work on that novel, though he added characters and innuendo. I enquired again,“and the diary, is it real too?” She said “Yes, of course, would you like to borrow it? ”.“Of course”, I replied. The lady, who introduced herself as Dessie, asked where I wasstaying in town, and I mentioned the Albergo San Marco. She knew the place andsuggested that I take the diary to read, and bring it back in the morning. She placed thediary in a zip-loc plastic bag and admonished me. Please be careful. It is a familytreasure and it is a bit of history. That evening I perused through the diary and found the first 2 or 3 pages devoted tomilitary jargon. Othello had been a general of a small army which defended the interestsof Venice and ventured to Crete and Cyprus to protect the financial interests of the City-State. My beloved was at my elbow to help me interpret any passage difficult tounderstand. When we got to the personal notations, this is what we found:Day 1: Yesterday, my friend, lieutenant Cassio, obtained an invitation to a very exclusiveball. He was at my side to introduce me to luminaries of the city. Among them we met arich senator, Signore Barbantio and his lovely daughter, Desdemona. She is a lovely girl.
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