ii
Abstract
In this postmodern arts-based autoethnographic inquiry, I investigate the impactof the online computer on composing and teaching, penetrating to the core of thelabyrinth of what it means to be a teacher of writing in this computer-mediated age. Theonline computer is my composing tool as I shape both my text and the appearance of my text in order to uncover and display the effects of this new technology on writingand on teaching writing.I have composed narratives from my experiences as a writer and as a teacher of writing and reveal my understandings through a chorus of voices, all mine yet none withthe “whole” story. While my
Academic and Teacher
voice provides a conventional“ground” for my thesis, my other voices each have their own stories of my writingexperiences:my
Oracles Voice
, my homage to the writers from whom I have learned;my
Writing Process
voice reveals how I write using the online computer;my
Illuminal Voice
with hermeneutical overtones, reveals my musings, myinsights, and my significant memories;my
Published Voice
reprints articles, and excerpts, written over a number of years, showing how I experienced my journey of discovery at differentpoints in time;my
Living While Writing
voice displays my quotidian existence while I writethis thesis;my
Querulous Voice
exposes my fears and resentments connected withlearning and teaching writing;my
Artist’s Voice
includes the arational leaps of understanding I gain frommy own and other’s poetry; and
Ariadne’s Voice
speaks the thoughts of a rewritten Greek mythic characterwho seeks the core of the labyrinth and the secret of the Minotaur (one of my guiding metaphors) - an allegory about creativity mediated bytechnology.I use the visual potentialities of word processing to provide different fonts,colours and borders for each voice in a bricologe structure that reveals meaningcumulatively through connections not argument. As well, I am guided by my secondmetaphor — this autoethnographic thesis is my home, and the reader, my guest. Theonline computer is both my tool and my subject.