sense, the collection of memorable events was, for don Juan and
the shamans of his lineage, the meansfor
redeploying
their unused energy.gathered them following the recommendation of don Juan Matus, a Yaqui Indian shaman from Mexicowho, as a teacher, endeavored for thirteen years to make available to me the
cognitive world
of theshamans who lived in Mexico in ancient times. Don Juan Matus's suggestion that I gather this collectionof memorable events was made as if it were something casual, something that occurred to him on thespur of the moment. That was don Juan's style of teaching. He veiled the importance of certainmaneuvers behind the mundane. He hid, in this fashion, the sting of finality, presenting it as somethingno different from any of the concerns of everyday life.Don Juan revealed to me as time went by that the shamans of ancient Mexico had conceived of thiscollection of memorable events as a bona-fide device to stir caches of energy that exist within the self. Theyexplained these caches as being composed of energy that originates in the body itself and becomesdisplaced, pushed out of reach by the circumstances of our daily lives. In this sense, the collection of memorable events was, for don Juan and
the shamans of his lineage, the means for
redeploying
their unused energy.The prerequisite for this collection was the genuine and all-consuming act of putting together the sumtotal of one's emotions and realizations, without sparing anything. According to don Juan, the
shamansof his lineage were convinced that the collection of memorable events was the vehicle for the emotionaland energetic adjustment necessary for venturing, in terms of perception, into the unknown.Don Juan described the total goal of the shamanistic knowledge that he handled as the preparation for facing the
definitive journey:
the journey that every human being has to take at the end of his life. Hesaid that through their discipline and resolve, shamans were capable of retaining their individualawareness and purpose after death. For them, the vague, idealistic state that modem man calls "life after death" was a concrete region filled to capacity with practical affairs of a different order than the practicalaffairs of daily life, yet bearing a similar functional practicality. Don Juan considered that to collect thememorable events in their lives was, for shamans, the preparation for their entrance into that concreteregion which they called the
active side of infinity.
Don Juan and I were talking one afternoon under his ramada, a loose structure made of thin poles of bamboo. It looked like a roofed porch that was partially shaded from the sun but that would not provide protection at all from the rain. There were some small, sturdy freight boxes there that served as benches.Their freight brands were faded, and appeared to be more ornament than identification. I was sitting onone of them. My back was against the front wall of the house. Don Juan was sitting on another box, leaningagainst a pole that supported the ramada. I had just driven in a few minutes earlier. It had been a daylongride in hot, humid weather. I was nervous, fidgety, and sweaty.Don Juan began talking to me as soon as I had comfortably settled down on the box. With a broadsmile, he commented that overweight people hardly ever knew how to fight fatness. The smile that played on his lips gave me an inkling that he wasn't being facetious. He was just pointing out to me, ina most direct and at the same time indirect way, that I was overweight.I became so nervous that I tipped over the freight box on which I was sitting and my back banged veryhard against the thin wall of the house. The impact shook the house to its foundations. Don Juanlooked at me inquiringly, but instead of asking me if I was all right, he assured me that I had notcracked the house. Then he expansively explained to me that his house was a temporary dwellingfor him, that he really lived somewhere else. When I asked him where he really lived, he stared at me.
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