name : Claude Cahun birth_name : Lucy Renee Mathilde Schwob birth_date : 25 October 1894 birth_place : Nantes+, France+ death_date

: 8 December 1954 (aged 60) field : Photography+, sculpture+, collage+ movement : Surrealism+

'''Claude Cahun''' (25 October 1894 8 December 1954) was a French+ artist+, photographer+ and writer+. Her work was both political and personal, and often played with the concepts of gender+ and sexuality+. Born '''Lucy Renee Mathilde Schwob''' in Nantes+, she was the niece of an avant-garde+ writer Marcel Schwob+ and the great-niece of Orientalist David Lon Cahun+. Her mother's mental problems meant that she was brought up by her paternal grandmother, Mathilde Cahun. She began making photographic self-portraits as early as 1912, when she was 18 years old, and she continued taking images of herself through the 1930s. Around 1919, she settled on the pseudonym+ Claude Cahun, intentionally selecting a sexually ambiguous name, after having previously used the names Claude Courlis+ (after the curlew+) and Daniel Douglas+ (after Lord Alfred Douglas+). During the early 20s, she settled in Paris+ with her lifelong partner and stepsister Suzanne Malherbe+. For the rest of their lives together, Cahun and Malherbe (who adopted the pseudonym "Marcel Moore") collaborated on various written works, sculptures, photomontages and collages. She published articles and novels, notably in the periodical "Mercure de France+", and befriended Henri Michaux+, Pierre Morhange+ and Robert Desnos+. Around 1922 she and Malherbe began holding artists' salons at their home. Among the regulars who would attend were artists Henri Michaux+ and Andr Breton+ and literary entrepreneurs Sylvia Beach+ and Adrienne Monnier+. Cahun's work encompassed writing, photography, and theater. She is most remembered for her highly-staged self-portraits and tableaux that incorporated the visual aesthetics of Surrealism+. Her published writings include "Heroines," (1925) a series of monologues based upon female fairy tale characters and intertwining them with witty comparisons to the contemporary image of women; ''Aveux non avenus'', (Carrefour, 1930) a book of essays and recorded dreams illustrated with photomontage+s; and several essays in magazines and journals. In 1932 she joined the Association des crivains et Artistes Rvolutionnaires+, where she met Andr Breton+ and Ren Crevel+. Following this, she started associating with the surrealist+ group, and later participated in a number of surrealist exhibitions, including the London International Surrealist Exhibition+ (New Burlington Gallery) and Exposition surraliste d'Objets (Charles

Ratton+ Gallery, Paris), both in 1936. In 1934, she published a short polemic essay, ''Les Paris sont Ouverts'', and in 1935 took part in the founding of the left-wing group ''Contre Attaque'', alongside Andr Breton+ and Georges Bataille+. In 1994 the Institute of Contemporary Arts+ in London held an exhibition of Cahun's photographic self-portraits from 192747, alongside the work of two young contemporary British artists, Virginia Nimarkoh+ and Tacita Dean+, enitled Mise en Scene. In the surrealist self-portraits, Cahun represented herself as a dandy, skinhead and androgyne, nymph, model and soldier. In 1937 Cahun and Malherbe settled in Jersey+. Following the fall of France and the German occupation of Jersey and the other Channel Islands+, they became active as resistance workers and propagandists. Fervently against war, the two worked extensively in producing anti-German fliers. Many were snippets from English-to-German translations of BBC reports on the Nazis' crimes and insolence, which were pasted together to create rhythmic poems and harsh criticism. The couple then dressed up and attended many German military events in Jersey, strategically placing them in soldier's pockets, on their chairs, etc. Also, fliers were inconspicuously crumpled up and thrown into cars and windows. In many ways, Cahun and Malherbe's resistance efforts were not only political but artistic actions, using their creative talents to manipulate and undermine the authority which they despised. In many ways, Cahun's life's work was focused on undermining a certain authority, however her specific resistance fighting targeted a physically dangerous threat. In 1944 they were arrested and sentenced to death, but the sentences were never carried out. However, Cahun's health never recovered from her treatment in jail, and she died in 1954. She is buried in St Brelade's Church+ with her partner Suzanne Malherbe+. In many ways, Cahun's life was marked by a sense of role reversal, and her public identity became a commentary upon not only her own, but the public's notions of sexuality, gender, beauty, and logic. Her adoption of a sexually ambiguous name, and her androgynous self-portraits display a revolutionary way of thinking and creating, experimenting with her audience's understanding of photography as a documentation of reality. Her poetry challenged gender roles and attacked the increasingly modern world's social and economic boundaries. Also Cahun's participation in the Parisian Surrealist movement diversified the group's artwork and ushered in new representations. Where most Surrealist artists were men, and their primary images were of women as isolated symbols of eroticism, Cahun epitomized the chameleonic and multiple possibilities of the female identity. Her photographs, writings, and general life as an artistic and political revolutionary continue to influence countless artists, namely Cindy Sherman+, Nan Goldin+ and Del LaGrace Volcano+. Cahun's collected writings were published in 2002 as ''Claude Cahun - crits'' (ISBN 2-85893-6161), edited by Franois Leperlier+.

Suzanne Malherbe

Suzanne Malherbe (19 July 1892 - 19 February 1972), also known by the alias Marcel Moore, was a French illustrator and designer. She was the partner of Claude Cahun, surrealist writer and photographer.[1] She collaborated with the poet Marc-Adolphe Gugan, producing illustrations for two of his books. She was born in Nantes and died in Jersey in 1972. She was buried with her partner Claude Cahun in St Brelade's Church.