"WHO'S WHO IN THE THEATER" has always been the Bible of the People in theLegitimate Theater. It never played Favorites, it told no lies, it Glorifiednobody. It always was an unbiased HISTORY of the men and women in the Theater. Itrecorded only those who proved their worth in the one - AND ONLY ONE - testingplace of the Theater. BROADWAY: That "WHO'S WHO" records the plays Myron C. Faganwrote, directed and produced ... Dramas, Comedies, Melodramas, Mysteries,Allegories, Farces - many of them the most resounding "HITS" of their years. Hearrived on Broadway in 1907, 19 years old, the youngest playwright in the historyof the American Theater. In the following years he wrote and directed plays formany of the GREATS of those days ... Mrs. Leslie Carter, Wilton Lackaye, FritzLeiber, Alla Nazimova, Jack Barrymore, Douglas Fairbanks, Sr., E.H. Southern,Julia Marlowe, Helen Morgan, etc, etc. He directed Charles M. Frohman, Belasco,Henry W. Savage, Lee Shubert, Abe Erlanger, George M. Cohan, etc, etc.. In the 5years between 1925 and 1930 he wrote, personally directed, and produced twelveplays: "THE WHITE ROSE," "THUMBS DOWN," "TWO STRANGERS FROM NOWHERE," "MISMATES,""THE FASCINATING DEVIL," "THE LITTLE SPITFIRE," "JIMMY'S WOMEN," "THE GREATPOWER," "INDISCRETION," "NANCY'S PRIVATE AFFAIR," "SMART WOMAN," and "PETER FLIESHIGH."During his early years; Mr. Fagan was also "Dramatic Editor" for "The AssociatedNewspapers," including the "New York Globe" and various Hearst newspapers. But in1916 he took a "SABBATICAL" from the Theater and served as "Director of PublicRelations" for Charles Evens Hughes; the Republican Candidate for the Presidency -he refused a similar post offered him for the Hoover campaign in 1928; thus, Mr.Fagan's career encompassed the Theater, Journalism and National Politics, and heis a proven expert in all those fields.In 1930; Mr. Fagan came to Hollywood where he served as "Writer Director" with"Pathe Pictures, Inc.," then owned by Joseph P. Kennedy, father of the latePresident Jack Kennedy, and also at 20th Century Fox, and other Hollywood FilmStudios. But he also continued in the Broadway Legitimate field.In 1945, at the urgent request of John T. Flynn, the famous author of "THEROOSEVELT MYTH," "WHILE WE SLEPT," "THE TRUE STORY OF PEARL HARBOR," etc.; Mr.Fagan attended a meeting in Washington D.C. where he was shown a set of micro-films and recordings of the SECRET meetings at Yalta attended only by FranklinRoosevelt, Alger Hiss, Harry Hopkins, Stalin, Molotov, and Vishinsky when theyhatched the plot to deliver the Balkans, Eastern Europe and Berlin to Stalin. As aresult of that meeting; Mr. Fagan wrote two plays: "RED RAINBOW" (in which herevealed that entire plot) and "THIEVES PARADISE" (in which he revealed how thosemen plotted to create the "UNITED NATIONS" to be the "housing" for a so-calledCommunist One-World Government).At the same time; Mr. Fagan launched a "ONE-MAN" crusade to unmask the RedConspiracy in Hollywood to produce films that would aid that "ONE WORLDGOVERNMENT" plot. Out of that came into being the "CINEMA EDUCATIONAL GUILD." As aresult of the work of this "C. E. G." organization (headed by Mr. Fagan, in 1947);came the Congressional Hearings at which more than 300 of Hollywood's, (also Radioand T.V.) most famous Stars, Writers, and Directors were unmasked as the chiefactivist of the Red Conspiracy. That was when the infamous "HOLLYWOOD TEN" weresent to prison.IT WAS THE MOST SENSATIONAL EVENT OF THAT DECADE!From that time on Mr. Fagan has devoted all of his time and efforts to writingmonthly "NEWS BULLETINS" for "C. E. G." in which he has kept up the fight to alertthe American people to the plot to destroy the sovereignty of the United States ofAmerica and the ensuing enslavement of the American people in a UNITED NATIONS'"One World Government."In his sensational recording (this transcript); he reveals the beginning of theOne World enslavement plot that was launched two centuries ago by one AdamWeishaupt, an apostate Catholic Priest who; FINANCED BY THE HOUSE OF ROTHSCHILD,created what he called: "THE ILLUMINATI." Mr. Fagan describes (WITH DOCUMENTARYEVIDENCE) how this ILLUMINATI became the instrument of the House of Rothschild to