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Tonight on ParaNexus Universe Radio
Thursday, 10-22-09 • 9pm - 10pm Eastern
 
Abduction Phenomena
 
With
 
Michael Jones and Dr Ingrid Irwin Msc.D, CSI
Discussion of the role that perception and belief plays withabduction and anomalous researchers. Dr. Ingrid Irwin joinsMike this week from down under.
 
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The ParaNexus Newsletter
© 2009 by ParaNexus.org.
Editor
: David Desjardins CDThis Newsletter is distributed free of charge to anyone interested. Please visitParaNexus.org to subscribe. Serious ar-ticle submissions welcome. Please sendsubmissions to admin@paranexus.org. 
 
October 22, 2009
 
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C
ONTENTS
 
Editors Corner
2
Gadgets and Gizmo’s
Clean My What???
 
2 
Responsible Research:
“Experts” in the ParanormalField?
 
4 
Paranormal Groups and theMedia
6
 
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ParaNexus Newsletter
2
They say that cleanliness is next to Godliness or something like that. Thisto me includes your camera equipment. I know what some of you are think-ing, that I have cameras on the brain, well, yes as a matter of fact I do, andfor good reason. As of late I’ve had the opportunity to review a few photo’sthat the photographer(s) would swear left right and center are the result of ORB’s or other paranormal phenomena, despite what anyone else may say tothe contrary (sorry, can’t include them due to confidentiality agreements).One such photo immediately struck me as a totally filthy camera lens and orsensor. (If you want to be really technical about it, it is the low pass filter infront of the sensor that gets gummed up not the sensor itself, tomato, tomA-to, but some would argue, trust me.)With the proliferation of D-SLR cameras on the marketmaking their way into theequipment boxes of anomalousresearchers everywhere, thereraises some concerns with pho-to contamination. In this re-spect there is some merit tothe tiny point and shoot cam-eras, but, still not enough tomake me use one. Manypeople assume that if theykeep their lenses clean thecamera will take care of the rest, especially with the newer models Of D-SLRincorporating a sensor cleaning feature which in theory “cleans” the sensorevery time the camera is turned on or off. In part this is true, in that themechanism briefly vibrates the sensor in an attempt to dislodge any looseparticles that may be present. For this it works wonderfully. However, everytime a lens is removed and replaced, you are breaking a seal and introducingnew contaminants to the now exposed sensor, some of which are bound to bea little harder to remove than with just a quick shake. Some of these par-ticles are going to be small enough that you may in fact have a hard time see-ing them with your naked eye, but that doesn’t mean that they are not there,and it doesn’t mean that your super sensitive camera will not pick them upand portray them as being your next paranormal holy grail.Cleaning is relatively easy and can range from a number of different solu-tions (
Google “DSLR sensor cleaning tools”
), some more expensive than theothers, but, for the love of Pete, don’t blow on it and assume that did thetrick. Saliva introduces a whole new set of issues and can be a real pain toremove. Most camera geeks will have canned air and various other solventsand wipes to clean their cameras. I’ve found the easiest and cheapest, aside from a little squeeze bulb air blower thatyou can get from any camera shop, is the old fashioned soft paint brush, assuming that you keep the brush itself cleanand if you need to go with a wet cleaning solution, cotton swab, and methanol alcohol. Remembering a little dab willdo you and to check that the cotton swab has not left any contaminants of its own. Stay away from paper towels, tis-sue, or toilet paper as these can be abrasive and really screw things up if you’re not careful.So, how do you know if your sensor it dirty? Easy! If you are 100 percent sure your lenses are spotless, connect yourfavorite one (50mm or longer) to your camera and bring it bear on any light background, the sky, white wall, piece of 
Editors Corner
by Dave Desjardins
Many apologies for the absence of last week’s Newsletter. A suddenillness got the better of me and hadme laid up for a bit. With that said,I’m back to normal (relatively speak-ing of course), and return to the sad-dle to get this week on line and out toour readers.It would seem that in my shortlayup, much has changed and I have abit of catching up to do. Doug hasbeen busy revamping the layout andlook of the web site, making it thatmuch more professional in appear-ance and streamlining its functionali-ty plus adding a NEW FEATURE whichenables members to customize thelook of their profile page (check un-der your Members Menu).In addition to the estheticchanges, membership and subscrip-tions are steadily on the rise, which isgreat to see. I, personally take com-fort in the fact that there are a greatnumber of likeminded professionalpeople that are willing to supportwhat we at ParaNexus are about, arewilling to share and are willing tolearn alongside the rest of us as wesearch for the truth and offer objec-tive opinions and advise. The rest Iwill leave to Doug so as not to stealhis thunder.Until next week.Best wishes.Questions, comments or sugges-tions pertaining to this newsletter oranything posted herein, may be sentto ddesjardins@paranexus.org. 
 
Gizmos and Gadgets
 – by Dave Desjardins
 
A weekly review of the latest “tech”, and tips onparanormal research and equipment.
 
 
ParaNexus Newsletter
3
paper, etc… Set your lens to manual focus, and adjust it so your test subject is totally out of focus, after all we wantto see the dirt not the background. If your lens has an image stabilization feature, turn it off as well, adding motionblur helps the process but isn’t necessary. I like to use infinity focus on the sky (works best for me) or a white wall.These next steps are
important 
and may require some to dig out a manual (refer to my article on photography tips,lol). On the camera itself, set your
exposure mode to
AV 
,
ISO 100 
and set the aperture to a
very narrow setting
, atleast
f22 
 . Failing to do so will not show even the larger specs of dirt with a wide aperture. Now click away.To make the results more noticeable you may want to transfer the photos to you computer, where you can seethem full size, or you can use the zoom feature on your LCD display. If your sensor is dirty, you will note black spots inyour picture. If you are reviewing on your LCD screen keep in mind that where the spots appear on the image will beexactly opposite of where the dirt is on your sensor in relation to up and down. The lens flips the image upside downmuch like the human eye and the camera un flips it for viewing in the LCD.So now that we know how to check our cameras, show of hands, how many of us need to clean our sensors? (Raiseshand). If at any point you are not sure on what you are doing, or don’t feel comfortable cleaning the delicate parts,don’t be afraid of visiting your local camera shop. The employees there are always happy to help, just be cautious of “the next best thing in cleaning equipment that just came off the truck today.”
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Do you have a topic that youare passionate about? Some-thing that you feel should besaid?A comment, criticism, or opi-nion on the field of paranor-mal research or its future?Make your voice heard in theParaNexus Newsletter.All submissions may be sent toddesjardins@paranexus.org
 
Ed’s Note: These tip’s/tricks are by no means intended to be considered gospel. Are there different ways of achiev-ing the same results? Absolutely! At least a dozen. These are what have worked for me in the past and continue towork. I only offer them as another tool to add to your information tool box. I do not, and will not endorse any spe-cific photographic product or company, people like what they like for their own reasons and I’m not inclined to ar-gue Ford Vs Chevy. To coin one of my favorite photographers, Chase Jarvis, “The best camera is the one you havewith you.” – D.D.
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