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St. Louis Symphony Extra - March 29, 2014

St. Louis Symphony Extra - March 29, 2014

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The program insert for the performance of the St. Louis Symphony for March 28-29, 2014. This is meant to accompany the live broadcast of the Symphony on St. Louis Public Radio at 8 p.m. on March 29. Join us at 90.7 FM or online at stlpublicradio.org.
The program insert for the performance of the St. Louis Symphony for March 28-29, 2014. This is meant to accompany the live broadcast of the Symphony on St. Louis Public Radio at 8 p.m. on March 29. Join us at 90.7 FM or online at stlpublicradio.org.

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Published by: St. Louis Public Radio on Mar 28, 2014
Copyright:Traditional Copyright: All rights reserved

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12/09/2014

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23
CONCERT PROGRAM
March 28-29, 2014
David Robertson, conductorKarita Mattila, soprano
 BRAHMS
 
Symphony No. 3 in F major, op. 90
 
(1883)
 
(1833-1897)
 
Allegro con brio Andante Poco allegretto Allegro 
INTERMISSION
 WAGNER 
 
Prelude to
Tristan und Isolde
(1857)
 
(1813-1883)
 
Performed without pause into next work 
 SCHOENBERG
 
Erwartung
, op. 17
(1909)
 
(1874-1951)
 
Karita Mattila, soprano
 
24
 ACKNOWLEDGMENTSDavid Robertson is the Beofor Music Director and Conductor.Karita Mattila is the Graybar Electric Company, Inc. Guest Artist.The concert of Friday, March 28, is underwritten in part by a generous gift from Mr. and Mrs. Walter J. Galvin.The concert of Saturday, March 29, is underwritten in part by a generous gift from Mr. and Mrs. Jay G. Henges, Jr.Pre-Concert Conversations are sponsored by Washington University Physicians.These concerts are part of the Wells Fargo Advisors series.Large print program notes are available through the generosity of Dielmann Sotheby’s International Realty and are located at the Customer Service table in the foyer.
 
25
FROM THE STAGE
Cally Banham, English horn, on Wagner and Schoenberg:
 “I’ve done this pairing of the Prelude and
Erwartung 
 with David Robertson before with the New York Philharmonic. I was playing as an extra and it was David’s New York Phil debut. I was impressed with the imaginative pairing of works, especially as David does it, with the Prelude leading directly into
Erwartung 
 with no break. It’s very effective, very atmospheric.“I love Karita Mattila. She’s one of the most awesome singers to catch and to hear. She is a great actress and absolutely fearless.“It is going to be really great to revisit this imaginative pairing. One of David’s special ideas, among thousands.”
Karita Mattila
M
ARCIA
 R
OSENGARD

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