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Activation - SynthesisbyEric RobbinsVersion 3Current Revisions byEric Robbins, August 18th, 2009Eric Robbins3410 Walton Ave, Number 2Los Angeles, CA 90007(870)421-6649robbinsej@gmail.com 
 
INT. BRUCE’S OFFICE - DAY11BRUCE, 32, sits at a desk. Dark circles surround his*eyes; he looks like he hasn’t slept in a long time. He wears standard office clothing: a button up shirt, a tie.MCALISTER (V.O.)*Tell me again.*The office is cramped, crowded. Clutter dominates thedesk, with the only clear spot directly in front of him, * where a notebook lies. The lighting is bright white, *almost blinding. BRUCE looks concerned, as he stares out *the door, into the much darker hallway.*MCALISTER (V.O.) (CONTD)*Tell me how it begins.*BRUCE’s eyes wander aimlessly. He continues to sit atthe desk unmoving, save for his eyes. BRUCE looks down *at the desk, looking at his notebook. Incomprehensible *notes cover most of the page, ending with the single *legible line; “It never ends”. Next to it sits a pictureof Bruce’s WIFE and BABY.BRUCE (V.O.)I’m at work...and I feel alone. Trapped. *It’s as if there is nothing to live for.His eyes dart back up to look out the door.*INT. PSYCHIATRIST OFFICE - DAY22Two men sit opposite one another, both in lavish leatherchairs. Only the area between them well is lit, where acoffee table sits.DR. MCALISTER, mid 50s, sits opposite BRUCE. MCALISTERis well dressed and well groomed; he gives the appearanceof a highly educated, upper class individual. In his laprests an open folder.*BRUCE is wearing the same outfit as before, except histie is now off and his sleeves are rolled.The two men stare at one another. MCALISTER holds hispen against his lips.MCALISTERWhy does this dream trouble you so much?BRUCE looks wearily at MCALISTER, then away, scanning theroom.
 
On the table is a small photo frame, which BRUCE staresat. The image is a piece of art that is slightlyunnerving. BRUCE looks back to MCALISTER.BRUCEBecause I have it every night.INT. BRUCE’S OFFICE - DAY33BRUCE stands at the door of his office, looking out intothe hallway.At the end of the hallway, a cat eye-like reflectionlurks. Something SKITTERS off, into the darkness.BRUCE (V.O.)It keeps lasting longer and longer. *Sometimes I sleep fifteen hours.*BRUCE walks out of his office, enraptured, disappearing *into the dark hallway.*INT. OFFICE HALLWAYS - DAY44BRUCE walks down a hallway, passing various boardroomsand offices. They are furnished and look normal, exceptthere is no one in them. Coffee bubbles on the maker,papers blow around casually on desks, a bottle of watersweats. He checks several doors and continues down thehall.INT. PSYCHIATRIST OFFICE - DAY55MCALISTER stares at BRUCE, his gaze unnerving, piercing.BRUCE makes eye contact, looks away.MCALISTERYou seem obsessed.*BRUCE’s eyes return to him.BRUCEIt’s all I think about now.MCALISTERAnd how is that affecting your life?*BRUCE looks away. His eyes are starting to tear up.MCALISTER pushes a small box of tissues across the tabletowards him.2.
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