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1 IOYNIOY 2008
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ÛÙ·ıÔ‡Ó ‹Û˘¯· ·Ó·Ì¤ÓÔÓÙ·˜ ÙË Û˘ÓÙ·ÍÈÔ-‰fiÙËÛ‹ ÙÔ˘˜, ·ÊÔ‡ ¤Î·Ó·Ó ÙËÓ “·ӿÛÙ·-ÛË Ù˘ ÁÂÓÈ¿˜ ÙÔ˘˜”. AÛÊ·ÏÒ˜, ˘¿Ú¯ÂÈ ÎÈ Ë¿Ô„Ë fiÙÈ ‰ÂÓ ‹Ù·Ó ÔÙ¤ ·ӿÛÙ·ÛË ·Ú¿ÌÈ· Ó·ÓÈ΋ ÙڤϷ ‹ ·ÏÒ˜ ¤Ó· ͤ۷ÛÌ·ÌÈ·˜ ÌÂÚ›‰·˜ [ÌÈÎÚÔ·ÛÙÒÓ] Ó¤ˆÓ Ô˘ ·Ï¿“‚·ÚÈfiÓÙ·Ó”. E›Ó·È ·ÓÈÛÙfiÚËÙ˜ Ù¤ÙÔȘ ΢-ÓÈΤ˜ ·fi„ÂȘ: ÛÙË °·ÏÏ›·, ÂÎÙfi˜ ·fi ÙÔ˘˜ÊÔÈÙËÙ¤˜ ·ÂÚÁÔ‡Û·Ó Î·È Î·ÌÈ¿ ‰ÂηÚÈ¿ Âη-ÙÔÌ̇ÚÈ· ÂÚÁ¿Ù˜, ÂÓÒ Ë Îϛ̷η ÙˆÓ ÎÈÓË-ÙÔÔÈ‹ÛÂˆÓ ‹Ù·Ó ·ÁÎfiÛÌÈ·: ÚfiÎÂÈÙ·È ÁÈ·¤Ó· ·̷ Ì·ÎÚ¿˜ ¯ÚÔÓÈ΋˜ Î·È ¯ˆÚÈ΋˜ ÂÌ-‚¤ÏÂÈ·˜ Ô˘ ÍÂΛÓËÛ ϛÁÔ ÌÂÙ¿ ÙÔ ã50 - ã60Î·È ÙÂÏ›ˆÛ ÚÔ˜ Ù· Ù¤ÏË ÙÔ˘ 1970: Úfi-ÎÂÈÙ·È ÁÈ· ÌÈ· ÂÚ›Ô‰Ô ÂÍ·ÈÚÂÙÈο ÂӉȷʤ-ÚÔ˘Û·: ÁÈ’ ·˘Ùfi ÎÈ Ô Chris Connery ·Ó·Ê¤-ÚÂÙ·È ÛÙÔ “Ì·ÎÚ‡ ‘60”.
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™‡Ìʈӷ Ì ÙÔÓ ÈÛÙÔÚÈÎfi ŒÚÈÎ Xfi-ÌÛÌ·Ô˘Ì, ÛÙË °·ÏÏ›· ÙÔ˘ ‘68, ·ӷÛÙ·-ÙÈ΋ ηٿÛÙ·ÛË ‰ËÌÈÔ‡ÚÁËÛÂ Ë ‰Â‡ÙÂÚË Ê¿-ÛË ÙˆÓ ÎÈÓËÙÔÔÈ‹ÛÂˆÓ (M¿Ë˜ 14-27) Ì ÙËÓ¤ÎÙ·ÛË ÙˆÓ ÎÈÓËÙÔÔÈ‹ÛÂˆÓ Û ÌÈ· Ì·˙È΋,ÁÂÓÈ΋ ·ÂÚÁ›·, “ÙË ÌÂÁ·Ï‡ÙÂÚË ÛÙËÓ ÈÛÙÔ-Ú›· Ù˘ °·ÏÏ›·˜ Î·È ›Ûˆ˜ ÔÔÈ·Û‰‹ÔÙ ¿Ï-Ï˘ ¯ÒÚ·˜”. EÓÒ Ë ÚÒÙË Ê¿ÛË (3-11 M¿Ë)‹Ù·Ó ÁÈ· ÙËÓ Î˘‚¤ÚÓËÛË ·Ï¿ “ÌÈ· ÂÓÔ¯ÏËÙÈ΋ÊÔÈÙËÙÈ΋ Ô¯ÏËÚ›·, Ë ‰Â‡ÙÂÚË Ê¿ÛË ÙËÓ ·Ó¿-ÁηÛ ӷ ¿ÚÂÈ ·ÓÙ·ӷÛÙ·ÙÈο ̤ÙÚ·”.
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¶·Ú·‰fi͈˜, ·ÎÚȂҘ ÂÂȉ‹ Ë ÛËÌ·Û›· ÙˆÓÊÔÈÙËÙÈÎÒÓ ÎÈÓËÙÔÔÈ‹ÛÂˆÓ ‹Ù·Ó ÁÈ· ÙËÓÂÍÔ˘Û›· ¿Ó¢ Ô˘ÛÈ·ÛÙÈ΋˜ ÛËÌ·Û›·˜, ÂÊfi-ÛÔÓ ‰ÂÓ ·ÈÛı¿ÓÔÓÙ·Ó ÔÔÈ·‰‹ÔÙ ·ÂÈÏ‹·fi ÙÔ˘˜ ÌÈÎÚÔ·ÛÙÔ‡˜ ÊÔÈÙËÙ¤˜, ÙÔ ÊÔÈÙËÙÈÎfiΛÓËÌ· ηٿÊÂÚ ӷ ÏÂÈÙÔ˘ÚÁ‹ÛÂÈ Û·Ó “ÙÔÓÈÔ ·ÔÙÂÏÂÛÌ·ÙÈÎfi ˘ÚÔ‰ÔÙÈÎfi Ì˯·ÓÈÛÌfiÁÈ· ÙȘ ÂÚÁ·ÙÈΤ˜ ÎÈÓËÙÔÔÈ‹ÛÂȘ”(Hobsbawm, 1971, ÛÂÏ. 78). OÈ Èı·ÓfiÙËÙ˜·Ó·ÙÚÔ‹˜ ÙÔ˘ ηıÂÛÙÒÙÔ˜ ÛÙËÓ Ú¿ÍË Â-ÚÈÔÚ›ÛÙËÎ·Ó ÏfiÁˆ Ù˘ ‰ÔÌ‹˜ Î·È ÙÔ˘ ÂÚÈÂ-¯Ô̤ÓÔ˘ ÙˆÓ ÎÔÈÓˆÓÈÎÒÓ Î·È ÔÏÈÙÈÎÒÓ ‰˘-Ó¿ÌÂˆÓ Ô˘ ·ÔÙÂÏÔ‡Û·Ó ÙÔ Î›ÓËÌ· ÙÔ˘ M¿ËÛÙË °·ÏÏ›·: Ë ÔÏÈÙÈ΋ ‰‡Ó·ÌË Ô˘ ·ÔÙÂ-ÏÔ‡Û ÙËÓ „˘¯‹ ÙÔ˘ ÂÚÁ·ÙÈÎÔ‡ ÎÈÓ‹Ì·ÙÔ˜,ÙÔ KK° Î·È Ù· ÈÛ¯˘Ú¿ Û˘Ó‰Èοٷ ‰ÂÓ ‹Ù·Ó ÛÂı¤ÛË Ó· ηٷÓÔ‹ÛÔ˘Ó ÙËÓ ÔÏÈÙÈ΋ ÛÙÈÁÌ‹Î·È Ó· “·Ó·ÁÓˆÚ›ÛÔ˘Ó fiÙÈ Û˘Ó‹ıÂȘ Û˘Óı‹-Θ Ù˘ ÔÏÈÙÈ΋˜ Ù˘ ÚÔ˘Ù›Ó·˜ ‰ÂÓ ÈÛ¯‡Ô˘Ó”(Hobsbawm, 1971, ÛÂÏ. 81). Afi ÙËÓ ¿ÏÏËÌÂÚÈ¿, Ô ¯·Ú·ÎÙ‹Ú·˜ ÙˆÓ Ì·˙ÈÎÒÓ ÎÈÓËÙÔ-ÔÈ‹ÛÂˆÓ ‰ÂÓ Â›¯Â ·ÚΛ˜ ÔÏÈÙÈÎÔ‡˜ ÛÙfi-¯Ô˘˜ ·Ú¿ ÙÔ fiÙÈ ¯ÚËÛÈÌÔÔÈÔ‡Û ÔÏÈÙÈ΋ÊÚ·ÛÂÔÏÔÁ›·. MÈ· ÎÔÈÓˆÓÈ΋ ·ӿÛÙ·ÛËÚÔ¸Ôı¤ÙÂÈ “ÙËÓ ÂÈΤÓÙÚˆÛË ÛÂ Û˘ÁÎÂ-ÎÚÈ̤ÓÔ˘˜ ÛÙfi¯Ô˘˜” Ô˘ Ó· ·ÚıÚÒÓÔ˘Ó Î·ÈÓ· ÂÎÊÚ¿˙Ô˘Ó ÙȘ “‚·ıȤ˜ ÎÔÈÓˆÓÈΤ˜ Î·È Ô-ÏÈÙÈÛÙÈΤ˜ ‰˘Û·Ú¤ÛÎÂȘ, ¤ÙÔÈ̘ Ó· ·Ó·‰ÂÈ-¯ÙÔ‡Ó Ì ۯÂÙÈο ·‰‡Ó·ÙË ÒıËÛË”, ‰È·ÊÔ-ÚÂÙÈο “‰ÂÓ ÌÔÚÔ‡Ó Ó· ˘¿ÚÍÔ˘Ó ÌÂÁ·ÏÂÈ-Ò‰ÂȘ ÎÔÈÓˆÓÈΤ˜ ÂÍÂÁ¤ÚÛÂȘ”. XˆÚ›˜ ÙËÓ ÂÈ-ΤÓÙÚˆÛË ÛÂ Û˘ÁÎÂÎÚÈ̤ÓÔ˘˜ ÛÙfi¯Ô˘˜, fiÛÔÂÚÈıˆÚÈ·ÎÔ› ÎÈ ·Ó Â›Ó·È Û ۯ¤ÛË Ì ÙÔÓÚˆÙ·Ú¯ÈÎfi ÛÎÔfi, Ë ‰‡Ó·ÌË Ù¤ÙÔÈˆÓ Â·-Ó·ÛÙ·ÙÈÎÒÓ ÂÓÂÚÁÂÈÒÓ ÙÂÏÈο ı· ‰È·Ï˘ı›.“OÈ ÊÔÈÙËÙ¤˜, Û ·ÓÙ›ıÂÛË Ì ÙÔ˘˜ (ÏÈÁfiÙÂ-ÚÔ Â·Ó·ÛÙ·ÙÈÎÔ‡˜ ÂÚÁ¿Ù˜) ‰ÂÓ ÂӉȷʤ-ÚÔÓÙ·È ÁÈ· ÙÔ ÔÏÈÙÈÎfi Û‡ÛÙËÌ· ‹ ηıÂÛÙÒ˜de Gaulle Ô˘ ‹Ù·Ó ¤Ó· ηı·Ú¿ ÔÏÈÙÈÎfi Û‡-ÛÙËÌ·”: ·˘ÙÔ› ‹ıÂÏ·Ó ÌÈ· ·Ó·ÙÚÔ‹ Ù˘ fiÏ˘ÎÔÈÓˆÓÈÎfi-ÔÈÎÔÓÔÌÈÎfi-ÔÏÈÙÈÎfi-ÔÏÈÙÈÛÙÈ΋˜Ù¿Í˘ Ú·Á̿وÓ. øÛÙfiÛÔ Ô M¿Ë˜ ‘68 ·¤-‰ÂÈÍ fiÙÈ “ÌÔÚÔ‡Ó Ó· ÍÂÛ¿ÛÔ˘Ó Â·Ó·-ÛÙ¿ÛÂȘ Û ‰˘ÙÈΤ˜ ¯ÒÚ˜”.
™ÎÔÈ¿ ·fi ÌÈ· ÈÔ Ì·ÎÚ¿ÎÔÈÓˆÓÈ΋ Î·È ÔÏÈÙÈ΋ ÔÙÈ΋
™’ ¤Ó· ¿ÏÏÔ ‚È‚Ï›Ô ÙÔ˘, Ô XfiÌÛÌ·Ô˘Ì ÌÈ-Ï¿ ÁÈ· ÙÔÓ “ÌÈÎÚfi ·ÈÒÓ·” Ô˘ Ô˘ÛÈ·ÛÙÈο ¿Ú-¯ÈÛ Ì ÙÔÓ ¶ÚÒÙÔ ¶·ÁÎfiÛÌÈÔ ¶fiÏÂÌÔ Î·È ÙËÓOÎÙˆ‚ÚÈ·Ó‹ E·Ó¿ÛÙ·ÛË ÎÈ ¤ÎÏÂÈÛ Ì ÙËÓ Î·-Ù¿ÚÚ¢ÛË ÙÔ˘ “˘·ÚÎÙÔ‡ ÛÔÛÈ·ÏÈÛÌÔ‡” ÛÙËÓE™™¢ ÙÔ 1990.
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™ÙÔ Î¤ÓÙÚÔ ·˘ÙÔ‡ ÙÔÓ “ÌÈ-ÎÚÔ‡ ·ÈÒÓ·” ‚Ú›ÛÎÂÙ·È ÂÚ›Ô˘ ÙÔ 1968. M¤-Û· ·fi ¤Ó· ÈÔ Ì·ÎÚÔÚfiıÂÛÌÔ Ê·Îfi ÌÔ-Úԇ̠ӷ ÂÚÌËÓ‡ÛÔ˘Ì ÙÈ Û˘Ó¤‚Ë: Ë ÎÚ›ÛËÙÔ˘ “ÛÔÛÈ·ÏÈÛÌÔ‡” Î·È ÙÔ˘ ηÈÙ·ÏÈÛÌÔ‡ ‹Ù·Ó·ÈÛıËÙ‹ ·fi ÙfiÙÂ, ÚÈÓ Û·Ú¿ÓÙ· ¯ÚfiÓÈ· ÎÈ Ë·fiÂÈÚ· Ó· ·Ó·ÙÚ·Ô‡Ó Ù· ηÙÂÛÙË̤ӷ “‰ÒÎ·È ÙÒÚ·” ›¯Â ÓfiËÌ· ÙfiÙÂ, fiˆ˜ Î·È ÙÒÚ·.øÛÙfiÛÔ, Û‹ÌÂÚ· Ô˘ ¤¯Ô˘Ì ϤÔÓ ÍÂʇÁÂÈ·fi ÙËÓ “ÂÔ¯‹ Ù˘ ·ıˆfiÙËÙ·˜” Î·È ÙËÓ “ÂÔ-¯‹ ÙÔ˘ ÏfiÁÔ˘”, ‰ÂÓ ¤¯Ô˘Ì „¢‰·ÈÛı‹ÛÂȘ ÁÈ·ÙÔÓ ÎfiÛÌÔ Ô˘ ı· ÔÈÎÔ‰ÔÌ‹ÛÔ˘Ì “ÌÂÙ¿ ÙËÓ·ӿÛÙ·ÛË”: ¤¯Ô˘Ì ‚ÈÒÛÂÈ ÔÏÏ¿ Î·È ÔÈ Âfi-ÌÂÓ˜ ÁÂÓ¤˜ ‰˘ÛÎÔχÔÓÙ·È Ï¤ÔÓ Ó· “ÈÛÙ¤-„Ô˘Ó” Î·È Ó· ÔÓÂÈÚ¢ÙÔ‡Ó Ì ÙÔÓ ›‰ÈÔ ·Á·ıfiÙÚfiÔ. ™Ù’ fiÓÔÌ· ÙˆÓ ÈÔ ·ÁÓÒÓ È‰·ÓÈÎÒÓ¤¯Ô˘Ó Á›ÓÂÈ Î·È Á›ÓÔÓÙ·È ÂÁÎϋ̷ٷ, ‚È·ÈfiÙË-Ù˜, Ì·˙ÈΤ˜ ηٷÛÙÚÔʤ˜. X¿ÓÂÙ·È fï˜ Ô-Ù¤ Ù’ fiÓÂÈÚÔ Î·È Ù’ fiÚ·Ì· ÁÈ· ÙËÓ Ô˘ÙÔ›· Ô˘·‰ËÌÔÓ› Ó· ÁÂÓÓËı› ·fi ÛÏ¿¯Ó· ÙÔ˘ ˘ÊÈ-ÛÙ¿ÌÂÓÔ˘ ÎfiÛÌÔ˘; EÍ¿ÏÏÔ˘, “Ë ›‰È· Ë ÎÔÈÓˆ-Ó›· ʤÚÓÂÈ ·ÎfiÌ· ÈÔ ÎÔÓÙ¿ ·ÓÙÔÙÈÓ¿ ̤۷Ù˘ ÙËÓ Ô˘ÙÔ›· Ù˘: ÙÔ ‰˘Ó·Ùfi - ·‰‡Ó·ÙÔ, ÙÔ‰˘Ó·Ùfi Ô˘ ·˘Ù‹ ÙÔ Î¿ÓÂÈ ·‰‡Ó·ÙÔ, ¤Û¯·Ù˜·ÓÙÈÊ¿ÛÂȘ, ÁÂÓÓ‹ÙÚ˜ ·ӷÛÙ·ÙÈÎÒÓ Î·Ù·-ÛÙ¿ÛˆӔ.
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O Alain Touraine ‹Ù·Ó ·fi ÙÔ˘˜ ÚÒÙÔ˘˜ÎÔÈÓˆÓÈÔÏfiÁÔ˘˜ Ô˘ Âȯ›ÚËÛ·Ó ı· ‰ÒÛÔ˘ÓÌÈ· ÂÍ‹ÁËÛË ÁÈ· ÙȘ ÊÔÈÙËÙÈΤ˜ ÂÍÂÁ¤ÚÛÂȘ Û·ÓÂÎÊ¿ÓÛÂȘ ÌÈ·˜ ‚·ıÈ¿˜ ÎÚ›Û˘ Ô˘ Ô‰ËÁ› ÛÙËÛ‡ÁÎÚÔ˘ÛË: ÔÈ ÊÔÈÙËÙ¤˜ ·ÈÛı¿ÓıËÎ·Ó fiÙÈ ËÎÔÈÓˆÓ›· ÙÔ‡˜ Ê˘Ï·Î›˙ÂÈ ÎÈ ·˘Ùfi ‹Ù·Ó ÙÔ ÁÂÓÈ-ÎfiÙÂÚÔ ·›ÛıËÌ· Ù˘ ÂÔ¯‹˜.
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¢ÂÓ Â›Ó·È Ù˘¯·›ÔÔ˘ ·ÚfiÌÔÈÔ˘ Ù‡Ô˘ ÂÍÂÁ¤ÚÛÂȘ ͤ۷۷ÓÛ ÔÏϤ˜ ¯ÒÚ˜. E›Û˘ ÔÈ ÊÔÈÙËÙÈΤ˜ ÂÍÂ-Á¤ÚÛÂȘ - ¤ÛÙˆ ÎÈ ·Ó ‰ÂÓ ‚Á‹Î·Ó ÂÎÙfi˜ ·ÓÂ-ÈÛÙËÌ›Ô˘ ÁÈ· Ó· ¿ÚÔ˘Ó Ì·˙È΋ ÌÔÚÊ‹ - ·-ÚÔ˘ÛÈ¿˙Ô˘Ó ÔÚÈṲ̂ӷ ÎÔÈÓ¿ ÁÓˆÚ›ÛÌ·Ù·: fiϘÔÈ ÂÍÂÁ¤ÚÛÂȘ “·ÌÊÈÛ‚ËÙÔ‡Ó ¤Ú·Ó Ù˘ ÏÂÈ-ÙÔ˘ÚÁ›·˜ ÙÔ˘ Û˘ÁÎÂÎÚÈ̤ÓÔ˘ ıÂÛÌÔ‡ - ·ÌÊÈ-Û‚ËÙÔ‡Ó ÙȘ ıÂÌÂÏÈÒ‰ÂȘ ÂÈÏÔÁ¤˜ Î·È ÙËÓ ¿ÛÎË-ÛË Ù˘ ÂÍÔ˘Û›·˜ ÛÙËÓ ÎÔÈÓˆÓ›·” (Touraine1971, ÛÂÏ. 86). T· ÎÈÓ‹Ì·Ù· ÙÔ‡Ù· ‰ÂÓ ÁÂÓÓÈ-Ô‡ÓÙ·È “Ì ηı·ÚfiÙËÙ· ÌÈ·˜ ÈÛÙÔÚÈ΋˜ Î·È ÎÔÈ-ÓˆÓÈÔÏÔÁÈ΋˜ ·Ó¿Ï˘Û˘” ·ÏÏ¿ “‰ËÌÈÔ˘ÚÁÔ‡-ÓÙ·È Û ÌÈ· ÂÚ›Ô‰Ô ÔÍ‡Ù·ÙˆÓ / Ú·Á‰·›ˆÓ ÎÔÈ-ÓˆÓÈÎÒÓ ·ÏÏ·ÁÒÓ Î·È ‰ÂÓ ¤¯Ô˘Ó Û·Ó ÁÂÁÔÓfi-Ù· ÌfiÓÔ ¤Ó· Û˘ÁÎÂÎÚÈ̤ÓÔ ÓfiËÌ· (Touraine1971, ÛÂÏ. 86-87): ·fi ÙfiÙ ÍÂÎÈÓ¿ ÌÈ· Ó¤·ÂÔ¯‹ ÁÈ· Ù· ÎÔÈÓˆÓÈο ÎÈÓ‹Ì·Ù·.H ÂÚ›Ô‰Ô˜ ÂΛÓË ÂÚ› Ù· Ù¤ÏË ÙÔ˘ 1960·ÔÙÂÏ› ÌÈ· ÈÛÙÔÚÈ΋ ÛÙÈÁÌ‹, Ô˘ ÂÎÊÚ¿˙ÂÈÙÔ˘˜ ›‰ÈÔ˘˜ ÎÔÈÓˆÓÈÎÔ‡˜ Î·È ÔÏÈÙÈÎÔ‡˜ fiÚÔ˘˜,›Ù ÌÈÏԇ̠ÁÈ· ÙÔÓ ¶·ÚÈÛÈÓfi M¿Ë ã68, ÙËÓÕÓÔÈÍË Ù˘ ¶Ú¿Á·˜ ‹ Ù· ÎÈÓ‹Ì·Ù· ÛÙËÓ AÚÁÂ-ÓÙÈÓ‹˜ 1969, ÙÔ BÈÂÙÓ¿Ì Î·È ÙÔ˘˜ ·ÁÒÓ˜ ÙˆÓÌ·‡ÚˆÓ ÛÙȘ H¶A ÎÙÏ.: Û‡Ìʈӷ Ì ÙÔÓRonaldo Munck
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¤¯Ô˘Ì Â͈ÙÂڛ΢ÛË Ù˘ ÎÚ›-Û˘ ÙÔ˘ ÌÔÓÙ¤ÏÔ˘ ÙÔ˘ “·˘Ù·Ú¯ÈÎÔ‡ ÎÚ·ÙÈ-ÛÌÔ‡” ˆ˜ ÙÚfiÔ˘ ÎÔÈÓˆÓÈ΋˜ ÔÚÁ¿ÓˆÛ˘ Ù˘·ÓıÚÒÈÓ˘ ‡·Ú͢. ŒÓ· “·ÈÛÈfi‰ÔÍÔ” ‰È¿-‚·ÛÌ· Ù˘ Û˘Á΢ڛ·˜ ‰›ÓÂÙ·È ·fi ÙÔÓ Anderson(1976, ÛÂÏ. 15) Ô˘ ÌÈÏ¿ ÁÈ· ·ÓÂÌÊ¿ÓÈÛËÙˆÓ Â·Ó·ÛÙ·ÙÈÎÒÓ Ì·˙ÒÓ ¤Íˆ ·fi Ù· Ï·›ÛÈ·ÁÚ·ÊÂÈoÎÚ·ÙÈÎÔÔÈËÌ¤ÓˆÓ ÔÏÈÙÈÎÒÓ Û¯ËÌ¿-ÙˆÓ, Ù· (ÌÂÙ·)ÛÙ·ÏÈÓÈο ηÏԇȷ Î·È ÛÙËÓ ÚÔ-ÔÙÈ΋ Û˘Ó¤ÓˆÛ˘ ÂÈÙ¤ÏÔ˘˜ ıˆڛ·˜ Î·È Ú¿-͢.
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TËÓ ÎÚ›ÛË ÙÔ˘ Ì·ÚÍÈÛÌÔ‡ ÙËÓ ˘Ô‰¤¯ÙËΤӷ˜ ·fi ÙÔ˘˜ ÎÔÚ˘Ê·›Ô˘˜ Ì·ÚÍÈÛÙ¤˜ ÊÈÏÔ-ÛfiÊÔ˘˜, Ô §Ô˘› AÏÙÔ˘Û¤Ú (1977) ˆ˜ ·Ó·-Áη›·. O Ì·ÚÍÈÛÌfi˜ ‰ÂÓ ¯ˆÚÔ‡Û ԇÙ ÛÙ·(ÌÂÙ·)ÛÙ·ÏÈÓÈο ηÏԇȷ, Ô‡Ù ے fiÔÈÔ ¿ÏÏÔ‰ÔÁÌ·ÙÈÛÌfi.OÚÈṲ̂ÓÔÈ ÚÒËÓ Ì·Ô˚ÎÔ› 68¿Úˉ˜ ‹Û·Ó·fi ÚÒÙÔ˘˜ Ô˘ ·ÔÎ‹Ú˘Í·Ó ÙÔÓ M·ÚÍ ÎÈfi,ÙÈ ÔÈ Â›ÁÔÓÔ› ÙÔ˘ ·ÁÁ¤ÏÏÔÓÙ·Ó: Ô XÔÛ¤M·ÚfiÛÔ, ¿Ï·È fiÙ ̷Ô˚Îfi˜ ÊÔÈÙËÙ‹˜, ›-Ó·È ÙÒÚ· Ô Û˘ÓÙËÚËÙÈÎfi˜ Úfi‰ÚÔ˜ Ù˘ E˘-Úˆ·˚΋˜ EÈÙÚÔ‹˜. øÛÙfiÛÔ, Ë ÎÚ›ÛË ÂΛÓËÔ‰‹ÁËÛ ÛÙËÓ ·ÁÎfiÛÌÈ· ÔÏÈÙÈÛÙÈ΋ ·ӿ-ÛÙ·ÛË: Ô ÎfiÛÌÔ˜ ¤¯ÂÈ ÌÂÙ·‚ÏËı› ÚÈ˙Èο ·fi Ùfi-Ù - fi¯È ‚¤‚·È· Ì ÙÔ˘˜ ·Ú·ÓÔ˚ÎÔ‡˜ fiÚÔ˘˜Ô˘ ÂÍÂÏ›¯ÙËÎ·Ó ÛÙË KÈÓ¤˙ÈÎË ¶ÔÏÈÙÈÛÙÈ΋ E·-Ó¿ÛÙ·ÛË: ·Ú·‰fi͈˜ Ë ˘¤Ú‚·ÛË Ù˘ ‰È·ÊÔ-Ú¿˜ fiÏ˘-˘·›ıÚÔ˘ Û˘ÓÙÂÏÂ›Ù·È ·ÁÎÔÛÌ›ˆ˜Ì ηÈÙ·ÏÈÛÙÈÎÔ‡˜ Î·È Û ÔÏϤ˜ ÂÚÈÙÒÛÂȘ‚›·ÈÔ˘˜ ÙÚfiÔ˘˜. H ‰Â ÛÙÚÔÊ‹ Ù˘ K›Ó·˜ ÚÔ˜ÙÔÓ Î·ÈÙ·ÏÈÛÙÈÎfi ‰ÚfiÌÔ Ì fiÚÔ˘˜ ÚˆÙ·Ú-¯È΋˜ Û˘ÛÛÒÚ¢Û˘ ÎÈ ·Ú·ÎÙÈÎÔ‡ ηÈÙ·ÏÈ-ÛÌÔ‡ ÙËÓ ˆı› ÛÙËÓ ·ÏÌ·ÙÒ‰Ë ÌÂÁ¤ı˘ÓÛË Ù˘ÔÈÎÔÓÔÌ›·˜ Î·È Ù˘ ÎÔÈÓˆÓÈ΋˜-ÔÈÎÔÓÔÌÈ΋˜·ÓÈÛfiÙËÙ·˜ ÛÙËÓ ÙÂÚ¿ÛÙÈ· ¯ÒÚ· ÙÔ˘ M¿Ô,Ú¿ÁÌ· ÙÔ˘ ·ÓËÛ˘¯Â› ÙÔ K.K. K›Ó·˜.°È· ÙÔÓ Wallerstein ÙÔ 1968 ‹Ù·Ó ÌÈ· ·-ÁÎfiÛÌÈ· ·ӿÛÙ·ÛË Ô˘ ÛËÌ¿‰Â„ ÙÔ Ù¤ÏÔ˜ÙÔ˘ ÊÈÏÂÏ¢ıÂÚÈÛÌÔ‡ ˆ˜ ȉÂÔÏÔÁ›·˜ ÙÔ˘ ÂÎ-Û˘Á¯ÚÔÓÈÛÌÔ‡ Î·È Ù˘ ·Ó¿Ù˘Í˘: ˘‹ÚÍ ËÈÔ ÚÈ˙È΋ ·ÌÊÈÛ‚‹ÙËÛË Î·È “·fiÚÚÈ„Ë Ù˘·Ó·fi‰Ú·ÛÙ˘ Î·È ·ÌÂÙ¿ÎÏËÙ˘ ÚÔfi‰Ô˘”Ô˘ ·ÔÙÂÏ› “¤Ó· ·fi Ù· ‰È·Ú΋ ·ÔÙÂϤ-ÛÌ·Ù· ÙÔ˘ 1968”.
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™ÙËÓ ÎÚ›ÛË ÙÔ˘ ã68 ‰È·Ê·›ÓÂÙ·È Ë ·‚‚·Èfi-ÙËÙ· ÎÈ Ô ·ÓÈÎfi˜ Ô˘ ÚÔοÏÂÛÂ Ë Ú‹ÍË ÂΛ-Ó˘ Ù˘ ÈÛÙÔÚÈ΋˜ ÛÙÈÁÌ‹˜. °È· Ì·˜ Û‹ÌÂÚ·,ÙȘ ÁÂÓ¤˜ Ô˘ ÔÏÈÙÈÎÔÔÈ‹ıËÎ·Ó ÌÂÙ¿ Î·È Ìfi-ÓÔ ÛÙÔÓ ·fiË¯Ô ÙÔ˘ ã60, Ë “·Ó¿ÌÓËÛË” ÙÔ˘ã68 ‰ÂÓ Â›Ó·È ·Ú¿ ¤Ó· Ê¿ÓÙ·ÛÌ·. ¶ÚfiÎÂÈÙ·È ÁÈ·ÙÔ ›‰ÈÔ Ê¿ÓÙ·ÛÌ· ÁÈ· ÙÔ ÔÔ›Ô ·Ó·ÎÔ›ÓˆÛ·ÓÛÙȘ ÚÒÙ˜ ÁÚ·Ì̤˜ ÙÔ˘ ÂÎÚËÎÙÈÎÔ‡ ÂΛÓÔ˘ÎÂÈ̤ÓÔ˘ ÌÂÙ¿ ·fi ÌÈ· ¿ÏÏË ·ÚÈÛÈÓ‹ ÂͤÁÂÚ-ÛË 150 ¯ÚfiÓÈ· ÚÔËÁÔ˘Ì¤Óˆ˜: “ŒÓ· Ê¿ÓÙ·ÛÌ·Ï·ÓÈ¤Ù·È ¿Óˆ ·fi ÙËÓ E˘ÚÒË. TÔ Ê¿ÓÙ·-ÛÌ· ÙÔ˘ ÎÔÌÔ˘ÓÈÛÌÔ‡”. °ÓÒÚÈÌÔ ÙÔ fiÓ Ô˘ÛÙÔȯÂÈÒÓÂÈ ÙȘ ÎÔÈӈӛ˜: ÔÈ ÔÏϷϤ˜ ÎÚ›-ÛÂȘ ÎÈ ·ÓÙÈÊ¿ÛÂȘ Ô˘ ÂÎÊÚ¿˙ÔÓÙ·È ÔÈÎÈÏÔ-ÙÚfiˆ˜ ÁÂÓÓÔ‡Ó Î·È ÙȘ ·ÓÙÈÛÙ¿ÛÂȘ ÙÔ˘˜. TÔ¿ıÔ˜ ÙÔ˘ ‰ÈÎÔ‡ Ì·˜ M¿Ë, ÙÔ ÛËÌÂÚÈÓfi Úfi-Ù·ÁÌ·, Â›Ó·È Ë Â·Ó¿ÛÙ·ÛË ÂÓ¿ÓÙÈ· ÛÙÔ ‘68 ·Ï-Ï¿ ÎÈ fi,ÙÈ ·˘Ùfi ¿ÊËÛ ÌÈÛÔÙ¤ÏÂȈÙÔ.
1. BÏ. Chris Connery “The World Sixties”, in Rob Wilson and Christopher Leigh Connery, eds., Worldings: World Literature,Field Imaginaries, Future Practices - Doing Cultural Studies Inside the U.S. War-Machine, Santa Cruz: New Pacific Press,2005.2. BÏ. E. J. Hobsbawm, New York Review, 22 May 1969. TÔ Î›-ÌÂÓÔ ·Ú·Ù›ıÂÙ·È ÛÙÔ ‚È‚Ï›Ô ÙÔ˘ Roger Absalom (1971) Flashpoints, France: The May Events 1968, Longman.3. Eric J. Hobsbawn (2002) EÔ¯‹ ÙˆÓ ¿ÎÚˆÓ, O Û‡ÓÙÔÌÔ˜ ÂÈ-ÎÔÛÙfi˜ ·ÈÒÓ·˜ 1914-1991, Â’ ¤Î‰ÔÛË, £EME§IO.4. H ¶fiÏË Î·È Ô M·ÚÍÈÛÌfi˜, °’ ¤Î‰ÔÛË, ÂΉ. O‰˘ÛÛ¤·˜, ÛÂÏ.155.5. Alain Touraine (1971) “The Student Movement: Crisis and Conflict”, The Post-Industrial Society industrial society; tomorrow’s social history: classes, conflicts and culture in the programmed society, Random House.6. Ronaldo Munck (2000) marx@2000, late marxist perspectives,Zed Books, ÛÂÏ. 16.7. Perry Anderson (1976) Consideration in Western Marxism,Verso.8. Immanuel Wallerstein (2005) H ·Ú·ÎÌ‹ Ù˘ AÌÂÚÈηÓÈ΋˜ ÈÛ¯‡Ô˜ ÔÈ H¶A Û ¤Ó· ¯·ÔÙÈÎfi ÎfiÛÌÔ, EÍ¿ÓÙ·˜, ÛÂÏ. 277.
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