• Embed Doc
  • Readcast
  • Collections
  • CommentGo Back
Download
 
Chris Kubica2020 Longspur DriveWest Lafayette, IN 47906317-651-5453 (Work)765-497-2294 (Home)765-427-7425 (Cell)425-671-5648 (Fax)chriskubica@yahoo.comDecember 18, 2002Mr. Dana Gioiaxxxxxxxx, CA xxxxxDear Mr. Gioia:I’m writing today to offer a list of ideas on how to raise awareness, strengthen publicsupport, and raise money for the National Endowment for the Arts (NEA). I know youhaven’t even been officially nominated yet, but I wanted to write you a letter before youwere on the job and 1,000 times busier. I hope that’s okay.Anyway, I’m sure you’re wondering who the heck I am and why I’m offering my ideas,so here goes. I’m an almost-thirty-year-old database developer by day and writer by nightliving in semi-rural Indiana where my wife is getting her PhD at Purdue University. Inthe late 1990s my wife and I ran a well-received, national literary quarterly called
 spelunker flophouse
(which published the works of David Foster Wallace, DavidIgnatow, Rachel Hadas, W. P. Kinsella and Stuart Dybek to name a few). Recently, theUniversity of Wisconsin Press published my first book called
 Letters to J. D. Salinger 
(which you can read all about athttp://www.jdsalinger.com
 
) and No Starch Press is aboutto come out with my second book, a whopping 1,000+ technical manual on FileMaker Pro software. I’m currently working on a few novels and a screenplay, too. I had a poem published in
The Long Islander 
.I’m also a dreamer and a creative, overly idea-filled person. You see, right now I’ve got a boring one-and-a-half-hour commute (each way) to work during which I think aboutmany creative works-in-progress. To name a few, I’d like to see Sophocles’
Oedipus Rex
 brought to the Twenty-First Century and to the big screen as
 Rex Edison
(and no, Iwouldn’t change the ending). I’d also like to commission famous writers to bring“invisible fiction” like D. B.’s short story “The Secret Goldfish” described in
TheCatcher in the Rye
to life and publish them in an anthology. If you don’t know what“invisible fiction” is, see http://www.invisiblelibrary.com.I’d also like to edit a collection of short stories where each story has the exact same title (the plot and style would vary,depending on the author).
 
December 18, 2002 Letter to Mr. Dana GioiaPage 2 of 8Another one of my ideas (which came about after seeing the “An InternationalComparison: Direct Public Expenditures on the Arts and Museums” chart found online athttp://www.nea.gov/learn/Facts/IntComp.pdf ) is to become a billionaire and start a non- profit organization called The Other Endowment for the Arts (OEA), the mission of which would be to come up with innovative ways to raise public interest for the arts inthe United States and to sponsor artists and arts organizations.Anyway, since there’s little chance of my earning even a fraction of the money required,the OEA will always be a figment of my imagination. But I’ve accumulated plenty of fresh ideas that the NEA might like to try, assuming you haven’t “been there and donetat” already.For better or worse, the rest of this letter contains many of my ideas. Please don’t think I believe in any way that NEA staff hasn’t been doing its job. On the contrary…I’m sureyou’ve been doing the best you can with your ever-diminishing resources. Think of theforthcoming list merely as the brainstorm of an eager, sympathetic citizen.
Raising Awareness / Bolstering Public Support
If the NEA has ever done any advertising to let people know what the NEA is all about,what it supports, how art is important, how America’s per capita spending on the arts isless than one fifteenth of Finland’s, etc., I’m not aware of it. This isn’t a good signcoming from a person who checks e-mail 100 times a day, is signed up to several arts-related e-mail newsletters, reads scores of magazines, watches a lot of national and localnews and listens to NPR for over two hours each day. In short, there are either nomessages coming from the NEA that are being received by even the most connected of citizens, or the messages that are being sent aren’t getting through. (I do occasionally spy“this project paid for in part by a NEA grant…” messages, though.) So I recommend anaggressive public relations campaign to raise the average American’s awareness of theaforementioned topics. No worries, I’ll discuss ways to fund these ideas in a later sectioncalled “Raising Money”.
The words “Supported by the National Endowment for the Arts” should be
everywhere
. I know that this verbiage already appears at the largest and mostheavily NEA-funded venues (in the copies of 
 Playbill 
given out at a GoodmanTheatre performance, for example, or in some of literary magazines I read), butwhat about in smaller venues or in other highly visible places, like on billboards,on blimps, at baseball games? Once people see that Jesse Helms is utterly wrong —that the NEA is
not 
just sending money to performance artists that smear feceson their naked bodies or photographers who depict crucifixes stored in jars of urine—there will be more interest in spending money on artists and artsorganizations.
Along these lines, isn’t there a list somewhere of famous artists, novels, paintings,short stories, sculptures, plays or other works that were partially or completelyfunded by the NEA? If so, let people know! You could start doing PSA’s in whichthe artist discusses the famous work. Else, have someone famous discuss the
 
December 18, 2002 Letter to Mr. Dana GioiaPage 3 of 8importance of the work. For television commercials or print ads, you could usethe popular and effective (and cheap as far as production costs due to lack of special effects) format like Apple Computer’s “Switch” campaign (seehttp://www.apple.com/switch/
 
). Can you imagine seeing Arthur Miller in somefrumpy suit on a white background talking about some play he wrote or wasmoved by and then fading in the words “Support the Arts Now. www.nea.org” or “The NEA helped Mr. Miller write
The Crucible
. Support the Arts Now.www.nea.gov” at the bottom? Tony Morrison could read a poem. Yoko Onocould paint the viewer’s television screen with see-through paint. BruceSpringstein could sing a song. Yo-Yo Ma could fiddle around. Most of theseentertainers would probably donate their time and the result would be powerfulstuff.
Show/discuss that “An International Comparison: Direct Public Expenditures onthe Arts and Museums” chart on some television or radio PSAs. That alone mightmake people contribute to the NEA out of embarrassment.
I already mentioned one of the classic complaints average people have aboutfunding the arts which is that no one wants their money to end up in the hands of “fringe” artists whose work they find offensive. For instance, most of themembers of my family would scowl at the idea of giving even a dollar to the NEAin fear that a funded artist would make a trash bag out of an old American flag or  paint a picture of the Virgin Mary dressed up like a prostitute.You and I both know that these types of “fringe” artists get very little money fromthe NEA to begin with and that in fact, as I said in my last point, the country’smost prestigious artists and organizations get much more of the funding.Therefore I suggest you come up with a list of rebuttals or “answers to mostfrequently asked questions” and publish the hell out of those answers (or send it tocongressional leaders when requesting funding). I’m sure many experts, famous people, Pulitzer Prize winners, local/state arts organizations and scholars would be willing to donate time to write up rebuttals and articles on such topics such as:
o
Who really gets NEA funding?
o
What artists, works or organizations has the NEA funded?
o
Artist/Arts Organization Success Stories
o
Why is art important, i.e. how does art directly benefit humanity?
Expounding upon the last one could be a
windfall 
for the NEA. If Americancitizens from all walks of life were exposed to the myriad of ways that art has hada direct impact
every day
on the world around us, the results could be staggering.For instance, it has been scientifically (or at least, to me, very persuasively) proven that music helps people heal (mentally and physically), that being exposedto certain kinds of art and music can make happier, smarter, and less violentchildren (or prison inmates). Upton Sinclair’s
The Jungle
revolutionized the
of 00

Leave a Comment

You must be to leave a comment.
Submit
Characters: ...
You must be to leave a comment.
Submit
Characters: ...