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MOVIETONE NEWS 60-61.pdf

MOVIETONE NEWS 60-61.pdf

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Published by skalpsolo
MOVIETONE NEWS 60-61
including sam peckinpah interview
MOVIETONE NEWS 60-61
including sam peckinpah interview

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Categories:Types, Brochures
Published by: skalpsolo on May 14, 2014
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05/14/2014

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MOVIETONENEW8
DOUBLEISSUE:NUMBER60-61
\
 100
SEATTLEPRICE
 150
ELSEWHERE
.
S MPECKINP H
MICH ELMURPHYYE R SBESTFILMS
 
 
c
o
N
T
E
N
T
s
MCNIETONt:N[W6
I
Nos.60-61:February5,1979EDITORRichardT.JamesonBUSINESSMANAGERKathleenMurphy
 Aprivilegetoworkinfilms :0SamPeckinpahamongFriends
TheSeattleFilmSocietyinconversationwiththedirector plus:
TheBalladofCableHogue
reviewedBySamelFuller
DaysofPurgatory012
Anattempttoforget
1978
ByRichardT.JamesonplusTenBestListsandremarksbyotherContributingWriters
Thetitle MovietoneNews
YouOnlyLiveOnce
isthepropertyofTwentiethCentury-FoxMovietonews,Inc.
Quickies
1345AvenueoftheAmericas.'NewYorkNewYork10019Halloween,DaysofHeaven,AmencanHotWax,FM,Intenorsasubsidia;yofInvasionoftheBodySnatchers,Who'llStoptheRain?TwentiethCentury-FoxFilmCorporation,TheEnd,Hooper,LordoftheRings,BrassTargetandisusedwithpermission.ComingHome,PrettyBaby,CapricornOneTheKingofKings,DeathontheNileTheBoysfromBrazilSupermanCONTRIBUTINGWRITERSRober C.Cumbow,PierreGreenfield,RickHermann,PeterHogue,KathleenMurphy,AlanWilliamsASSEMBLYandMAILINGCarolD.BoydEntirecontentscopyright
©
1979byTheSeattleFilmSociety3002N.E.92ndStreetSeattle,Washington98115
MomentsoutofTime
Evenbadfilmyearsmusthavesomethingtoredeemthem-someimages gestures lines stances pauses andgoodmoves
 Ihadtorisknotbeinglikedinthatscene
MichaelMurphyinterviewedByJudith
M
Kass
InBlack
 
White
JoanMellen s
BigBadWolves
snarledatByPierreGreenfield
o
 
o
27
o
36
o
:\H
o
 
COVER:SamPeckinpah(photographedbyRayPierre,July20,1978)SEATTLEFILMSOCIETYBOARDOFDIRECTORS,1978-79ElaincBcrgstrom,StcvcCaldwcll(ViccPrcsidcnt},TobyCorbctt(Prcsidcnt),JamcsGrccnbcrgJudithHcnllcs(Trcasurcr),LisaIfcllncs,DickJamcson,TomKcogh,HughMurphyKalhlccnMurphy,StcphunicOglc,Susanl'cskura(Sccrciary),Ellcnl'inkham,JanisWillctt
 
 a
pr~vil
toworkinfilms
S MPECKINP H
amongfriends
SamPeckinpahvisitedSeattleforseveraldaysinJuly,1978,underthejointauspicesoftheSeaflleFilmSocietyandtheAcademyofMotionPictureArtsandSciences.OntheeveningofJuly
19
heappear~attheSeattleConcertTheatretotalkwithanaudiencethathadjustseen,andwarmlyrespondedto,hiscomedy-western
TheBalladofCableHogue.
Thefollowingisaslightlyeditedtranscript(fromatapemadebyRayPierre)ofthatdialogue.Forfluencyofreading.wehavekeptthe{Laughter]notationstoaminimum,butthefactisthatlaughterpunctuatedthediscussion.withconsiderablefrequency.-Ed.
CableHogue,
eventhoughCablediedattheend,wasaveryupbeatfilm,whichisdifferentfromalltheother{Peckinpah]filmsthatI veseen.Wasthereareasonthatin1970or
'69
youmadeamoviethatdoesnot
 
tome,atanyrate-fitveryeasilywithalltherestofyourwork?
Ithinkitfitsverywell.Ishouldmentiononethingthatseemstoconfusepeople:I'vemadethree,ormaybeIcouldsayfour,filmsthatweremyownprojects;therestIhavedonebecausethatwasthejobthatwasoffered.Idon'treallypickandchoose.On
Cable,
Warren[Oates]hadgivenmethepropertytoread,Ilikedit,Iboughtitontime,ItriedtogettogetherwithVanHeflintomakeforaround$700,000,couldnotdoit.AndKenHymanwasthepresidentofWarnerBrothersatthattime,loved
TheWildBunch,
andIconnedhimintotying
CableHogue
intoitbecauseIwantedtomakethefilm.Andthat'sit.
Ihaveaquestionabout
TheWildBunch.
ThefirstprintthatwasshowninSeattlelastedaboutsevendays.Thenitwaschanged,anotherprintwassubstituted.Somethingswerecut,deleted,mainlytoconformwithsomecriticismsthat
Time
hadaboutthemovie.Whowasresponsibleforthecuts?
Well,
Time
magazinewasnotresponsible.Itwas...Iwascutting
Cable
atthetime.Igotacallfrom[producerPhil]Feldman;hesaidtheywantedtotryitoutinonetheatre-ashorterversion.Isaid Fine-inonetheatre. NextthingIknew,ithadbeencuttopiecesalloverthecountry.SoyoucanthankMr.Feldmanfordoingit.AndamannamedWeintraub,whoalsowasveryactiveatWarnerBrothersatthetime.
Doesanintactprintstillexist?
Vh-notasmuchasIwouldlike.ButtheEuropeanversiondoesexist,andIthinkthat'sshowninl6-millimeter.
Yes,weshowedithere.
Ithinkit'stwohoursand27minutes,somethinglikethat.Ithinkrightnowit'sdowntoathree-minuteshort.
Isthereanintactprintof
PatGarrettandBillytheKid?
{Questionfollowedbyconspiratoriallaughterintheaudience]Oho
Rumors
{Pause]
Somebodysaidtherewasaprintstolen.
{Pause]
Letyouknownextyear.
{Generallaughter]
Somethingaboutredubbingit.
Ihaveaquestionabout
OneEyedJacks,
whichthisfilmographysaysyouworkedon.Iunderstandthemovieranaboutfourhoursandthenwascut.Doesaprintofthefour-hour-longversionstillexist?
Itwaswrittenfor.[producer]FrankRosenbergwhogavemeabookcalled
TheAuthenticDeathofHendryJones
[byCharlesNeider].AndIdidthescript,andwehadsomeproblems.Itwasadamngoodscript.WhichIthrewathim,bytheway;anditwasnotbound,soitwasalloverhislivingroom-itwasreallyoneofmylastgreatmoves.ItoldhimtosendittoBrando.Anddamnedifhedidn't,andBrandoboughtit.IworkedwithMarlonforthreeandahalfweeksbeforehefired

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